Search results for ""author wendy"

Essays considering the relationship between Gower's texts and the physical ways in which they were first manifested. The media in which Gower's works were first transmitted, whether in print of manuscript form, are of vital importance to an understanding of both the poet and his audience. However, in comparison with those of his contemporary Chaucer, they have been relatively little studied. This volume represents a major collaboration between specialist scholars in manuscript and book history, and experts in Gower more generally, breaking new ground in approaching Gower through first-hand study of his publications in manuscript and print. Its chapters consider such matters as manuscript and book illumination, provenance, variant texts and editions, scribes, and printers, looking at how, and to what degree, the materiality of the vellum, paper, ink and binding illuminates - and even implicates - the poet and his poetry. MARTHA DRIVER is Distinguished Professor of English and Women's and Gender Studies at Pace University; the late DEREK PEARSALL was Gurney Professor of English Literature, Emeritus, Harvard University; R.F. YEAGER Is Professor of English and Foreign Languages, Emeritus, University of West Florida. Contributors: Stephanie L. Batkie, Julia Boffey, Margaret Connolly, Siân Echard, A.S.G. Edwards, Robert Epstein, Brian W. Gastle, Amanda J. Gerber, Yoshiko Kobayashi, Aditi Nafde, Tamara Peréz-Fernández, Wendy Scase, Karla Taylor, David Watt.

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Dr. Watson was the chronicler of every Sherlock Holmes adventure published in The Strand magazine between 1887 and 1927. He reported them with honesty in the bluff, army-style of a military doctor, so frank in their account of human behaviour that they were too risqué for the morals of Victorian England. George Newnes, the editor, purged each story before its publication. Newnes also replaced Watson’s jocular illustrations with Sidney Paget’s more innocuous portrayals. Newnes deleted everybody’s backgrounds but in these accounts Watson reveals Holmes’s family: his father, Professor Julian Cornelius Bortzoy Holmes; his wife, Wendy; his sister, Rachel, as well as Mycroft. Watson also exposes Mrs. Hudson’s property empire and he tells us how Professor Moriarty became “the Napoleon of crime.” Some of this new material is shocking, even by today’s standards! Book 3 synopsis, The formidable Miss Mary Sutherland consults Sherlock Holmes about a mysterious and elusive suitor. She tells her story from Watson's ancient Egyptian chair, the Mummy Couch, but he is more worried about her hefty derriere breaking the antique heirloom than her missing lover. Later on, Watson is introduced to Holmes's parents for the first time and discovers he has an amorous admirer in Sherlock and Mycroft's sister, Rachel.

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Oliver Wendell Holmes escaped death twice as a young Union officer in the Civil War. He lived ever after with unwavering moral courage, unremitting scorn for dogma, and an insatiable intellectual curiosity. During his nearly three decades on the Supreme Court, he wrote a series of opinions that would prove prophetic in securing freedom of speech, protecting the rights of criminal defendants, and ending the Court’s reactionary resistance to social and economic reforms. As a pioneering legal scholar, Holmes revolutionized the understanding of common law. As an enthusiastic friend, he wrote thousands of letters brimming with an abiding joy in fighting the good fight. Drawing on many previously unpublished letters and records, Stephen Budiansky offers the fullest portrait yet of this pivotal American figure.

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It is hard to imagine a person who embodied the ideals of postwar Canadian foreign policy more than diplomat and scholar John Wendell Holmes. Holmes joined the foreign service in 1943, headed the Canadian Institute of International Affairs from 1960 to 1973, and, as a professor of international relations, mentored a generation of students and scholars.Canada’s Voice draws upon family letters, archival records, and more than 150 personal interviews to chronicle how Holmes influenced the way diplomats, scholars, and statespeople abroad viewed Canada and its citizens and how Canadians saw themselves on the world stage. Accessible and engrossing, this is the only comprehensive biography of a man who helped shape foreign policy during Canada’s golden age as a middle power.

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Concentrate Q&A Equity and Trusts is part of the Concentrate Q&A series, the result of a collaboration involving hundreds of law students and lecturers from universities across the UK. The series offers you better support and a greater chance to succeed on your law course than any of the competitors. 'A sure-fire way to get a 1st class result' (Naomi M, Coventry University) 'My grades have dramatically improved since I started using the OUP Q&A guides' (Glen Sylvester, Bournemouth University) 'These first class answers will transform you into a first class student' (Ali Mohamed, University of Hertfordshire) 'I can't think of better revision support for my study' (Quynh Anh Thi Le, University of Warwick) 'I would strongly recommend Q&A guides. They have vastly improved my structuring of exam answers and helped me identify key components of a high quality answer' (Hayden Roach, Bournemouth University) '100% would recommend. Makes you feel like you will pass with flying colours' (Elysia Marie Vaughan, University of Hertfordshire) 'My fellow students rave about this book' (Octavia Knapper, Lancaster University) 'The best Q&A books that I've read; the content is exceptional' (Wendy Chinenye Akaigwe, London Metropolitan University) 'I would not hesitate to recommend this book to a friend' (Blessing Denhere, Coventry University)

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A retired Scotland Yard Inspector races to prove the innocence of his daughter's policeman fiance in this fast-paced and expertly crafted whodunnit from 'marvellous storyteller' (Michael Koryta) Scott Shepherd. When NYPD Detective John Frankel's ex-wife is discovered murdered in his Manhattan apartment, he instantly becomes the prime suspect. Frankel's gun is linked to the fatal bullet, he had a motive, and he flees the city, all of which convinces his colleagues of his guilt. But Frankel's bride-to-be, Rachel, and her father, Austin Grant, a former Scotland Yard detective in London, are certain of his innocence. So with the police under orders to use whatever force necessary to apprehend Frankel, the duo will have to act fast to save him. The relentless manhunt takes them from the tropical shores of Hawaii to the woods of northern Maine. And as the game of cat-and-mouse unfurls, so too does a complex murder plot with multiple victims... Reviews for Should I Fall: 'Riveting and fast-paced. Readers will be hooked on the twisting story.' Library Journal 'Shepherd masterfully blends crime fiction and domestic suspense in this taut, character driven sequel that leaves us wanting more!' Wendy Walker 'Tense and twist-filled, but also genuinely warm-hearted, filled with engaging characters. A pleasure to read.' Brian Freeman

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A stunning gift book containing 150 bold, brave and beautiful poems by women – from classic, well loved poets to innovative and bold modern voices. From suffragettes to school girls, from spoken word superstars to civil rights activists, from aristocratic ladies to kitchen maids, these are voices that deserve to be heard. Collected by anthologist Ana Sampson She is Fierce: Brave, Bold and Beautiful Poems by Women contains an inclusive array of voices, from modern and contemporary poets. Immerse yourself in poems from Maya Angelou, Nikita Gill, Wendy Cope, Ysra Daley-Ward, Emily Bronte, Carol Ann Duffy, Fleur Adcock, Liz Berry, Jackie Kay, Hollie McNish, Imtiaz Dharker, Helen Dunmore, Emily Dickinson, Mary Oliver, Christina Rossetti, Margaret Atwood and Dorothy Parker, to name but a few!Featuring short biographies of each poet, She is Fierce is a stunning collection and an essential addition to any bookshelf.The anthology is divided into the following sections:Roots and Growing UpFriendshipLoveNatureFreedom, Mindfulness and JoyFashion, society and body imageProtest, courage and resistanceEndings'Covering everything from love and freedom to protest and body images, dip in and embrace words of beauty on a daily basis.' – Stylist'Women sometimes get overlooked in poetry anthologies, but She is Fierce more than makes up for it.' – Independent

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"...a milestone in American religious publishing." New Catholic World Francis de Sales, Jane de Chantal: Letters of Spiritual Direction translated by Peronne Marie Thibert, V.H.M. selected and introduced by Wendy M. Wright and Joseph F. Power, O.S.F.S. preface by Henri J.M. Nouwen "I know you have complete confidence in my affection; I have no doubt about this and delight in the thought. I want you to know and to believe that I have an intense and very special desire to serve you with all my strength. It would be impossible for me to explain either the quality or the goodness of this desire that I have to be at your service, but I can tell you that I believe it is from God, and for that reason, I cherish it and every day see it growing and increasing remarkably." Francis de Sales to Jane de Chantal Offered here in fresh translation are the letters of spiritual direction of two seventeenth century mystical writers, Francis de Sales and Jane de Chantal. These letters show us the daily attempts of laity, clergy, cloistered religious, bishops, and obscure windows to live in the authentic spirit of Jesus, and will speak not only to the historian of the period, but to all contemporary readers. This collection is unique, since many of these letters, which are treasures of lived Salesian teaching, are translated for the first time into the English language. It is also the first time that the letters have been presented together, and that a scholarly and comprehensive introduction to the Salesian spiritual tradition, as embodied in the lives and writings of both Francis de Sales and Jane de Chantal, has been attempted. †

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We are used to singing hymns of praise when we go to church but often we miss the hymns and poems that are there in the New Testament. This course will explore five different Songs of Praise from the New Testament, looking at what they tell us about God and Jesus but also reflecting on what they tell us about us and our faith. The five sessions focus on: Session 1: Gratitude (Ephesians 1.3-14) Session 2: Image of God (Colossians 1.15-20) Session 3: Humility (Philippians 2.5-11) Session 4: New birth (1 Peter 1.3-12) Session 5: Word made flesh (John 1.1-14) The course booklet is accompanied by a lively CD, featuring the Archbishop of Canterbury, Justin Welby, ‘art nun’, the late Sister Wendy Beckett, the multi-award winning actor, David Suchet CBE, and Editor and Publisher of the Methodist Recorder, Moira Sleight. This York Course is available in the following formats Course Book (Paperback 9781909107069) Course Book (eBook 9781909107854) Audio Book of Interview to support Praise Him York Course (CD 9781909107847) Audio Book of Interview (Digital Download 9781909107830) Transcript of interview to support Praise Him York Course (Paperback 9781909107076) Transcript of interview (eBook 9781909107861) Book Pack (9781909107878 Featuring Paperback Course Book, Audio Book on CD and Paperback Transcript of Interview) Large print (9781909107885)

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'I've never met Danny Finkelstein but I think I'm in love with him. His book is such good company – sane, intelligent and witty. He deals with serious subjects in an immensely readable way … If I'm asked to nominate my book of the year, this will be it' Wendy Cope Writing on everything from a defence of suburban life and moderate politics to big ideas and pop culture, Daniel Finkelstein is one of the UK’s most entertaining and widely read columnists. This collection brings together Finkelstein’s greatest writings from The Times, ranging from the personal – with his articles on growing up Jewish in Hendon Central and on the deaths of both of his parents – to the political, with columns on how to predict elections, the way political science showed us Ed Miliband was on his way to defeat, and why the base rate of coups meant Jeremy Corbyn wouldn’t be ousted before an election. Wry, informed and often brilliantly funny, these pieces zip between Walt Disney, Hilary Clinton, David Bowie, Margaret Thatcher, Clement Attlee and Muhammed Ali. They make arguments about football, assisted dying, the art of becoming Prime Minister and the musical Hamilton. Cutting through the chatter to get to the centre of politics and culture, this varied and stimulating book gives an eclectic insight into the biggest conversations of the modern day. Everything is here. In moderation of course.

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Gross explores our complex fascination with uncanny children in works of fiction. Ranging from Victorian to modern works—Lewis Carroll’s Alice in Wonderland, Carlo Collodi’s Pinocchio, Henry James’s What Maisie Knew, J. M. Barrie’s Peter and Wendy, Franz Kafka’s “The Cares of a Family Man,” Richard Hughes’s A High Wind in Jamaica, Elizabeth Bowen’s The Death of the Heart, and Vladimir Nabokov’s Lolita—Kenneth Gross’s book delves into stories that center around the figure of a strange and dangerous child. Whether written for adults or child readers, or both at once, these stories all show us odd, even frightening visions of innocence. We see these children’s uncanny powers of speech, knowledge, and play, as well as their nonsense and violence. And, in the tales, these child-lives keep changing shape. These are children who are often endangered as much as dangerous, haunted as well as haunting. They speak for lost and unknown childhoods. In looking at these narratives, Gross traces the reader’s thrill of companionship with these unpredictable, often solitary creatures—children curious about the adult world, who while not accommodating its rules, fall into ever more troubling conversations with adult fears and desires. This book asks how such imaginary children, objects of wonder, challenge our ways of seeing the world, our measures of innocence and experience, and our understanding of time and memory.

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Concentrate Q&A Contract Law guides you through how to structure a successful answer to a legal problem. Whether you are preparing for a seminar, completing assessed work, or in exam conditions, each guide shows you how to break down each question, take your learning further, and score extra marks. The Concentrate Q&A series has been developed in collaboration with hundreds of law students and lecturers across the UK. Each book in this series offers you better support and a greater chance to succeed on your law course than any other Q&A guide. 'A sure-fire way to get a 1st class result' - Naomi M, Coventry University 'I can't think of better revision support for my study' - Quynh Anh Thi Le, University of Warwick 'My grades have dramatically improved since I started using the OUP Q&A guides' - Glen Sylvester, Bournemouth University 'My fellow students rave about this book' - Octavia Knapper, Lancaster University 'These first class answers will transform you into a first class student' - Ali Mohamed, University of Hertfordshire 'The best Q&A books that I've read; the content is exceptional' - Wendy Chinenye Akaigwe, London Metropolitan University Take it online: The 3rd edition is available in paperback, or e-book. Visit www.oup.com/lawrevision/ for multimedia resources to help you with revision and assessment.

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We are used to singing hymns of praise when we go to church but often we miss the hymns and poems that are there in the New Testament. This course will explore five different Songs of Praise from the New Testament, looking at what they tell us about God and Jesus but also reflecting on what they tell us about us and our faith. The five sessions focus on: Session 1: Gratitude (Ephesians 1.3-14) Session 2: Image of God (Colossians 1.15-20) Session 3: Humility (Philippians 2.5-11) Session 4: New birth (1 Peter 1.3-12) Session 5: Word made flesh (John 1.1-14) The course booklet is accompanied by a lively CD, featuring the Archbishop of Canterbury, Justin Welby, ‘art nun’, the late Sister Wendy Beckett, the multi-award winning actor, David Suchet CBE, and Editor and Publisher of the Methodist Recorder, Moira Sleight. This York Course is available in the following formats Course Book (Paperback 9781909107069) Course Book (eBook 9781909107854) Audio Book of Interview to support Praise Him York Course (CD 9781909107847) Audio Book of Interview (Digital Download 9781909107830) Transcript of interview to support Praise Him York Course (Paperback 9781909107076) Transcript of interview (eBook 9781909107861) Book Pack (9781909107878 Featuring Paperback Course Book, Audio Book on CD and Paperback Transcript of Interview) Large print (9781909107885)

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New York Times and New Yorker illustrator Jillian Tamaki is best known for co-creating the award-winning young adult graphic novels Skim and This One Summer -- moody and atmospheric bestsellers. SuperMutant Magic Academy, which Jillian has been serializing online for the past four years, paints a teenaged world filled with just as much ennui and uncertainty, but also with a sharp dose of humor and irreverence. Jillian deftly plays superhero and high school Hollywood tropes against what adolescence is really like: the SuperMutant Magic Academy is a prep-school for mutants and witches but their paranormal abilities take a back seat to everyday teen concerns. Science experiments go awry, bake sales are upstaged, and the new kid at school is a cat who will determine the course of human destiny. In one strip, lizard-headed Trixie frets about her non-existent modeling career; in another the immortal Everlasting Boy tries to escape this mortal coil to no avail. Throughout it all, closeted Marsha obsesses about her unrequited crushee, the cat-eared Wendy. Whether the magic is mundane or miraculous, Jillian's jokes are precise and devastating. SuperMutant Magic Academy has won two Ignatz Awards. This volume combines the most popular content from the webcomic with a selection of all-new, never-before-seen strips that conclude Jillian's account of life at the Academy.

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To our modern ears the word “creature” has wild, musky, even monstrous, connotations. And yet the terms “creaturely” and “love,” taken together, have traditionally been associated with theological debates around the enigmatic affection between God and His key creation, Man. In Creaturely Love, Dominic Pettman explores the ways in which desire makes us both more, and less, human. In an eminently approachable work of wide cultural reach and meticulous scholarship, Pettman undertakes an unprecedented examination of how animals shape the understanding and expression of love between people. Focusing on key figures in modern philosophy, art, and literature (Nietzsche, Salomé, Rilke, Balthus, Musil, Proust), premodern texts and fairy tales (Fourier, Fournival, Ovid), and contemporary films and online phenomena (Wendy and Lucy, Her, memes), Pettman demonstrates that from pet names to spirit animals, and allegories to analogies, animals have constantly appeared in our writings and thoughts about passionate desire.By following certain charismatic animals during their passage through the love letters of philosophers, the romances of novelists, the conceits of fables, the epiphanies of poets, the paradoxes of contemporary films, and the digital menageries of the Internet, Creaturely Love ultimately argues that in our utilization of the animal in our amorous expression, we are acknowledging that what we adore in our beloveds is not (only) their humanity, but their creatureliness.

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A beautifully moving and poignant tale of finding yourself in the wake of heartbreak, perfect for fans of Amanda Prowse and Imogen Clark Natasha and Daniel were meant for each other. On paper you’d never think it so; whilst Taz would arrive at school hungry and in clothes too small, Dan’s affluent background was no secret. But they were drawn together and found comfort in the fact that neither felt they truly belonged. When something terrible happens and Dan is sent to prison, Taz doesn’t even pause to think before standing by his side. As the ground beneath Dan crumbles, it’s Taz who is there to catch him. A family of two, it’s them against the world. But now, years later, what happens when the threats they face come from within? Plagued by guilt over a secret in her past, Taz must face the truth or risk losing Dan forever. Readers can’t get enough of The Things That Matter: ‘A beautifully written story…one of the best books I have read this year’ Muriel ‘A highly original read…so much character and warmth’ Sarah ‘Life affirming…it made me laugh, it made me cry’ Helen ‘A wonderful book with a heartfelt message we could all use these days!’ Laurie ‘Incredibly well written and thought provoking’ Jenny ‘Wow! What a fun, emotional journey this book took me on…made me cry and laugh out loud’ Wendy

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Brings together lesser-known historical accounts of the Wendats from their mid-seventeenth-century dispersal through their establishment of new homelands, called Wendakes, in Quebec, Michigan, Ontario, Kansas, and Oklahoma. What emerges is a complex picture that encapsulates both the cultural resilience and the diversity of these peoples.

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An inside look at how patients living with terminal illness created one of the country’s first medical marijuana collectives Marijuana as medicine has been a politically charged topic in this country for more than three decades. Despite overwhelming public support and growing scientific evidence of its therapeutic effects (relief of the nausea caused by chemotherapy for cancer and AIDS, control over seizures or spasticity caused by epilepsy or MS, and relief from chronic and acute pain, to name a few), the drug remains illegal under federal law. In Dying to Get High, noted sociologist Wendy Chapkis and Richard J. Webb investigate one community of seriously-ill patients fighting the federal government for the right to use physician-recommended marijuana. Based in Santa Cruz, California, the Wo/Men’s Alliance for Medical Marijuana (WAMM) is a unique patient-caregiver cooperative providing marijuana free of charge to mostly terminally ill members. For a brief period in 2004, it even operated the only legal non-governmental medical marijuana garden in the country, protected by the federal courts against the DEA. Using as their stage this fascinating profile of one remarkable organization, Chapkis and Webb tackle the broader, complex history of medical marijuana in America. Through compelling interviews with patients, public officials, law enforcement officers and physicians, Chapkis and Webb ask what distinguishes a legitimate patient from an illegitimate pothead, good drugs from bad, medicinal effects from just getting high. Dying to Get High combines abstract argument and the messier terrain of how people actually live, suffer and die, and offers a moving account of what is at stake in ongoing debates over the legalization of medical marijuana.

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Wendepunkte im Bauen begleitet die Ausstellung in der Pinakothek der Moderne in München von März bis Juni 2010. Das Buch beinhaltet: • Aufsätze u.a. zur Geschichte des Systembaus in Deutschland, über Industrialisierung und Digitalisierung des Bauens und über den Einsatz von Computern in der Planung • Ausführlicher Katalogteil mit Fotos von Modellen/gebauten Beispielen und Plänen zu Projekten (August von Voit | Glaspalast, Jean Prouvè | Maison tropicale, Richard Buckminster Fuller | Dymaxion House, Konrad Wachsmann | United States Air Force Hangar, Frank O. Gehry | Vitra Design Museum, Thomas Herzog, Hanns Jörg Schrade | Design Center, Foster and Partners | Überdachung des Great Court des British Museum, UNStudio - van Berkel & Bos | Mercedes-Benz Museum • Gedanken zeitgenössischer Architekten zu Bedeutung und Wirkung von Wachsmanns „Wendepunkt im Bauen“ "

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The first history of the Soviet home front experience during World War II and of the civilians who bore the burden of total war and played a critical role in the global victory over fascism. After Hitler's invasion of the Soviet Union in 1941, German troops conquered the heartland of Soviet industry and agriculture and turned the occupied territories into mass killing fields. The country's survival hung in the balance. In Fortress Dark and Stern, Wendy Z. Goldman and Donald Filtzer tell the epic tale of the Soviet home front during World War II. Against the backdrop of the Red Army's early retreats and hard-fought advances after Stalingrad, they present the impact of total war behind the front lines in a chronicle of spirited defense efforts, draconian state directives, teeming black markets, official corruption, and selfless heroism. In one of the greatest wartime feats in history, Soviet workers rapidly evacuated factories, food, and people thousands of miles to the east. After long and dangerous journeys in unheated boxcars, they built a new industrial base beyond the reach of German bombers. As the Soviet state reached the height of its power, imposing military discipline and sending millions of people to work thousands of miles from home, ordinary people withstood starvation, epidemics, and horrific living conditions to supply the front and make the Allied victory possible This book examines the dark and painful war years from a new perspective, telling the stories of evacuees, refugees, teenaged and women workers, runaways from work, prisoners, and deportees. Based on a vast trove of new archival materials, Fortress Dark and Stern reveals a history of suffering, sacrifice, and ultimate triumph largely unknown to Western readers.

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In the post–Cold War era, states increasingly find themselves in conflicts with nonstate actors. Finding it difficult to fight these opponents directly, many governments instead target states that harbor or aid nonstate actors, using threats and punishment to coerce host states into stopping those groups.Wendy Pearlman and Boaz Atzili investigate this strategy, which they term triadic coercion. They explain why states pursue triadic coercion, evaluate the conditions under which it succeeds, and demonstrate their arguments across seventy years of Israeli history. This rich analysis of the Arab-Israeli conflict, supplemented with insights from India and Turkey, yields surprising findings. Traditional discussions of interstate conflict assume that the greater a state’s power compared to its opponent, the more successful its coercion. Turning that logic on its head, Pearlman and Atzili show that this strategy can be more effective against a strong host state than a weak one because host regimes need internal cohesion and institutional capacity to move against nonstate actors. If triadic coercion is thus likely to fail against weak regimes, why do states nevertheless employ it against them? Pearlman and Atzili’s investigation of Israeli decision-making points to the role of strategic culture. A state’s system of beliefs, values, and institutionalized practices can encourage coercion as a necessary response, even when that policy is prone to backfire.A significant contribution to scholarship on deterrence, asymmetric conflict, and strategic culture, Triadic Coercion illuminates an evolving feature of the international security landscape and interrogates assumptions that distort strategic thinking.

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What Is a People? seeks to reclaim "people" as an effective political concept by revisiting its uses and abuses over time. Alain Badiou surveys the idea of a people as a productive force of solidarity and emancipation and as a negative tool of categorization and suppression. Pierre Bourdieu follows with a sociolinguistic analysis of "popular" and its transformation of democracy, beliefs, songs, and even soups into phenomena with outsized importance. Judith Butler calls out those who use freedom of assembly to create an exclusionary "we," while Georges Didi-Huberman addresses the problem of summing up a people with totalizing narratives. Sadri Khiari applies an activist's perspective to the racial hierarchies inherent in ethnic and national categories, and Jacques Ranciere comments on the futility of isolating theories of populism when, as these thinkers have shown, the idea of a "people" is too diffuse to support them. By engaging this topic linguistically, ethnically, culturally, and ontologically, the voices in this volume help separate "people" from its fraught associations to pursue more vital formulations. Together with Democracy in What State?, in which Giorgio Agamben, Alain Badiou, Daniel Bensaid, Wendy Brown, Jean-Luc Nancy, Jacques Ranciere, Kristin Ross, and Slavoj Zizek discuss the nature and purpose of democracy today, What Is a People? expands an essential exploration of political action and being in our time.

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The contributors to Siting Postcoloniality reevaluate the notion of the postcolonial by focusing on the Sinosphere—the region of East and Southeast Asia that has been significantly shaped by relations with China throughout history. Pointing out that the history of imperialism in China and Southeast Asia is longer and more complex than Euro-American imperialism, the contributors complicate the traditional postcolonial binaries of center-periphery, colonizer-colonized, and developed-developing. Among other topics, they examine socialist China’s attempts to break with Soviet cultural hegemony; the postcoloniality of Taiwan as it negotiates the legacy of Japanese colonial rule; Southeast Asian and South Asian diasporic experiences of colonialism; and Hong Kong’s complex colonial experiences under the British, the Japanese, and mainland China. The contributors show how postcolonial theory’s central concepts cannot adequately explain colonialism in the Sinosphere. Challenging fundamental axioms of postcolonial studies, this volume forcefully suggests that postcolonial theory needs to be rethought. Contributors. Pheng Cheah, Dai Jinhua, Caroline S. Hau, Elaine Yee Lin Ho, Wendy Larson, Liao Ping-hui, Lin Pei-yin, Lo Kwai-Cheung, Lui Tai-lok, Pang Laikwan, Lisa Rofel, David Der-wei Wang, Erebus Wong, Robert J. C. Young

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The contributors to Siting Postcoloniality reevaluate the notion of the postcolonial by focusing on the Sinosphere—the region of East and Southeast Asia that has been significantly shaped by relations with China throughout history. Pointing out that the history of imperialism in China and Southeast Asia is longer and more complex than Euro-American imperialism, the contributors complicate the traditional postcolonial binaries of center-periphery, colonizer-colonized, and developed-developing. Among other topics, they examine socialist China’s attempts to break with Soviet cultural hegemony; the postcoloniality of Taiwan as it negotiates the legacy of Japanese colonial rule; Southeast Asian and South Asian diasporic experiences of colonialism; and Hong Kong’s complex colonial experiences under the British, the Japanese, and mainland China. The contributors show how postcolonial theory’s central concepts cannot adequately explain colonialism in the Sinosphere. Challenging fundamental axioms of postcolonial studies, this volume forcefully suggests that postcolonial theory needs to be rethought. Contributors. Pheng Cheah, Dai Jinhua, Caroline S. Hau, Elaine Yee Lin Ho, Wendy Larson, Liao Ping-hui, Lin Pei-yin, Lo Kwai-Cheung, Lui Tai-lok, Pang Laikwan, Lisa Rofel, David Der-wei Wang, Erebus Wong, Robert J. C. Young

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Technology mediates how we know and experience cities, and the nature of this mediation has always been deeply political. Today, the production and deployment of data is at the forefront of projects to grasp and reshape urban life. Ways of Knowing Cities considers the role of technology in generating, materializing, and contesting urban epistemologies—tracing an arc from ubiquitous sites of “smart” urbanism, to discrete struggles over infrastructural governance, to forgotten histories of segregation now naturalized in urban algorithms, to exceptional territories of border policing. Bringing together architects, urbanists, artists, and scholars of critical migration studies, media theory, geography, anthropology, and literature, the essays stage a deeply interdisciplinary conversation, interrogating the ways in which certain ways of knowing are predicated on the erasure of others. In this opening, the book engages the information systems that structure urban space and social life in it, historically and in the present moment, to imagine alternative practices and generate new critical perspectives on spatial research.Ways of Knowing Cities includes texts by Eve Blau, Simone Browne, Maribel Casas-Cortes, Wendy Chun, Sebastian Cobarrubias, Beth Coleman, V. Mitch McEwen, Orit Halpern, Charles Heller, Shannon Mattern, Leah Meisterlin, Tinashe Mushakavanhu, Nontsikelelo Mutiti, Dietmar Offenhuber, Lorenzo Pezzani, Anita Say Chan, and Matthew W. Wilson.

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"Ant is borderline obsessed with funerals, likening the events to weddings as gatherings he looks forward to. Yet, when a childhood friend passes, Ant's veneer starts to crumble. Weirdly funny, Whiteout Conditions tracks Ant and his friend Vince as they make their way through Chicogoland's suburbs, which, in Shah's telling, are as harrowing as any arctic climate." --Wendy J. Fox, BuzzFeed '15 Small Press Books To Kick Off Your 2020 Reading Season' Ant is back in Chicago for a funeral, and he typically enjoys funerals. Since most of his family has passed away, he finds himself attracted to their endearing qualities: the hyperbolic language, the stoner altar boy, seeing friends in suits for the first time. That is, until the tragic death of Ray -- Ant's childhood friend, Vince's teenage cousin. Ray was the younger third-wheel that Ant and Vince were stuck babysitting while in high school, and his sudden death makes national news. In the depths of a brutal Midwest winter, Ant rides with Vince through the falling snow to Ray's funeral, an event that has been accruing a sense of consequence. With a poet's sensibility, Shah navigates the murky responsibilities of adulthood, grief, toxic masculinity, and the tragedy of revenge in this haunting Midwestern noir.

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In a mix of historical fact and folklore, 'biker-historian' David R. Ross journeys across Scotland to tell the stories of some of Scotland's finest women. From the legend of Scota over 3,000 years ago to the Bruce women, Black Agnes and the real Lady Macbeth, through Kay Matheson - who helped liberate the Stone of Destiny from Westminster Abbey - and Wendy Wood in the 20th century, these proud and passionate women shaped the Scotland of today. Leading his readers to the sites where the past meets the present, this is a captivating insight into some remarkable tales of the Scottish people that have previously been neglected, a celebration of and tribute to the Women of Scotland. Often in my daily life I find that it is the women of Scotland that have the true patriot sould their menfolk sometimes lack. Scotland means something to so many of them, and Caledonia burns deep within their collective memory. I hope that both Scots men and women are inspired or moved by some of the stories told here. Women of Scotland, it is you who will bear and nurture our future generations. Instil in them a pride in their blood that will inspire the generations yet to come, so that our land will regain its place, and remain strong and free, defiant and proud, for the Scots yet unborn. - DAVID R. ROSS

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River Song decides to investigate a temporal anomaly after a Luna University expedition makes some odd discoveries in an old Earth house - pages of her own diary with an inscrutable riddle written across them. However, her investigation goes badly wrong when she is transported back into the past of the house and gets trapped within its grounds. The house is the home of the Mortimers and with a limited ability to travel back and forth in time across eighty years and multiple generations, she finds herself witnessing key moments in their family history. If she wants to escape, the words in her diary are not the only riddle she has to solve. But not everyone in the house will survive what's coming. And not everyone is on her side. CAST: : Alex Kingston (River Song), Matt Addis (George Mortimer), Timothy Bentinck (Older Henry Mortimer), Isla Blair (Older Mary Mortimer), James Camp (Thomas Mortimer), Joseph Capp (Henry Mortimer), Wendy Craig (Older Maddie Mortimer), Mark Elstob (Hugo), Lillie Flynn (Maddie Mortimer), Jack Holden (Harry Mortimer), Phyllida Nash (Cook), Ronak Patani (Vinay Siddiqui), Vineeta Rishi (Carla Alcazar), Jemima Rooper (Mary Mortimer). Other parts played by members of the cast.

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Oliver Wendell Holmes twice escaped death as a young Union officer in the Civil War when musket balls missed his heart and spinal cord by a fraction of an inch at the Battles of Ball’s Bluff and Antietam. He lived ever after with unwavering moral courage, unremitting scorn for dogma, and an insatiable intellectual curiosity. Named to the Supreme Court by Theodore Roosevelt at age sixty-one, he served for nearly three decades, writing a series of famous, eloquent, and often dissenting opinions that would prove prophetic in securing freedom of speech, protecting the rights of criminal defendants, and ending the Court’s reactionary resistance to social and economic reforms. As a pioneering legal scholar, Holmes revolutionized the understanding of common law by showing how the law always evolved to meet the changing needs of society. As an enthusiastic friend and indefatigable correspondent, he wrote thousands of personal letters brimming with humorous philosophical insights, trenchant comments on the current scene, and an abiding joy in fighting the good fight. Drawing on many previously unpublished letters and records, Stephen Budiansky’s definitive biography offers the fullest portrait yet of this pivotal American figure, whose zest for life, wit, and intellect left a profound legacy in law and Constitutional rights, and who was an inspiring example of how to lead a meaningful life in a world of uncertainty and upheaval.

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Highly acclaimed as translators of Greek and Sanskrit classics, respectively, David Grene and Wendy Doniger O'Flaherty here present a complete modern translation of the three plays comprising Aeschylus' Orestia and, with the assistance of director Nicholas Rudall, an abridged stage adaptation. This blanced and highly successful collaboration of scholars with a theater director solves the contemporary problems of translating and staging the Orestia, which originally was written to be performed in Athens in the first half of the fifth century B.C. While remaning faithful to the original Greek, Grene and O'Flaherty embrace a strong and adventurous English style, vivid and visceral. The language of this extraordinary translation, immediately accessible to a theater audience, speaks across the centuries. Premiered at Chicago's Court Theater in 1986 under Rudall's direction, the stage adaptation of the Orestia proved eminently playable. This new adaptation of the orestia offers a brilliant demonstration of how clearly defined goals (here, the actor's needs) can inspire translators to produce fresh, genuine, accessible dramatic texts. The resulting work provides complete and accurate texts for those who cannot read the original Greek, and it transforms the Orestia into an effective modern stage play. With interpretive introductions written by the translators and director, this new version will be welcomed by teachers of translation courses, by students of Greek and world drama in general, and by theater professionals.

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A Thriving Modernism celebrates the remarkable careers of architects Wendell Lovett and Arne Bystrom and their contributions to modernism and to the architectural legacy of the Pacific Northwest. Wendell Lovett joined the University of Washington faculty in 1948; Arne Bystrom was one of his first students. Their work, now encompassing half a century, has been published in Germany, Spain, Italy, Japan, Denmark, England, Brazil, Switzerland, and France, and their reputations in these places are established. Yet in the United States, despite their being elected Fellows of the American Institute of Architects in 1978 and 1985, respectively, they remain little known outside the Northwest. Both men believe deeply in the emotional dimension of architecture; both are dedicated to expressive detail, executed through exquisite craftsmanship; both have been offered remarkable sites on which to build. In a series of domestic projects, each has found, in his own way, a much enriched modernism. Lovett draws influences from modern Scandinavia and Italy, from Alvar Aalto and Santiago Calatrava. Bystrom acknowledges debts to medieval Scandinavia and the ancient Far East, Frank Lloyd Wright, and Greene and Greene. Lovett’s dedication to industrialized materials and methods is informed by gesture and anthropomorphic metaphor. Bystrom, devoted to the natural and the handcrafted, develops an abstract discipline of geometry and physics into a crisp structural concept. Lovett’s manipulation of space, light, and mechanistic detail yields a richness undreamed of in early modernism, while Bystrom’s delight in wood as inspiration is comparable to that of ancient Asian crafts. This lavishly illustrated book sets forth the extraordinary work of these two architects. It will appeal to practicing architects, as it will to any reader interested in a vital tale of architects and architecture helping to define the cultural history of the American Northwest.

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In This Land Is Ours Now, Wendy Wolford presents an original framework for understanding social mobilization. She argues that social movements are not the politically coherent, bounded entities often portrayed by scholars, the press, and movement leaders. Instead, they are constantly changing mediations between localized moral economies and official movement ideologies. Wolford develops her argument by analyzing how a particular social movement works: Brazil’s Rural Landless Workers’ Movement, known as the Movimento Sem Terra (MST). Founded in the southernmost states of Brazil in the mid-1980s, this extraordinary grassroots agrarian movement grew dramatically in the ensuing years. By the late 1990s it was the most dynamic, well-organized social movement in Brazilian history. Drawing on extensive ethnographic research, Wolford compares the development of the movement in Brazil’s southern state of Santa Catarina and its northeastern state of Pernambuco. As she explains, in the south, most of the movement’s members were sons and daughters of small peasant farmers; in the northeast, they were almost all former plantation workers, who related awkwardly to the movement’s agenda of accessing “land for those who work it.” The MST became an effective presence in Pernambuco only after the local sugarcane economy had collapsed. Worldwide sugarcane prices dropped throughout the 1990s, and by 1999 the MST was a prominent political organizer in the northeastern plantation region. Yet fewer than four years later, most of the region’s workers had dropped out of the movement. By delving into the northeastern workers’ motivations for joining and then leaving the MST, Wolford adds nuance and depth to accounts of a celebrated grassroots social movement, and she highlights the contingent nature of social movements and political identities more broadly.

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