Search results for ""author frances"

Nineteenth-century drug consumption permeated French society and encouraged the chemical enhancement of modern life. Drugging France highlights the medical histories of these drugs, chronicling how doctors transformed exotic botanicals and unpredictable chemicals into substances that reconfigured how people experienced their minds and bodies.

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Winner of the Duff Cooper Prize for History, the Elizabeth Longford Prize for Historical Biography, the American Library in Paris Award, the Franco-British Society Literary Prize and the Grand Prix de la Biographie Politique du TouquetA SUNDAY TIMES, THE TIMES, DAILY TELEGRAPH, NEW STATESMAN, SPECTATOR, FINANCIAL TIMES, TLS BOOK OF THE YEAR'Masterly ... awesome reading ... an outstanding biography' Max Hastings, Sunday TimesIn six weeks in the early summer of 1940, France was over-run by German troops and quickly surrendered. The French government of Marshal Pétain sued for peace and signed an armistice. One little-known junior French general, refusing to accept defeat, made his way to England. On 18 June he spoke to his compatriots over the BBC, urging them to rally to him in London. 'Whatever happens, the flame of French resistance must not be extinguished and will not be extinguished.' At that moment, Charles de Gaulle entered into history.For the rest of the war, de Gaulle frequently bit the hand that fed him. He insisted on being treated as the true embodiment of France, and quarrelled violently with Churchill and Roosevelt. He was prickly, stubborn, aloof and self-contained. But through sheer force of personality and bloody-mindedness he managed to have France recognised as one of the victorious Allies, occupying its own zone in defeated Germany. For ten years after 1958 he was President of France's Fifth Republic, which he created and which endures to this day. His pursuit of 'a certain idea of France' challenged American hegemony, took France out of NATO and twice vetoed British entry into the European Community. His controversial decolonization of Algeria brought France to the brink of civil war and provoked several assassination attempts.Julian Jackson's magnificent biography reveals this the life of this titanic figure as never before. It draws on a vast range of published and unpublished memoirs and documents - including the recently opened de Gaulle archives - to show how de Gaulle achieved so much during the War when his resources were so astonishingly few, and how, as President, he put a medium-rank power at the centre of world affairs. No previous biography has depicted his paradoxes so vividly. Much of French politics since his death has been about his legacy, and he remains by far the greatest French leader since Napoleon.

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An interdisciplinary approach to a crucial part of the systems of medieval authority and governance. In the medieval world, what happened when a figure of recognised authority was absent? What terminology, principles and solutions of proxy authority were developed and adopted? Did these solutions differ and change over time depending on whether the absence was short or long and caused by issues of incapacity, minority, disputed succession, geography or elective absenteeism? Did the models of proxy authority adopted by ruling dynasties and large institutions influence the proxy choices of lesser authority? The circumstances and consequences of absentee authority, a major aspect of the systems of medieval power, are the focus of this volume. Ranging across the realms of medieval Europe (but with a focus upon the British Isles and France), its essays embrace a wide variety of experience - royal, parliamentary, conciliar, magnatial, military, ecclesiastical (papal to parochial), burghal, household, minoror major, male or female, exiled, captive or infirm - and explore not merely political developments, but the dynastic, diplomatic, financial, ideological, religious and cultural ramifications of such episodes. Frédérique Lachaud is Professor of medieval history at the Université de Lorraine, France; Michael Penman is Senior Lecturer in history at the University of Stirling, Scotland. Contributors: James Bothwell Michelle Bubenicek, Léonard Dauphant , Bruno Dumézil, Laurent Hablot, Torsten Hiltmann, Tom Horler-Underwood, Robert Houghton, Olivier de Laborderie, Frédérique Lachaud, Hans Jacob Orning, Michael Penman. Norman Reid

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In the familiar tale of mass migration to France from 1880 onward, we know very little about the hundreds of thousands of women who formed a critical part of those migration waves. In Reproductive Citizens, Nimisha Barton argues that their relative absence in the historical record hints at a larger and more problematic oversight—the role of sex and gender in shaping the experiences of migrants to France before the Second World War. Barton's compelling history of social citizenship demonstrates how, through the routine application of social policies, state and social actors worked separately toward a shared goal: repopulating France with immigrant families. Filled with voices gleaned from census reports, municipal statistics, naturalization dossiers, court cases, police files, and social worker registers, Reproductive Citizens shows how France welcomed foreign-born men and women—mobilizing naturalization, family law, social policy, and welfare assistance to ensure they would procreate, bearing French-assimilated children. Immigrants often embraced these policies because they, too, stood to gain from pensions, family allowances, unemployment benefits, and French nationality. By striking this bargain, they were also guaranteed safety and stability on a tumultuous continent. Barton concludes that, in return for generous social provisions and refuge in dark times, immigrants joined the French nation through marriage and reproduction, breadwinning and child-rearing—in short, through families and family-making—which made them more French than even formal citizenship status could.

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Shortlisted, 2018 Taste Canada Awards and 2018 Writers' Federation of New Brunswick Book Award for Non-FictionLonglisted, 2018 RBC Taylor PrizeJan Wong knows food is better when shared, so when she set out to write a book about home cooking in France, Italy, and China, she asked her 22-year-old son, Sam, to join her. While he wasn't keen on spending excessive time with his mom, he dreamed of becoming a chef. Ultimately, it was an opportunity he couldn't pass up.On their journey, Jan and Sam live and cook with locals, seeing first-hand how globalization is changing food, families, and cultures. In southeast France, they move in with a family sheltering undocumented migrants. From Bernadette, the housekeeper, they learn classic French family fare such as blanquette de veau. In a hamlet in the heart of Italy's Slow Food country, the villagers teach them without fuss or fanfare how to make authentic spaghetti alle vongole and a proper risotto with leeks. In Shanghai, they home-cook firecracker chicken and scallion pancakes with the nouveaux riches and their migrant maids, who comprise one of the biggest demographic shift in world history. Along the way, mother and son explore their sometimes-fraught relationship, uniting — and occasionally clashing — over their mutual love of cooking.A memoir about family, an exploration of the globalization of food cultures, and a meditation on the complicated relationships between mothers and sons, Apron Strings is complex, unpredictable, and unexpectedly hilarious.

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'Brilliant...This fascinating exploration through three centuries of the frontier is rounded off with a perceptive and balanced appraisal of the nature of national identity within the context of the Pyrenees...A study which is exciting, learned, and thought-provoking, a splendid example of interdisciplinary history at its best' - "Times Literary Supplement".

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Well-known scholars and poets living in sixteenth-century France, including Erasmus, Ronsard, Calvin, and Rabelais, promoted elite satire that "corrected vices" but "spared the person"—yet this period, torn apart by religious differences, also saw the rise of a much cruder, personal satire that aimed at converting readers to its ideological, religious, and, increasingly, political ideas. By focusing on popular pamphlets along with more canonical works, Less Rightly Said shows that the satirists did not simply renounce the moral ideal of elite, humanist scholarship but rather transmitted and manipulated that scholarship according to their ideological needs. Szabari identifies the emergence of a political genre that provides us with a more thorough understanding of the culture of printing and reading, of the political function of invectives, and of the general role of dissensus in early modern French society.

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This book is the first comparative study of its kind to explore at length the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. It compares individual and societal secularisation in France and England and examines how French and English Catholic writers understood and contested secular mores, ideologies and praxis, in the individual, societal and religious domains. It also addresses the extent to which some Catholic writers succumbed to the seduction of secular instincts, even paradoxically in themes which are considered to be emblematic of Catholic literature. The breadth of this book will make it a useful guide for students wishing to become familiar with a wide range of such writings in France and England during this period. It will also appeal to researchers interested in Catholic literary and intellectual history in France and England, theologians, philosophers and students of the sociology of religion.

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From Revolutionaries to Citizens is the first comprehensive account of the most important antiwar campaign prior to World War I: the antimilitarism of the French Left. Covering the views and actions of socialists, trade unionists, and anarchists from the time of France’s defeat by Prussia in 1870 to the outbreak of hostilities with Germany in 1914, Paul B. Miller tackles a fundamental question of prewar historiography: how did the most antimilitarist culture and society in Europe come to accept and even support war in 1914?Although more general accounts of the Left’s “failure” to halt international war in August 1914 focus on its lack of unity or the decline of trade unionism, Miller contends that these explanations barely scratch the surface when it comes to interpreting the Left’s overwhelming acceptance of the war. By embedding his cultural analysis of antimilitarist propaganda into the larger political and diplomatic history of prewar Europe, he reveals the Left’s seemingly sudden transformation “from revolutionaries to citizens” as less a failure of resolve than a confession of commonality with the broader ideals of republican France. Examining sources ranging from police files and court records to German and British foreign office memos, Miller emphasizes the success of antimilitarism as a rallying cry against social and political inequities on behalf of ordinary citizens. Despite their keen awareness of the bloodletting that awaited Europe, he claims, antimilitarists ultimately accepted the war with Germany for the same reason they had pursued their own struggle within France: to address injustices and defend the rights of citizens in a democratic society.

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The fascinating and unknown story of the Tour de France's ever-changing relationship with money and power - and the enigmatic family behind it all.It started with a cash drop by an English spy in occupied Paris in 1944. Reserved for Resistance groups during the war, the money reached Émilien Amaury, an advertising executive, who was tasked to help France return to a free press once liberated. He soon launched a newspaper empire that - unbeknown to him - would own the rights to run what would become one of the greatest sporting events in history.Le Tour, once a struggling commercial phenomenon, began to rise in popularity across much of western Europe in the glum years after the Second World War, lifting the mood of the hungry and despondent French. But with the increased interest in the event, exacerbated by the creation of television and the internet, came several cultural threats to national heritage. Multiple attempts to wrest power and profits from the latest generation of the Amaury family - who still own the race and take tens of millions of euros home in dividends - have followed, but not without a fight.Fast-paced and fastidiously researched, Le Fric illustrates how moments off the bike at the Tour de France are every bit as gripping as the battle for the yellow jersey.

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An examination of what the translation of medieval French texts into different European languages can reveal about the differences between cultures. Throughout the Middle Ages, many Francophone texts - chansons de geste, medieval romance, works by Chrétien de Troyes and Marie de France - were widely translated in north-western Europe. In the process, these texts were frequently transformed to reflect the new cultures in which they appeared. This book argues that such translations, prime sites for cultural movement and encounters, provide a rich opportunity to study linguistic and cultural identity both in and through time. Via a close comparison of a number of these texts, examining the various modifications made, and drawing on a number of critical discourses ranging from post-colonial criticism to translation theory, the author explores the complexities of cultural dialogue and dissent. This approach both recognises and foregrounds the complex matrix of influence, resistance and transformations within the languages and cultural traditions of medieval Europe, revealing the undercurrents of cultural conflict apparent in medieval textuality. Sif Rikhardsdottir is Professor of Comparative Literature at the University of Iceland and Vice-Chair of the Institute ofResearch in Literature and Visual Arts.

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This is a dual language (English and French) rock climbing guide to the Mont Ventoux area in the Avignon region of Southern France. The South of France with its excellent record of fine weather and superb quality limestone cliffs, has always been one of the most popular climbing destinations in Europe. This is a highly modern and up-to-date topo guidebook, with over 1000 routes from beginners 3a's up to an 8c's, and will suit anyone going on holiday, and at any time of the year. With over 200 colour photos and 100 colour topos that evocatively illustrate both the climbing and the region, this book will be the ideal holiday companion for anyone that seeks sunshine and climbing.

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Fully illustrated, this book casts light on the utility and role of the German and British cavalry in the early stages of World War I on the Western Front. In the early months of World War I, before the fighting degenerated into static trench warfare, there was a brief period of mobile combat as the German Army advanced through Belgium and northern France, forcing the French and British forces facing them to retreat. Both sides in the escalating conflict deployed substantial numbers of cavalry units to screen their infantry forces, conduct reconnaissance and harness their superior mobility to undertake aggressive combat operations. In the summer of 1914, the British cavalry had the difficult task of covering the withdrawal of the British Expeditionary Force and the German cavalry, the equally demanding task, after weeks of combat and forced marches, of maintaining contact with a rapidly retiring enemy. In this book a comparative assessment is made of each side’s doctrine, organization, equipment and training, followed by a detailed analysis of their actual performance in three key encounter actions: Casteau/Soignies (22 August), Cérizy/Moÿ (28 August) and Le Montcel/Frétoy (7 September). This analysis is supported by carefully chosen photographs and specially commissioned full-colour artwork and maps.

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The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.

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A Sunday Times History Book of the Year 2019Shortlisted for The Stanford Dolman Travel Book of the Year Award'No Briton has written better than Winder about Europe' - Sunday TimesIn AD 843, the three surviving grandsons of the great Emperor Charlemagne met at Verdun. After years of bitter squabbles over who would inherit the family land, they finally decided to divide the territory and go their separate ways. In a moment of staggering significance, one grandson inherited what became France, another Germany and the third Lotharingia: the chunk that initially divided the other two. The dynamic between these three great zones has dictated much of our subsequent fate.In this beguiling, hilarious and compelling book we retrace how both from west and from east any number of ambitious characters have tried and failed to grapple with these Lotharingians, who ultimately became Dutch, German, Belgian, French, Luxembourgers and Swiss. Over many centuries, not only has Lotharingia brought forth many of Europe's greatest artists, inventors and thinkers, but it has also reduced many a would-be conqueror to helpless tears of rage and frustration. Joining Germania and Danubia in Simon Winder's endlessly fascinating retelling of European history, Lotharingia is a personal, wonderful and gripping story.

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A prominent scholar of Baroque painting, Richard Spear has explored a wide range of cultural, iconographic, connoisseurial, and conservation problems in his publications, many of which arose from two of his earliest research projects: organization of an international loan-exhibition, Caravaggio and His Followers, and his dissertation on the Bolognese painter, Domenichino, which resulted in a two-volume monograph with catalogue raisonné. His directorship of the Oberlin College museum strengthened his view that the work of art is the essential fact of inquiry, regardless of the approaches he has taken to interpreting the art of Domenichino, Guido Reni, Guercino, Artemisia Gentileschi, Georges de La Tour, and Poussin, among other 17th-century artists. As Editor-in-Chief of the Art Bulletin (1985-88) he commissioned essays on "the state of research" in Western art history, whose varied methodologies and interdisciplinarity underpin his recent writings, notably The "Divine" Guido: Religion, Sex, Money and Art in the World of Guido Reni. This volume brings together more than thirty of Richard Spear's most important articles and selected chapters from his main books, organized in three sections, Caravaggio and Caravaggism, Italy and France, and Bolognese Painters. The author provides important addenda and retrospective critical reflections on each of the essays.

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Between 1900 and 1960, many writers in France and Britain either had parallel careers in diplomatic corps or frequented diplomatic circles: Paul Claudel, Albert Cohen, Lawrence Durrell, Graham Greene, John le Carré, André Malraux, Nancy Mitford, Marcel Proust, and others. What attracts writers to diplomacy, and what attracts diplomats to publishing their experiences in memoirs or novels? Like novelists, diplomats are in the habit of describing situations with an eye for atmosphere, personalities, and looming crises. Yet novels about diplomats, far from putting a solemn face on everything, often devolve into comedy if not outright farce. Anachronistic yet charming, diplomats take the long view of history and social transformation, which puts them out of step with their times – at least in fiction. In this collection of essays, eleven contributors reflect on diplomacy in French and British novels, with particular focus on temporality, style, comedy, characterization, and the professional liabilities attached to representing a state abroad. With archival examples as evidence, the essays in this volume indicate that modern fiction, especially fiction about diplomacy, is a response to the increasing speed of communication, the decline of imperial power, and the ceding of old ways of negotiating to new.

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For over a hundred years England repeatedly invaded France on the pretext that her kings had a right to the French throne. France was a large, unwieldy kingdom, England was small and poor, but for the most part she dominated the war, sacking towns and castles and winning battles - including such glorious victories as Crecy, Poitiers and Agincourt, but then the English run of success began to fail, and in four short years she lost Normandy and finally her last stronghold in Guyenne. The protagonists of the Hundred Year War are among the most colourful in European history: for the English, Edward III, the Black Prince and Henry V, later immortalized by Shakespeare; for the French, the splendid but inept John II, who died a prisoner in London, Charles V, who very nearly overcame England and the enigmatic Charles VII, who did at last drive the English out. Desmond Seward's account traces the changes that led to France's final victory and brings to life all the intrigue and colour of the last chivalric combats as they gave way to a more brutal modern warfare

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The newspaper press was an essential aspect of the political culture of the French Revolution. Revolutionary News highlights the most significant features of this press in clear and vivid language. It breaks new ground in examining not only the famous journalists but the obscure publishers and the anonymous readers of the Revolutionary newspapers. Popkin examines the way press reporting affected Revolutionary crises and the way in which radical journalists like Marat and the Pere Duchene used their papers to promote democracy.

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This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.

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This book presents a theoretically informed, up-to-date study of interactions between indigenous peoples of Mediterranean France and Etruscan, Greek, and Roman colonists during the first millennium BC. Analyzing archaeological data and ancient texts, Michael Dietler explores these colonial encounters over six centuries, focusing on material culture, urban landscapes, economic practices, and forms of violence. He shows how selective consumption linked native societies and colonists and created transformative relationships for each. "Archaeologies of Colonialism" also examines the role these ancient encounters played in the formation of modern European identity, colonial ideology, and practices, enumerating the problems for archaeologists attempting to re-examine these past societies.

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Though the public may retain a hoary image of the lone scientific or philosophical genius generating insights in isolation, scholars discarded it long ago. In reality, the families of scientists and philosophers in the Enlightenment played a substantial role, not only making space for inquiry within the home but also assisting in observing, translating, calculating, and illustrating.Sentimental Savants is the first book to explore the place of the family among the savants of the French Enlightenment, a group that openly embraced their families and domestic lives, even going so far as to test out their ideas from education to inoculation on their own children. Meghan K. Roberts delves into the lives and work of such major figures as Denis Diderot, emilie Du Ch telet, the Marquis de Condorcet, Antoine Lavoisier, and Jer me Lalande to paint a striking portrait of how sentiment and reason interacted in the eighteenth century to produce not only new kinds of knowledge, but new kinds of families as well.

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There is little doubt that the French Revolution of 1789 changed the course of Western history. But why did the idea of civic equality—a distinctive signature of that revolution—find such fertile ground in France? How might changing economic and social realities have affected political opinions? William H. Sewell Jr. argues that the flourishing of commercial capitalism in eighteenth-century France introduced a new independence, flexibility, and anonymity to French social life. By entering the interstices of this otherwise rigidly hierarchical society, expanded commodity exchange colored everyday experience in ways that made civic equality thinkable, possible, even desirable, when the crisis of the French Revolution arrived. Sewell ties together masterful analyses of a multitude of interrelated topics: the rise of commerce, the emergence of urban publics, the careers of the philosophes, commercial publishing, patronage, political economy, trade, and state finance. Capitalism and the Emergence of Civic Equality in Eighteenth-Century France offers an original interpretation of one of history’s pivotal moments.

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Patricia O'Brien traces the creation and development of a modern prison system in nineteenth-century France. The study has three principal areas of concern: prisons and their populations; the organizing principles of the system, including occupational and educational programs for rehabilitation; and the extension of punishment outside the prison walls. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This book derives from Foucault's lectures at the College de France between January and April 1978, which can be seen as a radical turning point in his thought. Focusing on 'bio-power', he studies the foundations of this new technology of power over population and explores the technologies of security and the history of 'governmentality'.

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What is the nature of the modern state? How did it come into being and what are the characteristics of this distinctive field of power that has come to play such a central role in the shaping of all spheres of social, political and economic life? In this major work the great sociologist Pierre Bourdieu addresses these fundamental questions. Modifying Max Weber’s famous definition, Bourdieu defines the state in terms of the monopoly of legitimate physical and symbolic violence, where the monopoly of symbolic violence is the condition for the possession and exercise of physical violence. The state can be reduced neither to an apparatus of power in the service of dominant groups nor to a neutral site where conflicting interests are played out: rather, it constitutes the form of collective belief that structures the whole of social life. The ‘collective fiction’ of the state Ð a fiction with very real effects - is at the same time the product of all struggles between different interests, what is at stake in these struggles, and their very foundation. While the question of the state runs through the whole of Bourdieu’s work, it was never the subject of a book designed to offer a unified theory. The lecture course presented here, to which Bourdieu devoted three years of his teaching at the Collège de France, fills this gap and provides the key that brings together the whole of his research in this field. This text also shows ‘another Bourdieu’, both more concrete and more pedagogic in that he presents his thinking in the process of its development. While revealing the illusions of ‘state thought’ designed to maintain belief in government being oriented in principle to the common good, he shows himself equally critical of an ‘anti-institutional mood’ that is all too ready to reduce the construction of the bureaucratic apparatus to the function of maintaining social order. At a time when financial crisis is facilitating the hasty dismantling of public services, with little regard for any notion of popular sovereignty, this book offers the critical instruments needed for a more lucid understanding of the wellsprings of domination.

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Amid the national shame and subjugation following World War I in France, cultural critics there - journalists, novelists, doctors, and legislators, among others - worked to rehabilitate what was perceived as an unhealthy social body. Carolyn J. Dean shows how these critics attempted to reconstruct the 'bodily integrity' of the nation by pointing to the dangers of homosexuality and pornography. Dean's provocative work demonstrates the importance of this concept of bodily integrity in France and shows how it was ultimately used to define first-class citizenship. Dean presents fresh historical material - including novels and medical treatises - to show how fantasies about the body-violating qualities of homosexuality and pornography informed social perceptions and political action. Although she focuses on the period from 1890 to 1945, Dean also establishes the relevance of these ideas to current preoccupations with pornography and sexuality in the United States.

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In eighteenth-century France, the ability to "lose oneself" in a character or scene marked both great artists and ideal spectators. Yet it was also thought this same passionate enthusiasm, if taken to unreasonable extremes, could lead to sexual deviance, mental illness, and even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm - and women artists doubly so. Mary D. Sheriff uses these very different visions of artistic enthusiasm to explore the complex interrelationships among creativity, sexuality, the body, and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she scrutinizes the different forms of deviance ascribed to male and female artists. Sheriff also demonstrates that the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for women - and creative women took full advantage of them.

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An examination of how the dead were memorialised in late medieval French literature. Awarded a commendation in the Society for French Studies R. Gapper Book Prize for the best book published in 2016 by a scholar working in French studies in Britain or Ireland. Who am I when I am dead? Several late-medieval French writers used literary representation of the dead as a springboard for exploring the nature of human being. Death is a critical moment for identity definition: one is remembered, forgotten or, worse, misremembered. Works in prose and verse by authors from Alain Chartier to Jean Bouchet record characters' deaths, but what distinguishes them as epitaph fictions is not their commemoration of the deceased, so much as their interrogation of how, by whom, and to what purpose posthumous identity is constituted. Far from rigidly memorialising the dead, they exhibit a productive messiness in the processes by which identity is composed in the moment of its decomposition as a complex interplay between body, voice and text. The cemeteries, hospitals, temples and testaments of fifteenth- and early-sixteenth-century literature, from the "Belle Dame sans mercy" querelle to Le Jugement poetic de l'honneur femenin, present a wealth of ambulant corpses, disembodied voices, animated effigies, martyrs for love and material echoes of the past which invite readers to approach epitaphic identity as a challenging question: here lies who, exactly? In its broadest context, this study casts fresh light on ideas of selfhood in medieval culture as well as on contemporary conceptions of the capacities and purposes of literary representation itself. Helen Swift is Associate Professor of Medieval French at St Hilda's College, Oxford.

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Fifteen of the most important and influential women fiction writers, critics, and theorists writing in France today are interviewed in Shifting Scenes. Although their writing and attitudes differ in many ways, their work is perceived in the U.S. to constitute "French Feminism," and has a marked impact on American feminist theory. Alice Jardine and Anne Menke interviewed Chantal Chawaf, Helene Cixous, Catherine Clement, Francoise Collin, Marguerite Duras, Claudine Herrmann, Jeanne Hyvrard, Luce Irigaray, Sarah Kofman, Julia Kristeva, Eugenie Lemoine-Luccioni, Marcelle Marini, Michele Montrelay, Christiane Rochefort, and Monique Wittig. The women were asked what it means to be a woman writer in France today and how each views her relations to her country's institutions, and the place of women writers in the canon. the answers are lively, unexpectedly argumentative, and diverse. What these highly accomplished women have to say about contemporary society, politics, literature, feminism, and their own work, will surprise, inform, and challenge.

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In this highly original history of the world's most famous bicycle race, Christopher S. Thompson, mining previously neglected sources and writing with infectious enthusiasm for his subject, tells the compelling story of the Tour de France from its creation in 1903 to the present. Weaving the words of racers, politicians, Tour organizers, and a host of other commentators together with a wide-ranging analysis of the culture surrounding the event - including posters, songs, novels, films, and media coverage - Thompson links the history of the Tour to key moments and themes in French history. Examining the enduring popularity of Tour racers, Thompson explores how their public images have changed over the past century. A new preface explores the long-standing problem of doping in light of recent scandals.

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The New York Times bestselling memoir of pilgrimage and self-discovery by Sue Monk Kidd, the author of The Secret Life of Bees and The Book of Longings, and her daughter, Ann Kidd Taylor Sue Monk Kidd has touched the hearts of millions of readers with her beloved novels and acclaimed nonfiction. Now, in this wise and engrossing dual memoir, she and her daughter, Ann, chronicle their travels together through Greece and France at a time when each was on a quest to redefine herself and rediscover each other. As Sue struggles to enlarge a vision of swarming bees into a novel, and Ann ponders the classic question of what to do with her life, this modern-day Demeter and Persephone explore an array of inspiring figures and sacred sites. They also give voice to that most protean of human connections: the bond of mothers and daughters.An absorbing book about spiritual growth and finding one's destiny, Traveling with Pomegranates is both a revealing self-portrait by a beloved author and her daughter, and a momentous story that will resonate with women everywhere.

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In Old Regime France credit was both a central part of economic exchange and a crucial concept for explaining dynamics of influence and power in all spheres of life. Contemporaries used the term credit to describe reputation and the currency it provided in court politics, literary production, religion, and commerce. Moving beyond Pierre Bourdieu's theorization of capital, this book establishes credit as a key matrix through which French men and women perceived their world. As Clare Haru Crowston demonstrates, credit unveils the personal character of market transactions, the unequal yet reciprocal ties binding society, and the hidden mechanisms of political power. Credit economies constituted "economies of regard" in which reputation depended on embodied performances of credibility. Crowston explores the role of fashionable appearances and sexual desire in leveraging credit and reconstructs women's vigorous participation in its gray markets. The scandalous relationship between Queen Marie Antoinette and fashion merchant Rose Bertin epitomizes the vertical loyalties and deep social divides of the credit regime and its increasingly urgent political stakes.

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This book examines the important issue of British propaganda to France during the Second World War and aims to show the value of the propaganda campaign to the British war effort. British Propaganda to France is a unique contribution to the field, not only in its examination of one of the least well-studied areas of British activity during the Second World War but also in the breadth of its approach. It surveys the organisation, operation and nature of the British propaganda effort towards the French people, including both white propaganda (BBC broadcasts and leaflets dropped by the RAF) and black propaganda (secret broadcasting stations, documents purporting to come from the Germans in France or distributed in France using clandestine methods, and rumours). Finally it examines the contemporary British understanding of the French and German reception of and reaction to this propaganda material, to show whether the campaign was an effective and well-directed use of resources. Almost all examinations of British foreign propaganda during the Second World War have focused on propaganda directed towards Germany. British propaganda to France, which in terms of quantity of output was actually the most important area of British propaganda, has never been examined in depth until now. This book adds a further chapter to our knowledge of propaganda in the Second World War, especially in the conduct of psychological warfare. It also touches on better-known areas such as RAF Bomber Command and its Operational Training Units, which handled aerial dissemination of British white propaganda leaflets over France, and the Special Operations Executive in France, which worked closely with the Political Warfare Executive in delivering much black propaganda.

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**THE EXPLOSIVE NEW THRILLER FROM THE SUNDAY TIMES BESTSELLING AUTHOR**The perfect holiday. The perfect crime... When Ali has the chance to stay at a beautiful house in the south of France, she jumps at it. But not everything is as it seems. Surrounded by a group of wealthy friends, Ali blends expertly into the background. She's watching them all. And she isn't the only one interested. The heat rises. The pool shimmers. Secrets are exposed. And Ali must face up to the biggest lie of all: herself. 'Written with Durrant's usual acuity, Sun Damage is an attractive two-for-one deal: smart observation of family life and Brits abroad in the middle, bookended by a Highsmithian thriller' SUNDAY TIMES'Plenty of Ripleyish peril to keep the nerves on edge' CLARE CHAMBERS'No one creates characters like Sabine Durrant' CLARE MACKINTOSH'I tore through Sun Damage!' SJ WATSON 'Claustrophobic and suspenseful, with an engaging narrator and a satisfying twist: perfect poolside reading' GUARDIAN'Sensuously atmospheric, Sun Damage is a twisty thriller with the added delight of acute social comedy. Without doubt Sabine Durrant's best novel yet' GILL HORNBY'The suspense sizzles off every page' ERIN KELLY 'One of our best thriller writers' GOOD HOUSEKEEPING'An exploration of vulnerability, trickery and cruel dishonesty ... the ending gives great satisfaction' LITERARY REVIEW'Secrets and tensions rise along with the temperature until they reach boiling point' RED'Absorbing, intriguing, with great twists and pace, SUN DAMAGE is a wonderful rollercoaster of a read' B.A. PARIS'Durrant is relentless with the suspense ... superbly controlled, a novel that's obsidian dark under the blazing French sun' SUNDAY INDEPENDENT

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The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.

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A pathbreaking study of the Parisian press's attempts to claim Richard Wagner's place in French history and imagination during the unstable and conflict-ridden years of the Third Reich. Richard Wagner was a polarizing figure in France from the time that he first entered French musical life in the mid nineteenth century. Critics employed him to symbolize everything from democratic revolution to authoritarian antisemitism. During periods of Franco-German conflict, such as the Franco-Prussian War and World War I, Wagner was associated in France with German nationalism and chauvinism. This association has led to the assumption that, with the advent of the Third Reich, the French once again rejected Wagner. Drawing on hundreds of press sources and employing close readings, this book seeks to explain a paradox: as the German threat grew more tangible from 1933, the Parisian press insisted on seeing in Wagner a universality that transcended his Germanness. Repudiating the notion that Wagner stood for Germany, French critics attempted to reclaim his role in their own national history and imagination. Claiming Wagner for France: Music and Politics in the Parisian Press, 1933-1944 reveals how the concept of a universal Wagner, which was used to challenge the Nazis in the 1930s, was gradually transformed into the infamous collaborationist rhetoric promoted by the Vichy government and exploited by the Nazis between 1940 and 1944. Rachel Orzech's study offers a close examination of Wagner's place in France's cultural landscape at this time, contributing to our understanding of how the French grappled with one of the most challenging periods in their history.

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(Edition updated in 2023) MICHELIN Ile-de-France Regional Map scale 1/200,000 will provide you with an extensive coverage of primary, secondary and scenic routes for this French region. In addition to Michelin's clear and accurate mapping, this regional map includes all the practical information for a trouble free journey, including major town plans as well as tourism information to make the most of your journey. With MICHELIN Regional Maps, find more than just your way! MICHELIN REGIONAL MAPS include practical information for a trouble free journey and show primary & secondary road networks. * Administrative boundaries * Scenic routes and tourist sights * Place name index * Time and distance charts * Plans for a selection of major towns * Practical information: danger alerts, service stations, picnic areas

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“Tell me what you eat, and I’ll tell you who you are” was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the ‘national sweet tooth’ in England and France.

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In the decades following World War II, France experienced both a period of affluence and a wave of political, artistic, and philosophical discontent that culminated in the countrywide protests of 1968. In Disordering the Establishment Lily Woodruff examines the development of artistic strategies of political resistance in France in this era. Drawing on interviews with artists, curators, and cultural figures of the time, Woodruff analyzes the formal and rhetorical methods that artists used to counter establishment ideology, appeal to direct political engagement, and grapple with French intellectuals' modeling of society. Artists and collectives such as Daniel Buren, André Cadere, the Groupe de Recherche d’Art Visuel, and the Collectif d’Art Sociologique shared an opposition to institutional hegemony by adapting their works to unconventional spaces and audiences, asserting artistic autonomy from art institutions, and embracing interdisciplinarity. In showing how these artists used art to question what art should be and where it should be seen, Woodruff demonstrates how artists challenged and redefined the art establishment and their historical moment.

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The 1989 Tour de France is arguably the greatest ever. It saw American rider Greg LeMond overturn a 50-second deficit to France's Laurent Fignon on the final stage on the Champs Elysees to snatch the title by a mere eight seconds. After three weeks and more than 2,000 miles in the saddle, these few seconds remain the smallest margin of victory in the race's 100+ year history.But as dramatic as that Sunday afternoon on the streets of Paris was, the race wasn't just about that one time-trial. During the previous fortnight, the leader's yellow jersey had swapped back and forth between LeMond and Fignon in a titanic struggle for supremacy, a battle with more twists and turns than the maziest Alpine mountain pass. At no point during the entire three weeks were LeMond and Fignon separated by more than 53 seconds.In Three Weeks, Eight Seconds, Nige Tassell brings one of cycling's most astonishing stories to life, examining that extraordinary race in all its multi-faceted glory with fresh interviews and new perspectives and laying bare that towering heights of adrenaline, agony, excitement, torment and triumph that it produced.

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