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The book presents a portrait of Tirelli with the history of his apprenticeship and his passion not only for the painstaking reproduction of ancient garments and accessories but also for building up a priceless collection of tens of thousands of original items of clothing. A long chapter presents testimonials from faithful customers including the most illustrious Italian and foreign costume designers, winners of countless Oscars, some of whom have been with Tirelli from the outset. The rich array of illustrations – comprising sketches, photographs of finished costumes and scenes from plays and films – spans five decades of inventions and successes, and the work ends with a catalogue raisonné of the company’s creations for theater, opera, cinema, and television.

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The city of Milan encloses some of the most important masterpieces of Italian art. This special guide to the city, realized on the occasion of the 2015 Expo, offers an art histor - ical tour focusing on ten works not to be missed by visitors: Leonardo’s Last Supper , Michelangelo’s Rondanini Pieta , Raphael’s Marriage of the Virgin , Piero della Francesca’s Brera Madonna , Caravaggio’s Basket of Fruit , the Portrait of a Lady attributed to Pollaiolo, Andrea Mantegna’s Lamentation of Christ , but also Francesco Hayez’s Kiss , Giuseppe Pellizza da Volpedo’s Fourth Estate and Umberto Boccioni’s Riot in the Galleria.

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Jennifer Montagu is a world-renowned art historian whose name has become synonymous with the study of Italian Baroque sculpture. In honor of Jennifer Montagu’s immeasurable contribution to the field of Italian Baroque sculpture, sixty-two of the foremost scholars of European sculpture have been invited to participate in a symposium in her honor on 6 - 7 September 2013 at the Wallace Collection, London. Thirty of the papers presented there were selected for the publication as a tribute to this generous colleague and friend who has inspired and mentored dozens of younger historians in European art. Dr. Montagu’s academic work began in Political Science at Oxford, but conversations with Ernst Gombrich led her to pursue an advanced degree in art history instead. In 1963, long before the study of Italian bronze statuettes reached the level of interest that it enjoys today, her classic survey, simply titled Bronzes, was met with great enthusiasm, eventually being printed in five languages. Montagu taught at the University of Reading until 1964, when she became an assistant curator of the Photographic Collection at the Warburg Institute. In 1971 she became a full curator of the collection, a position she held until 1991. During these years she published at an indefatigable rate, and following her retirement from that post, her productivity only increased. Montagu was a Slade Professor of Fine Art at Cambridge University, a Mellon Professor at the Center for Advanced Study in the Visual Arts (National Gallery of Art,Washington, D.C.), and a visiting professor at the Collège de France. Montagu’s numerous publications include her monumental study of Alessandro Algardi (Yale University Press, 1985), Roman Baroque Sculpture: the Industry of Art (Yale, 1989) and Gold, Silver and Bronze: Metal Sculpture of the Italian Baroque (Mellon Lectures, CASVA; Yale University Press, 1996). She was appointed LVO (Royal Victorian Order) in 2006 for services to the Royal Collection and CBE (Commander of the Most Excellent Order of the British Empire) in 2012 for her contribution to the history of art.

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From Hogarth to Reynolds, from Gainsborough to Turner, the great protagonists of English painting between the eighteenth and nineteenth centuries. This is the first comprehensive overview of the extraordinary development of British painting during the eighteenth century, which anticipated themes, styles and techniques that later became paradigms of modernity. This volume focuses on the English context at a time when the growth of artistic standing was accompanied by the country’s conquest of hegemony on a historical, political and economic plane. The volume is arranged chronologically in seven sections, which include a selection of over 100 masterpieces by the most significant English painters. The main objective is to enable readers to rediscover the genres of portrait and landscape, which have always characterized English art. Readers can admire the work of artists like William Hogarth, Henry Fuseli (Johann Heinrich Füssli), Sir Joshua Reynolds, Thomas Gainsborough, Joseph Wright of Derby, George Stubbs, John Constable and William Turner, who offer a completely original cross-section of eighteenthand early nineteenth-century painting in Great Britain.

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As a result of five years of work, the photographs collected in this volume were taken in different countries: Kenya, Tanzania, Cameroon, Ethiopia, Djibouti, Botswana, Morocco, Benin, South Soudan, Mali, Burkina Faso, Namibia, Zambia, Uganda. The camera lens of Sergey Yastrezhembsky is focused on the scenes of patriarchal daily routine of Africans, who try to preserve their adherence to the traditions of their forefathers in everyday life, customs, and religion regardless of the rising pressure of pervasive globalization.

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Hornby Island is a northern Gulf Island, which sits within an archipelago, near Vancouver Island on the West Coast of British Columbia, Canada. Less than 12 square miles in size, its unique landscape shelters a population centred on simple life-styles, self-reliance and art. Seeming to sit slightly out of time, its counter cultural atmosphere was somewhat shaped by the shared visions of its settlers during 1960s and 1970s. Despite challenges, these values remain compelling — as our contemporary economic crisis sits within an ecological disaster. Hornby’s characteristic vernacular buildings still embody the wish to turn against rampant consumerism, pollution and political horror — towards handmade houses; food; clothing and contentment. Land Ends was made during Melissa Moore’s various self-styled long-term residencies on the island — exploring her own “feedback between art and nature”. An enchantment by a particular landscape and its mythology is palpable in this sequence of distinctive works. Through a performative practice Moore puts herself in the fundament of the ecologies she finds — nestling into both the island and its communal dreams. Melissa Moore is a London based artist. She studied at the Manchester Metropolitan University then at the Royal College of Art, and is an Associate Lecturer at the University of the Arts London. She has exhibited and published internationally. This new series has so far been shown in Singapore, Italy, Japan and Germany.

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The publication, edited and curated by Mary Angela Schroth, recounts the story of the acquisitions of the private collection of Hussain Ali Harba, which began with a painting executed in the 1970s by Fa’iq Hassan, one of the protagonists of Irachi modern art and ends with experimental contemporary artists such as Adel Abidin. Born in Babylon (Iraq) in 1961 and resident in Turin (Italy) since 1979, Harba received his first artwork from his father at the age of 15, and through the years has become one of the most impassioned Iraqi collectors in the world. Together with his family, he is building a private museum in Babylon that will one day permanently house this major collection. The book bears witness to Harba’s work of dedication and conservation related to the artistic patrimony of his native country.

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The first book to exclusively present Cleto Munari’s latest creations in the field of the applied arts: a unique collection of art carpets. Cleto Munari was born in Gorizia and he lives and works in Vicenza. After meeting Carlo Scarpa in 1973, who encouraged him in his work, he decided to focus his attention on the area of industrial design, and began to work for some of the most important companies in the world. Constantly in search of original ideas, over the years he has tirelessly been engaged in analyzing and experimenting with both forms and material. In 1985 he opened a laboratory-studio-jeweler’s, where, together with a group of worldclass architects, he designs and produces silver jewelry and other objects for avant-garde collections that truly represent historical revolutions in jewelry both in Italy and abroad, and have also led to the production of watches, pens and furniture. Cleto Munari’s objects have entered the permanent collections of some of the world’s top museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York. This book is the first to exclusively present Cleto Munari’s latest creations in the field of the applied arts. After his jewelery, silverware, watches and furnishings, the great designer has involved ten other designers and artists in the creation of a unique collection of art carpets. Signed by Lawrence Ferlinghetti, Dario Fo, Mario Botta, Alessandro Mendini, Javier Mariscal, Ettore Mochetti, Deisa Centazzo, Sandro Chia, Mimmo Paladino and by Cleto Munari himself, these creations are full-fledged works of art and represent the high point of the skills and expertise of one of the greatest creative designers in the world, who has been designing and producing for over forty years.

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