Search results for ""Author Philippe""

Lviv, Lwów, Lvov, Lemberg. Known by a variety of names, the City of Lions is now in western Ukraine. Situated in different countries during its history, it is a city located along the fault-lines of Europe's history. City of Lions presents two essays, written more than half a century apart - but united by one city. Józef Wittlin's sensual and lyrical paean to his Lwów, written in exile, is a deep cry of love and pain for his city, where most people he knew have fled or been killed. Philippe Sands' finely honed exploration of what has been lost and what remains interweaves a lawyer's love of evidence with the emotional heft of a descendant of Lviv. With an illuminating preface by Eva Hoffman and stunning new photographs by Diana Matar, City of Lions is a powerful and melancholy evocation of central Europe in the twentieth century, with a special resonance for today's troubled continent.

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Political science scholars consider the four-volume work "Transitions from Authoritarian Rule" to be a foundational text for studying the process of democratization, specifically in those cases where an authoritarian regime is giving way to some form of democratic government. The most important of the four books is without a doubt the fourth volume, "Tentative Conclusions about Uncertain Democracies", also known as "the little green book." "Transitions from Authoritarian Rule" was the first book in any language to systematically compare the process of transition from authoritarianism across a broad range of countries. Political democracy is not the only possible outcome. Guillermo O'Donnell, Philippe C. Schmitter, and Laurence Whitehead emphasize that it's not the revolution but the transition that is critical to the growth of a democratic state. This ground-breaking insight remains highly relevant as the ramifications of the Arab Spring continue to play out. This reissue features a new foreword by Cynthia J. Arnson, director of the Latin American Program at the Woodow Wilson International Center for Scholars, and Abraham F. Lowenthal, founding director of the Latin American Program, who wrote the original volume's foreword.

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First, there is a soft rustle in the underbrush, then a low-slung, utterly bizarre-looking insectivore dashes in front of Eladio Fernández. With a reflexive click of digital shutter, he's captured the reclusive (Solenodon paradoxus--a living fossil. A Dominican-based conservationist and photographer, Fernandez is documenting the efforts of a distinguished team of international scientists as they unravel the workings of evolution being played out on the island of Hispaniola.A short flight from the Florida coast, Hispaniola offers unique opportunities, not just to photographers like Fernández, but to evolutionary biologists as well. At 40 million years, Hispaniola is far older than the Galápagos. Its considerable age, along with a diversity of habitats--from mountains and cloud forests to savannahs and tropical lowlands--makes this island one of the most spectacular, if poorly understood, troves of biota on the planet. The extraordinary richness of species, much of it endangered and yet to be described, is showcased here in nearly 400 spectacular photographs. The photos are accompanied by essays--in both English and Spanish--that make known the Hispaniolan fungi, plants, and animals by the experts who know them best.Insights gained from Hispaniola's unique flora and fauna, from its rare orchids to its stunningly beautiful bird life, may enrich our understanding of other, more complex, living systems worldwide. What Fernández captures here so vividly is not just the amazing variety of living creatures that have erupted in evolutionary isolation, but the urgency of scientists racing to give that variety a name before it vanishes.

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Organizations are the central entities of the business world, comprising multiple people pursuing a collective goal while being linked to an external environment. Both academics and practitioners have kept up a continuing interest in advancing their understanding of organizations. This is the first of two volumes dedicated to the state of the art of theories and practices of organizations. It is the outcome of contributions by alumni and alumnae of the ESB Business School at Reutlingen University. This first volume provides a discussion of contemporary organizational forms and properties, as well as on team aspects.

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This book is an impressive compilation of contributions on the hot topic of cardiac stem cell therapy from leading groups all over the world. In the assembly of chapters, a structured approach is adopted; starting from the clinician's perspective, all developments in both the experimental and clinical research areas are covered. This journey will take the reader from the bench-top to the bedside, with all chapters written by leading authorities in their respective fields, including data still in press with medical journals.So, beyond being excellent as an overall update for scientists in the field of cardiac stem cell therapy, this book will likely prove an indispensable tool for every budding scientist considering a research project within this field.

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This is the first book to catalog comparative maps and tableaux that visualize the heights and lengths of the world’s mountains and rivers. Produced predominantly in the nineteenth century, these beautifully rendered maps emerged out of the tide of exploration and scientific developments in measuring techniques. Beginning with the work of explorer Alexander von Humboldt, these historic drawings reveal a world of artistic and imaginative difference. Many of them give way—and with visible joy—to the power of fantasy in a mesmerizing array of realistic and imaginary forms. Most of the maps are from the David Rumsey Historical Map Collection at Stanford University.

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Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians, and sports stars, he has in the last decade built up one of the most spectacular portfolios of underwater shark photography. Muller’s quest is to document sharks with an unprecedented proximity and precision, bringing the Hollywood portrait session to the ocean predator. In ocean depths around the world, he approaches the sharks with a patented seven-bulb, 1200-watt plexi-encased strobe lighting rig, developed with NASA engineering, and no cage. This collection of Muller’s images, including the first-known photograph of a great white breaching at night, is a catalog of adrenalin and awe. Arranged geographically, it follows Muller’s ocean adventures from black tip and sand tiger sharks in South Africa to great hammerheads in the Bahamas, with thrilling narratives from each trip documenting the challenges and near-misses along the way. To compliment Muller’s work for advocacy organizations such as WildAid and EarthEcho, the images are contextualized with essays from Philippe Cousteau, Jr. and marine biologist Alison Kock, who discuss exploration and conservation of our oceanic kingdom. Culture writer Arty Nelson adds an overview of Muller’s work, while a technical section explains the precise equipment behind these spectacular shots. Together, these insightful texts and awesome images offer a record of breathtaking photographic feats, a tribute to the beauty and might of the shark, and a rallying cry for its fragile future.This book is also available in a signed Collector’s Edition and two Art Editions, each including a signed and numbered print.

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Covering deterministic scheduling, stochastic scheduling, and the probabilistic analysis of algorithms, this unusually broad view of the subject brings together tutorials, surveys and articles with original results from foremost international experts. The contributions reflect the great diversity in scheduling theory in terms of academic disciplines, applications areas, fundamental approaches and mathematical skills. This book will help researchers to be aware of the progress in the various areas of specialization and the possible influences that this progress may have on their own specialities. Few disciplines are driven so much by continually changing and expanding technology, a fact that gives scheduling a permanence while adding to the excitement of designing and analyzing new systems. The book will be a vital resource for researchers and graduate students of computer science, applied mathematics and operational research who wish to remain up-to-date on the scheduling models and problems of many of the newest technologies in industry, commerce, and the computer and communications sciences.

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Perchement et Réalités Fortifiées en Mediterranee et en Europe, Vème-Xème Siècles / Fortified Hilltop Settlements in the Mediterranean and in Europe (5th-10th centuries) is the result of the International Congress held in October 2019 in Roquebrune-sur-Argens about the fortified hilltop settlements of Late Antiquity and the Early Middle Ages. The congress brought together many of the most prominent scholars in the field (principally archaeologists) to present both brand new data and syntheses on wide contexts throughout the European continent, the Mediterranean basin and beyond. The book stands as the most recent and comprehensive update on the ‘perchement’ (i.e. the fortified hilltop settlement) and it will represent a benchmark for scholars working on this topic for decades to come.

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Ernst Scheidegger (1923–2016) ranks among Switzerland’s most distinguished 20th-century photographers. His portraits of artists made his name internationally. Scheidegger’s photographs of Alberto Giacometti at his Paris studio or in his native Val Bregaglia in Switzerland continue to shape the public image of this celebrated artist today. Marking the centenary of Ernst Scheidegger, who was also the founder of the Scheidegger & Spiess publishing house, this book offers a fresh and contemporary look at his multi-faceted body of work. It is based on an extensive reappraisal of his estate and features a concise selection of iconic and lesser-known images that demonstrated Scheidegger’s prowess as a portraitist. More importantly, however, the volume enables an encounter with Scheidegger’s hitherto little-published early work and thus undertakes a reassessment of his entire oeuvre. Essays by Tobia Bezzola, art historian and director of the MASI Lugano, Alessa Widmer, curator and artistic director of Photo Basel art fair, and Helen Grob, Scheidegger’s long-time companion, trace his career and self-concept as a photographer. A biography and brief texts on a selection of key examples of Scheidegger’s art round off this beautifully designed photo book.

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In their sculptural works, artists have always broken out of the workshop or studio and into open-air spaces. After all, the place where sculptures are best able to show their three-dimensionalquality is in an open space not enclosed by walls and ceiling, in which all flows of power and movement can have free rein. However, because public spaces offer only very limited possibilitiesfor sculpture development, sculpture parks have been developed almost everywhere in the world where invited artists can work without restrictive conditions. During his search for a place in France where he could present his large sculptures, Erich Engelbrecht discovered in 2000 the open, meadow-like land, with the château tucked into a piece of forest behind it. This open space, picturesquely framed by groups of trees, was precisely what he had imagined. And the fact that a château was waiting for its new owner at the end of this tract of land made this discovery a stroke of luck rarely experienced by anyone in general, and almost never by artists in particular. His monumental sculptures that dominate the landscape have given Erich Engelbrecht a place in the history of modern sculpture. His method of drawing images plastically in the space, and of using these drawings transformed into solid bodies to occupy whole landscapes, is unparalleled. The enigma balanced between representationality and the abstract, the multiplicity of meaning, which invites freely poetic titles, is essential to the unique charm of Erich Engelbrecht's visual work. In the park of Château des Fougis, 29 of these artworks, at once plainly revealing and mystifying, communicate with each other in such a relaxed way that visitors are prompted to think and to enjoy. One strolls through a garden of poetic artworks, through a park of beautiful riddles and silent secrets. There has been nothing comparable to this in Europe since the Mannerist gardens, conceived by poets andequipped with creatures of the imagination by inspired sculptors.

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