Search results for ""Author Gilbert"

From its inception and professional organization in the late 1970s, the macromarketing field has maintained a strong interest in ethics and distributive justice and an article on the topic was published in the very first issue of the Journal of Macromarketing in March 1981. The Handbook on Ethics and Marketing features chapters by leading macromarketing scholars that explore how ethics relate to marketing systems as well as to other macromarketing interests including environmental sustainability, human and economic development, and global supply chains. Thus, the Handbook should become an excellent resource for new macromarketing scholarship.'- Terrence H. Witkowski, Editor, Journal of MacromarketingExploring both the theoretical and the applied aspects of the role ethics plays in marketing, this Handbook analyzes key issues in order to advance our understanding and provide an overview of the state of the art in this vital field.Nationally and internationally recognized contributors cover the most important, timely developments in marketing ethics as well as trends and ideas for a future research agenda. Topics such as consumer ethics, morality in marketing and corporate social responsibility are covered with breadth and depth to paint a current and comprehensive picture of the field today.This innovative book will be a valuable resource for both students and academics wishing to keep abreast of crucial developments in the field of business ethics. New, comprehensive insight from the world's experts in the field will also provide guidance for company executives and policy decision makers.Contributors: R.J. Aalberts, R. Benton, T. Beschorner, C.B. Bhattacharya, L. Ferrell, O.C. Ferrell, J.F. Gaski, D.U. Gilbert, M. Haase, T. Hajduk, P. Harrison, S.D. Hunt, M. Jackson, J.L. Johnson, T.A. Klein, G.R. Laczniak, K.D. Martin, P.E. Murphy, A. Nill, C. Nishihara, G. Palazzo, A. Rasche, T. Rittenburg, J. Sawayda, C. Schank, J. Schibrowsky, B.B. Schlegelmilch, C.J. Shultz, A. Singhapakdi, N.C. Smith, J.R. Sparks, B. Swinburn, I. Szocs, S.J. Vitell

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In Cameroon, a monumental “statue of liberty” is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness.Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl’s photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans’ Africanization of the Santería movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on Réunion; and the shockingly graphic images on painted plywood boards advertising “morality” plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly “African” aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope.Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Françoise Vergès

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H. Rochester Sneath no longer exists. And if you wished to put your son's name on the waiting list for Selhurst School, near Petworth, Sussex, you might have a little difficulty. It doesn't exist either. But, as this collection of Sneath's letters, and the replies, proves, you can fool most of the people most of the time. Particularly, it seems, if the people happen to be the head masters of those most English private institutions - public schools. In early 1948 Sneath began his brief and glorious career. Letters, like canes, mortarboards and jaundiced rugger balls, began to appear in headmasters' offices, whose occupants, with two notable exceptions, appeared to find nothing strange in Sneath's requests or his exhortations. Pompous, indignant, eccentric, pushing, toadying, or just plain dotty, the letters were answered with a seriousness which is barely credible.For he wrote of: - infestations of rats - the possibility of 'engineering' Royal visits - how to hire a private detective - junior masters with club feet and warty noses - ghosts, cricket, statues, new buildings, 'monster' reunions George Bernard Shaw was puzzled, Sir Giles Gilbert Scott was booked up, as was Sir Adrian Boult. Sir William Reid Dick was eager. After four or five letters the Master of Marlborough became exasperated, while the head master of St Benedict's was livid. A certain master displayed a cupidity not normally associated with men of the cloth; the new Master of Rugby was grateful for some wise advice; the head master of Stowe could not have been more helpful about sex. There was talk of Sneath succeeding the headmaster of Eton. One head master was so drawn to Sneath that he recommended Selhurst to a prospective parent, who promptly applied for a place on behalf of her son. His name was placed on 'the waiting list for the Waiting List'. Sneath's letters comprise a gentle and unmalicious, but devastatingly accurate parody of the public school system - a collection so intelligently absurd that it defies adequate description.

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'Sharp and wicked, insightful and funny, and then suddenly so touching' DAVID NICHOLLS'It is a Great Novel . . . It has depth, wit, nuance and life. Heartbreaking and funny' NIGELLA LAWSON'This is the novel of the summer . . . There is no one that this book isn't for. I can't believe it's a first novel. Pure brilliance' INDIA KNIGHT, THE SUNDAY TIMES'Could be one of the books of my entire lifetime. I've never felt so seen' GRACE DENT, GUARDIAN'This book is a work of utter perfection' ELIZABETH GILBERTTHE SUNDAY TIMES AND NEW YORK TIMES BESTSELLER, JUNE 2019Finally free from his nightmare marriage, Toby Fleishman is ready for a life of online dating and weekend-only parental duties. But as he optimistically looks to a future that is wildly different from the one he imagined, his life turns upside-down as his ex-wife, Rachel, suddenly disappears.While Toby tries to find out what happened - juggling work, kids and his new, app-assisted sexual popularity - his tidy narrative of a spurned husband is his sole consolation. But if he ever wants to really understand where Rachel went and what really happened to his marriage, he is going to have to consider that he might not have seen it all that clearly in the first place . . .WHAT OTHERS ARE SAYING ABOUT FLEISHMAN IS IN TROUBLE:'So sharp' GUARDIAN'The most astonishingly brilliant Trojan horse of a novel' DOLLY ALDERTON'Wonderful. Utterly blistering . . . A wildly entertaining, moving story' MARIAN KEYES'Brimming with wisdom and utterly of this moment . . . Taffy Brodesser-Akner's debut is that rare and delicious treat: a page turner with heft' MARIA SEMPLE LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2020LONGLISTED FOR THE NATIONAL BOOK AWARDLONGLISTED FOR THE ANDREW CARNEGIE MEDALSHORTLISTED FOR THE FICTION: DÉBUT BOOK OF THE YEAR AT THE BRITISH BOOK AWARDSRUNNER-UP FOR THE MCKITTERICK PRIZE 2020FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE/JOHN LEONARD AWARD FOR BEST FIRST BOOK

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Since 1961 James Reeve has been exhibiting and selling his paintings, first in Florence, then in Madrid. From 1974 onwards he has travelled widely, often with subsequent London gallery exhibitions. Here he vividly describes and illustrates the characters he meets and the adventures which unfold in Haiti, Madagascar, India, Australia, Jordan, the Yemen and Mexico. As his cousin, the historian, Antonia Fraser remarks in a letter to him: ‘Dearest James, When God gave you your great artistic talent She [sic] made a big mistake, contrary to what is generally thought.’ ‘This is because you are really meant to be a brilliant writer.’ And so now, badgered by Antonia Fraser and other writer friends, James Reeve has at last put his talents together in a series of self-contained short stories recalling travels, anecdotes and encounters which he has illustrated with his vividly colourful vignettes. Always travelling with the purpose of work, in Italy James meets Harold Acton. In the Australian Outback he draws among other things dumps and decrepit dwellings, and there too is Madam Tongere catching a Wichetty grub. He meets Princess Elizabeth of Toro in Uganda and is captured by pygmies in the Congo forest. He paints the fearsome Mrs Gilbert Miller’s portrait in Palm Beach and travels in Rajasthan with Diana Wordsworth, a last relic of the Raj. At last, weary of wandering, he discovers a distant cloud-forest village in Mexico, where Edward James, as the only other Englishman, had preceded him. There he built a house. Living in Mexico for 35 years, among his friends are Doña Olive, the retired prostitute, and the Dominican nuns of an enclosed order who let him in to teach them how to make marmalade.

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The Worlds of Jacob Eichholtz explores the life and times of an oft-overlooked figure in early American art. Jacob Eichholtz (1776–1842) began his career in the metal trades but with much practice, some encouragement from his friend Thomas Sully, and a few weeks instruction from America’s preeminent portraitist, Gilbert Stuart, he transformed himself into one of the nation’s most productive portrait painters. Eichholtz worked primarily in the Middle Atlantic region from his homes in Lancaster and Philadelphia. While Stuart and Sully concentrated on the elite of American society, Eichholtz captured the images of a rising middle class with its craftsmen, merchants, doctors, lawyers, and their families. From a lifetime that spanned the American Revolution to the Industrial Revolution, and a career that produced more than 800 paintings, Eichholtz offers a collective portrait of early American culture in the first half of the nineteenth century.The Worlds of Jacob Eichholtz begins with four insightful essays by Thomas Ryan, David Jaffee, Carol Faill, and Peter Seibert that examine Eichholtz’s life and work. The second part of the book—a visual essay—brings together for the first time more than 100 color reproductions of Eichholtz’s work. These images include over 60 oil-on-canvas portraits, more than 30 profiles on panel, and seven of the landscape, historical, or biblical paintings he produced. Also illustrated are artifacts associated with Eichholtz and his family, examples of the tinsmith’s and coppersmith’s trade, and the work of artists who influenced his career. The Worlds of Jacob Eichholtz promises to be the finest color catalog of Eichholtz’s oeuvre for years to come. This book, made possible by the Richard C. von Hess Foundation, accompanies a major three-part exhibition that will run concurrently at the Lancaster County Historical Society, the Heritage Center Museum of Lancaster County, and the Phillips Museum of Art at Franklin & Marshall College from April through December 2003.

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Chile has long been a centre for radical propaganda painting. As early as 1940 leading Mexican and Chilean artists, including David Alfaro Siqueiros, Fernando Marcos and Gregorio de la Fuente, were painting murals in Chile. Today, Latin American street art is as innovative as any in the world, and Chile plays a leading part. Much as Spain witnessed a boom in the arts post-Franco, so, since the end of Pinochet’s dictatorship in 1990, Chile has embraced an era of new freedoms. Chile has made up for lost time. The contemporary artists and graffiteros shown on these pages have their roots in Latin American propagandistic murals, but look forward. Artists such as Bomber West, Charqui Punk, Dana Pink, Elodio, Inti, Piguan, Pussyz Soul Food, Ritalin Crew, Vazko and Yisa are informed by Latin American, European and North American (especially West Coast) art and music, but have their own Chilean slant. Their carefully planned visual and verbal jokes, strategies and techniques are derived from an array of sources: Picasso, Surrealism, Pop, São Paulo’s Os Gêmoes, Vitche and Herbert, Brazilian pichaçao lettering, Peruvian photorealism, Argentine stencils, Bolivian hats and masks, US subway graffiti, hip hop, punk, Barcelona’s street art, Japanese animation, pornography, Gilbert & George, Brit art, Bansky. The resulting mixture is anarchic, accessible art. All parts of Chile are covered, from Arica to Punta Arenas, with special focus on Santiago and Valparaíso, both key centres of Latin American street art. Distinctive cities such as Iquique, Chillán, Concepción and Puerto Montt, and areas of the country rarely seen, are featured. The book includes an introduction to the history and flavour of Chilean street art; a glossary of graffiti terms; manifestos; and translations of all the graffiti shown.

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The county of Devon, with its coastline north and south, wild moorland, and rolling rural countryside, villages, market towns, many characterised by local industries, and historic cities of Exeter and Plymouth, has a rich military history that stretches back through centuries. Evidence of Devon’s military heritage can be seen throughout the county with numerous buildings and other structures still standing proud today. Devon’s Military Heritage explores the long military history of the county, not only the battles that took place on its soil and the measures that were taken to defend it against possible attack but also the heritage of the military units that were raised in the county and which were sent to fight in conflicts abroad. The 1588 Spanish Armada was first engaged by the English fleet off Plymouth, and the famous Devon mariners Sir Francis Drake, Sir John Hawkins, Sir Humphrey Gilbert, Sir Walter Raleigh and Sir Richard Grenville were at the forefront of the defeat of the Armada and other encounters with the Spanish during this period. A hundred years later, in 1688, William of Orange landed at Brixham to launch the Glorious Revolution. Devonport has long been a major port and shipbuilding centre for the Royal Navy and Plymouth was a target for German aerial bombardment in the Second World War. Soldiers from the Devonshire Regiment and the Royal Devon Yeomanry and their antecedents fought for the country for centuries and Devon was also the site of the disastrous rehearsal for D-Day where hundreds of Allied servicemen lost their lives off Slapton Sands and in Lyme Bay. The military heritage of castles, fortifications, airfields, military bases and monuments throughout the county is also explored. This book will be of interest to all those who would like to know more about Devon’s remarkable military history.

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SHORTLISTED FOR THE CMI MANAGEMENT BOOK OF THE YEAR AWARD 2013 It's a tough job being a manager.How do you manage performance? If you come across as too directive you may get a reputation for harshness. If you are too nice you risk being known as a gullible and easily outmanoeuvred. Neither approach works.'Employee engagement' is the magical ingredient: it makes staff genuinely committed, creating excellent work. Few organizations actually achieve it, though all say they want it. Coaching is the most reliable a way of producing it. In Manager as Coach, Jenny Rogers challenges many of the traditional assumptions about what works in management and shows you, step by step, how to be a brilliant manager and get fantastic results: Reduce your stress Develop employees' key skills Create a culture of engagement Improve bottom line results "Jenny Rogers' advice is simple, memorable, deeply pragmatic, and always focused on results. If only more managers would take it!"Tim Brooks, CEO, BMJ Group"This pragmatic book will stimulate managers to drive higher performance and get the best out of people. In such a challenging environment, this can only be good for business!"Carolyn McCall, CEO, Easy Jet"A must-read for any manager working to foster the right culture. Belief in excellence and the ability to enable people to perform at their best is fundamental for generating and sustaining high performance."Johanna Friedl-Naderer,Region Vice President, Biogen Idec"I believe this common-sense, simple approach would motivate both managers and individuals to change and empower them to improve their own performance."Michael Parr, CEO, British Arab Commercial BankJenny Rogers is one of the leading executive coaches in the UK with more than 20 years of experience. Her clients are typically chief executives and directors of large organizations. She writes extensively about coaching and leadership and has trained many hundreds of managers in coaching skills in the UK and internationally.Karen Whittleworth is an acclaimed trainer, coach and coach supervisor, and the founding director of Worth Consulting Ltd.Andrew Gilbert is an internationally known as a speaker, trainer and executive coach. He is the co-director of Worth Consulting Ltd.

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One of Time Out's “LGBTQ+ books for kids to read during Pride Month,” this groundbreaking, pop-culture-infused illustrated biography collection takes readers on an eye-opening journey through the lives of fifty influential queer figures who have made a mark on every century of human existence. Rainbow Revolutionaries brings to life the vibrant histories of fifty pioneering LGBTQ+ people from around the world. Through Sarah Prager’s (Queer, There, and Everywhere) short, engaging bios, and Sarah Papworth’s bold, dynamic art, readers can delve into the lives of Wen of Han, a Chinese emperor who loved his boyfriend as much as his people, Martine Rothblatt, a trans woman who’s helping engineer the robots of tomorrow, and so many more! This book is a celebration of the many ways these heroes have made a difference and will inspire young readers to make a difference, too. Featuring an introduction, map, timeline, and glossary, this must-have biography collection is the perfect read during Pride month and all year round. Biographies include: Adam Rippon, Alan L. Hart, Alan Turing, Albert Cashier, Alberto Santos-Dumont, Alexander the Great, Al-Hakam II, Alvin Ailey, Bayard Rustin, Benjamin Banneker, Billie Jean King, Chevalière d'Éon, Christina of Sweden, Christine Jorgensen, Cleve Jones, Ellen DeGeneres, Francisco Manicongo, Frida Kahlo, Frieda Belinfante, Georgina Beyer, Gilbert Baker, Glenn Burke, Greta Garbo, Harvey Milk, James Baldwin, Jóhanna Sigurðardóttir, José Sarria, Josephine Baker, Juana Inés de la Cruz, Julie d'Aubigny, Lili Elbe, Ma Rainey, Magnus Hirschfeld, Manvendra Singh Gohil, Marsha P. Johnson, Martine Rothblatt, Maryam Khatoon Molkara, Natalie Clifford Barney, Navtej Johar, Nzinga, Pauli Murray, Renée Richards, Rudolf Nureyev, Sally Ride, Simon Nkoli, Stormé DeLarverie, Sylvia Rivera, Tshepo Ricki Kgositau, Wen of Han, We’wha*A Junior Library Guild Selection*

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These volumes are collections of the Nobel Lectures delivered by the prizewinners, together with their biographies, portraits and the presentation speeches for the period 1971 - 1990. Each Nobel Lecture is based on the work that won the laureate his prize. New biographical data of the laureates, since they were awarded the Nobel Prize, are also included. These volumes of inspiring lectures by outstanding chemists and biochemists should be on the bookshelf of every keen student, teacher and professor of chemistry as well as those in related fields.Below is a list of the prizewinners during the period 1971 - 1980 with a description of the works which won them their prizes:(1971) G HERZBERG — for his contributions to the knowledge of electronic structure and geometry of molecules, particularly free radicals; (1972) C B ANFINSEN — for his work on ribonuclease, especially concerning the connection between the amino acid sequence and the biologically active confirmation; S MOORE & W H STEIN — for their contribution to the understanding of the connection between chemical structure and catalytic activity of the active centre of the ribonuclease molecule; (1973) E O FISCHER & G WILKINSON — for their pioneering work, performed independently, on the chemistry of the organometallic, so called sandwich compounds; (1974) P J FLORY — for his fundamental achievements, both theoretical and experimental, in the physical chemistry of macromolecules; (1975) J W CORNFORTH — for his work on the stereochemistry of enzyme-catalyzed reactions; V PRELOG — for his research into the stereochemistry of organic molecules and reactions; (1976) W N LIPSCOMB — for his studies on the structure of boranes, illuminating problems of chemical bonding; (1977) I PRIGOGINE — for his contributions to non-equilibrium thermodynamics, particularly the theory of dissipative structures; (1978) P MITCHELL — for his contribution to the understanding of biological energy transfer through the formulation of the chemiosmotic theory; (1979) H C BROWN & G WITTIG — for their development of the use of boron- and phosphorus-containing compounds, respectively into important reagents in organic synthesis; (1980) P BERG — for his fundamental studies of the biochemistry of nucleic acids, with particular regard to recombinant-DNA; W GILBERT and F SANGER — for their contributions concerning the determination of base sequences in nucleic acids.

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Interdisciplinary perspectives on cultural evolution that reject meme theory in favor of a complex understanding of dynamic change over time How do cultures change? In recent decades, the concept of the meme, posited as a basic unit of culture analogous to the gene, has been central to debates about cultural transformation. Despite the appeal of meme theory, its simplification of complex interactions and other inadequacies as an explanatory framework raise more questions about cultural evolution than it answers. In Beyond the Meme, William C. Wimsatt and Alan C. Love assemble interdisciplinary perspectives on cultural evolution, providing a nuanced understanding of it as a process in which dynamic structures interact on different scales of size and time. By focusing on the full range of evolutionary processes across distinct contexts, from rice farming to scientific reasoning, this volume demonstrates how a thick understanding of change in culture emerges from multiple disciplinary vantage points, each of which is required to understand cultural evolution in all its complexity. The editors provide an extensive introductory essay to contextualize the volume, and Wimsatt contributes a separate chapter that systematically organizes the conceptual geography of cultural processes and phenomena.Any adequate account of the transmission, elaboration, and evolution of culture must, this volume argues, recognize the central roles that cognitive and social development play in cultural change and the complex interplay of technological, organizational, and institutional structures needed to enable and coordinate these processes.Contributors: Marshall Abrams, U of Alabama at Birmingham; Claes Andersson, Chalmers U of Technology; Mark A. Bedau, Reed College; James A. Evans, U of Chicago; Jacob G. Foster, U of California, Los Angeles; Michel Janssen, U of Minnesota; Sabina Leonelli, U of Exeter; Massimo Maiocchi, U of Chicago; Joseph D. Martin, U of Cambridge; Salikoko S. Mufwene, U of Chicago; Nancy J. Nersessian, Georgia Institute of Technology and Harvard U; Paul E. Smaldino, U of California, Merced; Anton Törnberg, U of Gothenburg; Petter Törnberg, U of Amsterdam; Gilbert B. Tostevin, U of Minnesota.

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The Darker Vision of the Renaissance explores political, literary, social, religious, medical, and artistic events between 1300 and 1670 that led beyond the bounds of reason into the nonrational, irrational, and suprarational phenomena of the European Renaissance. Robert S. Kinsman’s introduction examines Renaissance uses of ratio, “fancy” and “folly,” melancholy, anxietas, and alienation. Lynn White Jr. presents the essential thesis of the collection in his view that the years 1300–1650 constituted one of the most psychically disturbed eras ever in European history. The “world-alienation” of the period is analyzed by Donald R. Howard, illustrated by two poems of the late fourteenth century: Gawain and the Green Knight and Toilus and Criseyde. The flourishing of hermetic, magical, cabalistic, and astrological practices in the Renaissance is described by John G. Burke. The gentleman and courtier’s physical and psychological tensions resulting from literal exile or from psychic alienation from his lesser fellows are investigated by Lauro Martines. An analysis of the “structures” of Renaissance mysticism is provided by Kees W. Bolle. Gilbert Reaney’s essay examines ratio as the basis for the “measured” music of the fourteenth century, against which the newer duple and triple rhythms that came into prominence in the later half of the century were assessed. An essay by Marc Bensimon concerns itself with Renaissance modes of perception—as illustrated in works of art, of literature, and of philosophic speculation—that seem shaped by primordial anxieties caused by the passing of time and the fear of death. The reflections of theological notions about the “dreadful hidden will of God” in such pieces as Marlowe’s Dr. Faustus are given full background and perceptive treatment by Paul R. Sellin. Robert Kinsman concludes with his study “Folly, Melancholy, and Madness: Shifting Styles of Medical Analysis and Treatment, 1450–1675.” This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

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Interdisciplinary perspectives on cultural evolution that reject meme theory in favor of a complex understanding of dynamic change over time How do cultures change? In recent decades, the concept of the meme, posited as a basic unit of culture analogous to the gene, has been central to debates about cultural transformation. Despite the appeal of meme theory, its simplification of complex interactions and other inadequacies as an explanatory framework raise more questions about cultural evolution than it answers. In Beyond the Meme, William C. Wimsatt and Alan C. Love assemble interdisciplinary perspectives on cultural evolution, providing a nuanced understanding of it as a process in which dynamic structures interact on different scales of size and time. By focusing on the full range of evolutionary processes across distinct contexts, from rice farming to scientific reasoning, this volume demonstrates how a thick understanding of change in culture emerges from multiple disciplinary vantage points, each of which is required to understand cultural evolution in all its complexity. The editors provide an extensive introductory essay to contextualize the volume, and Wimsatt contributes a separate chapter that systematically organizes the conceptual geography of cultural processes and phenomena.Any adequate account of the transmission, elaboration, and evolution of culture must, this volume argues, recognize the central roles that cognitive and social development play in cultural change and the complex interplay of technological, organizational, and institutional structures needed to enable and coordinate these processes.Contributors: Marshall Abrams, U of Alabama at Birmingham; Claes Andersson, Chalmers U of Technology; Mark A. Bedau, Reed College; James A. Evans, U of Chicago; Jacob G. Foster, U of California, Los Angeles; Michel Janssen, U of Minnesota; Sabina Leonelli, U of Exeter; Massimo Maiocchi, U of Chicago; Joseph D. Martin, U of Cambridge; Salikoko S. Mufwene, U of Chicago; Nancy J. Nersessian, Georgia Institute of Technology and Harvard U; Paul E. Smaldino, U of California, Merced; Anton Törnberg, U of Gothenburg; Petter Törnberg, U of Amsterdam; Gilbert B. Tostevin, U of Minnesota.

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As seen in The New York Times, Vogue Mexico, Latina Magazine, and The Art Newspaper The essential survey showcasing the work of more than 300 modern and contemporary artists born or based in Latin America Latin American artists have gained increasing international prominence as the art world awakens to the area’s extraordinary art scenes and histories. In an accessible A-Z format, this volume introduces key artworks by 308 artists who together demonstrate the variety and vitality of artwork being made. Focusing on those born, or who have lived, in the 20 Spanish and Portuguese-speaking regions of Latin America, and featuring historic and living artists – both those celebrated internationally and names less-known outside their native countries – this book has been created in close collaboration with an expert panel of 68 advisors and writers. Artists featured include: Allora and Calzadilla, Manuel Alvarez Bravo, Francis Alÿs, Olga de Amaral, Fernando Botero, Leonora Carrington, Lygia Clark, Carlos Cruz-Diez, Leonor Fini, Gego, Felix Gonzalez-Torres, Carmen Herrera, Graciela Iturbide, Alfredo Jaar, Frida Kahlo, Guillermo Kuitca, Wifredo Lam, Teresa Margolles, Marisol, Cildo Meireles, Ana Mendieta, Beatriz Milhazes, Ernesto Neto, Hélio Oiticica, Gabriel Orozco, José Clemente Orozco, Diego Rivera, Zilia Sánchez, David Alfaro Siqueiros, Cecilia Vicuña, Adrián Villar Rojas and Faith Wilding. The advisory panel includes: Deri Andrade, David Ayala-Alfonso, Fernanda Brenner, Estrellita B. Brodsky, Tatiana Cuevas, Anna Di Stasi, Andrés Gustavo Duprat, Raphael Fonseca, Zanna Gilbert, Laura Hakel, Yina Jiménez Suriel, Maya Juracán, Pablo Léon de la Barra, Miguel A. López, Bernardo Mosqueira, Gerardo Mosquera, Rodrigo Moura, Laura Orozco, Taisa Palhares, Maylin Pérez, Catherine Petitgas, Patricia Phelps de Cisneros, Florencia Portocarrero, Ileana Ramírez Romero, Amy Rosenblum-Martín, Emiliano Valdés and Michael Wellen.

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In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family--the strained relationship between a mother and son, the cost of necessary goodbyes--all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one's own path in identity, life, and love. In the Hospital My mother was in the hospital & everyone wanted to be my friend. But I was busy making a list: good dog, bad citizen, short skeleton, tall mocha. Typical Tuesday. My mother was in the hospital & no one wanted to be her friend. Everyone wanted to be soft cooing sympathies. Very reasonable pigeons. No one had the time & our solution to it was to buy shinier watches. We were enamored with what our wrists could declare. My mother was in the hospital & I didn't want to be her friend. Typical son. Tall latte, short tale, bad plot, great wifi in the atypical cafe. My mother was in the hospital & she didn't want to be her friend. She wanted to be the family grocery list. Low-fat yogurt, firm tofu. She didn't trust my father to be it. You always forget something, she said, even when I do the list for you. Even then. Chen Chen was born in Xiamen, China, and grew up in Massachusetts. His work has appeared in two chapbooks and in such publications as Poetry, Gulf Coast, Indiana Review, Best of the Net, and The Best American Poetry. The recipient of the 2016 A. Poulin, Jr. Poetry Prize, he has been awarded fellowships from Kundiman, the Saltonstall Foundation, Lambda Literary, and in 2015, he was a finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships. He earned his BA at Hampshire College and his MFA at Syracuse University. Currently, he is pursuing a PhD in English and Creative Writing at Texas Tech University. Chen lives in Lubbock, Texas, with his partner, Jeff Gilbert, and their pug dog, Rupert Giles.

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Winston Churchill’s superlative account of the prelude to and events of the First World War is a defining work of twentieth-century history. With dramatic narrative power Churchill reconstructs the action on the Western and Eastern Fronts, the wars at sea and in the air and the advent of tanks and U-boats. He vividly describes the Lusitania’s sinking, the heroics of the Battle of Jutland, Verdun’s ‘soul-stirring frenzy’, the bloodshed of Gallipoli, the Somme and Passchendaele, and the USA’s entry into the conflict. Rich with personal insights, this magisterial book is testament to the author’s role in the Great War’s conduct and outcome and fully demonstrates his brilliance as a historian.

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Regarded by many as Henry James's finest work, and a lucid tragedy exploring the distance between money and happiness, The Portrait of a Lady contains an introduction by Philip Horne in Penguin Classics.When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors. Then she finds herself irresistibly drawn to Gilbert Osmond. Charming and cultivated, Osmond sees Isabel as a rich prize waiting to be taken. Beneath his veneer of civilized behaviour, Isabel discovers cruelty and a stifling darkness. In this portrait of a 'young woman affronting her destiny', Henry James created one of his most magnificent heroines, and a story of intense poignancy.This edition of The Portrait of a Lady, based on the earliest published copy of the novel, is the version read first and loved by most readers in James's lifetime. It also contains a chronology, further reading, notes and an introduction by Philip Horne.Henry James (1843-1916) son of a prominent theologian, and brother to the philosopher William James, was one of the most celebrated novelists of the fin-de-siècle. In addition to many short stories, plays, books of criticism, biography and autobiography, and much travel writing, he wrote some twenty novels. His novella Daisy Miller (1878) established him as a literary figure on both sides of the Atlantic, and his other novels in Penguin Classics include Washington Square (1880), The Portrait of a Lady (1881), The Awkward Age (1899), The Wings of the Dove (1902), The Ambassadors (1903) and The Golden Bowl (1904).If you enjoyed The Portrait of a Lady, you might like Edith Wharton's The Age of Innocence, also available in Penguin Classics.'Matchless, a grave description of one of life's great traumas, the passage from innocence to experience'Anita Brookner

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For centuries, distinguished writers have taken on the challenge of describing great music and its significance in their lives. From Joseph Addison to Virgil Thomson, writers in and out of the music field have used their most vivid language to conjure the sounds and emotions of the music that mattered most to them. Yet until this book, no single volume has ever collected the best of this writing in one place. Scattered in magazines, essay collections, and program notes, this literature is largely unknown to the general reader—who often thinks that music essays are for musicians only—and even to the musician—who often reads only narrow specialty publications. Words on Music is thus the first book of its kind. Covering instrumental and vocal music from the eighteenth through the twentieth centuries, it features essays distinguished by their literary quality, their readability, and their appeal to a wide audience. Included is writing by novelists, essayists, composers, performers, cultural historians, and others who have written about music with precision and passion. Here is George Bernard Shaw on Handel, Albert Schweitzer on Bach, Glenn Gould on Scarlatti, E. T. A. Hoffman on Beethoven, Heinrich Heine on Rossini, Aaron Copland on Mozart, George Eliot on Wagner, G. K. Chesterton on Gilbert and Sullivan, Leonard Bernstein on Mahler, Guy Davenport on Ives, Pierre Boulez on Stravinsky, Ned Rorem on Ravel, and more than fifty others. Here also are essays on broader topics—Joseph Addison on opera, Anthony Burgess on music and literature, Jacques Barzun on music criticism, H. L. Mencken on “Music an Sin”—as well as musical memoirs by such masters of the genre as Hector Berlioz, Leigh Hunt, and Ethel Smyth. Words on Music is a uniquely literary and readable book on music. With its wide range of tones and voices, it is ideal for the general reader, the humanities educator, and the musical specialist. Each article is introduced by an informative headnote on the writer and subject. In addition, the volume offers a bibliography with valuable clues for further reading and a substantial essay introducing the elusive art of writing about music.

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Stand, Columbia! Alma Mater Through the storms of Time abide Stand, Columbia! Alma Mater Through the storms of Time abide. "Stand, Columbia!" by Gilbert Oakley Ward, Columbia College 1902 (1904) Marking the 250th anniversary of one of America's oldest and most formidable educational institutions, this comprehensive history of Columbia University extends from the earliest discussions in 1704 about New York City being "a fit Place for a colledge" to the recent inauguration of president Lee Bollinger, the nineteenth, on Morningside Heights. One of the original "Colonial Nine" schools, Columbia's distinctive history has been intertwined with the history of New York City. Located first in lower Manhattan, then in midtown, and now in Morningside Heights, Columbia's national and international stature have been inextricably identified with its urban setting. Columbia was the first of America's "multiversities," moving beyond its original character as a college dedicated to undergraduate instruction to offer a comprehensive program in professional and graduate studies. Medicine, law, architecture, and journalism have all looked to the graduates and faculty of Columbia's schools to provide for their ongoing leadership and vitality. In 2003, a sampling of Columbia alumni include one member of the United States Supreme Court, three United States senators, three congressmen, three governors (New York, New Jersey, and California), a chief justice of the New York Court of Appeals, and a president of the New York City Board of Education. But it is perhaps as a contributor of ideas and voices to the broad discourse of American intellectual life that Columbia has most distinguished itself. From The Federalist Papers, written by Columbians John Jay and Alexander Hamilton, to Charles Beard's An Economic Interpretation of the Constitution and Jack Kerouac's On the Road to Edward Said's Orientalism, Columbia and its graduates have greatly influenced American intellectual and public life. Stand, Columbia also examines the experiences of immigrants, women, Jews, African Americans, and other groups as it takes critical measure of the University's efforts to become more inclusive and more reflective of the diverse city that it calls home.

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‘Drawings’ is a collaborative venture combining two exhibitions that have been timed to coincide: British Drawings: 1890-1990 at Sotheran’s, and Drawings 1990-2022 at Purdy Hicks Gallery. Both shows emphasise the importance of drawing to artists of the last 120 years: though many of the artists have used myriad other art forms, they have invariably returned to the honesty of drawing, time and time again.The artists reflect their times. The artists from 1890-1980 are very much associated with strong schools of thought. One school in particular, the Slade School of Fine Art, dominates. Its rigorous process of drawing underpins much that we see, but is of course interpreted differently artist by artist. There was most definitely a British School, and in terms of drawing its greatest, though largely unacknowledged, triumph can be found in the remarkable works produced by the artists of the British School at Rome with their use of drawing techniques dating back to the Renaissance.This catalogue contains outstanding examples by Winifred Knights, Evelyn Gibbs, Anne Newland, Thomas Monnington, Robert Austin, Alan Sorrell and Reginald Brill. Slade student Winifred Knights exemplified the teachings of Henry Tonks, (Professor of Fine Art at the Slade from 1918 to 1930), with her observation of nature and meticulous methodology, working through endless studies, which were in turn painstakingly transferred to create finished works. Gilbert Spencer, another of the Professor’s students, recalled how Tonks talked of dedication, the privilege of being an artist, that to do a bad drawing was like living with a lie, and he proceeded to implant these ideals by ruthless and withering criticism. I remember once coming home and feeling like flinging myself under a train, and Stan telling me not to mind as he did it to everyone.Methodology aside, many of the artists in this catalogue share common traits – an obsession with the minutiae of nature, an unbreakable attachment to landscape, an immersion in the narrative tradition, and an inability to resist humour and affection for the quirky and mundane.

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"... a gorgeous compilation of interiors from the homes of famous artists past and present as a way of exhibiting each creator's 'power and legacy' - Publishers Weekly An inspiring collection of the extraordinary private spaces of 250 of the world's most creative people, past and present Life Meets Art presents an unparalleled, global, behind-the-scenes tour through 250 beautiful interiors from the homes of the most creative people in art, architecture, design, fashion, literature, music, film and theatre. These inspiring, unique spaces show us the spaces where the greatest creatives in history lived their lives, honed their crafts and, in many cases, produced some of the world's most celebrated masterpieces - providing an intimate and insightful perspective on the masters that define artistic history. Organized alphabetically by artist, each interior features a color photograph and a short descriptive text, including details on whether the house is open to the public or private. This book will inspire everyone fascinated by stylish living, creative interior design, and the myriad possibilities for home décor, as well as those fascinated by the personal and professional lives of their cultural heroes. Life Meets Art includes homes from creative masters of past centuries such as artists da Vinci, Raphael and Rubens, composers Handel, Lizst, and Verdi and writers Dickens, Byron, and Coleridge. The book also showcases the extraordinary interiors of many twentieth century stars and epoch-defining talents such as architects Frank Lloyd Wright, Eileen Gray, Le Corbusier, and Walter Gropius, artists Pablo Picasso, Marc Chagall, and Henry Moore, writers Ernest Hemingway, William Faulkner, and Agatha Christie and musicians Louis Armstrong, Frank Sinatra, and Elvis Presley. Homes from some of the most celebrated talents of today are also featured, including artists Francisco Clemente, Cornelia Parker, and Gilbert and George, fashion designers Alexander McQueen, Marc Jacobs, and Diane von Furstenberg, designers Marc Newson and Es Devlin and musicians Moby, Jimmy Page, and David Bowie.

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Comprising a brief biography and chapters written by those who worked with him, such as Janet Baker and Alfred Brendel, this is a celebration of an exceptional, creative life. By the time of his death in 2010 at the age of 84, Sir Charles Mackerras had achieved widespread recognition, recorded extensively and developed into a conductor of major international significance. In addition to areas in which he already had forged a distinctive profile (Janácek, Mozart, Handel, Sullivan) he revisited - and rethought - much of the standard repertoire. The last thirty years were particularly momentous in the coming to fruition of so manycherished projects: not only the Janácek operas but the Gilbert and Sullivan series, the Mozart operas, the two Beethoven cycles, other projects with the Scottish Chamber Orchestra (Schumann and Brahms at Edinburgh; the outstanding late Mozart) and at the Royal Opera House and the Met. Unspoilt by fame, and undeterred by personal tragedies and increasing physical frailty, he remained productive and inventive: for him music-making, whether with world-classsingers and orchestras or with students, was a kind of joyous oxygen that kept him going right to the end. A detailed account of his life is complemented by contributions from performers and scholars who worked closely with Mackerras, as well as interviews with his family. The book is richly illustrated with photographs and documents, and includes a comprehensive discography along with listings of many of his concert and opera performances. While SirCharles's whole life is considered, emphasis is given to his final quarter century, a period in which so many important projects were realized. This book celebrates and epitomizes an exceptional life. NIGEL SIMEONE is awriter and teacher. He has published extensively on Messiaen and Janácek and recently edited The Leonard Bernstein Letters. JOHN TYRRELL is Honorary Professor of Music at Cardiff University. He has published bookson Janácek and Czech opera and, with Sir Charles Mackerras, edited two Janácek operas. CONTRIBUTORS: Janet Baker, Alfred Brendel, Ales Brezina, Alex Briger, Rosenna East, Anne Evans, Nicholas Hytner, Simon Keenlyside, David Lloyd-Jones, David Mackie, Chi-chi Nwanoku, Antonio Pappano, Nigel Simeone, John Stein, Heinz Stolba, Patrick Summers, John Tyrrell, Malcolm Walker, David Whelton, Jirí Zahrádka.

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Analytic philosophy is difficult to define since it is not so much a specific doctrine as a loose concatenation of approaches to problems. As well as having strong ties to scientism -the notion that only the methods of the natural sciences give rise to knowledge -it also has humanistic ties to the great thinkers and philosophical problems of the past. Moreover, no single feature characterizes the activities of analytic philosophers. Undaunted by these difficulties, Avrum Stroll investigates the "family resemblances" between that impressive breed of thinkers known as analytic philosophers. In so doing, he grapples with the point and purpose of doing philosophy: What is philosophy? What are its tasks? What kind of information, illumination, and understanding is it supposed to provide if it is not one of the natural sciences? Imbued with clarity, liveliness, and philosophical sophistication, Stroll's book presents a synoptic picture of the main developments in logic, philosophy of language, epistemology, and metaphysics in the past century. It does this by concentrating on the individual thinkers whose ideas have been most influential. Major themes in Twentieth-Century Analytic Philosophy include: * the innovation of mathematical logic by Gottlob Frege at the close of the nineteenth century and its independent development by Bertrand Russell; * the impact of advancements in science on the world of philosophy and its importance for understanding such doctrines as logical positivism, philosophy of language, philosophy of mind, and eliminative materialism; * the refusal by such thinkers as Wittgenstein, Moore, and Austin to treat logic as an ideal language superior to natural languages; and * a conjecture about which, if any, of the philosophers discussed in the book will enter the pantheon of philosophical gods. Along the way, Stroll also covers the theories of Rudolf Carnap, W. V. O. Quine, Gilbert Ryle, J. L. Austin, Hilary Putnam, Saul Kripke, John Searle, Ruth Marcus, and Patricia and Paul Churchland. Stroll's approach to his subject treats the critical movements in analytic philosophy in terms of the philosophers who defined them. The notoriously complex realm of analytic philosophy emerges less as an abstract enterprise than as a domain of personalities and their competing methods and arguments. The book's inventive presentations of complex logical doctrines relate them to the traditional problems of philosophy, seeking the continuity between them rather than polemical distinctions so as to bring the true differences of their respective achievements into sharper focus.

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This is a blistering account of the battle of Cowpens, a short, sharp conflict which marked a crucial turning point in the American Revolution. With Lt. Col. Banastre Tarleton and the British troops in hot pursuit, Daniel Morgan, leading a small force of 700 Continentals and militia, chose the Cowpens as the battlefield in which to make a stand. The two forces clashed for barely more than 45 minutes, yet this brief battle shaped the outcome of the War in the South and decisively influenced the conflict as a whole. The authors provide a shrewd analysis of what was perhaps the finest tactical performance of the entire war. Bird's-eye views, vivid illustrations and detailed maps illuminate the dynamism of this clash between two of the most famous commanders of the War of Independence.

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Malthus's Essay looks at the perennial tendency of humans to outstrip their resources: reproduction always exceeds food production. Today Malthus remains a byword for concern about man's demographic and ecological prospects. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Emily Dickinson wrote a "letter to the world" and left it lying in her drawer more than a century ago. This widely admired epistle was her poems, which were never conventionally published in book form during her lifetime. Since the posthumous discovery of her work, general readers and literary scholars alike have puzzled over this paradox of wanting to communicate widely and yet apparently refusing to publish. In this pathbreaking study, Martha Nell Smith unravels the paradox by boldly recasting two of the oldest and still most frequently asked questions about Emily Dickinson: Why didn't she publish more poems while she was alive? and Who was her most important contemporary audience?Regarding the question of publication, Smith urges a reconception of the act of publication itself. She argues that Dickinson did publish her work in letters and in forty manuscript books that circulated among a cultured network of correspondents, most important of whom was her sister-in-law, Susan Huntington Gilbert Dickinson. Rather than considering this material unpublished because unprinted, Smith views its alternative publication as a conscious strategy on the poet's part, a daring poetic experiment that also included Dickinson's unusual punctuation, line breaks, stanza divisions, calligraphic orthography, and bookmaking—all the characteristics that later editors tried to standardize or eliminate in preparing the poems for printing.Dickinson's relationship with her most important reader, Sue Dickinson, has also been lost or distorted by multiple levels of censorship, Smith finds. Emphasizing the poet-sustaining aspects of the passionate bonds between the two women, Smith shows that their relationship was both textual and sexual. Based on study of the actual holograph poems, Smith reveals the extent of Sue Dickinson's collaboration in the production of poems, most notably "Safe in Their Alabaster Chambers." This finding will surely challenge the popular conception of the isolated, withdrawn Emily Dickinson.Well-versed in poststructuralist, feminist, and new textual criticism, Rowing in Eden uncovers the process by which the conventional portrait of Emily Dickinson was drawn and offers readers a chance to go back to original letters and poems and look at the poet and her work through new eyes. It will be of great interest to a wide audience in literary and feminist studies.

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In celebration of the incredible life of HM Queen Elizabeth II, here is the history of her reign, told through the enthralling life stories of The Queen and 25 amazing people who have called Britain home.The reign of HM Queen Elizabeth II has been long and eventful. Over the past 70 years, Great Britain has seen incredible changes in the ways we live, think and feel, shaped by the inspiring people who were born in Britain or arrived on its shores. As we commemorate the Queen's life and reign, learn about her extraordinary life and 25 other amazing history-makers - from modern pioneers, leaders and scientists to writers, athletes and activists - in this fully updated new special edition paperback. Each beautifully illustrated page spread is devoted to a tale of an incredible Briton, told by talented writer and children's book critic Imogen Russell Williams and brought to life by Sara Mulvanny's vivid colour illustration. The book also features a gloriously illustrated timeline, showing key events from Queen Elizabeth's long reign.Discover the life-changing events of the last 70 years, from the foundation of the NHS by Aneurin Bevan to the creation of the AstraZeneca COVID-19 vaccine by Sarah Gilbert. Learn about how amazing activists like Paul Stephenson and Malala Yousafzai fought hard for equal rights for all, and scientists like Stephen Hawking and Tim Berners-Lee made incredible advances that allowed us to know more about the universe, or communicate in a whole new way via the Internet. Find out about the fantastic achievements of athletes like Mo Farah and Tanni Grey-Thompson and writers like Judith Kerr and Lemn Sissay, despite the challenges they faced. The tales include key figures from all areas of British life - science, medicine, entertainment, sports, activism and more.Featuring the inspirational lives and achievements of amazing people such as Alan Turing, Kelly Holmes, Stormzy and Anita Roddick, this book is not only a glorious celebration of Queen Elizabeth's life and reign, but also the citizens who have contributed to such an incredible 70 years on the throne.

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From contributors to The Conversation, a look at gender diversity in the twenty-first century and the intricate and intersecting challenges faced by trans and nonbinary people.With media amplifying the voices of anti-trans legislators and critics, it is important to turn to the stories, research, and expertise of trans and nonbinary people in order to understand the reality of their experiences. In The Conversation on Gender Diversity, editor Jules Gill-Peterson assembles essential essays from The Conversation U.S. by experts on gender diversity. The essays guide readers through seldom-covered aspects of transgender history and present an overview of the social and political barriers that disenfranchise trans people and attempt to remove them from public life. As these essays collectively show, trans and nonbinary people may be forced to be the face of gender and its diversity, but the cultural, political, and social realities of gender connect—and subject—everyone. Despite these challenges, there is an immense culture of love and support across the queer community that is bolstered by activists and allies working against transphobic attacks. Trans and gender-diverse youth are growing up in a world filled with ever-increasing hurdles and rising danger, even with the contemporary public recognition of trans life in culture and media. But they are not facing these challenges alone.The Critical Conversations series collects relevant essays from top scholars on timely topics, including water, biotechnology, gender diversity, gun culture, and more, originally published on the independent news site The Conversation U.S. Contributors: Robert L. Abreu, Catherine Armstrong, Stacy Branham, Christopher Carpenter, L. F. Carver, Mandy Coles, Arin Collin, George B. Cunningham, Avery Dame-Griff, Jules Gill-Peterson, Abbie Goldberg, Gilbert Gonzales, Frances Grimstad, Foad Hamidi, Elizabeth Heineman, Glen Hosking, Bethany Grace Howe, Jay A. Irwin, Shanna K. Kattari, Kacie Kidd, Terry Kogan, Vanessa LoBue, Gabriel Lockett, Megan K. Maas, Julie Manning Magid, Em Matsuno, Tey Meadow, Kyl Myers, Madeleine Pape, Ruth Pearce, Jae A. Puckett, Samantha G. Rosenthal, Morgan Klaus Scheuerman, Elizabeth A. Sharrow, Carl Sheperis, Donna Sheperis, stef m. shuster, Jules Sostre, Ryan Storr, Carl Streed, Diana M. Tordoff, Travers

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Analytic philosophy is difficult to define since it is not so much a specific doctrine as a loose concatenation of approaches to problems. As well as having strong ties to scientism -the notion that only the methods of the natural sciences give rise to knowledge -it also has humanistic ties to the great thinkers and philosophical problems of the past. Moreover, no single feature characterizes the activities of analytic philosophers. Undaunted by these difficulties, Avrum Stroll investigates the "family resemblances" between that impressive breed of thinkers known as analytic philosophers. In so doing, he grapples with the point and purpose of doing philosophy: What is philosophy? What are its tasks? What kind of information, illumination, and understanding is it supposed to provide if it is not one of the natural sciences? Imbued with clarity, liveliness, and philosophical sophistication, Stroll's book presents a synoptic picture of the main developments in logic, philosophy of language, epistemology, and metaphysics in the past century. It does this by concentrating on the individual thinkers whose ideas have been most influential. Major themes in Twentieth-Century Analytic Philosophy include: * the innovation of mathematical logic by Gottlob Frege at the close of the nineteenth century and its independent development by Bertrand Russell; * the impact of advancements in science on the world of philosophy and its importance for understanding such doctrines as logical positivism, philosophy of language, philosophy of mind, and eliminative materialism; * the refusal by such thinkers as Wittgenstein, Moore, and Austin to treat logic as an ideal language superior to natural languages; and * a conjecture about which, if any, of the philosophers discussed in the book will enter the pantheon of philosophical gods. Along the way, Stroll also covers the theories of Rudolf Carnap, W. V. O. Quine, Gilbert Ryle, J. L. Austin, Hilary Putnam, Saul Kripke, John Searle, Ruth Marcus, and Patricia and Paul Churchland. Stroll's approach to his subject treats the critical movements in analytic philosophy in terms of the philosophers who defined them. The notoriously complex realm of analytic philosophy emerges less as an abstract enterprise than as a domain of personalities and their competing methods and arguments. The book's inventive presentations of complex logical doctrines relate them to the traditional problems of philosophy, seeking the continuity between them rather than polemical distinctions so as to bring the true differences of their respective achievements into sharper focus.

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Dispatches of radical political engagement from people taking a stand against the Dakota Access PipelineIt is prophecy. A Black Snake will spread itself across the land, bringing destruction while uniting Indigenous nations. The Dakota Access Pipeline is the Black Snake, crossing the Missouri River north of the Standing Rock Indian Reservation. The oil pipeline united communities along its path—from North Dakota, South Dakota, Iowa, and Illinois—and galvanized a twenty-first-century Indigenous resistance movement marching under the banner Mni Wiconi—Water Is Life! Standing Rock youth issued a call, and millions around the world and thousands of Water Protectors from more than three hundred Native nations answered. Amid the movement to protect the land and the water that millions depend on for life, the Oceti Sakowin (the Dakota, Nakota, and Lakota people) reunited. A nation was reborn with renewed power to protect the environment and support Indigenous grassroots education and organizing. This book assembles the multitude of voices of writers, thinkers, artists, and activists from that movement.Through poetry and prose, essays, photography, interviews, and polemical interventions, the contributors, including leaders of the Standing Rock movement, reflect on Indigenous history and politics and on the movement’s significance. Their work challenges our understanding of colonial history not simply as “lessons learned” but as essential guideposts for current and future activism.Contributors: Dave Archambault II, Natalie Avalos, Vanessa Bowen, Alleen Brown, Kevin Bruyneel, Tomoki Mari Birkett, Troy Cochrane, Michelle L. Cook, Deborah Cowen, Andrew Curley, Martin Danyluk, Jaskiran Dhillon, Roxanne Dunbar-Ortiz, Liz Ellis, Nick Estes, Marcella Gilbert, Sandy Grande, Craig Howe, Elise Hunchuck, Michelle Latimer, Layli Long Soldier, David Uahikeaikalei‘ohu Maile, Jason Mancini, Sarah Sunshine Manning, Katie Mazer, Teresa Montoya, Chris Newell, The NYC Stands with Standing Rock Collective, Jeffrey Ostler, Will Parrish, Shiri Pasternak, endawnis Spears, Alice Speri, Anne Spice, Kim TallBear, Mark L. Tilsen, Edward Valandra, Joel Waters, Tyler Young.

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Specialist Periodical Reports provide systematic and critical review coverage in major areas of chemical research. Compiled by teams of leading authorities in the relevant subject, the series creates a unique service for the active research chemist with regular critical in-depth accounts of progress in particular areas of chemistry. Subject coverage of all volumes is very similar and publication is on an annual or biennial basis. As EPR continues to find new applications in virtually all areas of modern science, including physics, chemistry, biology and materials science, this series caters not only for experts in the field, but also those wishing to gain a general overview of EPR applications in a given area.

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Essential Papers on the Psychology of Aging contains the classic papers on the period of human development that begins with young adulthood and ends with old age and death. Including material on theory and methodology; basic psychological processes; personality and social psychology; and clinical, applied, and health psychology, the volume presents the best work published in the field, from classic papers to cutting-edge research. Contributors to the volume include P. B. Baltes, J. E. Birren, W. E. Henry, K. F. Riegel, K. W. Schaie, D. Arenberg, H. P. Bahrick, L. K. Hall, D. B. Bromley, D. M. Burke, L. L. Light, N. Charness, F. I. M. Craik, J. McDowd, J. C. Foster, G. A. Taylor, J. G. Gilbert, J. L. Horn, R. B. Cattrell, H. E. Jones, H. S. Conrad, H. C. Lehman, C. C. Miles, W. R. Miles, A. E. D. Schonfield, E. A. Robertson, K. Sward, A. T. Welford, P. T. Costa, R. R. McCrae, B. L. Frederickson, L. L. Carstensen, D. Gutmann, J. S. Jackson, L. M. Chattters, R. J. Taylor, R. Kastenbaum, N. Kogan, M. E. Lachman, G. Bavouvie-Vief, M. De Voe, D. Bulka, M. F. Lowenthal, C. Haven, R. Schulz, M. M. Baltes, S. Honn, E. M. Barton, M. Orzech, D. Lago, F. M. Carp, M. F. Elias, N. R. Schultz, M. A. Robbins, P. K. Elias, R. L. Kahn, S. H. Zarit, N. M. Hilbert, G. Niederehe, J. K. Kiecolt- Glaser, R. Glaser, E. C. Shuttleworth, C. S. Cyer, P. Ogrocki, C. E. Speicher, B. Simon, M. A. Lieberman, S. S. Tobin, V. N. Prock, G. M. McEvoy, W. F. Cascio, S. A. Murrell, S. Himmelbarb, B. L. Neugarten, R. J. Havighurst, C. D. Ryff, K. W. Schaie, S. L. Willis, F. Scogin, L. McElreth, and L. W. Thompson.

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Eating Words gathers food writing of literary distinction and historical sweep into one splendid volume. Beginning with the taboos of the Old Testament and the tastes of ancient Rome, and including travel essays, polemics, memoirs and poems, the book is divided into sections such as “Kitchen Practices”; “Food Memory: Identity, Family, Ethnicity”; “Eating: Delight, Disgust, Hunger, Horror” and “Food Politics”. Selections by Julia Child, Anthony Bourdain, Bill Buford, Michael Pollan, Molly O’Neill, Calvin Trillin and Adam Gopnik, along with authors not usually associated with gastronomy—Maxine Hong Kingston, Henry Louis Gates Jr, Hemingway, Chekhov and David Foster Wallace—enliven and enrich this comprehensive anthology.

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With over a quarter of a million copies sold, this accessible, bestselling picture book phenomenon about the unbreakable connections between loved ones has healed a generation of readers--children and adults alike--and has been updated with new illustrations and an afterword from the author. Now available in paperback for the first time!Parents, educators, therapists, and social workers alike have declared The Invisible String the perfect tool for coping with all kinds of separation anxiety, loss, and grief. In this relatable and reassuring contemporary classic, a mother tells her two children that they're all connected by an invisible string. "That's impossible!" the children insist, but still they want to know more: "What kind of string?" The answer is the simple truth that binds us all: An Invisible String made of love. Even though you can't see it with your eyes, you can feel it deep in your heart, and know that you are always connected to the ones you love. Does everybody have an Invisible String? How far does it reach? Does it ever go away? This heartwarming picture book for all ages explores questions about the intangible yet unbreakable connections between us, and opens up deeper conversations about love.Recommended and adopted by parenting blogs, bereavement support groups, hospice centers, foster care and social service agencies, military library services, church groups, and educators, The Invisible String offers a very simple approach to overcoming loneliness, separation, or loss with an imaginative twist that children easily understand and embrace, and delivers a particularly compelling message in today's uncertain times. This special paperback edition includes includes vibrant new illustrations and an introduction from the author.

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The American Revolution was a decisive conflict, which saw the birth of a new nation. Continental Army regulars fought in massive and famous battles from New England to Virginia, but in the South a different kind of warfare was afoot. Local militia, sometimes stiffened by a small core of the Continental Line, played a pivotal role. This lesser-known war ultimately decided the fate of the Revolution by thwarting the British "Southern strategy". In this title, the authors provide a unique and personal focus on the history of their own ancestors, who fought for the South Carolina Militia, to show just how effective the irregular forces were in a complex war of raids, ambushes, and pitched battles. The book explores the tactics, equipment, leadership and performance of the opposing Patriot and Rebel forces, shining new light on the vicious struggle in the South.

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As managers find that they must grapple with increasingly complex social and environmental problems as an integral part of business strategy and operations, they require different knowledge, skills and competencies than in the past. Mainstreaming Corporate Responsibility pioneers a way for business schools to equip future business leaders and managers to meet these challenges. Based upon a curriculum development project run by the INSEAD Social Innovation Centre, London Business School and EABIS, this book is a collection of texts and cases for use in courses across the business disciplines as well as courses on Corporate Responsibility. Watch the Editor of Mainstreaming Corporate Responsibility: http://tv.insead.edu/video/Most+Recent/100/5253 Watch two of the chapter authors: http://knowledge.insead.edu/video/index.cfm?vid=313

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Hogg grew up in rural Ettrick Forest in a notable family of tradition-bearers, and in his first major poetry collection The Mountain Bard of 1807 he claims his rightful position at the centre of that culture. Whereas Scott collected the Minstrelsy of the Scottish Border Hogg was the sole author of The Mountain Bard. He learned to negotiate the erudite print culture of Edinburgh with the literary ballad, sometimes helped and sometimes hindered by his powerful friend, shifting the shape of his earlier manuscript and periodical poems accordingly. Then in 1821, when he was an established literary man, he published a revised edition in keeping with his new professional status as Author of The Queen's Wake. The present edition prints together, for the first time, the surviving pre-1807 versions of poems included in The Mountain Bard, the full 1807 collection, and the complete 1821 version. The Introduction (besides giving a full history of this complex, changing work) places it firmly within the eighteenth-century antiquarian projects of ballad-collecting and the intellectual currents of Romanticism, in particular the literary vogue for the ballad shown in works such as Lyrical Ballads (1798) by Wordsworth and Coleridge. Available in Paperback: The Private Memoirs and Confessions of a Justified Sinner The Shepherd's Calendar Tales of the Wars of Montrose The Three Perils of Woman Winter Evening Tales Anecdotes of Scott The Queen's Wake Altrive Tales Also Available in Hardback: A Queer Book The Shepherd's Calendar The Three Perils of Woman Tales of the Wars of Montrose Lay Sermons Queen Hynde Anecdotes of Scott The Spy The Private Memoirs and Confessions of a Justified Sinner The Jacobite Relics of Scotland (First Series) The Jacobite Relics of Scotland (Second Series) Winter Evening Tales The Queen's Wake Altrive Tales The Collected Letters of James Hogg, Volume 1, 1800-1819

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Investigations into the cultural significance of that most familiar and charismatic group of animals, bears. Bears are iconic animals, playing a variety of roles in human culture. They have been portrayed as gods, monsters, kings, fools, brothers, lovers, and dancers; they are seen as protectors of the forest; symbols of masculinity; a comfort for children; and act as symbols for conservation and environmental issues. They also symbolise wilderness, reinforcing and maintaining our connection to the natural world. And stories abound of cultures that gathered berries in the same fields as bears and fished on the same rivers; consequently a wealth of myths, legends and folklore has informed us of our place in the world and the deep connection we have with bears. The essays collected here provide a rich selection of views on the human/bear relationships. They explore how bears are an influence in contemporary art, and how they are represented in the illustrations in children's literature and in museum exhibitions. The connection between bears and native peoples, and how contemporary society lives alongside these animals, provides an understanding of current attitudes and approaches to bear management and conservation. The history of captive bears is brought into contemporary relief by considering the fate of captive bears held in Asian countries for bile production. Other pieces look at how bears feature in gay culture, and are an intrinsic component to researchon the Yeti and Sasquatch. Together, these articles present an insight into the changing face of attitudes towards nature, species survival and the significance of conservation engagement in the twenty-first century. Biologists, historians, anthropologists, cultural theorists, conservationists and museologists will all find riches in the detail presented in this bear cornucopia. OWEN NEVIN is Associate Vice-Chancellor, Gladstone Region, CQUniversity, Australia; IAN CONVERY is Professor of Environment and Society at the University of Cumbria; PETER DAVIS is Emeritus Professor of Museology in the International Centre for Cultural and Heritage Studies at Newcastle University. Contributors: Philip Charles, Melanie Clapham, Ian Convery, Koen Cuyten, Elizabeth O Davis, Peter Davis, Sarah Elmeligi, Beatrice Frank, Barrie K. Gilbert, Jenny Anne Glikman, Tracy Ann Hayes, Mike Jeffries, Jón Jónsson, John Kitchin, Miha Krofel, Gareth Longstaff, Henry McGhie, Jeff Meldrum, Owen T. Nevin, Heather Prince, Lynn Rogers, Kristinn Schram, Bryndís Snæbjörnsdóttir, Russ Van Horn, Mark Wilson, Samantha Young.

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Half a million people a day do it in the Telegraph. The Times claims almost as many, and the Guardian 300,000. Most people remember their first time, and everyone has a favourite. You can do it in bed, standing up, or on a train. You can do it alone, with a loved one or in groups. The Queen does it in the bath. It is not illegal, immoral or fattening. In fact it tops the Home Office list of approved entertainments for prison inmates. Crosswords are a very British obsession.Crosswords are a very British obsession. Pretty Girl in Crimson Rose is a personal reminiscence and a guide to solving crossword puzzles. But it is much, much more than a 'how-to' book. Each chapter is starts with a clue, and uses anecdote, history and autobiography to solve it, in the process describing something of what it means to love England. In the process, we encounter The Best Crossword Clue Ever, The Most Beautiful Clue in the World 'Pretty Girl in Crimson Rose' and the eccentric personalities behind such legendary compilers as the Guardian's Araucaria and The Times'Ximenes.Reviews for Pretty Girl In Crimson Rose'An extraordinary memoir... a positive page turner... A mesh of journeys and destinations, politics and romance, it touches what is beyond words.' Sophie Ratcliffe, The Times'You don't have to be a crossword nut to appreciate Sandy Balfour's tremendously beguiling Pretty Girl in Crimson Rose (8).' John Walsh, Independent'A little gem of a memoir... The book adds up to more than a sum of its parts and lingers in the memory long after the final page' Val Gilbert, Sunday Telegraph'Charming, knowledgeable and gripping' Nicholas Lezard, Guardian'A touching tribute to his partner... you close it feeling you have encountered a modest man of humour, compassion and common sense, who wears his wisdom lightly' Economist'A real charmer... this reviewer's verdict on Balfour's book: Touching success when foils clash at Elsinore (1,8,3) - A PALPABLE HIT' Kevin Jackson, Spectator'A book to make writers curse themselves for not having thought of the idea first, but to make readers hug themselves that Sandy Balfour did. A delight' Alan Coren'Sandy Balfour's memoir Pretty Girl in Crimson Rose (8) is like a great crossword clue - I couldn't put it down until I'd worked it out.' Clive James

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'So I will write in English, pressing new words from this beautiful plain language spoken by all. Not courtly French to introduce God politely. Not church Latin to construct arguments. English to show it as it is. Even though it is not safe to do so.' From the author of Miles to Go before I Sleep comes I, Julian,the account of a medieval woman who dares to tell her own story, battling grief, plague, the church and societal expectations to do so. Compelled by the powerful visions she had when close to death, Julian finds a way to live a life of freedom - as an anchoress, bricked up in a small room on the side of a church - and to write of what she has seen. The result, passed from hand to hand, is the first book to be written by a woman in English. Tender, luminous,

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Emotion Coaching (EC) is a universal communication strategy which supports children and young people to self-regulate and manage their stress responses. Originally noticed as an effective way parents communicated with their children around challenging behaviours, Emotion Coaching has been shown to be highly successful in educational settings too. This is why the authors pioneered the research and application of Emotion Coaching into UK (primary and secondary) schools and community settings. The book includes straightforward descriptions and practical tips, with signposting to resources, case studies and vignettes to illustrate its practical application in educational settings. It supports adults to promote empathetic responses to challenging behaviours and situations, helping children and young people to understand their emotions and learn to manage them and their behavior in the longer-term.

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'An epic travelogue, brimming with the excitement of discovery. With characteristic panache, Venter unveils the teeming array of bacteria, viruses, and eukaryotes that crowd our planet's oceans' - Siddhartha Mukherjee'This page-turner gives . . . the thrill of seeing our planet's largest universe through the brilliant, intrepid eyes of the scientist who has done more than anyone to unlock the secrets of life' - Martine Rothblatt'A tour de force . . . Venter has expanded biology's horizons. This book explores microbial life on a global scale, providing cutting-edge solutions to problems of environmental change' - Aristides Patrinos'A ripping tale . . . to revolutionize our understanding of our bodies, the oceans, and the planet' - Jack Gilbert'An exhilarating account of how creative science is accomplished' - Sir Richard J. Roberts'[A] fascinating tour of Planet Microbe' - Bill McKibben'Venter and Duncan expand our scope of what it means to be alive' - Jamie Metzl'Inspiring ... change[s] our ideas of how biology is done' - TelegraphUpon completing his historic work on the Human Genome Project in 2002, J. Craig Venter declared that he would sequence the genetic code of all life on earth. Thus began a fifteen-year quest to collect DNA from the world's oldest and most abundant form of life: microbes. Boarding the Sorcerer II, a 100-foot sailboat turned research vessel, Venter travelled over 65,000 miles around the globe to sample ocean water and the microscopic life within.In this book, Venter and science writer David Ewing Duncan tell the remarkable story of these expeditions and of the momentous discoveries that ensued-of plant-like bacteria that get their energy from the sun, proteins that metabolize vast amounts of hydrogen, and microbes whose genes shield them from ultraviolet light. The result was a massive library of millions of unknown genes, thousands of unseen protein families, and new lineages of bacteria that revealed the unimaginable complexity of life on earth. Yet despite this exquisite diversity, Venter encountered sobering reminders of how human activity is disturbing the delicate microbial ecosystem that nurtures life on earth. In the face of unprecedented climate change, Venter and Duncan show how we can harness the microbial genome to develop alternative sources of energy, food, and medicine that might ultimately avert our destruction.A captivating story of exploration and discovery, this book restores microbes to their rightful place as crucial partners in our evolutionary past and guides to our future.

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A USA TODAY BEST BOOK OF THE YEAR (★★★★)“Little and Often is a beautiful memoir of grief, love, the shattered bond between a father and son, and the resurrection of a broken heart. Trent Preszler tells his story with the same level of art and craftsmanship that he brings to his boat making, and he reminds us of creativity’s power to transform and heal our lives. This is a powerful and deeply moving book. I won’t soon forget it.” —Elizabeth GilbertTrent Preszler thought he was living the life he always wanted, with a job at a winery and a seaside Long Island home, when he was called back to the life he left behind. After years of estrangement, his cancer-stricken father had invited him to South Dakota for Thanksgiving. It would be the last time he saw his father alive.Preszler’s only inheritance was a beat-up wooden toolbox that had belonged to his father, who was a cattle rancher, rodeo champion, and Vietnam War Bronze Star Medal recipient. This family heirloom befuddled Preszler. He did not work with his hands—but maybe that was the point. In his grief, he wondered if there was still a way to understand his father, and with that came an epiphany: he would make something with his inheritance. Having no experience or training in woodcraft, driven only by blind will, he decided to build a wooden canoe, and he would aim to paddle it on the first anniversary of his father’s death.While Preszler taught himself how to use his father’s tools, he confronted unexpected revelations about his father’s secret history and his own struggle for self-respect. The grueling challenges of boatbuilding tested his limits, but the canoe became his sole consolation. Gradually, Preszler learned what working with his hands offered: a different per­spective on life, and the means to change it.Little and Often is an unflinching account of bereavement and a stirring reflection on the complexities of inheritance. Between his past and his present, and between America’s heartland and its coasts, Preszler shows how one can achieve reconciliation through the healing power of creativity.“Insightful, lyrical…Little and Often proves to be a rich tale of self-discovery and reconciliation. Resonating with Robert Pirsig’s classic Zen and the Art of Motorcycle Maintenance, it is a profound father-and-son odyssey that discovers the importance of the beauty of imperfection and small triumphs that make extraordinary happen.” —USA Today (★★★★)

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A SUNDAY TIMES TOP TEN BESTSELLER ‘Stunning’ Lisa Taddeo, author of THREE WOMEN ‘Warm and wise' Stephanie Merritt, Observer ‘Glamorous, sexy, compelling’ Dolly Alderton, Sunday Times ‘I fell in love with Vivian from page one’ Daisy Buchanan ‘An education in love, and an iridescent delight’ Rowan Pelling, Spectator New York, 1940. Young, glamorous and inseparable, Vivian and Celia are chasing trouble from one end of the city to the other. But there is risk in all this play – that’s what makes it so fun, and so dangerous. Sometimes, the world may feel like it’s ending, but for Vivian and Celia, life is just beginning. City of Girls is about daring to break conventions and follow your desires: a celebration of glamour, resilience, growing up, and the joys of female friendship – and about the freedom that comes from finding a place you truly belong.

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Many gifted and talented children are bored and frustrated in the classroom. Many are not achieving their potential and talents are going unrecognised. Written by an experienced and world renowned author with a wealth of experience, this practical guide will challenge, excite and inspire teachers and show them how they can identify and provide for the needs of these children.

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With its sweeping digressions into the past and reflections on the nature of memory, Proust’s oceanic novel In Search of Lost Time looms over twentieth-century literature as one of the greatest, yet most endlessly challenging, literary experiences. Influencing writers like Virginia Woolf and James Joyce, and even anticipating Albert Einstein in its philosophical explorations of space and time, In Search of Lost Time is a monumental achievement and reading it is a rite of passage for any serious lover of literature. Now, in what renowned translator Arthur Goldhammer says might be “likened to a piano reduction of an orchestral score,” the French illustrator Stéphane Heuet re-presents Proust in graphic form for anyone who has always dreamed of reading him but was put off by the sheer magnitude of the undertaking. This New York Times best-selling graphic adaptation reveals the fundamental architecture of Proust’s work while displaying a remarkable fidelity to his language as well as the novel’s themes of time, art, and the elusiveness of memory. As Goldhammer writes in his introduction, “The reader new to Proust must attend closely, even in this compressed rendering, to the novel’s circling rhythms and abrupt cross-cuts between different places and times. But this necessary attentiveness is abetted and facilitated by the compactness of the graphic format.” In this first volume, Swann’s Way, the narrator Marcel, an aspiring writer, recalls his childhood when—in a now-immortal moment in literature—the taste of a madeleine cake dipped in tea unleashes a torrent of memories about his family’s country home in the town of Combray. Here, Heuet and Goldhammer use Proust’s own famously rich and labyrinthine sentences and discerning observations to render Combray like never before. From the water lilies of the Vivonne to the steeple and stained glass of the town church, Proust’s language provides the blueprint for Heuet’s illustrations. Heuet and Goldhammer also capture Proust’s humor, wit, and sometimes scathing portrayals of Combray’s many memorable inhabitants, like the lovelorn Charles Swann and the object of his affection and torment, Odette de Crécy; Swann’s daughter, Gilberte; local aristocrat the Duchesse de Guermantes; the narrator’s uncle Adolphe; and the hypochondriac Aunt Léonie. Including a Proust family tree, a glossary of terms, and a map of Paris, this graphic adaptation is a surprising and useful companion piece to Proust’s masterpiece for both the initiated and those seeking an introduction.

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The Classroom 13 series is about the students of a very unlucky classroom. The first title starts when unlucky teacher Ms. Linda LaCrosse wins the lottery and shares her winnings with her class - giving each student over a BILLION DOLLARS!You might think this was nice but it was not. It was a nasty idea. As the students of Classroom 13 are about to learn, winning the lottery is not always lucky and will lead to many disastrous moments in the future.The easy-to-read chapters are full of humour, action, secret codes and fun - and will prompt hours of conversation among friends, families and classmates. The final chapter encourages young readers to write their own chapter and send it in to the author, Honest Lee.This book includes The Unlucky Lottery Winners of Classroom 13, The Disastrous Magical Wishes of Classroom 13, and The Fantastic and Terrible Fame of Classroom 13.

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