Search results for ""katz""

A Family Chronicle (1856) is Sergei Aksakov''s blend of memoir and fiction that tells the story of one Russian family relocating from the city to Russia''s eastern frontier in the steppes of Bashkiria. It is an attempt to record oral tradition in writing and occupies a unique place in the history of the nineteenth-century Russian narrative. Aksakov has been called a genius of reminiscences. This work is unmatched for its meticulous and realistic description of the everyday life of the Russian nobility and was well received by the literary greats of nineteenth-century Russian literature. It has also been said to contain a remarkably honest depiction of human psychology. With this edition of A Family Chronicle, the acclaimed translator Michael R. Katz improves upon the two earlier English versions (both now out of print).

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A Family Chronicle (1856) is Sergei Aksakov''s blend of memoir and fiction that tells the story of one Russian family relocating from the city to Russia''s eastern frontier in the steppes of Bashkiria. It is an attempt to record oral tradition in writing and occupies a unique place in the history of the nineteenth-century Russian narrative. Aksakov has been called a genius of reminiscences. This work is unmatched for its meticulous and realistic description of the everyday life of the Russian nobility and was well received by the literary greats of nineteenth-century Russian literature. It has also been said to contain a remarkably honest depiction of human psychology. With this edition of A Family Chronicle, the acclaimed translator Michael R. Katz improves upon the two earlier English versions (both now out of print).

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Examining various cultural products-music, cartoons, travel guides, ideographic treaties, film, and especially the literary arts-the contributors of these thirteen essays invite readers to conceptualize citizenship as a narrative construct, both in Canada and beyond. Focusing on indigenous and diasporic works, along with mass media depictions of Indigenous and diasporic peoples, this collection problematizes the juridical, political, and cultural ideal of universal citizenship. Readers are asked to envision the nation-state as a product of constant tension between coercive practices of exclusion and assimilation. Narratives of Citizenship is a vital contribution to the growing scholarship on narrative, nationalism, and globalization. Contributors: David Chariandy, Lily Cho, Daniel Coleman, Jennifer Bowering Delisle, Aloys N.M. Fleischmann, Sydney Iaukea, Marco Katz, Lindy Ledohowski, Cody McCarroll, Carmen Robertson, Laura Schechter, Paul Ugor, Nancy Van Styvendale, Dorothy Woodman, and Robert Zacharias.

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This beautiful hardback features an eye-catching foiled cover, and is the perfect gift for all those who have been entertained by Toy Story and a book to be treasured by all.A family favourite, Pixar Toy Story is one of the best-loved films of contemporary times. Relive the magic through this retelling of the animated film, accompanied by paintings, sketches and concept art from the original Pixar Studio artists. Also featured is a foreword by Jason Katz, Story Supervisor at Pixar Animation Studios. Turn to the back of the book to learn more about the artists who worked on this iconic animated film.Toy Story was the first film in the successful Toy Story film franchise. It was also Pixar's first feature-length film and the first entirely computer-animated feature film in history. Glimpse into this fascinating snapshot of animation history with this unique retelling.Other titles in the series: Encanto (Di

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“Although the live-work concept is now accepted among progressive urban design and planning professionals, the specifics that define the term, and its application, remain sketchy. This encyclopedic work is sure to change that, providing the critical information that is needed by architects, planners and citizens.” -Peter Katz, Author, The New Urbanism, and Planning Director, Arlington County, Virginia Live-Work Planning and Design is the only comprehensive guide to the design and planning of live-work spaces for architects, designers, and urban planners. Readers will learn from built examples of live-work, both new construction and renovation, in a variety of locations. Urban planners, developers, and economic development staff will learn how various municipalities have developed and incorporated live-work within building codes and city plans. The author, whose pioneering website, www.live-work.com, has been guiding practitioners and users of live-work since 1998, is the United States' leading expert on the subject.

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January, 1939Adolf Hitler makes an infamous speech at the Reichstag threatening ''the annihilation of the Jewish race in Europe''. This vile public proclamation is seized upon by his fanatical supporters who christen it ''The Führer''s Prophecy''.November, 1943A sinister plot hatched inside Block 10 of the notorious Auschwitz deathcamp is known only to a handful of Nazis as Operation Gesamtkunstwerk. It''s a plan originated by Hitler, Himmler and Mengele and now, almost eighty years later, it''s finally ready to be actioned by the direct descendants of the Führer.April, 2022As the world emerges from the Covid pandemic, an encrypted zoom call involving five participants, based across four continents, approves a plan that could have unimaginable consequences for the State of Israel. Chief Inspector Nicolas Vargas of the Buenos Aires Police Department and Lieutenant Troy Hembury of the LAPD join forces with Lea Katz, an elite Mossad agen

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El sistema de partidos políticos se consagró, desde su concepción, como el instrumento clave de mediación en las democracias representativas. En las últimas décadas, sin embargo, la conexión de los partidos con sus bases y con la sociedad civil ha sufrido un innegable retraimiento, que se expresa en el decrecimiento de las tasas de afiliación e identificación con los partidos, el auge del absentismo electoral y la implantación de una atmósfera generalizada de desafección con la política institucional. Mediante un colosal proyecto de investigación y recopilación de datos que supuso treinta años de trabajo, Richard S. Katz y Peter Mair describen el proceso según el cual los partidos políticos, en este clima de pérdida de legitimidad de las democracias liberales, abandonaron las viejas estructuras de partidos de masas y partidos ?atrapalotodo?, y acabaron por emular el funcionamiento de un cártel.Cada vez más dependientes de financiación pública y ajustados a las lógicas institucional

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In Rethinking American Music, Tara Browner and Thomas L. Riis curate essays that offer an eclectic survey of current music scholarship. Ranging from Tin Pan Alley to Thelonious Monk to hip hop, the contributors go beyond repertory and biography to explore four critical yet overlooked areas: the impact of performance; patronage's role in creating music and finding a place to play it; personal identity; and the ways cultural and ethnographic circumstances determine the music that emerges from the creative process. Many of the articles also look at how a piece of music becomes initially popular and then exerts a lasting influence in the larger global culture. The result is an insightful state-of-the-field examination that doubles as an engaging short course on our complex, multifaceted musical heritage. Contributors: Karen Ahlquist, Amy C. Beal, Mark Clagu,. Esther R. Crookshank, Todd Decker, Jennifer DeLapp-Birkett, Joshua S. Duchan, Mark Katz, Jeffrey Magee, Sterling E. Murray, Guthrie P. Ramsey Jr., David Warren Steel, Jeffrey Taylor, and Mark Tucker

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If you enjoyed UNORTHODOX, you will be riveted by Rebekah Roberts . . .'A thrilling, utterly absorbing crime novel.' MEGAN ABBOTTJournalist Rebekah Roberts works at New York City's sleaziest tabloid, but dreams of bigger things. When she receives a letter from a convicted murderer claiming his innocence, she sees both a story she can't ignore and, possibly, a chance.Twenty-two years earlier, just after the Crown Heights riots exploded between the black and Jewish neighbourhoods in Brooklyn, DeShawn Perkins was convicted of the brutal murder of his adoptive family. Rebekah's search for the truth is obscured by the decades that have elapsed: almost no one wants to talk about that grim, violent time in New York City?not even Saul Katz, a former NYPD cop and once her inside source. A searing exploration of the tensions between New York's closed communities, Conviction is a novel about the power - and cost - of loyalty and denial.

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In Rethinking American Music, Tara Browner and Thomas L. Riis curate essays that offer an eclectic survey of current music scholarship. Ranging from Tin Pan Alley to Thelonious Monk to hip hop, the contributors go beyond repertory and biography to explore four critical yet overlooked areas: the impact of performance; patronage's role in creating music and finding a place to play it; personal identity; and the ways cultural and ethnographic circumstances determine the music that emerges from the creative process. Many of the articles also look at how a piece of music becomes initially popular and then exerts a lasting influence in the larger global culture. The result is an insightful state-of-the-field examination that doubles as an engaging short course on our complex, multifaceted musical heritage. Contributors: Karen Ahlquist, Amy C. Beal, Mark Clagu,. Esther R. Crookshank, Todd Decker, Jennifer DeLapp-Birkett, Joshua S. Duchan, Mark Katz, Jeffrey Magee, Sterling E. Murray, Guthrie P. Ramsey Jr., David Warren Steel, Jeffrey Taylor, and Mark Tucker

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From Matt Groening, creator of The Simpsons, the first art book that delves into the development and history of his beloved TV series, Futurama—timed for the show’s 25th anniversary The world of Futurama comes to life in this deluxe art book, with commentary from the show’s creator, Matt Groening, showrunner David X. Cohen, and producer Claudia Katz. Just in time for the show’s 25th anniversary and the new season on Hulu, this first and only Futurama art book examines the first seven seasons of the series, which first aired on Fox in 1999. Readers can dive into the development and visual history of all 150 episodes, including brand-new content, never-before-seen concept art, sketches, developmental work, and a complete episode guide.TV Guide named Futurama one of the Greatest TV Cartoons of All Time. This comprehensive visual history is a must-have for any animation, televi

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Out of the spotlight, in the darker corners of the studio backlots, Hollywood hides a remarkable secret. Actor or actress, set designer, electrician, best boy, or grip-in la-la land, it pays not to be human. Vampires, succubae, trolls, elementals, goblins-studios hire anyone and anything that can take direction, be discreet, and not eat the extras. (The less you know about your agent, the better.)Though only human, stuntwoman and struggling actress Lee Striga is a member of the legendary Katz Stunt Crew. They're the best in the biz, in part because they can y, and boast superhuman strength.When Lee lands a job on the movie Pale Dreamer, however, not everyone is following the script. It's up to her to gure out who-or what-is killing the cast and crew. Especially when Lee goes from stuntwoman to lead role...and the next target.

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This anthology presents the reflections of leading educators on such topics as: significant trends in education; influence of technology on education; current problems in education; and the future direction of education. This text presents a significant and timely body of material authored by those most qualified to identify and address important issues. Serves as a major source of information for any person interested in the education of children and as a text for students of education. By including a profile of each contributor, readers can assess the ideas presented in the light of each author's background. Contributors include: Bettye M. Caldwell; Alison Clarke-Stewart; Glen Dixon; Joe L. Frost; John I. Goodlad; Alice Sterling Honig; James L. Hoot; James L. Hymes; Mary Renck Jalongo; Constance Kamii; Lilian G. Katz; Linda Leonard Lamme; Shirley C. Raines; Carol Seefeldt; Albert Shanker; Verl M. Short; Brian Sutton-Smith; Ralph W. Tyler; Barry Wadsworth; Selma Wassermann; David P. Weikart and Burton L. White.

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A hilarious, heartwarming potty-training story from award-winning children's author Tracey Corderoy, with charming illustrations from Ali Pye.It's potty training time and Miss Dotty's here to show you how!Join the animals in her class as they say goodbye to their nappies and learn to love their potties instead. With simple steps that toddlers can read along to and a cast of cute animal characters, Miss Dotty's Potty School celebrates toilet training time and reassures toddlers that it's okay if accidents happen. Every day in Miss Dotty's Potty School is tons of fun, and everyone's a potty super-star.This funny and reassuring potty book will help children to feel comfortable and excited about their toilet training journey. Just like A Potty for Me! by Karen Katz, Campbell Book's No More Nappies and Dino Potty by Sara Conway, Miss Dotty's Potty School is the ideal book for sharing with your toddler when they're learnin

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In the seventeenth century, witchfinders rule and paranoia thrives in a chilling novel about unrequited love, persecution, and betrayal by the bestselling author of The Road Beyond Ruin and Broken Angels.In 1625, the Franconian village of Eisbach has been plagued by disease, famine, heinous crimes, and a merciless winter. Katarin Jaspers is the maidservant to the enigmatic Reverend Zacharias Engel, appointed by Rome to cure the village of suspected diabolism and save every God-fearing soul.Zacharias soon finds his first witch, and the public burning of a local man could spell the end of misfortune. As a sense of peace settles over the village, Katarin finds herself increasingly infatuated with Zacharias, who is a disruption to her predictable existence and a balm for her cruel past. But peace for Katarin is short-lived. Margaretha Katz—the new midwife—is seen as a rival for the reverend’s attention. Fear and recrimination reach a

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Family and Work in Everyday Ethnography exposes the intimate relationship between ethnographers as both family members and researchers. The contributors to this exciting volume question and problematize the “artificial divide” between work and family that continues to permeate writing on ethnographic field work as social scientists try to juggle research and family tensions while “on the job.” Essays relate experiences that mirror work-family dilemmas that all employed parents face, and show how deeply personal experiences affect social scientists’ home life and their studies. Bringing together voices of various family members—pregnant women, mothers, fathers, and children—Family and Work in Everyday Ethnography demonstrates how the mixture of work and family in this particular occupation has raised questions—both practical and theoretical—that relate to race, class, and gender. Contributors include: Chris Bobel, Erynn Masi de Casanova, Randol Contreras, C. Aiden Downey, Tanya Golash-Boza, Steven Gold, Sherri Grasmuck, Barbara Katz Rothman, Jennifer Reich, Leah Schmalzbauer, Gregory Smithsimon, and the editors.

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This edition is the first of its kind to offer a basic collection of facsimile, English language, historical articles on all aspects of the extermination of the European Jews. A total of 300 articles from 84 journals and collections allows the reader to gain an overview of this field. The edition both provides access to the immense, rich array of scholarly articles published after 1960 on the history of the Holocaust and encourages critical assessment of conflicting interpretations of these horrifying events. The series traces Nazi persecution of Jews before the implementation of the "Final Solution", demonstrates how the Germans coordinated anti-Jewish activities in conquered territories, and sheds light on the victims in concentration camps, ending with the liberation of the concentration camp victims and articles on the trials of war criminals. The publications covered originate from the years 1950 to 1987. Included are authors such as Jakob Katz, Saul Friedländer, Eberhard Jäckel, Bruno Bettelheim and Herbert A. Strauss.

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Since the end of the Second World War, poverty in the United States has been a persistent focus of social anxiety, public debate, and federal policy. This volume argues convincingly that we will not be able to reduce or eliminate poverty until we take the political factors that contribute to its continuation into account. Ideal for course use, A New Introduction to Poverty opens with a historical overview of the major intellectual and political debates surrounding poverty in the United States. Several factors have received inadequate attention: the impact of poverty on women; the synergy of racism and poverty; race and gender stratification of the workplace; and, crucially, the ways in which the powerful use their resources to maintain the economic status quo. Contributors include Mimi Abramovitz, Peter Alcock, Bonnie Thornton Dill, Raymond Franklin, Herman George Jr., Michael B. Katz, Marlene Kim, Rebecca Morales, Sandra Patton, Valerie Polakow, Jackie Pope, Jill Quadagno, David C. Ranney, Barbara Ransby, Bette Woody, and Maxine Baca Zinn.

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Black Communist women throughout the early to mid-twentieth century fought for and led mass campaigns in the service of building collective power in the fight for liberation. Through concrete materialist analysis of the conditions of Black workers, these women argued that racial and economic equality can only be achieved by overthrowing capitalism.The first collection of its kind, Organize, Fight, Win brings together three decades of Black Communist women's political writings. In doing so, it highlights the link between Communism and Black liberation. Likewise, it makes clear how Black women fundamentally shaped, and were shaped by, Communist praxis in the twentieth century.Organize, Fight, Win includes writings from card-carrying Communists like Dorothy Burnham, Williana Burroughs, Grace P. Campbell, Alice Childress, Marvel Cooke, Esther Cooper Jackson, Thelma Dale Perkins, Vicki Garvin, Yvonne Gregory, Claudia Jones, Maude White Katz, and Louise Thompson Patterson, and writings by those who organized alongside the Communist Party, like Ella Baker, Charlotta Bass, Thyra Edwards, Lorraine Hansberry, and Dorothy Hunton.

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Descubre como lograr mezclas de calidad mediante los consejos y técnicas de los profesionales más respetados de la profesión. Mezcla en el audio profesional es un libro que resuelve las dudas y lagunas existentes en cuanto a los procedimientos y la tecnología del mundo de las mezclas en el audio profesional. El autor, mediante ejemplos y didácticas descripciones, resuelve los temas y dudas más relevantes que se nos plantean en el momento de introducirnos en el mundo de la mezcla, tanto a nivel profesional como aficionado. En el libro se detallan los procedimientos y fases de la mezcla en el audio, describiendo todas las etapas de la grabación, desde las fases preliminares a la entrega para el proceso del Mastering. En esta obra se recoge los testimonios de reputados profesionales que han compartido su experiencia, sus técnicas y secretos. Ron McMaster: Ingeniero de masterización en EMI. Tchad Blake: Productor e ingeniero Ganador de varios premios Grammys. Bob Katz: Ingeniero de sonido

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The groundbreaking novel from critically acclaimed author Ellen Wittlinger that tells the story of a transgender teen’s search for identity and acceptance has now been updated to include current terminology and an updated list of resources. Angela Katz-McNair never felt quite right as a girl. So she cuts her hair short, purchases some men’s clothes and chose a new name: Grady. While coming out as transgender feels right to Grady, he isn’t prepared for the reactions of his friends and family. Why can’t they accept that Grady is just being himself? Grady’s life is miserable until he finds friends in unexpected places—the school geek, Sebastian, who tells Grady that there is a precedent for transgenders in the natural world, and Kita, a senior, who might just be Grady’s first love. In a voice tinged with humor and sadness, Ellen Wittlinger explores Grady’s struggles—universal struggles any teen can relate to.

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Family and Work in Everyday Ethnography exposes the intimate relationship between ethnographers as both family members and researchers. The contributors to this exciting volume question and problematize the “artificial divide” between work and family that continues to permeate writing on ethnographic field work as social scientists try to juggle research and family tensions while “on the job.” Essays relate experiences that mirror work-family dilemmas that all employed parents face, and show how deeply personal experiences affect social scientists’ home life and their studies. Bringing together voices of various family members—pregnant women, mothers, fathers, and children—Family and Work in Everyday Ethnography demonstrates how the mixture of work and family in this particular occupation has raised questions—both practical and theoretical—that relate to race, class, and gender. Contributors include: Chris Bobel, Erynn Masi de Casanova, Randol Contreras, C. Aiden Downey, Tanya Golash-Boza, Steven Gold, Sherri Grasmuck, Barbara Katz Rothman, Jennifer Reich, Leah Schmalzbauer, Gregory Smithsimon, and the editors.

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This collection brings together influential papers by mathematicians exploring the research frontiers of topology, one of the most important developments of modern mathematics. The papers cover a wide range of topological specialties, including tools for the analysis of group actions on manifolds, calculations of algebraic K-theory, a result on analytic structures on Lie group actions, a presentation of the significance of Dirac operators in smoothing theory, a discussion of the stable topology of 4-manifolds, an answer to the famous question about symmetries of simply connected manifolds, and a fresh perspective on the topological classification of linear transformations. The contributors include A. Adem, A. H. Assadi, M. Bokstedt, S. E. Cappell, R. Charney, M. W. Davis, P. J. Eccles, M. H. Freedman, I. Hambleton, J. C. Hausmann, S. Illman, G. Katz, M. Kreck, W. Luck, I. Madsen, R. J. Milgram, J. Morava, E. K. Pedersen, V. Puppe, F. Quinn, A. Ranicki, J. L. Shaneson, D. Sullivan, P. Teichner, Z. Wang, and S. Weinberger.

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THE INTERNATIONAL BESTSELLER ‘A masterpiece’ New York Times ‘Stupendous, magnificent, unforgettable, witty and rich. A great American novel’ Spectator From the National Book Award-winning author of The Corrections comes a darkly comedic novel about family, now hailed as an American classic. They had been the perfect family: liberal gentrifiers, the avant-garde of the Whole Foods generation. But the Berglunds are struggling to live in an ever more confusing world. Walter, an environmental lawyer and commuter cyclist, has taken a job with Big Coal. Patty, the ideal hands-on mother and wife, is growing unhinged in front of the neighbours’ attentive eyes. Their son has moved in with the Republican family next door, and Richard Katz, outré rocker and Walter’s best friend and rival, has re-entered their lives. ‘Writing in prose that dazzles, Franzen has now written the two novels that best define modern America’ Independent ‘A masterpiece. Franzen skewers the particularity of modern life and love like no one else’ Daily Telegraph

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'Short of doing it yourself, the best way of escaping into nature is to read a book like A Walk in the Woods.' New York TimesIn the company of his friend Stephen Katz (last seen in the bestselling Neither Here nor There), Bill Bryson set off to hike the Appalachian Trail, the longest continuous footpath in the world. Ahead lay almost 2,200 miles of remote mountain wilderness filled with bears, moose, bobcats, rattlesnakes, poisonous plants, disease-bearing tics, the occasional chuckling murderer and - perhaps most alarming of all - people whose favourite pastime is discussing the relative merits of the external-frame backpack. Facing savage weather, merciless insects, unreliable maps and a fickle companion whose profoundest wish was to go to a motel and watch The X-Files, Bryson gamely struggled through the wilderness to achieve a lifetime's ambition - not to die outdoors.A Walk in the Woods is now a major feature film starring Robert Redford, Emma Thompson and Nick Offerman.

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Anyone Can Put You to Sleep—It’s the One Who Wakes You Up That’s Important When a colleague’s patient suffers a bizarre reaction in the operating room, Luke Daulton, a newly minted anesthesiologist, volunteers to help. Despite the surgical team’s best efforts, the patient succumbs to a rare anesthetic complication. Luke becomes perplexed, even suspicious, over their inability to save the woman. Is it possible that the diagnosis was wrong? Or, worse yet, was the diagnosis faked? Luke even wonders if his boss Dr. Katz is involved. Too busy with the rigors of a new job and his impending fatherhood, Luke is forced to put his suspicions on hold. When his wife, Kim, faces a C-section, his fears are reignited. Could there be a murderer—or murderers—operating in his hospital? Could his wife’s obstetrician be involved? When the C-section goes horribly wrong, Luke must launch into action to save his wife and baby and expose the conspiracy he’s uncovered.Perfect for Fans of Robin Cook and Tess Gerritsen

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Published on the occasion of Maine's bicentennial, the book considers more than 200 major artworks of American art from the Farnsworth Art Museum's impressive holdings and details how the state has figured prominently in the development of American art. The volume includes artists as diverse as Andrew Wyeth, Marsden Hartley, Georgia O'Keeffe, Francesco Clemente, Robert Rauschenberg, and Alex Katz, among others. Through their work, a fascinating depiction of the state--and indeed of the development of American art--emerges. In addition to the more than 200 artworks, the volume will feature two historic sites: the Farnsworth Homestead (the National Register of Historic Places home of founder Lucy Copeland Farnsworth) and the National Historic Landmark Olson House, inspiration for some 300 works by Andrew Wyeth, including Christina's World. The book also considers the founder Lucy Copeland Farnsworth's distinctive vision to create a museum, library, and historic house, placing her among the few and still under-recognized women who created museums throughout the United States in the early twentieth century.

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The Holocaust stands as a focal event in modern Western history. With a vast array of literature, film, and historical work dedicated to the subject, it is increasingly difficult for educators to sift through the materials available and incorporate them into their curricula. New Perspectives on the Holocaust offers guidance to those in the teaching professions confronting issues raised by the Holocaust. Authors, all actively involved in teaching about the Holocaust, reflect on a range of fundamental questions. Some offer guidance in selecting materials; others examine factors that determine the success or failure of Holocaust curricula; and still others essays examine questions of how much we can know about the Holocaust, investigating specifically the phenomenon of Holocaust denial. Providing a wealth of guidance for engaging students in a wide range of disciplines, from literature to history to geography to Jewish and Christian theology, and including contributions by such well-known scholars as Steven Katz, William Seidelman, Richard Breitman, John Pawlikowski, and Carole Fink, this volume is essential reading for all those in the teaching professions who grapple with the Holocaust.

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This book is the first monograph on the paintings of Lois Dodd. It provides invaluable analysis and contextualisation of her work alongside such New York City contemporaries as Alex Katz, Philip Pearlstein and other denizens of the Tenth Street milieu of the 1950s. Emerging from the shadow of Abstract Expressionism, Dodd and this circle cleaved to an observational painting based in the early modernist tradition. Beginning in the 1950s, Lois Dodd has steadfastly pursued her observational painting, remaining aloof from passing trends. She is widely admired as a 'painter's painter' whose landscapes and city scenes display subtle effects of place, light and weather within graphically distilled compositions. Dodd's works capture the intangible character of changing seasons or particular hours of day in locations throughout New York City, rural New Jersey and Maine, but the paintings betray no mark of era. They are curiously timeless.Through extensive studio visits and interviews, Faye Hirsch considers the processes, places and impulses behind Dodd's paintings and reveals her outwardly peaceful, reflective canvases to be the product of an alert and forceful eye and a powerfully efficient execution.

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Working in Hollywood is a living Hell in this “fast, fun, and unrelenting” urban fantasy series about a stuntwoman who slays paranormal creatures (Seanan McGuire, author of the October Daye novels). Out of the spotlight, in the darker corners of the studio backlots, Hollywood hides a remarkable secret. Actor or actress, set designer, electrician, best boy, or grip—in la-la land, it pays not to be human. Vampires, succubae, trolls, elementals, goblins—studios hire anyone and anything that can take direction, be discreet, and not eat the extras. (The less you know about your agent, the better.)Though only human, stuntwoman and struggling actress Lee Striga is a member of the legendary Katz Stunt Crew. They’re the best in the biz, in part because they can fly, and boast superhuman strength.When Lee lands a job on the movie Pale Dreamer, however, not everyone is following the script. It’s up to her to figure out who—or what—is killing the cast and crew. Especially when Lee goes from stuntwoman to lead role...and the next target.

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This edition reprints the first published version, that of 1893. Misprints and errors have been corrected and are identified in "A Note on the Text." Footnotes indicate changes in wording Crane made for the 1896 edition and explain slang expressions and customs of the day. Maps of the novel’s New York City locales are also provided. "Backgrounds and Sources" includes nonfictional accounts of urban life by Jacob Riis and others from which Crane drew, as well as discussions of Crane’s literary sources "The Author and the Novel" traces the history of the novel's composition and revision. Contemporary American reviews of the 1893 Maggie and American and English reviews of the 1896 edition focus on the historical importance of the work, the values and tastes of the 1890s, and Crane’s modernism. The modern critical essays are by John Berryman, Charles Child Walcutt, William Bysshe Stein, Joseph X. Brennan, Janet Overmyer, Donald Pizer, Joseph Katz, Eric Solomon, Jay Martin, Donald B. Gibson, Arno Karlen, Katherine G. Simoneaux, Frank Bergon, Hershel Parker, Brian Higgins, and Thomas A. Gullason.

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Slow Painting presents the work of 19 primarily British and UK-based artists whose work explores ideas around the concept of 'slowness' and what it might mean in relation to contemporary painting: how it might be present in the making of the work, how the works reveal themselves slowly, and how they fit into the continuum of art history. Acting as a counterbalance to an increasingly accelerating world, painting offers a space of pause, contemplation and gradual unfurling, for both the painter and the viewer. Spanning diverse approaches, from figuration to abstraction and somewhere in between, Slow Painting surveys painting's role as a rewarding repository of time. With an original essay by curator and writer Martin Herbert, this publication also includes a roundtable discussion between a number of the artists and art critic Hettie Judah. Artists included are Darren Almond, Athanasios Argianas, Michael Armitage, Gareth Cadwallader, Varda Caivano, Lubaina Himid, Paul Housley, Merlin James, Allison Katz, Simon Ling, Lucy McKenzie, Mairead O'eEocha, Yelena Popova, Carol Rhodes, Sherman Mern Tat Sam, Benjamin Senior, Michael Simpson, Tim Stoner and Caragh Thuring.

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This important anthology organises key essays that outline philosophical perspectives on the rapidly growing practice of environmental restoration. While some argue that environmental restoration is a new paradigm for environmentalism, others maintain that it is just more human domination of nature. The ongoing debate will help to shape environmentalism in the 21st century. A concise introduction by William M Throop outlines a range of issues about the values, beliefs, and attitudes that inform our assessment of restoration. Non-technical discussions of restoration projects place the issues in the context of current policy-making. For each issue, pro and con articles are juxtaposed to highlight areas of controversy. Leading environmental philosophers and restorationists, including Robert Elliot, William Jordan, Eric Katz, Steve Packard, and Holmes Rolston, are represented.This is the only anthology that focuses on the philosophical issues underlying restoration ecology. As such it will be of interest to students and professionals in the fields of environmental philosophy, environmental restoration, and conservation biology, as well as educated lay persons with an interest in environmental issues.

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"We've got intrigue, murder, and ghosts. Egos, images, revenge. It's Hollywood... in brilliant Dana Fredsti's hands" Josh Mallerman. Working in Hollywood is a living Hell. Quirky, fast-paced modern horror in the vein of Supernatural, Lucifer, True Blood, and Evil. All the best jobs in Hollywood go to the supernaturals. For a stuntman, it helps to be able to fly. For a romantic lead, it’s an advantage to be an incubus or succubus, and if you smell Sulphur in your agent’s office, you’ll know why. Vampires, succubae, trolls, fallen angels, ghouls—anything that can take direction, be discreet, and not eat the extras. Lee Striga is an actress, stuntwoman, and demon hunter. Fresh from filming Voodoo Wars in New Orleans, Lee returns to Los Angeles. Back at the Katz Family stunt ranch she finds animals of all kinds taking refuge on the grounds, and the supernatural creatures who populate Hollywood on edge to the point of violence. People are vanishing without a trace, and clues lead to a legendary mansion famous for its horrible deaths—the location of Lee’s next film assignment.

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A funny and honest portrayal of living with social anxiety, this timely novel explores the universal themes of growing up and finding your voice, set in a fast-paced comedy.Ellie Katz is sabotaging her own party.Sure, it seems extreme, but it''s the only option for her bat mitzvah. Crowds and attention always made her nervous, and lately they''ve been making it harder and harder for Ellie to breathe. The celebration would mean (1) a large crowd, (2) lots of staring, and (3) distant family listening to her sing in another language. No thank you!To avoid certain catastrophe, she hatches a plan with her best friend Zoe to ruin the big day. Cue the email hacking, DJ takedown, and an all-out food fight! Everything is falling apart according to plan, until a fight with Zoe leaves Ellie alone on her path of destruction, facing some unintended consequences and disappointments. Can she find a way to right her wrongs, face her fears, and light her candles?

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Graphicstudio: Uncommon Practice at USF explores the incredible body of art from Graphicstudio, the print atelier at the University of South Florida, Tampa, Florida that has hosted artists including Louise Bourgeois, Jim Dine, Alex Katz, and Roy Lichtenstein. Founded in 1968, the studio has developed an international reputation, and work produced at Graphicstudio can now be found in private and museum collections across the world. This volume presents over one hundred artworks by forty-five artists including Chuck Close, Roy Lichtenstein, Christian Marclay, Philip Pearlstein, Robert Rauschenberg, Ed Ruscha, and Kiki Smith. The range of artworks includes etchings, photo- and direct gravures, digital or pigment prints, cyanotypes, lithographs, woodcuts and screen prints, as well as sculpture in bronze, concrete, basalt, and cast epoxy resin. Author Jade Dellinger investigates Graphicstudio's innovative atmosphere and interdisciplinary resources as well as the technical challenges artists have faced. Illustrated case studies focus on the work of seven artists; also featured are four illustrated interviews with the current and past Graphicstudio directors and brief biographies of the careers of the forty-five artists represented.

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Dos de los expertos más prestigiosos en salud y nutrición responden a las preguntas más actuales sobre alimentación y dietas, en una obra que transformará nuestra salud.Cuál es la mejor dieta? Importan las calorías? Tengo que elegir entre bajo en grasas y bajo en carbohidratos? Debo renunciar al gluten, los lácteos o la carne? Y cuando se trata de proteínas, grasas y carbohidratos, cuáles son buenos y cuáles malos?Mark Bittman y el Dr. David Katz se abren paso entre la gran confusión existente en la información que rodea la comida, la salud y la dieta para arrojar un poco de luz y dar las respuestas que realmente necesitamos. Inspirados en su sección de gran éxito de preguntas y respuestas de la revista New York, y ofrecen un punto de vista claro y sin rodeos sobre la alimentación y la dieta abarcándolo todo, desde los nutrientes básicos hasta los súper alimentos o las dietas milagro, a la vez que desmitifican gran cantidad de afirmaciones confusas o contradictorias

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Who is Samantha McEwen?Who is this Anglo-American artist born in 1960 in London, about whom Keith Haring declares in one of his interviews: When I arrived in New York, I spent my time at school (School of Visual Arts). Everything was new and exciting. I was 20 years old. In my drawing class, I was immediately drawn to a girl named Samantha McEwen. Samantha remembers: He sat in front of me and said: Can I draw you?'Who is this artist, still relatively unknown to this day, who also models for Francesco Clemente and Alex Katz? In the 1980s, Samantha McEwen was one of the few women to exhibit twice in the famous Tony Shafrazi Gallery. She also participates in numerous group exhibitions alongside the leading artists of that flamboyant decade. However, very few texts exist about her work; art critics are mainly men who write about men. In the numerous articles of the art press on these exhibitions, her name is merely mentioned and rarely accompanied by a few lines. A revealing

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The artist’s studio occupies a unique place in the popular imagination. Its environment is both the site of the artist’s creative production, and a deeply private, personal space that nourishes and bears witness to the artist’s working process, in a continuous interplay with its location, layout, interior and ambience. This rare access to the studio by a trusted visitor provides a unique opportunity to experience the lives of artists working in New York, through their methods, materials and influences, contained within the intimate space of the studio, and observed with an acutely sensitive eye. Artist Studios in New York – which Marco Anelli has been exploring since 2011 - leads the viewer into the creative process of internationally famous artists such as Alex Katz, Alfredo Jaar, Cecily Brown, Dan Colen, Elisabeth Peyton, Francesco Clemente, Jack Pierson, Joan Jonas, Joyce Pensato, Jonas Mekas, Jordan Wolfson, Julian Schnabel, Julie Mehretu, Kiki Smith, Lawrence Weiner, Mariko Mori, Marina Abramovic, Matthew Barney, Mickalene Thomas, Nate Lowman, Pat Steir, Rob Wynne, Robert Longo, Stanley Whitney, Tony Oursler, Ugo Rondinone, Urs Fisher, Vik Muniz.

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In the years before, during, and after the First World War, hundreds of young Jews flocked to Paris, artistic capital of the world and center of modernist experimentation. Some arrived with prior training from art academies in Kraków, Vilna, and Vitebsk; others came armed only with hope and a few memorized phrases in French. They had little Jewish tradition in painting and sculpture to draw on, yet despite these obstacles, these young Jews produced the greatest efflorescence of art in the long history of the Jewish people. The paintings of Marc Chagall, Amedeo Modigliani, Chaim Soutine, Sonia Delaunay-Terk, and Emmanuel Mané-Katz, the sculptures of Jacques Lipchitz, Ossip Zadkine, Chana Orloff, and works by many other artists now grace the world’s museums. As the École de Paris was the most cosmopolitan artistic movement the world had seen, the left-bank neighborhood of Montparnasse became a meeting place for diverse cultures. How did the tolerant, bohemian atmosphere of Montparnasse encourage an international style of art in an era of bellicose nationalism, not to mention racism and antisemitism? How did immigrants not only absorb but profoundly influence a culture? This book examines how the clash of cultures produced genius.

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This volume of essays, all but one previously unpublished, investigates the question of Levinas’s relationship to feminist thought. Levinas, known as the philosopher of the Other, was famously portrayed by Simone de Beauvoir as a patriarchal thinker who denigrated women by viewing them as the paradigmatic Other. Reconsideration of the validity of this interpretation of Levinas and exploration of what more positively can be derived from his thought for feminism are two of this volume’s primary aims.Levinas breaks with Heidegger’s phenomenology by understanding the ethical relation to the Other, the face-to-face, as exceeding the language of ontology. The ethical orientation of Levinas’s philosophy assumes a subject who lives in a world of enjoyment, a world that is made accessible through the dwelling. The feminine presence presides over this dwelling, and the feminine face represents the first welcome. How is this feminine face to be understood? Does it provide a model for the infinite obligation to the Other, or is it a proto-ethical relation? The essays in this volume investigate this dilemma.Contributors are Alison Ainley, Diane Brody, Catherine Chalier, Luce Irigaray, Claire Katz, Kelly Oliver, Diane Perpich, Stella Sandford, Sonya Sikka, and Ewa Ziarek.

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Music education today requires an approach rooted in care and kindness that coexists alongside the dismantling of systems that fail to serve our communities in higher education. But, as the essayists in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness like the entrenched master-student model, a neoliberal individualist and competitive mindset, and classical music’s white patriarchal roots. The editors of this volume curate essays that use a broad definition of care pedagogy, one informed by interdisciplinary scholarship and aimed at providing practical strategies for bringing transformative learning and engaged pedagogies to music classrooms. The contributors draw from personal experience to address issues including radical kindness through universal design; listening to non-human musicality; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. Contributors: Molly M. Breckling, William A. Everett, Kate Galloway, Sara Haefeli, Eric Hung, Stephanie Jensen-Moulton, Mark Katz, Nathan A. Langfitt, Matteo Magarotto, Mary Natvig, Frederick A. Peterbark, Laura Moore Pruett, Colleen Renihan, Amanda Christina Soto, John Spilker, Reba A. Wissner, and Trudi Wright

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Music education today requires an approach rooted in care and kindness that coexists alongside the dismantling of systems that fail to serve our communities in higher education. But, as the essayists in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness like the entrenched master-student model, a neoliberal individualist and competitive mindset, and classical music’s white patriarchal roots. The editors of this volume curate essays that use a broad definition of care pedagogy, one informed by interdisciplinary scholarship and aimed at providing practical strategies for bringing transformative learning and engaged pedagogies to music classrooms. The contributors draw from personal experience to address issues including radical kindness through universal design; listening to non-human musicality; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. Contributors: Molly M. Breckling, William A. Everett, Kate Galloway, Sara Haefeli, Eric Hung, Stephanie Jensen-Moulton, Mark Katz, Nathan A. Langfitt, Matteo Magarotto, Mary Natvig, Frederick A. Peterbark, Laura Moore Pruett, Colleen Renihan, Amanda Christina Soto, John Spilker, Reba A. Wissner, and Trudi Wright

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For two years Ester Newton did field research in the world of drag queens—homosexual men who make a living impersonating women. Newton spent time in the noisy bars, the chaotic dressing rooms, and the cheap apartments and hotels that make up the lives of drag queens, interviewing informants whose trust she had earned and compiling a lively, first-hand ethnographic account of the culture of female impersonators. Mother Camp explores the distinctions that drag queens make among themselves as performers, the various kinds of night clubs and acts they depend on for a living, and the social organization of their work. A major part of the book deals with the symbolic geography of male and female styles, as enacted in the homosexual concept of "drag" (sex role transformation) and "camp," an important humor system cultivated by the drag queens themselves."Newton's fascinating book shows how study of the extraordinary can brilliantly illuminate the ordinary—that social-sexual division of personality, appearance, and activity we usually take for granted."—Jonathan Katz, author of Gay American History"A trenchant statement of the social force and arbitrary nature of gender roles."—Martin S. Weinberg, Contemporary Sociology

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An artist's book of “social science fiction” presenting new work and writing by Richard Prince Richard Prince (born 1949) continues his revival of the Fulton Ryder imprint with an artist’s book that is both a monograph of new artworks and an expansive written statement on art history, personal biography and the contemporary impulse to create self-images. At first glance, the New Paintings are in a similar vein as Prince's New Portraits. However, unlike that series, the New Paintings focuses on portraits of painters painting on Instagram, very often with back to the camera, facing away from the viewer. The resulting images are ambiguously manipulated; the series is self-described as an act of “social science fiction.” The image captions, integral to the artwork, contain a dense “Bird Talk” text, including ambiguous autobiography and art history commentary. Joan Katz offers some explanation in a comment found in a New Painting, stating: “Deep Nostalgia. Legitimate Doubts. Safeguards to prevent misuse. Digital imitation. Resemblance without manipulations. Skilled impersonations. Staged illusions. Imitation of Life (the sequel). It’s difficult to know if it’s new or just another resurrection. #post_place.”

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In this firsthand account of high-risk car and motorcycle racing in Japan, Ikuya Sato shows how affluence and consumerism have spawned various experimental and deviant life-styles among youth. Kamikaze Biker offers an intriguing look at a form of delinquency in a country traditionally thought to be devoid of social problems. "Ikuya Sato's Kamikaze Biker is an exceptionally fine ethnographic analysis of a recurrent form of Japanese collective youth deviance...Sato has contributed a work of value to a wide range of scholarly audiences."--Jack Katz, Contemporary Sociology "A must for anyone interested in Japan, juvenile delinquency and/or youth behavior in general, or the impact of affluence on society."--Choice "The volume provides a sophisticated ...discussion of changes happening in Japanese society in the early 1980s. As such, it serves as a window on the 1990s and beyond."--Ross Mouer, Asian Studies Review "Kamikaze Biker is a superlative study, one that might help liberate American social science from the simplistic notion that behavior not directly contributing to economic productivity should be summarily dismissed as 'dangerous' and 'deviant.' "--Los Angeles Times Book Review

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This cutting-edge book explores and advances contemporary geographical understandings of resistance. Calling for geographers to focus on the emergence of resistance and to avoid making assumptions on the forms it takes, chapters critically interrogate concepts of resistance and illustrate the political potential of re-thinking them.Engaging with anarchist, feminist and postcolonial scholarship, this book traces existing debates on resistance in geography and suggests how they can be productively reanimated. Contributors explore multiple and everyday spaces, subjects, and temporalities of resistance, reconsidering the study of resistance in light of recent ontological developments, including in non-representational theory, the non-human, post-politics and more-than-human geographies. Using detailed case studies, the book examines what critical geographies of resistance might look like in practice, providing insight on how geography can respond to and engage with the contemporary world.Featuring a Foreword by Professor Cindi Katz, this book will be a fascinating read for scholars and students of human, social and cultural geography, geopolitics, sociology, and those studying resistance across the social sciences. It will also be of interest to activists looking to formulate alternative resistant claims and practices.

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Where was God during the Holocaust? And where has God been since? How has our religious belief been changed by the Shoah? For more than half a century, these questions have haunted both Jewish and Christian theologians. Holocaust Theology provides a panoramic survey of the writings of more than one hundred leading Jewish and Christian thinkers on these profound theological problems. Beginning with a general introduction to Holocaust theology and the religious challenge of the Holocaust, this sweeping collection brings together in one volume a coherent overview of the key theologies which have shaped responses to the Holocaust over the last several decades, including those addressing perplexing questions regarding Christian responsibility and culpability during the Nazi era. Each reading is preceded by a brief introduction. The volume will be invaluable to Rabbis and the clergy, students, scholars of the Holocaust and of religion, and all those troubled by the religious implications of the tragedy of the Holocaust. Contributors include Leo Baeck, Eugene Borowitz, Stephen Haynes, Abraham Joshua Heschel, Steven T. Katz, Primo Levi, Jacob Neusner, John Pawlikowski, Rosemary Radford Reuther, Jonathan Sarna, Paul Tillich, and Elie Wiesel.

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