Search results for ""author walt"

The captivating and heroic story of Hudson Stuck—an Episcopal priest—and his team's history-making summit of Denali.In 1913, four men made a months-long journey by dog sled to the base of the tallest mountain in North America. Several groups had already tried but failed to reach the top of a mountain whose size—occupying 120 square miles of the earth’s surface —and position as the Earth’s northernmost peak of more than 6,000 meters elevation make it one of the world’s deadliest mountains. Although its height from base to top is actually greater than Everest’s, it is Denali's weather, not altitude, that have caused the great majority of fatalities—over a hundred since 1903. Denali experiences weather more severe than the North Pole, with temperatures of forty below zero and winds that howl at 80 to 100 miles per hour for days at a stretch. But in 1913 none of this mattered to Hudson Stuck, a fifty-year old Episcopal priest, Harry Karstens, the hardened Alaskan wilderness guide, Walter Harper, part of the Koyukon people, and Robert Tatum, a divinity student, both just in their twenties. They were all determined to be the first to set foot on top of Denali. In A Window to Heaven, Patrick Dean brings to life this heart-pounding and spellbinding feat of this first ascent and paints a rich portrait of the frontier at the turn of the twentieth century. The story of Stuck and his team will lead us through the Texas frontier and Tennessee mountains to an encounter with Jack London at the peak of the Yukon Goldrush. We experience Stuck's awe at the rich Inuit and Athabascan indigenous traditions—and his efforts to help preserve these ways of life. Filled with daring exploration and rich history, A Window to Heaven is a brilliant and spellbinding narrative of success against the odds.

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"A smorgasbord for those who are sick and tired of it." —Seattle Book Review The 2021 edition of the premiere journal of contemporary dada writing and art considers humankind past and present with a collection of contemporary dada art and writing driven by the theme “HUMANITY: THE REBOOT.” More than 242 creators from 31 countries establish that social protest can be creatively achieved via risk-taking art. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, MAINTENANT 15 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by renowned Cuban American artist Edel Rodriguez, whose provocative work has been featured on the covers of TIME, The New Yorker, Der Spiegel, and more. Past issues of MAINTENANT include work by artists Mark Kostabi, Walter Robinson, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, and Kazunori Murakami; writers include Gerard Malanga, Charles Plymell, Andrei Codrescu, and more, with a strong contingent of artist-writers from the world of punk rock. MAINTENANT 15 contributors include: Derek Adams • Alexey Adonin • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Elizabeth Ashe • Gaëlle Audic • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Regina Lafay Bellamy • John M. Bennett • C. Mehrl Bennett • Volodymyr Bilyk • József Bíró • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • John Bowman • Jeff Boynton • Gedley Belchior Braga • Bob Branaman • philipkevinbrehse • Kathy Bruce • Imanol Buisan • Fork Burke • Irene Caesar • Billy Cancel • Peter Carlaftes • Virginia Carroll • Mona Jean Cedar • Robert Cenedella • Mutes César • Leanne Chabalko • Sarah M. Chen • Ross Cisneros • Lynette Clennell • Andrei Codrescu • Chuck Connelly • Roger Conover • Anthony Cox • Lars Crosby • Tchello d’Barros • Steve Dalachinsky • Zoë Darling • Allison Davis • Holly Day • Avelino de Araujo • Quỳnh Iris de Prelle • Laylah DeLautréamont • Bart Dewolf • Peter Dizozza • Sam Dodson • Bruce Louis Dodson • Carol Dorf • Robert Duncan • Jeff Farr • Amoye Favour • Rich Ferguson • Kathleen Florence • Gioivanni Fontana • Texas Fontanella • Robert C. Ford • Kofi Fosu Forson • Abigail A. Frankfurt • Barbara Friedman • Thomas Fucaloro • Joanna Fuhrman • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • Mark Glista • Benjamin Goluboff • S. A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • John S. Hall • Janet Hamill • Bibbe Hansen • David Hargreaves • Nour Hassan • Heide Hatry • Aimee Herman • Karen Hildebrand • Jack Hirschman • Mark Hoefer • Lawrence Holzworth • Mane Hovhannisyan • Joël Hubaut • Heikki Huotari • Matthew Hupert • Ayushi Jain • Annaliese Jakimides • Marta Janik • Ruud Janssen • Mathias Jansson • Debra Jenks • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Allan Kausch • Marina Kazakova • Donna Joy Kerness • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Paweł Kuczyński • Anatoly Kudryavitsky • Béné Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Patricia Leonard • Linda Lerner • Adam Li • Alexander Limarev • Laurinda Lind • Goran Lišnjić • Yvonne Litschel • Richard Loranger • Sarah Maino • Jaan Malin • Sophie Malleret • Bibiana Padilla Maltos • Giovanni Mangiante • Mary Manspeaker • Phil Marcade • Fred Marchant • Eliette Markhbein • Sara Cahill Marron • Malak Mattar • Bronwyn Mauldin • Ellyn Maybe • John Mazzei • Jesse McCloskey • Philip Meersman • R. S. Mengert • Lawrence Miles • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Tim Murphy • Alexander Nderitu • Gerald Nicosia • Anna O’Meara • Valery Oisteanu • Ruth Oisteanu • Marc Olmsted • Suzi Kaplan Olmsted • Jane Ormerod • Yuko Otomo • Csaba Pál • Lisa Panepinto • Gay Pasley • John S. Paul • Paulo • Giorgia Pavlidou • Ernst Perdriel • Puma Perl • Raymond Pettibon • Alex Andy Phuong • Charles Plymell • Leslie Prosterman • Lauren Purje • Renaat Ramon • Nicca Ray • C. R. Resetarits • Mado Reznik • Wes Rickert • Benjamin Robinson • Bruce Robinson • Aliah Rosenthal • Alison Ross • Bradley Rubenstein • Mashaal Sajid • Ralph Salisbury • Martina Salisbury • Aram Saroyan • Phil Scalia • Jack Seiei • Silvio Severino • Craig Shannon • Susan Shup • Bertholdus Sibum • Denise Silk-Martelli • Angela Sloan • Valerie Sofranko • Orchid Spangiafora • Dd. Spungin • Laurie Steelink • Samantha Steiner • J. J. Steinfeld • Christine Sloan Stoddard • Rich Stone • W. K. Stratton • Lucien Suel • Neal Skooter Taylor • Michael Thompson • Fred Tomaselli • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Luca Vallino • Anoek van Praag • Lynnea Villanova • Barbara Vos • Silvia Wagensberg • Tom Walker • George Wallace • Scott Wannberg • Mike Watt • Jennifer Weigel • Poul R. Weile • Ingrid Wendt • Syporca Whandal • A Whittenberg • Maw Shein Win • Yaryan • Gerald Yelle • Logan K. Young • Lorene Zarou-Zouzounis • Larry Zdeb • Leonard Zinovyev • Nina Zivancevic • Joanie HF Zosike

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Towards the end of the 18th century the attention of mapmakers, explorers and travellers turned to the north of Scotland. The mountains that rise north of Stirling formed a formidable barrier for anyone wanting to visit the Highlands, and travellers to the Far North were even rarer: there were no roads at all into most of Sutherland, and Ross and Cromarty until the early years of the 19th century. Who did go there, and why? This book follows the early mapmakers who gradually revealed the area, including Timothy Pont and Alexander Bryce who published the first accurate map of the north coast. General Roy covered the whole of Scotland for his remarkable 'Great Map', and later, the indomitable and energetic General Colby dragged his reluctant Ordnance Survey team across much of the north, as documented by Robert Kearsley Dawson. Meanwhile, Culloden led to increased interest in the area, as is evident not only from the visit of Dr. Johnson, but also those from Thomas Pennant, Bishop Pococke and the Rev. Charles Cordiner, all of whom managed to reach the far north-west and leave fascinating accounts of what they found. The poverty that was apparent to these visitors from the south led to action from the British government, not least an important road-making scheme under Thomas Telford which is documented in this book using not only the official reports, but also an enthusiastic account left by the Poet Laureate of the time, Robert Southey. With the new roads came the tourists, flocking to sites like Loch Katrine, in search of signs of Sir Walter Scott's heroes and heroines. But it was only the bolder few who made it to the far north-west, men like the Rev. James Hall, 'making love' under the table at Caithness, or James Hogg, ever the ladies' man at Lochs Duich and Maree. The book follows this story, which has barely been mentioned in popular literature, and delights in choice anecdotes from all these accounts, touching on a number of disciplines: cartography, early geology and botany. But above all, it gives a picture of this unknown region, as it seemed to those exploring it, an area of astonishing beauty, with inhabitants that showed notable warmth and generosity in spite of their poverty. The book ends with an account of the Highlands Controversy, a debate that divided the geological community for much of the 19th century, culminating in discoveries that revealed that the area contained some of the most remarkable geology not just in Britain, but in the whole world. Thus recognition was at last achieved for a region that contains some of the most striking scenery in the United Kingdom.

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children’s writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century’s materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.

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Planned Giving Simplified A down-to-earth introduction to planned giving by a leading pioneerin the field. In this groundbreaking book, charitable gift planning expert RobertF. Sharpe, Sr., demystifies the complex world of planned giving fornot-for-profit managers. He provides a detailed blueprint forstarting and building a successful planned giving program, anddevelops a rational framework for managing the subtle interplay oflegal, administrative, and interpersonal factors involved in theplanned giving process. Central to Sharpe's proven approach is his controversial definitionof the effective charitable gift planner as being not so much afund raiser as an expert at helping potential benefactors satisfy adeeply felt emotional need. Rather than soliciting or closing onplanned gifts, the planner's primary focus should be on formingrelationships with donors and providing them with the means andopportunity to fulfill their desire to do good. Using compelling case studies, Sharpe demonstrates his approach inaction. He identifies the various types of planned gifts and takesyou inside the hearts and minds of the planned givers themselves,revealing their primary motivations and overarching concerns. Hethen guides you, step-by-step, through the entire planned givingprocess, and concludes with a clear delineation of theorganizational structures required to sustain a planned givingprogram. Praise for Planned Giving Simplified "This book is a must for all who are serious about establishing ormaintaining a successful gift planning program for theirinstitution." --Nancy L. Perazelli, CFRE Gift Planning Officer,Drake University, Des Moines, Iowa. "In his own inimitable style, Bob Sharpe has done an admirable jobof describing the planned giving process in an easy-to-understandmanner. Woven throughout is the emphasis on the important humanrelationship between the donor and the charitable gift planner."--Walter T. Weaver, III Director, Finance Support Division, BoyScouts of America. "Robert F. Sharpe, Sr., has provided a comprehensive road map ofthe world of planned giving. He guides [readers] to the desireddestination without unnecessary detours along the way. His bookwill be a valuable addition to the libraries of not onlynot-for-profit professionals, but also 'givers' who seek a betterunderstanding of the many routes available to them in their giftplanning." --Joseph H. Powell President Emeritus and SeniorConsultant, Baptist Memorial Health Care Corporation. "The name Bob Sharpe is synonymous with planned giving. I don'tknow of anybody who knows more about it and who can better conveyits importance." --Reverend Dr. Arthur Caliandro Pastor, MarbleCollegiate Church, New York City. "I really like [this book]. It is . . . elegantly simple, direct,and forthright. . . . very enjoyable." --Thomas W. Cullinan, JDExecutive Director of Gift Planning, University of Maryland.

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"The choice we have is not between reasonable proposals and an unreasonable utopianism. Utopian thinking does not undermine or discount real reforms. Indeed, it is almost the opposite: practical reforms depend on utopian dreaming."--Russell Jacoby, Picture Imperfect Utopianism suffers from an image problem: A recent exhibition on utopias in Paris and New York included photographs of Hitler's Mein Kampf and a Nazi concentration camp. Many observers judge utopians and their sympathizers as foolhardy dreamers at best and murderous totalitarians at worst. However, as noted social critic and historian Russell Jacoby argues in this salient, polemical, and innovative work, not only has utopianism been unfairly characterized, a return to an iconoclastic utopian spirit is vital for today's society. Shaped by the works of Theodor Adorno, Walter Benjamin, Ernst Bloch, Gustav Landauer, and other predominantly Jewish thinkers, iconoclastic utopianism revives society's dormant political imagination and offers hope for a better future. Writing against the grain of history, Jacoby reexamines the anti-utopian mindset and identifies how utopian thought came to be regarded with such suspicion. He challenges standard readings of such anti-utopian classics as 1984 and Brave New World and offers stinging critiques of the influential liberal and anti-utopian theorists Hannah Arendt, Isaiah Berlin, and Karl Popper. He argues that these thinkers mistakenly equate utopianism with totalitarianism. The reputation of utopian thought has also suffered from the failures of, what Jacoby terms, the blueprint utopian tradition and its oppressive emphasis on detailing all aspects of society and providing fantastic images of the future. In contrast, the iconoclastic utopians, like those who follow God's prohibition against graven images, resist both the blueprinters' obsession with detail and the modern seduction of images. Jacoby suggests that by learning from the hopeful spirit of iconoclastic utopians and their willingness to accept new possibilities for society, we open ourselves to new and more imaginative ideas of the future.

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1979 was a year of momentous events. In Britain, it began with the so-called Winter of Discontent, as rubbish piled high in the streets and the dead went unburied. Later, guerillas stormed the US Embassy in Tehran, Margaret Thatcher entered Downing Street, and Sid Vicious died of a heroin overdose while on trial for stabbing his girlfriend to death. Elsewhere, murderous dictator Saddam Hussein rose to power in Iraq, America’s Three Mile Island nuclear plant went into meltdown, and there was an anthrax epidemic in Russia following an accident at a biological weapons plant. But it’s all swings and roundabouts, because 1979 also saw the first issue of Viz Comic going on sale. And now, with a rousing brass fanfare to celebrate its 40th year as the country’s most flatulent magazine, Viz is puffing out its cheeks to release its latest annual - The Trumpeter’s Lips. Within the 226 pages of this lavishly produced hardback you will find the very best bits from issues 262-271, including * Cartoons: The Fat Slags, Sid the Sexist, Mrs Brady Old Lady, Roger Mellie, Eight Ace, Buster Gonad, Big Vern and many, many more * Informative features: Let’s Go Dogging!, Secrets of the White House Shite House, How Did Henry VIII Mow His Lawn?, Who’s Who at a Car Boot Sale, and A Day in the Life of a Model Railway Enthusiast * Edge-of-your-seat adventures: In Search of the Giant Squid of Sumatra, The Crown Jewels Mystery, Wally Walton’s Emergency Scorpion Squad and Wall to Wall Carpet Warehouse, Ballet Nurse on a Pony, Pip of the Peloton, and Bad Bob the Randy Wonder Dog * More articles, spoof ads, Readers’ Letters and Top Tips than you could shake a really big stick at Just like our rubbish and dead were piled up in the streets four decades ago, Viz - The Trumpeter’s Lips will be piled up in shops and internet retailers this Christmas, guaranteeing a “Winter of This Content” (as specified above) for everyone.

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A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance.Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies AssociationBaroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.

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The definitive history of coronations and the Royal Family, from acclaimed writer Roy Strong. ’What is the finest sight in the world? A Coronation.What do people talk most about? A Coronation.What is delightful to have passed? A Coronation.’Horace Walpole, 1761 As a boy of sixteen, Roy Strong watched the grand procession carrying Queen Elizabeth II to her coronation. The spectacle was considered the greatest public event of the century. But now, so many years later, many people have little notion of what a coronation is and are unaware of the rich resonances of the ritual, or its deep significance in terms of the committal of monarch to people. This book is the first of its kind – a comprehensive history that sets each coronation into its political, social, religious and cultural context. The story is one of constant re-invention as the service has had to respond to all the changes in fortune of the monarchy or the country: everything from legitimising usurpers to reconciling a Catholic rite to the tenets of Protestantism. It even had to be recreated from scratch after the Restoration of Charles II in 1660. In this way, Strong tells the story of the British monarchy since the tenth century, and looks forward to the coronation of King Charles III. The musical history alone is one of extraordinary richness – involving Henry Purcell, Handel, Edward Elgar, William Walton – plus the celebratory poetry, the art and the spectacular engravings published at coronations are all explored, as is the more recent role of photographers. The book particularly concentrates on post-1603 developments, including the incredible story of the Stuarts, when the crown jewels used for hundreds of years at coronations were melted down as symbols of the hated Divine Right of Kings. As Charles III succeeds to the throne and preparations are made for his coronation, Strong speculates as to the revisions now called for to its ritual and pageantry to meet the changes in the role of the monarchy in the twenty-first century.

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Robbie Robertson's singular contributions to popular music have made him one of the most beloved songwriters and guitarists of his time. With songs like ‘The Weight’, ‘The Night They Drove Old Dixie Down’ and ‘Up on Cripple Creek’, he and his partners in the Band fashioned a music that has endured for decades, influencing countless musicians.In this captivating memoir, written over five years of reflection, Robbie employs his unique storyteller's voice to weave together the journey that led him to some of the most pivotal events in music history. He recounts the adventures of his half-Jewish, half-Mohawk upbringing on the Six Nations Indian Reserve and on the gritty streets of Toronto; his odyssey at sixteen to the Mississippi Delta, the fountainhead of American music; the wild, early years on the road with rockabilly legend Ronnie Hawkins and the Hawks; his unexpected ties to the Cosa Nostra underworld; the gripping trial-by-fire of 'going electric' with Bob Dylan on his 1966 world tour and their ensuing celebrated collaborations; the formation of the Band and the forging of their unique sound, culminating with history’s most famous farewell concert, brought to life for all time in Martin Scorsese’s great movie The Last Waltz. This is the story of a time and place - the moment when rock 'n' roll became life, when legends like Buddy Holly and Bo Diddley crisscrossed the circuit of clubs and roadhouses from Texas to Toronto, when the Beatles, Hendrix, the Stones and Warhol moved through the same streets and hotel rooms. It’s the story of exciting change as the world tumbled through the '60s and early '70s and a generation came of age, built on music, love and freedom. Above all, it’s the moving story of the profound friendship among five young men who together created a new kind of popular music. Testimony is Robbie Robertson’s story, lyrical and true, as only he could tell it.

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Lewis Foreman Day (1845-1910) is one of the most neglected figures in late nineteenth-century design. In exploring Day's dual career as an industrial designer of extraordinary range and versatility and a major writer and critic, this well-illustrated book restores his place among the influential figures of his time. Day's relationships with colleagues William Morris, Walter Crane, W.A.S. Benson and others situated him in the vortex of developments of design in Britain. Design historian Joan Maria Hansen examines Day's work as a prolific industrial designer whose mastery of pattern, colour, ornament and superb draughtsmanship resulted in tiles and art pottery, clocks and furniture, wallpapers, textiles, stained glass, and interiors of remarkable diversity and beauty. Day embraced modern technology. His views on the role of the designer for industry, along with his unshakable belief that a marriage of design and industrial processes was essential to produce beautiful furnishings for the majority of people, reveal him to be startlingly modern in his attitudes and practice in the changing world of industrial production. Today, collectors prize Lewis F. Day's clocks, furniture, tiles and art pottery, and books - which he both wrote and designed - and reproductions of his patterns for wallpapers and textiles are enjoyed by enthusiasts. Day's textbooks on design continue to influence designers, and his magazine journalism provides insightful and balanced commentary on developments in late nineteenth- and early twentieth-century design. This book - the very first full treatment of this major figure - is the definitive reference on Day's life and work and is an invaluable reference for collectors and dealers, decorative arts professionals, designers, business historians and enthusiasts of late nineteenth- and early twentieth-century design.

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Neben der 'Theologie des Alten Testaments' und der 'Literatur- und Religionsgeschichte Israels' gehört die 'Anthropologie' zu den Kernthemen der alttestamentlichen Wissenschaft. Das Lehrbuch von Bernd Janowski bearbeitet dieses Thema in umfassender Weise, indem es sich in sieben Abschnitte gliedert: Einführung, Lebensphasen, Personbegriff, Soziales Handeln, Welterfahrung, Anthropologien im Alten Testament, Resümee. Ein ausführlicher Quellenhang veranschaulicht das Thema anhand ausgewählter Texte und Bilder aus der Umwelt des Alten Testaments. "Bernd Janowski hat [...] einen großartigen Gesamtentwurf vorgelegt, der schon jetzt als Standardwerk bezeichnet werden kann. Galt bis dahin die Anthropologie des Alten Testaments von Hans Walter Wolff aus dem Jahr 1973 als maßgebliches Werk, so dürfte nun die beeindruckende Darstellung des emeritierten Tübinger Alttestamentlers an deren Stelle treten."Ludger Schwienhoerst-Schönberger in Christ in der Gegenwart , Nr. 21/2019, S. 226 "Bernd Janowskis monumentales opus magnum, in dem eine lebenslange Beschäftigung mit anthropologischen Themen der Bibel ihren Höhepunkt erreicht, darf schon jetzt als das künftig unentbehrliche Standardwerk zu allen Fragen im Umkreis bezeichnet werden. [...] Eine uneingeschränkte Leseempfehlung, die jedem Interessierten dringend ans Herz gelegt sei!"Friedhelm Hartenstein in Theologische Literaturzeitung 144, Buch des Monats (Juli/August 2019) "Bernd Janowski hat mit seiner Anthropologie des Alten Testaments ein materialreiches Kompendium vorgelegt, ein Nachschlagewerk, ein Lesebuch, ein Lehrwerk, ein kluges Buch, von dem sich die interessierte Leserschaft gern zum Nach- und Selberdenken anregen lässt. Zweifellos liegt für die alttestamentliche Anthropologie hier ein Referenzwerk vor."Achim Behrens in Orientalistische Literaturzeitung , 115 (2020), S. 449-452 "[...] ein wahres Meisterwerk, das jede/r Student/in der Theologie zu Rate ziehen wird. Auch die Fachexegese darf sich über ein äußerst hilfreiches Handbuch freuen, das man durcharbeiten und auf das man immer wieder als Nachschlagewerk zurückgreifen wird."Thomas Hieke in Biblische Notizen , 184 (2020), S. 149-150 "Dieses Buch stellt die alttestamentliche Anthropologie erfrischend neu, übersichtlich und umfassend dar und ist ein unschätzbarer Beitrag nicht nur zur alttestamentlichen Wissenschaft, sondern ebenfalls zur praktischen Theologie. Darüber hinaus sei es ausdrücklich als Nachschlagewerk oder zur Gesamtlektüre in Studium, Vikariat und Pfarramt empfohlen."Lukas Altvater auf https://netzwerktheologie.wordpress.com "Insgesamt kann allen die Anschaffung dieses Standardwerkes, das man mit Gewinn und mit Genuss liest, nur empfohlen werden."Kathrin Gies in Theologische Revue 118, Juli 2022 "Janowskis 'Anthropologie' füllt eine seit Jahrzehnten überfällige Lücke der alttestamentlichen Theologie und Exegese und wird allein aus diesem Grund schon zu einem Standardwerk avancieren."Benedikt Collinet in bbs 12.2020, www.bibelwerk.de/verein/buecherschau "Mit seiner Anthropologie des Alten Testaments ist Bernd Janowski ein großer Wurf gelungen, dem man eine lange Halbwertszeit wünscht! Nicht nur für Studierende, sondern für jeden, der sich mit der Gedankenwelt des Alten Testaments auseinandersetzen möchte, ist das Handbuch nur zu empfehlen."Fabian Brand auf https://theologieundwelt.wordpress.com/2021/07/09/anthropologie-des-alten-testam

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Shortlisted, Best Atlantic Published Book Award and Canadian Regional Design AwardA major publication comprising 256 pages with 75 colour plates and 60 black-and-white photographs provides extensive documentation of the exhibition Masterworks from the Beaverbrook Art Gallery.Along with a complete catalogue of artworks, it features an overview and history of the historic collection, along with curatorial commentary on each work of art by the Beaverbrook Art Gallery's Curator and Deputy Director, and curator of the exhibition, Terry Graff. Further, it includes important essays by five internationally respected art historians, scholars, and curators, Elliot King, James Hamilton, Richard Calvocoressi, Angus Stewart, and Katharine Eustace, that focus on several key works of art. In addition, Bernard Riordon, Director and CEO of the Beaverbrook Art Gallery, provides a foreword and timely essay documenting the recently resolved legal battle with the Beaverbrook Foundation (UK) over ownership of several works. Elliot King, art historian and leading specialist on the work of Salvador Dalí and curator of the recent exhibition Dalí: The Late Work at the High Museum of Art, examines Dalí's monumental painting Santiago El Grande. James Hamilton, curator and art historian, who has written several books, lectured internationally, and curated several important exhibitions on JMW Turner, examines Turner's Fountain of Indolence. Richard Calvocoressi, Director of the Henry Moore Foundation and former Director of the Scottish National Gallery of Modern Art in Edinburgh, provides special insight into Lucien Freud's Hotel Bedroom. Angus Stewart, independent curator known for his many exhibitions at the Olympia London fine art and antiques fair, including the major 2003 project that marked the centenary of artist Graham Sutherland's birth, examines important Sutherland works, such as Helena Rubinstein, Studies for Churchill, and Portrait of Lord Beaverbrook. Katharine Eustace, art historian and curator, whose publications include Continuity and Change: Twentieth Century Sculpture in the Ashmolean Museum, provides a thoughtful essay on Walter Sickert in relation to the Beaverbrook Art Gallery's Sickert paintings, such as H.M. King Edward VIII.Proof copies of 200-copy special edition of Masterworks of Beaverbrook Art Gallery. These proof copies (of which there are only 12) are presented in an an embossed paper-covered slipcase. Each copy includes is signed by the Director and Director Emeritus of the Beaverbrook Art Gallery. Sewn-bound with marbled endpapers, a marker ribbon, and including an artist proof of a limited edition of a portrait of Lord Beaverbrook by Graham Sutherland, this edition is designed as a keepsake for future generations.

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The two decades after Waterloo marked the great age of foreign fortune hunters in England. Each year brought a new influx of impecunious Continental noblemen to the world's richest country, and the more brides they carried off, the more alarmed society became. The most colourful of these men was Prince Hermann von Puckler-Muskau (1785-1871), remembered today as Germany's finest landscape gardener. In the mid-1820s, however, his efforts to turn his estate into a magnificent park came close to bankrupting him. To save his legacy his wife Lucie devised an unusual plan: they would divorce so that Puckler could marry an heiress who would finance further landscaping and, after a decent interval, be cajoled into accepting Lucie's continued residence. In September 1826, his marriage dissolved, Puckler set off for London. Drawing on the daily letters sent from England to his ex-wife and other manuscript sources in the Puckler Archive in Brandenburg, Peter James Bowman gives blow-by-blow accounts of Puckler's courtships with the daughters of a physician, an admiral, a Scottish baronet, an East India Company stockholder and a retail jeweller. The story is enriched with details of his social life among the resident diplomats, his gambling and money troubles, his love affairs with a French seamstress and a German opera singer, and the hours he spent with the capital's prostitutes. Puckler is the most intelligent of the overseas visitors who noted their impressions of Regency England. His matrimonial quest brings him into contact with such luminaries as Walter Scott, George Canning, Princess Lieven, Nathan Mayer Rothschild, Beau Brummell and John Nash. The object of many rumours and caricatures, the prince sticks doggedly to his task for nearly two years. And just when it seems that he has failed, England fills his coffers in the most unexpected way, and in doing so launches him on a new career. In telling the story of Puckler's adventures in the context of the trend for Anglo-European marriages based on the exchange of a title for money, The Fortune Hunter writes a new chapter in the history of England's relationship with its Continental neighbours.

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After Betty Grable, but before there was Marilyn, America's penchant for popcorn blondes focused on LANA, the "ultimate movie star." She had it all: Looks to die for, money to burn, the romantic adulation of the world, and lovers who included the world's most desirable men. In her 1937 film, They Won't Forget, a 16-year-old Lana, without wearing a brassiere, walked down the street with her boobs bouncing. Censors protested, but when it was shown, America cheered and nicknamed her The Sweater Girl." From there, Lana competed with Betty Grable and Rita Hayworth as the pre-eminent pinup girl (so many men, so little time") of World War II. Horny GIs referred to her as the Girl We'd Like to Find in Every Port." From the start, her private life was marked with scandal: She aborted Mickey Rooney's baby; seduced a young John F. Kennedy; and fell for Frank Sinatra, who later caught her in bed with another love goddess, Ava Gardner. In the early 1940s, after a nationwide campaign promoting the sale of War Bonds, Carole Lombard frantically boarded a small plane headed back to Hollywood, suffering a fiery death when it crashed within 13 minutes of takeoff. The risk she took during that thunderstorm was motivated, it was said, by her obsession with rescuing her husband, Clark Gable, from the amorous clutches of Lana Turner. Tyrone Powertall, dark, photogenic, and famouseventually evolved into the greatest love of her life until the Aviator, Howard Hughes, arguably the most psychotic billionaire in the history of Hollywood, flew in to seduce both of them. Lana (aka The Ziegfeld Girl") didn't hear The Postman Always Rings Twice because she was in bed with John Garfield. Later, in search of love, she spent a Weekend at the Waldorf before moving to Green Dolphin Street and later to the notorious Peyton Place, she found it during an experiment with an Imitation of Life. Gable took her to a Honky Tonk and vowed, Somewhere I'll Find You," before their Homecoming reunion. With Ray Milland, she found A Life of Her Own before dancing to The Merry Widow waltz with sexy Fernando Lamas. Many notoriously hot menmany of them her filmmaking co-starslay in her future: Richard Burton, Sean Connery, and Errol in like Flynn." Samson (Victor Mature) was said to be Lana's Biggest Thrill." Lana rescued Peter Lawford from Elizabeth Taylor; Ricky Ricardo from Lucy; and, when not singing amore with Dean Martin, Kirk Douglas learned that she was Bad and Beautiful both on and off the screen. "The bombshell" once said, I wanted one husband and seven babies, but I got the reverseseven husbands and an only child!" She married Tarzan (Lex Barker) after his designation as The Sexiest Man in the World," but the union ended when she caught him seducing her teenaged daughter. Opinions about Lana were as varied as her changing looks. She was amoral," said MGM's CEO, Louis B. Mayer. Robert Taylor commented: She was the type of woman a guy would risk five years in jail for rape." Gloria Swanson sniffed, She wasn't even an actress...only a trollop." And Ronald Reagan--a man who later became U.S. president--asked, In what cathouse did she learn those tricks?" And then there was that embarrassing murder: Did Lana fatally stab her gangster lover, Johnny Stompanato, known for his links to the Mob? Or was the heinous act committed by her daughter, a traumatized teenager who, after time in reform school, officially outed herself as a lesbian? How did these whirlwinds of scandal affect the gal who had it all? According to Lana, I'd like to think that in some small way, I've helped to preserve the glamour and beauty and mystery of the movie industry." Never before has there been, until now, a definitive, uncensored, and comprehensive biography of "the Ultimate Movie Star," LANA TURNER. Until now.

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Contained herein are 25 articles (20 in English, 5 in Hebrew) that, like the academic oeuvre of volume's honoree, span a broad array of topics within the fields of Hebraica, Judaica, and Biblica. The specific categories represented and the contributions they contain are: biography (Joel L. Kraemer presents a portrait of the honoree; Walter E. Kaegi shares personal reminiscences of Carl Herman Kraeling); text editions and translations, with analysis (Haggai Ben-Shammai analyzes and publishes a partial editio princeps of one of the early Judeao-Arabic endeavors to achieve a rapprochement between biblical and Graeco-Arab philosophy; Paul B. Fenton analyzes and publishes the editio princeps of a newly identified esoteric epistle from the hand of David II Maimondies; Mordechai A. Friedman analyzes and offers some new insights on four Geniza letters concerning the transfer of money to the well-known litterateur Judah ha-Levi; Israel M. Sandman analyzes and presents a critical edition of four fragments from Abraham Bar Hayya's Book of Intercalation that represent his harmonization of science and biblical exegesis; Michael G. Wechsler presents an editio princeps of 10 newly identified fragments of Saadia Gaon's commentary on the book of Esther as well an analysis and translation of those fragments, accompanied by an inventory of all known fragments of Saadia's commentary on that book); grammar/lexicography (Joshua Blau surveys certain vocables in Classical Arabic that sometimes have a different meaning in Judaeo-Arabic), exegesis, philosophy, theology, and polemics (Elinoar Bareket surveys the factors underlying the tendency of medieval Jewish writers to identify the names of biblical people and places with contemporary equivalents; Rachel Elior examines the Jewish realm of memory surrounding the Day of Atonement; Nahem Ilan analyzes Saadia Gaon's interpretation of Proverbs 30:10-17 with a view to his anti-Karaite polemical tendency, providing as well a structural outline of Saadia's introduction to Proverbs; Eve Krakowski considers the Karaite view of the history of the biblical text and the relevance of this view to their own collective self-conception, including a critical reassessment of the view that the Karaites were influenced by certain Dead Sea Scroll texts; Abraham Lipshitz critically assesses the notion that Abraham ibn Ezra held to a Philonic view of an infinitely durative rather than completed act of creation; Meira Polliack analyzes the relationship between Yefet b. Eli and Daniel al-Q?mis? in their exegetical approaches to biblical prophecy); history of modern scholarship (María Angeles Gallego presents an overview of the stages of modern European research -- beginning in the 18th century -- on medieval Judaeo-Arabic, with specific emphasis on Iberian Spanish scholarship), Jewish socio-cultural history (Moshe Gil provides a glimpse into the state of food commerce in the Geniza community from the evidence of merchants' letters; Joshua Holo considers the evidence for Gershom b. Judah's Italian extraction and its relevance for understanding the origin of Ashkenazic Jewish culture; Benjamin Z. Kedar evaluates the evidence for the timing of the relocation of the Tiberian Yeshiva first to Ramla and then to Jerusalem; Norman A. Stillman provides a comparative survey of the Islamic and Jewish perspectives on corporal modesty); textual criticism (Daniel J. Lasker surveys and assesses the history of a specific textual variation in Judah ha-Levi's Book of the Kuzari); codicological-textual history (Paul Saenger analyzes the relationship between chapter divisions of the Pentateuch in Christian -- especially Latin -- Bibles and those in Jewish tradition); Dead Sea Scrolls (Anthony J. Tomasino critically evaluates the formation and support data for the current consensus regarding the messianic nature of 4Q246; Michael O. Wise analyzes the content and dating of the manuscripts from Murabba'at and considers their contribution to our knowledge of various personalities both living during and involved in the First and Second Jewish Revolts); and historiography (Isaac Kalimi assesses the historiographical method of the writer of the book of Chronicles in light of both inner-canonical and extra-biblical considerations). Also included is a comprehensive bibliography of the honoree's works as well as discrete indexes of manuscripts, biblical references, classical and medieval works, and general items.

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The 195 mile trail covers a large part of this beautiful, populous and rich county, incidentally one of the smallest counties in England, only 634 square miles. It is a county of rich contrasts. In the north-east there are wide open panoramas over low hills and farm lands as seen in the area around Barkway. Standing on Therfield Heath you can look down on to the flat plains of Cambridgeshire. Then in the south west there are the steep wooded escarpments of the Chilterns. The route visits ancient market towns, the Cathedral City of St Albans and countless picture postcard villages nestling in an intimate landscape of farmland and woods. In 1801 Hertfordshire had a population of about 100,000; now it is well over one million. It has never been a heavily industrialised area but it has seen its own industrial changes from malting and brewing, plaiting of straw for hats, paper making, industries associated with wool such as fulling (cleaning the woven cloth) and silk mills. Today technical industries and service industries dominate the industrial scene. A good introduction to the county, and how it developed from pre-history can be found in "The Hertfordshire Landscape" by Munby (1977) and "Hertfordshire, a Landscape History" by Rowe and Williamson (2013). People have settled the area since prehistoric times. Along the very ancient Icknield Way there is evidence of many waves of people. On Therfield Heath (see Leg 1) there is a long barrow of the Neolithic Age (2500 BC) and round barrows of the Bronze Age (1000 BC). There is evidence of the Beaker People in Hertfordshire. The hill forts of the Iron Age settlers gave way at the height of their power to the might of the Roman invasion. Many Roman roads go through Hertfordshire, e.g. Ermine Street and Watling Street, and our walk crosses the remains of the Roman town of Verulamium (St Albans). In the Dark Ages Hertfordshire was part of the shifting boundary between the English settlers (Angles & Saxons) and the later invaders, the Vikings. It was a long and turbulent time before the country became united. A good novel, which covers this period, is the "Conscience of the King" by Alfred Duggan. In the Medieval period the great abbeys were founded and one can still be seen in St Albans (see Legs 4 & 5). Many fine Medieval churches can be seen on this walk and short detours will be worth your while to seek out some of these (unfortunately due to the presence of valuable historic items most country churches are now locked on weekdays). During the 16th to 18th centuries many country estates were established in Hertfordshire e.g. Hatfield House, Knebworth House and Ashridge House. Some of the houses have not survived but our walk will take you through parkland, which reminds the walker of those estates. Walkers passing through Ayot St Lawrence will be going through such parkland and Ashridge still has its great house. It was first a monastery, then a great house, now a management college. The growth of London and the coming of industry saw some rapid development in the county in the 19th and 20th centuries. An example of this development was the Ovaltine factory at Kings Langley with the model farm to feed its need for eggs and milk. The factory and farms are all now sadly gone (see Legs 7 & 8). No major rivers flow through the county, however it is still famous for the large number of chalk streams and their associated wildlife (the River Lee or Lea, a tributary of the Thames has its source just north of Luton, flows though the county and is navigable up to Hertford). The Grand Union Canal passes through our county on its way north west (see Leg 7). The railways opened up Hertfordshire for industry and settlement and such towns as Hemel Hempstead and Watford grew from several hundred people to 80,000 plus. Many of the great road routes, which fan out from London (such as the A1, A5, A6, A10 and M1) pass through our county. Finally we saw the first garden cities (Letchworth and Welwyn Garden City) and the new town of Stevenage. The great orbital road, the M25, cuts its way through the county (see Legs 7 to 9) not forgetting the electricity pylons, supplying our thirst for power. Many famous people are associated with Hertfordshire. Samuel Pepys was a regular visitor who once when staying in Baldock noticed that the landlady was very pretty but "I durst not take notice of her, her husband being there". Queen Elizabeth I, then a princess, was a virtual prisoner at Hatfield House when the Roman Catholic Queen Mary was on the throne. King James I had a palace at Royston (the start of our walk) from where he hunted on the lands of north Hertfordshire. The so called Rye House Plot to kill King Charles II was hatched on its borders. Izaac Walton of "Compleat Angler" fame knew the River Lea well. The earliest Christian martyr, St Alban, was executed in Roman times at the site of the city bearing his name. Francis Bacon lived at Gorhambury (an estate near St Albans through which our walk passes). He is buried in the church of St Michael nearby. George Bernard Shaw made his home in Ayot St Lawrence; his home is now a National Trust property and is close to our route. George Orwell, Barbara Cartland, Charles Lamb and W. E. Johns lived in the county. In spite of the development, most of your walking will be on rural pathways through fields, villages and woods where you can enjoy the peace and forget the might and noise of industry that remind you of the century we live in -- Good walking

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Ambrose McEvoy was one of the most modern and daring English society portrait painters of the early 20th century. His quick, confident style of painting drew the attention of many leading society figures, from Winston Churchill to Lady Diana Cooper, and in particular subjects who craved something beyond a simple ‘likeness’ in paint. Despite his success, when McEvoy died unexpectedly at the peak of his career in 1927, his name was soon forgotten. Divine People is the first major written study of McEvoy’s life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Ambrose McEvoy (1877–1927) was a household name by 1915, with prominent socialites and debutantes vying for sittings in his Grosvenor Road studio. His patrons – typically young, well-known beauties – were dazzled not only by his remarkable ability to capture their character, but also his working methods, which one spectator described as an ‘awe-inspiring sight’. McEvoy would illuminate his subject using electric lights, switching between different coloured bulbs until he reached the level and colour of light he desired. This ‘Hollywood’ look, with his glamourous subjects lit from below as if caught mid-speech on stage, is what he soon became best known for. McEvoy had studied at the Slade School of Fine Art on the recommendation of James Abbott McNeill Whistler, and soon after established himself as a talented painter of portraits and interior scenes. He exhibited his first work at the New English Art Club in 1901 and subsequently attracted the attention of wealthy patrons and collectors. His first major commission came in 1906, for two large religious pictures for the Long Tower Church in Londonderry, where they remain to this day. After a period spent in Dieppe with Walter Sickert in 1909 McEvoy’s style began to change and his handling became looser and more confident with bolder use of colour. In 1915 he firmly established his position as a portrait painter following the exhibition of his work Madame at the National Portrait Society. ‘[Madame] holds you spellbound from the moment you enter the gallery,’ wrote one critic. Two of his earliest admirers were Consuelo, Duchess of Marlborough and Lady Diana Cooper, who sat for their portraits in 1917 and 1918 respectively. In the early 1920s McEvoy also made several trips to New York, where the famous art dealer and tastemaker Joseph Duveen was busy promoting his work. It was during these years he painted some of his best-known works including remarkable watercolours of ‘wild-child’ Lois Sturt and a portrait of James Ramsay MacDonald. In 1927, at the very peak of his career, McEvoy was tragically struck down with pneumonia and died on 4 January. Many of McEvoy’s friends and contemporaries including Augustus and Gwen John, William Rothenstein and William Orpen have become familiar names to British art enthusiasts, but McEvoy has remained on the side-lines. This is partly due to the fact that many of his most accomplished works have remained tucked away in private collections or left languishing in museum stores, however, it is also due to the absence of any reliable literature on his life and work. This publication hopes to restore him to his rightful place. Written in the early 1970s by Erik Akers-Douglas, 3rd Viscount Chilston (1910–1986), the original manuscript – of which only one copy was produced – was lost soon after it was submitted to a publisher in 1975. After several years of legal wrangling, Chilston decided to type a second copy and it was resubmitted to his agent. Chilston died the following month and the manuscript was never published. It was recently rediscovered by Philip Mould& Company and edited by Lawrence Hendra.

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Finalist for the 2023 CASEY Award Fernando Valenzuela was only twenty years old when Tom Lasorda chose him as the Dodgers’ opening-day starting pitcher in 1981. Born in the remote Mexican town of Etchohuaquila, the left-hander had moved to the United States less than two years before. He became an instant icon, and his superlative rookie season produced Cy Young and Rookie of the Year awards—and a World Series victory over the Yankees. Forty years later, there hasn’t been a player since who created as many Dodgers fans. After the Dodgers’ move to Los Angeles from Brooklyn in the late 1950s, relations were badly strained between the organization and the Latin world. Mexican Americans had been evicted from their homes in Chavez Ravine, Los Angeles—some forcibly—for well below market value so the city could sell the land to team owner Walter O’Malley for a new stadium. For a generation of working-class Mexican Americans, the Dodgers became a source of great anguish over the next two decades. However, that bitterness toward the Dodgers vanished during the 1981 season when Valenzuela attracted the fan base the Dodgers had tried in vain to reach for years. El Toro, as he was called, captured the imagination of the baseball world. A hero in Mexico, a legend in Los Angeles, and a phenomenon throughout the United States, Valenzuela did more to change that tense political environment than anyone in the history of baseball. A new fan base flooded Dodger Stadium and ballparks around the United States whenever Valenzuela pitched in a phenomenon that quickly became known as Fernandomania, which continued throughout a Dodger career that included six straight All-Star game appearances.Daybreak at Chavez Ravine retells Valenzuela’s arrival and permanent influence on Dodgers history while bringing redemption to the organization’s controversial beginnings in LA. Through new interviews with players, coaches, broadcasters, and media, Erik Sherman reveals a new side of this intensely private man and brings fresh insight to the ways he transformed the Dodgers and started a phenomenon that radically altered the country’s cultural and sporting landscape.

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"General Gavin was a very brave man who had great faith in his men. The battle or the weather never stopped him from going to check the troops. He would go in the rain or snow. If the battle was severe, he would crawl from foxhole to foxhole to talk to his men to let them know he was with them. Words cannot explain the love and pride I had for General Gavin." - Walter Woods, World War II aide to General GavinLieutenant General James Gavin, commander of the 82nd Airborne Division during WWII, is one of the best-known figures of the war. Beginning as the commander of the 505th Parachute Combat Team that spearheaded the American assault on Sicily in July 1943, Gavin advanced to division command and finally command of US forces in Berlin. Throughout this time he kept a wartime diary that starts in April 1943, as the unit was preparing to go to northern Africa, and continues through to his final entry on 1 September 1945 during the occupation of Berlin.During the war years, Gavin came into close contact with virtually all the leading airborne commanders and many others who would advance to the top levels of Army leadership. His diary includes observations on fellow military and political leaders, such as General Dwight Eisenhower and the British Field Marshal Montgomery, Army operations, and the general's personal life. Gavin was an officer who led by example: on four combat jumps - into Sicily, at Salerno, then Normandy and the Netherlands - he was the first man out the door. Two Distinguished Service Crosses, two Silver Stars, and the Purple Heart rewarded his service.For decades, Gavin kept the existence of the journal a secret; the general's family discovered it among his belongings after his death. Editor Lewis "Bob" Sorley has worked closely with the Gavin family and the Army Heritage Center to prepare the diary for publication. His edited and annotated version includes a prologue and epilogue to frame the entries within the wider scope of the general's life.

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In 1910, L'Espinasse performed the first neurosurgical endoscopic procedure for choroid plexus electrocoagulation in an infant with hydrocephalus, by use of a cystoscope. One infant was successfully treated. Walter Dandy used an endoscope to perform an unsuccessful choroid plexectomy in 1922. The next year, Mixter, using a urethroscope, performed the first successful endoscopic third ventriculostomy in a 9-month-old girl with obstructive hydrocephalus. In 1935, Scarff reported his initial results about endoscopic third ventriculostomy using a novel endoscope. His ventriculoscope had an irrigation system to prevent intraventricular collapse and was equipped with a flexible unipolar probe. In 1952, Nulsen and Spitz began the era of ventricular cerebrospinal fluid (CSF) shunting, marking the end of the initial era of neuroendoscopy. This dark period for neuroendoscopy continued until 1970s. However, in this period image capabilities of endoscopes improved with technological developments. In 1978, Vries demonstrated that ETVs were technically feasible using a fiberoptic endoscope to treat patients with hydrocephalus. In 1990, Jones and colleagues described a 50% shunt-free success rate for ETV in 24 patients with various forms of hydrocephalus. Four years later, the same group reported an improved success rate of 61% in a series of 103 patients. Currently, ETV is primarily used to treat obstructive hydrocephalus due to benign aqueductal stenosis or compressive periaqueductal mass lesions. Modern shunt-free success rates range from 80 to 95%. The field of neuroendoscopy has extended beyond ventricular procedures. The endoscope is currently used for all types of neurosurgically treatable diseases such as obstructive hydrocephalus, various intraventricular lesions, hypothalamic hamartomas, craniosynostosis, skull base tumors, and spinal lesions and rare subtypes of hydrocephalus. With the evolution of surgical techniques, endoscopy has emerged as a suitable alternative to many instances of more invasive methods. Surgeons using a neuroendoscope can perform many complex operations through very small incisions. Nowadays, neurosurgeons prefer neuroendoscopic surgery for many different lesions because of less damage to healthy tissue, low complication rate and excellent results. Neuroendoscopic surgery is a specialty within neurosurgery and requires a neurosurgeon to undergo specialized training. In this book, we focused on neuroendoscopic procedures and challenges. We have created this book with the hope that it can be a guide for neurosurgeons who are interested in neuroendoscopic interventions.

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A MISSING CHILD RETURNS. BUT WHO TOOK HIM? * BBC RADIO 2 BOOK CLUB CHOICE* * SUNDAY TIMES CRIME CLUB PICK *'Brilliant, utterly compelling, heart-wrenching...I was gripped and loved it.'PETER JAMES'An unputdownable thriller.'ELLY GRIFFITHS'Sensitive and moving...but with a core of pure tension' SUNDAY TIMESWhen 11 year old Evan vanishes without trace, his parents are plunged into their worst nightmare. Especially as the police, under massive pressure, have no answers. But months later Evan is unexpectedly found, frightened and refusing to speak. His loving family realise life will never be the same again. DI Naylor knows that unless those who took Evan are caught, other children are in danger. And with Evan silent, she must race against time to find those responsible...A gripping, heart-wrenching thriller with the emotional power of series like BROADCHURCH and THE MISSING, this is the perfect read for fans of Cara Hunter, Heidi Perks, Claire Douglas, Fiona Barton, Susan Lewis and Nuala Ellwood.'Critics have hailed FOUND the must read crime thriller' THE SUN'One of those rare finds - a page turner that is equally remarkable for the beauty of the writing. It will suck you in and take you on a journey' JO SPAIN'Gripping...once started, impossible to put down!' MINETTE WALTERS 'FOUND took me on the kind of twisting journey that kept me turning the pages until the early hours.' CHRIS WHITAKER***Readers and book bloggers are completely gripped and moved by FOUND:'If you read one book this year make sure it's Found!' ***** Goodreads Reviewer'Not often I finish a book in one day but I couldn't put it down.' ***** Goodreads Reviewer'Heartfelt, traumatic ,terrifying...just an amazing read. An easy five stars' ***** Goodreads reviewer'An amazing read...every single parent's worse nightmare but written in a truly beautiful way' ***** Goodreads reviewer'It's a perfect book in every way...highly recommended' Short Book & Scribes'I don't think a thriller has ever brought me to tears like this has...a stunning, compelling read.' The Bookwormery

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Virginia is as much a state of mind as a set of geographical boundaries. Its western terrain encompasses dramatically beautiful mountaintops and scrubby lowlands, luxuriantly rich terrain, and rocky, almost untillable land. The green forests, rich loam, red clay, and sandy soil attracted waves of immigrants, newcomers almost as varied as the landscape. They came first to explore and trade and then to work, often to overwork, the land. The result in architecture is one of conservatism and rebellion, a region supremely proud of its history and, all too often, neglectful of its preservation. This second of two volumes devoted to the Old Dominion encompasses five regions (Shenandoah Valley, Allegheny Highlands, Piedmont, Southside, and Southwest Virginia), comprising 55 counties and 20 of the state's independent cities. More than 1,250 building entries document the commonwealth's history from prehistory to early settlement, through the Civil War, Reconstruction, Massive Resistance, and the civil rights movement, to the present day, surveying a range of building types and styles from log cabins to tobacco plantation houses, including the birthplaces of Booker T. Washington and Confederate general Jubal Early, set in close proximity in Franklin County, and the homes of Stonewall Jackson and Robert E. Lee in Lexington. The text, enhanced and enlivened by 300 photographs and 31 maps, canvasses everything from Thomas Jefferson's Poplar Forest and Woodrow Wilson's Presidential Library to Roanoke's modernist Taubman Museum of Art and the Museum of the Shenandoah Valley to Shenandoah National Park and the Blue Ridge Parkway, highlighting along the way Virginia's contributions to literature (Willa Cather to the Waltons), music (the Carter Family and Ralph Stanley), cuisine (apple orchards, turkey farms, and whiskey distilleries), and tourism (Luray Caverns to Natural Bridge). A volume in the Buildings of the United States series of the Society of Architectural Historians.

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During the Second World War, American architecture was in a state of crisis. The rationing of building materials and restrictions on nonmilitary construction continued the privations that the profession had endured during the Great Depression. At the same time, the dramatic events of the 1930s and 1940s led many architects to believe that their profession—and society itself—would undergo a profound shift once the war ended, with private commissions giving way to centrally planned projects. The magazine Architectural Forum coined the term “194X” to encapsulate this wartime vision of postwar architecture and urbanism. In a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite the public about postwar architecture. Shanken recasts the wartime era as a crucible for the intermingling of modernist architecture and consumer culture. Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, 194X shows instead that architecture’s wartime partnership with corporate American was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken’s persuasive reading of magazine advertisements for Revere Copper and Brass, U.S. Gypsum, General Electric, and other companies that prominently featured the work of leading progressive architects, including Louis I. Kahn, Eero Saarinen, and Walter Gropius. Although the unexpected prosperity of the postwar era made the architecture of 194X obsolete before it could be built and led to its exclusion from the story of twentieth-century American architecture, Shanken makes clear that its anticipatory rhetoric and designs played a crucial role in the widespread acceptance

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In April 1895, Oscar Wilde stood in the prisoner's dock of the Old Bailey, charged with "acts of gross indecency with another male person. These filthy practices, the prosecutor declared, posed a deadly threat to English society, "a sore which cannot fail in time to corrupt and taint it all." Wilde responded with a speech of legendary eloquence, defending love between men as a love "such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare." Electrified, the spectators in the courtroom burst into applause.Although Wilde was ultimately imprisoned, the courtroom response to his speech signaled a revolutionary moment—the emergence into the public sphere of a kind of love that had always been proscribed in English culture. In this luminous work of intellectual history, Linda Dowling offers the first detailed account of Oxford Hellenism, the Victorian philosophical and literary movement that made possible Wilde's brief triumph and anticipated the modern possibility of homosexuality as a positive social identity.A homosocial culture and a language of moral legitimacy for homosexuality emerged, Dowling argues, as unforeseen consequences of Oxford University reform. Through their search in Plato and Greek literature for a transcendental value that might substitute for a lost Christian theology, such liberal reformers as Benjamin Jowett unintentionally created a cultural context in which male love—the "spiritual procreancy" celebrated in Plato's Symposium—might be both experienced and justified in ideal terms. Dowling traces the institutional career of Hellenism from its roots in Oxford reform through its blossoming in an approach to Greek studies that came to operate as a code for homosexuality. Recreating the incidents, controversies, and scandals that heralded the growth of Hellenism, Dowling provides a new cultural and theoretical context within which to read writers as diverse as Wilde, Jowett, John Addington Symonds, Walter Pater, Lord Alfred Douglas, Robert Buchanan, and W. H. Mallock.

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Ballad singing has long been one of the most powerful expressions of Scottish culture. For hundreds of years, women in Scotland have sung of heroines who are strong, arrogant, canny—the very opposite of the bourgeois stereotype of the good, maternal woman. In Weep Not for Me, Deborah Symonds explores the social world that gave rise to both the popular ballad heroine and her maternal counterpart. The setting is the Scottish countryside in the eighteenth century—a crucial period in Scotland's history, for it witnessed the country's union with England, the Enlightenment, and the flowering of letters. But there were also great economic changes as late-feudal Scotland hurried into capitalist agriculture and textile production. Ballad singing reflected many of these developments. In the ballads, marriage is rare and lovers murder each other, haunted by premarital pregnancy, incest, and infanticide, while relatives argue over dowries. These problems were not fiction. The women in this study lived and died in a period when hopes of marriage and landholding were replaced by the reality of wage labor and disintegrating households. Using these ballads, together with court records of women tried for infanticide, Symonds makes fascinating points about the shifting meaning of womanhood in the eighteenth century, the roles of politically astute lawyers in that shift, and the significance of ballad singing as a response. She also discusses the political implications of Walter Scott's infanticide novel, The Heart of Mid-Lothian, for women and for the ballad heroine. While some historians have argued that women's history has little to do with the watershed events of textbook history, Symonds convincingly shows us that the democratic and economic revolutions of the late eighteenth century were just as momentous for women as for men, even if their effects on women were quite different.

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When critics decry the current state of our public discourse, one reliably easy target is television news. It's too dumbed-down, they say; it's no longer news but entertainment, celebrity-obsessed and vapid. The critics may be right. But, as Charles L. Ponce de Leon explains in That's the Way It Is, TV news has always walked a fine line between hard news and fluff. The familiar story of decline fails to acknowledge real changes in the media and Americans' news-consuming habits, while also harking back to a golden age that, on closer examination, is revealed to be not so golden after all. Ponce de Leon traces the entire history of televised news, from the household names of the late 1940s and early '50s, like Eric Sevareid, Edward R. Murrow, and Walter Cronkite, through the rise of cable, the political power of Fox News, and the satirical punch of Colbert and Stewart. He shows us an industry forever in transition, where newsmagazines and celebrity profiles vie with political news and serious investigations. The need for ratings success and the lighter, human interest stories that can help bring it Ponce de Leon makes clear, has always sat uneasily alongside a real desire to report hard news. Highlighting the contradictions and paradoxes at the heart of TV news, and telling a story rich in familiar figures and fascinating anecdotes, That's the Way It Is will be the definitive account of how television has showed us our history as it happens.

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“The poster made you cool, You didn’t make the poster cool.” –Charles Barkley, Basketball Hall of Famer From Poster Boys: How the Costacos Brothers Built a Wall Art Empire Rediscover your childhood sense of awe with the Costacos Brothers’ official collection of the iconic sports posters that adorned the bedrooms of a generation.John and Tock Costacos share stories of the hard work, luck, giant prop baseball bats, wild animals, explosives, Ferraris, and semi-automatic weapons that forged an indelible bond between fans and their NFL, NBA, MLB, and NHL idols. With more than 100 posters and never-before-seen outtakes and concept art, Walls of Fame: The Unforgettable Sports Posters of the Costacos Brothers is an extraordinary look back at the golden age of sports heroes. More than 100 posters are featured, including: * Brian Bosworth: The Land of Boz (Seattle Seahawks) * Michael Jordan: Space (Chicago Bulls) * Jose Canseco & Mark McGwire: The Bash Brothers (Oakland A’s) * Bo Jackson: Black & Blue (Los Angeles Raiders & Kansas City Royals) * Aaron Judge: Judgement Time (New York Yankees) * Magic Johnson & Wayne Gretzky: L.A. Story (L.A. Lakers & L.A. Kings) * Roger Clemons: The Rocket (Boston Red Sox) * Lawrence Taylor: The Terminator (New York Giants) * Sergei Fedorov: From Russia with Love (Detroit Red Wings) * Charles Barkley: Get Off My Backboard (Philadelphia 76ers) * Jim McMahon & Walter Payton: Chicago Vice (Chicago Bears) * Dave Winfield: Class (New York Yankees) * Larry Bird: Legend (Boston Celtics) * Troy Aikman: Strong Arm of the Law (Dallas Cowboys) * Kirby Puckett: Wrecking Ball (Minnesota Twins) * Dominique Wilkins: The Highlight Zone (Atlanta Hawks) * Jerry Rice: Goldfingers (San Francisco 49ers) * Ken Griffey Jr. & Ken Griffey Sr.: The Next Generation (Seattle Mariners & Cincinnati Reds) * Shawn Kemp & Jeff Ament: Slam & Jam (Seattle SuperSonics & Pearl Jam) * John Elway: The Rifleman (Denver Broncos) * Kevin Mitchell: Batman (San Francisco Giants) * Luc Robitaille: Cool Hand Luc (L.A. Kings) * Shaquille O’Neal: Rim Shaker (Orlando Magic) * Christian Okoye: Nigerian Nightmare (Kansas City Chiefs) * Don Majkowski: Majik Man (Green Bay Packers) * Kirk Gibson: Big Game Hunter (L.A. Dodgers) * Patrick Ewing: Madison Square Guardian (New York Knicks) * Reggie White: Minister of Defense (Philadelphia Eagles) * Andre Dawson: The Hawk (Chicago Cubs) . . . and more!

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This book includes thirty contributions - twenty-nine papers and one artistic contribution - by John's colleagues, former students, and friends, on a variety of topics that represent John's versatility and many interests, including philology, history, natural history, and art. Many of the papers concentrate on the Akkadian speaking world, reflecting one of the major languages John Huehnergard has worked on throughout the years. Eran Cohen reviews and discusses the functional value of Akkadian iprus in conditional clauses in epistolary and legal texts. Lutz Edzard discusses the Akkadian injunctive umma, used in oath formulae. Daniel Fleming asks who were the 'Apiru people mentioned in Egyptian texts in the Late Bronze Age and what was their social standing as is reflected in the Amarna letters. Shlomo Izre'el offers a revised and improved version of his important study of the language of the Amarna letters. Leonid Kogan offers a comparative etymological study of botanical terminology in Akkadian, while Josef Tropper argues that Akkadian poetry, as well as Northwest Semitic poetry, are based on certain metric principles. Wilfred von Soldt lists and discusses personal names ending in -ayu from Amarna. A number of papers deal with Arabic grammarians and their concepts of language. Gideon Goldenberg discusses the concept of vocalic length in Arabic grammatical tradition and in the medieval Hebrew tradition that was its product. Wolfhart Heinrichs's contribution shows that Ibn Khaldun held innovative views of language and its evolution. Several other papers deal with Hebrew and the Hebrew Bible. Steven Fassberg deals with verbal t-forms that do not exhibit the expected metathesis in Hebrew and Aramaic of the Dead Sea Scrolls. Randall Garr studies one class of denominal hiphil verbs and asks why these verbs are assigned to the causative stem despite their non-causative semantic content. Ed Greenstein suggests that the roots of biblical wisdom can be located in second-millennium Canaanite literature by identifying wisdom sayings and themes in the Ugaritic corpus. Jeremy Hutton sheds more light on tG forms in Biblical Hebrew. Paul Korchin explains occurrences of the cohortative in Biblical Hebrew that do not conform to the normative volitive function. Dennis Pardee provides a detailed study of the Hebrew verbal system as primarily expressing aspect, not tense. Gary A. Rendsburg argues in favor of Late Biblical Hebrew features in the book of Haggai. Four papers deal with linguistic aspects of non-Classical Semitic languages. Charles Häberl looks into predicates of verbless sentences in Semitic and particularly in Neo-Mandaic. Geoffrey Khan discusses the functional differences between the preterite and the perfect in NENA. Aaron D. Rubin provides Semitic etymologies of two Modern South Arabian words. Ofra Tirosh-Becker discusses the language of the Judeo-Arabic translation of the books of Prophets. Papers on comparative Semitics are likewise numerous. Jo Ann Hackett takes another look at Ugaritic yaqtul and argues for the existence of a preterite yaqtul on comparative grounds, among others. Rebecca Hasselbach tackles the evasive origin of the Semitic verbal endings -u and -a. Na'ama Pat-El continues the discussion of the origin of the Hebrew relative particle seC- from a syntactic and comparative perspective. Richard C. Steiner proposes a new vowel syncope rule for Proto Semitic. David Testen argues for a different reconstruction of the Semitic case system. Tamar Zewi shows that prepositional phrases can function as subjects in a variety of Semitic languages. Andrzej Zaborski suggests that Berber and Cushitic preserve archaic features that have been lost for the most part in the Semitic languages. There is one paper on an Indo-European language with important ties to Semitic languages in P. Oktor Skjaervo discussion of the Pahlavi verb *awas 'to dry.' Finally, Richard Walton contributes a paper about the jumping spiders of Concord, Massachusetts, a project he labored on with John Huehnergard. The book is beautifully decorated by the drawings of the artist X Bonnie Woods, who prepared special illustration for this volume, based on cuneiform.

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From border garrison of the Roman Empire to magnificent Baroque seat of the Habsburgs, Vienna's fortunes swung between survival and expansion. By the late nineteenth century it had become the western capital of the sprawling Austro-Hungarian Monarchy, but the twentieth century saw it degraded to a "hydrocephalus" cut off from its former economic hinterland. After the inglorious Nazi interlude, Vienna escaped from four-power-occupation in 1955 and began the long climb back to the prosperous and cultivated city of 1.7 million inhabitants that it is today. Even as a metropolis, Vienna always retained a sense of intimacy, and sometimes of intellectual and spiritual claustrophobia. This "village" has been a crucible of creativity from the glittering arts and music of Habsburg and noble patronage to the libidinous hothouse of Freud's fin-de-siecle society, with all its brilliance and ambivalence. Subjected to constant infusions of new blood from the Empire, and now from the former imperial territories and beyond, Vienna has both assimilated and resisted cultural influences from outside, creating its own sui generis culture. DUCAL AND IMPERIAL CITY: Magnet for genius in architecture, the fine arts, music, literature, as well as administration. "Viennese by choice" - a notion that includes Walther von der Vogelweide, Metastasio, Salieri, Gluck, Mozart, Beethoven, Van Swieten, Metternich, Theodor Herzl and Karl Kraus - to name but a few. CITY OF SURVIVORS: a civilization submerged in waves of migrating tribes, a buffer town between the German Emperor's territories and rival Slavs or Magyars; finally the bulwark of Christianity in resistance to Ottoman expansion over three centuries up to 1683. And in the Cold War, a neutral space for spies and diplomats between competing power blocs. CITY OF PAST AND PRESENT: Loden coats and laptops, progressive politics and reactionary piety, ancient rituals (slow food in the Heurigen and Beisln, Sunday walks in the Wienerwald or Schonbrunn Park) and modern rhythms in lifestyle and work.

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When The Sound of Music was released in 1965, it took the world by storm, capturing five Oscars (including Best Picture) and holding the number-one spot box-office record for five years. For millions of viewers, the film is a rare combination of a powerful and moving story, superb music, and breathtaking scenery. The Sound of Music: The Making of America’s Favorite Movie is not only an unequalled tribute to this beloved movie musical but also the most complete behind-the-scenes account of the creation of this Hollywood classic. Through exclusive, in-depth interviews with Robert Wise, Ernest Lehman, Saul Chaplin, Julie Andrews, Christopher Plummer, Kym Karath, Johannes von Trapp, Richard Zanuck, and dozens of other cast and crew members; over 200 stills from the movie’s most memorable scenes; rare snapshots from personal scrapbooks; and papers from the Fox Studio archives, Julia Antopol Hirsch has re-created the magic that is The Sound of Music: Julie Andrews’s “first kiss” with Christopher Plummer, she recalls, was crazy, because neither of them could stop laughing. Plummer’s after hours festivities with the nuns around the piano often went on way into the night. When she rushed up the mountain for the famous opening scene, Julie Andrews kept getting knocked to the ground by the downdraft from the cameraman’s helicopter. Yul Brynner, Walter Matthau, and Sean Connery were all considered for the role of the Captain. Mia Farrow, Sharon Tate, and Richard Dreyfuss auditioned for juvenile roles. Director Robert Wise, under pressure from Fox’s Richard Zanuck for being over budget, almost didn’t finish the location shoot in Austria because it simply wouldn’t stop raining. Now completely updated and in full color throughout, this engaging volume is both an insider’s guide to and a delightful celebration of “the happiest sound in all the world!”

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Although most Americans attribute shifting practices in the financial industry to the invisible hand of the market, Mark H. Rose reveals the degree to which presidents, legislators, regulators, and even bankers themselves have long taken an active interest in regulating the industry. In 1971, members of Richard Nixon's Commission on Financial Structure and Regulation described the banks they sought to create as "supermarkets." Analogous to the twentieth-century model of a store at which Americans could buy everything from soft drinks to fresh produce, supermarket banks would accept deposits, make loans, sell insurance, guide mergers and acquisitions, and underwrite stock and bond issues. The supermarket bank presented a radical departure from the financial industry as it stood, composed as it was of local savings and loans, commercial banks, investment banks, mutual funds, and insurance firms. Over the next four decades, through a process Rose describes as "grinding politics," supermarket banks became the guiding model of the financial industry. As the banking industry consolidated, it grew too large while remaining too fragmented and unwieldy for politicians to regulate and for regulators to understand—until, in 2008, those supermarket banks, such as Citigroup, needed federal help to survive and prosper once again. Rose explains the history of the financial industry as a story of individuals—some well-known, like Presidents Kennedy, Carter, Reagan, and Clinton; Treasury Secretaries Donald Regan and Timothy Geithner; and JP Morgan CEO Jamie Dimon; and some less so, though equally influential, such as Kennedy's Comptroller of the Currency James J. Saxon, Citicorp CEO Walter Wriston, and Bank of America CEOs Hugh McColl and Kenneth Lewis. Rose traces the evolution of supermarket banks from the early days of the Kennedy administration, through the financial crisis of 2008, and up to the Trump administration's attempts to modify bank rules. Deeply researched and accessibly written, Market Rules demystifies the major trends in the banking industry and brings financial policy to life.

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Mindful Artist: Sumi-e Painting teaches you to create your own beautiful, Japanese-inspired ink wash paintings while cultivating a mindful approach to making art. Centuries ago, Buddhist monks used black ink and brushes to practice mindfulness and create gorgeously harmonious works of art called "sumi-e paintings." The popularity of sumi-e, or ink wash painting, continues to this day. Mindfulness remains an essential element of sumi-e painting, allowing artists to focus on their surroundings, live in the moment, and feel present—thereby reducing their stress. Walter Foster’s new Mindful Artist series encourages you to enjoy working in your favorite media to create art from a reflective point of view—an inspiring, relaxing experience that emphasizes the creative process, rather than the end result. These books are designed to help you move past creative obstacles, like a perfectionist attitude toward making art or self-defeating concerns about your personal talent and abilities. These guides will not only help you stay mindful throughout the process, but also to find personal meaning in the artwork you create. Mindful Artist: Birds & Botanicals publishes in November 2021.Mindful Artist: Sumi-e Painting opens with an introduction explaining the links between mindfulness and sumi-e and how they enhance one another. Sections on “The Four Treasures,” as the tools needed for sumi-e painting are called; brushstrokes and painting techniques; and “The Four Gentlemen,” or the most common subjects in sumi-e painting, ensure that you have a solid background before getting started on the simple, approachable step-by-step painting projects. Throughout the book you can find stunning full-page artwork, tips for remaining mindful while you work, creative prompts and exercises, inspirational ideas, and suggestions on how to add color to black ink pieces. Learn to practice mindfulness while you master the popular art of ink wash painting with this inspiring and supportive guide.

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The concept of the "public intellectual" has a rich and colorful history. It began in the early twentieth century, when the new mass media catapulted intellectuals who were able to write for the general public to semi-stardom. The first wave included figures like Walter Lippmann--who coined the term "stereotype" and is widely considered the founder of media studies--and by the 1950s, public intellectuals as a species had become a powerful and influential force in the American cultural landscape. By the 1970s, the standard definition of the public intellectual had solidified: a person (often university-affiliated, but not always) able to discuss and dispute any serious issue, typically in venues like The New York Review of Books, and occasionally influence politics. The traditional definition of the public intellectual remains with us, but as Daniel W. Drezner shows in The Ideas Industry, it has been gradually supplanted by a new model in recent years: the "thought leader." In contrast to public intellectuals, thought leaders gain fame as purveyors of a single big idea. Also, instead of battling it out with intellectual combatants in the pages of The Partisan Review, The Public Interest, and their descendants, they often work through institutions that are closed to the public and which release information selectively. Thought leaders and their associated ideas tend to become brands--hedgehogs to the public intellectual fox. They have also proven to be quite successful, as evidenced by TED, Aspen Ideas, the Clinton Global Initiative, and the like. Furthermore, they often align with one side of a politically polarized debate and enjoy the support of ideologically friendly private funders. Drezner identifies increasing inequality as a prime mover of this shift, contending that our present-day class of plutocrats not only wants to go back to school, it wants to force "schools"-in the form of intellectuals with elite affiliations-to come to them. And they have the money to make this happen. Drezner, however, does not see the phenomenon as necessarily negative. While there are certainly some downsides to the contemporary ideas industry, he argues that it is very good at broadcasting intellectual content widely and reaching large audiences of people hungry for new thinking. Both fair-minded and trenchant, The Ideas Industry will reshape our understanding of contemporary public intellectual life in America and the West.

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It is a truism that history is written by the victors, and perhaps this is doubly so of military history, where the tendency is to relate the biggest battles, the most victorious and heroic deeds, the very best (or worst) of men. This book stands as a corrective to this belief. Scraping the Barrel covers ten cases of armies’ using substandard manpower in wars from 1860 to the 1960s. Dennis Showalter and André Lambelet look at the changing standards in Germany and France leading up to World War I, while Peter Simkins chronicles what happened with the “Bantams,” special units of short men used by Britain in the Great War. Often the use of substandard men was to answer the sheer need for manpower in brutal, lasting conflicts, as Paul A. Cimbala writes of the U.S. Veteran Reserve Corps in the Civil War, or to keep war-damaged men active; sometimes this ethos was used to include men who wanted to fight but who otherwise would have been excluded, as Steven W. Short writes of the U.S. “colored troops” in World War I. In the second World War it was to answer more dire exigencies, as David Glantz relates how the USSR, having suffered enormous losses, threw away many pre-war standards, reaching for women, ethnic/national minorities, and political prisoners alike to fill units. Likewise, Nazi Germany, facing many fronts and a finite manpower pool, was compelled to relax both physical and racial standards, and Walter Dunn and Valdis Lumans look at these changing policies as well as the battlefield performance of these men. In relating the stories of the substandard (for the military), Scraping the Barrel is also a humanist history of the military, of the more average men who have served their countries and how they were put to use. It throws light on how militaries’ ideas of fitness reflect the underlying views of their societies. The idea of “disability” has been constructed based on a variety of physical, yes, but also social standards: as a value judgment on groups viewed as lesser—the aged, the lower classes, and those of different races and ethnic identities. From the American Civil War, through World Wars I and II, through the U.S. Project 100,000 in the Cold War, substandard men have been mobilized, have served, and have fought for their countries. These men are the inverse of the elites who get the lion’s share of our attention. This is their untold history.

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Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury. Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.

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Encompassing new technologies, research methods, and opportunities for collaborative scholarship and open-source peer review, as well as innovative ways of sharing knowledge and teaching, the digital humanities promises to transform the liberal arts—and perhaps the university itself. Indeed, at a time when many academic institutions are facing austerity budgets, digital humanities programs have been able to hire new faculty, establish new centers and initiatives, and attract multimillion-dollar grants. Clearly the digital humanities has reached a significant moment in its brief history. But what sort of moment is it? Debates in the Digital Humanities brings together leading figures in the field to explore its theories, methods, and practices and to clarify its multiple possibilities and tensions. From defining what a digital humanist is and determining whether the field has (or needs) theoretical grounding, to discussions of coding as scholarship and trends in data-driven research, this cutting-edge volume delineates the current state of the digital humanities and envisions potential futures and challenges. At the same time, several essays aim pointed critiques at the field for its lack of attention to race, gender, class, and sexuality; the inadequate level of diversity among its practitioners; its absence of political commitment; and its preference for research over teaching.Together, the essays in Debates in the Digital Humanities—which will be published both as a printed book and later as an ongoing, open-access website—suggest that the digital humanities is uniquely positioned to contribute to the revival of the humanities and academic life.Contributors: Bryan Alexander, National Institute for Technology in Liberal Education; Rafael Alvarado, U of Virginia; Jamie “Skye” Bianco, U of Pittsburgh; Ian Bogost, Georgia Institute of Technology; Stephen Brier, CUNY Graduate Center; Daniel J. Cohen, George Mason U; Cathy N. Davidson, Duke U; Rebecca Frost Davis, National Institute for Technology in Liberal Education; Johanna Drucker, U of California, Los Angeles; Amy E. Earhart, Texas A&M U; Charlie Edwards; Kathleen Fitzpatrick, Pomona College; Julia Flanders, Brown U; Neil Fraistat, U of Maryland; Paul Fyfe, Florida State U; Michael Gavin, Rice U; David Greetham, CUNY Graduate Center; Jim Groom, U of Mary Washington; Gary Hall, Coventry U, UK; Mills Kelly, George Mason U; Matthew Kirschenbaum, U of Maryland; Alan Liu, U of California, Santa Barbara; Elizabeth Losh, U of California, San Diego; Lev Manovich, U of California, San Diego; Willard McCarty, King’s College London; Tara McPherson, U of Southern California; Bethany Nowviskie, U of Virginia; Trevor Owens, Library of Congress; William Pannapacker, Hope College; Dave Parry, U of Texas at Dallas; Stephen Ramsay, U of Nebraska, Lincoln; Alexander Reid, SUNY at Buffalo; Geoffrey Rockwell, Canadian Institute for Research Computing in the Arts; Mark L. Sample, George Mason U; Tom Scheinfeldt, George Mason U; Kathleen Marie Smith; Lisa Spiro, National Institute for Technology in Liberal Education; Patrik Svensson, Umeå U; Luke Waltzer, Baruch College; Matthew Wilkens, U of Notre Dame; George H. Williams, U of South Carolina Upstate; Michael Witmore, Folger Shakespeare Library.

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The Akademie der Künste (Academy of Arts) in Berlin has carried out its task of promoting the arts in Germany since the year it was founded in 1696. From the outset, master builders have been eligible to become members. The architect Hans Scharoun laid the groundwork for establishing the architectural archive. As the first post-war president of the academy in West Berlin, he was eager to document twentieth-century architecture in the Archive. Besides the story lying behind the assembly of a collection, this publication presents all seventy-one archives and eighty collections, including short biographies of the originators and the nature and scope of inventories. The Preußische Akademie (Prussian Academy) is represented among other things by drawings by Friedrich Gilly from the end of the eighteenth century. Expressionist designs by Bruno Taut, Alfons Anker, Paul Goesch and Adolf Behne in particular are to be found in rich abundance. In common with the archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder, these offer a chronicle of the 1920s. One focus of the collection is devoted to the archives of Second World War émigré architects, among them Adolf Rading, Gabriel Epstein, Julius Posenerand Konrad Wachsmann. The post-war period and the booming 1960s are represented by the archives of Hermann Henselmann, Walter Rossow, Bernhard Hermkes, Werner Hebebrand, Werner Düttmann and Heinz Graffunder. Archives and collections which can be traced back beyond the turn of the twenty-first century emerged from Jörg Schlaich, Kurt Ackermann, Szyszkowitz + Kowalski and Valentien + Valentien. On offer for the first time is an overview in print form of these archives acquired by the Academy up to the present day – archives of architects, engineers, landscape architects and architectural photographers and critics alike. This publication presents an excerpt from around half a million documents.

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'The best kind of psychological thriller – compelling, accomplished and atmospheric.' M.W. CravenSIX FRIENDS.In a luxury villa set high in the hills above the glamorous town of Sorrento, southern Italy, three couples gather for the perfect 40th birthday celebration. ONE BODY.Before the week is out, one of them is dead.COUNTLESS LIES.Their perfect reunion quickly becomes the holiday from hell when one of the group starts receiving anonymous messages, threatening to expose a dark secret from their university days. As old friendships are tested to the limit, it’s clear that what happens in the dark past won’t stay buried…A heart-racing psychological thriller that will hook you from the very first page, with twist after twist that will make your jaw drop. Fans of B.A. Paris, My Husband's Killer and Lucy Foley won’t be able to put this down. If you were hooked by The White Lotus or The Watcher, you'll love this. Praise for The Final Party:'A hugely addictive, pacy and consuming thriller...kept me guessing (and turning pages) right up to the incredible conclusion.' Gytha Lodge'Thrilling twists, terrific characters and a setting to die for. The Final Party is a thoroughly gripping ride!' B P Walter'A compelling page turner with a gasp around every corner. If you’re looking for a holiday read this May, then this is the perfect unravelling of a friendship built on secrets and lies' Lauren North'Do not miss your invitation to The Final Party! Dark deeds, gorgeous Italian scenery and secrets aplenty... I was totally gripped!' Louise Mumford'One of the best writers of crime fiction around.' Howard Linskey‘A gripping, intricately plotted thriller about the dark side of friendship, packed with secrets and lies that will keep you hooked until the very last page.’ Lucy Martin‘Draws you into a dark web of secrets and lies that unravel with exquisite timing in a beautiful setting.’ Sarah Clarke'Stylish and twisty, with secrets and lies galore' Emily Freud'The Secret History meets The Holiday, only darker, sexier and absolutely crammed full of twists and suspense. It’s a big, fat 5 stars from me.’ Lisa Hall'A dark and twisty read full of secrets, set against a stunning Amalfi Coast background where everyone has secrets and no one can be trusted.' Catherine Cooper'Glossy, gripping, and full of gruesome discoveries. A perfect holiday read.' Derek Farrell'The most well plotted and expertly told thriller I've read in years...a masterpiece of deception, betrayal and murder that will astound you till the very last page.' Graham Bartlett'The reveals kept coming at super speed, taking my breath away as I eagerly turned the pages.' Christie J Newport‘A tense read that kept me guessing all the way to the end.’ Tariq Ashkanani'A dark, captivating and sumptuous read.' Julie-Ann Corrigan'A dark and addictive thriller set amidst a gorgeous Italian backdrop, it's well deserving of 5 sparkling stars. I loved it!' Jane Isaac'A slick and twisty thriller' Jacqueline Sutherland'A tortuous web of secrets and lies – I could not put it down’ Marion Todd'A taut, dark thriller that is fabulously alluring and atmospheric. Utterly captivating writing!' Victoria Dowd

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In `The Working Class: Poverty, education and alternative voices`, Ian Gilbert unites educators from across the UK and further afield to call on all those working in schools to adopt a more enlightened and empathetic approach to supporting children in challenging circumstances. One of the most intractable problems in modern education is how to close the widening gap in attainment between the haves and the have-nots. Unfortunately, successive governments both in the UK and abroad have gone about solving it the wrong way. Independent Thinking founder Ian Gilbert's increasing frustration with educational policies that favour `no excuses' and `compliance', and that ignore the broader issues of poverty and inequality, is shared by many others across the sphere of education - and this widespread disaffection has led to the assembly of a diverse cast of teachers, school leaders, academics and poets who unite in this book to challenge the status quo. Their thought-provoking commentary, ideas and impassioned anecdotal insights are presented in the form of essays, think pieces and poems that draw together a wealth of research on the issue and probe and discredit the current view on what is best for children from poorer socio-economic backgrounds. Exploring themes such as inclusion, aspiration, pedagogy and opportunity, the contributions collectively lift the veil of feigned `equality of opportunity for all' to reveal the bigger picture of poverty and to articulate the hidden truth that there is always another way. This book is not about giving you all the answers, however. The contributors are not telling teachers or schools leaders how to run their schools, their classroom or their relationships - the field is too massive, too complex, too open to debate and to discussion to propose `off-the-shelf' solutions. Furthermore, the research referred to in this book is not presented in order to tell educators what to think, but rather to inform their own thinking and to challenge some of the dominant narratives about educating the `feckless poor'. This book is about helping educators to ask the right questions, and its starting question is quite simple: how can we approach the education of young people from disadvantaged backgrounds in a way that actually makes a difference for all concerned? Written for policy makers and activists as well as school leaders and educators, The Working Class is both a timely survey of the impact of current policies and an invaluable source of practical advice on what can be done to better support disadvantaged children in the school system. Edited by Ian Gilbert with contributions from Nina Jackson, Tim Taylor, Dr Steven Watson, Rhythmical Mike, Dr Ceri Brown, Dr Brian Male, Julia Hancock, Paul Dix, Chris Kilkenny, Daryn Egan-Simon, Paul Bateson, Sarah Pavey, Dr Matthew McFall, Jamie Thrasivoulou, Hywel Roberts, Dr Kevin Ming, Leah Stewart, (Real) David Cameron, Sir Al Aynsley-Green, Shona Crichton, Floyd Woodrow, Jonathan Lear, Dr Debra Kidd, Will Ryan, Andrew Morrish, Phil Beadle, Jaz Ampaw-Farr, Darren Chetty, Sameena Choudry, Tait Coles, Professor Terry Wrigley, Brian Walton, Dave Whitaker, Gill Kelly, Roy Leighton, Jane Hewitt, Jarlath O'Brien, Crista Hazell, Louise Riley, Mark Creasy, Martin Illingworth, Ian Loynd, David Rogers, Professor Mick Waters and Professor Paul Clarke. Click here to listen to The Working Class on Spotify - It covers all the music mentioned in the book plus a great deal more of working class music from across time and round the world!

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Portraits of African American Life since 1865 is an intimate study of the lives of 14 African Americans since the end of the Civil War. Written by established and rising scholars, these diverse biographies offer a rich portrayal of the African American experience over the last 150 years. Unlike many other books in the field which celebrate the contributions of African American leaders, this volume explores the lives of ordinary individuals who pursued a variety of endeavors from politics, labor reform, religion, medicine, sports, business, and, importantly, civil rights. Through the lives of these men and women who struggled to defy great odds, this text demonstrates the major themes in African American history. Editor Nina Mjagkij includes the largely untold stories of the Highgate sisters, two northern black teachers whose lives exemplify the African American thirst for education and penchant for racial uplift through schooling; Father of the Kansas Exodus, Benjamin 'Pap' Singleton; Pan-African Congress member and international peace movement activist Addie Waites Hunton; and Lester A. Walton, a journalist, foreign minister, and political activist who fought tirelessly for the birthright of citizenship for African Americans in a country that systematically denied that claim. In these engaging passages, students will meet Edgar Daniel Nixon, a forgotten Father of the Civil Rights Movement; Sgt. Allen Thomas, Jr., who served in the Vietnam War; civil servant and civil rights activist, Elmer Henderson; and educator and feminist, Anna Julia Cooper. They will become acquainted with fraternal society leader William Washington Browne, who fostered life insurance among African Americans and advocated black owned banks; Richard Henry Boyd, who established the National Baptist Publishing Board, the largest publishing house owned and controlled by black Americans; and Timothy Drew, 'Noble Drew Ali,' founder of the Moorish Science Temple of America, who fused religion with black nationalism, paving the way for other militant separatist groups. In these pages, students will also encounter Willard Townsend, the highest ranking African American official in the Congress of Industrial Organizations, and Roberta Church, the first African American woman in the South to hold the elected position of Republican State Committeewoman. Compelling as well as informative, Portraits of African American Life since 1865 gives students a heightened understanding of the evolution of what it has meant to be black and American through more than 150 years of U.S. history. This book is ideal for African American history courses.

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1 January 2018 will be the 250th anniversary of Maria Edgeworth's birth. Valerie Pakenham's sparkling new selection of over four hundred letters, many hitherto unpublished, will help to celebrate her memory. Born in England, she was brought to live in Ireland at the age of fourteen and spent most of the rest of her life at the family home at Edgeworthstown, Co. Longford. Encouraged by her remarkable father, Richard Lovell Edgeworth, whose memoirs she edited, she became, in turn, famous for her children's stories, her practical guides to education and her novels - or, as she preferred to call them, `Moral Tales'. By 1813, when visiting London, she was, as Byron testified, as great a literary lion as he had been the season before, and she was hugely admired by fellow novelists Sir Walter Scott and Jane Austen. Maria Edgeworth's posthumous fame has dwindled and only her first novel, Castle Rackrent (1800), a brilliant burlesque account of the Irish squirearchy, is still widely read. She was, however, a prolific and fascinating letter writer. She insisted that her letters were for private consumption only, but after her death, her stepmother and half-sisters produced a private memoir for friends using carefully selected extracts. Their literary quality was spotted by Augustus Hare, whose shortened version, The Life and Letters of Maria Edgeworth, appeared in 1894. In the 1970s Maria's great great niece, Christina Colvin edited Maria Edgeworth's Letters from England and Maria Edgeworth in France & Switzerland. No one, however, has revisited fully Maria's original letters from the place she loved and knew best: Ireland. From 1825, Maria's letters reflect sixty years of Irish history, from the heady days of Grattan's Parliament, through the perils of the 1798 Rebellion to the rise of O'Connell and the struggle for Catholic Emancipation. In old age, she worked actively to alleviate the Great Famine and wrote her last story to raise money aged 82. A treasure trove of stories, humour, local and high-level gossip, her letters show the extraordinary range of her interests: history, politics, literature and science. Maria almost single-handedly took over the management of her family estate and restored it to solvency. Her later letters brim with delight at these practical undertakings and her affection for the local people she worked with. Two of her half-sisters and her stepmother were gifted artists, and Valerie Pakenham has been able to use many of their unpublished drawings and sketches to illustrate this book.

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The idea that the United States can and should help Latin America achieve democracy has been a recurrent theme in U.S. foreign policy throughout the twentieth century. By the 1990s, it had become virtually unchallenged doctrine, broadly supported on a bipartisan basis. Yet no systematic and comparative study of U.S. attempts to promote Latin American democracy has ever been published - and the policy community often seems unaware of this history. In Exporting Democracy, Abraham F. Lowenthal and fourteen other noted scholars from the United States, Latin America, and Europe explore the motives, methods, and results of U.S. efforts to nurture Latin American democracy. Contributors focus on four periods when such efforts were most intense: the years from World War I to the Great Depression, the period immediately following World War II, the 1960s, and the Reagan years. The book tells a cautionary tale - revealing that U.S. efforts to export democracy in the Americas have met with little enduring success and often have had counterproductive effects. Exporting Democracy is available in two paperback volumes, each introduced by Abraham Lowenthal and organized for convenient course use. In the first paperback volume, Themes and Issues, contributors and their topics are Paul W. Drake, From Good Men to Good Neighbors: 1912-1932; Leslie Bethell, From the Second World War to the Cold War: 1944-1954; Tony Smith, the Alliance for Progress: The 1960s; Thomas Carothers:,The Reagan Years: The 1980s; Elizabeth A. Cobbs, U.S. Business: Self-Interest and Neutrality; Paul G. Buchanan, The Impact of U.S. Labor; John Sheahan, Economic Forces and U.S. Policies; Laurence Whitehead, The Imposition of Democracy; Abraham F. Lowenthal, The United States and Latin American Democracy: Learning from History. In the second paperback volume, Case Studies, the contributors and their topics are: Carlos Escude, Argentina: The Costs of Contradiction; Heraldo Munoz, Chile: The Limits of "Success"; Jonathan Hartlyn, The Dominican Republic: The Legacy of Intermittent Engagement; Lorenzo Meyer, Mexico: The Exception and the Rule; Joseph Tulchin and Knut Walter, Nicaragua: The Limits of Intervention; Elizabeth A. Cobbs, U.S. Business: Self-Interest and Neutrality; Paul G. Buchanan, The Impact of U.S. Labor; John Sheahan, Economic Forces and U.S. Policies; Laurence Whitehead, The Imposition of Democracy; Abraham F. Lowenthal, The United States and Latin American Democracy: Learning from History.

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Wrestling with the Angel is a meditation on contemporary political, legal, and social theory from a psychoanalytic perspective. It argues for the enabling function of formal and symbolic constraints in sustaining desire as a source of creativity, innovation, and social change. The book begins by calling for a richer understanding of the psychoanalytic concept of the symbolic and the resources it might offer for an examination of the social link and the political sphere. The symbolic is a crucial dimension of social coexistence but cannot be reduced to the social norms, rules, and practices with which it is so often collapsed. As a dimension of human life that is introduced by language-and thus inescapably "other" with respect to the laws of nature-the symbolic is an undeniable fact of human existence. Yet the same cannot be said of the forms and practices that represent and sustain it. In designating these laws, structures, and practices as "fictions," Jacques Lacan makes clear that the symbolic is a dimension of social life that has to be created and maintained and that can also be displaced, eradicated, or rendered dysfunctional. The symbolic fictions that structure and support the social tie are therefore historicizable, emerging at specific times and in particular contexts and losing their efficacy when circumstances change. They are also fragile and ephemeral, needing to be renewed and reinvented if they are not to become outmoded or ridiculous. Therefore the aim of this study is not to call for a return to traditional symbolic laws but to reflect on the relationship between the symbolic in its most elementary or structural form and the function of constraints and limits. McNulty analyzes examples of "experimental" (as opposed to "normative") articulations of the symbolic and their creative use of formal limits and constraints not as mere prohibitions or rules but as "enabling constraints" that favor the exercise of freedom. The first part examines practices that conceive of subjective freedom as enabled by the struggle with constraints or limits, from the transference that structures the "minimal social link" of psychoanalysis to constrained relationships between two or more people in the context of political and social movements. Examples discussed range from the spiritual practices and social legacies of Moses, Jesus, and Teresa of Avila to the political philosophy of Hannah Arendt and Jacques Ranciere. The second part is devoted to legal and political debates surrounding the function of the written law. It isolates the law's function as a symbolic limit or constraint as distinct from its content and representational character. The analysis draws on Mosaic law traditions, the political theology of Paul, and twentieth-century treatments of written law in the work of Carl Schmitt, Walter Benjamin, Sigmund Freud, Pierre Legendre, and Alain Badiou. In conclusion, the study considers the relationship between will and constraint in Kant's aesthetic philosophy and in the experimental literary works of the collective Oulipo.

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What do you do when your child disappears?'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly'The tension and heartbreak kept me turning the pages' Patricia Gibney'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris WhitakerPandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party.The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby.So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands. Praise for The Empty Room 'Superb' Natasha Cooper, Literary Review'A finely calibrated account of loss, grief and simmering rage' Irish Times'A powerful portrayal of one mother's desperate ordeal... perceptive' Sunday Independent'The Empty Room has all the elements of great drama - murder, revenge, sacrifice - along with complex moral questions that will keep you engaged long after the final thrilling page' Martina Murphy'A compulsive, addictive, heart rending read, The Empty Room is a tale of grief and loss, and ultimately redemption, that puts Brian McGilloway at the very top of the game. I could not put it down' Sam Blake'Masterful, humane, compelling, beautifully written, utterly convincing - and without a wasted word' Catherine Kirwan 'The Empty Room is a tense, and at times claustrophic, slow-burner which builds to a devastating conclusion' Claire Allan'A tense thriller' Irish Daily Mail'The Empty Room surely secures Brian's place as one of the best writers out there. . . a thoughtful exploration of a mother struggling with a changed world. . . exceptional' Chris MacDonald 'High tension and high emotion make this story a page turner' Roisin Meaney'An utterly gripping and propulsive read, as one would expect from one of Ireland's finest thriller writers' Irish Independent'A terrific thriller. I couldn't turn the pages fast enough, and the final act is going to haunt me for a long time to come' B P Walter Praise for Brian McGilloway 'A compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today' Ann Cleeves'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing. Brian McGilloway is, quite simply, a master of his art. Bravo' Jo Spain'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter'A clever, engaging and beautifully crafted police procedural' Irish Independent'Some of the very best crime fiction being written today' Lee Child on Bad Blood'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph

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This is an important and timely book which makes a really valuable contribution to corporate law scholarship. It brings together for the first time, two crucial aspects of the law in its consideration of the application of corporate governance to firms facing insolvency. In the current environment, this is a book which academics and practitioners alike will find invaluable. Professor Milman is one of Europe's foremost experts in insolvency law and his mastery of the subject is evident in this clear exposition of an important topic. I particularly liked the manner in which Professor Milman fuses theory, law and practice giving the reader the benefit of his own expert insight and experience. His style of writing makes it accessible to all readers.'- Blanaid Clarke, Trinity College Dublin, Ireland'Anglo-American corporate law scholarship focuses obsessively on the governance of large, public corporations. It has little to say about the governance of financially distressed firms and less still to say about the governance of small businesses, even though SMEs are the bedrock of any functioning national or regional economy. In the Governance of Distressed Firms, David Milman, one of the UK's leading and most influential commercial law scholars, redresses the balance. His original and timely book provides a critique of the current legal framework applicable to directors and insolvency practitioners together with a blueprint for reform. Informed by practical and comparative insights, it deserves to be widely read.'- Adrian J. Walters IIT Chicago-Kent College of Law, US'This is a bold and exciting monograph, which breaks new ground in exploring the concept of corporate governance as applied to and within insolvent firms, concentrating mainly on small firms. Intellectually acute, with deep comparative insights, Governance of Distressed Firms also has indisputable practical value, especially given the huge growth in the commitment, by dozens of countries, to business rescue and reorganization. Scholars and practitioners alike will be very indebted to David Milman for this volume.'- Harry Rajak, University of Sussex, UKThis detailed book examines how the law can provide a discrete governance regime for financially distressed firms.The concept of a distressed firm covers businesses that are struggling, but have not yet entered formal insolvency, as well as those businesses that are undergoing a formal insolvency process. With reference primarily to English law, this study encompasses both limited liability companies and limited liability partnerships with a focus on the regulation both of company directors and insolvency practitioners. It offers recommendations for improvements in governance mechanisms and notes that many of the governance shortfalls that occur can be related to the ease of access given to those who wish to trade with the benefit of limited liability.Providing an up to date analysis in a fast evolving area of law, this book will appeal to academics, postgraduate students, practitioners and policy makers.Contents: Preface 1. Introduction to Concepts and Dramatis Personae 2. The Relevance of Corporate Governance Theory and Related Issues 3. Governance in the Twilight Zone 4. Governance Post Formal Insolvency Regime Commencement 5. Comparative and EU Perspectives on the Governance of Distressed Firms 6. Reflections and Reform Bibliography Appendix I: Applicability of Selected Statutory Stewardship Obligations and Enforcement Thereof Appendix II: List of Selected Statements of Insolvency Practice Index

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The Wiley Classics Library consists of selected books that havebecome recognized classics in their respective fields. With thesenew unabridged and inexpensive editions, Wiley hopes to extend thelife of these important works by making them available to futuregenerations of mathematicians and scientists. Currently availablein the Series: T. W. Anderson Statistical Analysis of Time SeriesT. S. Arthanari & Yadolah Dodge Mathematical Programming inStatistics Emil Artin Geometric Algebra Norman T. J. Bailey TheElements of Stochastic Processes with Applications to the NaturalSciences George E. P. Box & George C. Tiao Bayesian Inferencein Statistical Analysis R. W. Carter Simple Groups of Lie TypeWilliam G. Cochran & Gertrude M. Cox Experimental Designs,Second Edition Richard Courant Differential and Integral Calculus,Volume I Richard Courant Differential and Integral Calculus, VolumeII Richard Courant & D. Hilbert Methods of MathematicalPhysics, Volume I Richard Courant & D. Hilbert Methods ofMathematical Physics, Volume II D. R. Cox Planning of ExperimentsHarold M. S. Coxeter Introduction to Modern Geometry, SecondEdition Charles W. Curtis & Irving Reiner Representation Theoryof Finite Groups and Associative Algebras Charles W. Curtis &Irving Reiner Methods of Representation Theory with Applications toFinite Groups and Orders, Volume I Charles W. Curtis & IrvingReiner Methods of Representation Theory with Applications to FiniteGroups and Orders, Volume II Bruno de Finetti Theory ofProbability, Volume 1 Bruno de Finetti Theory of Probability,Volume 2 W. Edwards Deming Sample Design in Business Research Amosde Shalit & Herman Feshbach Theoretical Nuclear Physics, Volume1 --Nuclear Structure J. L. Doob Stochastic Processes NelsonDunford & Jacob T. Schwartz Linear Operators, Part One, GeneralTheory Nelson Dunford & Jacob T. Schwartz Linear Operators,Part Two, Spectral Theory--Self Adjoint Operators in Hilbert SpaceNelson Dunford & Jacob T. Schwartz Linear Operators, PartThree, Spectral Operators Herman Fsehbach Theoretical NuclearPhysics: Nuclear Reactions Bernard Friedman Lectures onApplications-Oriented Mathematics Gerald d. Hahn & Samuel S.Shapiro Statistical Models in Engineering Morris H. Hansen, WilliamN. Hurwitz & William G. Madow Sample Survey Methods and Theory,Volume I--Methods and Applications Morris H. Hansen, William N.Hurwitz & William G. Madow Sample Survey Methods and Theory,Volume II--Theory Peter Henrici Applied and Computational ComplexAnalysis, Volume 1--Power Series--lntegration--ConformalMapping--Location of Zeros Peter Henrici Applied and ComputationalComplex Analysis, Volume 2--Special Functions--IntegralTransforms--Asymptotics--Continued Fractions Peter Henrici Appliedand Computational Complex Analysis, Volume 3--Discrete FourierAnalysis--Cauchy Integrals--Construction of ConformalMaps--Univalent Functions Peter Hilton & Yel-Chiang Wu A Coursein Modern Algebra Harry Hochetadt Integral Equations Erwin O.Kreyezig Introductory Functional Analysis with Applications WilliamH. Louisell Quantum Statistical Properties of Radiation All HasanNayfeh Introduction to Perturbation Techniques Emanuel ParzenModern Probability Theory and Its Applications P.M. Prenter Splinesand Variational Methods Walter Rudin Fourier Analysis on Groups C.L. Siegel Topics in Complex Function Theory, Volume I--EllipticFunctions and Uniformization Theory C. L. Siegel Topics in ComplexFunction Theory, Volume II--Automorphic and Abelian integrals C. LSiegel Topics in Complex Function Theory, Volume III--AbelianFunctions & Modular Functions of Several Variables J. J. StokerDifferential Geometry J. J. Stoker Water Waves: The MathematicalTheory with Applications J. J. Stoker Nonlinear Vibrations inMechanical and Electrical Systems

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Introduced by newsreader, presenter, and Barnardo's president Natasha Kaplinsky, Letters From Lockdown features 100+ letters from celebrity names, COVID heroes, and a diverse range of members of the public, all answering the question - 'What was lockdown like for you?'Contributors include: Paul McCartney · Joe Wicks · Malala Yousafzai · Ed Sheeran · Helen Mirren · Cressida Cowell · Mary Berry · Richard Branson · Peppa Pig · Andy Murray · Helena Bonham Carter · Lenny Henry · Bruno Tonioli · Romesh Ranganathan · The family of Captain Tom · Bear Grylls · Charly Cox · Dr Alex George · Jacqueline Wilson · Matt Lucas · Monica Galetti · Kelly Holmes · Bill Gates· Sir Mo Farah and many more.The publisher will donate all profits, which will be a minimum of £1.50 for each copy of the book sold, to Barnardo's (registered charity in England and Wales no. 216250), who do important work to protect and support the UK's most vulnerable children, more in need now than ever.The letter writers include doctors and nurses, care home staff and vaccinators, train drivers and hairdressers, teachers and environmentalists - people who have been on the frontline in tackling the pandemic, or in trying to get the world back on its feet. Other letters document the unforgettable lighter moments of the past year: interviews crashed by children, TikTok triumphs and disasters, and Goats joining Zoom meetings. Each offers their unique perspective on the year everything changed.Other contributors include: Al Gore; Alexandra Shulman, Davina McCall, Toby Regbo, Trevor McDonald, Jo Malone, Keir Starmer, Boris Johnson, Mark Ronson, Maro Itoje, Nicola Adams, Raymond Blanc, Richard Curtis and Emma Freud, Chris Van Dusen, Sita Brahmachari, Sophie Gonzales, Hayden Kays, Tim Peake, Sean Fitzpatrick, and Joan Collins.The idea for the book came from Natasha Kaplinsky's children, Arlo and Kika. They wrote an open letter, wanting to understand other people's experiences of lockdown. Their question, 'What was lockdown like for you?' is the prompt; the collection of letters in response form the book. As we keep our fingers crossed that this summer will bring a safe end to restrictions, this mixture of funny, sad, heart-warming, surprising, heroic and honest experiences will mark the start of a period of reflection.Adrian Packer, Al Gore, Alex George, Alexandra Shulman, Ali Mercer, Alice M Greenwald, Ali Joy, Andy Murray, Antony Cauvin, Anushua Gupta, Bear Grylls, Benjie and Georgia Ingram-Moore, Bill Gates and Melinda French Gates, Bob Wilson, Boris Johnson, Bruno Tonioli, Buckingham Palace, Charly Cox, Chimwemwe Chiweza, Chris and Vicki Agar, Chris Van Dusen, Clare Wenham, Colette Moreira-Henocq, Cressida Cowell, Davey Glover, Davina McCall, Dawn Bilbrough, Dot McCarthy, Ed Balls, Ed Sheeran, Elliot Jacobs, Emma Freud and Richard Curtis, Fergus Llewellyn, George Alagiah, Gill Edwards, Hayden Kays, Helen Mirren, Helena Bonham Carter, Hollie Long, HRH The Duchess of Cornwall, Hugh Fearnley-Whittingstall, Jacqueline Wilson, Jacquie Jenkins, James Graham, Javed Khan, Jenny Messenger, Jo Malone, Joan Collins, Joe Wicks, John Vincent, Josie Naughton, Kathryn England, Karen Pollock, Karl Jones, Keir Starmer, Kelly Holmes, Laura Elliott, Lenny Henry, Lindsay Hoyle, Maff Potts, Maia Elliott, Malala Yousafzai, Margaret Keenan, Marie Benton, Mark Ronson, Maro Itoje, The Marsh Family, Mary Berry, Matt Lucas, Meggie Foster, Michele Walter, Mo Farah, Monica Galetti, Mr Men's Mr Happy, Neera Butt, Nicola Adams, Nina Raingold, Patricia Daley, Paul Atherton, Paul McCartney, Paul Morrison, Paula Talman, Peppa Pig, Philippa Craddock, Raymond Blanc, Rene Germain, Richard Branson, Roja Dove, Romesh Ranganathan, Rosie Jones, Rosie Mitchell, Sandi Procter, Scott Evans, Sean Fitzpatrick, Sharna Jackson, Sita Brahmachari, Sophie Gonzales, Tamara Rojo, Tanni Grey-Thompson, Tessa Mattholie Butunoi, Tim Peake, Tim Steiner, Toby Regbo, Trevor McDonald, Will Shu, Woody, Zoe Burke

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