Search results for ""Dumont""

Spanning the period from the Massey Commission to the present and reflecting on the media of print, film, and song, this study attends to the burgeoning energy of women writers across genres. It explores how their work interprets our national story. The questioning, disruptive feminist practice of their fiction, filmmaking, poetry, song-writing, drama, and non-fiction reveals the tensions of colonial society at the same time as it transforms cultural life in Canada. Women’s Writing in Canada resurrects foremothers who were active before and after the mid-century – Ethel Wilson, Gabrielle Roy, Gwen Pharis Ringwood, Dorothy Livesay, and P.K. Page – as well as such forgotten writers as Grace Irwin, Patricia Blondal, and Edna Jaques. Its breadth extends to the contemporary voices and influences of novelists Tracey Lindberg and Heather O’Neill, poets Marilyn Dumont and Leanne Betasamosake Simpson, playwrights Hannah Moscovitch and Anna Chatterton, and filmmakers Sarah Polley and Mina Shum. Writing for children as well as memoirs, autobiographies, comic books, and cookbooks illustrate the wide and impressive range of women’s talents.

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An unforgettable look at a lifetime of Twins baseball packed with Bremer's self-deprecating humor and passion for the game ​ Dick Bremer's distinctive baritone has served as the soundtrack of Minnesota Twins baseball for over three decades. Millions of fans have enjoyed his observations, insight, and magical storytelling on television broadcasts. Now, in this striking memoir, the Minnesota native and lifelong Twins fan takes fans behind the mic, into the clubhouse, and beyond as only he can. Told through 108 unique anecdotes—one for each stitch in a baseball—Bremer weaves the tale of a lifetime, from childhood memories of the ballfield in smalltown Dumont, Minnesota, to his early radio days as “The Duke in the Dark,” to champagne-soaked clubhouses in 1987 and 1991, and his encounters with Twins legends ranging from Calvin Griffith and Harmon Killebrew, to Kirby Puckett and Kent Hrbek, to Joe Mauer and Justin Morneau. This honest and engaging autobiography gives fans a rare seat alongside Bremer and his broadcast partners, including Killebrew, Bert Blyleven, Jack Morris, Jim Kaat, Tom Kelly, and other Twins legends.

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This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies.Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)

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Descripcion: 11x 18 cm.Encuadernacion:Tapa Blanda.En 1550 comenzó un espectáculo insólito para el mundo: por primera vez en la historia, un emperador paraliza la expansión de su imperio para suscitar un debate: es conforme a la justicia la civilización y conversión de los indios del Nuevo Mundo? A la pregunta de Carlos V intentarán responder dos hombres excepcionales que, ante su consejo compuesto por quince expertos que se reúnen en el Colegio San Gregorio de Valladolid, expondrán sus respectivas tesis: Juan Ginés de Sepúlveda y Bartolomé de Las Casas. Esta Controversia constituye el primer gran debate sobre los derechos humanos: sólo desde éstos se puede transmitir a otra cultura los propios valores con justicia y en conciencia; y sienta las bases de la práctica del derecho internacional. Juan Dumont (1923-2001), hispanista francés, infatigable autor, editor y director de más de mil obras de historia, descubrió importantes archivos españoles inéditos y es considerado en España

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The Masquerade has only two rules: Depart by morning and never reveal your identity.HE IS LONDON''S MOST ELIGIBLE BACHELORJames, the Earl of Kent, is at the top of every debutante''s list for marriage. He''s handsome, wealthy, and on the lookout for a bride. But when he meets a mysterious beauty at London''s most illicit club, fascination becomes intrigue - and she harbours deadly secrets.SHE IS A PENNILESS NOBODYIn a desperate bid to save her criminal sister, Emma Dumont infiltrates the earl''s household under false pretences. When a clue leads her to a scandalous masque, she finds herself in the arms of her handsome employer - and torn between duty and lethal attraction.As her sister''s crimes threaten to expose Emma''s deception, she becomes entangled in a brutal conspiracy. And with the truth comes danger...***Readers LOVE A Touch Wicked: ''A wonderfully seductive read

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Leo Bersani, known for his provocative interrogations of psychoanalysis, sexuality, and the human body, centers his latest book on a surprisingly simple image: a newborn baby simultaneously crying out and drawing its first breath. These twin ideas—absorption and expulsion, the intake of physical and emotional nourishment and the exhalation of breath—form the backbone of Receptive Bodies, a thoughtful new essay collection. These titular bodies range from fetuses in utero to fully eroticized adults, all the way to celestial giants floating in space. Bersani illustrates his exploration of the body’s capacities to receive and resist what is ostensibly alien using a typically eclectic set of sources, from literary icons like Marquis de Sade to cinematic provocateurs such as Bruno Dumont and Lars von Trier. This sharp and wide-ranging book will excite scholars of Freud, Foucault, and film studies, or anyone who has ever stopped to ponder the give and take of human corporeality.

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Summer, 1901. For days, heat has been rising. London swelters; a long-expected storm promises to break. In Baker Street, Sherlock Holmes is visited by a peculiar American who arrives with a warning about a strange new kind of murderer. In the West End, Dr John Watson is watching his wife, the actress, Genevieve, prepare for her greatest role to date – only for her to be confronted by a terrible ghost from the past. There are surprising connections between these events, a web of apparent coincidence which soon draws in others: Colonel Sebastian Moran, Mycroft Holmes, a dangerously ambitious young politician and – waiting patiently for the moment to finally make her move – the mysterious organising power at the head of the underworld, the Seamstress of Peckham Rye. CAST: Nicholas Briggs (Sherlock Holmes), Richard Earl (Dr John Watson), Juliet Aubrey (The Seamstress), John Banks (Colonel Sebastian Moran/Inspector Lestrade), Timothy Bentinck (Mycroft Holmes), Lucy Briggs-Owen (Genevieve Dumont (Watson)), Jemma Churchill (Molly Black), Tim Faulkner (Jacob Black), James Joyce (Inspector Silas Fisher), James MacCallum (Jasper Cranfield/Jackson), Glen McCready (Doorman/Actor-Manager/Speaker of the House). Other parts played by members of the cast.

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Descubrimos el pasado de Esteban y Sarah en elcuarto tomo de esta escalofriante serie!lex está dispuesto a desvelar el secreto de la brigada de las pesadillas,ero mientras está en plena investigación, desaparece sin dejarastro... pesar de sus rencillas con él, Tristan está decidido a descubrir qué eso que ha sucedido y a desentrañar el misterio que ocultan los bosquesue rodean la clínica. Para ello, necesita la ayuda de Esteban y Sarah,ero sus amigos están intentando resolver otra incógnita relacionadaon su pasado... Quién es Mélissandre?ranck Thilliez es ingeniero informático pero, desde el 2005, seedica exclusivamente a la literatura. Es autor superventas en Francia un experto en género negro. El éxito le llegó con La Chambre desorts (2005), que recibió importantes premios y fue llevada al cineor el director Alfred Lot. Desde entonces, ha publicado obras tanmblemáticas como El ángel rojo, Gataca, Atomka o Paranoia.omgui Dumont es un ilustrador que trabaja en multimedia,nimación, publ

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This is a sumptuous catalog of regional landscape paintings and the talented, living artists who create them, including Robert J. Barber, Denise Dumont, Michael Godfrey, Hai-Ou Hou, Abigail McBride, and Sam Robinson. It is packed with over 400 eye-catching color reproductions of work by some of today's finest plein air artists, including spectacular beach scenes, pastorals, cityscapes, and harbor scenes. This informative volume also includes a concise history of landscape painting in Pennsylvania, New Jersey, Maryland, Delaware, and Virginia, showing examples of great art of the past by some outstanding Mid-Atlantic painters, including the Pennsylvania Impressionists, the New Jersey Manasquan Art Colony, the Egelis, and much more. This volume fills an empty niche in the rich history of American art. It is an ideal book for anyone, who loves plein air landscape painting, and a wonderful introduction to traditional art of the region. It will appeal to art historians, dealers, and collectors alike.

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Le Père Emmanuel Lanne, moine de Chevetogne, théologien compétent et ÷cuméniste renommé surtout pour les relations avec les Églises d’Orient, a joué un rôle important au Concile Vatican II. Comme interprète pour les observateurs non catholiques, comme membre du Secrétariat pour l’Unité et comme recteur du Collège grec à Rome, il a été un homme de contact et de liaison avec les Églises orthodoxes et orientales catholiques. Son rôle a été prépondérant dans la rédaction du chapitre 3 du Décret Unitatis redintegratio sur l’÷cuménisme et il fut particulièrement proche de Mgr Willebrands, du patriarche Maximos IV, de Christophe Dumont, de Mgr Edelby. Il a conservé soigneusement ses archives du Concile, non seulement les nombreux projets de texte mais aussi des notes personnelles et des études théologiques sur l’Église locale, la collégialité, la Nota Explicativa Praevia etc. Dans l’Inventaire ses papiers ont été classés chronologiquement selon les documents du concile. Un bref résumé des lettres de la correspondance a été rédigé. Un index onomastique complète le volume.

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Leo Bersani, known for his provocative interrogations of psychoanalysis, sexuality, and the human body, centers his latest book on a surprisingly simple image: a newborn baby simultaneously crying out and drawing its first breath. These twin ideas—absorption and expulsion, the intake of physical and emotional nourishment and the exhalation of breath—form the backbone of Receptive Bodies, a thoughtful new essay collection. These titular bodies range from fetuses in utero to fully eroticized adults, all the way to celestial giants floating in space. Bersani illustrates his exploration of the body’s capacities to receive and resist what is ostensibly alien using a typically eclectic set of sources, from literary icons like Marquis de Sade to cinematic provocateurs such as Bruno Dumont and Lars von Trier. This sharp and wide-ranging book will excite scholars of Freud, Foucault, and film studies, or anyone who has ever stopped to ponder the give and take of human corporeality.

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Told from the perspective of a high school girl and a football coach, Broken Field reveals the tensions that tear at the fabric of a small town when a high school hazing incident escalates and threatens a championship season.Set on the high prairies of Montana, in small towns scattered across vast landscapes, the distances in Broken Field are both insurmountable and deeply internalized. Life is dusty and hard, and men are judged by their labor. Women have to be tougher yet. That's what sixteen-year-old Josie Frehse learns as she struggles to meet the expectations of her community while fumbling with her own desires. Tom Warner coaches the Dumont Wolfpack, an eight-man football team, typical for such small towns.Warner is stumbling through life, numbed by the death of his own young son and the dissolution of his marriage. But he's jolted into taking sides when his star players are accused of a hazing incident that happened right under his nose.The scandal divides and ignites the town and in Broken Field, Jeff Hull brilliantly gives breadth and depth to both sides of this fractured community, where the roots of bullying reach deep, secrets are buried, and, in a school obsessed with winning, everyone loses.

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London, 1716. Revenge is a dish best served ice-cold…’An immersive, action-packed thriller with intrigue in the air and threats around every corner’ The Herald’Great fun ... the language is colourful and the action never stops’ Laura Shepherd-RobinsonThe city is caught in the vice-like grip of a savage winter. Even the Thames has frozen over. But for Jonas Flynt – thief, gambler, killer – the chilling elements are the least of his worries…Justice Geoffrey Dumont has been found dead at the base of St Paul’s cathedral, and a young male sex-worker, Sam Yates, has been taken into custody for the murder. Yates denies all charges, claiming he had received a message to meet the judge at the exact time of death.The young man is a friend of courtesan Belle St Clair, and she asks Flynt to investigate. As Sam endures the horrors of Newgate prison, they must do everything in their power to uncover the truth and save an innocent life, before the bodies begin to pile up.But time is running out. And the gallows are beckoning...A totally enrapturing portrayal of eighteenth-century London, and a rapier-like crime thriller, perfect for fans of Laura Shepherd-Robinson, Antonia Hodgson and Ambrose Parry.

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Era necesario un libro como éste y lo prueba el gran interés con el que se está leyendo, hasta el punto de que su primera edición se agotó al cabo de unos días. Qué pasa en las tripas de los periódicos, de las cadenas de radio y de televisión? Qué hay en el origen de este falseamiento cotidiano de la realidad? Este libro examina con lupa los media franceses y belgas. El proceso de fabricación de las mentiras que elaboran los media es reconstruido y desmontado a la vista de todos, y descubrimos que, sobre cada episodio, sobre el meollo de cada conflicto, hemos sido gravemente manipulados.Pero podía esperarse otra cosa de una "opinión pública" basada en la información-propaganda?A partir de la guerra del Golfo y de otros ejemplos (Somalia, Yugoslavia, Perú) este libro nos da las claves para analizar los propios media: las manipulaciones de nuestra prensa y de nuestras TV.Se convierte así en un manual de autodefensa...René Dumont, Ramsey Clark, Madhi Elmadjra, Noam Chomsky

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Spanning the period from the Massey Commission to the present and reflecting on the media of print, film, and song, this study attends to the burgeoning energy of women writers across genres. It explores how their work interprets our national story. The questioning, disruptive feminist practice of their fiction, filmmaking, poetry, song-writing, drama, and non-fiction reveals the tensions of colonial society at the same time as it transforms cultural life in Canada. Women’s Writing in Canada resurrects foremothers who were active before and after the mid-century – Ethel Wilson, Gabrielle Roy, Gwen Pharis Ringwood, Dorothy Livesay, and P.K. Page – as well as such forgotten writers as Grace Irwin, Patricia Blondal, and Edna Jaques. Its breadth extends to the contemporary voices and influences of novelists Tracey Lindberg and Heather O’Neill, poets Marilyn Dumont and Leanne Betasamosake Simpson, playwrights Hannah Moscovitch and Anna Chatterton, and filmmakers Sarah Polley and Mina Shum. Writing for children as well as memoirs, autobiographies, comic books, and cookbooks illustrate the wide and impressive range of women’s talents.

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In Un/common Cultures, Kamala Visweswaran develops an incisive critique of the idea of culture at the heart of anthropology, describing how it lends itself to culturalist assumptions. She holds that the new culturalism—the idea that cultural differences are definitive, and thus divisive—produces a view of “uncommon cultures” defined by relations of conflict rather than forms of collaboration. The essays in Un/common Cultures straddle the line between an analysis of how racism works to form the idea of “uncommon cultures” and a reaffirmation of the possibilities of “common cultures,” those that enact new forms of solidarity in seeking common cause. Such “cultures in common” or “cultures of the common” also produce new intellectual formations that demand different analytic frames for understanding their emergence. By tracking the emergence and circulation of the culture concept in American anthropology and Indian and French sociology, Visweswaran offers an alternative to strictly disciplinary histories. She uses critical race theory to locate the intersection between ethnic/diaspora studies and area studies as a generative site for addressing the formation of culturalist discourses. In so doing, she interprets the work of social scientists and intellectuals such as Elsie Clews Parsons, Alice Fletcher, Franz Boas, Louis Dumont, Claude Lévi-Strauss, Clifford Geertz, W. E. B. Du Bois, and B. R. Ambedkar.

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London, 1716. Revenge is a dish best served ice-cold…’An immersive, action-packed thriller with intrigue in the air and threats around every corner’ The Herald’Great fun ... the language is colourful and the action never stops’ Laura Shepherd-RobinsonThe city is caught in the vice-like grip of a savage winter. Even the Thames has frozen over. But for Jonas Flynt – thief, gambler, killer – the chilling elements are the least of his worries…Justice Geoffrey Dumont has been found dead at the base of St Paul’s cathedral, and a young male sex-worker, Sam Yates, has been taken into custody for the murder. Yates denies all charges, claiming he had received a message to meet the judge at the exact time of death.The young man is a friend of courtesan Belle St Clair, and she asks Flynt to investigate. As Sam endures the horrors of Newgate prison, they must do everything in their power to uncover the truth and save an innocent life, before the bodies begin to pile up.But time is running out. And the gallows are beckoning...A totally enrapturing portrayal of eighteenth-century London, and a rapier-like crime thriller, perfect for fans of Laura Shepherd-Robinson, Antonia Hodgson and Ambrose Parry.

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Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the body Presents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinking Expands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and film Makes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realism The Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold. To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure.

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As museums worldwide shuttered in 2020 because of the novel coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight dialogues in this book explores a particular topic of relevance to art institutions today, and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. CONVERSATION PARTNERS: Marion Ackermann, Cecilia Alemani, Anton Belov, Meriem Berrada, Daniel Birnbaium, Tom Campbell, Tania Cohen, Rhana Devenport, Maria Mercedes Gonzales, Max Hollein, Sandra Jackson-Dumont, Mami Kataoka, Brian Kennedy, Koyo Kouoh, Sonia Lawson, Adam Levine, Victoria Noorthoorn, Hans Ulrich Obrist, Anne Pasternak, Adriano Pedrosa, Suhanya Raffel, Axel Ruger, Katrina Sedwick, Franklin Sirmans, Eugene Tan, Phil Tinari, Marc-Olivier Wahler, Marie-Cécile Zinsou

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A gripping history of the polar continent, from the great discoveries of the nineteenth century to modern scientific breakthroughsAntarctica, the ice kingdom hosting the South Pole, looms large in the human imagination. The secrets of this vast frozen desert have long tempted explorers, but its brutal climate and glacial shores notoriously resist human intrusion. Land of Wondrous Cold tells a gripping story of the pioneering nineteenth-century voyages, when British, French, and American commanders raced to penetrate Antarctica’s glacial rim for unknown lands beyond. These intrepid Victorian explorers—James Ross, Dumont D’Urville, and Charles Wilkes—laid the foundation for our current understanding of Terra Australis Incognita.Today, the white continent poses new challenges, as scientists race to uncover Earth’s climate history, which is recorded in the south polar ice and ocean floor, and to monitor the increasing instability of the Antarctic ice cap, which threatens to inundate coastal cities worldwide. Interweaving the breakthrough research of the modern Ocean Drilling Program with the dramatic discovery tales of its Victorian forerunners, Gillen D’Arcy Wood describes Antarctica’s role in a planetary drama of plate tectonics, climate change, and species evolution stretching back more than thirty million years. An original, multifaceted portrait of the polar continent emerges, illuminating our profound connection to Antarctica in its past, present, and future incarnations.A deep-time history of monumental scale, Land of Wondrous Cold brings the remotest of worlds within close reach—an Antarctica vital to both planetary history and human fortunes.

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A gripping history of the polar continent, from the great discoveries of the nineteenth century to modern scientific breakthroughsAntarctica, the ice kingdom hosting the South Pole, looms large in the human imagination. The secrets of this vast frozen desert have long tempted explorers, but its brutal climate and glacial shores notoriously resist human intrusion. Land of Wondrous Cold tells a gripping story of the pioneering nineteenth-century voyages, when British, French, and American commanders raced to penetrate Antarctica’s glacial rim for unknown lands beyond. These intrepid Victorian explorers—James Ross, Dumont D’Urville, and Charles Wilkes—laid the foundation for our current understanding of Terra Australis Incognita.Today, the white continent poses new challenges, as scientists race to uncover Earth’s climate history, which is recorded in the south polar ice and ocean floor, and to monitor the increasing instability of the Antarctic ice cap, which threatens to inundate coastal cities worldwide. Interweaving the breakthrough research of the modern Ocean Drilling Program with the dramatic discovery tales of its Victorian forerunners, Gillen D’Arcy Wood describes Antarctica’s role in a planetary drama of plate tectonics, climate change, and species evolution stretching back more than thirty million years. An original, multifaceted portrait of the polar continent emerges, illuminating our profound connection to Antarctica in its past, present, and future incarnations.A deep-time history of monumental scale, Land of Wondrous Cold brings the remotest of worlds within close reach—an Antarctica vital to both planetary history and human fortunes.

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Over recent decades, there have been pivotal changes in the management and protection of water resources as human rights, environmental and water law have all turned towards the conservation of freshwater. This astute Research Handbook analyses the interactions and interplay between law and other fields, bringing together interdisciplinary contributors, from both academic and practitioner background, to establish the extent to which law is being informed by other fields.Providing expert advice from disciplines ranging from law and political science to geography and hydrogeology, this Research Handbook critically examines the impact on freshwater law on various disciplines. Offering concrete illustrations of the relationships between environmental sciences and law, and combining legal research with theories of international relations, political science, and environmental sciences, the Research Handbook on Freshwater Law and International Relations provides an original methodology to examine the challenge of freshwater management and protection.The insights provided by this Research Handbook will be invaluable to law and political science researchers with an interest freshwater law and international relations, as well as advanced students of environmental sciences and practitioners and decision makers in freshwater management and protection.Contributors include: D. Azaria, A. Aureli, M. Beniston, L. Boisson de Chazournes, T. Bolognesi, C. Bréthaut, L. Caflisch, A. Correia Lima Macedo Franca, A. Dumont, E. Dupuits, E. Fiechter-Widemann, S. Hawkins, S. Kpenou, Z.W. Kundzewicz, C. Leb, L. Maertens, R. Martin-Nagle, M.M. Mbengue, S. McCaffrey, O. McIntyre, M. Milano, N. Odili, G. Pflieger, S.M.A. Salman, E. Reynard, A. Rivera, M. Stoffel, A. Tanzi, M. Tignino, L. Turley, B. Zerhdoud

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Conan Doyle's beloved sleuth is back! Big Finish's Sherlock Holmes range covers tellings of some of the classic Holmes stories such as The Hound of the Baskervilles, as well as a whole run of brand new tales from writers including Jonathan Barnes. 1. The Master of Blackstone Grange. The arrival at Baker Street of a client who, unusually, seeks advice from both men brings to their attention the existence of an isolated manor house in the east of England known as Blackstone Grange. The place, for so long the locus of wild rumours of witchcraft and sorcery, has acquired a very modern new master - a charismatic socialite named `Honest' Jim Sheedy, a man of boundless ambition whose influence over British society appears, inexplicably, to be growing. The detective learns that Colonel Sebastian Moran, released early from prison, travels to meet with Sheedy on the very day of his freedom. But curiosity curdles into obsession when Mycroft warns his brother, in the strictest possible terms, against investigating any further. 2.The Adventure of the Fleet Street Transparency. London at night. Westminster, at the end of the age of empire. And here, two days before Christmas, an extraordinary mystery is about to unfold. Footprints in the snow, an unfathomable assault in a Turkish bath... Watson is baffled, but Holmes has a growing suspicion that a seemingly fantastical encounter will become a reality. Holmes has been played at Big Finish by Nicholas Briggs for some years, but he's also known for his voice - actor roles on TV's Doctor Who, including a variety of monsters including the Daleks. Blake Ritson's role of Dr Kemp is a follow-on from Big Finish's regarded version of HG Wells' The Invisible Man which starred the late, great John Hurt. CAST: Nicholas Briggs (Sherlock Holmes), Richard Earl (Dr John Watson), Harry Peacock (`Honest' Jim Sheedy), Lucy Briggs-Owen (Genevieve Dumont), Tim Bentinck (Mycroft Holmes / Apothecary), John Banks (Colonel Sebastian), Eve Webster (Grace / Ettie), Nigel Hastings (Horace Grigg), David Birrell (Inspector Felix Abell / Lord Arthur Perowne), Tomm Coles (Ferndown / Chilcott), Blake Ritson (Dr Kemp), Anjella Mackintosh (Lydia Rangeley / Sally), Leighton Pugh (Hubert Rangeley / Clark / Mr Blythe / Impressario).

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One of Time Out's “LGBTQ+ books for kids to read during Pride Month,” this groundbreaking, pop-culture-infused illustrated biography collection takes readers on an eye-opening journey through the lives of fifty influential queer figures who have made a mark on every century of human existence. Rainbow Revolutionaries brings to life the vibrant histories of fifty pioneering LGBTQ+ people from around the world. Through Sarah Prager’s (Queer, There, and Everywhere) short, engaging bios, and Sarah Papworth’s bold, dynamic art, readers can delve into the lives of Wen of Han, a Chinese emperor who loved his boyfriend as much as his people, Martine Rothblatt, a trans woman who’s helping engineer the robots of tomorrow, and so many more! This book is a celebration of the many ways these heroes have made a difference and will inspire young readers to make a difference, too. Featuring an introduction, map, timeline, and glossary, this must-have biography collection is the perfect read during Pride month and all year round. Biographies include: Adam Rippon, Alan L. Hart, Alan Turing, Albert Cashier, Alberto Santos-Dumont, Alexander the Great, Al-Hakam II, Alvin Ailey, Bayard Rustin, Benjamin Banneker, Billie Jean King, Chevalière d'Éon, Christina of Sweden, Christine Jorgensen, Cleve Jones, Ellen DeGeneres, Francisco Manicongo, Frida Kahlo, Frieda Belinfante, Georgina Beyer, Gilbert Baker, Glenn Burke, Greta Garbo, Harvey Milk, James Baldwin, Jóhanna Sigurðardóttir, José Sarria, Josephine Baker, Juana Inés de la Cruz, Julie d'Aubigny, Lili Elbe, Ma Rainey, Magnus Hirschfeld, Manvendra Singh Gohil, Marsha P. Johnson, Martine Rothblatt, Maryam Khatoon Molkara, Natalie Clifford Barney, Navtej Johar, Nzinga, Pauli Murray, Renée Richards, Rudolf Nureyev, Sally Ride, Simon Nkoli, Stormé DeLarverie, Sylvia Rivera, Tshepo Ricki Kgositau, Wen of Han, We’wha*A Junior Library Guild Selection*

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The heyday of American Indian activism is generally seen as bracketed by the occupation of Alcatraz in 1969 and the Longest Walk in 1978; yet Native Americans had long struggled against federal policies that threatened to undermine tribal sovereignty and self-determination. This is the first book-length study of American Indian political activism during its seminal years, focusing on the movement's largely neglected early efforts before Alcatraz or Wounded Knee captured national attention.Ranging from the end of World War II to the late 1960s, Daniel Cobb uncovers the groundwork laid by earlier activists. He draws on dozens of interviews with key players to relate untold stories of both seemingly well-known events such as the American Indian Chicago Conference and little-known ones such as Native participation in the Poor People's Campaign of 1968. Along the way, he introduces readers to a host of previously neglected but critically important activists: Mel Thom, Tillie Walker, Forrest Gerard, Dr. Jim Wilson, Martha Grass, and many others.Cobb takes readers inside the early movement - from D'Arcy McNickle's founding of American Indian Development, Inc. and Vine Deloria Jr.'s tenure as executive director of the National Congress of American Indians to Clyde Warrior's leadership in the National Indian Youth Council - and describes how early activists forged connections between their struggle and anticolonialist movements in the developing world. He also describes how the War on Poverty's Community Action Programs transformed Indian Country by training bureaucrats and tribal leaders alike in new political skills and providing activists with the leverage they needed to advance the movement toward self-determination.This book shows how Native people who never embraced militancy - and others who did - made vital contributions as activists well before the American Indian Movement burst onto the scene. By highlighting the role of early intellectuals and activists like Sol Tax, Nancy Lurie, Robert K. Thomas, Helen Peterson, and Robert V. Dumont, Cobb situates AIM's efforts within a much broader context and reveals how Native people translated the politics of Cold War civil rights into the language of tribal sovereignty.

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More than two dozen stories of Indigenous resistance to the privatization and allotment of Indigenous lands Land privatization has been a longstanding and ongoing settler colonial process separating Indigenous peoples from their traditional homelands, with devastating consequences. Allotment Stories delves into this conflict, creating a complex conversation out of narratives of Indigenous communities resisting allotment and other dispossessive land schemes.From the use of homesteading by nineteenth-century Anishinaabe women to maintain their independence to the role that roads have played in expropriating Guam’s Indigenous heritage to the links between land loss and genocide in California, Allotment Stories collects more than two dozen chronicles of white imperialism and Indigenous resistance. Ranging from the historical to the contemporary and grappling with Indigenous land struggles around the globe, these narratives showcase both scholarly and creative forms of expression, constructing a multifaceted book of diverse disciplinary perspectives. Allotment Stories highlights how Indigenous peoples have consistently used creativity to sustain collective ties, kinship relations, and cultural commitments in the face of privatization. At once informing readers while provoking them toward further research into Indigenous resilience, this collection pieces back together some of what the forces of allotment have tried to tear apart.Contributors: Jennifer Adese, U of Toronto Mississauga; Megan Baker, U of California, Los Angeles; William Bauer Jr., U of Nevada, Las Vegas; Christine Taitano DeLisle, U of Minnesota–Twin Cities; Vicente M. Diaz, U of Minnesota–Twin Cities; Sarah Biscarra Dilley, U of California, Davis; Marilyn Dumont, U of Alberta; Munir Fakher Eldin, Birzeit U, Palestine; Nick Estes, U of New Mexico; Pauliina Feodoroff; Susan E. Gray, Arizona State U; J. Kēhaulani Kauanui, Wesleyan U; Rauna Kuokkanen, U of Lapland and U of Toronto; Sheryl R. Lightfoot, U of British Columbia; Kelly McDonough, U of Texas at Austin; Ruby Hansen Murray; Tero Mustonen, U of Eastern Finland; Darren O’Toole, U of Ottawa; Shiri Pasternak, Ryerson U; Dione Payne, Te Whare Wānaka o Aoraki–Lincoln U; Joseph M. Pierce, Stony Brook U; Khal Schneider, California State U, Sacramento; Argelia Segovia Liga, Colegio de Michoacán; Leanne Betasamosake Simpson; Jameson R. Sweet, Rutgers U; Michael P. Taylor, Brigham Young U; Candessa Tehee, Northeastern State U; Benjamin Hugh Velaise, Google American Indian Network.

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Until its recent political thaw, Burma was closed to most foreign researchers, and fieldwork-based research was rare. In The Traffic in Hierarchy, one of the few such works to appear in recent years, author Ward Keeler combines close ethnographic attention to life in a Buddhist monastery with a broad analysis of Burman gender ideology. The result is a thought-provoking analysis of Burmese social relations both within and beyond a monastery’s walls. Keeler shows that the roles individuals choose in Burman society entail inevitable trade-offs in privileges and prestige. A man who becomes a monk gives up some social opportunities but takes on others and gains great respect. Alternatively, a man can become a head of household. Or he can choose to take on a feminine gender identity—to the derision of many but not necessarily his social exclusion. A woman, by contrast, is expected to concern herself with her relations with family and kin. Any interest she might show in becoming a nun arouses ambivalent reactions: although it fulfills Buddhist teachings, it contravenes assumptions about a woman’s proper role. In Burma, hierarchical understandings condition all relationships, but hierarchy implies relations of exchange, not simply inequality, and everyone takes on subordinate roles in their bonds with some, and superordinate ones with others. Knowing where power lies and how to relate to it appropriately is key. It may mean choosing at times to resist power, but more often it involves exercising care as to whom one wishes to subordinate oneself, in what ways, and on what terms.Melding reflections on the work of theorists such as Dumont, Anderson, Warner, and Kapferer with close attention to the details of Burman social interaction, Keeler balances theoretical insights and ethnographic observation to produce a rich and challenging read. The conundrum at the heart of this book—whether to opt for autonomy, the Buddhist seeking of detachment, or for attachment, the desire for close bonds with others—is one that all humans, not just Burmans, must confront, and it is one that admits of no final resolution.

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A world at war. A beautiful young star. A mission no one expected.'A truly outstanding novel, brilliantly written, that captured me and held me in its grip from page one. The Black Swan of Paris reminds us of the power of love, hope and courage'Heather Morris, #1 bestselling author of The Tattooist of AuschwitzParis, 1944Celebrated singer Genevieve Dumont is both a star and a smokescreen. An unwilling darling of the Nazis, her position of privilege allows her to go undetected as an ally to the resistance.When her estranged mother, Lillian de Rocheford, is captured by Nazis, Genevieve is shaken. She knows it won't be long before the Gestapo succeeds in torturing information out of Lillian that will derail the upcoming allied invasion. The resistance movement is tasked with silencing her by any means necessary - including assassination.But Genevieve refuses to let her mother become yet one more victim of the war. Reuniting with her long-lost sister, she must find a way to navigate the perilous cross-currents of Occupied France undetected - and in time to save Lillian's life.For fans of Danielle Steele's The Spy, Jane Thynne's Black Roses and Heather Morris' The Tattooist of Auschwitz, this exquisite novel illuminates three women's strength, courage and capacity for unconditional love.PRAISE FOR THE BLACK SWAN OF PARIS'Emotional and powerful'Pam Jenoff, bestselling author of The Lost Girls of Paris'Beautifully written and completely absorbing. 'Noelle Salazar, bestselling author of The Flight Girls'An extraordinarily suspenseful, emotional read'Kelly Rimmer, bestselling author of The Things We Cannot SayReader Reviews:'Perfect! This novel was the first I've read by this author but I will definitely be reading more of her work. It was pacy, exciting, heart-breaking in places, with a truly believable romance sub-plot that was centred around characters I cared about.''A high octane read which is a real page turner and captures the heightened tension of the war perfectly. A brilliant read that I would recommend.''This is an excellent WWII historical fiction novel and it is for anyone that loves a good plot, suspense, and anyone that loves to read about the impressive underdog of the Resistance in France during the Occupation.'Robards paints a beautiful capture of the true Parisian Paris during WWII. Her first historical fiction should be praised for the attention to detail, emotional and action packed novel.'

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With the publication of French Philosophy of the Sixties, Alain Renaut and Luc Ferry in 1985 launched their famous critique against canonical figures such as Foucault, Derrida, and Lacan, bringing under rigorous scrutiny the entire post-structuralist project that had dominated Western intellectual life for over two decades. Their goal was to defend the accomplishments of liberal democracy, particularly in terms of basic human rights, and to trace the reigning philosophers' distrust of liberalism to an "antihumanism" inherited mainly from Heidegger. In The Era of the Individual, widely hailed as Renaut's magnum opus, the author explores the most salient feature of post-structuralism: the elimination of the human subject. At the root of this thinking lies the belief that humans cannot know or control their basic natures, a premise that led to Heidegger's distrust of an individualistic, capitalist modern society and that allied him briefly with Hitler's National Socialist Party. While acknowledging some of Heidegger's misgivings toward modernity as legitimate, Renaut argues that it is nevertheless wrong to equate modernity with the triumph of individualism. Here he distinguishes between individualism and subjectivity and, by offering a history of the two, powerfully redirects the course of current thinking away from potentially dangerous, reductionist views of humanity. Renaut argues that modern philosophy contains within itself two opposed ways of conceiving the human person. The first, which has its roots in Descartes and Kant, views human beings as subjects capable of arriving at universal moral judgments. The second, stemming from Leibniz, Hegel, and Nietzsche, presents human beings as independent individuals sharing nothing with others. In a careful recounting of this philosophical tradition, Renaut shows the resonances of these traditions in more recent philosophers such as Heidegger and in the social anthropology of Louis Dumont. Renaut's distinction between individualism and subjectivity has become an important issue for young thinkers dissatisfied with the intellectual tradition originating in Nietzsche and Heidegger. Moreover, his proclivity toward the Kantian tradition, combined with his insights into the shortcomings of modernity, will interest anyone concerned about today's shifting cultural attitudes toward liberalism. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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