Search results for ""author william"

William Adams (1823 - 1904) is probably best known from his locomotive designs for the London & South Western Railway. The years at Nine Elms were the culmination of career which began formally in marine engineering, including a period at sea with the Royal Sardinian Navy, encompassed civil engineering and surveying before joining the North London Railway as locomotive, carriage and wagon superintendent. He has been described as the father of the suburban train, an inventive engineer, who pioneered the use of continuous train brakes, developed well designed, free-steaming locomotive boilers for services requiring rapid acceleration and frequent stops, and his invention of a bogie with controlled side-play revolutionised future locomotive design. His next move was to the Great Eastern Railway where his designs met with mixed success, before moving south of the Thames to Nine Elms. Here, over five hundred locomotives were built to his designs, with his later express classes regarded by many as his greatest achievement. Adams also proved himself a very capable designer in developing locomotive and carriage works at all three railways, improving efficiency and reducing costs. This book tells the story of a genial man with a love of music, who was undoubtedly one of the finest late Victorian locomotive engineers.

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The first detailed study of the working relationship and productive friendship between Ralph Vaughan Williams (1872-1958) and Adrian Boult (1889-1983). From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career. As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music.

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The Wallace Muse is an anthology of poem and song inspired by William Wallace - one of Scotland's greatest heroes - composed by some of Scotland's greatest writers. Robert Burns, William Wordsworth, Robert Southey and other literary greats are represented, and a selection of new poems by contemporary Scottish and Scotland-based writers such as Edwin Morgan and Rab Wilson illustrates Wallace's continuing influence on the nation's literature.

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A black child born in the twilight of slavery, William Henry Ellis inhabited a world of fraught, ambiguous racial categories on the anarchic border between the United States and Mexico. He adopted the name Guillermo Enrique Eliseo and passed as a Mexican. A shrewd businessman, he became fabulously wealthy and found himself involved in scandalous trials, unexpected disappearances and diplomatic controversies. Constantly switching identities, Eliseo identified and exploited the porousness of the colour line and the border line. In The Strange Career of William Ellis, Karl Jacoby presents an intriguing narrative set in a secret and ever-changing world—that of Reconstruction American.

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Written by his collateral descendant, sculptor Andrew Wordsworth, this insightful biography studies Wordsworth's poetry to understand more fully this deeply private and often enigmatic personality, and it observes the artist's life to better grasp the meaning of the deceptively immediate verses which conceal many layers of meaning. Andrew Wordsworth doesn't hesitate to describe faithfully his illustrious ancestor's complex and aloof personality, and his successes as well as his shortcomings. For example, he explains how after The Prelude (completed in 1805 but published posthumously) he composed little of note and his project with Coleridge, The Recluse, remained a literary pipe-dream. Perhaps, Wordsworth himself was the 'Recluse', increasingly isolated, ensconced in his bucolic corner in the Lake District, surrounded by his close family circle (the harem, as Coleridge called it): his sister Dorothy, his constant companion, and later his wife Mary and his daughters - tragically, Dorothy was to be afflicted by a mental illness for the last 20 years of her life. Moreover, Wordsworth became progressively conservative and nationalistic, abandoning entirely his earlier liberal ideals which led him to join the French revolutionaries several years earlier. One wonders if this need for a settled and steady life and for tradition was a reaction to the many upheavals he had experienced in his early life; he was orphaned as a young child and grew up separated from his brothers and sisters: he didn't see Dorothy for nine consecutive years. However, this lack of interest in the outside world and its progress was perhaps one of the causes stemming the flow of his creativity which nonetheless would change the course of English poetry forever. As Dr David Whitley notes, Well-Kept Secrets intersperses the narrative exploring Wordsworth's life with a wealth of poetic verses. This structure clearly shows how Wordsworth's art was intimately linked to his existence and how it was a means - more or less conscious - to come to terms with the world, with himself and the many contradictions running like chasms across his personality. It also enables Andrew Wordsworth to shed some new light on the interpretation of the poetry and to better understand the poet as a man.

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While William Dean Howells is today best remembered as Mark Twain’s staunchest defender, Howells was, at his peak, the unrivaled man of letters in America: he had no contemporary equal. The achievements of both Twain and Henry James have since surpassed those of Howells in the literary hierarchy, but the work of Howells still remains an important part of American letters. In The Early Prose Writings of William Dean Howells, 1852–1861, Thomas Wortham provides a chronological assortment of Howells’ first prose compositions, beginning with apprentice pieces published before the writer’s eighteenth birthday. Born in Martin’s Ferry, Ohio, Howells also lived in Hamilton, Dayton, Cincinnati, and Columbus, where Howells’ father, a printer and newspaper publisher, would move the family and set up shop. Howells started writing as a newspaperman, and this volume assembles pieces by Howells which appeared in the Ashtabula Sentinel, the Kingsville Academy Casket, and the Ohio Farmer, as well as the complete text of “The Independent Candidate”—his first attempt in print of an extended work of fiction—serialized in the Ashtabula Sentinel in 1854–55. Also included here is Howels’ novela, Geoffrey: A Study of American Life, a thoughtful psychological study, which was never published, as well as Howells’ letters to the New York World, in which he recorded his impressions and experiences relating to Ohio’s early response to the declaration of the War Between the States. Dr. Wortham furnishes extensive source annotations to document quotations and references as well as framing each selection by Howells with background and explanatory glosses. As he points out, “Howells’ literary life is not wanting in sufficient documentation,” but his apprentice work—“that long foreground which has in his instance been too largely represented by a handful of mediocre poems, has been lost in old files of newspapers, journals, and manuscripts.” Thanks to Dr. Wortham’s careful scholarship, American literature now has a much more detailed and accurate picture of the young Howells and his early works.

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A report relating to the project to bring to view unpublished manuscripts, notebooks, letters, diaries and papers that the academic writer and novelist Raymond Williams left in part discarded or neglected.

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The life and political career of William Conolly, a key figure in the establishment of the eighteenth century protestant ascendancy in Ireland. William Conolly (1662-1729) was one of the most powerful Irish political figures of his day. As a politician, in the years 1715-29 simultaneously Speaker of the Irish House of Commons, Chief Commissioner of the Revenue, Lord Justice, and Privy Councillor, he made significant contributions to the role of the Irish parliament in Irish life, to the establishment of a more efficient government bureaucracy, and to the emergence of a constructive strain of patriotism. In addition, he was a patron of architects, contributing significantly to the fashioning of Georgian Dublin, and building his own Palladian mansion at Castletown, nowadays one of the most frequently visited Irish historic properties. His rise to wealth and eminence from very humble beginnings and a Catholic background also illustrates the permeability of Irish society. Conolly's career reflects the development of the early Georgian Irish political,cultural and ideological nation, in all its complexities and contradictions. PATRICK WALSH is an IRCHSS Government of Ireland CARA mobility fellow jointly affiliated with University College London and University College Dublin. .

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Admired for his trompe l’oeil style, American painter William Harnett (1848–1892) was as intellectually ambitious as he was technically skilled. The first scholarly monograph on the artist, William Harnett’s Curious Objects details Harnett’s career-long effort to position still life as a serious art. Nika Elder elevates the significance of Harnett’s academic training and questions his apparent turn away from it. Reading his still lifes in relation to wartime visual culture, literary realism, museum display, and industrial design, she shows how Harnett experimented with inanimate objects and pictorial techniques to represent the human condition without depicting the human body. His paintings illustrate late nineteenth-century American material culture, but they also represent Reconstruction, interiority, death and life, and the imagination. By engaging such lofty themes, Harnett reimagined history painting for the modern era. His work thus locates Gilded Age art and culture in the long shadow of the Civil War and its politics.

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. In creating woven and printed textile designs Morris worked with the ancient technique of hand woodblock printing, finding inspiration in the natural world around him. His evocations of antique florals and plants have become classics in the world of decorative arts.

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A natural sequel to the seminal An Affair with a House, this is Bunny Williams’ most ambitious book to date.Inviting us into her impressive grounds with charming personal anecdotes, expert advice, and creative ideas for how to bring natural elements into the home, this is a testament to Bunny Williams’ love affair with the garden and woodlands surrounding her eighteenth-century manor house in Northwestern Connecticut.A popular stop on the Garden Conservancy circuit, Williams’ property boasts a parterre garden, year-round conservatory, extensive vegetable garden, orchard, woodlands, an aviary with exotic fowl, and a rustic poolside Greek Revival–style folly. Each section of the garden is accompanied by a directory of featured plants—from native ferns and succulents to a wide variety of flowering specimens.Stunning photographs—printed on two different specialty stocks—illustrate every aspect of the garden in

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William of Norwich is the name of a young boy purported to have been killed by Jews in or about 1144, thus becoming the victim of the first recorded case of such a ritual murder in Western Europe and a seminal figure in the long history of antisemitism. His story is first told in Thomas of Monmouth's The Life and Miracles of William of Norwich, a work that elaborates the bizarre allegation, invented in twelfth-century England, that Jews kidnapped Christian children and murdered them in memory and mockery of the crucifixion of Christ. In Inventing William of Norwich Heather Blurton resituates Thomas's account by offering the first full analysis of it as a specifically literary work. The second half of the twelfth century was a time of great literary innovation encompassing an efflorescence of saints' lives and historiography, as well as the emergence of vernacular romance, Blurton observes. She examines The Life and Miracles within the framework of these new textual developments and alongside innovations in liturgical and devotional practices to argue that the origin of the ritual murder accusation is imbricated as much in literary culture as it is in the realities of Christian-Jewish relations or the emergence of racially based discourses of antisemitism. Resisting the urge to interpret this first narrative of the blood libel with the hindsight knowledge of later developments, she considers only the period from about 1150-1200. In so doing, Blurton redirects critical attention away from the social and economic history of the ritual murder accusation to the textual genres and tastes that shaped its forms and themes and provided its immediate context of reception. Thomas of Monmouth's narrative in particular, and the ritual murder accusation more generally, were strongly shaped by literary convention.

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No es posible hablar de las obras shakespearianas con independencia de su época, como tampoco lo es entender lo que experimentó la sociedad en la que vivió Shakespeare sin la ayuda de las concepciones de éste. en 1599 Shakespeare escribió cuatro de sus obras más famosas (Enrique V, Julio César, Como gustéis y Hamlet), los isabelinos enviaron al ejército a aplastar una rebelión irlandesa, resistieron una amenaza naval española y apostaron por una joven Compañía de las Indias Orientales mientras esperaban a ver quién sucedía a la reina Isabel y acudían en masa a los teatros de Londres, entre ellos el Globo, recientemente construido.En este documentado ensayo, James Shapiro ilustra tanto los asombrosos logros de Shakespeare como las vivencias de los isabelinos en el transcurso del año 1599, combinando los acontecimientos políticos y las intrigas de la época con una magnífica evocación de la forma de trabajar de Shakespeare como actor, dramaturgo y hombre de negocios.

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William Balfour Baikie was a surgeon, naturalist, linguist, writer, explorer and government consul who played a key role in opening Africa to the Europeans. As an explorer he mapped and charted large sections of the Niger River system as well as the overland routes from Lagos and Lokoja to the major trading centres of Kano, Timbuctu and Sokoto. As a naturalist, major beneficiaries of his work included Kew Gardens and the British Museum for the rare and undiscovered plant and animal species and yet today he remains largely unknown. On 10th December, 1864 Baikie was on his way back to London and was living in his temporary quarters in Sierra Leone. There he worked to regain his health and to complete the various reports and publications expected by the Colonial and Foreign Offices. He had been away from England for seven years and living conditions in West Africa had caused his health to suffer. While his wife and children waited for his return 600 miles away in Lokoja, the city in Nige-ria he had founded, his father waited for his return to Kirkwall, Orkney. Baikie would never return to his wife, nor ever see his father again. In two days, he would be dead and buried at Sierra Leone before his fortieth birthday. In his short life Baikie became such a hero among the Nigerian people 150 years ago that white visitors to the region today are still greeted warmly as 'Baikie'. After studying at University of Edinburgh he was assigned to the Royal Hospital Haslar where he worked with the noted explorers Sir John Richardson and Sir Edward Perry. Baikie's reputation as a naturalist, and the sphere of influence provided by Richardson and Perry, allowed him to enter the elite British scientific community where he also worked alongside the most famous naturalist of the time, Charles Darwin. During his time at Haslar, Baikie made two voyages exploring the Niger and Benue Rivers to establish trading centres for the Liverpool merchant Macgregor Laird. The first was a resounding success. He conducted the first clinical trial using quinine as a preventative for malaria. For the first time in history, his initial exploration of these rivers was conducted without the loss of a single life to fever. Returning to London to a hero's welcome, he was nominated for one of the Royal Geographic Society's prestigious awards. His second voyage was a pure disaster. His ship was wrecked; members of the expedition died and he was stranded for over a year in the vast remote territory known as the Sokoto Caliphate. Following his rescue, he elected to remain alone in Africa for what would be his final years in order to complete his personal mission. Although he was born 4,000 miles away in Orkney, Baikie was designated the King of Lokoja by the ruler of the Sokoto Caliphate. This book defines the man and his accomplishments and reveals how he is so fondly remembered by the Nigerians and yet apparently so totally forgotten by the rest of the world.

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Based on one of the richest surviving diaries of the Dutch Golden Age, Princely Power in the Dutch Republic recaptures the social world of William Frederick of Nassau (1613-1664). As a Stadholder and relative of the Prince of Orange, William Frederick was among the key players in a fragmented republican state system. This study offers a vivid analysis of his political strategies and reveals how unwritten codes of patronage guided his daily contacts and shaped his mental world. As a patron at his court and as a client of the Prince of Orange, William Frederick developed distinctive patronage roles, appropriate to different social spheres. By assessing these different roles, Janssen provides a unique insight into the ways in which a seventeenth-century nobleman negotiated and articulated clientage, friendship and corruption in his life.This study offers an in-depth analysis of political practices in the Dutch Republic and reconsiders the way in which patronage shaped early modern politics, affected religious divisions and framed social identities.

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For nearly 700 years debate has raged over the true nature of William Wallace and his role in Scotland’s turbulent history. Was he the Braveheart of Blind Harry’s legendary account, the bold, but savage, hero of the Scottish wars? Or, as some contemporary chroniclers attested, nothing but a villainous thief and vagrant fugitive? This book draws on a wide range of contemporary and modern sources to look behind the figure of legend to find Wallace’s true character. Through superb photographs, we trace the journey of Wallace from his modest upbringing in south-west Scotland and his first victory as a ‘guerilla’ leader and military commander at Stirling Bridge to his painful death seven years later. We see his ‘invasion’ of Northumberland and Cumberland. This is an essential travelling companion for a journey through Wallace’s kingdom and to learn more about the myth and the man.

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William Wirt practiced law in Virginia and Maryland in the early national period and served as attorney general under James Monroe and John Quincy Adams. Elizabeth Wirt managed the household and cared for the Wirts' large family during her husband's frequent work-related absences. For more than three decades, the couple struggled to reconcile different daily pursuits with a commitment to marriage as a partnership of equals. In Marriage in the Early Republic, Anya Jabour provides detailed analysis of a marital relationship so thoroughly documented that it illuminates gender relations in nineteenth-century America. On one level, this is a story-a rich narrative full of the joys, sorrows, tensions, and the give-and-take of an American marriage. But because changing gender roles and expectations in this period caused discordance and forced adjustments, Jabour also provides a microhistorical analysis of a broad pattern. Placing the Wirts' marriage in a larger context, she shows how problematic marriage-and the balancing of domestic and childcare responsibilities-could be as well-to-do Americans developed their own cultural and social expectations. By examining patterns of love and marriage in a formative era, Marriage in the Early Republic offers insights into romance and relationships in our own time as well.

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"I can make this march, and make Georgia howl." -William Tecumseh Sherman The "March to the Sea" shocked Georgians from Atlanta to Savannah. For the first time, suffering and carnage came to their very doorsteps in the form of 60,000 battle-hardened Union troops led by General William Tecumseh Sherman. In the late autumn of 1864, as his troops cut a four-week long path of terror through Georgia, Sherman accomplished his objective: to destroy civilian morale and with it their support for the Confederate cause. His actions elicited a passionate reaction as tales of his dastardly deeds and destruction burned Sherman's name into the Southern psyche. He became the ruthless personification of evil, an arch villain who made war on innocent women, children, and old men. But does the Savannah Campaign deserve the reputation it has been given? And was Sherman truly this brutal? In her new book War and Ruin, Anne J. Bailey examines this event and investigates just how much truth is behind the popular historical notions. Because Sherman's dash through Georgia was so terrifying, it left an indelible impression on the people who were unlucky enough to be in the Union army's way. Bailey contends that the psychological horror rather than the actual physical damage-which was not as devastating as believed-led to the wilting of Southern morale. This dissolution of resolve helped lead to ultimate Confederate defeat as well as to the development of Sherman's infamous reputation. Although he rarely carried out his threats to the South in full, Sherman's thunderous rhetoric nevertheless would resonate through the generations. War and Ruin looks at the "March to the Sea" from its inception in Atlanta to its culmination in Savannah. This fascinating text is a chronicle of not just the campaign itself, but also a revealing description of how the people of Georgia were affected. War and Ruin brilliantly combines military history and human interest to achieve a convincing portrayal of what really happened i

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William Morris, one of Britain's leading writers and artists of the Victorian era, was strongly connected to the socialist movement of 19th century Britain and both his literary work and decorative art were widely influenced by its ideas. He was a founding member of the Socialist League and many of his writings were originally published in the League's official newspapers and pamphlets.This 3-volume set is a facsimile reprint of a collection of 47 small booklets, written or edited by Morris and his colleagues in the socialist movement, most of which are rare and difficult to access,. The first volume contains all issues of the two major pamphlet series of the Socialist League as well as his historical documents relating to its foundation, including conference reports and broadsides. Many of them feature beautiful illustrations by Water Crane, a Victorian book illustrator, which are all reproduced in the volume. The second volume includes booklets on socialism published by authors close to Morris as well as by himself. There are also songbooks that he edited. The third volume is devoted to his lectures of art and socialism which he published by himself using the Golden Type he designed.The facsimile reprint of these items visualizes the essence of Morris's thought and art and will provide a deeper understanding of what William Morris tried to contribute to the Victorian society through his literary and art works.

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In 1144, the mutilated body of William of Norwich, a young apprentice leatherworker, was found abandoned outside the city's walls. The boy bore disturbing signs of torture, and a story spread that it was a ritual murder, performed by Jews in imitation of the Crucifixion as a mockery of Christianity. The outline of William's tale eventually gained currency far beyond Norwich, and the idea that Jews engaged in ritual murder became firmly rooted in the European imagination. E.M. Rose's engaging book delves into the story of William's murder and the notorious trial that followed to uncover the origin of the ritual murder accusation - known as the "blood libel" - in western Europe in the Middle Ages. Focusing on the specific historical context - 12th-century ecclesiastical politics, the position of Jews in England, the Second Crusade, and the cult of saints - and suspensefully unraveling the facts of the case, Rose makes a powerful argument for why the Norwich Jews (and particularly one Jewish banker) were accused of killing the youth, and how the malevolent blood libel accusation managed to take hold. She also considers four "copycat" cases, in which Jews were similarly blamed for the death of young Christians, and traces the adaptations of the story over time. In the centuries after its appearance, the ritual murder accusation provoked instances of torture, death and expulsion of thousands of Jews and the extermination of hundreds of communities. Although no charge of ritual murder has withstood historical scrutiny, the concept of the blood libel is so emotionally charged and deeply rooted in cultural memory that it endures even today. Rose's groundbreaking work, driven by fascinating characters, a gripping narrative, and impressive scholarship, provides clear answers as to why the blood libel emerged when it did and how it was able to gain such widespread acceptance, laying the foundations for enduring antisemitic myths that continue to present.

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Since the passage of the Civil Rights Bill of 1964, only three Democrats have captured the White House-all of them natives of southern states. The ascendancy and reelection of Bill Clinton to the presidency is a prime example of this phenomenon, and although books have been published on the "native son" psychological variable in electoral contests, no work to date has investigated this aspect of Clinton's political career. Covering all of Clinton's twenty-one elections to state and national offices, Hanes Walton Jr. explores one of the political success stories of our century, showing how Clinton's popularity in his southern home has had a profound influence on his national electoral dominance. Walton combines the native-son theory with the issue of race to describe how the Democrats have built a vital power base in the South, in large measure because of their popularity among African-American voters. With an epilogue on the Monica Lewinsky scandal and its effect on the Democratic Party, Reelection is a major contribution to the literature on the psychology of national elections at a time when its insight into the possibility of Democratic leadership into the next century is most critical.

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'The Children of Lovers are Orphans.' ProverbBestselling novelist, author of Lord of the Flies, William Golding was a famously acute observer of children. What was it like to be his daughter?In this frank and engaging family memoir, Judy Golding recalls growing up with a brilliant, loving, sometimes difficult parent. The years of her childhood and adolescence saw her father change from an impecunious schoolteacher to a famous novelist. Once adult, she came to understand some of the internal conflicts which led to his writing.The Golding family life, both ordinary and extraordinary, always kept its characteristic warmth, humour, complexity, anger and love, danger and insecurity. This is a book about family and parents, about lovers and their children, and about our impact on one another - for good or ill.

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Ancient Mediterranean Art: The William D. and Jane Walsh Collection at Fordham University is the catalogue of Fordham University’s remarkable collection of Classical antiquities, comprising objects dating from the fourth millennium B.C.E. to the 4th century C.E., originating from Greece, Italy, Turkey, the Near East, and Egypt. It is one of the largest collections of antiquities held by an academic institution in the New York area and includes many important works of ancient Mediterranean art that are published here for the first time. This lavishly illustrated book features 104 of the most significant objects in the William D. and Jane Walsh Collection. All the major art forms from the Greek, Etruscan, and Roman worlds are represented, including pottery, sculpture, glass, architectural decoration, and coins. Each object entry is accompanied by one or more color photographs, some with detailed profile drawings, along with explanatory text examining the individual artistic significance of the pieces; their domestic, religious, civic, or funerary function; and their relationship to objects of similar type published elsewhere and in other museum collections. Interspersed throughout are enlightening thematic essays—for example, on Italic votives and on Etruscan roofs and their decoration—that provide valuable context for the individual objects. An appendix provides a comprehensive list of the works in the collection with brief descriptions and photographs of those not given fuller scholarly attention. The extensive bibliography and notes further augment the value of this catalogue as an educational resource and a notable contribution to the corpus of scholarship about the art, history, and culture of the ancient Mediterranean world.

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Like Cromwell and Wolsey before him, William Paget came from nowhere to become one of Henry VIII's most powerful 'new men'. After serving as ambassador to the Court of Francis I of France, he became Henry's most influential foreign policy advisor and developed a close relationship with Emperor Charles V. He had the king's ear in Henry's later years, was the key player in drafting his will ( was it a forgery?) and in enabling Somerset to become Lord Protector in the reign of the boy king, Edward VI. For a while, he was Somerset's 'right-hand man'. When Somerset fell, Paget was imprisoned in the Tower and nearly executed. But he survived and regained power. He had a major role in delivering the Crown to the Catholic queen, Mary, and in arranging her marriage to Philip II of Spain, whom he then advised on English politics. He kept in with the Protestant princess Elizabeth and survived to have influence when she came to the throne. William was the founder of the aristocratic Paget family - Barons of Beaudesert, Earls of Uxbridge and Marquesses of Anglesey. From records of the mansion that he built on a site next to today's Heathrow Airport, a picture has been created of how life was actually lived in a Tudor household at the personal family level. The story is partly told from previously unexamined family letters. It is an exciting narrative of dramatic ups and downs: from rags to riches, plague to plenty, and prison to peerage. Court intrigues, conspiracies, rebellions and coups, follow one after the other. William is usually in the thick of it, the power behind the throne.

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General Sherman’s 1864 burning of Atlanta solidified his legacy as a ruthless leader. Yet Sherman proved far more complex than his legendary military tactics reveal. James Lee McDonough offers fresh insight into a man tormented by the fear that history would pass him by, who was plagued by personal debts and who lived much of his life separated from his family. As a soldier, Sherman evolved from a spirited student at West Point into a general who steered the American Civil War’s most decisive campaigns, rendered here in graphic detail. Lamenting casualties, Sherman sought the war’s swift end. This meticulously researched biography explores Sherman’s friendship with Ulysses S. Grant and his relationship with his family. The result is a remarkable life of an American icon whose legacy resonates to this day.

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William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.

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This volume contains Professor Roland Teske’s translation of William of Auvergne’s Divine Rhetoric along with the Latin text, introduction, and notes. The Latin text improves on that of the 1674 printed edition by the use of two early manuscripts of the work. William was a theologian at the University of Paris and bishop of Paris from 1228 until his death in 1249. He is mainly known for his huge Teaching on God in the Mode of Wisdom, in which he made extensive use of the works of Avicenna and Aristotle as they were becoming known through translations in order to come to some understanding of the Christian faith and philosophy. Although the majority of his writings focus upon the mysteries of the faith and philosophical questions about the nature of human beings, their God, and their world, William was also a bishop with a deep concern for his clergy and people. In his Divine Rhetoric he aimed to explain and illustrate for his priests and people the art of prayer or, as he put it in the subtitle, The Oratorical Art of Divine Eloquence. The work lists and explains seven characteristics or perfections of prayer, but it is perhaps best known for its application of Ciceronian rules of oratory to Christian oratory or prayer.

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William Kamkwamba: Bright Spark examines the inspiring life of the inventor William Kamkwamba to see how his work has benefited the lives of people in his native Malawi. TreeTops inFact is a non-fiction series that aims to engage children in reading for pleasure as powerfully as fiction does. The variety of topics means there are books to interest every child in this compelling series. The series is written by top children's authors and subject experts. The books are carefully levelled, making it easy to match every child to the right book.

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This outstanding collection of William Brock's essays illustrates the power of dynamic modelling to shed light on the forces for stability and instability in economic systems. The articles selected reflect his best work and are indicative both of the type of policy problem that he finds challenging and the complex methodology that he uses to solve them. Also included is an introduction by Brock to his own work, which helps tie together the main aspects of his research to date. The volume covers: stochastic models and optimal growth financial and macroeconomic modelling ecology, mechanism design and regulation nonlinearity in economics.

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William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre. The essays have been generously annotated and provide production and publication information on the plays Howells reviewed and biographical notes on the playwrights and actors whose work he described. Howells’s commentary, the most literate treatment of American theatre of the time, defines and defends his theory of the evolutionary development of realism in modern drama. Because he reviewed more than on hundred fifty productions, which represent the full range of theatre that was available to him, his insights are based on invaluable first-hand knowledge of both self-consciously literary drama and the popular forms of performance that were central to America’s entertainment before World War I. Howells’s essays had a powerful influence on the serious playwrights and theatre practitioners who came of age at the turn of the century, and whose work in turn enabled playwrights like Eugene O’Neill and Susan Glaspell to develop a new realism during the teens. The essays in this volume are the core of Howells’s theory of dramatic realism and will be interesting to scholars, students, and teachers of theatre history and literary criticism.

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The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework is the first large-scale museum examination of the artist's career in over twenty years. Organized by Cheekwood Curator of Sculpture, Dr. Marin R. Sullivan, the exhibition draws upon new scholarship and methodologies to contextualize Edmondson's sculpture, both within the histories of Nashville during the Interwar years and the art histories of modern art in the United States. Edmonson has largely been confined to narratives that focus on his artistic discovery by white patrons in the 1930s, his work's formal resonance with so-called primitivism and direct carving techniques, and his place in the traditions of African American ""outsider"" art. This exhibition revisits Edmonson's work within these frameworks, but also seeks to reevaluate his sculpture on its own terms and as part of a comprehensive practice that included the creation of commercial objects rather than strictly fine art. The exhibition's title references the sign that hung on the outside of Edmondson's studio, advertising what was for sale and on view to the public in his yard, including tombstones, birdbaths, and statuary meant to be used and intended for outdoor rather than gallery display. This catalog expands upon the exhibition, including photos of Edmondson's grave markers and his yard art.

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World trade was revolutionized in the 19th Century when ships went from sail to steam. When did the first steamship cross the Atlantic? Who built it? Where? Several ships have claimed that title, but the true answer lies in Canada where steamboats were plying the rivers and lakes since the 19th century. The Paddle Steamer Royal William, built at the Campbell and Black shipyard in the Port of Quebec, steamed across the Atlantic from Pictou, Nova Scotia, to Portsmouth, England in 1833. That was the first transatlantic crossing under steam. Ships from the US and Holland have challenged her right to the title. This book shows that the PS Royal William's claim is valid.

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Published by Boydell & Brewer Inc.

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