Search results for ""Louisiana""

Thirty-five years of South African artist William Kentridge’s dynamic, cross-genre art, with essays by Ann McCoy, Zakes Mda, and Ed Schad, a conversation between the artist and Walter Murch, and an unpublished lecture by Kentridge. This far-reaching book presents Kentridge’s dynamic art practice, which originates in charcoal drawing and expands into intersections with film, sculpture, opera and theater performances, printmaking and many other mediums. The volume is organized chronologically and thematically, emphasizing Kentridge’s destabilizing of South African and global narratives through openness to uncertainty, the generative power of the artist’s studio and perpetual change, all as conditions for illuminating repressed and silenced voices in historical records. An essay by curator Ed Schad is presented along with studio photography, archival material and illuminating illustrations of Kentridge’s work, joining essays by globally recognized literary figures and thinkers Zakes Mda and Ann McCoy. Notably, the volume features a conversation between Kentridge and the famous film and sound editor Walter Murch, as well as a never-before-published lecture by the artist. The work of William Kentridge (born 1955) has been seen in museums and galleries around the world since the 1990s, including the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid, the Kunstmuseum in Basel and Zeitz MOCAA and the Norval Foundation in Cape Town. Opera productions include Mozart’s The Magic Flute, Shostakovich’s The Nose and Alban Berg’s operas Lulu and Wozzeck. In 2016 Kentridge founded the Centre for Less Good Idea in Johannesburg, a space for responsive thinking and making through experimental, collaborative and cross-disciplinary art practices. The center hosts an ongoing program of workshops, public performances and mentorship activities.

Read more less

Since 1983 David Wharton has photographed the twelve states that define the American South, focusing his attention on rural and small-town culture, vernacular architecture and landscape, the role of religion in Southern life, and the relationship between Southerners, their natural surroundings, and the communities they have built. Small Town South is the result of Wharton's travels through a region that extends from Texas, Louisiana, and Arkansas in the west to Virginia and the Carolinas in the east, from Kentucky and Tennessee in the north to Florida in the south, with Mississippi, Alabama, and Georgia forming the region's center in between. No other photographer has devoted so much time and attention to recording this distinctive American place. The 115 duotone photographs which serve as the book's core, combined with the author's insightful text, convey an overall sense of what the small Southern town has become and looks like during the early twenty-first century. Wharton organizes his study into thematic portfolios that address themes such as the intersection of tradition and modernity, local commemorations of the past, the omnipresence of the church in town life, the difficulties of making a living in the New World economy, the look of Main Street, the display of public murals and memorials, and the iconographic unfolding of community values. Many have likened Wharton's photographic eye and approach to the work of other photographic masters of the South, including Walker Evans, Eudora Welty, William Christenberry, Shelby Lee Adams, Alex Harris, Rob Amberg, and Martha A. Strawn. And, just as we turn to those artists to help us understand and reckon with Southern history and culture, we now can look to David Wharton as another pioneer photographer of the Southern small town in all its simplicity and complexity. (See the publisher's website for further information: http://gftbooks.com/books_Wharton.html ).

Read more less

The multi-author Essays in Later Mediaeval Metaphysics focuses primarily on 13th and 14th century Latin treatments of some of the most important metaphysical issues as conceived by many of the most important thinkers of the day. Thomas Aquinas, John Duns Scotus, William of Ockham, Walter Chatton, John Buridan, Dietrich of Freiburg, Robert Holcot, Walter Burley, and the 11th century Islamic philosopher Ibn-Sina (Avicenna) are among the figures examined here. The work begins with standard ontological topics—e.g., the nature of existence, and of metaphysics generally; the status of universals, form, and accidents. Here, a number of questions are considered. What is the proper subject matter of metaphysical speculation? Are essence and existence really distinct in bodies? Furthermore, does the body lose its unifying form at death? Can an accident of a substance exist in separation from that substance? Are universals real, and if so, are they anything more than general concepts? There is also an emphasis on metaphysics broadly conceived. Thus, discussions of theories of mediaeval logic, epistemology, and language are added to provide a fuller account of the range of ideas included in the later mediaeval worldview. Many questions are raised in this context as well. What are the objects of propositional attitudes? How does Aristotelian logic stand up against modern predicate calculus? Are infinite regress arguments defensible in metaphysical contexts? How are the notions of analogy and equivocation related to the concept of being? Contributors include scholars of mediaeval philosophy from across North America: Rega Wood (Indiana), Gyula Klima (Fordham), Brian Francis Conolly (Bard College at Simon’s Rock ), Charles Bolyard (James Madison), Martin Tweedale (emeritus, Alberta), Jack Zupko (Winnipeg), Susan Brower-Toland (St. Louis), Rondo Keele (Louisiana Scholars’ College), Terence Parsons (UC-Irvine), and E. J. Ashworth (emeritus, Waterloo).

Read more less

Enjoy old standards and new classics with this very topical collection of slow cooker recipes. They've been refined to meet the needs of people who subscribe to the Paleo or Primal lifestyle. The Paleo diet is currently one of the most popular diets being followed today and has been embraced by millions of people. The recipes don't contain any grains or legumes (therefore making all of them gluten-free), no refined sugars, no refined oils or processed ingredients - the basic principles of the diet. Slow cookers are hugely popular because they're so convenient and the results so delicious - all the recipes in this book pay very close attention to Paleo guidelines while also recognizing that there's a wide variety of reasons that people choose to eat Paleo that go beyond weight loss. So there's room to be flexible depending on your personal requirements and expectations of the diet. It's all here: from great family food to more sophisticated recipes for entertaining, not to mention luscious desserts: Starters and Snacks - Eggplant Caviar, Country Terrine, Swedish Meatballs, Braised Tomato Topping; Soups - Shrimp Bisque, Double Tomato Soup with Arugula-Walnut Pesto; Poultry - Chicken Provencal, Texas-Style Chicken Stew, Tomato-Braised Turkey Breast; Fish and Seafood - Braised Swordfish, Caribbean Pepper Pot, Florida Fish Chowder; Beef and Veal - Short Ribs in Rich Mushroom Gravy, Meatball Goulash, Mom's Sunday Pot Roast; Pork and Lamb - Ancho-Embraced Pork with Tomatillos, Pork Columbo, Irish Stew; Meatless Mains - Louisiana Ratatouille, Cumin Beets, Braised Red Cabbage, Onion-Braised Potatoes with Spinach; Desserts - The Ultimate Baked Apples, Peruvian Cream. Now even people who follow the Paleo lifestyle can enjoy easy delectable meals that reflect an outstanding variety of fresh flavours, cuisines and textures.

Read more less

The quirky paranormal murder mystery about a small town where only outsiders fit in . . . now a major TV seriesFrom Charlaine Harris, the bestselling author who created Sookie Stackhouse, the world of Bon Temps, Louisiana, comes a new, darker world - populated by more strangers than friends. But then, that's how the locals prefer it.Welcome to Midnight, Texas, a town with many boarded-up windows and few full-time inhabitants, located at the crossing of Witch Light Road and Davy Road. It's a pretty standard dried-up western town.There's a pawnshop (someone lives in the basement and is seen only at night). There's a diner (people who are just passing through tend not to linger). And there's new resident Manfred Bernardo, who thinks he's found the perfect place to work in private (and who has secrets of his own).Stop at the one traffic light in town, and everything looks normal. Stay awhile, and learn the truth...Readers can't put down Midnight Crossroad:'Another compelling book by Charlaine Harris. I love her storytelling style and the wonderful characters she creates' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'If I could give this book six stars I would. Every page was a delight' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Midnight Texas is just as magical as Bon Temps only the characters are much more mysterious! . . . I loved each and every resident of Midnight, even though they are ALL hiding secrets' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Potential to be a better series and cast of eccentric, unique, and unforgettable characters surpassing the True Blood stories. Loved this book and the quirky town!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

Read more less

Boston, 1870. Photographer Edward Moody runs a booming business capturing the images of the spirits of the departed in his portraits. He lures grieving widows and mourning mothers into his studio with promises of catching the ghosts of their deceased loved ones with his camera. Despite the whispers around town that Moody is a fraud of the basest kind, no one has been able to expose him, and word of his gift has spread, earning him money, fame, and a growing list of illustrious clients. One day, while developing the negative from a sitting to capture the spirit of the young son of an abolitionist senator, Moody is shocked to see a different spectral figure develop before his eyes. Instead of the staged image of the boy he was expecting, the camera has seemingly captured the spirit of a beautiful young woman. Is it possible that the spirit photographer caught a real ghost? When Moody recognizes the woman in the photograph as the daughter of an escaped slave he knew long ago, he is compelled to travel from Boston to the Louisiana bayous to resolve their unfinished business—and perhaps save his soul. But more than one person is out to stop him . . . With dramatic twists and redolent of the mood of the Southern Gothic, The Spirit Photographer conjures the Reconstruction era South, replete with fugitive hunters, voodoo healers, and other dangers lurking in the swamp. Jon Michael Varese’s deftly plotted first novel is an intense tale of death and betrayal that shows us how undeniably the ghosts of the past remain with us, and how resolutely they refuse to be quieted.

Read more less

This exciting Civil War diary of a Redemptorist priest, Rev. James Sheeran, C.Ss.R., who was chaplain to the ­€th Louisiana Regiment of the Confederacy, is a national treasure. Irish-born Sheeran (1817-1881) was one of only a few dozen Catholic chaplains commissioned for the Confederacy and one of only two who kept a journal. Highlighting his exploits from August ­, ­…‘’ through April ’€, ­…‘“, the journal tells of all the major events of his life in abundant detail: on the battle field, in the hospitals, and among Catholics and Protestants whom he encountered in local towns, on the trains, and in the course of his ministrations. His ideological sympathies clearly rest with the Confederacy. The tone is forthright, even haughty, but captures in sure and steady fashion, both the personality of the man and the events to which he was a witness, especially the major battles. The journal is arguably the most unique narrative of the war written by a chaplain of any denomination and certainly is the most extensive.The journal permits us to hear a voice in Civil War studies that is seldom heard—that of a Catholic clergyman. The window given into the pastoral dimension of serving in America’s bloodiest war is further enhanced by a running commentary on politics, race, religion, and charitable works throughout the South. He also supplies an insight into incarceration as a prisoner of war at Fort McHenry, Baltimore. Last, because Sheeran was a frequent name dropper, tracking the movements of key military personnel or other personages of the war is made considerably easier through Sheeran’s references—all of which have been scrupulously documented in an easy-to-use index.

Read more less

Welcoming birds to your yard isn’t about choosing the right feeders and bird food. If you want to attract the widest range of birds to your home, you need to plant a diversity of native plants. Why go green? Native plants live longer; they are drought resistant, take less water and fertilizer, they cost less, are less work and easier to maintain. And a big plus—they are good for the environment. In 2007, Douglas Tallamy published the groundbreaking book, Bringing Nature Home, on going native to protect wildlife. Since then Cornell Laboratory of Ornithology, the National Wildlife Federation, and National Audubon have all endorsed and encouraged gardening with native plants. Planting Native to Attract Birds to Your Yard is the first book to cover planting native to specifically attract birds. The book recommends plants for all types of backyards, no matter how large or small—from large plots to container gardens. Sorenson gives state-specific recommendations for 31 Eastern U.S. states—including and east of Minnesota, Iowa, Missouri, Arkansas, and Louisiana to the East Coast, and from the Canadian border to the Gulf Coast—for native plants that support birds during the four seasons. The book covers the full gamut of native plants—nearly 200 species of trees, shrubs, vines, grasses, and perennials—and gives details on why specific plants are bird friendly and how to choose plants that work successfully in attractive home landscapes. It also includes dramatic color photos of nearly 70 bird species. Birders, gardeners, and landscapers—all who love birds and beautiful gardens—will find this book a must.

Read more less

A fascinating study of midshipmen and other "young gentlemen", outlining their social background, career paths and what life was like for them. Officer recruits - "young gentlemen" - entered the Royal Navy with dreams of fame, fortune and glory, but many found promotion difficult, with a large number unable to progress beyond lieutenant. Recent scholarship has argued thatduring the wars of 1793-1815 there was greater social diversity among naval officers, with promotion increasingly related to professional competence. This book, based on extensive original research, examines the social backgroundof around 4,000 "young gentlemen" a term which includes midshipmen and various other categories, including captains' servants, volunteers and masters' mates. It concludes that in fact high birth became an increasingly important factor in the selection of officer candidates, and that as the Admiralty grip on the appointment and management of officer aspirants increased, especially after 1815, aristocratic presence in the ranks of young officers increased significantly as a result of deliberate Admiralty policy. The book also discusses the assertion that the increase in elite sons led to a dramatic increase in cases of indiscipline and insubordination, concluding that although therewas a marked increase in courts martial for insubordination during and after the French Wars there is no evidence that such cases related more to the elites than to young aspirants in general". The book includes many case study examples of midshipmen and other "young gentlemen", illustrating what life was like for them and how they themselves viewed their situation. S.A. CAVELL is a graduate of the Queensland University of Technology and Louisiana State University and completed her doctorate at the University of Exeter.

Read more less

In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.

Read more less

On Whitten’s pioneering 1970s series marking his move away from gestural painting The first publication to delve deeply into Jack Whitten’s Greek Alphabet paintings (1975–78), this volume examines this remarkable series, which consists of variations on abstract, black-and-white compositions and experiments in mark-making. For these works, Whitten employed handmade tools and techniques including the comb, imprint and frottage. The series is illuminated through essays by art historian Courtney J. Martin and Dia curators Donna De Salvo and Matilde Guidelli-Guidi. Authors Fred Moten and Gregg Bordowitz provide poetic reflections on Whitten’s art, biography and cultural importance. Materials from Whitten’s archives, including his own personal writings, supplement this unprecedented publication. In his lifetime, Whitten never had the opportunity to exhibit more than a handful of these works. In publishing a significant number of these paintings together for the first time—with 40 color plates representing the 60-some paintings in the series—Jack Whitten: The Greek Alphabet Series makes possible a fuller appreciation of the formal and material permutations of Whitten’s practice. Jack Whitten (1939–2018) was born in Bessemer, Alabama, studied art at Southern University in Baton Rouge, Louisiana, and moved to New York in 1960, where he had a solo exhibition at the Whitney in 1974 and a 10-year retrospective at the Studio Museum in Harlem in 1983. In 2014, a retrospective was organized by the Museum of Contemporary Art in San Diego, traveling to the Wexner Center in 2015 and the Walker Art Center in 2015–16. Whitten lived in Queens, New York, where he died in 2018.

Read more less

Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable and acclaimed works of contemporary art, reaching an audience of millions. The way artists have interpreted this vast industrial space has revolutionised public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission, now in its third year, gives artists an opportunity to create new work for this unique context. In 2017 the Hyundai Commission will be undertaken by the Danish collective SUPERFLEX, known for their interests in unifying urban spaces and commenting on society with authenticity through art. Migration, alternative energy and the power of global capital are just some of the motives behind their highly engaging, visual and often humorous work. They are best known for their playfully subversive installations and films. Referring to their works as tools, the collective engage alternative models for the creation of social and economic organisation. SUPERFLEX was founded in 1993 by Danish artists Bjornstjerne Christiansen, Jakob Fenger and Rasmus Nielsen. Based in Copenhagen, they have gained international recognition for their projects and solo exhibitions around the world and are represented in several public art institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord-Pas de Calais; and Coleccion Jumex, Mexico City. Created in close collaboration with SUPERFLEX, the book will feature a fully illustrated survey of their work and an in-depth conversation between the artists and curator Donald Hyslop. Exploring in fascinating detail the artistic processes involved in creating this exciting new work, it will include stunning photographs of the dramatic new installation to be revealed in the Turbine Hall in October 2017.

Read more less

"Reizenstein's peculiar vision of New Orleans is worth resurrecting precisely because it crossed the boundaries of acceptable taste in nineteenth-century German America and squatted firmly on the other side...This work makes us realize how limited our notions were of what could be conceived by a fertile American imagination in the middle of the nineteenth century."-from the Introduction by Steven Rowan A lost classic of America's neglected German-language literary tradition, The Mysteries of New Orleans by Baron Ludwig von Reizenstein first appeared as a serial in the Louisiana Staats-Zeitung, a New Orleans German-language newspaper, between 1854 and 1855. Inspired by the gothic "urban mysteries" serialized in France and Germany during this period, Reizenstein crafted a daring occult novel that stages a frontal assault on the ethos of the antebellum South. His plot imagines the coming of a bloody, retributive justice at the hands of Hiram the Freemason-a nightmarish, 200-year-old, proto-Nietzschean superman-for the sin of slavery. Heralded by the birth of a black messiah, the son of a mulatto prostitute and a decadent German aristocrat, this coming revolution is depicted in frankly apocalyptic terms. Yet, Reizenstein was equally concerned with setting and characters, from the mundane to the fantastic. The book is saturated with the atmosphere of nineteenth-century New Orleans, the amorous exploits of its main characters uncannily resembling those of New Orleans' leading citizens. Also of note is the author's progressively matter-of-fact portrait of the lesbian romance between his novel's only sympathetic characters, Claudine and Orleana. This edition marks the first time that The Mysteries of New Orleans has been translated into English and proves that 150 years later, this vast, strange, and important novel remains as compelling as ever.

Read more less

Ask any self-respecting Louisianan who makes the best gumbo and the answer is universal: “Momma.” The product of a melting pot of culinary influences, gumbo, in fact, reflects the diversity of the people who cooked it up: French aristocrats, West Africans in bondage, Cajun refugees, German settlers, Native Americans—all had a hand in the pot. What is it about gumbo that continues to delight and nourish so many? And what explains its spread around the world? A seasoned journalist, Ken Wells sleuths out the answers. His obsession goes back to his childhood in the Cajun bastion of Bayou Black, where his French-speaking mother’s gumbo often began with a chicken chased down in the yard. Back then, gumbo was a humble soup little known beyond the boundaries of Louisiana. So when a homesick young Ken, at college in Missouri, realized there wasn’t a restaurant that could satisfy his gumbo cravings, he called his momma for the recipe. That phone-taught gumbo was a disaster. The second, cooked at his mother’s side, fueled a lifelong quest to explore gumbo’s roots and mysteries. In Gumbo Life: Tales from the Roux Bayou, Wells does just that. He spends time with octogenarian chefs who turn the lowly coot into gourmet gumbo; joins a team at a highly competitive gumbo contest; visits a factory that churns out gumbo by the ton; observes the gumbo-making rituals of an iconic New Orleans restaurant where high-end Creole cooking and Cajun cuisine first merged. Gumbo Life, rendered in Wells’ affable prose, makes clear that gumbo is more than simply a delicious dish: it’s an attitude, a way of seeing the world. For all who read its pages, this is a tasty culinary memoir—to be enjoyed and shared like a simmering pot of gumbo.

Read more less

Love, Daddy: Letters from My Father examines the complexities of father-and-son relationships through letters and photographs. Willie Morris wrote scores of letters to his only son, David Rae Morris, from the mid-1970s until Willie’s death in 1999. From David Rae’s perspective, his father was often emotionally disconnected and lived a peculiar lifestyle, often staying out carousing well into the night. But Willie Morris was an eloquent and accomplished writer and began to write his son long, loving, and supportive letters when David Rae was still in high school. An aspiring photographer, David Rae was confused and befuddled by his father’s warring personalities and began photographing Willie using the camera as a buffer to protect him and his emotions. The collection begins in early 1976 and continues for more than twenty years as David Rae moved about the country, living in New York, Massachusetts, Texas, Mississippi, Tennessee, and Minnesota, before finally settling in Louisiana. "All the while my father was writing to me I somehow managed to save his letters," David Rae wrote. "I left them in storage and in boxes and in piles of clutter on desks and in basements. They were kind, offering a love that he found difficult to express openly and directly. He simply was more comfortable communicating through letters." The letters cover topics ranging from writing, the weather, Willie’s return to Mississippi in 1980, the Ole Miss football season, and local town gossip to the fleas on the dog to just life and how it’s lived. Likewise, the photographs are portraits, documentary images of daily life, dinners, outings, and private moments. Together they narrate and illuminate the complexities of one family relationship, and how, for better or worse, that love endures the passage of time.

Read more less

A Billion Dollars a Day “This text provides a good narrative on the economics of government intervention, the structure of the world food system and history of the WTO, and the provision of farm subsidies by developed economies, with a special focus on the U.S. and EU.”P. Lynn Kennedy, Louisiana State University“This extremely well-researched and documented book provides a comprehensive overview of the impact (both intentional and unintentional) that developed nations’ agricultural policies can have on underdeveloped agricultural-based nations.”Jay E. Noel, Cal Poly State University “This text’s discussion and explanation of subsidies is well developed in a historical and international context that is not found elsewhere.” Conrad Lyford, Texas Tech University “Peterson has done a nice job of taking complicated issues and explaining them in a manner that is understandable for students with limited background in policy, development, and trade. This well-written text brings both a U.S. and a world perspective to the timely and important topics of government farm policy and food prices.”Rick Whitacre, Illinois State UniversityWhy do Europe, the United States, and some key Asian countries spend, in aggregate, a billion dollars a day on various agricultural price supports, when much of this money ends up in the hands of large agribusiness? In a lively, non-technical, and up-to-date account, this book addresses the core questions that surround the issues of agricultural subsidies.Peterson provides a detailed examination of subsidy histories and the current policies of the United States, various European countries, Australia and New Zealand, and Korea and Japan. Also included is a discussion of how these policies affect developing countries – examining, in particular, their impact on farmers in low-income countries.

Read more less

Winner of the 2015 Rachel Carson Prize presented by the Society for Social Studies of Science Residents of a small Louisiana town were sure that the oil refinery next door was making them sick. As part of a campaign demanding relocation away from the refinery, they collected scientific data to prove it. Their campaign ended with a settlement agreement that addressed many of their grievances—but not concerns about their health. Yet, instead of continuing to collect data, residents began to let refinery scientists' assertions that their operations did not harm them stand without challenge. What makes a community move so suddenly from actively challenging to apparently accepting experts' authority? Refining Expertise argues that the answer lies in the way that refinery scientists and engineers defined themselves as experts. Rather than claiming to be infallible, they began to portray themselves as responsible—committed to operating safely and to contributing to the well-being of the community. The volume shows that by grounding their claims to responsibility in influential ideas from the larger culture about what makes good citizens, nice communities, and moral companies, refinery scientists made it much harder for residents to challenge their expertise and thus re-established their authority over scientific questions related to the refinery's health and environmental effects. Gwen Ottinger here shows how industrial facilities' current approaches to dealing with concerned communities—approaches which leave much room for negotiation while shielding industry's environmental and health claims from critique—effectively undermine not only individual grassroots campaigns but also environmental justice activism and far-reaching efforts to democratize science. This work drives home the need for both activists and politically engaged scholars to reconfigure their own activities in response, in order to advance community health and robust scientific knowledge about it.

Read more less

Winner of the Bancroft PrizeLouisiana Endowment for the Humanities Book of the YearA Publishers Weekly Book of the Year“The main thrust of Horowitz’s account is to make us understand Katrina—the civic calamity, not the storm itself—as a consequence of decades of bad decisions by humans, not an unanticipated caprice of nature.”—Nicholas Lemann, New YorkerHurricane Katrina made landfall in New Orleans on August 29, 2005, but the decisions that caused the disaster can be traced back nearly a century. After the city weathered a major hurricane in 1915, its Sewerage and Water Board believed that developers could safely build housing near the Mississippi, on lowlands that relied on significant government subsidies to stay dry. When the flawed levee system failed, these were the neighborhoods that were devastated.The flood line tells one important story about Katrina, but it is not the only story that matters. Andy Horowitz investigates the response to the flood, when policymakers made it easier for white New Orleanians to return home than for African Americans. He explores how the profits and liabilities created by Louisiana’s oil industry have been distributed unevenly, prompting dreams of abundance and a catastrophic land loss crisis that continues today.“Masterful…Disasters have the power to reveal who we are, what we value, what we’re willing—and unwilling—to protect.”—New York Review of Books“If you want to read only one book to better understand why people in positions of power in government and industry do so little to address climate change, even with wildfires burning and ice caps melting and extinctions becoming a daily occurrence, this is the one.”—Los Angeles Review of Books

Read more less

The Last Wild Road is a raucous, gripping, sometimes terrifying, often hilarious, and deeply meditative journey through the heart of the outdoors in the modern world. Collected from more than 20 years of hunting and fishing cover stories, columns, and adventure tales written by T. Edward Nickens for Field & Stream, this book is a road trip that takes in a huge sweep of the North American landscape—blackwater rivers in the wilds of eastern North Carolina, deserts and prairies of the American West, remote tundra of northern Canada, and the wildest rivers of Alaska. Along every rutted road and rough trail, with a rod, gun, and pen, Nickens meets unforgettable characters—old French-speaking Cajuns at Louisiana squirrel camps, a one-armed fly-tyer in the ancient Appalachians, Pennsylvania brothers who lost their father in a hunting accident decades ago and return to the scene for a powerful, poignant encounter with history. He explores remote wilderness waters to chase trout and ducks, but finds rich meaning, too, in the familiar and close-to-home: fishing with his children, plumbing the forests of local farms, and butchering deer in his basement as a thanksgiving for the gifts of the outdoors.When it comes to hunting and fishing, writing often falls into the categories of where-to-go, the how-do-it, and the-what-to-bring. This book embarks on the question of “why.” Why does the pursuit of game and fish, and the travel to the wild places where they thrive, bring meaning and clarity to living in the modern world? Why do we laugh more, and live more deeply, far from the sidewalk? If you’ve ever felt that way, you’ll find yourself in The Last Wild Road.

Read more less

In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all. Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second is the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a nine-year-old girl who was kidnapped by Comanches in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne's account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.

Read more less

Finalist for the 2013 PEN/Faulkner Award "The magnificence of Hold It 'Til It Hurts is not only in the prose and the story but also in the book's great big beating heart. These complex and compelling characters and the wizardry of Johnson's storytelling will dazzle and move you from first page to last. Novels don't teach us how to live but Hold It 'Til It Hurts will make you hush and wonder."--Anthony Swofford, author of Jarhead "This rich and sophisticated first novel brings together pleasures rarely found in one book: Hold It 'Til It Hurts is a novel about war that goes in search of passionate love, a dreamy thriller, a sprawling mystery, a classical quest for a lost brother in which the shadowy quarry is clearly the seeker's own self, and a meditation on family and racial identity that makes its forerunners in American fiction look innocent by comparison."--Jaimy Gordon, National Book Award winner for Lord of Misrule When Achilles Conroy and his brother Troy return from a tour of duty in Afghanistan, their white mother presents them with the key to their past: envelopes containing details about their respective birth parents. After Troy disappears, Achilles--always his brother's keeper--embarks on a harrowing journey in search of Troy, an experience that will change him forever. Heartbreaking, intimate, and at times disturbing, Hold It 'Til It Hurts is a modern-day odyssey through war, adventure, disaster, and love, and explores how people who do not define themselves by race make sense of a world that does. T. Geronimo Johnson was born in New Orleans, Louisiana. His fiction and poetry have appeared in Best New American Voices, Indiana Review, Los Angeles Review of Books, and Illuminations, among others. A graduate of the Iowa Writers' Workshop and a former Stegner Fellow at Stanford University, Johnson teaches writing at the University of California-Berkeley. Hold It 'Til It Hurts is his first book.

Read more less

Following the fatal shooting in broad daylight of unarmed African American Michael Brown by a white cop in August 2014, Ferguson, Missouri became the scene of protests that pitted law enforcement against locals and Black Lives matter activists. The media firestorm has not waned, and, in fact, has grown stronger in light of all the recent violence by and against police officers nationwide. According to Ferguson’s former police chief Tom Jackson, the uninformed media actually fans the flames of unrest and exploits the situation: infotainment optics have become more important than truth, while social media spreads the news without providing context. Policing Ferguson, Policing America is the book that finally tells the inside story of what happened in Ferguson, and how good guys became the bad guys through media and political distortion.Pressure is at a boiling point. In 2016, America has been rocked by heart-wrenching fatal shootings of African Americans by police officers in Louisiana and in Minnesota, and by the shootings of police offers in Dallas, Baton Rouge, and Kansas City that left eleven officers dead and a dozen more wounded. To many Americans, the central theme of this continuing bloody story is one of racial injustice and out-of-control policing. Policing Ferguson, Policing America brings common sense and a keen insider's understanding to a complex story.Black Lives Matter, and so do the lives of cops. Citizens and law-enforcement professionals alike feel the urgent need for our systems and procedures to change for the better. Few people are in a better position to explore the issues than Chief Jackson. In Policing Ferguson, Policing America, Jackson tells for the first time the real Ferguson story while sharing his thoughts about the steps we can take together to improve all Americans' lives, and restore the vital trust between the police and the communities they serve. His well-informed recommendations just may improve this dire situation.

Read more less

From the early days of the republic, American leaders knew that an unpredictable time bomb-the question of slavery-lay at the heart of national politics. An implicit understanding between North and South helped to keep the issue at bay: northern states, where slavery had been set on course for extinction via gradual emancipation, tacitly agreed to respect the property rights of southern slaveholders; in return, southerners essentially promised to view slave holding as a practical evil and look for ways to get rid of it. By 1819-1820, however, westward expansion had brought the matter to a head. As Thomas Jefferson wrote at the time, a nation dealing with the politically implacable issue of slavery essentially held the "wolf" by the ears-and could neither let go nor hang on forever. In Wolf by the Ears, John R. Van Atta discusses how the sectional conflict that led to the Civil War surfaced in the divisive fight over Missouri statehood. The first organized Louisiana Purchase territory to lie completely west of the Mississippi River and northwest of the Ohio, Missouri carried special significance for both pro- and anti-slavery advocates. Northern congressmen leaped out of their seats to object to the proposed expansion of the slave "empire," while slave-state politicians voiced outrage at the northerners' blatant sectional attack. Although the Missouri confrontation ultimately appeared to end amicably with a famous compromise that the wily Kentuckian Henry Clay helped to cobble together, the passions it unleashed proved vicious, widespread, and long lasting. Van Atta deftly explains how the Missouri crisis revealed the power that slavery had already gained over American nation building. He explores the external social, cultural, and economic forces that gave the confrontation such urgency around the country, as well as the beliefs, assumptions, and fears that characterized both sides of the slavery argument. Wolf by the Ears provides students in American history with an ideal introduction to the Missouri crisis while at the same time offering fresh insights for scholars of the early republic.

Read more less

An essential examination of black youth activism since the passage of the 1964 Civil Rights Act What happened to black youth in the post-civil rights generation? What kind of causes did they rally around and were they even rallying in the first place? After the Rebellion takes a close look at a variety of key civil rights groups across the country over the last 40 years to provide a broad view of black youth and social movement activism. Based on both research from a diverse collection of archives and interviews with youth activists, advocates, and grassroots organizers, this book examines popular mobilization among the generation of activists—principally black students, youth, and young adults—who came of age after the passage of the 1964 Civil Rights Act and the Voting Rights Act of 1965. Franklin argues that the political environment in the post-Civil Rights era, along with constraints on social activism, made it particularly difficult for young black activists to start and sustain popular mobilization campaigns. Building on case studies from around the country—including New York, the Carolinas, California, Louisiana, and Baltimore—After the Rebellion explores the inner workings and end results of activist groups such as the Southern Negro Youth Congress, Student Nonviolent Coordinating Committee, the Student Organization for Black Unity, the Free South Africa Campaign, the New Haven Youth Movement, the Black Student Leadership Network, the Juvenile Justice Reform Movement, and the AFL-CIO’s Union Summer campaign. Franklin demonstrates how youth-based movements and intergenerational campaigns have attempted to circumvent modern constraints, providing insight into how the very inner workings of these organizations have and have not been effective in creating change and involving youth. A powerful work of both historical and political analysis, After the Rebellion provides a vivid explanation of what happened to the militant impulse of young people since the demobilization of the civil rights and black power movements—a discussion with great implications for the study of generational politics, racial and black politics, and social movements.

Read more less

Lutie always wanted a pet ghost—but the devil’s in the details.The Sarrazins have always stood apart from the rest of their Bayou-born neighbors. Almost as far as they prefer to stand from each other. Blessed—or cursed—with the uncanny ability to see beyond the spectral plane, Aurie has raised his children, Sol, Baz, and Lutie, in the tradition of the traiteur, finding wayward spirits and using his special gift to release them along Deadroads into the afterworld. The family, however, fractured by their clashing egos, drifted apart, scattered high and low across the continent.But tragedy serves to bring them together. When Aurie, while investigating a series of ghastly (and ghostly) murders, is himself killed by a devil, Sol, EMT by day and traiteur by night, Baz, a traveling musician with a truly spiritual voice, and Lutie, combating her eerie visions with antipsychotics, are thrown headlong into a world of gory sprites, brilliant angels, and nefarious demons—small potatoes compared to reconciling their familial differences.From the Louisiana swamps to the snowfields of the north and everywhere in between, Deadroads summons you onto a mysterious trail of paranormal proportions.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

Read more less

Adrain Chesser and ritualist Timothy White Eagle traveled throughout western US with a loose band of comrades, practicing a hunter-gatherer way of life. A lyrical portrait of a contemporary nomadic existence, The Return is "a call to arms to detach from destructive modernity."—Hyperallergic Adrain Chesser is largely self-taught and has refined his practice through a mentor/protege relationship with Rosalind Solomon and later Debbie Fleming Caffery. He completed a Santa Fe Art Institute residency in April 2005. He has been featured on TEDx Vienna and has exhibited in Austria, Louisiana, Missouri, NYC, Pennsylvania, Washington and many more. Collections of Chesser’s work can be found at The Museum Fine Arts (Houston), Norton Museum of Art, Portland Museum of Fine Art and Vincent Price Collection At East Los Angeles College. Timothy White Eagle, born in Tucson AZ, his mother was Apache from White Mountain. He was given up for adoption and raised by a working class white family in Washington state. Graduated from Univ. of Utah with a BFA in Theater. He spent his 20's exploring performance based art. He has worked extensively in the past two decades exploring Native American, Pagan and other earth based Spiritual practices. He began a mentor/protege relationship with Shoshone Elder Clyde Hall in 1995. Around that same time he began helping to craft personal and community rituals within his Spiritual circles. In 2006 he began collaborating with photographer Adrain Chesser. Their work together has been displayed and published nationally and internationally. In 2014 he and Adrain released their book, "the Return". Timothy continues to foster relationships with artists seeking to create objects and performances which contain the convenience of Spirit. He dances at a unique cross roads between art and ritual.

Read more less

Award-winning "ghostlorist" Randy Russell admits to being flummoxed by cats. Some cats will give you whisker kisses or sit with you when you're sick. Others will invite you to rub them, then take a swipe at you, claws out. Some might do any of the above, depending on which way the wind is blowing. Visits from departed pets are easily the most common ghost experiences. And cats refuse to be left out of most anything. Ghost Cats of the South reveals that felines' beloved complexity continues well beyond the grave. In this haunting and entertaining volume, readers will meet the following: A cat smelling of chicken soup that saves a pair of street musicians in Kentucky; a face-hungry Mississippi cat that inhabits the seats of a vintage 1956 Chevy Bel Air; a porcelain cat that inspires girls at a North Carolina summer camp to reveal cherished secrets; a South Carolina feline that becomes part of a batch of moonshine; a piano-playing cat that fulfills the Thanksgiving wish of a Georgia grocery-store magnate; a soot-covered Louisiana cat whose fiery mission is to enforce a no-smoking ban; a Virginia cat that must get its owner his glasses before his coffin is sealed. Good ghost cats, bad ghost cats, ghost cats in their many manifestations and moods—you'll meet them all in these twenty-two stories that the cats dragged in. Randy Russell is the Edgar-nominated author of several books and collections of short stories, and co-authored, with his wife Janet Barnett, two volumes of southern Appalachian folklore and the highly popular Ghost Dogs of the South. Russell presents ghost-lore programs to groups large and small across the South. He and his wife live outside Asheville, North Carolina.

Read more less

One of TIME's 100 Must Read Books of 2020 and one of Good Housekeeping's Best Books of the Year“One of the smartest young writers of her generation.”—Book RiotFrom New York Times bestselling author of This Will Be My Undoing Morgan Jerkins, a powerful story of her journey to understand her northern and southern roots, the Great Migration, and the displacement of black people across America.Between 1916 and 1970, six million black Americans left their rural homes in the South for jobs in cities in the North, West, and Midwest in a movement known as The Great Migration. But while this event transformed the complexion of America and provided black people with new economic opportunities, it also disconnected them from their roots, their land, and their sense of identity, argues Morgan Jerkins. In this fascinating and deeply personal exploration, she recreates her ancestors’ journeys across America, following the migratory routes they took from Georgia and South Carolina to Louisiana, Oklahoma, and California. Following in their footsteps, Jerkins seeks to understand not only her own past, but the lineage of an entire group of people who have been displaced, disenfranchised, and disrespected throughout our history. Through interviews, photos, and hundreds of pages of transcription, Jerkins braids the loose threads of her family’s oral histories, which she was able to trace back 300 years, with the insights and recollections of black people she met along the way—the tissue of black myths, customs, and blood that connect the bones of American history. Incisive and illuminating, Wandering in Strange Lands is a timely and enthralling look at America’s past and present, one family’s legacy, and a young black woman’s life, filtered through her sharp and curious eyes.

Read more less

From its first major engagement at Harpers Ferry, Virginia, to the campaigns against Confederates in the swamps of occupied Louisiana, the 12th Illinois Volunteer Cavalry fought more than twenty battles in three theaters of combat. So great was the regiment's contribution to the Union victory that a monument at Gettysburg honors the unit for its place "in the first line of battle." The campaigns of the 12th Illinois reflect the larger shape of the war. In 1862 and early 1863, the 12th Illinois defended Union supply lines against the lightning raids of J. E. B. Stuart's Confederate Cavalry in Virginia and Maryland. In 1863, it helped to turn back the tide of the Confederate advance at Gettysburg. And in 1864–1865 the unit went on the offensive and raided deep into the Southern heartland as the Union pursued a strategy of "hard war." Drawing upon firsthand accounts from letters, diaries, memoirs, and official service records, Blackwell brings the soldiers of the 12th Illinois to life. As with other militia units in the heady first months of the war, the 12th Illinois assembled quickly, and its officers had at best only rudimentary military training. They were little prepared for the rigors of leading men into war or coping with desertions and horrific casualties. In the First Line of Battle tells the story of how the 12th Illinois Cavalry came through the war with its colors intact. Tracking the regiment from its first muster early in 1862 through its service in Texas during Reconstruction, Blackwell shows readers the war as it was lived by men who fought across the length and breadth of the Confederacy. Tracing the path of the 12th Illinois, he sheds new light on the role of the Union cavalry in the Civil War.

Read more less

Discipline and the Other Body reveals the intimate relationship between violence and difference underlying modern governmental power and the human rights discourses that critique it. The comparative essays brought together in this collection show how, in using physical violence to discipline and control colonial subjects, governments repeatedly found themselves enmeshed in a fundamental paradox: Colonialism was about the management of difference—the “civilized” ruling the “uncivilized”—but colonial violence seemed to many the antithesis of civility, threatening to undermine the very distinction that validated its use. Violation of the bodies of colonial subjects regularly generated scandals, and eventually led to humanitarian initiatives, ultimately changing conceptions of “the human” and helping to constitute modern forms of human rights discourse. Colonial violence and discipline also played a crucial role in hardening modern categories of difference—race, gender, ethnicity, sexuality, and religion.The contributors, who include both historians and anthropologists, address instances of colonial violence from the early modern period to the twentieth century and from Asia to Africa to North America. They consider diverse topics, from the interactions of race, law, and violence in colonial Louisiana to British attempts to regulate sex and marriage in the Indian army in the early nineteenth century. They examine the political dilemmas raised by the extensive use of torture in colonial India and the ways that British colonizers flogged Nigerians based on beliefs that different ethnic and religious affiliations corresponded to different degrees of social evolution and levels of susceptibility to physical pain. An essay on how contemporary Sufi healers deploy bodily violence to maintain sexual and religious hierarchies in postcolonial northern Nigeria makes it clear that the state is not the only enforcer of disciplinary regimes based on ideas of difference.Contributors. Laura Bear, Yvette Christiansë, Shannon Lee Dawdy, Dorothy Ko, Isaac Land, Susan O’Brien, Douglas M. Peers, Steven Pierce, Anupama Rao, Kerry Ward

Read more less

This vibrantly illustrated compendium explores the beautiful diversity of the people who live, work, and love across the USA in this joyful follow-up to The 50 States.Across 51 charmingly illustrated infographic maps, covering every state of the USA from Alabama to Wyoming, We Are The United States celebrates the glorious rainbow of different heritages, religions, hobbies, vocations and cultures that populate this great country.Say “ha'u” to the Hopi people in Arizona, and “xin chào” to Vietnamese Americans living in Orange County, California. Meet veterans in South Carolina, alligator farmers in Louisiana, and astronauts in Texas. Play with gamers at the E3 Expo in Los Angeles, party with drag queens in Atlanta, and ride with mountain bikers in Moab.Alongside an illustrated map, each state’s spread features a ‘Hall of Fame’ highlighting important people from the state’s history, as well as ‘Spotlight’ pull-out illustrations showcasing amazing cultural highlights from the area.Discover the local delicacies enjoyed by each state’s residents, and the unique traditions and celebrations that have been born on and brought to America’s shores. Brush up on key stats and facts about each state’s population, and learn about the powerful history of the people of this one nation, indivisible, the United States.The 50 States series of books for young explorers celebrates the USA and the wider world with key facts and fun activities about the people, history and natural environments that make each location within them uniquely wonderful. Beautiful illustrations, maps and infographics bring the places to colourful life.Also available from the series: 50 Trailblazers of the 50 States, Only in America, Only in America Activity Book, Only in California, Only in Texas, 50 Adventures in the 50 States, and The 50 States.

Read more less

Sometimes wrong can feel oh so right . . . Jenna Lacombe needs complete control, whether it's in the streets . . . or between the sheets. So when she sets out on a solo road trip to visit her family in New Orleans, she's beyond annoyed that the infuriatingly sexy Jack Oliver wants to hitch a ride with her. Ever since they shared a wild night together last year, he's been trying to strip away her defenses one by one. He claims he's just coming along to keep her safe-but what's not safe for her is prolonged exposure to the tattooed hottie.Jack can't get Jenna out from under his skin. She makes him feel alive again after his old life nearly destroyed him-and losing her is not an option. Now Jack's troubles are catching up to him, and he's forced to return to his hometown in Louisiana. But when his secrets put them both in harm's way, Jenna will have to figure out how far she's willing to let love in . . . and how much she already has.Praise for Chelsea Fine:'You'll fall for Pixie and Levi, just like I did!' J. Lynn (Jennifer L. Armentrout)'By turns humorous and heartbreaking, Best Kind Of Broken has become one of my favourites!' Cora Carmack'Chelsea Fine's style is witty, visceral and fresh. All I wanted to do was crawl inside this book and live with the characters.' Chelsea M. Cameron'Tangled with friendship, history and heartbreak - not to mention a huge dose of humor - Chelsea Fine's New Adult novel is not to be missed! Beyond an incredibly HOT read, Pixie and Levi's longing for each other will have you rooting for them till the very end.' Jay Crownover

Read more less

Boundaries - lines imposed on the landscape - shape our lives, dictating everything from which candidates we vote for to what schools our children attend to the communities with which we identify. In Creating the American West, historian Derek R. Everett examines the function of these internal lines in American history generally and in the West in particular. Drawing lines to create states in the trans-Mississippi West, he points out, imposed a specific form of political organization that made the West truly American.Everett examines how settlers lobbied for boundaries and how politicians imposed them. He examines the origins of boundary-making in the United States from the colonial era through the Louisiana Purchase. Case studies then explore the ethnic, sectional, political, and economic angles of boundaries. Everett first examines the boundaries between Arkansas and its neighboring Native cultures, and the pseudo war between Missouri and Iowa. He then traces the lines splitting the Oregon Country and the states of California and Nevada, and considers the ethnic and political consequences of the boundary between New Mexico and Colorado. He explains the evolution of the line splitting the Dakotas, and concludes with a discussion of ways in which state boundaries can contribute toward new interpretations of borderlands history.A major theme in the history of state boundaries is the question of whether to use geometric or geographic lines - in other words, lines corresponding to parallels and meridians or those fashioned by natural features. With the distribution of western land, Everett shows, geography gave way to geometry and transformed the West. The end of boundary-making in the late nineteenth century is not the end of the story, however. These lines continue to complicate a host of issues including water rights, taxes, political representation, and immigration. Creating the American West shows how the past continues to shape the present.

Read more less

Thirteen Months in Dixie, or, the Adventures of a Federal Prisoner in Texas, is a frolicking true tale of adventure, hardship, and heroism during the last days of the Civil War - in the protagonist's own words. And it is finally available to the general public after being hidden away for decades as a family heirloom.Oscar Federhen was a new recruit to the 13th Massachusetts Light Artillery when he shipped out to Louisiana in the spring of 1864 to participate in the Red River Campaign. Not long after his arrival at the front, a combination of ill-luck and bad timing led to his capture. Federhen was marched overland to Tyler, Texas, where he was held as a prisoner of war in Camp Ford, the largest POW camp west of the Mississippi River.Thirteen Months in Dixie recounts Federhen's often horrifying and sometimes thrilling ordeals as a starving prisoner. The captured artillerist tried to escape many times and faced sadistic guards and vicious hounds before making good his deadly effort. And his ordeal was just beginning. Making his way back to Union lines forced him to range cross-country through northeast Texas. He had to dodge regular Confederates, irregulars, and Comanches, but was captured a second time and escaped yet again, finally witnessing the collapse of Confederate army in the spring of 1865 in freedom.Jeaninne Honstein and Steven Knowlton have carefully transcribed and annotated this incredible manuscript to orient the reader to the places, people, and manners described within it. Prominent within its pages are numerous illustrations, including two from Federhen's own pen. Thirteen Months in Dixie is not only a gripping true story of courage, adventure, and devotion to duty, but a valuable primary source about the lives of Civil War prisoners and everyday Texans during the conflict.

Read more less

This Life is the debut novel by Quntos KunQuest, a longtime inmate at Angola, the infamous Louisiana State Penitentiary. This marks the appearance of a bold, distinctive new voice, one deeply inflected by hiphop, that delves into the meaning of a life spent behind bars, the human bonds formed therein, and the poetry that even those in the most dire places can create. Lil Chris is just nineteen when he arrives at Angola as an AU—an admitting unit, a fresh fish, a new vict. He’s got a life sentence with no chance of parole, but he’s also got a clear mind and sharp awareness—one that picks up quickly on the details of the system, his fellow inmates, and what he can do to claim a place at the top. When he meets Rise, a mature inmate who's already spent years in the system, and whose composure and raised consciousness command the respect of the other prisoners, Lil Chris learns to find his way in a system bent on repressing every means he has to express himself. Lil Chris and Rise channel their questions, frustrations, and pain into rap, and This Life flows with the same cadence that powers their charged verses. It pulses with the heat of impassioned inmates, the oppressive daily routines of the prison yard, and the rap contests that bring the men of the prison together. This Life is told in a voice that only a man who’s lived it could have—a clipped, urgent, evocative voice that surges with anger, honesty, playfulness, and a deep sense of ugly history. Angola started out as a plantation—and as This Life makes clear, black inmates are still in a kind of enslavement there. This Life is an important debut that commands our attention with the vigor, dynamism, and raw, consciousness-expanding energy of this essential new voice.

Read more less

Feel is the story of how a small-time boy from humble beginnings in Louisiana rose to the pantheon of greats, to win the 500cc and 250cc GP Championship in the same year – an historic achievement over three decades ago which has never been repeated.Growing up at the time of the assassination of Malcolm X and Martin Luther King, Freddie judged by feel, not by colour. Blind to prejudice and discrimination, he formed dynamic connections with people and events, but only years later during his racing afterlife could Freddie come to understand the true power of the things he learned.Spencer is an articulate and compassionate guide as he describes the thrill and horror of racing in an era when death was a perennial threat. He recalls in pin-sharp detail the frenetic high-octane racing duels with the ‘King’ Kenny Roberts, but also describes a parallel internal journey as he struggled to make sense of it all. Driven by a search for the personal fulfilment that comes through finding your purpose, Freddie’s story is a universal one. In its message of hope, Feel transcends its genre to offer a story for everyone. Part thriller, part philosophical self-exploration, it is a remarkably insightful account of what it is like to have it all, but wonder why. “For the first time I will talk about the traumas of my childhood, the contrast between the leaf fire burns, the mistrust and discomfort and the peace and purpose I felt when riding my bike. I didn’t tell my parents about something that happened to me. Why? I felt ashamed, but when I rode I felt connected to everything and the pain in my hand and heart would go away. It gave me the feeling of hope”.

Read more less

A New Day in the New WorldIt’s 1637 in the Caribbean. Commander Eddie Cantrell and his ally and friend Admiral Martin Tromp start it off with some nasty surprises for Spain, whose centuries-long exploitation and rapine of the New World has run unchecked. Until now.Yet life goes on in the Caribbean. Relationships among the allied Dutch, Swedes, Germans, up-timers, and even Irish mercenaries continue to evolve and deepen. New friendships must be forged with the native peoples, who will not only shape the colonists’ future in the Caribbean, but will also decide whether they will be given access to a Louisiana oilfield that could change the balance of power.But for now, the only oil Imperial Spain knows about is the crude pouring out of the Allies’ pumps on Trinidad—which threatens its interests in both the New and the Old Worlds. So, following in the footsteps of the conquistadors, the empire’s commanders are resolved to show that they do not take threats lightly or lying down. Indeed, their historical reaction is to respond with overwhelming—and often genocidal—force.The battle for the New World has not merely begun; it is a fight to the finish.About 1635: A Parcel of Rogues:"The 20th volume in this popular, fast-paced alternative history series follows close on the heels of the events in The Baltic War, picking up with the protagonists in London, including sharpshooter Julie Sims. This time the 20th-century transplants are determined to prevent the rise of Oliver Cromwell and even have the support of King Charles."—Library JournalAbout 1634: The Galileo Affair:"A rich, complex alternate history with great characters and vivid action. A great read and an excellent book."—David Drake"Gripping . . . depicted with power!"—Publishers WeeklyAbout Eric Flint's Ring of Fire series:“This alternate history series is . . . a landmark . . .”—Booklist“[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist“ . . . reads like a technothriller set in the age of the Medicis . . . ”—Publishers Weekly

Read more less

Before Martha Finley had completed the first six titles of The Elsie Books in 1876, she began a new series based upon the Dinsmore's Midwestern relatives, the Keiths. The resulting seven-book series, The Mildred Series, introduces Mildred Keith, their sixteen-year-old daughter. Her father, a lawyer by trade, had moved with his wife and eight children from Ohio to the frontier of Indiana in the 1830s (not unlike Martha Finley's identical journey as a girl with her family).At the end of the first book, Mildred becomes very ill with a fever and is slow to recover. Arthur Dinsmore Sr., Elsie's grandfather, travels from Roselands, his home in the East, to visit the Keiths. While there, he suggests that the southern climate at Roselands may be beneficial to Mildred's health.This is followed by the death of Elsie's guardian in Louisiana. Mildred travels with Arthur Dinsmore to visit Elsie at Viamede. In this way, The Mildred Books fill the reader in on some of the events of Elsie's early childhood before the Elsie series opens.Martha Finley has woven the characters of the two series in and out of her stories to fill in some of the sequential gaps in the plot lines of her early Elsie stories and to provide some further depth to her characters and their relationships with one another. In this way she enriches the Elsie stories that have thrilled girls for more than 130 years.Slow to recover from her bout with ague, Mildred joins her uncle, Arthur Dinsmore Sr., on a trip by rail and steamer to the Dinsmore home, Roselands, to take advantage of the southern climate. Mildred befriends the governess at Roselands and is befriended by sweet Violet Travilla, mistress of Ion and mother toEdward Travilla. When Elsie's guardian dies, the motherless Elsie is brought to Roselands while her father is still in Europe. Meanwhile, Mildred struggles to remain firm in her faith and endures the heartbreak of loving Charlie Landreth, someone she cannot marry.

Read more less

How three white, non-elite American sailors turned their experiences of captivity into diverse career opportunities—and influenced America's physical, commercial, ideological, and diplomatic development.Winner of the John Lyman Book Award by the North American Society for Oceanic HistoryFrom 1784 to 1815, hundreds of American sailors were held as "white slaves" in the North African Barbary States. In From Captives to Consuls, Brett Goodin vividly traces the lives of three of these men—Richard O'Brien, James Cathcart, and James Riley—from the Atlantic coast during the American Revolution to North Africa, from Philadelphia to the Louisiana Territories, and finally to the western frontier. This first scholarly biography of American captives in Barbary sifts through their highly curated writings to reveal how ordinary individuals in extraordinary circumstances could maneuver through and contribute to nation building in early America, all the while advancing their own interests. The three subjects of this collective biography both reflected and helped refine evolving American concepts of liberty, identity, race, masculinity, and nationhood. Time and again, Goodin reveals, O'Brien, Cathcart, and Riley uncovered opportunities in their adversity. They variously found advantage first in the Revolution as privateers, then in captivity by writing bestselling captivity narratives and successfully framing their ordeal as a qualification for coveted government employment. They even used their modest fame as ex-captives to become diplomats, get elected to state legislatures, and survey the nation's territorial expansions in the South and West. Their successful self-interested pursuit of opportunities offered by the expanding American empire, Goodin argues, constitutes what he calls "the invisible hand of American nation building."Goodin shows how these ordinary men, lacking the genius of a Benjamin Franklin or Alexander Hamilton, depended on sheer luck and adaptability in their quest for financial independence and public recognition. Drawing on archival collections, newspapers, private correspondence, and government documents, From Captives to Consuls sheds new light on the significance of ordinary individuals in guiding early American ideas of science, international relations, and what it meant to be a self-made man.

Read more less

This compact, pocket-sized Copenhagen travel guidebook is ideal for travellers on shorter trips and those trying to make the most of Copenhagen. It's light, easily portable and comes equipped with a pull-out map. This Copenhagen guidebook covers: Tivoli and Rådhuspladsen, Strøget and the Inner City, Slotsholmen, Nyhavn and Frederiksstaden, Rosenborg and around, Christianshavn and Holmen, Vesterbro and Frederiksberg, Nørrebro and Østerbro, Malmö.Inside this Copenhagen travel book you will find: - Curated recommendations of places - main attractions, off-the-beaten-track adventures, child-friendly family activities, chilled-out breaks in popular tourist areas - Things not to miss in Copenhagen - Den Blå Planet, Nationalmuseet, Nyhavn, Torvehallerne, Tivoli, Designmuseum Danmark, Zoologisk Have, Rundetårn, Nørrebro, Statens Museum for Kunst, Den Sorte Diamant (The Black Diamond), Guards at Amalienborg, Frederiksborg Slot, Louisiana Museum of Modern Art, Kødbyen - Ready-made itineraries samples - created for different time frames or types of trip- Copenhagen at a glance - an overview map of Copenhagen with key areas and short descriptions of what you'll find there- Day trips - extra information for those on longer breaks or wanting to venture further afield- Practical travel tips - information on how to get there and around, health guidance, tourist information, festivals and events, plus an A-Z directory- Handy language section - themed basic vocabulary for greetings, numbers and food and drink- Independent reviews - honest descriptions of places to eat, drink or stay, written by our expert authors- Accommodation - handy reference guide to a range of hotels for different budgets - Pull-out map - easy to extract folded map with places to see marked- What's new - a short overview of the changes in Copenhagen in recent years for repeat travellers- Free download of the eBook - available after purchase of the printed Copenhagen guidebook - Fully updated post-COVID-19The guide is a perfect companion both ahead of your trip and on the ground. It gives you a distinct taste of Copenhagen with a concise edit of all the information you'll need.

Read more less

From the foremost figure on the New Orleans' drinking scene and the owner of renowned bar Cure, a cocktail book that celebrates the vibrant cityNew Orleans is known for its spirit(s)-driven festivities. From the owner of local bar Cure, this cocktail book celebrates New Orleans’ vibrant, living cocktail culture. As a bar guy, Neal Bodenheimer tells the city's story through 100 cocktails, each chosen to represent New Orleans’ past, present, and future. In the vein of Death & Co by David Kaplan crossed with David Lebowitz’s Drinking French, Bodenheimer and coauthor Emily Timberlake have composed a love letter to New Orleans and the cast of characters that have had a hand in making the city so singular, featuring interviews with figures such as the host of NPR's Louisiana Eats and former mayor Mitch Landrieu and a few tips on how to survive your first Mardi Gras. Along the way, the reader is taken on a journey that highlights the rich history and complexity of the city and the drinks it inspired, as well as the techniques and practices that Cure has perfected in their mission to build forward rather than just looking back. Of course, this includes the classics every self-respecting drinker should know, especially if you’re a New Orleanian: the Sazerac, Julep, Vieux Carré, Ramos Gin Fizz, Cocktail à la Louisiane, and French 75. Famous local chefs have contributed easy recipes for snacks with local flavor, perfect for pairing with these libations. Cure: A New Orleans Cocktail Book is a beautiful keepsake for anyone who has fallen under New Orleans’s spell and a must-have souvenir for the millions of people who visit the city each year. The book includes recipes from beloved New Orleans chefs: ·Justin Devillier (La Petite Grocery) ·Nina Compton (Compère Lapin) ·Mason Hereford (Turkey and the Wolf) ·Kelly Fields (Willa Jean) ·Kristen Essig (Dauphine's) ·Ryan Prewitt (Peche) ·Marcus Jacobs (Marjie's Grill) ·Michael Stoltzfus (Coquette) ·Frank Brigtsen (Brigtsen's) ·Alfredo Nogueira (Cure, Cane & Table, Vals)

Read more less

In 1979, the legendary Acadian novelist Antonine Maillet won France's most coveted literary award, the Prix Goncourt, for the original version of this novel, Pélagie-la-Charette. In her acceptance speech, she said, "I have avenged my ancestors." Goose Lane Editions is proud to re-issue this classic of Acadian literature to mark the 400th anniversary of the founding of Acadie and the début of the novel's musical adaptation, Pélagie: An Acadian Odyssey. Directed by Michael Shamata, the musical brings together the words and lyrics of Vincent de Tourdonnet and music by Allen Cole. It will be presented at the Atlantic Theatre Festival in Wolfville, Nova Scotia, from July 27 to August 22, following successful runs at CanStage's Bluma Appel Theatre in Toronto and The National Arts Centre in Ottawa. This funny, lyrical account of a daring Acadian widow's journey home from exile is the Mother Courage of Acadian literature. At thirty-five, Pélagie is a survivor of the Great Disruption of 1755, when British soldiers deported Acadians who had farmed along the Bay of Fundy for generations. Splitting up families, the soldiers tossed men, women, and children pell-mell into ships and dispatched them to ports all along the eastern seaboard of the US and to Louisiana. When it was heard years later that the British would tolerate their return to Acadie, thousands loaded possessions and children onto handcarts and set out on foot. After fifteen years of working as a slave in the cotton fields of Georgia, Pélagie, too, has had enough. Drawn home as if by a magnet, inspired by her love of her family and of Beausoleil, a heroic sea captain, and determined to outrace the "Wagon of Death," Pélagie sets off to take her people on a 3,000-mile trek back to their homeland. Her single cart, pulled by six oxen, soon attracts scattered Cormiers and LeBlancs, Landrys and Poiriers, Maillets and Légers. Together, this caravan of colourful Acadians undertakes a ten-year journey up the Atlantic coast to their childhood homes.

Read more less

Each year, thousands of pilgrims visit the celebrated New Orleans tomb where Marie Laveau is said to lie. They seek her favors or fear her lingering influence. Voodoo Queen: The Spirited Lives of Marie Laveau is the first study of the Laveaus, mother and daughter of the same name. Both were legendary leaders of religious and spiritual traditions many still label as evil.The Laveaus were free women of color and prominent French-speaking Catholic Creoles. From the 1820s until the 1880s when one died and the other disappeared, gossip, fear, and fierce affection swirled about them. From the heart of the French Quarter, in dance, drumming, song, and spirit possession, they ruled the imagination of New Orleans.How did the two Maries apply their ""magical"" powers and uncommon business sense to shift the course of love, luck, and the law? The women understood the real crime--they had pitted their spiritual forces against the slave system of the United States. Moses-like, they led their people out of bondage and offered protection and freedom to the community of color, rich white women, enslaved families, and men condemned to hang.The curse of the Laveau family, however, followed them. Both loved men they could never marry. Both faced down the press and police who stalked them. Both countered the relentless gossip of curses, evil spirits, murders, and infant sacrifice with acts of benevolence.The book is also a detective story--who is really buried in the famous tomb in the oldest ""city of the dead"" in New Orleans? What scandals did the Laveau family intend to keep buried there forever? By what sleight of hand did free people of color lose their cultural identity when Americans purchased Louisiana and imposed racial apartheid upon Creole creativity? Voodoo Queen brings the improbable testimonies of saints, spirits, and never-before-printed eyewitness accounts of ceremonies and magical crafts together to illuminate the lives of the two Marie Laveaus, leaders of a major, indigenous American religion.

Read more less

Growing up in Fort Worth during the 1950s never lacked in excitement for David Murph. In his memoir, Murph recalls a mischievous childhood punctuated by adventures in driving, occasional acts of accidental arson, more than one trip to the jailhouse, and countless other tales. The cast of characters includes not only friends and family but also famous figures such as John Scopes, Bobby Morrow, and Frankie Avalon. Murph details an early interest in politics and an unintentional affinity for troublemaking that had more to do with an active imagination and intense curiosity than any ill will. His adventures included broken windows, brushes with blindness, bull riding, and a pet spider monkey, alongside lessons about life and death and the importance of family. Murph's story brings to life a time when television was new and exciting, parents sided with the law, and people were to be trusted more often than not. As a close friend wrote in his senior yearbook, ""it would take a book to recall our adventures."" Murph fondly recalls his active youth with clarity and humor. In many ways, though, Murph's childhood was not all that unusual. Born in 1943 in Shreveport, Louisiana, Murph moved to Tyler, Texas, at the age of two with his family. He recalls moving to Fort Worth at the age of seven, feeling excited about his new home, and making new friends in the neighborhood and at school. In a neighborhood established around the time of World War II, he and his friends played war in their backyards. The child of a geologist and a homemaker, Murph vividly recalls the strong influence they were in his life. Murph's story follows him from early childhood through high school graduation and leaving for college at the University of Texas. His enthusiasm for leaving home is tempered by the reality of what it means to leave his parents and younger brother behind - a sentiment familiar to any college-bound student.

Read more less

When President James Monroe announced in 1824 that the large public debt inherited from the War for Independence, the Louisiana Purchase, and the War of 1812 would be extinguished on January 1, 1835, Congress responded by crafting legislation to transform that prediction into reality. Yet John Quincy Adams, Monroe's successor, seemed not to share the commitment to debt freedom, resulting in the rise of opposition to his administration and his defeat for reelection in the bitter presidential campaign of 1828\. The new president, Andrew Jackson, was thoroughly committed to debt freedom, and when it was achieved, it became the only time in American history when the country carried no national debt. In A Nation Wholly Free: The Elimination of the National Debt in the Age of Jackson, award-winning economic historian Carl Lane shows that the great and disparate issues that confronted Jackson, such as internal improvements, the “war” against the Second Bank of the United States, and the crisis surrounding South Carolina's refusal to pay federal tariffs, become unified when debt freedom is understood as a core element of Jacksonian Democracy. The era of debt freedom lasted only two years and ten months. As the government accumulated a surplus, a fully developed opposition party emerged—the beginning of our familiar two-party system—over rancor about how to allocate the newfound money. Not only did government move into an oppositional party system, the debate about the size and role of government distinguished the parties in a pattern that has become familiar. The partisan debate over national debt and expenditures led to poorly thought out legislation, forcing the government to resume borrowing. As a result, after Jackson left office in 1837, the country fell into a major depression. We have been borrowing ever since on an enormous scale. A thoughtful, engaging account with strong relevance to today, A Nation Wholly Free is the fascinating story of an achievement that now seems fanciful.

Read more less

They Called Us River Rats: The Last Batture Settlement of New Orleans is the previously untold story of perhaps the oldest outsider settlement in America, an invisible community on the annually flooded shores of the Mississippi River. This community exists in the place between the normal high and low water line of the Mississippi River, a zone known in Louisiana as the batture. For the better part of two centuries, batture dwellers such as Macon Fry have raised shanty-boats on stilts, built water-adapted homes, foraged, fished, and survived using the skills a river teaches. Until now the stories of this way of life have existed only in the memories of those who have lived here. Beginning in 2000, Fry set about recording the stories of all the old batture dwellers he could find: maritime workers, willow furniture makers, fishermen, artists, and river shrimpers. Along the way, Fry uncovered fascinating tales of fortune tellers, faith healers, and wild bird trappers who defiantly lived on the river. They Called Us River Rats also explores the troubled relationship between people inside the levees, the often-reviled batture folks, and the river itself. It traces the struggle between batture folks and city authorities, the commercial interests that claimed the river, and Louisiana's most powerful politicians. These conflicts have ended in legal battles, displacement, incarceration, and even lynching. Today Fry is among the senior generation of ""River Rats"" living in a vestigial colony of twelve ""camps"" on New Orleans's river batture, a fragment of a settlement that once stretched nearly six miles and numbered hundreds of homes. It is the last riparian settlement on the Lower Mississippi and a contrarian, independent life outside urban zoning, planning, and flood protection. This book is for everyone who ever felt the pull of the Mississippi River or saw its towering levees and wondered who could live on the other side.

Read more less

In an examination of Southern slave law between 1810 and 1860, Mark Tushnet reveals a structured dichotomy between slave labor systems and bourgeois systems of production. Whereas the former rest on the total dominion of the master over the slave and necessitate a concern for the slave's humanity, the latter rest of the purchase by the capitalist of a worker's labor power only and are concerned primarily with economic interest. Focusing on a wide range of issues that include contract and accident law as well as criminal law and the law of manumission, he shows how Southern slave law had to respond to the competing pressures of humanity and interest.Beginning with a critical evaluation of slave law, the author develops the conceptual framework for his own perspective on the legal system, drawing on the works of Marx and Weber. He then examines four appellate court cases decided in three different states, from civil-law Louisiana to commonlaw North Carolina, at widely separated times, from 1818 to 1858.Professor Tushnet finds that the cases display a continuing but never wholly successful attempt at distinguish between law and sentiment as modes of regulating social interactions involving slaves. Also, the cases show that the primary method of accommodating law and sentiment was an attempt to use rigid categories to confine the law of slavery to what was thought its proper sphere.Mark Tushnet is Professor of Law at the University of Wisconsin.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Read more less

'A landmark piece of non-fiction' Janet Maslin, The New York TimesFrom the winner of the Pulitzer Prize, this is one of the great untold stories of American history: the migration of black citizens who fled the south and went north in search of a better life From 1915 to 1970, an exodus of almost six million people would change the face of America. With stunning historical detail, Pulitzer prize-winning journalist Isabel Wilkerson gives us this definitive, vividly dramatic account of how these journeys unfolded. Based on interviews with more than a thousand people, and access to new data and official records, The Warmth of Other Suns tells the story of America's Great Migration through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career.Wilkerson brilliantly captures their first treacherous and exhausting cross-country journeys, as well as how they changed their new homes forever.'You will never forget these people' Gay Talese'A brilliant and stirring epic' John Stauffer, Wall Street Journal 'The mass migration of African Americans out of the US south forever changed the country's cultural fabric - and Wilkerson's history of this period is full of sacrifice and hope ... a long overdue account' Lettecha Johnson, Guardian'A deeply affecting, finely crafted and heroic book. . . .Wilkerson has taken on one of the most important demographic upheavals of the past century and told it through the lives of three people ... lyrical and tragic' Jill Lepore, New Yorker

Read more less