Search results for ""steidl""
Steidl Publishers Robert Adams: Los Angeles Spring
£157.50
Steidl Publishers Robert Frank: Peru
Writing from New York in March 1949, Robert Frank sent home to his mother in Switzerland a birthday gift of a book maquette of a series of photographs he had made during a visit to Peru. Frank made an identical book for himself and one of each of these two dummies now resides in the collections of the Museum of Modern Art, New York, and National Gallery of Art, Washington. A few of these images are well-known in Frank’s oeuvre but previously the entire series had only ever been seen by a small number of people. This book presents for the first time the complete sequence of images, based on the original book Frank had conceived and realised under his direction. Peru is a work of major historical significance in both the artist’s history and the history of photography.
£20.00
Steidl Publishers Robert Frank: Pull My Daisy
Pull My Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished titled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo Frank, Robert Frank’s then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman’s bohemian friends crash the party, with comic results. The title Pull My Daisy was taken from the poem of the same name written by Kerouac, Ginsberg and Neal Cassidy over the 1940s and 1950s. The poem features in the film as the lyric within the jazz composition at the film’s opening. The Beat philosophy emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised. Pull My Daisy was accordingly praised for years as an improvisational masterpiece, until Leslie revealed in a 1968 article in the Village Voice that the film was actually carefully planned, rehearsed, and directed by him and Frank, who shot the film on a professionally lit studio set. This book interweaves a transcript of Kerouac’s narration from the film with film stills and also includes an introduction by Jerry Tallmer written in 1961.
£10.00
Steidl Publishers Dayanita Singh: Sea of Files: Hasselblad Award 2022
£31.50
Steidl Publishers Hans Georg Näder: Futuring Human Mobility
£18.00
Steidl Publishers Mikael Olsson: on - auf
£36.00
Steidl Publishers David Goldblatt: In Boksburg
£34.20
Steidl Publishers Mitch Epstein: Berlin
£32.40
Steidl Publishers Edward Burtynsky: African Studies
£76.50
Steidl Publishers Thomas Hoepker: The Way it was. Road Trips USA
£34.20
Steidl Publishers Alberto Venzago: Taking Pictures, Making Pictures
£36.00
Steidl Publishers Roni Horn: Remembered Words: A Specimen Concordance
£15.00
Steidl Publishers Manfred Heiting: Czech and Slovak Photo Publications: 1918–1989
£88.20
Steidl Publishers Lee Friedlander: Pickup
£49.50
Steidl Publishers Angela Grauerholz: The 2015 winner of the Scotiabank Photography Award
£43.20
Steidl Publishers David Goldblatt: Structures of Dominion and Democracy
£40.50
Steidl Publishers William Eggleston: At Zenith
£49.50
Steidl Publishers Santu Mofokeng: The Black Photo Album / Look at Me: 1890-1950
This book is a reproduction of an artwork, bearing the same title, by Santu Mofokeng. The work, which is as much a research project as it is a work of art, is comprised of private photographs collected, scanned, and retouched over a number of years by the artist. Each of the original images were commissioned by urban black working and middle-class families in South Africa between 1890 and 1950, a time when the government was entrenching its infamous policies towards those designated as “natives.” Painterly in style, the images evoke the artifices of Victorian photography and reveal something about how the people captured within the frame imagined themselves, asking meditative questions on the meaning of African imagery: “Who were these people?,” “What were their aspirations?,” “Are these images evidence of mental colonization or did they serve to challenge prevailing images of ‘The African’ in the western world?” In this work Mofokeng thus analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng’s own texts. The Black Photo Album / Look at Me: 1890-1950 also features selections from Mofokeng’s field notes and the original, unretouched photographs, published for the first time.
£25.20
Steidl Publishers Lewis Baltz: Rule without Exception / Only Exceptions
£45.00
V&R unipress GmbH European Mobility: Internal, International, and Transatlantic Moves in the 19th and Early 20th Centuries
£52.99
MACK Sleeping by the Mississippi
Sleeping by the Mississippi by Alec Soth is one of the defining publications in the photobook era. First published by Steidl in 2004, it was Soth’s first book, sold through three print runs, and established him as one of the leading lights of contemporary photographic practice. This is the second printing of the MACK edition and includes two new photographs that were not included in the Steidl versions of the book. Evolving from a series of road trips along the Mississippi River, Sleeping by the Mississippi captures America’s iconic yet oft-neglected ‘third coast’. Soth’s richly descriptive, large-format colour photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, Sleeping by the Mississippi elicits a consistent mood of loneliness, longing, and reverie. ‘In the book’s 46 ruthlessly edited pictures’, writes Anne Wilkes Tucker in the original essay published in the book, ‘Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.’ Like Robert Frank’s classic The Americans, Sleeping by the Mississippi merges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. Sixteen years since the book was first published, the artist’s lyrical view has undoubtedly acquired a nuanced significance – one in which hope, fear, desire and regret coalesce in the evocative journey along this mythic river.
£45.00