Search results for ""nick hern books""

Part One of the two-part Angels in America, Tony Kushner's epic drama set during the Reagan years in America - now recognised as one of the greatest plays of the twentieth century. Prior, visited by ghosts of his ancestors and abandoned by his lover after his diagnosis with AIDS, is wondering if he is still sane when the angels select him to be their prophet. Powerbroker Roy Cohn also has the virus - but he believes that only the powerless can have that particular illness, and so kicks back against his diagnosis. In the 'melting pot where nothing melted' of modern America, the nation's reaction to the sickness – and its sufferers – is laid bare. Millennium Approaches was premiered in May 1991 by the Eureka Theatre Company, San Francisco, directed by David Esbjornson. In London it was premiered in January 1992 in a National Theatre production at the Cottesloe Theatre, directed by Declan Donnellan. The play received many awards, including Best Play at the 1992 Evening Standard Awards, Best New Play at the 1992 Critics' Circle Awards, Best Play at the 1993 Tony Awards and the 1993 Pulitzer Prize for Drama.

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An affectionate and witty comedy of recollection from one of the twentieth century's most significant writers. Eugene O'Neill's only well-known comedy, Ah! Wilderness is a family-based saga set in the years just before the First World War. Richard Miller is deeply enamoured with his 'best girl', the pretty and pure Muriel. But when her cantankerous father finds out about their plans to spend Independence Day together, he demands that she write to him breaking off the whole thing. Richard is distraught, heartbroken, and seems about ready to knuckle under to strong liquor and fast women... Can his father Nat reach across the generation gap and bring his son back to the family – and Muriel? Eugene O'Neill's play Ah! Wilderness was premiered on Broadway at the Guild Theatre in October 1933. It was first staged in the UK at Westminster Theatre, London, in 1936. This edition includes a full introduction, biographical sketch and chronology.

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‘When does it happen?’ A long summer weekend, two strangers, and a full-size table tennis table. Sam Steiner's A Table Tennis Play is a play about how everything and nothing changes as people bat a ball. It premiered at the 2019 Edinburgh Festival Fringe, in a production by Walrus in association with Theatre Royal Plymouth.

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‘We can do better – can’t we?’ Having both been deeply scarred by their own parents' separations, Joe and Anne never imagined they'd find themselves, years later, in the same position. Determined to place the interests of their son Alistair at the centre of their lives apart, they split with the firm objective of maintaining amicable relations at all costs. But a sudden change in circumstance triggers a chain of events that pushes their best intentions to the limit… Before they know it, they are both teetering dangerously close to the edge of an abyss. Kellie Smith's play Wilderness is a searing exploration of unconditional love and of the personal sacrifices it demands. It premiered at Hampstead Theatre Downstairs, London, in March 2019.

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In one of the poorest cities in America – Reading, Pennsylvania – a group of factory workers struggle to keep their present lives in balance, ignorant of the financial devastation looming in their near future. Based on the playwright's extensive interviews with residents of Reading, Lynn Nottage's play Sweat is a tale of friends pitted against each other by big business, and a topical reflection of the present and poignant decline of the American Dream. The play premiered in Oregon in 2015, before being produced at the Public Theater, New York, in 2016, and the following year on Broadway, where it won the Pulitzer Prize for Drama. It received its UK premiere at the Donmar Warehouse, London, in 2018, directed by Lynette Linton, and went on to win Best Play at the 2019 Evening Standard Theatre Awards.

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For two decades, Stephen Jeffreys's remarkable series of workshops attracted writers from all over the world and shaped the ideas of many of today's leading playwrights and theatre-makers. Now, with this inspiring, highly practical book, you too can learn from these acclaimed Masterclasses. Playwriting reveals the various invisible frameworks and mechanisms that are at the heart of each and every successful play. Drawing on a huge range of sources, it deconstructs playwriting into its constituent parts, and offers illuminating insights into: Structure – an in-depth exploration of the fundamental elements of drama, enabling you to choose instinctively the most effective structure for your play Character – advice on how to generate and write credible characters by exploring their three essential dimensions: story, breadth and depth How to Write – techniques for writing great dialogue, dynamic scenes and compelling subtext, including how to improve your writing by approaching it from unfamiliar directions What to Write – how to adopt different approaches to finding your material, how to explore the fundamental 'Nine Stories', and how to evaluate the potential of your ideas Written by a true master of the craft, this authoritative guide will provide playwrights at every level of experience with a rich array of tools to apply to their own work. This edition, edited by Maeve McKeown, includes a Foreword by April De Angelis.

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‘What doctor know about our illness? Just give you pills to sick you stomach and a doctor certificate. What they know about a black woman soul?’ In North London, Del and Viv are soul-sick. Del doesn’t want to be at home; staying out late – 3 p.m.-the-next-day late – is more her thing. Viv scours her schoolbooks trying to find a trace of herself between their lines. When Enid takes her daughters to the local obeah woman for some traditional Caribbean soul-healing, secrets are spilled. There’s no turning back for Del, Viv and Enid as they negotiate the frictions between their countries and cultures. Two generations. Three incredible women. Winsome Pinnock's play Leave Taking is an epic story of what we leave behind in order to find home. It premiered in 1987, and was revived at the Bush Theatre, London, in 2018, in a production directed by the Bush’s Artistic Director, Madani Younis. Winsome Pinnock has written numerous plays, including Talking in Tongues, for which she won the George Devine and Pearson Best New Play Awards. ‘The godmother of Black British playwrights’ Guardian

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‘We’re... A man and a woman Who’ve lost a child Who first lost a child And then... each other Or maybe I should say: Who first lost a child, then themselves and then each other’ An extraordinary play that asks a simple question: is it ever possible to move on? Poison by Dutch writer Lot Vekemans, in this English translation by Rina Vergano, had a critically acclaimed run in New York in 2016, and was premiered in the UK at the Orange Tree Theatre, Richmond, in November 2017, directed by Paul Miller. The original Dutch-language version of the play, Gif, was first performed at NT Gent/NL in December 2009.

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An exciting and invaluable collection of audition speeches, all chosen from plays produced by the National Youth Theatre of Great Britain, spanning more than sixty years as one of the world's leading companies for young performers. Featuring seventy-five monologues by acclaimed writers such as Zawe Ashton, Moira Buffini, Carol Ann Duffy, Brian Friel, James Fritz, James Graham, Dennis Kelly, Rebecca Lenkiewicz, Gbolahan Obisesan, Evan Placey, Sarah Solemani and Jack Thorne, the book offers rich and diverse roles ranging from teens to adults. Each audition speech also comes with invaluable supporting material – compiled by NYT Associate Artist Michael Bryher – to help you perform the piece to its maximum effect, including: A detailed description of the play that the speech is originally from Contextual information such as what's just happened in the play, where the monologue takes place, to whom the character is talking, and what their motivations are Things to think about when rehearsing and performing the speech The book also provides extensive advice on choosing a speech, working on it and preparing for auditions, plus tips and first-hand insights into the monologues from current NYT members and alumni who've performed them. An ideal resource for actors auditioning for drama school, the NYT or elsewhere, as well as those preparing for showcases or competitions, National Youth Theatre Monologues offers a wide and diverse range of roles, themes and styles – meaning you’ll be able to find the speech that's just right for you.

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‘I don’t know how I became so filled with hate. I find it shocking that I did. Somebody said to me that war affects us in all kinds of ways, and that drinking is only one of them. Perhaps hating people is another. Perhaps sex is too.’ 1943, Henley-on-Thames. Miss Roach is forced by the war to flee London for the Rosamund Tea Rooms boarding house, a place as grey and lonely as its residents. From the safety of these new quarters, her war effort now consists of a thousand petty humiliations, of which the most burdensome is sharing her daily life with the unbearable Mr Thwaites. But a breath of fresh air arrives in the form of a handsome American lieutenant and things start to look distinctly brighter. Until a new boarder moves into the room next to Miss Roach’s – outwardly friendly, she soon starts upsetting the precarious balance in the house. Nicholas Wright’s play The Slaves of Solitude weaves a fascinating blend of dark hilarity and melancholy from Patrick Hamilton’s much-loved story about an improbable heroine in wartime Britain. The play premiered at Hampstead Theatre, London, in October 2017.

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Sondheim's landmark musical about a reunion of showgirls, with a book by James Goldman. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs, and lie about themselves. Including such classic songs as ‘Broadway Baby’, ‘I’m Still Here’ and ‘Losing My Mind’, James Goldman and Stephen Sondheim’s legendary musical was originally staged in New York in 1971, and received its British premiere in 1987. This edition was published alongside the major revival at the National Theatre, London, in 2017, directed by Dominic Cooke and starring Tracie Bennett, Janie Dee, Philip Quast and Imelda Staunton.

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An adaptation of the Charles Dickens classic one of the best-loved stories ever written that rediscovers the social conscience of the timeless tale.

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‘We should have brought a gift.’ ‘We’ve brought a gift. It’s called twenty-two thousand pounds.’ Purchased from Russia. Developed in India. Delivered to the UK. A global transaction over nine months that offers ‘a lifetime of happiness’ for all involved. Vivienne Franzmann's play Bodies explores the human cost of surrogacy, and what we’ll overlook to get what we want. The play premiered at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, on 5 July 2017, in a production directed by Jude Christian.

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THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills As an actor at any level – whether you are doing theatre studies at school, taking part in youth theatre, preparing for drama-school showcases, or attending professional acting workshops – you will often be required to prepare a duologue with a fellow performer. Your success is often based on locating and selecting a fresh, dynamic scene suited to your specific performing skills, as well as your interplay as a duo. Which is where this book comes in. This collection features twenty-five fantastic duologues for two women, almost all written since the year 2000 by some of our most exciting dramatic voices, offering a wide variety of character types and styles of writing. Playwrights featured include Alexi Kaye Campbell, Helen Edmundson, Vivienne Franzmann, Sam Holcroft, Anna Jordan, Chloë Moss, Rona Munro, Lynn Nottage, Evan Placey and Jessica Swale, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, Manchester Royal Exchange, Shakespeare's Globe, and the Almeida, Bush, Soho, Royal Court and Tricycle Theatres. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James equips each duologue with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the characters' objectives). The collection also features an introduction on the whole process of selecting and preparing a duologue, and how to present it to the greatest effect. The result is the most comprehensive and useful contemporary duologue book of its kind now available. 'Sound practical advice... a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides

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An epic dramatic trilogy set during the American Civil War, by one of America's leading playwrights. America, 1862, during the Civil War. Hero, a slave, is promised his freedom if he joins his master in the ranks of the Confederacy against the Union. In a nation at war with itself, he must fight against those striving to abolish slavery. The family he leaves behind debates whether to escape or await his return, and they fear that, for Hero, freedom is an empty promise that may come at a great cost. Suzan-Lori Parks' Father Comes Home from the Wars (Parts 1, 2 & 3) received its UK premiere in the Jerwood Theatre Downstairs at the Royal Court Theatre, London, in 2016, directed by Jo Bonney. The trilogy premiered at The Public Theater, New York, in 2014, was a finalist for the 2015 Pulitzer Prize for Drama, and won the Edward M Kennedy Prize for Drama Inspired by American History.

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Bruno has a friend called Shmuel. Like Bruno, Shmuel is nine years old. Their birthdays are on the same day. But Shmuel lives on the other side of a fence, and he's always wearing striped pyjamas... Based on the best-selling novel by John Boyne, The Boy in the Striped Pyjamas is a heart-wrenching tale of an unlikely friendship between two innocent boys. Angus Jackson's deeply affecting adaptation was produced by The Children's Touring Partnership and Chichester Festival Theatre on a UK tour in 2015.

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Thirty years ago a promising young actor published his account of preparing for and playing the role of Richard III. Antony Sher's Year of the King has since become a classic of theatre literature. In 2014, Sher, now in his sixties, was cast as Falstaff in Gregory Doran's Royal Shakespeare Company production of the two parts of Henry IV. Both the production and Sher's Falstaff were acclaimed by critics and audiences alike, with Sher winning the Critics' Circle Award for Best Shakespearean Performance. Year of the Fat Knight is Antony Sher's account - splendidly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work.Year of the Fat Knight is a terrific read, rich in humour and with a built-in tension as opening night draws relentlessly nearer. It also stands as a celebration of the craft of character acting. All in all, it is destined to rank with Year of the King as one of the most enduring accounts of the creation of a giant Shakespearean role. Praise for Year of the King: 'This is a most wonderfully authentic account of the experience of creating a performance' Sunday Times 'The most exciting actor of his generation and an eloquent writer on the side' Observer Praise for Sher's Falstaff: 'A magnificent, magnetic performance - Sher plays down the fatness to emphasise the knight's upper-class origins. But, just as you start to warm to this Falstaff, you are reminded of his rapacity' Guardian 'It is Sher's irrepressible Falstaff that will linger in the memory - a lord of misrule who's absurd, delightful and in the end deeply sad' Evening Standard

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Acclaimed for his screenplays for TV dramas including Skins, Shameless, The Fades, This is England '86/'88/'90 and Glue, Jack Thorne first emerged as a writer of unflinching, compassionate and often challenging plays for the stage. Described as a ‘powerful voice for Britain’s youth’ (Independent), he remains one of the most distinctive talents working in theatre today and was chosen by JK Rowling to write the script for Harry Potter and the Cursed Child. This collection, with a revealing introduction by the author, covers a period of intense creativity – beginning with When You Cure Me (Bush Theatre, 2005), a painful – and painfully funny – play about being very young and in love, and coping with serious illness at the same time. ‘One of the year’s finest pieces of new writing’ Evening Standard In the monologue play Stacy (Arcola Theatre, 2007), twenty-something Rob tells the story of a confusing couple of days in which everything in his life seems to have gone wrong. ‘A pin-sharp, brilliant piece of work’ Time Out 2nd May 1997 (Bush Theatre, 2009) distils all the euphoria and despair of New Labour’s landslide electoral victory into three stories told with ‘quiet profundity and verve’ (Telegraph), while Bunny (Edinburgh Fringe, 2010) is a white-knuckle ride through the streets of contemporary Britain, written for a solo female performer. ‘Terrific’ Scotsman Red Car, Blue Car is a heartbreaking short play about guilt, grief and responsibility, written for and performed at the Bush in 2011. Finally, Mydidae (Soho Theatre, 2012), a two-hander set entirely in a bathroom, is an electrifyingly intimate account of the darker side of love which hits audiences ‘like a punch in the gut’ (Whatsonstage.com) 'An absolutely top-class playwright' JK Rowling

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A raw, uncompromising drama about bigotry and racism that explores the insidious rise of the British National Party. As a BNP rally gathers momentum on the streets outside, four women meet to play bridge. Struggling to find common ground, they talk about the men they married, their gifted and delinquent children and what their own heritage means. But beliefs and loyalties are tested to the limit when Stephie's fourteen year old son, Jack, is implicated in a brutal racist attack that leaves an eleven year old Pakistani boy close to death. Louise Monaghan's play Pack won the 2012 Papatango New Writing Competition and was first staged at the Finborough Theatre, London, in 2012.

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A dark and penetrating thriller of modern morals. Captured in an award-winning shot, Alex was rescued from Rwanda and adopted by the man behind the lens. Years later, she's back from university, returning to the Hampstead home in which she was raised. As a long-hidden secret is exposed, the distance between father and daughter stretches taut. Vivienne Franzmann's play The Witness was first performed at the Royal Court Theatre Upstairs, London, in June 2012.

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An impassioned and invaluable guide for actors and students of musical theatre. In Acting Through Song,​ Paul Harvard takes the techniques of modern actor training – including the theories of Stanislavsky, Brecht, Meisner and Laban, amongst others – and applies them to the fundamental component of musical theatre: singing. With dozens of exercises to put these theories into practice, and numerous examples from a broad range of musicals, the result is a comprehensive and rigorous acting course for those training in musical theatre or already performing, whether amateur or professional, to realise their potential – and act better. 'The most methodical, thorough and practical book on the subject that I've ever read.' Daniel Evans, from his Foreword 'If you want to maximise your potential in this tough profession, this is not just a must-read - it's your bible.' Stuart Barr

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An irreverent and unsettling play that interrogates paranoia, ambiguity and innocence in our highly sexualised world. Gethin has just finished his film course and reckons he's the next Scorsese. His mum is on at him to do her friend's wedding video - before the couple get divorced! But Gethin is interested in a much more daring project - one that will get him into dangerously deep water, question his idealism and turn his life and that of his family upside down. Stacey Gregg's play Perve was first staged at the Abbey Theatre, Dublin, in 2011.

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A collection of wide-ranging and ambitious short plays reflecting the complexities of women and political power in the United Kingdom. The five plays in this volume look at the impact and influence that women have today. In Acting Leader by Joy Wilkinson, Margaret Beckett finds herself Acting Leader of the Opposition after the sudden death of John Smith. The Panel by Zinnie Harris is about the power politics underlying the selection of any candidate. Playing the Game by Bola Agbaje is about the election of a new President of a Students' Association. In Pink by Sam Holcroft, a millionaire businesswoman is confronted by an unexpected visitor. You, Me and Wii by Sue Townsend is set in a council house in a small Leicestershire town at election time. The plays were first performed at the Tricycle Theatre, London, as part of the Women, Power and Politics season in June 2010. The other plays presented in the season are available in the companion volume, Women, Power and Politics: Then.

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A passionate, heartfelt play about surviving in a time of civil war, by a leading American dramatist. Winner of the 2009 Pulitzer Prize for Drama. A small mining town deep in the Democratic Republic of Congo. In Mama Nadi's bar her rules apply. No arguments, no politics, no guns. When two new girls arrive, tainted with the stigma of their recent past, Mama is forced to reassess her business priorities and personal loyalties. As tales of local atrocities spread and tensions between rebels and government militia rise, the realities of life in civil war provide the ultimate test of the human spirit. Lynn Nottage's play Ruined was first performed at the Goodman Theatre, Chicago, in November 2008. It opened Off-Broadway at the Manhattan Theatre Club in February 2009. The play received its UK premiere at the Almeida Theatre, London, in April 2010. This edition includes lyrics and music from the original production.

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A step-by-step introduction to the key features of the Meisner Technique, including a full set of practical exercises. The Meisner Technique is at the forefront of actor training today: with its radical simplicity it has the power to reconnect actors with their bodies and emotions. Developed by the teacher and actor Sanford Meisner, the technique places emphasis on truthful interaction between actors. The aim is for the actor 'to live truthfully under imaginary circumstances' – to remain truly 'in the moment'. In Meisner in Practice, Nick Moseley offers actors a step-by-step introduction to the salient features of the technique, and puts these to the test through a succession of increasingly challenging practical exercises. He also addresses certain pitfalls and problems that he has encountered over many years of teaching Meisner in drama schools. This book will be of immense value to students, teachers and practitioners in exploring a technique that is becoming increasingly recognised as a core element of actor training.

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A practical approach to breaking through the barriers of restraint and incomprehension when faced with Shakespeare. Taking many of the techniques explored in her international bestseller Freeing The Natural Voice, in this companion volume Kristin Linklater shows how to apply them to the exploration and speaking of Shakespeare’s language. Beginning with exercises designed to break long-held habits and allow an emotional rather than intellectual relationship to Elizabethan language, she analyses Shakespeare's strategies for creating character, story and meaning through figures of speech, iambic pentameter, rhyme and the alternation of verse and prose. Using copious examples from the plays, Linklater offers her readers the tools to increase understanding and make Shakespeare's words their own.

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A play about the last woman to be executed for witchcraft in Scotland, The Last Witch explores the psychological rifts that can divide close communities and drive families apart. Dornoch, northern Scotland, 1727. In the claustrophobic heat of summer, a woman's apparent ability to manipulate the power of land and sea stirs suspicion. Janet Horne can cure beasts, call the wind and charm fish out of the sea. Or can she? Her refusal to deny the charge of witchcraft puts her in dangerous opposition to the new sheriff. Her defiance threatens not only her own life but that of her daughter... Rona Munro's play The Last Witch is based on the historical account of Janet Horne, the last woman to be executed for witchcraft in Scotland. The play was commissioned by Edinburgh International Festival and co-produced by the Festival and the Traverse Theatre Company. It opened at the Royal Lyceum Theatre, Edinburgh, in August 2009.

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A beautifully simple adaptation of one of Dickens's best-loved novels, bringing it thrillingly to life for the stage. When the orphan Pip meets the convict Magwitch in a graveyard and is forced to help him escape, his life takes a series of unexpected turns. Invited to the house of the mysterious Miss Havisham, he falls in love with her adopted daughter, the beautiful but cold-hearted Estella. Then the generosity of an unknown benefactor sends him to London to become a gentleman. But the truth behind his change of fortune, once revealed, is not what Pip expects... Jo Clifford's adaptation of Great Expectations was first performed at Richmond Theatre, London, in 2012, before transferring to the West End. Eminently actable and stageable, this version is also ideal for schools and amateur theatre companies. This edition contains introductions by Simon Callow, Lucinda Dickens Hawksley (great-great-great granddaughter of Charles Dickens) and Clifford herself.

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A fast-moving, exhilarating play about teenage hopes, dreams and frustrations in a rural part of England. Wheeler is a high-flying comprehensive kid destined for university, while football-mad Fitz is struggling to cope with his dysfunctional father and his schoolwork. They live in Walberswick, a sleepy Suffolk village known for hosting the British Open Crabbing Championship. Set on a sweltering summer's day on the eve of their last GCSE exam, they are ambushed by Dani, the fittest (and poshest) girl on the beach. So begins a crazy twenty-four hours that will change the lives of the three sixteen-year-olds for ever. Joel Horwood's play I Caught Crabs in Walberswick was first performed at the 2008 HighTide Festival in Suffolk in a co-production with Eastern Angles. The production transferred to the Pleasance Courtyard, Edinburgh, as part of the 2008 Edinburgh Festival Fringe, and then toured the UK before a sell-out run at The Bush Theatre, London, in November 2008.

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An extraordinary, genre-blending play about colonialism, identity and the attempt to preserve the past, premiered at The Yard Theatre London in 2024.

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1964: Richard Burton, the firebrand Welsh actor, newly married to movie star Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under the exacting direction of John Gielgud. But as rehearsals progress, the collaboration between actor and director soon threatens to unravel. One of them is the most famous movie star in the world; the other, a patrician from an earlier age of theatre. The stage is set for two titans to collide. Jack Thorne's The Motive and the Cue is a fierce, funny play which offers a glimpse into the politics of a rehearsal room and the relationship between art and celebrity. This edition was published alongside the West End transfer in 2023, following its world premiere at the National Theatre, London, earlier that year. Originally commissioned and co-produced by Neal Street Productions, it was directed by Sam Mendes, and starred Johnny Flynn as Burton, Mark Gatiss as Gielgud and Tuppence Middleton as Taylor. It was named Best Play at the Evening Standard Theatre Awards in 2023.

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'It's kind of a ritual, we speak the truth. Then, let go and cook.' In the bustling kitchen of a run-down Pennsylvania truck stop, the formerly incarcerated staff have been given a second chance. Under the tyrannical eye of their boss Clyde, this unlikely team strives to create the perfect sandwich, as they dream of leaving their past mistakes behind for a better life. Lynn Nottage's hilarious and hopeful play Clyde's premiered in 2021 at the Guthrie Theater, Minneapolis, becoming the most-produced play in the United States the following year. It received its European premiere at the Donmar Warehouse, London, in 2023, directed by Lynette Linton, who also directed the British premiere of Nottage's play Sweat at the Donmar. 'Lynn Nottage is remarkable and uniquely exhilarating' Washington Post 'Is there a better living American playwright than Lynn Nottage?' The Wall Street Journal

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'One can't help where one is born. Or one's station, of course. The trick to happiness is to be content where one is. Or so I am told.' 1979. Clarence House, London. The Queen Mother's receptions are in full swing and the champagne is flowing. Guiding the proceedings is William 'Billy' Tallon, page of the backstairs, keeper of the keys, holder of the royal corgis – and the royal secrets. Outside the palace walls, unemployment, inflation and industrial action are bringing Britain to its knees, and the country is on the verge of changing seismically under Prime Minister Margaret Thatcher. These two worlds are about to collide, with dizzying consequences for everyone... Backstairs Billy examines the fifty-year relationship between the Queen Mother and her most loyal, most outrageous servant, who joined her household at the age of fifteen. Marcelo Dos Santos's irreverent comedy was first produced by the Michael Grandage Company at the Duke of York's Theatre, London, in 2023, directed by Grandage and starring Penelope Wilton and Luke Evans.

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'I promise you more patience, more gratitude. I promise you less vanity, less selfishness, less complaining, less fear. I promise you. You just have to survive.' A Little Life follows the complex relationships of four college friends in New York City: Willem, an actor; Malcolm, an architect; JB, an artist; and, at the centre of their group, Jude, a lawyer. Over the decades, their relationships deepen and darken, changed by ambition, addiction and pride. Yet their greatest challenge is Jude himself, whose secrets – and shame – define not just his own life, but that of his friends as well. A bruising and beautiful story of love, the limits of human endurance, and the tyranny of memory, Hanya Yanagihara's novel A Little Life has sold over a million copies and was shortlisted for the Booker Prize and the Women's Prize for Fiction. The stage adaptation – conceived by Ivo van Hove, and adapted by Koen Tachelet, van Hove and Yanagihara herself – was first performed in a Dutch-language production at Internationaal Theater Amsterdam in the Netherlands in 2018, before transferring to New York in 2022. This English-language version opened in London's West End in 2023, directed by Ivo van Hove and with a cast led by James Norton as Jude.

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This special edition of the international hit play Prima Facie features the definitive version of the award-winning script, together with colour photos and exclusive additional content, giving you a fascinating behind-the-scenes insight into the making of the production and the issues it explores. In the play, Tessa is a young, brilliant barrister who has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning. But when an unexpected event forces her to confront the patriarchal power of the law – where the burden of proof and morality diverge – she finds herself in a world where emotion and integrity are in conflict with the rules of the game. After acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, Prima Facie received its European premiere in a sold-out run at the Harold Pinter Theatre in London's West End in 2022 starring Jodie Comer in her West End debut. It was named Best New Play at both the 2023 Olivier and WhatsOnStage Awards. A filmed version, released in 2022, went on to become the highest-grossing event cinema release ever in the UK. This edition, published alongside Prima Facie's Broadway transfer in 2023, includes contributions from writer Suzie Miller, actor Jodie Comer, director Justin Martin, producer James Bierman and other key members of the creative team, letting you go deeper into the world of the play. There are also essays on the legal context and how the play has become a vehicle for change in attitudes towards the treatment of female victims of sexual assault.

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'In today's world, errybody got a story. It's overwhelming. How! The humanity! O! Everywhere, someone appealing to yo sense of… empathy.' Tambo and Bones are stuck in a minstrel show. It's hard to know what's real when you're stuck in a minstrel show. Their escape plan: get out, get rich, get even. A daring theatrical exploration of the intersection of race, capitalism and performance, Dave Harris's play Tambo & Bones laughs through our past, blows the roof off our present, and imagines an explosive future for our world and for theatre. Tambo & Bones was commended in the 2019 Bruntwood Prize for Playwriting, and was first performed in a co-production between Playwrights Horizons, New York City, and Center Theatre Group, Los Angeles, in 2022. It was first produced in the UK in 2023 by Theatre Royal Stratford East, London, and Actors Touring Company, directed by Matthew Xia.

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'You're a wonder. You're a window into a wide world.' Scotland, 1504, seen fresh through the eyes of new arrivals Ellen and Anne, two Moorish women who were expected to take their place at a royal court… but not this one. Both women now have to fight to find and keep a place in the dazzling, dangerous world of the Scottish court of James IV. It's a world where war is never far away, words of love and promises of peace are not what they seem, and where poets might turn out to be more dangerous than any assassin. Rona Munro continues her journey through an uncharted period of Scottish history with James IV: Queen of the Fight, which was first presented in 2022 by Raw Material and Capital Theatres in association with National Theatre of Scotland, and directed by Laurie Sansom. It follows the spectacular success of Munro's plays about James I, II and III, which were first performed by National Theatre of Scotland, transferred to the National Theatre, London, and were named Best New Play at the Evening Standard Awards.

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'She made some very poor decisions. You tried to warn her. You love her yet, and that's a credit to you, but you need to think about what's best for Scotland...' It's 1567. James Melville is an intelligent, charismatic and skilled diplomat – and also one of the most loyal servants of Mary Stuart, the troubled Queen of Scots. It's a time of political turmoil, and the shocking crimes he has witnessed have shaken him. Now he needs to decide who's guilty, who's innocent, and who is too dangerous to accuse. Change is coming, but at what price? Mary is an explosive political thriller, and part of Rona Munro's breathtaking theatrical exploration of Scottish history. It is the sixth instalment of The James Plays Cycle which began with James I, II and III, performed by National Theatre of Scotland, including a run at the National Theatre in London, and which won the Evening Standard and Writers' Guild of Great Britain Awards in 2014, and James IV, co-produced by Raw Material and Capital Theatres in association with National Theatre of Scotland, in 2022. Mary received its world premiere at Hampstead Theatre, London, also in 2022, directed by Roxana Silbert.

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'There's somethin' about this house. Somethin' here. Somethin' in the walls. Its bones. Like DNA.' A family packs into a small house with a tangled history. Matt is here, yearning to reach someone he's lost. His cousin Jess is here, too; she just wants to feel something. Anything. And Aunt Monica and Jeff are still here, just about. Together, ferocious and funny, they laugh, they scrap, they remember. Tonight these four people, inextricably bound yet so far apart, will finally confront the old decisions that haunt them. How does a family make a future, when everything that holds it together lies in the past? Clive Judd's play Here is a tender, funny and utterly truthful story about family and feeling. It was premiered by Papatango at Southwark Playhouse, London, in November 2022 after winning the Papatango New Writing Prize, whose previous discoveries have gone on to win Olivier, Critics' Circle and OffWestEnd Awards and be performed worldwide.

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A small asteroid has hit the capital city. Thousands have been displaced. And in a town far away, a young man called Vin is finding it hard to talk. The only person who seems to notice is Rach, who resolves to find out what's troubling him and help him find his voice again. But when Rach's family take in an articulate and charismatic survivor of the asteroid incident, Vin's silence is no longer her first priority. How does it feel when the suffering of others seems more legitimate than our own? James Fritz's Lava is a timely play about grief and the power of expression, rocking with raw emotion and sharp humour. It premiered at Nottingham Playhouse in 2018, in a co-production with Fifth Word who commissioned the play. It was revived on tour in 2022, including a run at Soho Theatre, London.

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Franklin, a young black artist on the eve of his first show, meets Andre, an older white art collector, and before long their feverish connection develops into an unbreakable bond. But when Franklin's mother, Zora, decides that her son is in peril, she enters into a battle of wills with Andre over the soul of the man they both call 'baby'. Basquiats and Birkins, gospel and pop, fantasy and reality: all collide around a Bel Air swimming pool in this deeply surreal exploration of intimacy and identity. "Daddy" is Jeremy O. Harris's blistering melodrama, first performed in New York City in 2019, and at the Almeida Theatre, London, in 2022, directed by Danya Taymor.

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Hortense yearns for a new life away from rural Jamaica. Gilbert dreams of becoming a lawyer. Queenie longs to escape her Lincolnshire roots. Three intimately connected stories, tracing the tangled history of Jamaica and Britain. Andrea Levy's epic novel, adapted for the stage by Helen Edmundson, journeys from Jamaica to Britain in 1948 – the year that HMT Empire Windrush docked at Tilbury. Small Island was first performed at the National Theatre, London, in 2019, in an acclaimed production directed by Rufus Norris. This revised edition of the play was published alongside the revival of the production in 2022.

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When Rob was twelve, they attempted a full-blown Disney parade in their house for their Grandma. As Rob donned wigs and played Mary Poppins, Ariel, Mickey Mouse and Belle, their Dad doubled as Stage Manager, Sound Technician and Goofy. Unfortunately, Dad missed all his cues and pushed all the floats in the wrong direction. Mum mistook Aladdin for Ursula. The costumes went awry. And Ariel's bubble gun didn't work properly. Grandma had a nice time, though. My Son's a Queer (But What Can You Do?) is the joyous, chaotic, autobiographical story of actor, writer and social-media sensation Rob Madge as they set out to recreate that parade – and this time, nobody, no, nobody is gonna rain on it. It was first performed at London's Turbine Theatre in June 2021, directed by Luke Sheppard, with music by Pippa Cleary – and starring Rob Madge as Rob Madge. It was a critical and commercial hit at the 2022 Edinburgh Festival Fringe, and later that year transferred to the Garrick Theatre in London, to make the West End that little bit more queer. The play won Best Off-West End Production at the 2022 WhatsOnStage Awards, the Theatre Award at the 2023 Virgin Atlantic Attitude Awards and was nominated for Best Entertainment or Comedy Play at the 2023 Olivier Awards. Rob Madge was joint winner of Best Creative West End Debut at the 2023 Stage Debut Awards. This revised edition features the complete text of the play as performed in Edinburgh and the West End, including links to and transcriptions of the video footage, colour photographs and extra bonus content from the RDM* Productions Archive. It concludes with an afterword by Mum and Dad about the joys to be found in championing the creativity of children – and why playing Tinker Bell, with a smile, might be the best thing you can do for your kids, and for yourselves. * Robert Dennis Madge

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If you could spend eternity with just one precious memory, what would it be? A group of strangers grapple with this impossible question as they find themselves in a bureaucratic waiting room between life and death. Encouraged by enigmatic officials, they must sift through their past lives to choose their forever. Adapted from Hirokazu Kore-eda's award-winning film, After Life is a surreal and powerfully human look at the way we view our lives, and a haunting meditation on what it is to live – and to die. Written by Jack Thorne from a concept by Bunny Christie, Jeremy Herrin and Thorne, After Life was first performed at the National Theatre, London, in June 2021. It was directed by Herrin, in a co-production with Headlong, by special arrangement with Buena Vista Theatrical.

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'Bein you means not bein me, see, a deficit already - before you even started we running at a loss.' Elayne doesn't want company but company won't leave her alone. Everyone's got an opinion but no one's listening and things are starting to slip. debbie tucker green's play nut is a drama about a woman who wants to withdraw from the world. It premiered at The Shed at the National Theatre in October 2013, directed by the author.

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A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud • Peter Brook • Margaret 'Percy' Harris • Peter Hall • Ian McKellen • Judi Dench • Trevor Nunn • Vanessa Redgrave • Fiona Shaw • Liam Neeson • Stephen Rea • Stephen Sondheim • Arthur Laurents • Arthur Miller • August Wilson • Jason Robards • Kim Hunter • Tony Kushner • Luise Rainer • Alan Bennett • Harold Pinter • Tom Stoppard • David Hare • Jocelyn Herbert • William Gaskill • Arnold Wesker • Peter Gill • Christopher Hampton • Peter Shaffer • Frith Banbury • Alan Ayckbourn • John Bury • Victor Spinetti • John McGrath • Cameron Mackintosh • Patrick Marber • Steven Berkoff • Deborah Warner • Willem Dafoe • Simon McBurney • Robert Lepage • John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

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