Search results for ""turner publicaciones, s.l.""

Jacobo Castellano, (Jaén, 1976), is one of the most complex and solid contemporary Spanish artists. He uses engraving to create a body of work based on the emotions and sensations that are hidden in his personal memory. In his work he uses elements such as curtains, wire, small piggy banks, coffins or those rhombuses that were placed on the top of the TV screen. These elements are superimposed creating structures that seem to be on the verge of collapse and that seem to want to hide something or point to a place to hide and protect themselves from imminent collapse. The work of Jacobo Castellano follows a defined line in which the recovery of remembrances stored in his memory leads to a deep reflection on essential issues such as identity, or life and death. Numerous collections of contemporary art have their production, like ARTIUM. Basque Center-Museum of Contemporary Art; CAAC. Andalusian Center for Contemporary Art; CGAC. Galician Center of Contemporary Art; Montenmedio Contemporary Art Foundation; or the Rafael Botí Provincial Plastic Arts Foundation, among others. Contents: Rincones polvorientos de la vida / Life's Dusty Corners, by Javier Hontoria El juego sin fin (notas de un coleccionista / The Endless Game (Notes of a Collector) by Luis Caballero Martínez Conversation with João Mourão and Luís Silva Text in English and Spanish.

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Marcos Martín Blanco and Elena Rueda began to acquire artworks in 1979. Over the years, the MER Foundation has gathered more than 800 works and includes important pieces from the best contemporary artists. The collection specialises in European and American figuration since 1980. This attention to figuration as distinct from painting and photography, has led Marcos and Elena to seek the masterpieces of artists such as Eric Fischl, Francesco Clemente, David Salle, Cindy Sherman, Thomas Ruff, Marlen Dumas, Lisa Yuscavage, Merilyn Minter, Luis Gordillo and Cecily Brown. The collection includes more than 180 artists: Miquel Barceló, José María Sicilia, Antoni Tàpies, Mompó, Palazuelo, Gordillo, Zóbel or Soledad Sevilla, among the Spanish artists, and Warhol, LeWitt, Oelen, Basquiat, David Sala or Julian Schnabel, among the international ones. In 2004 it was awarded the Collecting Prize by the ARCO art fair. This catalogue includes two introductory texts by Patricio Pron and Dan Cameron, one a more literary and personal appraisal of the founder and the collection, and the other one a technical and critical view.

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Iván de la Nuez describes Luis Cruz Azaceta's work as "an aesthetics of constant escapes." His imaginative creations, ranging from figuration to abstraction, narrate anguish, pain, shipwrecks, violence... And yet they are simultaneously an escape from them: a means of coming to terms with and challenging a dark past. His paintings reflect his unique perspective as an exile in the United States. This book captures the mood of these impressive artworks, displaying them in an accessible format. Text in English and Spanish.

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Employees, customers, friends and personalities from the world of fashion contribute with texts and testimonies to give a close and endearing vision of Jesus del Pozo. The book is richly illustrated, and includes texts by Vicente Verdu, Juan Gatti, Toni Miro, Torga Sofia Margarita Riviere, Rene Lopez de Haro, Silvia Alexandrovich, Luis Casablanca, Javier Vallhonrat, Alberto Campo Baeza, Emilio Sagi, and Lola Salvador Mateu Gavarron. It also includes testimonies from Manuel Pertegaz, Enrique Loewe, Ana Belen, Inaki Gabilondo, Violeta Sanchez, Pilar del Castillo, Elena Ochoa, Amaia Ubiria and Cristina Marsans.

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No hay persona más supersticiosa que la que busca la inspiración. En este libro se recogen las pequeñas manías que los escritores, artistas y creadores en general consideran indispensables para realizar su trabajo.

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? Una apetecible guía de la historia de los periodos, los escenarios, los personajes, la tradición y el lenguaje de la música en Occidente.? Descubriremos curiosidades como: Quién inventó la escritura musical, cómo era la música barroca hispana y novohispana, cuál era la diferencia entre los contratos de Haydn y Beethoven, entre otras historias.? Publicada originalmente en México en 2011, ha sido revisada para la nueva edición y condensa la experiencia y los conocimientos de varias décadas dedicadas al estudio y la reflexión sobre la historia de la música.

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Colombian artist María Teresa Hincapié (1956–2008) was one of the most influential figures of Latin American body art. This volume accompanies an exhibition at MACBA in Barcelona documenting her performances and installations. Text in English and Spanish.

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2022 marks the 100th anniversary of the construction of the Spanish Pavilion at the Venice Biennale. The work carried out in these hundred years has contributed to the construction and consolidation of the image of Spain as a cultural power in the international arena, projecting, in one of the best world artistic showcases, the excellence of Spanish contemporary art. In this first century of history, the Spanish Pavilion has seen different styles, evolutions and artistic changes pass through its walls, whose dynamics have been possible thanks to the work of the curators who promoted and continue to promote a “pluralism of voices” that characterises the essence of the Biennale. This book includes extensive graphic documentation that is the result of exhaustive research work. Never before has so much documentation of interest on the history of the building and the exhibitions that took place within its walls over these years been jointly published. Text in English and Spanish.

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Where Art Lives in Latin America has as its starting point the countless ways of exposing and showing contemporary art today. In addition to the traditional museum concept, with its program of temporary exhibitions and permanent collection, in recent decades other formats have emerged that conduct contemporary art thinking and doing, including foundations, artistic residencies, independent art spaces, sculpture parks, among others. The book brings the reader a selection of 35 spaces for creation and exhibition in Latin America that are a reference for the development of the state of the art not only in the region but worldwide, each in its own way. Composed of images from each space and exclusive interviews with their respective directors and curators, the publication brings together unavoidable and original places that today represent the greatest poles of thought and avant-garde in contemporary Latin American art. Text in English, Portuguese and Spanish.

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Chacón's work can be read as a pictorially narrated story of the problems of modern and contemporary painting. Throughout his career, genres and aesthetics are transgressed in his artistic production, "pure" painting is invaded by conceptual art or becomes an installation, and the most radical geometry shares the stage with abstract expressionism. This book is the most complete editorial work dedicated to the artist, one of the main protagonists of contemporary Venezuelan and Latin American art. It contains critical texts by authors of international and national prestige, such as Jesús Fuenmayor, Dan Cameron, Nadja Rottner and Félix Suazo; it also includes a complete interview with the artist by graphic designer and curator Álvaro Sotillo and a detailed chronology by Israel Ortega and Leonor Solá. Illustrated with numerous reproductions of his works and a selection of previously unpublished historical photographs, it is destined to become an essential bibliographical reference.

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In this volume Corina Matamoros brings together some of the most outstanding creators of the Cuban contemporary artistic scene, with essays that reveal a sharp curatorial perspective. Emerging, for the most part, from shows organised at the National Museum of Fine Arts (Havana), these texts examine the personal poetics of the authors, while revealing the intense consonance that has existed between their brilliant artistic productions and the sustained and faithful welcome they have received in the collections of the National Museum, to which the author has dedicated her professional life. Creators such as José Toirac, Los Carpinteros, Lázaro Saavedra, Carlos Garaicoa, Abel Barroso, Aimée García, Sandra Ramos, Kcho, Eduardo Ponjuán, José Manuel Fors, and Gustavo Pérez Monzón, among others, are treated, according to the prologue by Dr. Juan Martínez, with vibrant prose, intelligence, and haiku economy. If I Lose Memory is an excellent addition to the corpus of literature on Cuban contemporary art. Text in English and Spanish. Contents: Prologue; JOSÉ MANUEL FORS | A Pike in Flanders; CARLOS GARCÍA | A History of Abstractions; SANTIAGO RODRÍGUEZ OLAZÁBAL | Between Heaven and Earth; JOSÉ TOIRAC | Coming Back; ALFREDO RAMOS | Vestiges; LOS CARPINTEROS | Inventing the World; CARLOS GARAICOA | The Architecture of the Amends; TANIA BRUGUERA | The Transposed Heads; ABEL BARROSO | Against the Borders; KCHO | The Drunken Boat; SANDRA RAMOS | Nautilus; EDUARDO PONJUÁN | Kiss Me again; ERNESTO RANCAÑO | Critical Biography Sketch; ROCÍO GARCÍA | If I Lose Memory; AIMÉE GARCÍA | A Cautious Deception of Meanings; RENÉ FRANCISCO RODRÍGUEZ | He Shaves His Body Self-Confidently; GLENDA LEÓN | Vital Signs; GLEXIS NOVOA | The Landscape and the Window; LÁZARO SAAVEDRA | The Lines Are Congested; GUSTAVO PÉREZ MONZÓN | Man, the Chosen Number; Artists Biographies.

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Arnaldo Coen (1940) is one of the most prominent Mexican artists. As a result of his restless, transgressive and irreverent creativity, his work has never ceased to be fresh. He has made important individual exhibits in the Museum of Modern Art and in the National Hall of the Palace of Fine Arts. His work has been exhibited in Asia, Europe, Africa, and Latin America, featuring in important collections and exhibitions in different cultural venues such as the Museum of Modern Art, Tlatelolco Cultural Center, Museum of Contemporary Art, Isidro Fabela Cultural Center, Museum of Mexican Art in Chicago and the Bank of Mexico, to name a few. This award winning artist has also been the focus of several recognised art critics such as Octavio Paz, Raquel Tibol, Carlos Monsivais, Juan Garcia Ponce, Salvador Elizondo, Teresa del Conde, Sigrunn Paas, Josephine Siller. Arnaldo Coen is the first monograph covering the artist's pictorial and sculptural works from the 1960s to date, with some 300 images complementing this contemporary, provocative and irreverent compendium of Coen's legacy.

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Iconocracia uses photography to bring together approximately thirty creators of Cuban art from several generations who, despite their wide-ranging differences in biography, aesthetics and even politics, coincide in challenging what has been assimilated as Cuban photography and disseminated as such. The book is a collection of work by a series of artists who have managed to take in and process iconography with the steadfast goal of building, more than just an image, but a different imagery altogether from their individual positions and particular viewpoints. However, it also explores the very limits of photography as an act: the text by Ivan de la Nuez seeks to find a location other than the photographer's stance, radically stirring up what is usually considered to be a photographic object.

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Lucien Hervé (1910-2007) was one of the great architectural photographers of the 20th century. His methodological and conceptual patterns were reflected in his work, which includes a long collaboration with Le Corbusier. In 1958 he launched the project for a photobook on the monastery of El Escorial commissioned by the RM publishing house in Barcelona, and a year later, during a trip around Spain, a second commission on popular Mediterranean architecture arose. Although they remained unpublished, both works were the object of constant revision by the photographer throughout his life. Sixty years later, both photobooks are published, preceded by specialised texts by architects Javier Mosteiro and Marco Iuliano. The publication is completed by a volume in which Iñaki Bergera and art historian Horacio Fernández offer us an overview of the artist's life and investigate the relationship between these two projects. Text in English and Spanish. Contents: Volume 1: Prefacio / Preface - Judith Hervé; Hervé en España. Blancos y negros, luces y sombras / Hervé in Spain. Whites and Blacks, Lights and Shadows; - Iñaki Bergera; Rigor y tijeras / Rigueur and Scissors - Horacio Fernández. Volume 2: Mediterránea / Mediterranean - Marco Iuliano; Arquitectura popular española / Spanish Popular Architecture - Lucien Hervé. Volume 3: El Escorial, a la luz -y contraluz- de Lucien Hervé: imágenes y reflexiones / El Escorial in the Light - and the Backlight - of Lucien Hervé: Images and Reflections - Javier Mosteiro; El Escorial - Lucien Hervé. Published to accompany an exhibitions at PhotoEspaña, Galería José de la Mano, Madrid, from 5 June to 31 July 2019.

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A partir de fuentes diplomáticas y periodísticas de la época, en gran parte inéditas, México y la Guerra Civil española examina un episodio prácticamente desconocido de la historia del siglo XX, como son las relaciones entre México y la Segunda República española y analiza las razones de la decisión del gobierno de Lázaro Cárdenas de proporcionar apoyo militar, diplomático y moral a la República durante la Guerra Civil . México envió armas y municiones a España cuando otras naciones se negaron a hacerlo frenadas por el pacto de No-Intervención. Además, diplomáticos mexicanos organizaron una red secreta para comprar armas en terceros países y desde allí enviarlas a España.

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George Floyd's death at the hands of a police officer on 25 May 2020 marked a turning point in the Black Lives Matter movement. Emerging in 2013, this black community rights movement gained national and international recognition and support to the point of leading demonstrations at the height of the COVID-19 pandemic. During those weeks, the visual artist and social activist Jonathan Moller walked the streets of Denver, Boston, Washington and New York following the trail of protests and took hundreds of photographs of the posters, graffiti, banners and murals left behind. The selected photographs and accompanying texts attest to their depth, ensure the permanence of their messages and invite the reader to reflect on their personal contribution to systemic racism that has existed for centuries around the world.

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This book was produced on the occasion of the first solo exhibition of Obregón's work in a North American public institution and includes essays by the curators Jesús Fuenmayor and Kaira M. Cabañas, in which the work is approached from the artist's own methodology and from its relevance in the current cultural context. In addition, it contains an extensive section in which all the works presented are exhaustively recorded in accordance with the curatorial structure, derived from years of work in the classification of the Archivo Obregón by Israel Ortega and Leonor Solá, and thanks to which it has been possible to open this window to investigate the intimacy and the interstices of Obregón's work. Since 2011, the Obregón Archive has formed part of the Carolina and Fernando Eseverri Collection.

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A monograph on the visual artist known as Jazzamoart, who has a rhythmic expressionist language, closely related to music, all his own whilst remaining aligned with the 1950s Mexican painting generation. He has worked on several books featuring his illustrations, and CDs and LPs based on his work as a drummer. His visual improvisations and scenes have led him to accompany leading exponents of Mexican and American Jazz on stage. Having accrued dozens of national and international awards for his works, Jazzamoart is considered a prolific and versatile artist who has presented work into around 500 exhibitions in Mexico, the USA, Canada, Latin America, Europe, South Korea and Japan. He is also a member of the National system of Art Creators. Text in English and Spanish. Contents: Jazzamoart or Intelligence - Julio Patán; On Art, Jazz, Modernity, and Random Encounters - Kim Levin; Absence Portrait; His Trilogy: Music, Painting, Body - Graciela Kartofel; Painting Jam; Jam: Image and Hieroglyph in Jazzamoart's Painting - Evodio Escalante; Nights and Clubs of Jazzamoart; Jazzamoart, the Line of Conjured Space - Manuel Marín; Amusements and Toys; The Perspiration of Color - Jorge F. Hernández; List of Works; Chronology; Authors; Jazzamoart's Creative Freedom - Rafael Pérez y Pérez.

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Es posible que quede muy poco por descubrir sobre el pasado, pero queda por hacer gran uso de él. Si dejamos al lado algunos prejuicios podremos interpretar el mundo de formas que sugieran diversos futuros posibles. Nubla escribe sobre moluscos de quinientos años, el primer fonógrafo de la Antigüedad, la educación musical de los niños y el hallazgo de la penicilina con el mismo espíritu iluminador con el que propone franquear ciertos límites espacio-temporales, al menos en nuestra imaginación. Algo que permita escribir el texto más bello y misterioso de nuestra propia existencia.

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En 1933, el gran intelectual marxista György Lukács escribió un artículo titulado ?Grand Hotel ?Abgrund?? [Gran Hotel Abismo], refiriéndose con este nombre al establecimiento imaginario donde vivían los pensadores de la escuela de Frankfurt: aparentemente al borde del precipicio, pero siempre rodeados de comodidades.

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? Un análisis profundo y apasionante sobre las causas, las decisiones y los complejos entramados de alianzas y odios internacionales que llevaron a Europa a la guerra.? Con extraordinaria capacidad narrativa y notable perspicacia para los perfiles psicológicos de los dirigentes, las naciones y las opiniones públicas, MacMillan firma su obra maestra hasta el momento, un libro fundamental para entender la Europa de hoy conociendo a fondo la de hace un siglo.? Un excepcional adelanto ensayístico al primer centenario de la Gran Guerra del próximo año 2014.

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Spain attended the 59th edition of the Venice Biennale with the artist Ignasi Aballí, with a solid and long career, and with a proposal curated by Bea Espejo, a great connoisseur of the artist’s work. In Corrección / Correction, Ignasi Aballí dialogues with the architectural space of the Spanish pavilion, making his project an opportunity to investigate the places that surround us. With his intervention he modifies the space of the Pavilion itself and, by extension, its location in the Biennial and its relationship with the city. The book includes texts by curator Bea Espejo, writer Ruth Estévez, publisher Moritz Küng, artist Alejandro Cesarco and a conversation between Aballí and Manuel Borja-Villel, director of the MNCARS. In co-edition with AECID. Text in English and Spanish.

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In its 85th year of existence, the architectural practice founded in 1937 by a very young Juan Sordo Madaleno, has decided to publish this unconventional monograph which compiles the most ambitious projects built (and not built) within the context of the transformation, and which at the same time reflect and determine the evolution urban and rural landscapes of post-revolutionary Mexico. From the very first constructions, the firm has been a pioneer not only in the erection of modern buildings, but also in inherently urban architectural designs, fundamental components of overlapping urban scales. This book includes contributions from some of the leading thinkers in urban architecture today, highlighting the commitment that has guided a unique family of architects for three generations.

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Shortly after the beginning of the Covid-19 lockdown, Iran do Espírito Santo, in São Paulo, contacted Enrique Juncosa, in Mallorca, proposing to collaborate on a book. It so happened that Juncosa had started some poems in prose related to travels based on personal memories and imagination, and which referred to a way of life that was suddenly suspended. He wrote 40 poems, suggesting the idea of quarantine, encompassing quarantine, encompassed under the title Pangolin, an animal pointed out as the initial propagator of the virus. Do Espírito Santo made 40 watercolours, one per poem, related to the text, although not always in an evident way, suggesting an inner journey. Floating images in a white space, abstract and geometric in origin, with the delicacy of oriental miniatures. Text in English and Spanish.

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