Search results for ""trinity university press""

Artist Mark Menjivar was in an antique bookshop in Fort Wayne, Indiana, when he found 4 four-leaf clovers pressed between the yellowed pages of an aged copy of 1000 Facts Worth Knowing. Their discovery beguiled Menjivar so much that he began a multiyear exploration into the concept of luck and its intersections with belief, culture, superstition, and tradition in people's lives. Menjivar has spent hours and days engaging people in airplanes, tattoo shops, bingo halls, international grocery stores, public parks, baseball stadiums, and voodoo shops--and out on the streets and in their homes. Along the way he documented his findings to create a physical archive that contains hundreds of objects (rings, underwear, food items, clovers, horses, pigs, herbs, rainbows, lottery strategies, seeds, day trader insights, statues, patches, crystals, spices) and the stories and pictures that go with them. Through photographs and first person accounts, The Luck Archive takes the best of these ideas, thoughts, and objects and gives readers a glimpse into the cultures and superstitions of a colorful array of humanity.

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What better way to be introduced to the contrasting interplay between black and white than with eye-catching works of art. This bi-lingual edition also introduces children at a young age to both English and Spanish. One in the series of bilingual board books called Arte Kids that also includes 1, 2, 3, Si! (an artistic exploration of numbers), Hello Circulos! (featuring shapes in the arts), Colores Everywhere! (colors in art), and Animal Amigos! Art for this book was selected from the collection of the San Antonio Museum of Art, one of the leading art museums in the United States with a collection spanning a broad range of history and world cultures.

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Never before has the story been told of the dramatic turning point when Ronald Reagan found his voice as a presidential contender and overcame the Republican establishment. Reagan's Comeback is the story of how one state, one man, and one month changed national politics forever. Chronicling how Reagan's political career nearly ended, this turnabout story is told by those who made it happen: campaign volunteers, financiers, political activists, and media observers. Positioning Reagan to win in 1980, the birth of the "Reagan Democrat" transformed Texas from Democratic stronghold to the reliably Republican powerhouse it is today, since producing five Republican presidential candidates and two Republican presidents, with more to follow. Reagan's rise and victory against Ford in 1976 mirrors the current climate between the Tea Party movement and the GOP. With the 2012 election in sight, there is no better time to finally tell the whole story of how the Reagan Revolution found its launching point.

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New Mexico's Sangre de Cristo mountains are a place where two cultures -- Hispanic and Anglo -- meet. They're also the place where three men meet: William deBuys, a young writer; Alex Harris, a young photographer; and Jacobo Romero, an old farmer. When Harris and deBuys move to New Mexico in the 1970s, Romero is the neighbor who befriends them and becomes their teacher. With the tools of simple labor -- shovel and axe, irony and humor -- he shows them how to survive, even flourish, in their isolated village. A remarkable look at modern life in the mountains, River of Traps also magically evokes the now-vanished world in which Romero tended flocks on frontier ranges and absorbed the values of a society untouched by cash or Anglo America. His memories and wisdom, shared without sentimentality, permeate this absorbing story of three men and the place that forever shaped their lives.

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The future of the world’s ice is at a critical juncture marked by international debate about climate change and almost daily reports about glaciers and ice shelves breaking, oceans rising, and temperatures spiking across the globe. These changing landscapes and the public discourse surrounding them are changing fast. It is science wrought with mystery, and for Beth Peterson it became personal. A few months after Peterson moved to a tiny village on the edge of Europe’s largest glacier, things began to disappear. The glacier was melting at breakneck pace, and people she knew vanished: her professor went missing while summiting a volcano in Japan, and a friend wandered off a mountain trail in Norway. Finally, Peterson took a harrowing forty-foot fall while ice climbing. Peterson’s effort to make sense of these losses led to travels across Scandinavia, Italy, England and back to the United States. She visited a cryonics institute, an ice core lab, a wunderkammer, Wittgenstein’s cabin, and other museums and libraries. She spoke with historians, guides, and scientists in search of answers. Her search for a noted glacier museum in Norway led to news that the renowned building had set on fire in the middle of the night before and burned to the ground. Dispatches from the End of Ice is part science, part lyric essay, and part research reportage—all structured around a series of found artifacts (a map, a museum, an inventory, a book) in an attempt to understand the idea of disappearance. It is a brilliant synthesis of science, storytelling, and research in the spirit of essayists like Robert Macfarlane, John McPhee, and Joni Tevis. Peterson’s work veers into numerous terrains, orbiting the idea of vanishing and the taxonomies of loss both in an unstable world and in our individual lives.

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The car bomb assassination of Maltese investigative journalist Daphne Caruana Galizia in 2017 shocked the European Union and put the world’s spotlight on an island so small that few knew it was an independent country and even fewer could find it on the map. But Caruana Galizia’s death didn’t come as a surprise to those who lived there.Ryan Murdock had visions of living a slow-paced island life on the Mediterranean while writing about his experiences, so in 2011 he moved from Canada to Malta. To the casual visitor, Malta is a sleepy place with sun-soaked shorelines and ancient fortified harbors. Murdock imagined it to be an archipelago island of warm weather, gorgeous views, busy cafes, and grilled fish dinners. On the surface, it was.The six years Murdock spent in Malta revealed an insular culture whose fundamental baseline is amoral familism, a worldview in which any action taken to benefit one’s family or oneself is justifiable, regardless of w

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In a remote corner of the Arctic in 1941, a meteor shower flashed across the sky for an unusually long time. Taking this to be a sign, one of the local Inuit proclaimed himself Jesus Christ. Another proclaimed himself God. Anyone who didn’t believe in them was Satan. Violence ensued.At the End of the World isn’t just the remarkable story of a series of murders that occurred on the Belcher Islands, a group of wind-blasted rocks in Canada’s Hudson Bay. It’s also a starting place for a deeper cultural exploration. Against the backdrop of the murders, which highlight the fact that senseless violence in the name of religion is not a contemporary phenomenon and that a even people as seemingly peaceful as the Inuit can turn to chaos at the hands of one person’s delusion, Millman addresses the burgeoning dawn of the digital era, following the murders’ trail to show how our obsession with screens is not unlike a cult and offering a warning cry against the erosion of humanity and the destruction of the environment. The story becomes a confluence of the consequences of generational trauma, outside religious evangelism, systemic racism against indigenous people, the perilous passage from the natural to the digital world, and what it means to be human in a time of technological dominance and climate disasters.At the End of the World, available for the first time in paperback, is not a straightforward tale of true crime but an examination of many of the issues that have become dominant in the global conversation. In snippets of reflection, Millman asks us to look north for answers to many of the questions we all hold, literally, in our hands.

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Looking for adventure and continuing a process of self-discovery, Janisse Ray has repeatedly set out to immerse herself in wildness, to be wild, and to learn what wildness can teach us. From overwintering with monarch butterflies in Mexico to counting birds in Belize, the stories in Wild Spectacle capture her luckiest moments—ones of heart-pounding amazement, discovery of romance, and moving toward living more wisely. In Ray’s worst moments she crosses boundaries to encounter danger and embrace sadness.Anchored firmly in two places Ray has called home—Montana and southern Georgia—the sixteen essays here span a landscape from Alaska to Central America, connecting common elements in the ecosystems of people and place. One of her abiding griefs is that she has missed the sights of explorers like Bartram, Sacagawea, and Carver: flocks of passenger pigeons, routes of wolves, herds of bison. She craves a wilder world and documents encounters that are rare in a time of disappearing habitat, declining biodiversity, and a world too slowly coming to terms with climate change. In an age of increasingly virtual, urban life, Ray embraces the intentionality of trying to be a better person balanced with seeking out natural spectacle, abundance, and less trammeled environments. She questions what it means to travel into the wild as a woman, speculates on the impacts of ecotourism and travel in general, questions assumptions about eating from the land, and appeals to future generations to make substantive change.Wild Spectacle explores our first home, the wild earth, and invites us to question its known and unknown beauties and curiosities.

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Written in the 1950s and discovered by family members years after her death, Margaret Brown Kilik’s shocking coming-of-age novel of the emotional and sexual brutality of young women’s lives in wartime San Antonio deserves a place on the shelf alongside classic novels like Sylvia Plath’s The Bell Jar and Carson McCullers’s The Member of the Wedding. The Duchess of Angus reworks Kilik’s unusual personal history (her mother spent the 1930's running flophouse hotels all over the United States, leaving Margaret to be brought up by a host of relatives) into a riveting portrait of a young woman navigating a conflicted and rapidly changing world, one in which sex promises both freedom from convention and violent subjection to men’s will. Strikingly modern in its depiction of protagonist Jane Davis and her gorgeous, unreadable friend Wade Howell, The Duchess of Anguscovers some of the same emotional territory as novels like Emma Cline’s The Girls and Robyn Wasserman’s Girls on Fire. Includes an introduction by Jenny Davidson and contextual essays by Laura Hernández-Ehrisma and Char Miller.

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Through words and photographs, environmental scientist Gretchen C. Daily and photographer Charles J. Katz describe how one relict tree—the magnificent Ceiba pentandra in Sabalito, Costa Rica—carries physical and spiritual importance. The people in the town of Sabalito call the tree la ceiba, a term said to be derived from a Taíno word referring to a type of wood used for making canoes in the West Indies. Ceiba evokes times and places where people hollowed out the great cylindrical trunks and glided along languid rivers winding through lush tropical forest. Today the tree is known by different names in regions ranging from southern Mexico and the Caribbean to the southern edge of the Amazon Basin and in western Africa. The ceiba has survived what is probably the highest rate of tropical deforestation in the world. It is a legendary and vital tree in centuries-old forests in places like Costa Rica that were once almost completely forested (98 percent in the mid-twentieth century) and decades later have suffered devastating deforestation (34 percent by 1980). One Tree grew out of a conversation between photographer Chuck Katz and acclaimed ecologist Gretchen Daily about the relict tree—a single tree that remains standing in a pasture, for example, after the forest has been cleared from the land, and takes on iconic importance for the animals, plants, and people in the ecosystem. During a trip the authors took to Costa Rica, Katz focused his lens on the ceiba and a story was born. In descriptive language interwoven with scientific fact, Daily discusses the tree's historical and natural history and the ceiba species in general. She touches on the science of the Costa Rican rainforest and its deforestation and the cultural traditions, legends, and folklore of forests and relict trees. Katz's photographs of the massive tree and the village that takes care of it create an intimate work celebrating the visual and biological intricacies of trees.

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While the history of Mexico dates back thousands of years, the story of Mexico City, the country’s capital, only dates to pre-Columbian times, with the founding of Tenochtitlan by the Mexica people in 1325. Tenochtitlan quickly became the most powerful city-state in the region, with a population of about two hundred thousand at its peak, and was known for its architectural and engineering feats.Spanish conquistador Hernán Cortés arrived in 1521 and began a brutal campaign of colonial conquest. The city fell to Spanish rule, and much of it was destroyed alongside rich indigenous heritage. Cortés rebuilt the city, renaming it and making it the capital of New Spain. Under Spanish rule, Mexico City became one of the wealthiest and most important cities in the Americas and was a center of trade, culture, and political power. Many of its iconic buildings were constructed during this time, including the Cathedral of Mexico City and the National Palace. During the Mexican War of Independence, the city was captured in 1810 by rebel forces under Miguel Hidalgo but soon recaptured by the Spanish. After years of fighting, Mexico finally gained independence from Spain in 1821, and Mexico City became the capital of the new republic. In the decades that followed the city underwent rapid growth and modernization, with new neighborhoods, parks, and public buildings constructed.Mexico City, a playfully illustrated history of the city since 1521, highlights the complex cultural and economic forces and conflicts that shaped this international metropolis, which today is home to more than 20 million people, as well as visitors and expats from around the world.

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At Great Salt Lake, near Robert Smithson’s iconic earthwork Spiral Jetty, a motley crew of scientists walks the mudflats to study fossils in the making. This reputedly dead sea is home to tar seeps, pools of raw oil (nicknamed ‘death traps’) that act as a preservative, encasing organisms as they were in life.In this spare landscape, an intricate web of life unfurls. Halophiles―salt-hungry microorganisms―tint the brackish water pink and orange; crystals of gypsum stud the ground, glistening underfoot; and pelicans and other migratory birds stop for a crucial rest. Barn owls and seagulls flirt with their prey around the seeping constellations, sometimes falling prey to the oil themselves. Gretchen Henderson came to the tar seeps, a kind of natural asphalt, after recovering from being hit by a car as she walked in a crosswalk―a manmade asphalt. Like the spiraling artwork that made Great Salt Lake’s north shore famous, Henderson’s associations of life and death, degeneration and regeneration, and injury and healing coalesced. As she reexamined pressing issues that this delicate area revealed about the climate crisis, her sense of ecology spiraled into other ways of perceiving the lake’s entangled lives.How do we move beyond narrow concepts of wounded and healed, the beautiful and the ugly, to care for ecosystems that evolve over time? How do we confront our vulnerability to recognize kindred dynamics in our living planet? Through shifting lake levels, bird migrations, microbial studies, environmental arts, and cultural histories shaped by indigenous knowledges and colonial legacies, Life in the Tar Seeps contemplates the ways that others have understood this body of water, enlivening more than this region alone. As Henderson witnesses scientists, arts curators, land managers, and students working collaboratively to steward a challenging place, she grows to see the lake not as dead but as a watershed for shifting perceptions of any overlooked place, offering a meditation on environmental healing across the planet.Henderson interweaves her journey with her own vivid photographs of tar seeps and pelican death assemblages, historic maps and contemporary art, as a wayfinding guide for exploring places of our own.

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Architects expect to design buildings. But persuading clients to carry those designs into tangible form almost always involves writing as well as designing. Yet architects, and those who write about architecture, are often more comfortable with images than words. Presenting their visions in an articulate, accessible, and convincing written form can be difficult, and professionally hazardous. In Writing Architecture, Carter Wiseman provides an invaluable guide for students and practitioners on how to convey the importance of architecture to those who commission it, build it, and benefit from it. Drawing on a wide range of sources and citing examples from such authors as Frank Lloyd Wright, Ada Louise Huxtable, Vincent Scully, F. Scott Fitzgerald, and today's leading designers, Wiseman analyzes basic principles of compositional structure to illustrate the most effective forms of architectural writing. Free of professional and theoretical jargon, Writing Architecture considers the process, methods, and value of architecture writing based on Wiseman's 30 years of experience in writing, editing, and teaching young architects how to write. It integrates historical references with current practice to help students and practitioners reach their professional goals.

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This book tells us how maps help us to understand where we are in the world in the same way that literature, whether realistic or experimental, attempts to explain our realities. "Maps of the Imagination" explores how writers and cartographers use many of the same devices for plotting and executing their work, making crucial decisions about what to include and what to leave out, in order to get us from here to there, without excess baggage or a confusing surplus of information.Turchi traces the history of maps, from their initial decorative and religious purposes to their later instructional applications. He describes how maps rely on projections in order to portray a three-dimensional world on the two-dimensional flat surface of paper, which he goes on to relate to what writers do in projecting a literary work from the imagination onto the page.Drawing from texts as varied as poetry by Louise Gluck, stories by Kate Chopin and Robert Coover, novels by Robert Louis Stevenson and Italo Calvino, the film "Memento", and Chuck Jones' "Roadrunner" cartoons, Turchi ranges across a wide literary geography, illustrating his argument with an array of maps and illustrations, which will be scattered throughout the text.

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Moral Ground brings together the testimony of over 80 visionaries -- theologians and religious leaders, scientists, elected officials, business leaders, naturists, activists, and writers -- to present a diverse and compelling call to honor our individual and collective moral responsibilities to our planet. In the face of environmental degradation and global climate change, scientific knowledge alone does not tell us what we ought to do. The missing premise of the argument and much-needed centerpiece in the debate to date has been the need for ethical values, moral guidance, and principled reasons for doing the right thing for our planet, its animals, its plants, and its people. This book encourages a newly discovered, or rediscovered, commitment to consensus about our ethical obligation to the future and why it's wrong to wreck the world.

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The word “terroir” refers to the climate and soil in which something is grown. Natasha Sajé applies this idea to the environments that nurture and challenge us, exploring in particular how the immigrant experience has shaped her identity. She revisits people and literature across her life, including her experiences as the child of European refugees in suburban New Jersey, taken under the wing of a widowed neighbor; a winter spent waitressing in Switzerland; her marriage to a Jamaican man in Baltimore; and finally her marriage to a woman in Salt Lake City. This memoir-in-essays combines poetic lyricism with incisive commentary on nationality, race, ethnicity, gender, sexual orientation, and class. Reminding us that change is constant in our lives, Sajé asks how terroir creates identity. Throughout, the English language is her most fertile ground.

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The Grand Canyon National Park has been called many things, but home isn't often one of them. Yet after years of traveling the globe, Nathaniel Brodie found his home there.Steel on Stone is Brodie's account of living in the canyon during the eight years he worked on a National Park Service trail crew, navigating a vast and unforgiving land. Embedded alongside Brodie and his crew, readers experience precipitous climbs to build trails, dangerous search-and-rescue missions, rockslides, spelunking expeditions, and rafting trips through the canyon on the Colorado River. From Brodie's chronicles of tracking cougars and dodging rampaging pack mules to adjusting to seasons spanning triple-digit heat and inaccessibility during the winter, we learn about the life cycle of this iconic park, whose complex ecosystems coexist with humans, each one seeking a deeply personal experience, and the subcultures and hierarchies that form deep within the canyon. Following in the steps of naturalists like John Wesley Powell and Edward Abbey, Brodie deftly weaves histories and tales from canyon aficionados into his own story. Over time he comes to realize that home is not always a place on a map but instead is deeply defined by the people we encounter, including those who finally call us to move on. Steel on Stone is a love letter to the Grand Canyon and those who have given years of their lives to work its trails so that we may understand and enjoy it today as the transformative landscape we seek.

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The phrase “an animal a thousand miles miles long,” attributed to Aristotle, refers to a sprawling body that cannot be seen in its entirety from a single angle, a thing too vast and complicated to be knowable as a whole. For Leath Tonino, the animal a thousand miles long is the landscape of his native Vermont. Tonino grew up along the shores of Lake Champlain, situated between Vermont’s Green Mountains and New York’s Adirondacks. His career as a nature and travel writer has taken him across the country, but he always turns his eye back on his home state. “All along,” he writes, “I’ve been exploring various parts of the animal, trying to make a prose map of its body—not to understand it in a conclusive or definitive way but rather to celebrate it, to hint at its possibilities.” This fragmented yet deep search is the overarching theme of the twenty essays in The Animal One Thousand Miles Long. Tonino posits that geography, natural history, human experience, and local traditions, seasons, and especially atypical outings—on skis, bicycles, sleds, and boogie boards—can open us to a place and, simultaneously, open a place to us. He looks closely at what he calls "huge-small" Vermont, but his underlying mission is to demonstrate our collective need to better understand the meaning of place, especially the ones we call home and think we know best. From Laredo to Jackson Hole, San Francisco to Burlington, his sensibility is applicable to us all. In his signature piece, “Seven Lengths of Vermont,” he traverses the length of the state in seven different ways—a twenty-day hike, 500 miles on bicycle, a thirty-six-ride hitchhiking tour, 260 miles in a canoe, ten days swimming Lake Champlain, a three-week ski trek, and a two-hour “vast and fast” flyover. He plots each route with blue ink on maps strung across his office. “Each inky thread was an animal a thousand miles long,” he writes. “Vermont appeared before me as a menagerie.” What Bill Bryson's A Walk in the Woods did for the Appalachian Trail and Peter Mayle's A Year in Provence did for the South of France, Tonino's affinity for the land he calls home gives a new perspective on the Green Mountain State. His infectious love of the outdoors, the ground of everyday life, should inspire us to explore the places just outside our own front door.

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ArteKids board books show children the world of art through imaginative paintings, sculpture, photographs, and drawings, with text in English and Spanish.Outside Todo el Día! Nature in English y Español introduces children to the wonders of nature by connecting them to art in a unique, fun, and colorful way. Terms for outdoor concepts like sky/cielo, water/aqua, mountain/montaña, flora (tree/árbol and flower/flor), and fauna are represented by masterful artworks from around the world. The contrast of night (noche) and day (día) are shown through Latin American needlework and an Ansel Adams photograph. The seasons (primavera, verano, otoño, invierno) are expressed in bluebonnets by Julian Onderdonk, a beach scene by Pablo Camus, and the cottonwoods of Joseph Henry Sharp. Madeleine Budnick’s wonderful collages and designs weave together phrases and images that bring the wind, sun, and oceans to life. Work from the collections of the San Antonio Museum of Art, by masters like Alfred Thompson Bricher, Alma Nungarrayi Granites, Betty Carrington, Winslow Homer, Nicolino Calyo, Martin Johnson Heade, Armand Guillaumin, Ernest Lawson, and Lori LeJeune, is incorporated with phrases and words in English and Spanish, making bilingual learning and art exciting for young learners and their teachers and parents.The ArteKids bilingual board books are made sturdy for little hands and “awesomundo” for bright minds! The series also includes Vamos, Body!, Hello, Círculos!, 1, 2, 3, Sí!, Animal Amigos!, Colores Everywhere!, and Black and Blanco! Outside Todo el Día! Nature in English y Español! invites children to explore the world outside through language and imagery that ignites their imagination.

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ArteKids board books show children the world of art through imaginative paintings, sculpture, photographs, and drawings, with text in English and Spanish. Vamos, Body! Head to Toe in English y Español introduces children to body concepts by connecting them to art in a unique, fun, and colorful way. Cheeks (mejillas), chins (barbillas), and eyes (ojos) are represented by masterful artworks from around the world. Faces (caras) come alive through the paintings of Adan Hernandez, Kehinde Wiley, and Ed Saavedra. Bodies (cuerpos) crawl, sit, and walk in pre-Columbian sculpture and Latin American wood carvings. A child’s hand (mano) strokes his mother’s face in a woodblock print by Taiso Yoshitoshi, and cousins (primas) embrace through a swirl of Barbara Carasco’s screen printed hearts. Madeleine Budnick’s wonderful collages and designs weave together words and images that prove bodies are amazing. (Nuestros cuerpos son increíbles!) Work from the collections of the San Antonio Museum of Art, by masters like José Francisco Borges, Richard Duardo, Roberto de la Selva, Charles Criner, David Martinez, Rojelio Reyes Rodriguez, Grace Albee, and Luis Gonzalez Palma, is incorporated along with phrases and words in English and Spanish, making bilingual learning and art exciting for young learners and their teachers and parents.The ArteKids bilingual board books are made sturdy for little hands and “awesomundo” for bright minds! The series also includes Outside Todo el Dia!, Hello, Círculos!, 1, 2, 3, Sí!, Animal Amigos!, Colores Everywhere!, and Black and Blanco! Vamos, Body! Head to Toe in English y Español invites children to dance and play using language and imagery that ignites their imagination.

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Open Midnight weaves two parallel stories about the great wilderness--Brooke Williams's year alone with his dog ground truthing wilderness maps of southern Utah, and that of his great-great-great-grandfather, who in 1863 made his way with a group of Mormons from England across the wilderness almost to Utah, dying a week short. The book is also about two levels of history--personal, as represented by William Williams, and collective, as represented by Charles Darwin, who lived in Shrewsbury, England, at about the same time as Williams. As Brooke Williams begins researching the story of his oldest known ancestor, he realizes that he has few facts. He wonders if a handful of dates can tell the story of a life, writing, "If those points were stars in the sky, we would connect them to make a constellation, which is what I've made with his life by creating the parts missing from his story." Thus William Williams becomes a kind of spiritual guide, a shamanlike consciousness that accompanies the author on his wilderness and life journeys, and that appears at pivotal points when the author is required to choose a certain course. The mysterious presence of his ancestor inspires the author to create imagined scenes in which Williams meets Darwin in Shrewsbury, sowing something central in the DNA that eventually passes to Brooke Williams, whose life has been devoted to nature and wilderness. Brooke Williams's inventive and vivid prose pushes boundaries and investigates new ways toward knowledge and experience, inviting readers to think unconventionally about how we experience reality, spirituality, and the wild. The author draws on Jungian psychology to relate how our consciousness of the wild is culturally embedded in our psyche, and how a deep connection to the wild can promote emotional and psychological well-being. Williams's narrative goes beyond a call for conservation, but in the vein of writers like Joanna Macy, Bill Plotkin, David Abram, the author argues passionately for the importance of wildness is to the human soul. Reading Williams's inspired prose provides a measure of hope for protecting the beautiful places that we all need to thrive. Open Midnight is grounded in the present by Williams's descriptions of the Utah lands he explores. He beautifully evokes the feeling of being solitary in the wild, at home in the deepest sense, in the presence of the sublime. In doing so, he conveys what Gary Snyder calls "a practice of the wild" more completely than any other work. Williams also relates an insider's view of negotiations about wilderness protection. As an advocate working for the Southern Utah Wilderness Alliance, he represents a minority in meetings designed to open wilderness lands to roads and hunting. He portrays the mindset of the majority of Utah's citizens, who argue passionately for their rights to use their lands however they wish. The phrase "open midnight," as Williams sees it, evokes the time between dusk and dawn, between where we've been and where we're going, and the unconscious where all possibilities are hidden.

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Dogs, like humans, have memories, instincts, fears, and loyalties. But, as far as we know, dogs do not get swept up in nostalgia, speculation, or self-analysis. Although they have hopes, they are not driven by regrets. In Crossing the Plains with Bruno, Annick Smith weaves together a memoir of travel and relationship, western history and family history, human love and animal love centering around a two week road trip across the Great Plains she and her 95 pound chocolate lab, Bruno, took in the summer of 2003. It is a chain of linked meditations, often triggered by place, about how the past impinges on the present and how the present can exist seemingly sans past. Traveling from her rural homestead in Montana to pick up her nearly 100-year-old mother from her senior residence on Chicago's North Side and bring her to the family's beach house on a dune overlooking Lake Michigan, Smith often gets lost in memory and rambling contemplation. Bruno's constant companionship and ever present needs force her to return to the actual, reminding her that she, too, is an animal whose existence depends on being alert to the scents, sights, hungers, and emotions of the moment. Passing through wide open spaces, dying ranch towns, green cornfields, and Midwestern hamlets, Annick is immersed in memories of her immigrant Hungarian Jewish family, her childhood days in Chicago, her early marriage, and ultimate immigration west. Triggered by random encounters along the way, she's taken back to life as a young mother, her career as a writer and filmmaker who produced the classic A River Runs Through It, the death of her husband, and the thrill of a late romance. A lifetime of reflection played out one mile at a time. Crossing the Plains with Bruno is a story narrated by a woman beset by the processes of aging, living with the imminent reality of a parent's death, but it is the dog that rides shotgun, like Sancho Panza to Don Quixote, that becomes the reminder of the physical realities outside our own imaginations.

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In this new telling of Mexico's Second Empire and Louis Napoleon's installation of Maximilian von Habsburg and his wife, Carlota of Belgium, as the emperor and empress of Mexico, Maximilian and Carlota brings the dramatic, interesting, and tragic time of this six-year-siege to life. From 1861 to 1866, the French incorporated the armies of Austria, Belgium--including forces from Crimea to Egypt--to fight and subdue the regime of Mexico's Benito Juarez during the time of the U.S. Civil War. France viewed this as a chance to seize Mexican territory in a moment they were convinced the Confederacy would prevail and take over Mexico. With both sides distracted in the U.S., this was their opportunity to seize territory in North America. In 1867, with aid from the United States, this movement came to a disastrous end both for the royals and for France while ushering in a new era for Mexico. In a bid to oust Juarez, Mexican conservatives appealed to European leaders to select a monarch to run their country. Maximilian and Carlota's reign, from 1864 to 1867, was marked from the start by extravagance and ambition and ended with the execution of Maximilian by firing squad, with Carlota on the brink of madness. This epoch moment in the arc of French colonial rule, which spans North American and European history at a critical juncture on both continents, shows how Napoleon III's failure to save Maximilian disgusted Europeans and sealed his own fate. Maximilian and Carlota offers a vivid portrait of the unusual marriage of Maximilian and Carlota and of international high society and politics at this critical nineteenth-century juncture. This largely unknown era in the history of the Americas comes to life through this colorful telling of the couple's tragic reign.

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When Jennifer Case became pregnant unexpectedly with her second child, she was overwhelmed at the prospect of caring for another child in a society with high expectations and low support for mothers. She sought to reclaim control over, if not her changing body, then at least her rapidly declining mental health. Immersing herself in research, Case learned that the United States has one of the highest maternal death rates among developed countries. One in every five women develops a mental health issue as a result of pregnancy. It became clear to her that in order to address the sexism and isolation mothers face—including the racism that further marginalizes women of color—we must recognize these as social problems that affect us allWe Are Animals draws attention to these issues by examining key moments in Case’s life where her experience as both a woman in twenty-first-century America and a child-bearing mammal, and the conflicts between

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Hailed by book reviewers as a "masterpiece," "gorgeous and fascinating," and "sheer pleasure," Home Ground: Language for an American Landscape was published in fall 2006 in hardcover. It was met with outstanding reviews and strong sales, going into three printings. A language-lover's dream, this visionary reference revitalized a descriptive language for the American landscape by combining geography, literature, and folklore in one volume. This is a totally redesigned, near-pocket-sized field guide edition of the best-selling hardcover. Home Ground brings together 45 poets and writers to create more than 850 original definitions for words that describe our lands and waters. The writers draw from careful research and their own distinctive stylistic, personal, and regional diversity to portray in bright, precise prose the striking complexity of the landscapes we inhabit. Includes an introductory essay by Barry Lopez. At the heart of the book is a community of writers in service to their country, emphasizing a language suggesting the vastness and mystery that lie beyond our everyday words.

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In the tradition of essayists like Montaigne and Emerson, Gerald Stern reflects with wit, pathos, rage, and tenderness on 85 years of life. In 70 short, intermingling essays Stern moves nimbly between the past and the present, the personal and the philosophical. Creating the immediacy of dailiness, he writes with entertaining engagement about what he's reading, be it Spinoza, Maimonides, John Cage, Etheridge Knight, James Schuyler, or Lucille Clifton, and then he seamlessly turns to memories of his student years in Europe on the GI Bill, or his political and social action. Interwoven with his formidable recollections are passionate discussions of lifelong obsessions: his conflicted identity as a secular Jew opposed to Israel's Palestine policy; the idea of neighbors in various forms, from the women of Gee's Bend, who together made beautiful quilts, to the inhabitants of Jedwabne, who on a single day in 1941 slaughtered 300 Jews; and issues of justice.

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A classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.

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Former President Ronald Reagan called Eva Castellanoz a "national treasure" when he awarded her an NEA National Heritage Fellowship in 1987. Featured in National Geographic, National Public Radio, and numerous other publications, Castellanoz is celebrated as a folk artist, community activist and a curandera, a traditional Mexican healer who uses a mind-body-spirit approach. During her 16 year friendship with Joanne Mulcahy, Castellanoz has revealed her life story as well as her remedios -- her remedies, both medicinal and metaphoric -- for life's maladies. Using her own observations and Castellanoz's stories, Mulcahy employs creative nonfiction and oral accounts to portray the life, beliefs, and practices of this remarkable woman. Anyone who has been healed by Eva Castellanoz has felt her power and wisdom. Anyone who reads this vivid portrait will come away feeling wiser and empowered by the story of this courageous and loving healer.

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Nineteenth-Centuery American Writers on Writing features essays, letters, poems, prose, and excerpts of interviews by fifty-seven leading authors of the century. Each had to figure out what it meant to be a writer within the context of the relatively new nation they spoke to, for, and about. Each meditated on craft and style and form, as writers do. And each confronted the question of how to define themselves as writers--and their literature as "American"--during a century rocked by the industrial revolution, the Civil War, and the emergence of a global politic.

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San Antonians love Cary Clack for the sparkle of wit and wisdom he brings to them in his column in the San Antonio Express-News. But his style and sensibility make his work equally popular far beyond that city. He offers pithy, probing coverage of national issues such as terrorism, racism, and child abuse, but his keen sense of humor often turns to the stuff of everyday life such as the inexplicable power of Krispy Kreme doughnuts and his terror of clowns. The columns collected here sample the best of 13 years' worth of Clack's amusing and thoughtful commentaries, and begin with an enlightening foreword by noted poet Naomi Shihab Nye.

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Char Miller's essays cover a wide range of South Texas topics, from natural and environmental history to urban development to San Antonio's future. Miller uses simple subjects—the First Friday Art Walks in South Town, for example—as a springboard for a deeper discussion of urban city planning and an elusive future of sensible growth and diversity. Moving farther afield, he examines the water wars between the U.S. and Mexico, a quarry turned upscale shopping center, and San Antonio's curious attempts to brand itself as a health resort.

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The Osage Orange Tree, a never-before-published story by beloved poet William Stafford, is about young love complicated by misunderstanding and the insecurity of adolescence, set against the backdrop of poverty brought on by the Great Depression. The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk--and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford's. In the tradition of the work of great fiction writers like Steinbeck, O'Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

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In the Loop: A Political and Economic History of San Antonio, is the culmination of urban historian David Johnson’s extensive research into the development of Texas’s oldest city. Beginning with San Antonio’s formation more than three hundred years ago, Johnson lays out the factors that drove the largely uneven and unplanned distribution of resources and amenities and analyzes the demographics that transformed the city from a frontier settlement into a diverse and complex modern metropolis. Following the shift from military interests to more diverse industries and punctuated by evocative descriptions and historical quotations, this urban biography reveals how city mayors balanced constituents’ push for amenities with the pull of business interests such as tourism and the military. Deep dives into city archives fuel the story and round out portraits of Sam Maverick, Henry B. Gonzales, Lila Cockrell, and other political figures. Johnson reveals the interplay of business interests, economic attractiveness, and political goals that spurred San Antonio’s historic tenacity and continuing growth and highlights individual agendas that influenced its development. He focuses on the crucial link between urban development and booster coalitions, outlining how politicians and business owners everywhere work side by side, although not necessarily together, to shape the future of any metropolitan area, including geographical disparities. Three photo galleries illustrate boosterism’s impact on San Antonio’s public and private space and highlight its tangible results. In the Loop recounts each stage of San Antonio’s economic development with logic and care, building a rich story to contextualize our understanding of the current state of the city and our notions of how an American city can form.

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María Sánchez is obsessed with what she cannot see. As a field veterinarian following in the footsteps of generations before her, she travels the countryside of Spain bearing witness to a life eroding before her eyes—words, practices, and people slipping away because of depopulation, exploitation of natural resources, inadequate environmental policies, and development encroaching on farmland and villages. Sánchez, the first woman in her family to dedicate herself to what has traditionally been a male-dominated profession, rebuffs the bucolic narrative of rural life often written by—and for consumption by—people in cities, describing the multilayered social complexity of people who are proud, resilient, and often misunderstood.Sánchez interweaves family stories of three generations with reflections on science and literature. She focuses especially on the often dismissed and undervalued generations of women who have forgone education and independence to work the land and tend to family. In doing so, she asks difficult questions about gender equity and labor. Part memoir and part rural feminist manifesto, Land of Women acknowledges the sacrifices of Sánchez’s female ancestors who enabled her to become the woman she is.A bestseller in Spain, Land of Women promises to ignite conversations about the treatment and perception of rural communities everywhere.

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Rambling Prose is a collection of essays by Steven G. Kellman, culled from his lifetime of work on comparative literature, criticism, and film studies. Filled with wordplay and surprising insight, the collection demonstrates his range as an essayist and invites us to explore the human experience through refined literary analysis. Kellman explores such topics as animal rights, silence, mortality, eroticism, film, and language with his unique critical perspective and offers complex investigations of eternal human quandaries that raise more questions than they answer. Witty and insightful, Rambling Prose is a book for anyone who loves language and believes in the power, both positive and negative, of words to change the world.

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This is the definitive work on the 100-block Monte Vista National Historic District, which survives nearly intact from San Antonio’s Gilded Age. It is the finest neighborhood of the era remaining in Texas. Architects drawn to the burgeoning city from across the country designed homes both elaborate and modest in an unusual variety of styles, from Queen Anne to Prairie to Tudor to Spanish Colonial Revival, during the heady times when San Antonio was the largest city in the largest state. Landmark homes are described block by block, with numerous vintage and contemporary illustrations and a separate index of architects.

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Commissioned by the U.S. Committee on Public Information, more than 300 of America's most famous illustrators, cartoonists, designers, and fine artists donated their services to create more than 700 posters in an effort to build patriotism, raise funds for war bonds, encourage enlistment, and increase volunteerism during World War I. The Winds and Words of War is a rich collection of World War I-era posters created between 1916 and 1917 to motivate the country to abandon a position of remoteness and connect with European allies against German aggression and tyranny. These images became a great equalizing force in American culture, causing people of all backgrounds and classes, rural or urban, educated or uneducated, to rally to the cause. Some 450 of these posters are part of the San Antonio Public Library's permanent collection, bequeathed in 1940 by Harry Hertzberg, a Texas state senator and avid memorabilia collector. The posters were created by a group of early twentieth-century American artists, among them Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, Guy Lipscombe, Charles Buckle Falls, Haskell Coffin, and Norman Rockwell. The lithographs' heroic images and patriotic slogans depicted military and civilian effort and sacrifice, aiming to inspire young men and women to enlist, pick up a flag, and support the soldiers and nurses during a trying time in American history. The posters, many of which appeared on the cover of the Saturday Evening Post, are both testaments to the people who volunteered their service and excellent examples of the period's advertising strategies and graphic design.

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Dream Song is the story of John Berryman, one of the most gifted poets of a generation that included Elizabeth Bishop, Randall Jarrell, Robert Lowell, and Dylan Thomas. Using Berryman's unpublished letters and poetry, as well as interviews with those who knew him intimately, Paul Mariani captures Berryman's genius and the tragedy that dogged him, while at the same time illuminating one of the most provocative periods in American letters. Here we witness Berryman's struggles with alcohol and drugs, his obsession with women and fame, and his friendships with luminary writers of the century. Mariani creates an unforgettable portrait of a poet who, by the time of his suicide at age fifty-seven, had won a Pulitzer Prize and a National Book Award.

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Cary Clack has captured the hearts and minds of Texans since the mid-1990s, gaining a national reputation as an incisive and sensitive journalist and developing a significant following as a columnist. Originally from San Antonio, he worked with the Martin Luther King Jr. Center for Nonviolent Social Change in Atlanta (writing CNN commentaries for Coretta Scott King) to hone his communication skills and broaden his social sensibilities. Returning to his hometown, he quickly became known as a writer who profiled everyday heroes and captured stories unique to the Texas experience, adding a critical local perspective to national news. His columns are infused with a sense of humility and a keen examination of the humanness in others.Following sixteen years as a journalist, Clack pursued interests in politics, social policy, and service, including work with the mayor of San Antonio, U.S. congressman Joaquin Castro, and others.More Finish Lines to Cross<

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Laika began her life as a stray dog on the streets of Moscow and died in 1957 aboard the Soviet satellite Sputnik II. Initially the USSR reported that Laika, the first animal to orbit the earth, had survived in space for seven days, providing valuable data that would make future manned space flight possible. People believed that Laika died a painless death as her oxygen ran out. Only in recent decades has the real story become public: Laika died after only a few hours in orbit when her capsule overheated. Laika’s Window positions Laika as a long overdue hero for leading the way to human space exploration. Kurt Caswell examines Laika’s life and death and the speculation surrounding both. Profiling the scientists behind Sputnik II, he studies the political climate driven by the Cold War and the Space Race that expedited the satellite’s development. Through this intimate portrait of Laika, we begin to understand what the dog experienced in the days and hours before the launch, what she likely experienced during her last moments, and what her flight means to history and to humanity. While a few of the other space dog flights rival Laika’s in endurance and technological advancements, Caswell argues that Laika’s flight serves as a tipping point in space exploration “beyond which the dream of exploring nearby and distant planets opened into a kind of fever from which humanity has never recovered.” Examining the depth of human empathy—what we are willing to risk and sacrifice in the name of scientific achievement and our exploration of the cosmos, and how politics and marketing can influence it—Laika’s Windowis also about our search to overcome loneliness and the role animals play in our drive to look far beyond the earth for answers.

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Definitive and daring, The Ecopoetry Anthology is the authoritative collection of contemporary American poetry about nature and the environment--in all its glory and challenge. From praise to lament, the work covers the range of human response to an increasingly complex and often disturbing natural world and inquires of our human place in a vastness beyond the human.To establish the antecedents of today's writing,The Ecopoetry Anthology presents a historical section that includes poetry written from roughly the mid-nineteenth to the mid-twentieth century. Iconic American poets like Walt Whitman and Emily Dickinson are followed by more modern poets like Wallace Stevens, William Carlos Williams, Ezra Pound, and even more recent foundational work by poets like Theodore Roethke, Elizabeth Bishop, Robert Hayden, and Muriel Rukeyser. With subtle discernment, the editors portray our country's rich heritage and dramatic range of writing about the natural world around us.

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The Kronkosky Foundation Story provides a broad review of the twenty-five-year history of the Albert and Bessie Mae Kronkosky Charitable Foundation. Albert and Bessie Mae Kronkosky were committed to creating a legacy of “profound good” through charitable giving across four Texas counties that were dear to their hearts. The private foundation, formed in 1995 with a mission focused on health and human services (especially for children and the elderly), arts, and culture, has had a significant impact on San Antonio and the surrounding area. The book recounts the Kronkosky family’s history and how they came into the wealth that eventually led to the foundation’s creation. The nonprofit organization’s story is one of exemplary management and wide-ranging positive impact on a community, and an examination of how local giving has changed in recent decades. The Kronkosky Charitable Foundation exists in perpetuity, and their story stands as a testament to philanthropic commitment to a community.

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