Search results for ""author victoria"

This book analyses how Victorian novels and plays used the actress, a significant figure for the relationship between women and the public sphere, to define their own place within and among genres and in relation to audiences.

Read more less

This is John Hannavy's reflective look at how Scotland was depicted in photographs and postcards 100 - 170 years ago. In many ways, it redefines our view of Scotland's past as we are familiar with seeing Victorian and Edwardian people and views in sepia, but these are in colour, adding a warmth and realism to the scenes which photographers immortalized. The subject matter of the pictures was as wide and varied as Edwardian life and work itself and it is here that the reader meets eccentrics and worthies, sees people going about their daily work, catching buses and trains, embarking on steamers, and simply enjoying Scotland's spectacular scenery. Many aspects of Scottish life are explored from people's jobs to the many ways in which they occupied their limited holiday and leisure time between 1840 and the outbreak of the Great War.These include Creating Tourist Scotland - how Victorian and Edwardian Scotland was sold to the world and the birth of Scotland's tourist industry; Scotland's Railways - the development of the railway network and some of the splendid photographs and postcards which were sold to travellers; Industrial Might; The Ubiquitous Steamer; Gateways to the World; Fisherfolk; Working the Land; The Textile Industry; Taking to the Road; The Scots at War - from the Crimean War, the first to be photographed, to the skirmishes leading up to the Great War; Out in the Scots Fresh Air; On Scotland's Canals; Village Life; Family Life; That's Entertainment; Town and City Life; What we did on Holiday and Sports and Outdoor Pursuits. Included are fine studies of the hardy Scotch Fisher Lassies who worked their way down the east coast of Britain gutting and pickling the herring; the people who lived and worked on Scotland's canals; the men who crewed the country's trains, trams and ferries, together with a host of others. In effect, it opens the book on what was perceived as an almost mystical and mysterious landscape, 'north of the border'.With almost 270 photographs, many of them previously unpublished, The Way We Were brings Scotland's colourful past to life.

Read more less

The Watts Memorial to Heroic Self-Sacrifice in Postman’s Park, London, is a Victorian monument containing fifty-four ceramic plaques commemorating sixty-two individuals, each of whom lost their own life while attempting to save another. Every plaque tells a tragic and moving story, but the short narratives do little more than whet the appetite and stimulate the imagination about the lives and deaths of these brave characters. Based upon extensive historical research, this book will, for the first time, provide a full and engaging account of the dramatic circumstances behind each of the incidents, and reveal the vibrant and colourful lives led by those who tragically died.

Read more less

'Uproarious.' The Times'Terrifically entertaining.' Evening Standard'Irresistible.' Daily Mail'Gripping.' Sunday Telegraph'A scintillating gem: a cracking page-turner, historically illuminating, culturally fascinating, and a book which effortlessly passes comment on today.' HeraldLondon, April 1870: Fanny and Stella were no ordinary Victorian women. They were young men who liked to dress as women: Frederick Park and Ernest Boulton. Stella was the most beautiful female impersonator of her day, Fanny her inseparable companion.But the Metropolitan Police were plotting their downfall. Fanny and Stella were arrested and subjected to a sensational trial where every lascivious detail of their lives was lapped up by the public.With a cast of peers and politicians, detectives and drag queens, Fanny and Stella is a dazzling and enthralling story of cross examinations, cross-dressing and the the birth of camp.

Read more less

Tragedy strikes close to the Detective Department when an old friend of Superintendent Tallis walks to meet a speeding train head on. The suicide, prompted by the disappearance of the man's wife, has shocked the local community and leaves plenty for Inspector Robert Colbeck, the Railway Detective, to uncover. Whispers and rumours abound but did the dead man, Captain Randall, really take his own life in repentance for some harm he did his wife?

Read more less

This book tells the story of ‘the Lady Footballers’. It covers their 1895 and 1896 tours through the eyes of the largely unsympathetic British press. It explains gender issues of the time, and the financial problems that doomed this experiment. Despite increasing opportunities in sport for British women during the late nineteenth century, virtually every segment of society opposed the idea of women playing football. In 1895, Nettie Honeyball and Florence Dixie formed the British Ladies’ Football Club (BLFC) intending to introduce the game to women and girls as a means of recreation and profit, over 10,000 spectators crowded the football ground in London to watch the BLFC in its first match. Nearly every London newspaper covered the event. These women endured public ridicule. They ignited the gender prejudice of the time, and confronted it head on wearing ‘men’s’ kit, and playing ‘men’s rules.’ Football's mystique was that it was a manly sport for men, thus these women footballers symbolized a paradox: those playing well were gender freaks; those not playing well proved it was a male game.This book was published as a special issue of the International Journal of the History of Sport.

Read more less

“Truth to Nature,” a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand “truth,” these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception.Drawing on sources ranging from artists’ letters to scientific treatises, Nature’s Truth illuminates the dynamic relationship between art and science throughout the nineteenth century. Anne Helmreich reveals how these practices became closely aligned as artists sought to maintain art’s relevance in a world increasingly defined by scientific innovation, technological advances, and a rapidly industrializing society. Eventually, despite consensus between artists and critics about the need for “truth to nature,” the British arts community sharply contested what constituted truth and how truth to nature as an ideal could be visually represented. By the early twentieth century, the rallying cry could no longer hold the reform movement together. Helmreich’s fascinating study shows, however, that this relatively short-lived movement had a profound effect on modern British art.An insightful examination of changing conceptions of truth and the role of art in modern society, Nature’s Truth reframes and recontextualizes our notions of British art.

Read more less

In his Descent of Man, Charles Darwin placed sympathy at the crux of morality in a civilized human society. His idea buttressed the belief that white, upper-class, educated men deserved their sense of superiority by virtue of good breeding. It also implied that societal progress could be steered by envisioning a new blueprint for sympathy that redefined moral actions carried out in sympathy's name. Rob Boddice joins a daring intellectual history of sympathy to a portrait of how the first Darwinists defined and employed it. As Boddice shows, their interpretations of Darwin's ideas sparked a cacophonous discourse intent on displacing previous notions of sympathy. Scientific and medical progress demanded that "cruel" practices like vivisection and compulsory vaccination be seen as moral for their ultimate goal of alleviating suffering. Some even saw the so-called unfit--natural targets of sympathy--as a danger to society and encouraged procreation by the "fit" alone. Right or wrong, these early Darwinists formed a moral economy that acted on a new system of ethics, reconceptualized obligations, and executed new duties. Boddice persuasively argues that the bizarre, even dangerous formulations of sympathy they invented influence society and civilization in the present day.

Read more less

This book treats the literary work of Julia Augusta Webster within the context of Websters participation in nineteenth century British aestheticism. Websters personal life, her experience as a member of the Suffrage Society and her tenure on the London School Board, as well as her position as poetry reviewer for the Athenaeum and participation in the salon society of the 1880s, inform her later work, but her earliest poetry and fiction also reflect the beginnings of the aestheticist perspective on the transience and impermanence of life. This book makes use of extensive archival materials to provide context for a study of Websters literary work, beginning with her first volume of poetry Blanche Lisle and concluding with her posthumously published Mother and Daughter sonnets. In tracing the trajectory of Websters development as an aestheticist poet, Patricia Rigg extends Webster scholarship into areas of the writers work not previously explored.

Read more less

Examines the entanglement of secularity and liberality in the foundation of the modern state in Britain."Modern" Britain emerged from the outcome of the French Revolution and the Napoleonic Wars. The rather standard Whig account of the long nineteenth century is one of growing stability, progress and improvement. And yet nothing was preordained or inevitable about the period's stability. Ruling elites felt the constant anxieties of revolutionary terrorism. As Lubenow argues, it was a period of disorganization seeking organization. The great nineteenth-century reform acts against religious monopoly were aspects of this process of political organization. While religion did not disappear, these political actions gradually changed the constitutional position of religion.As a result, a political vacuum was created which was then filled by a secular "clerisy". These "fit and proper persons", educated in the reformed universities, qualified by success in competitive examinations, began to fil

Read more less

Dickens's Idiomatic Imagination offers an original analysis of how Charles Dickens's use of "low" and "slangular" (his neologism) language allowed him to express and develop his most sophisticated ideas. Using a hybrid of digital (distant) and analogue (close) reading methodologies, Peter J. Capuano considers Dickens's use of bodily idioms—"right-hand man," "shoulder to the wheel," "nose to the grindstone"—against the broader lexical backdrop of the nineteenth century. Dickens was famously drawn to the vernacular language of London's streets, but this book is the first to call attention to how he employed phrases that embody actions, ideas, and social relations for specific narrative and thematic purposes. Focusing on the mid- to late career novels Dombey and Son, David Copperfield, Bleak House, Great Expectations, and Our Mutual Friend, Capuano demonstrates how Dickens came to relish using common idioms in uncommon ways and the possibilities they opened up for artistic expression. Dickens's Idiomatic Imagination establishes a unique framework within the social history of language alteration in nineteenth-century Britain for rethinking Dickens's literary trajectory and its impact on the vocabularies of generations of novelists, critics, and speakers of English.

Read more less

During the late nineteenth and early twentieth centuries, the divorce rate in the United States rose by a staggering 2,000 percent. To understand this dramatic rise, Elaine Tyler May studied over one thousand detailed divorce cases. She found that contrary to common assumptions, divorce was not simply a by-product of women's increasing economic and sexual independence, or a rebellion against marriage. Rather, thwarted hopes for fulfillment in the public sphere drove both men and women to wed at a greater rate and to bring higher expectations to their marriages.

Read more less

A study of the internal tensions of British imperial rule told through murder and insanity trials Unsound Empire is a history of criminal responsibility in the nineteenth‑century British Empire told through detailed accounts of homicide cases across three continents. If a defendant in a murder trial was going to hang, he or she had to deserve it. Establishing the mental element of guilt—criminal responsibility—transformed state violence into law. And yet, to the consternation of officials in Britain and beyond, experts in new scientific fields posited that insanity was widespread and growing, and evolutionary theories suggested that wide swaths of humanity lacked the self‑control and understanding that common law demanded. Could it be fair to punish mentally ill or allegedly “uncivilized” people? Could British civilization survive if killers avoided the noose?

Read more less

In 1847, seventeen-year-old Miss Ellen Palmer had the world at her feet. A debutante at the start of her first London season, Ellen was beautiful, rich and accomplished and about to experience the world of dances, opera visits and dinner parties which were a rite-of-passage for young women of her class. To record the glittering whirl of activity, Ellen started writing a diary, a unique daily account which was discovered over a century later by her descendants. For Ellen, the path to true love did not run smooth - after a scandalous encounter with a duplicitous Swedish count, her marriage prospects were dealt a heavy blow. But Ellen was a woman ahead of her time. Undeterred by her increasing social isolation, she set off on a treacherous trip across Europe in pursuit of her beloved brother Roger, an officer in the Crimean War. In doing so she became one of the first women to visit the battlefield at Balaclava. Ellen's diaries provide a first-hand account of the realities of debutante life in Victorian London whilst also telling the story of an inspirational young woman, her quest for love and her spectacular journey from the ballroom to the battlefield.

Read more less

Explains the astonishing growth of Middlesbrough from a hamlet to a very substantial town in the space of a few decades in the middle of the nineteenth century. Middlesbrough's rise was truly extraordinary, from almost nothing in 1850 to a great industrial city within a few decades, its success based on iron and steel. This book examines the development. It discusses the role of urban planners, charts the growth of the iron and steel industry including the introduction of new manufacturing techniques and the exploitation of important local iron ore deposits, and explores the role of a vast range of self-helpinstitutions through which workers supported themselves at a time when aid from the state was minimal. It shows how industries "clustered", explaining why Middlesbrough became the hub of such a cluster; outlines the demographic nature of the workforce, showing how there was much migration, with people coming to Middlesbrough to work for a while then leaving; and concludes by examining the adverse factors which quickly became apparent, some of whichwere to lead to Middlesbrough's decline - over-dependence on one industry, a relatively undiversified economic and social structure, and insufficient urban infrastructure which left the city vulnerable to debilitating environmental pollution. MINORU YASUMOTO is a Professor in the Faculty of Economics at Komazawa University, Japan.

Read more less

Until this century, married women had no legal right to hold, use, or dispose of property. Since the ownership of property is a critical measure of social status, the married women's property acts of the nineteenth century were important landmarks in the legal emancipation of women. Reform campaigns represented the first organized attempts by women in Upper Canada to challenge their status in society. Ironically, emancipation was not the first goal of reformers: their demands reflected a concern with protection from economic instability. The laws granting women new rights and privileges were designed to force men to behave more responsibly and to mitigate the worst hardships imposed upon wives by abusive or negligent husbands. The most detailed and complete account of married women's property law reform yet written for any North American jurisdiction, this fascinating study will be of interest to those in the areas of law, women's studies, and nineteenth-century social history.

Read more less

Winner: Best Trade Illustrated Book, British Book Design & Production Awards 2017 ‘As to the arsenic scare a greater folly it is hardly possible to imagine: the doctors were bitten as people were bitten by the witch fever.’ — William Morris on toxic wallpapers, 1885. Bitten by Witch Fever presents facsimile samples of 275 of the most sumptuous wallpaper designs ever created by designers and printers of the age, including Christopher Dresser and Morris & Co. For the first time in their history, every one of the samples shown has been laboratory tested and found to contain arsenic. Interleaved with the wallpaper sections, evocative commentary guides you through the incredible story of the manufacture, uses and effects of arsenic, and presents the heated public debate surrounding the use of deadly pigments in the sublime wallpapers of a newly industrialized world. Chosen by Emma Roberts and Karah Preiss for their Belletrist Book Club's Gift Guide.

Read more less

Spirit Matters explores the heterodox and unorthodox religions and spiritualities that arose in Victorian Britain as a result of the faltering of Christian faith in the face of modernity, the rise of the truth-telling authority of science, and the first full exposure of the West to non-Christian religions. J. Jeffrey Franklin investigates the diversity of ways that spiritual seekers struggled to maintain faith or to create new faiths by reconciling elements of the Judeo-Christian heritage with Spiritualism, Buddhism, occultism, and scientific naturalism. Spirit Matters covers a range of scenarios from the Victorian hearth and the state-Church altar to the frontiers of empire in Buddhist countries and Egyptian crypts. Franklin reveals how this diversity of elements provided the materials for the formation of new hybrid religions and the emergence in the 20th century of New Age spiritualities. Franklin investigates a broad spectrum of experiences through a series of representative case studies that together trace the development of unorthodox religious and spiritual discourses. The ideas and events discussed by Franklin through these case studies were considered outside the domain of orthodox religion yet still religious or spiritual rather than atheistic or materialistic. Among the works—obscure and canonical—he analyzes are Edward Bulwer-Lytton’s Zanoni and A Strange Story; Forest Life in Ceylon, by William Knighton; Anthony Trollope’s The Vicar of Bullhampton; Anna Leonowens’s The English Governess at the Siamese Court; Literature and Dogma, by Matthew Arnold; and Bram Stoker’s Dracula.

Read more less

A NEW COMPANION TO VICTORIAN LITERATURE AND CULTURE The Victorian period was a time of rapid cultural change, which resulted in a huge and varied literary output. A New Companion to Victorian Literature and Culture offers experienced guidance to the literature of nineteenth-century Britain and its social and historical context. This revised and expanded edition comprises contributions from over 30 leading scholars who, approaching the Victorian epoch from different positions and traditions, delve into the unruly complexities of the Victorian imagination. Divided into five parts, this new Companion surveys seven decades of history before examining the key phases in a Victorian life, the leading professions and walks of life, the major literary genres, the way Victorians defined their persons, homes, and national identity, and how recent “neo-Victorian” developments in contemporary culture reconfigure the sense we make of the past today. Important topics such as sexuality, denominational faith, social class, and global empire inform each chapter’s approach. Each chapter provides a comprehensive bibliography of established and emerging scholarship.

Read more less

This book argues that, in Victorian literature, desires which cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums Pulham observes that, while touch is prohibited in these cultural locations, Victorian texts offer 'safe' spaces where statues may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision to permit the recovery of forbidden love.

Read more less

In Victorian London, filth was everywhere: horse traffic filled the streets with dung, household rubbish went uncollected, cesspools brimmed with "night soil," graveyards teemed with rotting corpses, the air itself was choked with smoke. In this intimately visceral book, Lee Jackson guides us through the underbelly of the Victorian metropolis, introducing us to the men and women who struggled to stem a rising tide of pollution and dirt, and the forces that opposed them.Through thematic chapters, Jackson describes how Victorian reformers met with both triumph and disaster. Full of individual stories and overlooked details—from the dustmen who grew rich from recycling, to the peculiar history of the public toilet—this riveting book gives us a fresh insight into the minutiae of daily life and the wider challenges posed by the unprecedented growth of the Victorian capital.

Read more less

What did a Victorian lady wear for a walk in the park? How did she style her hair for an evening at the theatre? And what products might she have used to soothe a sunburn or treat an unsightly blemish? Mimi Matthews answers these questions and more as she takes readers on a decade-by-decade journey through Victorian fashion and beauty history. Women's clothing changed dramatically during the course of the Victorian era. Necklines rose, waistlines dropped, and Gothic severity gave way to flounces, frills, and an abundance of trimmings. Sleeves ballooned up and skirts billowed out. The crinoline morphed into the bustle and steam-moulded corsets cinched women's waists ever tighter. As fashion was evolving, so too were trends in ladies' hair care and cosmetics. An era which began by prizing natural, barefaced beauty ended with women purchasing lip and cheek rouge, false hairpieces and pomades, and fashionable perfumes made with expensive spice oils and animal essences. Using research from nineteenth century beauty books, fashion magazines, and lady's journals, Mimi Matthews brings the intricacies of a Victorian lady's toilette into modern day focus. In the process, she gives readers a glimpse of the social issues that influenced women's clothing and the societal outrage that was an all too frequent response to those bold females who used fashion and beauty as a means of asserting their individuality and independence.

Read more less

Menke's Telegraphic Realism is the first comprehensive reading of Victorian fiction as part of an emerging world of new media technologies and information exchange. The book analyzes the connections between fictional writing, communication technologies, and developing ideas about information, from the postage stamp and electric telegraph to wireless. By placing fiction in dialogue with media history, it argues that Victorian realism was print culture's sophisticated response to the possibilities and dilemmas of a world of media innovations and information flows.

Read more less

`Simply a great work of reference. Future scholars will wonder how anybody managed without the Wellesley Index. It will quietly change the whole nature of Victorian studies.' Christopher Ricks, New Statesman`It is now impossible to think of Victorian literary and historical studies without the benefit of it ... this is a very remarkable achievement indeed ... the complete set will be a monument to the Houghtons foresight, pertinacity and skill.' TLS

Read more less

The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn.Charles Dickens obsessively walked London's streets, recording its pleasures, curiosities and cruelties. Now, Judith Flanders follows in his footsteps, leading us through the markets, transport systems, sewers, slums, cemeteries, gin palaces and entertainment emporia of Dickens' London. The Victorian City is a revelatory portrait of everyday life on the streets, bringing to life the Victorian capital in all its variety, vibrancy, and squalor. No one who reads it will view London in the same light again.

Read more less

Illegal. Underground. Deadly. August 1, 1875, Toronto: The naked body of a young woman is discovered in a pine box, half-buried in a ditch along Bloor Street. So begins Jeannie’s Demise, a real-life Victorian melodrama that played out in the bustling streets and courtrooms of “Toronto the Good,” cast with all the lurid stock characters of the genre. Historian Ian Radforth brings to life an era in which abortion was illegal, criminal proceedings were a spectator sport, and coded advertisements for back-alley procedures ran in the margins of newspapers. At the centre of the story is the elusive and doomed Jeannie Gilmour, a minister’s daughter whose independent spirit can only be glimpsed through secondhand accounts and courtroom reports. As rumours swirl about her final weeks and her abortionists stand trial for their lives, a riveted public grapples with questions of guilt and justice, innocence and intent. Radforth’s intensive research grounds the tragedy of Jeannie’s demise in sharp historical analysis, presenting over a dozen case studies of similar trials in Victorian-era Canada. Part gripping procedural, part meticulous autopsy, Jeannie’s Demise opens a rare window into the hidden history of a woman’s right to choose.

Read more less

From the Hansom cab to the brewer's dray, these twenty-seven sketches provide a delightful portrait of Victorian life and transport.

Read more less

In 1859, the S.S. Great Eastern departed from England on her maiden voyage. She was a remarkable wonder of the nineteenth century: an iron city longer than Trafalgar Square, taller than Big Ben's tower, heavier than Westminster Cathedral. Her paddles were the size of Ferris wheels; her decks could hold four thousand passengers bound for America, or ten thousand troops bound for the Raj. Yet she ended her days as a floating carnival before being unceremoniously dismantled in 1889. Steamships like the Great Eastern occupied a singular place in the Victorian mind. Crossing oceans, ferrying tourists and troops alike, they became emblems of nationalism, modernity, and humankind's triumph over the cruel elements. Throughout the nineteenth century, the spectacle of a ship's launch was one of the most recognizable symbols of British social and technological progress. Yet this celebration of the power of the empire masked overconfidence and an almost religious veneration of technology. Equating steam with civilization had catastrophic consequences for subjugated peoples around the world. Engines of Empire tells the story of the complex relationship between Victorians and their wondrous steamships, following famous travelers like Mark Twain, Charles Dickens, and Jules Verne as well as ordinary spectators, tourists, and imperial administrators as they crossed oceans bound for the colonies. Rich with anecdotes and wry humor, it is a fascinating glimpse into a world where an empire felt powerful and anything seemed possible—if there was an engine behind it.

Read more less

Focusing on the importance of Martineau's contribution to the development of the early Victorian press, this book highlights the degree to which the public quarrel between her and Dickens in the mid-1850s represented larger fissures within nineteenth-century liberalism. It places Martineau and Dickens within the context of Anglo-American liberalism and demonstrates how these fissures were embedded within a transatlantic conversation over the role of the press in forming a public sphere essential to the development of a liberal society.

Read more less

Derby Day at Epsom Downs. A multitude of people crowd to watch the races: dukes and dustmen, bishops and beggars, privileged ladies and prostitutes. The gamut of Victorian society and a hotbed for crime and crooks of all kinds. With the nation a-flutter in the run up to this national event, a disembodied head is discovered on a passenger train at Crewe; the first in a murky course of events that takes in murder, fraud and race-fixing. Detective Inspector Robert Colbeck and his assistant are assigned to the case and are soon snarled up in a web of skulduggery stretching across the country. They are forced to ask themselves, just how much is someone prepared to hazard to win?

Read more less

The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of Victorian preoccupations with the past was unprecedented and of lasting importance. They paved the way for many of our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain's most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to new debates, while seemingly well-known pasts were thrown into confusion by new tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid new picture of the Victorian world and its historical obsessions.

Read more less

A short, provocative book that challenges basic assumptions about Victorian fictionNow praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction.Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature.By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.

Read more less

In The Afterlife of Property, Jeff Nunokawa investigates the conviction passed on by the Victorian novel that a woman's love is the only fortune a man can count on to last. Taking for his example four texts, Charles Dickens's Little Dorrit and Dombey and Son, and George Eliot's Daniel Deronda and Silas Marner, Nunokawa studies the diverse ways that the Victorian novel imagines women as property removed from the uncertainties of the marketplace. Along the way, he notices how the categories of economics, gender, sexuality, race, and fiction define one another in the Victorian novel. If the novel figures women as safe property, Nunokawa argues, the novel figures safe property as a woman. And if the novel identifies the angel of the house, the desexualized subject of Victorian fantasies of ideal womanhood, as safe property, it identifies various types of fiction, illicit sexualities, and foreign races with the enemy of such property: the commodity form. Nunokawa shows how these convergences of fiction, sexuality, and race with the commodity form are part of a scapegoat scenario, in which the otherwise ubiquitous instabilities of the marketplace can be contained and expunged, clearing the way for secure possession. The Afterlife of Property addresses literary and cultural theory, gender studies, and gay and lesbian studies.

Read more less

This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.

Read more less

Have you ever wondered what life was like for domestic servants, the etiquette involved during upper class banquets, or simply wished for a glimpse of day-to-day life in the Victorian kitchen? During the nineteenth century,the kitchen was a place where culinary worlds collided, bridging the gap between social classes. From the rural cottage to the well-staffed country house, Karen Foy takes readers on an entertaining and informative journey through a lost culinary world, uncovering the customs and traditions surrounding some of Britain's best loved dishes. Discover nineteenth century tips, techniques, stories and superstitions. Try your hand at foretelling the future using an egg or test recipes for everything from apple wine to sheep's head pie. Step into the world of the Victorian kitchen...

Read more less

The essays in this revised and expanded volume explore a variety of structuring taxonomies, the relationships between the aesthetic forms, styles and methodologies of detective and crime fiction in the late-Victorian and Edwardian period. The influences on the artists in the genre are as varied as the interests of the period in scientific method, forensics, archaeology, aesthetics, medicine, and the paranormal. But the formalising tendencies of investigative process remain, and it is this adherence, in artist and detective alike, to seeing crime and its resolution as a stylistic imposition of structure on disorder that is under examination.

Read more less

A reimagining of how the aesthetic movement of the Victorian era ushered in modern queer theory.Late Victorian aesthetes were dedicated to the belief that an artwork's value derived solely from its beauty, rather than any moral or utilitarian purpose. Works by these queer artists have rarely been taken seriously as contributions to the theories of sexuality or aesthetics. But in Before Queer Theory, Dustin Friedman argues that aestheticism deploys its "art for art's sake" rhetoric to establish a nascent sense of sexual identity and community.Friedman makes the case for a claim rarely articulated in either Victorian or modern culture: that intellectually, creatively, and ethically, being queer can be an advantage not in spite but because of social hostility toward nonnormative desires. Showing how aesthetes—among them Walter Pater, Oscar Wilde, Vernon Lee, and Michael Field—harnessed the force that Georg Wilhelm Friedrich Hegel called "the negative," Friedman reveals how becoming self-aware of one's sexuality through art can be both liberating and affirming of humanity's capacity for subjective autonomy.Challenging one of the central precepts of modern queer theory—the notion that the heroic subject of Enlightenment thought is merely an effect of discourse and power—Friedman develops a new framework for understanding the relationship between desire and self-determination. He also articulates an innovative, queer notion of subjective autonomy that encourages reflecting critically on one's historical moment and envisioning new modes of seeing, thinking, and living that expand the boundaries of social and intellectual structures. Before Queer Theory is an audacious reimagining that will appeal to scholars with interests in Victorian studies, queer theory, gender and sexuality studies, and art history.

Read more less

A sleepwalking, homicidal nursemaid; a "morally vacant" juvenile poisoner; a man driven to arson by a "lesion of the will"; an articulate and poised man on trial for assault who, while conducting his own defense, undergoes a profound personality change and becomes a wild and delusional "alter." These people are not characters from a mystery novelist's vivid imagination, but rather defendants who were tried at the Old Bailey, London's central criminal court, in the mid-nineteenth century. In Unconscious Crime, Joel Peter Eigen explores these and other cases in which defendants did not conform to any of the Victorian legal system's existing definitions of insanity yet displayed convincing evidence of mental aberration. Instead, they were-or claimed to be-"missing," "absent," or "unconscious": lucid, though unaware of their actions. Based on extensive research in the Old Bailey Sessions Papers (verbatim courtroom narratives taken down in shorthand during the trial and sold on the street the following day), Eigen's book reveals a growing estrangement between law and medicine over the legal concept of the Person as a rational and purposeful actor with a clear understanding of consequences. The McNaughtan Rules of l843 had formalized the Victorian insanity plea, guiding the courts in cases of alleged delusion and derangement. But as Eigen makes clear in the cases he discovered, even though defense attorneys attempted to broaden the definition of insanity to include mental absence, the courts and physicians who testified as experts were wary of these novel challenges to the idea of human agency and responsibility. Combining the colorful intrigue of courtroom drama and the keen insights of social history, Unconscious Crime depicts Victorian England's legal and medical cultures confronting a new understanding of human behavior, and provocatively suggests these trials represent the earliest incarnation of double consciousness and multiple personality disorder.

Read more less

As these eleven dark and wild stories demonstrate, fairy tales by Victorian women constitute a distinct literary tradition, one startlingly subversive of the society that fostered it. From Anne Thackeray Ritchie's adaptations of "The Sleeping Beauty in the Wood" to Christina Rossetti's unsettling antifantasies in Speaking Likenesses, these are breathtaking acts of imaginative freedom, by turns amusing, charming, and disturbing. Besides their social and historical implications, they are extraordinary stories, full of strange delights for readers of any age. "Forbidden Journeys is not only a darkly entertaining book to read for the fantasies and anti-fantasies told, but also is a significant contribution to nineteenth-century cultural history, and especially feminist studies."--United Press International

Read more less

The first title in The Victorian Mysteries series, sure to delight fans of Sherlock Holmes and Agatha Christie Kathryn Ardleigh is everything the Victorian English gentlewoman is not: outspoken, free-thinking, Irish-American, and a writer of penny-dreadfuls, sensational tales of adventure, romance, and crime-and-detection. When she takes possession of Bishop's Keep, the Ardleigh estate in Essex England that she has inherited, she shocks the household and captures the attention of amateur detective Sir Charles Sheridan. Sir Charles is interested in the developing forensic sciences: toxicology, ballistics, fingerprints, X-ray, and crime scene photography. Soon there is something to interest both Kate and Sir Charles: a recently-dead body just uncovered at a nearby archaeological dig. The investigation provides the perfect research background for Kate's next novel. But the inquisitive writer may be digging too deep-especially when the trail leads her into a secret occult society known as the Order of the Golden Dawn.

Read more less

Throughout history, application rather than abstraction has been the prominent driving force in mathematics. From the compass and sextant to partial differential equations, mathematical advances were spurred by the desire for better navigation tools, weaponry, and construction methods. But the religious upheaval in Victorian England and the fledgling United States opened the way for the rediscovery of pure mathematics, a tradition rooted in Ancient Greece. In Equations from God, Daniel J. Cohen captures the origins of the rebirth of abstract mathematics in the intellectual quest to rise above common existence and touch the mind of the deity. Using an array of published and private sources, Cohen shows how philosophers and mathematicians seized upon the beautiful simplicity inherent in mathematical laws to reconnect with the divine and traces the route by which the divinely inspired mathematics of the Victorian era begot later secular philosophies.

Read more less

'History writing at its compulsive best' A. N. WilsonThis is a history of the ideas that shaped not only London, but Manchester, Glasgow, Liverpool, Leeds, Birmingham, Sheffield and other power-houses of 19th-century Britain. It charts the controversies and visions that fostered Britain's greatest civic renaissance.Tristram Hunt explores the horrors of the Victorian city, as seen by Dickens, Engels and Carlyle; the influence of the medieval Gothic ideal of faith, community and order espoused by Pugin and Ruskin; the pride in self-government, identified with the Saxons as opposed to the Normans; the identification with the city republics of the Italian renaissance - commerce, trade and patronage; the change from the civic to the municipal, and greater powers over health, education and housing; and finally at the end of the century, the retreat from the urban to the rural ideal, led by William Morris and the garden-city movement of Ebenezer Howard.

Read more less

In the Victorian era, sensational ghost stories were headline news. Spine-chilling reports of two-headed phantoms, murdered knights and spectral locomotives filled the pages of the press. Spirits communicated with the living at dark séances, forced terrified families to flee their homes and caused superstitious workers to down their tools at the haunted mines. This book contains more than fifty hair-raising – and in some cases, comical – real life accounts from Wales, dating from 1837 to 1901. Unearthed from newspaper archives, they include chilling prophecies from beyond the grave, poltergeists terrorising the industrial communities, and more than a few ingenious hoaxes along the way.

Read more less