Search results for ""university of wales press""

This rich interdisciplinary book brings significant and original insights to the study of Welsh identity and religion, as well as exploring the distinctive pressures that Welsh women face in their everyday lives. Manon Ceridwen James provides a comprehensive account of the religious and sociological context for women in Wales today, weaving her own experience with the writings of Menna Elfyn, Jasmine Donahaye, Mererid Hopwood and other key writers, to offer an in-depth understanding of the dynamic interplay between Welsh female identity and religion. At the heart of the book is the author's original research into the lives of thirteen women, revealing how Welsh women face misogyny, repression and stigmatisation, but how they are also able to respond with resilience and humour. Welsh women have an empowering stereotype - the Strong Woman - and are constructing new identities for themselves free from the pressures to be respectable and submissive. Women, Identity and Religion in Wales presents the first comprehensive study from a present-day perspective, and is a significant contribution to the study of literature, theology and culture.

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Dyma'r unig ymdriniaeth ddiweddar yn y Gymraeg o rai o'r cwestiynau cymhleth a heriol a godir i ddiwinyddiaeth Gristnogol gan wyddoniaeth gyfoes: sut y gall diwinyddiaeth Gristnogol ymateb i'r ddealltwriaeth lawnach a dyfnach sydd gennym bellach am darddiad, datblygiad a phrosesau'r bydysawd? A all Cristnogion barhau i gyffesu yng ngeiriau'r Credo, 'Credwn yn Nuw, y Tad Hollalluog, Creawdwr nefoedd a daear'? Ac a fedrant goleddu'r Ffydd Apostolaidd a ddatguddiwyd drwy'r Ysgrythurau ac a gyffesir gan draddodiad Cristnogol y canrifoedd? Os gellir cyffesu'r ffydd hon o hyd, sut y mae ei dehongli heddiw, yn wyneb gwybodaeth gyfoes am darddiad y bydysawd, am siawns a chynllun, am Darwin a geneteg, am fiodechnoleg ac ecoleg? Mae deiliaid 'yr atheistiaeth newydd' yn honni nad yw cred mewn Duw yn bosibl - cred sicr awduron y gyfrol hon, fodd bynnag, yw nad oes gwrthdaro rhwng Cristnogaeth a gwyddoniaeth, a bod dealltwriaeth o'r naill yn cyfoethogi'n dirnadaeth o gyfoeth y llall. Dwy ffenestr wahanol sydd yma i'n galluogi i edrych ar ryfeddod Duw, ar y bydysawd sy'n tarddu yn ei fwriad a'i egni creadigol, ac ar wyrth pob bywyd sy'n ddibynnol ar y bydysawd hwnnw.

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Any attempt at comparing contemporary change in the UK and France is a bold one, since it means discussing two very different countries with strong distinctive constitutional identities. This book places its emphasis on the shared historical, political and cultural background of the UK and France, before focusing on the sweeping transformation of their constitutional frameworks in the past quarter of a century at a national and regional level – with a particular emphasis on Wales and Scotland – which culminated in the June 2016 referendum on Britain’s EU membership. Instead of examining each country separately, however, as is traditional, this study breaks new ground by explaining the pattern of institutional development in Britain and France from a comparative Franco-British perspective. It explores the complexities of recent constitutional change in both countries in an original and comprehensive way, and gives both British and French readers a deeper understanding of the two countries that have some much in common even though Brexit could drive them apart.

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Welsh Planning Law and Practice provides a comprehensive guide to the sources and structure of Welsh planning law and a route through its complexity. This is not a comparative study, but rather deals with legislation and policy affecting land in Wales, placing them in the context of shared principles and concepts and the case law common to England and Wales. More than an academic exercise, planning is a practical matter affecting important aspects of daily life, and the desirability of public engagement in the planning process is well settled. This book contributes to the promotion of recognition of the body of Welsh planning law, to aid accessibility for all who practise in or who are (or want to be) involved in shaping development in Wales.

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In the face of the contested legacy of engagement in the Francophone context, this interdisciplinary collection demonstrates that French and Francophone writers, artists, intellectuals and film-makers are using their work to confront unforeseen and unprecedented challenges, campaigns and causes in a politically uncertain post-9/11 world. Composed of eleven essays and a contextualising introduction, this volume is interdisciplinary in its treatment of engagement in a variety of forms, as it reassesses the relationship between different types of cultural production and society as it is played out in the twenty-first century. With a focus on both the development of different cultural forms (Part 1) and on the particular crises that have attracted the attention of cultural practitioners (Part 2), this volume maps and analyses some of the ways in which cultural texts of all kinds are being used to respond to, engage with and challenge crises in the contemporary Francophone world.

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This book is an investigation of the foundation and evolution of romance in Iceland. The narrative type arose from the introduction of French narratives into the alien literary environment of Iceland and the acculturation of the import to indigenous literary traditions. The study focuses on the oldest Icelandic copies of three chansons de geste and four of the earliest indigenous romances, both types transmitted in an Icelandic codex from around 1300. The impact of the translated epic poems on the origin and development of the Icelandic romances was considerable, yet they have been largely neglected by scholars in favour of the courtly romances. This study attests the role played by the epic poems in the composition of romance in Iceland, which introduced the motifs of the aggressive female wooer and of Christian-heathen conflict.

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Capitalism and its Discontents presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.

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This study examines the spread of socialism in late-Victorian and Edwardian Wales, paying particular attention to the relationship between socialism and Welsh national identity. Welsh opponents of socialism often claimed it to be a foreign import, whereas socialists often asserted that the Welsh were socialist by nature. This study – the first full-scale study of the influence of early socialism across all of Wales – demonstrates that the reality was more complex than either assertion would admit. Rather than focusing on the structural growth of socialism, the topic is discussed in terms of the spread of ideas and the development of a political culture. The study culminates in a discussion of attempts, in the period before the Great War, to create a specifically Welsh socialist tradition. In approaching the topic from this angle, this study restores a part of the lost diversity of British socialism that is of striking contemporary relevance.

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Diweddariad o'r gyfrol Cyflwyno'r Gymraeg: Llawlyfr i Diwtoriaid (2000) dan olygyddiaeth Christine Jones yw Cyfoethogi'r Cyfathrebu: Llawlyfr Ymarferol i Diwtoriaid Cymraeg i Oedolion. Mae'r gyfrol hon yn cynnwys rhai o benodau'r gyfrol wreiddiol wedi'u diweddaru, ynghyd a phenodau newydd ar feysydd sydd wedi dod yn fwy amlwg yn y maes ers 2000 (er enghraifft, dysgu anffurfiol, addysgu ar-lein, y fframwaith asesu newydd a chyfraniad y maes i bolisiau iaith cenedlaethol). Ceir penodau ar y wers gyntaf, gweithgareddau cyfathrebol, meithrin sgiliau gwahanol megis sgiliau ysgrifennu neu sgiliau gwylio, a phennod agoriadol ar ddulliau dysgu ar dwf y maes a'r syniadau a ddylanwadodd ar fethodoleg dros yr ugeinfed ganrif a'r ganrif hon.

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Trwy driniaeth wreiddiol a gafaelgar o rai o ffigyrau adnabyddus Cymru, mae Huw L. Williams yn amlygu nifer o'n credoau fel cenedl, sydd wedi profi'n ddylanwadol yng Nghymru a thu hwnt. Cyflwynir trafodaethau gwleidyddol, moesol a diwinyddol trwy ffurf ymddiddanion dychmygol, gyda sylwebaeth athronyddol ar elfennau canolog yr athrawiaethau hynny. Ymysg y sawl sy'n amlwg yn y gyfrol y mae Glyn Dwr, Robert Owen, Lady Llanover a Henry Richard, gyda'u syniadau pwysicaf wedi'u cyflwyno ar ffurf ymgom difyr sy'n cynnig cyflwyniad hygyrch i'r darllenydd. Yn dilyn pob ymgom, daw dadansoddiad o'r syniadau hynny i roi cyfrif trwyadl o ambell gysyniad a gosod cwestiynau gerbron ynglyn a grym a dilysrwydd y gwahanol gredoau. Pwysleisir yn arbennig y cysylltiadau anwahanadwy gyda thueddiadau deallusol ehangach Ewrop a'r modd y mae syniadaeth yng Nghymru wedi dylanwadu, ac wedi'i ddylanwadu gan, y cyd-destun ehangach. Ymhlyg yn y driniaeth yma o syniadaeth Gymreig ceir ymgais i amlygu sut y mae ystyriaethau athronyddol ynghlwm yn ein bywyd cyfunol, yn ogystal ag awgrym bod yna hanes syniadau neilltuol yn perthyn i Gymru. Dyma roi sylw priodol felly i sylwedd athronyddol y traddodiad deallusol hwnnw, a chynnig dathliad o'n credoau fel cenedl.

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The last two decades have seen big changes within a small nation; the distinctiveness of Wales, in terms of its political life and culture, has grown considerably in that time. This edited collection by a range of eminent Welsh writers, emerging academics and creative artists examines what is distinctive about Wales and Welshness in an interdisciplinary yet comprehensive manner. The core concepts of gender, class and identity are explored throughout the book, which presents twelve chapters in three distinct yet overlapping thematic sections: Wales, Welshness, Language and Identity, Education; Labour Markets and Gender in Wales; and Welsh Public Life, Social Policy, Class and Inequality. The chapters explore the role of men and women in Wales and of Wales itself as a nation, an economy, and a centre of partially devolved governance, raising questions related to equality, policy and progression. The collection also features photographs, graphic art and poetic verse that both represent and extend the central arguments of the book.

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Seals and Society arises from a major project investigating seals and their use in medieval Wales, the Welsh March and neighbouring counties in England. The first major study of seals in the context of one part of medieval Western European society, the volume also offers a new perspective on the history of medieval Wales and its periphery by addressing a variety of themes in terms of the insight that seals can offer the historian. Though the present study suggests important regional distinctions in the take-up of seals in medieval Wales, it is also clear that seal usage increased from the later twelfth century and spread widely in Welsh society, especially in those parts of Wales neighbouring England or where there had been an early English incursion. Through a series of chapters, the authors examine the ways in which seals can shed light on the legal, administrative, social and economic history of the period in Wales and its border region. Seals provide unique insights into the choices individuals, men and women, made in representing themselves to the wider world, and this issue is examined closely. Supported by almost 100 images gathered by the project team, the volume is of great interest to those working on seals, their motifs, their use and developments in their usage over the high and later Middle Ages.

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The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.

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Seals and Society arises from a major project investigating seals and their use in medieval Wales, the Welsh March and neighbouring counties in England. The first major study of seals in the context of one part of medieval Western European society, the volume also offers a new perspective on the history of medieval Wales and its periphery by addressing a variety of themes in terms of the insight that seals can offer the historian. Though the present study suggests important regional distinctions in the take-up of seals in medieval Wales, it is also clear that seal usage increased from the later twelfth century and spread widely in Welsh society, especially in those parts of Wales neighbouring England or where there had been an early English incursion. Through a series of chapters, the authors examine the ways in which seals can shed light on the legal, administrative, social and economic history of the period in Wales and its border region. Seals provide unique insights into the choices individuals, men and women, made in representing themselves to the wider world, and this issue is examined closely. Supported by almost 100 images gathered by the project team, the volume is of great interest to those working on seals, their motifs, their use and developments in their usage over the high and later Middle Ages.

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Cardiff’s civic centre in Cathays Park, described as the finest civic centre in the British Isles, is an impressive planned group of public buildings, begun largely with wealth created by the coal industry in the south Wales coalfield. This book covers the Cardiff site’s earlier evolution as a private park in the nineteenth century by the fabulously rich Bute family, and the borough’s battles to obtain land for public buildings and the park’s development in the twentieth century, to become Britain’s finest civic centre. All the buildings, memorials and statues in the park are fully described and illustrated in this book which includes maps, plans and photographs. The History and Architecture of Cardiff Civic Centre is the first in the series Architecture of Wales, published in partnership with the Royal Society of Architects in Wales.

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Mary Shelley reappraises the significance of Frankenstein alongside other works by Shelley which could be considered to revise the significance and fluctuating meanings of `Gothic' during the Romantic period. It offers scholarly, fresh readings of the 1818 and 1831 editions of Frankenstein, as well as chapters upon the fiction that Shelley composed in between both editions, and during the same decade as its second edition. In its broader examination of Mary Shelley's work, this study is the first of its kind within the field of Gothic studies. Alongside sustained explorations of Frankenstein, Matilda, Valperga and The Last Man, the volume Mary Shelley reappraises some of the shorter essays and tales that the author composed for contemporary magazines. Angela Wright argues that the time is now right for a re-examination of the extent to which Shelley participated in and redirected the Gothic tradition.

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Certain simple and stereotypical images of Wales strike an immediate chord with the public, both in Wales itself and beyond its borders. For much of the twentieth century, the country was thought of as ‘The Valleys’, a land of miners and choirs and rugby clubs. This image of a ‘Proletarian Wales’ (with its attendant Socialist politics) dominated popular imagination, just as the image of ‘Nonconformist Wales’ – a Wales of chapels and of a grimly puritan society – had gripped the imagination of the High Victorian era. But what of the Wales of the late Victorian and Edwardian decades? What image of Wales prevailed at that time of revolutionary social, economic, cultural, religious and political change? This book argues that several competing images of Welshness were put in circulation during that time, and proceeds to examine several of the most influential of these as they took the form of literary texts.

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This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully – Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba – it imagines a ‘Golden Age’ of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called ‘social bandits’, an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available. Contents Introduction: The Idea of a Golden Age of Latin American Banditry 1850-1950 1. The Figure of the Bandit in History, Culture and Social Theory 2. Mexico: The Myth of the Bandit Nation 3. Mexico’s Classic Bandit Narrative: Los de abajo 4. Beyond Mexico I: Bandit Cultures in Latin America 5. Beyond Mexico II: Chicano Bandit Cultures Conclusion

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Abbeys and Priories of Medieval Wales is the first comprehensive, illustrated guide to the religious houses of Wales from the twelfth to sixteenth centuries. It offers a thorough introduction to the history of the monastic orders in Wales (the Benedictines, Cluniacs, Augustinians, Premonstratensians, Cistercians, the military orders and the friars), and to life inside medieval Welsh monasteries and nunneries, in addition to providing the histories of almost sixty communities of religious men and women, with descriptions of the standing remains of their buildings. As well as a being a scholarly book, a number of maps, ground plans and practical information make this an indispensable guide for visitors to Wales’s monastic heritage.

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On a Saturday morning in November 1865, between 1,200 and 1,500 men gathered above the small town of Bethesda, to launch a society which they called the United Society of Welsh Quarrymen. Although there had been earlier revolts of quarrymen, this was the first recorded attempt to organise a trade union. The society failed almost as soon as it was started but an idea had been planted and despite the most strenuous efforts of its opponents, it was not to be uprooted. This book is about the struggle of quarrymen to organise and ‘combine’ in the slate quarries and mines of North Wales, and particularly in the giant Penrhyn quarries. It was often a battle for survival, fought in very distinctive communities, and the struggle witnessed some of the most bitter and dramatic disputes in the history of the British working class.

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This volume critically examines and elucidates the complex relationship between politics and teleology in Kant's philosophical system. Examining this relationship is of key philosophical importance since Kant develops his political philosophy in the context of a teleological conception of the purposiveness of both nature and human history. Kant's approach poses the dual task of reconciling his normative political theory with both his priori moral philosophy and his teleological philosophy of nature and human history. The fourteen essays in this volume, by leading scholars in the field, explore the relationship between teleology and politics from multiple perspectives. Together, the essays explore Kant's normative political theory and legal philosophy, his cosmopolitanism and views on international relations, his theory of history, his theory of natural teleology, and the broader relationship between morality, history, nature and politics in Kant's works. This important new volume will be of interest to a wide audience, including Kant scholars, scholars and students working on topics in moral and political philosophy, the philosophy of history, political theory and political science, legal scholars and international relations theorists, as well as those interested broadly in the history of ideas.

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Although Dylan Thomas died in 1953, his work has never been out of print and his notorious life continues to fascinate. To mark the centenary of Thomas's birth, Dylan Thomas's Swansea, Gower and Laugharne is being reprinted. This popular publication provides a detailed account of the relationship between Thomas's life, work and the three places that were most important to him. Illustrated throughout with photographs, this book takes the reader on a tour of the locations intimately connected with the poet, outlining the history and literary history of each area as well as Thomas's links with these places and his use of them in his work. The result is a unique literary guide for all those who are interested in Dylan Thomas and the places that shaped him, whether they are visitors to Swansea, Gower or Laugharne, or armchair travellers who would like to know more about the geographical and cultural associations of Thomas's writing.

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From the notable emergence of orphan figures in late eighteenth-century literature, through early- and middle-period Victorian fiction and, as this book argues, well into the fin de siecle, this potent literary type is remarkable for its consistent recurrence and its metamorphosis as a register of cultural conditions. The striking ubiquity of orphans in the literature of these periods encourages inquiry into their metaphoric implications and the manner in which they function as barometers of burgeoning social concerns. The overwhelming majority of criticism focusing on orphans centres particularly on the form as an early- to middle-century convention, primarily found in social and domestic works; in effect, the non-traditional, aberrant, at times Gothic orphan of the fin de siecle has been largely overlooked, if not denied outright. This oversight has given rise to the need for a study of this potent cultural figure as it pertains to preoccupations characteristic of more recent instances. This book examines the noticeable difference between orphans of genre fiction of the fin de siecle and their predecessors in works including first-wave Gothic and the majority of Victorian fiction, and the variance of their symbolic references and cultural implications.

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After Raymond Williams: Cultural Materialism and the Break-Up of Britain has two broad aims. The first is to re-examine the concept of cultural materialism, the term used by Raymond Williams to describe his theory of how writing and other cultural forms relate to general social and historical processes. Using this theory, the second objective is to explore the material ways in which contemporary British writing participates in one particular political process - that of the break-up of Britain. The general trajectory of the book is a matter of superseding Williams: the early chapters are devoted to extrapolating Williams's materialist theory of cultural forms, while later chapters are concerned with applying this theoretical material to a series of readings of books and films produced in the years since his death in 1988. This volume provides a detailed account of some of the writing produced in Scotland and Wales in the years surrounding political devolution, and also considers the ways in which different subcultural communities use fiction to renegotiate their relationships with the British whole.

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The source of the Nile had long eluded and tormented explorers, and John Hanning Speke's discovery of Lake Victoria in 1858 elevated him to the pantheon of heroes of African exploration, alongside Livingstone and Stanley. But the part played by the Welsh mining engineer John Petherick in the discovery was ignored after he was branded a slave trader by Speke, and the controversy that followed ended with Petherick ruined and Speke dead. This first biography of Petherick places him at the centre of one of the great discoveries in African exploration - and as the focus of a dispute that rocked the geographical establishment. Was Petherick a rogue, as portrayed by some, or the victim of a conspiracy that destroyed his reputation and denied him a share of the credit for his part in one of the greatest feats in African exploration?

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In an era of commemoration, France's Colonial Legacies contributes to the debates taking place in France about the place of empire in the contemporary life of the nation, debates that have been underway since the 1990s and that now reach across public life and society with manifestations in the French parliament, media and universities. France's empire and the gradual process of its loss is one of the defining narratives of the contemporary nation, contributing to the construction of its image both on the international stage and at home. While certain intellectuals present the imperial period as an historical irrelevance that ended in the years following the Second World War, the contested legacies of France's colonies continue to influence the development of French society in the view of scholars of the postcolonial. This volume surveys the memorial practices and discourses that are played out in a range of arenas, drawing on the expertise of researchers working in the fields of politics, media, cultural studies, literature and film to offer a wide-ranging picture of remembrance in contemporary France. Introduction: The Postcolonial Nation, Fiona Barclay Part One: Narrative Gaps 1. Amnesia about Anglophone Africa: France’s Rhodesian mind-set, its manifestations and its legacies, 1947–58, Joanna Warson 2. From ‘écrivains coloniaux’ to écrivains de ‘langue française’: strata of un/acknowledged memories, Gabrielle Parker Part Two: The Algerian War, Fifty Years On 3. Conflicting memories: modernisation, colonialism and the Algerian war appelés in Cinq colonnes à la une, Iain Mossman 4. Derrida’s virtual space of spectrality: cinematic haunting and the law in Mon Colonel (Herbiet, 2006), Fiona Barclay 5. ‘Le devoir de mémoire’: the poetics and politics of cultural memory in Assia Djebar’s Le Blanc de l’Algérie, Jennifer Mullen 6. (Un)packing the suitcases: postcolonial memory and iconography, William Kidd Part Three: The Transnational Family 7. Interrogating the transnational family: memory, identity and cultural bilingualism in Sous la clarté de la lune (Traoré, 2004), Zélie Asava 8. Continuity and discontinuity in the family: looking beyond the post-colonial in Il y a longtemps que je t’aime (Claudel, 2008), Fiona Handyside Part Four: Contemporary Commemorations 9. Anti-racism, republicanism and the Sarkozy years: SOS Racisme and the Mouvement des Indigènes de la République, Thomas Martin 10. Playing out the postcolonial: football and commemoration, Cathal Kilcline 11. Crime and penitence in slavery commemoration: from political controversy to the politics of performance, Nicola Frith

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Galicia, a non-state nation in north-west Spain, has often been portrayed as a sentimental nation, a misty land of poets and legends. This book offers the first study of this trope as a feminizing, colonial stereotype that has marked Galician cultural history since the late nineteenth century. Through a close reading of the main texts of Galician literary history, the author shows how this trope has helped sustain the unequal power relation between Galicia and the Spanish State. As a consequence, questions of masculinity, morality and respectability have played an essential role in Galicia's national construction, thereby enforcing a masculine definition and limiting the role of women. This book argues for a revision of the main texts of Galician cultural nationalism through a gender and postcolonial perspective, showing that contemporary portrayals of Galician history are dependent on the politically debilitating trope of Galician sentimentality.

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Gwenlyn Parry was one of the most important Welsh-language playwrights of the twentieth century and played a key role in the popularisation and flourishing of drama in the theatre and on television during the 1970s and 1980s. Parry's major stage plays - Saer Doliau, Ty ar y Tywod, Y Ffin and Y Twr - had a substantial impact, and were instrumental in solidifying a new relationship between drama and theatrical production in Welsh, bringing the theatricality of the Absurd to a popular audience for the first time. His plays have been the subject of much critical attention in Welsh, and have been reinterpreted in production on many occasions, both in their original form and in translation. This study is the first extended treatment of his life and work in English, and examines the complex and occasionally paradoxical relationship between the autobiographical aspects of his writing and his use of theatrical form.

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Fraser's diverse and wide-ranging book offers an examination of the work of four critically acclaimed novelists, Milan Kundera (The Unbearable Lightness of Being and Identity), Ian McEwan (Atonement and Saturday), Michel Houellebecq (Atomised and Platform) and J.M. Coetzee (Disgrace and Diary of a Bad Year), to aesthetically explore our understanding of identity. The analysis utilises frameworks from classical and contemporary political, philosophical and social theory to explore the notion of the aesthetic self within these texts. Fraser explores these ideas from within the Marxist aesthetic tradition, using theorists such as Friedrich Nietzsche, G. W. F. Hegel, E.P. Thompson, Julia Kristeva, Henri Lefebvre, Albert Camus, Thomas Aquinas and Theodor Adorno. Fraser therefore offers an innovative and unique approach that breaks new ground by developing a Marxist aesthetic account of identity through the medium of contemporary fiction.

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This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge cliches about these areas. The conclusion assesses what these films show about contemporary French political cinema. Introduction Chapter One: Cinema and the Republic Chapter Two: The Sans-papiers on Screen – Contextualising Immigrant Experiences in Film Chapter Three: Double peine: The Challenges of Mobilising Support for Foreign Criminals via Cinema Chapter Four: Challenging or Perpetuating Clichés? Young People and the Police in France’s Banlieues Chapter Five: Challenging Stereotypes about France’s Banlieues by Shifting the Focus? Conclusion Notes Filmography and Bibliography Index

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This book uses six canonical novelists and their recreations in a variety of media to argue a reconceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but as works fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses reworkings of key nineteenth-century texts across time and media in order to emphasise the way in which such reworkings cast new light on many of their source texts, and how they reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Adapting Nineteenth-Century France charts such revision through a range of genres encompassing the modern media of radio, silent film, fiction, musical theatre, sound film and television. Contents Introduction, Kate Griffiths I Labyrinths of Voices: Emile Zola, Germinal and Radio, Kate Griffiths II Diamond Thieves and Gold Diggers: Balzac, Silent Cinema and the Spoils of Adaptation, Andrew Watts III Fragmented Fictions: Time, Textual Memory and the (Re)Writing of Madame Bovary, Andrew Watts IV Les Misérables, Theatre and the Anxiety of Excess, Andrew Watts V Chez Maupassant: The (In)Visible Space of Television Adaptation, Kate Griffiths VI Le Tour du monde en quatre-vingts jours: Verne, Todd, Coraci and the Spectropoetics of Adaptation, Kate Griffiths Conclusion, Andrew Watts

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Crime Fiction in the City: Capital Crimes expands upon previous studies of the urban space and crime by reflecting on the treatment of the capital city, a repository of authority, national identity and culture, within crime fiction. This wide-ranging collection looks at capital cities across Europe, from the more traditional centres of power - Paris, Rome and London - to Europe's most northern capital, Stockholm, and also considers the newly devolved capitals, Dublin, Edinburgh and Cardiff. The texts under consideration span the nineteenth-century city mysteries to contemporary populist crime fiction. The collection opens with a reflective essay by Ian Rankin and aims to inaugurate a dialogue between Anglophone and European crime writing; to explore the marginalised works of Irish and Welsh writers alongside established European crime writers and to interrogate the relationship between fact and fiction, creativity and criticism, within the crime genre.

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This book examines the rise of Fantastic literature on the continent in the nineteenth century, the development of a European Gothic and the influence which this exerted on British writers. By examining writers like Nodier, Hoffmann, Gautier, Feval and Stevenson, the book argues firstly how their writings subvert entirely the view of the Fantastic accepted by Todorov, Punter and others, to show that it is the reversal of a pre-Enlightenment, spiritual world-view which causes terror in these works, and further demonstrates that Gothic novels frequently use allusion and anachronism to portray a cyclical view of history opposed to that of Scott.

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In July 1789 George Cadogan Morgan, born in Bridgend, Wales, and the nephew of the celebrated radical dissenter Richard Price (1723-91), found himself caught up in the opening events of the French Revolution and its consequences. In 1808, his family left Britain for America where his son, Richard Price Morgan, travelled extensively, made a descent of the Ohio and Mississippi Rivers by raft and helped build some of the early American railroads. The adventures of both men are related here via letters George sent home to his family from France and through the autobiography written by his son in America.

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This book is a collection of essays on the Mexican transition to democracy that offers reflections on different aspects of civic culture, the political process, electoral struggles, and critical junctures. They were written at different points in time and even though they have been corrected and adapted, they have kept the tension and fervour with which they were originally created. They provide the reader with a vision of what goes on behind those horrifying images that depict Mexico as a country plagued by narcotrafficking groups and subjected to unbridled homicidal violence. These images hide the complex political reality of the country and the accidents and shocks democracy has suffered.

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This is a unique and timely survey of the evolving priorities of the British welfare state since its inception in the late 1940s, with an emphasis on how current and future aims and features of welfare provision compare with the ambitions of its original architects. In this book, 15 commentators, including prominent academic experts in the field, and also members of think tanks, charities and campaigning organisations - with a foreword by the BBC's Huw Edwards, explore themes such as health, education, housing, gender, disability and ethnic diversity. The result of this study is a rich, critical and thought-provoking exploration of the legacy and prospects of the welfare state - worth reading by anyone with an interest in debates on how a modern society should meet the needs of its citizens.

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In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.

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The open and honest autobiography of Owain Arwel Hughes, a leading conductor who has worked with some of the world's most prominent orchestras.

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An entertaining and readable discussion of some of the most challenging and controversial topics in the current Welsh law.

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The Queer Uncanny: New Perspectives on the Gothic investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007. Novels by Christopher Bram, Philip Hensher, Alan Hollingurst, Randall Kenan, Shani Mootoo, Sarah Schulman, Ali Smith, Sarah Waters, Jeanette Winterson and other writers receive analysis in the context of queer theory and gothic critical writing. Topics discussed include: secrets and their disclosure, queer spectrality, the homely/ unhomely house, the grotesque, lesbian social invisibility, transgender doubles, and the intersection between sexuality and race.

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A Welsh adaptation of Jean-Baptiste Molière's play, 'Le Malade Imaginaire' which was first staged in 1673. This Welsh adaptation was first played in Llangefni, Anglesey, in 1969. Includes a foreword and extensive notes. New edition.

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Gothic Contemporaries: The Haunted Text is the first of its kind to align selected 21st century fiction with a revised understanding of the gothic through themes such as signification, communication, ethics, inheritance and currency.

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A ground-breaking volume which examins material in three languages - Welsh, English and Cherokee (Dsalagi) - while discussing different aspects of the missionary work of two Welsh Baptists who lived and worked amongst the native American tribe.

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Many books have focused on the rise of, and success of, the Labour party in Wales, but this one focuses on its decline in an understudied part of Wales.

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This volume provides the first comprehensive collection of charters, letters and other written acts issued by native rulers of Wales from the early twelfth century to the Edwardian conquest of 1282-3. It thereby makes more accessible than ever before a key body of source material for the study of medieval Wales during 'the age of the princes' - an era of struggles for power by native rulers both among themselves and with Marcher lords and the English crown. The documents assembled and analysed here illuminate a wide range of topics including political developments and concepts of authority in Wales, Anglo-Welsh relations, contacts with kings of France and the papacy, benefactions to religious houses, dispute settlement and uses of the written word in Welsh society.

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This is the first book-length English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, now known as the 'Other' Generation of 27. In the same way that their contemporaries of the celebrated Generation of 27 (which included Federico Garcia Lorca) attempted a revolution of the arts through poetry inspired by European modernism, the 'Other' Generation of 27 attempted to renovate Spanish humour, first in prose, and then in the theatre and cinema. This book demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy, and how they stretched the limits of the stage at the time by incorporating cinematic techniques, such as flashback, voice-overs and montage, in their search for new dramatic forms.

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This book provides a detailed analysis of the political arguments about the place of Muslims in contemporary France, and also discusses the ideas put forward by a range of Muslim thinkers. France has become the setting for one of the most important conflicts in the modern world. On the one hand, it possesses a rigidly organized, centralized state, whose bureaucrats and civil servants are animated by a code of secular activism. On the other hand, France is also the home for Europe's largest Muslim minority, variously estimated at numbering between four and six million people. This means that in terms of simple numbers, France can be counted as the world's fifteenth Islamic power. Previous conflicts with religion have left a deep impression on French political culture: from the sixteenth and seventeenth-century conflicts between Catholics and Protestants played to the formation of the collaborationist Vichy government in 1940. In recent decades, Muslims have been stigmatized as an irreconcilable minority unable to adapt to the secular culture of the majority of French citizens. This work draws out the political implications of the current conflict. It is based on events and publications produced in a single five year period, beginning with the shock of the 2002 Presidential elections, in which Le Pen was the second most successful candidate, ranging through the legislation of March 2004 which banned the Islamic headscarf from French state schools, and which sparked off a series of bad-tempered exchanges between left and right-wing French nationalists, anti-racism campaigners, secularists, anti-clericals and a variety of Muslim authors.

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Explores the state of French fiction through an examination of the work of five major French writers, Annie Ernaux, Pascal Quignard, Marie Darrieussecq, Jean Echenoz and Patrick Modiano. This book deals with some of the writers on British and American university French courses.

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