Search results for ""author walt"

‘Phenomenal’ Abi Daré‘Moving and suspenseful’ Jess Walter‘Heart-stopping’ Patricia Engel'Wonderful' Jessie BurtonYu-jin is gifted. Yu-jin is loved. Yu-jin is flourishing.Yu-jin is dead. Min Ford is searching for his place in the world. The Los Angeles native moves to Seoul to connect with his Korean heritage and find the sense of belonging that he’s never quite felt before. His girlfriend, Yu-jin, is a student at a prestigious Seoul university and has excellent grades, good friends and a bright future ahead of her. When the police inform him that Yu-jin has taken her own life, he’s sure it can’t be true. He throws himself into finding out why she could have secretly wanted to die. Or did she? The more he learns, the more he doubts he ever really knew her at all. And some people would rather keep it that way.For fans of Celeste Ng, this is a profoundly moving and suspenseful drama that untangles the complicated ties that bind families together – or break them apart. Praise for When We Fell Apart‘Suspenseful’ New York Times Book Review‘Powerful’ Vogue‘A must-read’ Washington Post‘A haunting, thought-provoking novel’ Shondaland‘Transportive and poignant’ Susie Yang‘Profoundly moving, beautifully written and utterly compelling’ Susan Elliot Wright‘A magical debut’ Amy Gentry

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This book aims to develop a broader view of the trajectory of Hispanic modernity, tracing a motif of recurring impasse, first seen in peninsular Baroque texts and continuing into Latin American colonial and modern literature. Inspired by Walter Benjamin's notion of constellation, this book draws on theories of Latin American modernity to investigate the Spanish literary Baroque and its repetitions as a historical-cultural predicament in Latin American colonial and modern texts. Inca Garcilaso, Borges, Carpentier, Rulfo, Darío and a range of Latin American "Post-Symbolist" poets (Agustini, Pizarnik, Sosa, Lienlaf and Huinao) are juxtaposed with the Lazarillo, the Quijote, Fuenteovejuna and Góngora's Soledades to produce original readings on topics of violence, rape, frustrated pilgrimage, and the truncated ambitions of colonized peoples and confessional minorities. In turn, Benjamin is juxtaposed with Mallarmé to recast the aesthetic dynamics of modernity in political terms, in order to understand the Baroque within a more broadly historicized concept of the avant-garde. Generous in scope, this book addresses the community of Spanish and Latin American criticism as well as emerging and pressing theoretical concerns within the field of comparative literature.

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Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.

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From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh. Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out. Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.

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Highams Park lies on the Greenwich Meridian, about ten miles from St Paul's Cathedral, but it is not easy to find it on a map. The old hamlet of Hale End is even more elusive, but is a vital community with its own identity. Early settlers came to the Great Forest of Waltham and, from the Tudor period to the Victorian era, the beautiful forest around Hale End, and its proximity to the City, appealed to Lord Mayors of London and wealthy merchant bankers. Epping Forest and the lake attracted day trippers, who came by rail to Hale End station, but the urban village of Highams Park only began to develop in the 20th century, when a plastics factory was established there. Suddenly shops, schools and affordable houses were being built for factory workers and City clerks, and a lively community was created. Fascinating people have always lived in the area, from Haldan in Saxon times to the designers of the Airship R101 and Concorde more recently. Charmingly written, this book will appeal to residents and social historians alike.

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Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dali's The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Ranciere, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.

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Faith in Action: Being a Gospel-Driven Change-MakerChristians are called to be the hands and feet of Jesus in the world. To be proclaimers of good news—agents of reconciliation with a message of hope, and faith that takes action. We need wisdom from God’s Word, power from His Spirit, hope from His gospel, and faith that He will equip us for the task. The Breathe Life Bible invites you to experience Scripture through the lens of the BREATHE acronym: Believe, Reconcile, Exalt, Act, Trust, Hope, and Elevate. Receive practical biblical encouragement. Find answers to some of life’s most difficult situations. Discover what faith in action really looks like as we pursue God’s vision of being a community where all people are valued and cared for.Features include: Introduction article by Rev. Dr. Bernice A. King Foreword by Ambassador Andrew Young Prayer of dedication by Bishop Hezekiah Walker Encouragement letters from Rev. Matthew Wesley Williams (President, Interdenominational Theological Center), Dr. Thelma Thomas Daley (President, National Council of Negro Women), and Derrick Johnson (President, NAACP) The Sky Dive more deeply into faith in action with these three focused articles. Through God’s Word, you are empowered to live a fruitful, abundant life, fully engaged in the pursuit of healthy relationships with God and others. The Air Increase your understanding with introductions and overviews for each book of the Bible’s content and themes, plus insights on each book’s relevance to the hearts of people of color today. We Speak Look at life through the eyes of 49 people in the Bible. Relate to the joys, sorrows, victories, and defeats of those who lived long ago and glean insights on how to live today. Life Support Explore how God’s truth can be applied to action steps in your life through 10 passages in the Bible. Inhale-Exhale A Q&A format addresses some of the most difficult life situations with answers that remind you that it is possible to rise above challenges in God’s power. #Oxygen Be challenged and encouraged with 98 brief snippets of wisdom drawn straight from the Word. Release Focus on tenets of the BREATHE acronym—Believe, Reconcile, Exalt, Act, Trust, Hope, Elevate—through this series of 49 devotions developed by Christian pastors and teachers who seek hope and guidance in God’s Word. Cross references and concordance Words of Christ in red Clear and readable 10-point NKJV Comfort Print® Additional Contributors:Dr. Charrita Danley QuimbyRev. Dr. Eric W. LeeMichele Clark JenkinsStephanie Perry MooreMin. Derrick MooreBishop Kenneth UlmerDr. Arthur SatterwhitePastor Debra B. MortonPastor Tommy KyllonenRev. Dr. Helen DelaneyPastor Tommy StevensonBishop Vashti McKenzieBishop Marvin SappDr. Franklin Perry, Sr.Rev. Dr. LaKeesha WalrondAntonio Neal PhelonElder De’Leice R. DraneS. James GuitardDr. Lakeba H. WilliamsRev. Dr. Walter L. KimbroughJekalyn CarrFirst Lady Jamell Meeks

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Faith in Action: Being a Gospel-Driven Change-MakerChristians are called to be the hands and feet of Jesus in the world. To be proclaimers of good news—agents of reconciliation with a message of hope, and faith that takes action. We need wisdom from God’s Word, power from His Spirit, hope from His gospel, and faith that He will equip us for the task. The Breathe Life Bible invites you to experience Scripture through the lens of the BREATHE acronym: Believe, Reconcile, Exalt, Act, Trust, Hope, and Elevate. Receive practical biblical encouragement. Find answers to some of life’s most difficult situations. Discover what faith in action really looks like as we pursue God’s vision of being a community where all people are valued and cared for.Features include: Introduction article by Rev. Dr. Bernice A. King Foreword by Ambassador Andrew Young Prayer of dedication by Bishop Hezekiah Walker Encouragement letters from Rev. Matthew Wesley Williams (President, Interdenominational Theological Center), Dr. Thelma Thomas Daley (President, National Council of Negro Women), and Derrick Johnson (President, NAACP) The Sky Dive more deeply into faith in action with these three focused articles. Through God’s Word, you are empowered to live a fruitful, abundant life, fully engaged in the pursuit of healthy relationships with God and others. The Air Increase your understanding with introductions and overviews for each book of the Bible’s content and themes, plus insights on each book’s relevance to the hearts of people of color today. We Speak Look at life through the eyes of 49 people in the Bible. Relate to the joys, sorrows, victories, and defeats of those who lived long ago and glean insights on how to live today. Life Support Explore how God’s truth can be applied to action steps in your life through 10 passages in the Bible. Inhale-Exhale A Q&A format addresses some of the most difficult life situations with answers that remind you that it is possible to rise above challenges in God’s power. #Oxygen Be challenged and encouraged with 98 brief snippets of wisdom drawn straight from the Word. Release Focus on tenets of the BREATHE acronym—Believe, Reconcile, Exalt, Act, Trust, Hope, Elevate—through this series of 49 devotions developed by Christian pastors and teachers who seek hope and guidance in God’s Word. Cross references and concordance Words of Christ in red Clear and readable 10-point NKJV Comfort Print® Additional Contributors:Dr. Charrita Danley QuimbyRev. Dr. Eric W. LeeMichele Clark JenkinsStephanie Perry MooreMin. Derrick MooreBishop Kenneth UlmerDr. Arthur SatterwhitePastor Debra B. MortonPastor Tommy KyllonenRev. Dr. Helen DelaneyPastor Tommy StevensonBishop Vashti McKenzieBishop Marvin SappDr. Franklin Perry, Sr.Rev. Dr. LaKeesha WalrondAntonio Neal PhelonElder De’Leice R. DraneS. James GuitardDr. Lakeba H. WilliamsRev. Dr. Walter L. KimbroughJekalyn CarrFirst Lady Jamell Meeks

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In der Generation nach Julius Wellhausen gehörte Hermann Gunkel zu den bedeutendsten Repräsentanten der evangelischen Bibelwissenschaften. Als einer der Mitbegründer und Hauptvertreter der Religionsgeschichtlichen Schule etablierte er methodisch höchst innovative Zugänge zum Alten wie auch zum Neuen Testament. Letztlich setzte er mit jeder größeren Veröffentlichung einen forschungsgeschichtlichen Markstein. Sein Kommentar zur Genesis und seine diversen Auslegungen der Psalmen avancierten zu Klassikern der protestantischen Bibelexegese im 20. Jahrhundert. Auch wenn er die von ihm anvisierte Explikation der gattungsgeschichtlichen Betrachtung in einer umfassenden Literaturgeschichte des Alten Testaments nur in Ansätzen zu realisieren vermochte, zeigt sein Werk doch durchgängig das eigentümliche Profil einer ästhetischen Lektüre der biblischen Texte. Deren religiösen Gehalt auch Nichttheologen zu erschließen, machte Gunkel sich zu einer wesentlichen Aufgabe seiner theologischen Arbeit.Hatte der Gelehrte in seiner eigenen akademischen Karriere manche Benachteiligung und Zurücksetzung zu ertragen, so setzte er umgekehrt viel daran, begabten Schülern den Weg in die akademische Lehrtätigkeit zu ebnen. Die Alttestamentler Hans Schmidt, Otto Eißfeldt, Emil Balla, Walter Baumgartner, Hedwig Jahnow und Sigmund Mowinckel gehörten zu seinem Schülerkreis. Auch auf Neutestamentler wie Heinrich Weinel, Martin Dibelius und Rudolf Bultmann übte Gunkel einen langfristig bedeutsamen Einfluss aus.Persönlich nahm Gunkel unter seinen Fachkollegen keine sonderlich ausgeprägte Bereitschaft zur Rezeption und Weiterentwicklung seiner Anstöße wahr. Umso stärker wirkten seine Anregungen mit ihrer glücklichen Verbindung von Intuition und Methode auf die Bibelwissenschaften im 20. Jahrhundert ein. Im Rückgriff auf bislang unerschlossenes Archivmaterial verortet Konrad Hammann das Leben und Werk Gunkels in den wissenschaftlichen Diskursen seiner Zeit und im zeithistorischen Kontext seiner Epoche.

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20 years ago, animated features were widely perceived as cartoons for children. Today they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day. Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. This revised and updated new edition addresses films that have been released since publication of the first edition, such as the mainstream hits Frozen, The Lego Movie and Spider-Man: Into the Spider-Verse, as well as updated entries on franchises such as the Toy Story movies. It also covers bittersweet indie visions such as Michael Dudok de Wit's The Red Turtle, Charlie Kaufman’s Anomalisa, Isao Takahata's Tale of the Princess Kaguya, the family saga The Wolf Children and the popular blockbuster Your Name. Osmond's wide-ranging selection also takes in the Irish fantasy Song of the Sea, France’s I Lost My Body and Brazil's Boy and the World. Osmond's authoritative and entertaining entries combine with a contextualising introduction and key filmographic information to provide an essential guide to animated film.

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This book presents an innovative analysis of the nature of democratic theory, focusing on the prevalence of pious discourses of democracy in contemporary politics. Democracy is now promoted in religious terms to such an extent that it has become sacrosanct in Western political theory. Rather than accepting this situation, this book argues that such piety relies on unsophisticated political analysis that pays scant attention to the complex conditions of contemporary politics. Little contends that the importance of conflict is underplayed in much democratic theory and that it is more useful to think instead of democracy in terms of the centrality of political disagreement and its propensity to generate political violence. This argument is exemplified by the ways in which democracy and violence have been conceptualised in the war on terrorism. Fighting against democratic piety, this book contends that it is vital to understand the inevitable failure of democratic politics and thus promotes a theory of democracy founded on the idea of 'constitutive failure'. Key Features: o Challenges democratic piety through the application of key contemporary approaches in political theory: complexity theory, post-structuralism and the idea of radical democracy o Uses the work of theorists such as Jacques Ranciere, William Connolly, Chantal Mouffe, Judith Butler, Slavoj ae'iae'ek, Giorgio Agamben, Walter Benjamin and Alain Badiou to interrogate the discourses of democracy which characterise contemporary political debate o Grounds the theoretical analysis of democratic discourse with examples from contemporary politics including the war on terror, the process of indigenous reconciliation in Australia, the struggles for recognition of refugees and asylum seekers, the plight of the Sans-Papiers in France, and the problems in Northern Irish politics over the last ten years.

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As the last volume in the series sponsored by the SSRC Committee on Comparative Politics, this book reflects--as does the preceding volume--the Committee's decision to devote renewed attention to the original state building experiences of the West, after having studied political development in the newer countries of the Third World. The contributors attempt to discern patterns of historical change in the different sequences of crises that affect all states in their development. Following an introductory and theoretical statement by Raymond Grew, each chapter focuses on a different country or area. Each of these essays applies and evaluates the Committee's concept of crises of development, i.e., crises of identity, legitimacy, participation, penetration, and distribution. The distinguished historians and political scientists who contribute to the volume are: Keith Thomas (on the United Kingdom), Aristide R. Zolberg (on Belgium), Folke Dovring (on Scandinavia), J. Rogers Hollingsworth (on the United States), Stanley G. Payne (on Spain and Portugal), David D. Bien (on France), Raymond Grew (on France and Italy), John R. Gillis (on Germany), Walter M. Pintner (on Russia), and Roman Szporluk (on Poland), with Lucian W. Pye providing the Preface. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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According to Xenophon, Socrates tried to persuade his associate Aristippus to moderate his excessive indulgence in wine, women, and food, arguing that only hard work can bring happiness. Aristippus wasn't convinced. Instead, he and his followers espoused the most radical form of hedonism in ancient Western philosophy. Before the rise of the better known but comparatively ascetic Epicureans, the Cyrenaics pursued a way of life in which moments of pleasure, particularly bodily pleasure, held the highest value. In The Birth of Hedonism, Kurt Lampe provides the most comprehensive account in any language of Cyrenaic ideas and behavior, revolutionizing the understanding of this neglected but important school of philosophy. The Birth of Hedonism thoroughly and sympathetically reconstructs the doctrines and practices of the Cyrenaics, who were active between the fourth and third centuries BCE. The book examines not only Aristippus and the mainstream Cyrenaics, but also Hegesias, Anniceris, and Theodorus. Contrary to recent scholarship, the book shows that the Cyrenaics, despite giving primary value to discrete pleasurable experiences, accepted the dominant Greek philosophical belief that life-long happiness and the virtues that sustain it are the principal concerns of ethics. The book also offers the first in-depth effort to understand Theodorus's atheism and Hegesias's pessimism, both of which are extremely unusual in ancient Greek philosophy and which raise the interesting question of hedonism's relationship to pessimism and atheism. Finally, the book explores the "new Cyrenaicism" of the nineteenth-century writer and classicist Walter Pater, who drew out the enduring philosophical interest of Cyrenaic hedonism more than any other modern thinker.

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Edinburgh and Glasgow enjoy a famously scratchy relationship. Resembling other intercity rivalries throughout the world, from Madrid and Barcelona, to Moscow and St. Petersburg, to Beijing and Shanghai, Scotland’s sparring metropolises just happen to be much smaller and closer together—like twin stars orbiting a common axis. Yet their size belies their world-historical importance as cultural and commercial capitals of the British Empire, and the mere forty miles between their city centers does not diminish their stubbornly individual nature.Robert Crawford dares to bring both cities to life between the covers of one book. His story of the fluctuating fortunes of each city is animated by the one-upping that has been entrenched since the eighteenth century, when Edinburgh lost parliamentary sovereignty and took on its proud wistfulness, while Glasgow came into its industrial promise and defiance. Using landmarks and individuals as gateways to their character and past, this tale of two cities mixes novelty and familiarity just as Scotland’s capital and its largest city do. Crawford gives us Adam Smith and Walter Scott, the Scottish Enlightenment and the School of Art, but also tiny apartments, a poetry library, Spanish Civil War volunteers, and the nineteenth-century entrepreneur Maria Theresa Short. We see Glasgow’s best-known street through the eyes of a Victorian child, and Edinburgh University as it appeared to Charles Darwin.Crawford's lively account, drawing on a wealth of historical and literary sources, affirms what people from Glasgow and Edinburgh have long doubted—that it is possible to love both cities at the same time.

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Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification.Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique.Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.

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The state of emergency, thinkers such as Carl Schmidt, Walter Benjamin, and Giorgio Agamben have argued, is at the heart of any theory of politics. But today the problem is not the crises we do confront, which are often how governments legitimize themselves, but the ones that political realism stops us from recognizing as emergencies, from widespread surveillance to climate change to the systemic shocks of neoliberalism. We need a way of disrupting the existing order that can energize radical democratic action rather than reinforcing the status quo. In this provocative book, Santiago Zabala declares that in an age where the greatest emergency is the absence of emergency, only contemporary art's capacity to alter reality can save us. Why Only Art Can Save Us advances a new aesthetics centered on the nature of the emergency that characterizes the twenty-first century. Zabala draws on Martin Heidegger's distinction between works of art that rescue us from emergency and those that are rescuers into emergency. The former are a means of cultural politics, conservers of the status quo that conceal emergencies; the latter are disruptive events that thrust us into emergencies. Building on Arthur Danto, Jacques Ranciere, and Gianni Vattimo, who made aesthetics more responsive to contemporary art, Zabala argues that works of art are not simply for an elevated consumerism or the contemplation of beauty but are points of departure to change the world. Radical artists create works that disclose and demand active intervention into ongoing crises. Interpreting works of art that aim to propel us into absent emergencies, Zabala shows how art's ability to create new realities is fundamental to the politics of radical democracy in the state of emergency that is the present.

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There was no native tradition of theatre in Irish. Thus, language revivalists were forced to develop the genre ex nihilo if there was to be a Gaelic drama that was not entirely made up of translations. The earliest efforts to do so at the beginning of the 20th century were predictably clumsy at best, and truly dreadful at worst. Yet by the 1950s, a handful of Gaelic playwrights were producing plays in Irish worthy of comparison not only with those by their Irish contemporaries working in English but also with drama being produced elsewhere in Europe as well as in North America. Obviously, Gaelic drama transitioned with surprising speed from what one early critic called 'the Ralph Royster Doyster Stage' to this new level of sophistication. This book argues that this transition was facilitated by the achievements of a handful of playwrights - Piaras Beaslai, Gearoid O Lochlainn, Leon O Broin, Seamus de Bhilmot, and Walter Macken - who between 1910 and 1950 wrote worthwhile new plays that dealt with subjects and themes of contemporary interest to Irish-speaking audiences, in the process challenging their fellow dramatists, introducing Gaelic actors to new developments and styles in world theatre, and educating Gaelic audiences to demand more from theatre in Irish than a night out or a chance to demonstrate their loyalty to the revivalist cause. This book, which discusses in some detail all of the extant plays by these five transitional playwrights, fills a gap in our knowledge of theatre in Irish (and indeed of theatre in Ireland in general), in the process providing clearer context for the appreciation of the work of their successors, playwrights who continue to produce first-rate work in Irish right to the present day.

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'Compulsively readable and with an ending you will not see coming' WOMAN & HOME'Masterful . . . a great twist' HARRIET TYCETHE PERFECT HUSBAND . . .After a difficult pregnancy, Esther is grateful that her husband Robin offers to put his career on hold so that she can return to the job she loves.But Esther finds leaving her daughter Riley behind more challenging than she'd thought. And soon the new imbalance in her relationship with Robin brings old tensions to the surface.OR A PERFECT LIE?Then one day Esther arrives home from work to find Robin and Riley are missing. As the police investigate their disappearance, it becomes clear that nothing about this modern-day family is what it seems...Is Robin the perfect father everyone thinks he is? Or was it all a perfect lie?READERS LOVE THE PERFECT FATHER'Deceit, ambition, suspense and betrayal: this book has it all' 5* Reader Review'Gripping and nuanced' 5* Reader Review'Totally twisty, dramatic and addictive' 5* Reader Review'The best thriller I have read this year' 5* Reader Review********'A real thrill ride' HEAT'The perfect read. Surprising and original' LESLEY KARA'Doctor Foster meets Gone Girl' BP WALTER'A real thriller of a ride with a twist I did NOT see coming' NIKKI SMITH'An emotional and intelligently written thriller' ELISABETH CARPENTER'Had me hooked from the first page' RUTH HEALD'Realistic, gripping, emotional and distinctive' NICOLA MOSTYN'Unpredictable, tense and engrossing' REBECCA FLEET'I love Charlotte's dark, messy takes on modern relationships' CLAIRE MCGOWAN'Fresh, thrilling and packed with unstoppable tension' LAUREN NORTH**********

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"Outstanding." - The Sunday Times "Beautifully written." The Times "Superbly adroit." The Spectator "Excellent." BBC History Magazine The Battle of Hastings and its aftermath nearly wiped out the leading families of Anglo-Saxon England – so what happened to the children this conflict left behind? Conquered offers a fresh take on the Norman Conquest by exploring the lives of those children, who found themselves uprooted by the dramatic events of 1066. Among them were the children of Harold Godwineson and his brothers, survivors of a family shattered by violence who were led by their courageous grandmother Gytha to start again elsewhere. Then there were the last remaining heirs of the Anglo-Saxon royal line – Edgar Ætheling, Margaret, and Christina – who sought refuge in Scotland, where Margaret became a beloved queen and saint. Other survivors, such as Waltheof of Northumbria and Fenland hero Hereward, became legendary for rebelling against the Norman conquerors. And then there were some, like Eadmer of Canterbury, who chose to influence history by recording their own memories of the pre-conquest world. From sagas and saints’ lives to chronicles and romances, Parker draws on a wide range of medieval sources to tell the stories of these young men and women and highlight the role they played in developing a new Anglo-Norman society. These tales – some reinterpreted and retold over the centuries, others carelessly forgotten over time – are ones of endurance, adaptation and vulnerability, and they all reveal a generation of young people who bravely navigated a changing world and shaped the country England was to become.

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No-one gave a second’s thought to the victims of a mining disaster near the small Yorkshire village of Cawthorne in 1821, even though two were children of just eight-years-old. Former MP David Hinchliffe’s exploration of his family history inadvertently led to the discovery of his collier ancestors’ involvement in the barely recorded and long-forgotten pit tragedy, which occurred amidst of the turbulence of the industrial revolution.The exploration of these two intertwined strands – and a passionate interest in local history in Yorkshire – has enabled him finally to reveal the full details of a melancholy event which devastated the families of the ten who were killed - but caused barely a ripple further afield. Using contemporary reports to help piece the jigsaw together, historical context and detailed genealogical research into the backgrounds of those involved, this account offers a fascinating insight into the lives of working class families across the period, when children as young as five were forced to work underground in order to supplement the household income. The research also illustrates how the split between the businessmen operating local pits, and landowners like the Spencer-Stanhopes of Cawthorne's Cannon Hall, led to an apparent disregard for the safety and wellbeing of the local workforce. The unforgiving inhumanity of the time is underlined by the way the local ‘Overseers of the Poor’ endeavoured to eject two of the victims’ families from the area when they had fallen on hard times after the disaster. And, most ironically of all, how the lauded death of Sir Walter Spencer- Stanhope is recorded in the parish register directly opposite that of the young and until now unheralded John Hinchliffe.

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In The Man Who Built the Berlin Wall, Nathan Morley brings to life the story of the longtime leader of the German Democratic Republic. Drawing from a wealth of untapped archival sources - and firsthand interviews with Honecker's lawyers, journalists, and contemporary witnesses - Morley paints a vivid portrait of how an uneducated miner's son from the Saarland rose to the highest ranks of the German Communist Party. Having survived a decade of brutality in Nazi prisons, Honecker emerged as an ambitious political player and became the shadowy mastermind behind the construction of the Berlin Wall in 1961, a crucial moment in twentieth-century history. Although frequently on the verge of being relegated to obscurity, he managed to overthrow strongman Walter Ulbricht at the height of the Cold War and reigned supreme over the GDR between 1971-1989. However, by 1980, the Honecker honeymoon was on the wane as a decade of economic and social difficulties blighted the GDR. Then, as tumultuous changes swept through the Soviet bloc, everything in and around him collapsed in 1989. His health, his certainties, his ideology, his apparatus of power, and his beloved SED party. Terminally ill, he was literally kidnapped from Russia to answer for his crimes in a Berlin court. A controversial figure, Honecker's notorious philandering, his difficult relationship with his wife Margot, penchant for porn, addiction to hunting, and gilded lifestyle at a forest settlement north of Berlin are all brought into sharp focus. Although haunted by the fall of the Berlin Wall, Erich Honecker died in 1994, still believing the GDR was the envy of the world.

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'A tale I have for you.'Embra, winter of 1574. Queen Mary has fled Scotland, to raise an army from the French. Her son and heir, Jamie is held under protection in Stirling Castle. John Knox is dead. The people are unmoored and lurching under the uncertain governance of this riven land. It's a deadly time for young student Will Fowler, short of stature, low of birth but mightily ambitious, to make his name.Fowler has found himself where the scorch marks of the martyrs burned at the stake can be seen on every street, where differences in doctrine can prove fatal, where the feuds of great families pull innocents into their bloody realm. There he befriends the austere stick-wielding philosopher Tom Nicolson, son of a fishing family whose sister Rose, untutored, brilliant and exceedingly beautiful exhibits a free-thinking mind that can only bring danger upon her and her admirers. The lowly students are adept at attracting the attentions of the rich and powerful, not least Walter Scott, brave and ruthless heir to Branxholm and Buccleuch, who is set on exploiting the civil wars to further his political and dynastic ambitions. His friendship and patronage will lead Will to the to the very centre of a conspiracy that will determine who will take Scotland's crown.Rose Nicolson is a vivid, passionate and unforgettable novel of this most dramatic period of Scotland's history, told by a character whose rise mirrors the conflicts he narrates, the battles between faith and reason, love and friendship, self-interest and loyalty. It confirms Andrew Greig as one of the great contemporary writers of fiction.

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The first major study of Cashmere and Paisley shawls in nineteenth-century British literature, this book shows how they came to represent both high fashion and the British Empire. During the late eighteenth century, Cashmere shawls from the Indian subcontinent began arriving in Britain. At first, these luxury goods were tokens of wealth and prestige. Subsequently, affordable copies known as “Paisley” shawls were mass-produced in British factories, most notably in the Scottish town of the same name. Textile Orientalisms is the first full-length study of these shawls in British literature of the extended nineteenth century. Attentive to the juxtaposition of objects and their descriptions, the book analyzes the British obsession with Indian shawls through a convergence of postcolonial, literary, and cultural theories. Surveying a wide range of materials—plays, poems, satires, novels, advertisements, and archival sources—Suchitra Choudhury argues that while Cashmere and Paisley shawls were popular accoutrements in Romantic and Victorian Britain, their significance was not limited to fashion. Instead, as visible symbols of British expansion, for many imaginative writers they emerged as metaphorical sites reflecting the pleasures and anxieties of the empire. Attentive to new theorizations of history, fashion, colonialism, and gender, the book offers innovative readings of works by Sir Walter Scott, Wilkie Collins, William Thackeray, Frederick Niven, and Elizabeth Inchbald. In determining a key status for shawls in nineteenth-century literature, Textile Orientalisms reformulates the place of fashion and textiles in imperial studies. The book’s distinction rests primarily on three accounts. First, in presenting an original and extended discussion of Cashmere and Paisley shawls, Choudhury offers a new way of interpreting the British Empire. Second, by tracing how shawls represented the social and imperial experience, she argues for an associative link between popular consumption and the domestic experience of colonialism on the one hand and a broader evocation of texts and textiles on the other. Finally, discussions about global objects during the Victorian period tend to overlook that imperial Britain not only imported goods but also produced their copies and imitations on an industrial scale. By identifying the corporeal tropes of authenticity and imitation that lay at the heart of nineteenth-century imaginative production, Choudhury’s work points to a new direction in critical studies.

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The Armistice of November 1918 ended four years of slaughter that left armies exhausted and populations weary of war - but the fighting was not over. In Russia, civil war and revolution had divided the nation and the Allies sought to intervene on behalf of the White' Russians against the Bolsheviks and this conflict continued long after the war had finished elsewhere in Europe. A vital source of information from inside the Bolshevik-held territory came from British secret agents in Petrograd, the main one being Paul Dukes. Known as the Man of a Hundred Faces', Dukes had managed to infiltrate both the Communist Party and the political police. The problem which faced the head of the British Secret Intelligence Service, Maurice Smith-Cummings, was getting Dukes' information back to London. Carrying information overland was proving far too problematical, so Smith-Cummings hit upon the idea of using one of the Royal Navy's new fast Coastal Motor Boat which was revealed just before the end of the war. He recruited Lieutenant Augustus Agar and through him he found five men, all unmarried, who could handle the two CMBs. Using an inlet on the Finnish coast as a base, Agar slipped past a series of forts, submerged breakwaters and the Russian Baltic Fleet to reach Petrograd and made contact with Dukes. A frequent courier service was soon established, with Agar carrying couriers in and out of Petrograd under the very noses of the Russians. So confident did Agar become, he even torpedoed the Russian cruiser Oleg. He followed this with support from Admiral Sir Walter Cowan in an all-out raid upon the Russian ships with eight larger CMBs and a bombing raid by the RAF. The raid resulted in the sinking of two battleships and the submarine depot ship Pamiet Azova. Agar was quietly given the Victoria Cross but told not to publish his memoirs until 1963. As for Paul Dukes, his cover was eventually blown, and he had to escape via Latvia in a number of hair-raising escapades. In 1920 he was knighted by King George V, who called Dukes the greatest of all soldiers'. To this day, Dukes is the only person knighted based entirely on his exploits in espionage. This is their remarkable story.

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Lee McCulloch plays for Rangers and is club captain. He signed for his boyhood heroes in July 2007 in a GBP 2 million transfer from Wigan and he has helped the club to three SPL titles and a UEFA Cup Final. His popularity with the Rangers fans has increased dramatically in recent months during the turmoil at Ibrox. When others walked out, Lee stated he would play for the club for nothing and was also the first player to pledge his future to the Rangers newco. In his explosive autobiography, McCulloch opens up on the turmoil at Rangers in the past two years as the club was sold by Sir David Murray to Craig Whyte and the historic events that followed, from administration to liquidation and to the club being reformed under Charles Green. He lifts the lid on the remarkable and fascinating inside story from the dressing room and their battles with those in power at Ibrox. From his humble upbringing in Lanarkshire where he was driven to succeed in football by his strict disciplinarian father, to joining Rangers and how his first season there left him in tears and regretting the decision to move to Ibrox, this book has it all.Lee was also a success at Wigan and was the club's record signing when he joined them from Motherwell in 2001 for GBP 700,000. He was recently voted into their all-time Greatest XI and tells the story of their rise to the English Premiership and the part he played. Lee has been capped for his country 18 times and tells what it was like to play under five Scotland managers - Berti Vogts, Walter Smith, Alex McLeish, George Burley and Craig Levein. He also reveals boozing sessions with Berti Vogts that left him shocked and opens his heart on why he quit Scotland under George Burley and the bust-ups that followed with the SFA. With his high profile as Rangers captain, his loyal following including more than 50,000 Twitter followers, and his unique insight into the recent turmoil at Ibrox, Lee McCulloch's autobiography is Simp-Lee the Best.

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Judith Butler follows Edward Said's late suggestion that through a consideration of Palestinian dispossession in relation to Jewish diasporic traditions a new ethos can be forged for a one-state solution. Butler engages Jewish philosophical positions to articulate a critique of political Zionism and its practices of illegitimate state violence, nationalism, and state-sponsored racism. At the same time, she moves beyond communitarian frameworks, including Jewish ones, that fail to arrive at a radical democratic notion of political cohabitation. Butler engages thinkers such as Edward Said, Emmanuel Levinas, Hannah Arendt, Primo Levi, Martin Buber, Walter Benjamin, and Mahmoud Darwish as she articulates a new political ethic. In her view, it is as important to dispute Israel's claim to represent the Jewish people as it is to show that a narrowly Jewish framework cannot suffice as a basis for an ultimate critique of Zionism. She promotes an ethical position in which the obligations of cohabitation do not derive from cultural sameness but from the unchosen character of social plurality. Recovering the arguments of Jewish thinkers who offered criticisms of Zionism or whose work could be used for such a purpose, Butler disputes the specific charge of anti-Semitic self-hatred often leveled against Jewish critiques of Israel. Her political ethic relies on a vision of cohabitation that thinks anew about binationalism and exposes the limits of a communitarian framework to overcome the colonial legacy of Zionism. Her own engagements with Edward Said and Mahmoud Darwish form an important point of departure and conclusion for her engagement with some key forms of thought derived in part from Jewish resources, but always in relation to the non-Jew. Butler considers the rights of the dispossessed, the necessity of plural cohabitation, and the dangers of arbitrary state violence, showing how they can be extended to a critique of Zionism, even when that is not their explicit aim. She revisits and affirms Edward Said's late proposals for a one-state solution within the ethos of binationalism. Butler's startling suggestion: Jewish ethics not only demand a critique of Zionism, but must transcend its exclusive Jewishness in order to realize the ethical and political ideals of living together in radical democracy.

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The forty-four-year reign of Elizabeth I, daughter of Henry VIII and the last Tudor monarch, was considered a golden age. It saw the emergence of the great playwrights such as William Shakespeare and Christopher Marlowe, while the exploits of Sir Francis Drake and other sea-dogs' helped establish England's position among the great maritime powers. This book looks at Elizabeth's life through some of the many artefacts, buildings, documents and institutions that survive to this day. From the execution of her mother, Ann Boleyn, when she was just two-and-a-half-years-old, to her imprisonment on suspicion of supporting Protestant rebels, Elizabeth's early life was a turbulent one, but her accession to the throne ushered in a period of stability. During her reign, England's wealth and prestige grew through her patronage of seafaring privateers such as Drake, John Hawkins and Walter Raleigh. She encouraged the exploration and colonialization of North America, marking the birth of the British Empire and the establishment of British trade routes. Elizabeth was responsible for expanding the English Navy, its defeat of the Spanish Armada being considered one of England's greatest military victories. In this magnificently illustrated book we see her birthplace at Greenwich Palace, her childhood homes, her prison in the Tower of London, the palaces she lived in, ruins of stately homes she visited, such as Gorhambury House, Kenilworth House, Upnor Castle and the Elizabethan town walls at Berwick, the many fortifications built during her reign to defend her realm, through to her final resting place in Westminster Abbey. Also found in this fascinating volume are books that she presented to her father and step-mother, Katherine Parr, with the binding embroidered by Elizabeth, her clothes, letters she wrote in her own hand, her coronation chair, her coat of arms asserting her title as Governor of the Church of England and her signature signing the death warrant of her cousin, the 4th Duke of Norfolk. This book is not just a journey back in time to the reign of Elizabeth I, but also a tour across the country to visit the sites which still evoke that golden era of the Virgin Queen.

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Fifty of the world’s most creative people share their stories, their inspirations, and their unique takes on science and education, all inspired by the Exploratorium science museum.What do music visionary Brian Eno, kinetic sculptor Theo Jansen, science writer Mary Roach, Mythbuster Adam Savage, and Pulitzer-winning journalist Thomas Friedman have in common? They are all game-changers: scientists, artists, entertainers, and activists who revolutionized their fields with bold new perspectives and approaches—and they all had transformative, course-setting experiences at the Exploratorium. Join them and 45 more brilliant thinkers and doers in a wonderfully playful, insightful, and sometimes incredibly moving journey to see how you, too, can harness your powers of observation, inquiry, and engagement to be the change you want to see in the world—regardless of who you are or what you do. Interviewees and Subjects Include: Oscar-Winning Sound Designer Walter Murch on observation Laurie Anderson on art as a way of knowing Memory Expert Elizabeth Loftus on how we learn Oliver Sacks on perception Mary Roach on how she learned to ask the right questions Adam Savage on the fun of finding things out Mickey Hart on the art of playing to learn, and learning to play California Governor Gavin Newsom on the importance of science Community activist Randy Carter on finding joy in the worst of places . . . and dozens more interviews, insights, and activities suggested by artists, scientists, poets, and politicians, in a book that’s guaranteed to make you a more creative person. And maybe just change the world.

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Colourful, emotional, impulsive and modern – these are the qualities which characterise our ideas of German Expressionist painting. It is hard to believe that the works caused a scandal when they were first created. And yet, artists and writers were united in the vision of a new beginning combined with fundamental social criticism. Many aspects like the social problems of the big city, the sleazy glamour of the world of entertainment and the rejection of new technology remain surprisingly topical to this day. Immerse yourself in the powerful images and texts of world literature and embark on a journey of discovery through the world of the early 20th century with its atmosphere of change and decay. With works by Max Beckmann, Heinrich Campendonck, Lyonel Feininger, George Grosz, Erich Heckel, Alexej von Jawlensky, Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Oskar Kokoschka, August Macke, Franz Marc, Ludwig Meidner, Paula Modersohn-Becker, Otto Mueller, Gabriele Münter, Emil Nolde, Max Pechstein, Marianne von Werefkin et al. With texts by Walter Benjamin, Gottfried Benn, Anton Chekhov, Alfred Doblin, Theodor Fontane, Oskar Maria Graf, Franz Kafka, Else Lasker-Schuler, Heinrich Mann, Klaus Mann, Thomas Mann, Robert Musil, Vladimir Nabokov, Rainer Maria Rilke, Joseph Roth, Arthur Schnitzler, Herwarth Walden, Stefan Zweig et al.

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First modern edition of four romances from the medieval Scottish tradition. The four romances in this collection have been unjustly neglected. Indeed, Florimond, King Orphius and Sir Colling were entirely unknown to modern audiences - despite some late-medieval references to the first two -until fragmentary copies were unearthed in the National Archives of Scotland in the 1970s: all three are researched and fully edited for the first time here. King Orphius, closely and significantly related to the famous Middle English romance Sir Orfeo, is supplemented here with the Laing fragment discovered by the present editor in 2010. Roswall and Lillian survives in later prints and was a favourite text of Sir Walter Scott's - he owned at least three copies of it - but it has not been edited since the nineteenth century. Each text is supplied with comprehensive explanatory notes and an introduction, including full discussion of extant witnesses and circulation history; linguistic and other evidence for date and provenance; literary context; analogues and influences. There is a combined glossary, and an Appendix presents the text of the English Percy Folio ballad "Sir Cawline" as derived from the Scots Sir Colling. Dr Rhiannon Purdie is Senior Lecturer in Medieval English, University of St Andrews.

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This volume, edited by Joan Piggott (University of Southern California, Los Angeles), includes fourteen essays, originally written in Japanese and here interpreted in English. It introduces readers to a broader array of historical and archaeological research on center-periphery relations than has ever before been available to English readers. Each essay has been translated, annotated, and introduced by a specialist who selected it for its invaluable contribution to his or her own work, and who here renders it into English for a non-specialist audience. The book features thirteen newly created maps, and also includes an exhaustive list of sources (including Chinese characters). Together with its readable and well-annotated text, extensive glossary, rich bibliography, and comprehensive index, these combined tools make for a valuable resource to scholars and students interested in premodern Japan. Researchers whose work has been interpreted include Tsude Hiroshi, Kobayashi Yukio, Hara Hidesaburō, Inoue Tatsuo, Takahashi Tomio, Takeda Sachiko, Hotate Michihisa, Morita Tei, Sasaki Muneo, Toda Yoshimi, Miyazaki Yasumitsu, Motoki Yasuo, Ishimoda Shō, and Koyama Yasunori. Scholar-interpreters include Mikael Adolphson, Michiko Aoki, Bruce Batten, Walter Edwards, Karl Friday, Jan Goodwin, Gustav Heldt, and Joan Piggott.

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How does Martin Luther King, Jr., understand race philosophically and how did this understanding lead him to develop an ontological conception of racist police violence? In this important new work, Mark Christian Thompson attempts to answer these questions, examining ontology in Martin Luther King, Jr.'s philosophy. Specifically, the book reads King through 1920s German academic debates between Martin Heidegger, Rudolf Bultmann, Hans Jonas, Carl Schmitt, Eric Voegelin, Hannah Arendt, and others on Being, gnosticism, existentialism, political theology, and sovereignty. It further examines King's dissertation about Tillich, as well other key texts from his speculative writings, sermons, and speeches, positing King's understanding of divine love as a form of Heideggerian ontology articulated in beloved community. Tracking the presence of twentieth-century German philosophy and theology in his thought, the book situates King's ontology conceptually and socially in nonviolent protest. In so doing, The Critique of Nonviolence reads King's "Letter from a Birmingham Jail" (1963) with Walter Benjamin's "Critique of Violence" (1921) to reveal the depth of King's political-theological critique of police violence as the illegitimate appropriation of the racialized state of exception. As Thompson argues, it is in part through its appropriation of German philosophy and theology that King's ontology condemns the perpetual American state of racial exception that permits unlimited police violence against Black lives.

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This comprehensive tutorial guide to silicon nanomaterials spans from fundamental properties, growth mechanisms, and processing of nanosilicon to electronic device, energy conversion and storage, biomedical, and environmental applications. It also presents core knowledge with basic mathematical equations, tables, and graphs in order to provide the reader with the tools necessary to understand the latest technology developments. From low-dimensional structures, quantum dots, and nanowires to hybrid materials, arrays, networks, and biomedical applications, this Sourcebook is a complete resource for anyone working with this materials: Covers fundamental concepts, properties, methods, and practical applications. Focuses on one important type of silicon nanomaterial in every chapter. Discusses formation, properties, and applications for each material. Written in a tutorial style with basic equations and fundamentals included in an extended introduction. Highlights materials that show exceptional properties as well as strong prospects for future applications. Klaus D. Sattler is professor physics at the University of Hawaii, Honolulu, having earned his PhD at the Swiss Federal Institute of Technology (ETH) in Zurich. He was honored with the Walter Schottky Prize from the German Physical Society, and is the editor of the sister work also published by Taylor & Francis, Carbon Nanomaterials Sourcebook, as well as the acclaimed multi-volume Handbook of Nanophysics.

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Over the past 40 years, Japanese designers have led the way in aligning fashion with art and ideology, as well as addressing identity and social politics through dress. They have demonstrated that both creative and commercial enterprise is possible in today's international fashion industry, and have refused to compromise their ideals, remaining autonomous and independent in their design, business affairs and distribution methods. The inspirational Miyake, Yamamoto and Kawakubo have gained worldwide respect and admiration and have influenced a generation of designers and artists alike. Based on twelve years of research, this book provides a richly detailed and uniquely comprehensive view of the work of these three key designers. It outlines their major contributions and the subsequent impact that their work has had upon the next generation of fashion and textile designers around the world. Designers discussed include: Issey Miyake, Yohji Yamamoto, Rei Kawakubo, Naoki Takizawa, Dai Fujiwara, Junya Watanabe, Tao Kurihara, Jun Takahashi, Yoshiki Hishinuma, Junichi Arai, Reiko Sudo & the Nuno Corporation, Makiko Minagawa, Hiroshi Matsushita, Martin Margiela, Ann Demeulemeester, Dries Van Noten, Walter Van Beirendonck, Dirk Bikkembergs, Alexander McQueen, Hussein Chalayan and Helmut Lang.

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The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of “the people.” In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated. Music Hall and Modernity offers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.

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The Little Book of String Theory offers a short, accessible, and entertaining introduction to one of the most talked-about areas of physics today. String theory has been called the "theory of everything." It seeks to describe all the fundamental forces of nature. It encompasses gravity and quantum mechanics in one unifying theory. But it is unproven and fraught with controversy. After reading this book, you'll be able to draw your own conclusions about string theory. Steve Gubser begins by explaining Einstein's famous equation E = mc2 , quantum mechanics, and black holes. He then gives readers a crash course in string theory and the core ideas behind it. In plain English and with a minimum of mathematics, Gubser covers strings, branes, string dualities, extra dimensions, curved spacetime, quantum fluctuations, symmetry, and supersymmetry. He describes efforts to link string theory to experimental physics and uses analogies that nonscientists can understand. How does Chopin's Fantasie-Impromptu relate to quantum mechanics? What would it be like to fall into a black hole? Why is dancing a waltz similar to contemplating a string duality? Find out in the pages of this book. The Little Book of String Theory is the essential, most up-to-date beginner's guide to this elegant, multidimensional field of physics.

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In this provocative and original exploration of Black males and the legal establishment, Carlyle Van Thompson illuminates the critical issues defining Black male subjectivity. Since the days of Black people’s enslavement and the days of Jim Crow segregation, Black males have been at odds with the legal and extra-legal restrictions that would maintain white supremacy and white male privilege. Grounded in the voices of Frederick Douglass and David Walker, who challenged hegemonic systems designed to socio-economically disenfranchise Black people, Black Outlaws examines legal aspects with regard to Black males during the period of segregation. By critically looking at Richard Wright’s The Outsider, Chester Bomar Himes’ The Third Generation, Walter Mosley’s Devil in a Blue Dress, and Ernest J. Gaines’ A Lesson Before Dying – all of which examine Black males during the Jim Crow period – Thompson investigates the challenges that Black males confront and surmount in their journeys to establish their individual and collective agency. Black Outlaws helps decipher critical legal and racial issues in the works of four of the most important Black male writers, and is suitable for readers in literary studies, cultural studies, and history.

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The Sunday Times bestseller!'Downton with dance, perfect!' Santa MontefiorePrepare to be swept off your feet by the romantic and irresistible debut novel from Anton Du BekeLondon, 1936.Inside the spectacular Grand Ballroom of the exclusive Buckingham Hotel the rich and powerful, politicians, film stars, even royalty, rub shoulders with Raymond de Guise and his troupe of talented dancers from all around the world, who must enchant them, captivate them, and sweep away their cares. Accustomed to waltzing with the highest of society, Raymond knows a secret from his past could threaten all he holds dear.Nancy Nettleton, new chambermaid at the Buckingham, finds hotel life a struggle after leaving her small hometown. She dreams of joining the dancers on the ballroom floor as she watches, unseen, from behind plush curtains and hidden doorways. She soon discovers everyone at the Buckingham - guests and staff alike - has something to hide . . .The storm clouds of war are gathering, and beneath the glitz and glamour of the ballroom lurks an irresistible world of scandal and secrets.Let's dance . . .

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1,500 Color Mixing Recipes for Oil, Acrylic & Watercolor is the definitive color-mixing resource for oil, acrylic, and watercolor artists. This user-friendly compendium is color coded for quick-and-easy reference and includes two removable color-mixing grids—one for oil or acrylic, and one for watercolor.Follow these four simple steps to mix more than 1,500 color combinations: Look in the Color Index for the subject you want to paint—for example, "Broccoli." Find the Color Recipe with the subject's recipe number ("81") and a photo of the actual paint mixture. Use the Color Mixing Grid to measure each paint color. Mix the color. It's that easy! You’ll also learn about color theory, mixing values, complementary colors, graying color naturally, mixing portrait colors, rendering skies and clouds, and more. Also available from Walter Foster's best-selling Color Mixing Recipes series: Color Mixing Recipes for Oil & Acrylic, Color Mixing Recipes for Watercolor, Color Mixing Recipes for Portraits, and Color Mixing Recipes for Landscapes.

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The first comprehensive book about Chillingham in Northumberland-its unique wild cattle, its historic castle and church, and the family associated with them since the twelfth century. Julius Caesar admired the cattle's ancestors for their brute strength, Sir Walter Scott immortalised them. They were painted by Sir Edwin Landseer and Archibald Thorburn, and depicted at their best by Thomas Bewick, the master engraver. Darwin studied them and wrote about them in the 'Descent of Man'. The historian Simon Schama described the Chillingham cattle as "the great, perhaps the greatest icon of British natural history". The Castle's history is chequered and the nobles who lived there even more so. Incest, adultery, witchcraft, torture, kingmakers and traitors, a cricketer and a cowboy are all part of its history, resulting in its modern reputation for cruel and benign ghosts still regularly seen in the castle. Founded around 1184, the country church, in its simplicity hides a fifteenth-century tomb described as "one of the finest such monuments in the country outside a cathedral". Edited by Dr Paul G. Bahn and Vera Mutimer, with a foreword by HRH Prince Charles, the Prince of Wales.

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‘Extremely fast paced and completely page-turning … will stay in my mind for a long time’ Sunday Times bestseller B P Walter on The Good Neighbour The Removal Man is an utterly unputdownable suspense thriller that imagines your worst house-moving nightmare – and then dials it up to 11. Rose is moving. For her and her son, Noah, this is going to be a fresh start. She’s almost finished packing but Noah is determined to spend one last night camping out in the garden like he used to. Rose agrees as long as he wraps up warm inside their small tent. Four hours later she’s woken by a frantic banging on the window. It’s Noah. There’s someone in the garden. That’s when Rose picks up the kitchen knife. Readers are loving The Removal Man: ‘I literally could not stop reading’Julie, NetGalley ‘I read it over the course of about 8 hours in a single day!’Shasta, NetGalley ‘Geez my poor heart!! It’s still pounding!! I was yelling at my Kindle!! She wasn’t listening to me! It’s gonna take me a minute to calm myself down!’Debbie, NetGalley ‘WOW!! What an action packed, edge of your seat thriller … I barely blinked as I read the entire book in one sitting’Sarah, NetGalley ‘I intended to read a couple of chapters before bed and didn’t look up again until I hit chapter 20’April, NetGalley ‘I read the whole thing in 24 hours’Jacqui, NetGalley ‘OMG WHAT A READ!!! Packed to the rafters with tension and suspense, I literally have no nails left’ Peggy, NetGalley ‘I read this in one sitting’Aria, NetGalley ‘Omg, wow … just wow, this is a fast paced, addictive, rollercoaster ride … with a very bad case of just one more chapter syndrome … I read the whole book in one sitting … would award it far more than five stars if I could’Nicki, NetGalley ‘A no-holds-barred survival thriller that will appeal to fans of No Exit or Mirrorland’Leighton, NetGalley ‘Everyone’s greatest nightmare, but worse! This is one of the scariest thrillers I’ve read in a long time’Joan, NetGalley

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The county of Devon, with its coastline north and south, wild moorland, and rolling rural countryside, villages, market towns, many characterised by local industries, and historic cities of Exeter and Plymouth, has a rich military history that stretches back through centuries. Evidence of Devon’s military heritage can be seen throughout the county with numerous buildings and other structures still standing proud today. Devon’s Military Heritage explores the long military history of the county, not only the battles that took place on its soil and the measures that were taken to defend it against possible attack but also the heritage of the military units that were raised in the county and which were sent to fight in conflicts abroad. The 1588 Spanish Armada was first engaged by the English fleet off Plymouth, and the famous Devon mariners Sir Francis Drake, Sir John Hawkins, Sir Humphrey Gilbert, Sir Walter Raleigh and Sir Richard Grenville were at the forefront of the defeat of the Armada and other encounters with the Spanish during this period. A hundred years later, in 1688, William of Orange landed at Brixham to launch the Glorious Revolution. Devonport has long been a major port and shipbuilding centre for the Royal Navy and Plymouth was a target for German aerial bombardment in the Second World War. Soldiers from the Devonshire Regiment and the Royal Devon Yeomanry and their antecedents fought for the country for centuries and Devon was also the site of the disastrous rehearsal for D-Day where hundreds of Allied servicemen lost their lives off Slapton Sands and in Lyme Bay. The military heritage of castles, fortifications, airfields, military bases and monuments throughout the county is also explored. This book will be of interest to all those who would like to know more about Devon’s remarkable military history.

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Outsiders had called it "Mob Town" when, on April 19, 1861, Confederate sympathizers attacked Yankee soldiers and shed the first blood of the Civil War. According to Frank Shivers, Baltimore's unique charm must have something to do with the city's wonderful mix of opposites – North and South, old-fashioned rowhouses and modern office towers, industrial waterfront and revitalized inner harbor, the venerable Walters Art Gallery and funky Fells Point bars.In the 12 tours of Walking in Baltimore, Shivers invites readers and walkers to explore the city's rich past and lively present. Each tour highlights places where notable Baltimoreans made their mark – where BABE RUTH was born, where EDGAR ALLAN POE is buried, where FREDERICK DOUGLASS learned to read, where SCOTT AND ZELDA FITZGERALD had their last home together, where WALLIS WARFIELD married her first husband. Shivers tells where to go to indulge special interests such as sports, the arts, and maritime history. And he offers good advice about restaurants, shops, and transportation.With a wealth of new details that Shivers has uncovered about street names, outdoor sculpture, famous literary figures, and more. Walking in Baltimore offers an intimate look at the heart of a grand old city. Illustrated with more than 75 photographs, most taken especially for this book by Lisa Frances Davis, this guide promises memorable walking – and delightful reading – for native Baltimoreans and curious visitors alike.

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In 1957 Horace Stoneham took his Giants of New York baseball team and headed west, starting a gold rush with bats and balls rather than pans and mines. But San Francisco already had a team, the Seals of the Pacific Coast League, and West Coast fans had to learn to embrace the newcomers. Starting with the franchise’s earliest days and following the team up to recent World Series glory, Home Team chronicles the story of the Giants and their often topsy-turvy relationship with the city of San Francisco. Robert F. Garratt shines light on those who worked behind the scenes in the story of West Coast baseball: the politicians, businessmen, and owners who were instrumental in the club’s history.Home Team presents Stoneham, often left in the shadow of Dodgers owner Walter O’Malley, as a true baseball pioneer in his willingness to sign black and Latino players and his recruitment of the first Japanese player in the Major Leagues, making the Giants one of the most integrated teams in baseball in the early 1960s. Garratt also records the turbulent times, poor results, declining attendance, two near-moves away from California, and the role of post-Stoneham owners Bob Lurie and Peter Magowan in the Giants’ eventual reemergence as a baseball powerhouse. Garratt’s superb history of this great ball club makes the Giants’ story one of the most compelling of all Major League franchises.

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A novel following four passengers on a luxury cruise line that promises complete reinvention through plastic surgery. PILGRIM, Canterbury Cruise Line’s flagship, promises its passengers not just a luxurious fortnight away but the opportunity for reinvention. This extraordinary journey is made possible by the captain and visionary plastic surgeon Dr. Walter Heston, by the vessel’s self-learning artificial intelligence called BECCA, and an all-male crew of room stewards, deck hands, technicians, and cosmetic practitioners.Pilgrims 2.0 begins on the eve of Cruise #52 and follows four women eager for transformation. Meet Bianca, the aging athlete determined to resume the competitive tennis career that motherhood sidelined. Meet Nicole, whose mommy makeover will mean she can stop hiding herself, and her debt, from her husband. Meet Lyla, an infertile maternity-ward nurse desperate to experience pregnancy, and Annalie, who wants only to stop seeing her dead twin every time she looks in the mirror. At the center of the story is Dr. Heston himself, driven to do with bodies what his late wife, Rebecca, could do with computer code—make the impossible, possible. But “excursions” like these aren’t always smooth sailing—especially on this voyage, where the hopes, histories, and obsessions of clients and crew members collide. When a disruptive crewman’s pranks turn dangerous, it becomes clear that some of those who embarked won’t return to the Port of Los Angeles—at least not fully, at least not as themselves, and maybe not with their lives.

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A new child should mean new hope. But what if that's no longer so? Ailbhe Darcy's second collection unfolds in an intimate world, in which the words home and love dominate. But the private world is threatened by a public one. Written in the American Rust Belt, in an era of climate change and upheaval, Insistence takes stock of the parent's responsibility to her child, the poet's responsibility to the reader, and the vulnerability of the person in the face of global crisis. In a long poem, Darcy revisits Inger Christensen's 1981 Alphabet, a work which expresses the heart-sickening persistence and proliferation of beauty after Hiroshima. In Darcy's 'Alphabet', the spiralling form takes over, insisting on hope. But this is a doubtful sort of hope: hope for life on earth, not necessarily human life. Stink bugs work their way across America, cockroaches waltz, and quixotically-named mushrooms rise from the earth in this flirtatious but volatile collection. Described by David Wheatley as 'boldly overhauling the received categories of the Irish poem' with 'cunning and humour', Ailbhe Darcy's poems interrogate cosmopolitanism as much as they do rootedness, love as much as grief. Ailbhe Darcy's first collection, Imagininary Menagerie, was published by Bloodaxe in 2011. Insistence won the Wales Book of the Year Award 2019, the Roland Mathias Poetry Award, and the Pigott Poetry Prize 2019 in association with Listowel Writers' Week, and was shortlisted for the Irish Times Poetry Now Award 2019 and the T.S. Eliot Prize 2018.

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Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual media This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind. Key Features *Considers the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George Sims *Provides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema

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An examination of the intertwined lives and writings of a group of prominent twentieth-century Jewish thinkers who experienced exile and migrationExile, Statelessness, and Migration explores the intertwined lives, careers, and writings of a group of prominent Jewish intellectuals during the mid-twentieth century—in particular, Theodor Adorno, Hannah Arendt, Walter Benjamin, Isaiah Berlin, Albert Hirschman, and Judith Shklar, as well as Hans Kelsen, Emmanuel Levinas, Gershom Scholem, and Leo Strauss. Informed by their Jewish identity and experiences of being outsiders, these thinkers produced one of the most brilliant and effervescent intellectual movements of modernity. Political philosopher Seyla Benhabib’s starting point is that these thinkers faced migration, statelessness, and exile because of their Jewish origins, even if they did not take positions on specifically Jewish issues personally. The sense of belonging and not belonging, of being “eternally half-other,” led them to confront essential questions: What does it mean for the individual to be an equal citizen and to wish to retain one’s ethnic, cultural, and religious differences, or perhaps even to rid oneself of these differences altogether in modernity? Benhabib isolates four themes in their works: dilemmas of belonging and difference; exile, political voice, and loyalty; legality and legitimacy; and pluralism and the problem of judgment.Surveying the work of influential intellectuals, Exile, Statelessness, and Migration recovers the valuable plurality of their Jewish voices and develops their universal insights in the face of the crises of this new century.

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