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A listless aristocrat, Lord Jones, finds himself in London during the Blitz, attending to insurance matters. A zebra and her foal, having escaped from the London Zoo during a bombing, cross his path, and he decides to take them back to his estate in Pembrokeshire. Little loved by his fascist-sympathiser parents, something in Lord Jones softens, and he realises he is lost, just like these zebras. The arrival of the zebras sparks a new lease of life on the Pembrokeshire estate, and it is not only Lord Jones but the families his dynasty has displaced that benefit from the transformation. Full of heart and mischief, The Zebra and Lord Jones is a hopeful exploration of class, wealth and privilege, grief, colonialism, the landscape, the wars that men make, the families we find for ourselves, and why one lonely man stole a zebra in September 1940 - or perhaps why she stole him.

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Van Jennings, a sociology student, and his two friends, Terry Nicholson and Jeff Margrave, set out one day to explore an uncharted area said to be home to a colony consisting entirely of women. Their biplane suitably hidden in the surrounding forest, the men begin their search for civilisation. But it is not long before they are discovered, and they are captured and taken in by the society they set out to study. As boundaries are broken down and the web of mystery is brushed aside, the men soon begin to realise that there is much to be envied about this society, and perhaps it is they that have some reckoning to do. Dealing with the powerful themes of consent, consumerism and colonialism, Herland is a thought-provoking tale that trains a lens on our own concepts of society.

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George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Fearing that England was about to be wiped from the face of the earth by the Nazi bombers flying overhead, Orwell put pen to paper and set out to make a record of English culture. England Your England, the sixth in the Orwell's Essays series, is this record, and is an important tableau of the nation's history, and demonstrates a resolute refusal to bow to the threatening forces of Fascism.

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In 1940 the Second World War continued to rage, and atrocities wreaked around the globe made international waves. Wells, a socialist and prominent political thinker as well as a first-rate novelist, set down in The Rights of Man a stirring manifesto, designed to instruct the international community on how best to safeguard human rights. The work gained traction, and was soon under discussion for becoming actual legislation. Although Wells didn't live to see it enacted, his words laid the groundwork for the Universal Declaration of Human Rights, which enshrined human rights in law for the first time, and was adopted by the United Nations in 1948, changing the course of history for ever and granting fundamental rights to billions.

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One of the earliest known published works written by an African author, The Interesting Narrative was a groundbreaking memoir that helped pave the way for the abolition of slavery. In it, Equiano describes his early life in Africa, his abduction and his gruelling journey across the world on a slave ship. Published in London once Equiano had secured his freedom, the runaway success of the book led to his financial independence, and he toured England, Scotland and Ireland lecturing on the horrors described in the book, and he dedicated his life to advocating for the abolition of slavery. Forgotten until the 1960s, The Interesting Narrative has again shot to fame, and is now considered the most detailed account of a slave's life, exposing the trials of the long road to freedom.

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In 1892 a furious Charlotte Perkins Gilman put pen to paper and created the avant-garde feminist work The Yellow Wallpaper as a warning – in this haunting Gothic tale, a woman is confined to a room and forbidden to do anything interesting – and she loses her mind. In 1887, following a severe nervous breakdown, Gilman had been sent to a leading neurologist, she explains in ‘Why I Wrote The Yellow Wallpaper’, also included in this volume. He was a ‘wise man’ who ‘put me to bed and applied the rest cure… and sent me home with solemn advice to “live as domestic a life as far as possible”… and “never to touch pen, brush or pencil again” as long as I lived. I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.’ The Yellow Wallpaper is both a haunting illustration of the treatment of mental health and a chilling Gothic tale, and this new edition makes it ready to enchant another generation of readers.

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The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light.

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Fifteen-year-old Ashleigh is clever and charming, and she soon becomes the neighbourhood's favourite babysitter. But she has an appetite for secrets. Fast-paced, witty and scalpel-sharp, One Woman Crime Wave examines the limits of what money can buy, and how easily the fragile web of middle-class privilege can be torn.

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The Alchemy is a robust, frank and loving guide to an often opaque industry. As well as offering tips on working in gentle increments and re-imagining what productivity and the work of writing look like, there is advice on sending out work and navigating the industry, looking after your mental health as you go. Full of practical advice, strategies, comfort and the occasional entertaining essay, The Alchemyy is about writing a book when you thought you could not. It is for all writers, but with a particular eye on those who are tired and lacking in confidence, and those who face significant challenges – perhaps you are chronically ill or care for a loved one. It is a book for beginners, but it is also for those of you who are stuck in your habits and practice – perhaps you just need a pal to guide you through the day to day with the book you wanted to write. That’s what The Alchemy is. Let’s do this together.

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Jane Austen, one of the nation's most beloved authors, whose face adorns our currency, surely needs no introduction, but while many are familiar with her groundbreaking novels, few have come across her short burlesque work The History of England. Billed a history 'from the reign of Henry IV to Charles I by a partial, prejudiced and ignorant historian', The History of England pokes fun at the overly verbose and grand histories of Austen's day. Written when she was just fifteen, this is a comic tour de force that shows Austen's wit developing into the satirical prowess she is remembered for.

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British South Asian poetry is flourishing throughout the UK, but it is still not being amply reflected in mainstream publishing. The Third Space project was conceived by award winning artist and poet, Suman Gujral, and has its eye on filling this gap and celebrating the best of the South Asian poetry scene.

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The debut poetry collection from a talented, fresh-voiced poet, People: Unfinished Poems is a lyrical, thought-provoking and moving selection that observes and enjoys the beauty and strangeness of people, exploring their connections to themselves, each other and the places in which they live. With particular attention paid to family, friendship, love, belonging and acceptance, the collection is a real celebration of human individuality and connection. Following a late diagnosis of ADHD, one strand of Ruth’s poetry explores and foregrounds the condition; the reader is invited into a mind that is endlessly thinking and never truly at rest. For Ruth, one result of this is intricate patterns and fragments of poetry sprawled across endless notebooks. This collection includes several poems presented in the poet’s own handwriting, decorated in much the same way as her notebooks, giving the reader an intimate insight into some of the artistic and creative aspects of neurodiversity.

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‘You see that Anna led an arduous and troubled life… Her face was worn, her cheeks were thin, her mouth drawn and firm, and her light blue eyes were very bright. Sometimes they were full of lightning and sometimes full of humour, but they were always sharp and clear.’ Under the grey, industrial skies of Bridgepoint (modelled on Baltimore), three women – Anna, Melanctha and Lena – live, work and love. Painting a powerful portrait of women trapped in drudgery, Stein’s Three Lives is a ground-breaking portrayal of abuse and non-heteronormative sexuality, and is a searing indictment of the struggles of the working class in turn-of-the-century America. An astonishing work that toys with style and conventions, Three Lives stands as a monument in Modernism and experimental literature, and comes from the pen of a writer whose intelligence and understanding bleeds from every page.

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Salomé, the haunting one-act tragedy that marks Wilde’s first great success in the theatre, retells the Biblical story in which the stepdaughter of the tetrarch Herod Antipas demands the head of John the Baptist on a silver platter as a reward for her dancing for her stepfather’s amusement. Written in 1891, and prepared for its first run in 1892, rehearsals of Salomé had to be cancelled when the play was banned by the Lord Chamberlain due to its depiction of religious characters. Undaunted, Wilde moved on to the drawing-room and society comedies he is today best known for, wowing London audiences with Lady Windermere’s Fan and A Woman of No Importance, and it was only in 1894 that Salomé saw the light of day in an English translation, with a series of specially commissioned illustrations by the up-and-coming Aubrey Beardsley.

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Waiting for Music is the fifth collection of poetry from the acclaimed writer Simon Mundy. A great champion of the arts, his relationships with musicians, visual artists and dancers are the main driving force behind his poetry, and this book sets out a playlist that stems from music, visual art and dance – from Brahms’ late piano works to a scene for soprano and dancers, written to be set by Roxanna Panufnik, that was inspired by a 16th century picture in the National Gallery. Published after a year spent waiting for music to appear on our landscape once more, Waiting for Music collects the voices of an array of composers, cultures and forms, set against backdrops ranging from Valparaiso to the Veneto, and celebrates the sounds and stages that have been missing from our lives this silent year.

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‘Sometimes I wonder, if I had known that it was going to take me fourteen years to paint this painting of the Crucifixion with Douglas as Jesus, and what it would take for me to paint this painting, would I have been as happy as I was then?’ Susan Alison MacLeod, a Glasgow School of Art graduate with a dark sense of humour, first lays eyes on Douglas MacDougal at a party in 1988, and resolves to put him on the cross in the Crucifixion painting she’s been sketching out, but her desire to create ‘good’ art and a powerful, beautiful portrayal means that a final painting doesn’t see the light of day for fourteen years. Over the same years, Douglas’s ever-more elaborately designed urine-based installations bring him increasing fame, prizes and commissions, while his modelling for Susan Alison, who continues to work pain and suffering on to the canvas, takes place mostly in the shadows. This Good Book is a wickedly funny, brilliantly observed novel that spins the moral compass and plays with notions of creating art.

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The Westminster Alice is a collection of humorous vignettes by Saki, first published in the Westminster Gazette in 1902, which form a political pastiche of the Alice books by Lewis Carroll, featuring an unforgettable cast of notable politicians of the day, and brought to life with illustrations by F. Carruthers Gould – ‘with apologies to Sir John Tenniel’ for their striking likeness to the original Alice illustrations. Desperately trying to navigate her way through the world of Ineptitudes, Knights, Queens and Mad Hatters, Alice delivers a stinging satire of Westminster politics – which, imbued with Saki’s charm and delicate wit, and set in a world evocative of Carroll’s timeless Wonderland, is as charming today as when it was written, and belongs on every Alice fan’s bookshelf.

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First published in 1688, Oroonoko, or, The Royal Slave is a short, politically charged novella by the Restoration playwright – and spy – Aphra Behn, and is arguably one of the founding texts of the novel form. Purporting to chart the life of an African prince, Oroonoko, who is tricked into slavery and taken to South America, the narrative follows the Prince through his trials of love, loss and rebellion. Vying for the title of the first English novel – and certainly the first to be read as an indictment of the treatment of Africans – Oroonoko has all the hallmarks of Behn’s stage works, which are widely considered to be amongst the most important of the Restoration period.

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Described by Virginia Woolf herself as 'easily the best of my books', and by her husband Leonard as a 'masterpiece', To the Lighthouse, first published in 1927, is one of the milestones of Modernism. Set on the Isle of Skye, over a decade spanning the First World War, the narrative centres on the Ramsay family, and is framed by Mrs Ramsay's promise to take a trip to the lighthouse the next day - a promise which isn't to be fulfilled for a decade. Flowing from character to character and from year to year, the novel paints a moving portrait of love, loss and perception. Bearing all the hallmarks of Woolf's prose, with her delicate handling of the complexities of human relationships, To the Lighthouse has earned its reputation - frequently appearing in lists of the best novels of the twentieth century, it has lost not an iota of brilliance.

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Stephen Leacock is an unjustly neglected master of the short-story genre, once considered the best-known humorist in the world. Although he was a prolific writer, producing about fifty novels, biographies and histories, he was best known for his humorous articles and short stories in magazines. One of his later collections, Frenzied Fiction shows a master of a genre at the height of his game, and contains all the hallmarks of his earlier work and the trademark wit which he had refined over the previous decades. By turns laugh-aloud hilarious and poignant, and containing such gems as ‘My Recollections as a Spy’ and ‘Simple Stories of Success, or How to Succeed in Life’, this collection builds a strong case against prohibition, paints a moving picture of a war-torn world, caricatures and lampoons novelists, actors and princes, and demonstrates why he met with such success and stacked a fan base with figures as varied John Lane, A.P. Herbert and Groucho Marx.

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Dracula, Bram Stoker's 1897 Gothic vampire story, needs no introduction - a perennial on syllabuses and screens alike, generations have been enchanted and enthralled by the Count from Transylvania. But few of Dracula's fans have heard of Dracula's Guest, a short story following - it is thought - Jonathan Harker, as he makes his way to Transylvania, and falls prey to Walpurgis Nacht terrors when he stops off in Munich. Unpublished until after Stoker's death, when it was collected in a volume of short stories by his widow Florence, who revealed that Stoker had intended for it to be the opening section of his great work, Dracula's Guest is the missing chapter that will captivate all fans of Stoker's 'dangers from snow and wolves and night'.

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Formed of sixty fifteen-line stanzas, this haunting and consistently entertaining collection can be read like a journal, tracking lines of thought through time and space, painting detailed, witty and moving pictures of a countryside and life that lie unchanged, even through periods of great upheaval political, ecological and cultural.

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Although her legacy as a politician is certainly more enduring than as a poet, her verse was highly acclaimed upon publication, and when The Golden Threshold, her first collection, came out in 1905, contemporary poets queued up to offer recommendations.

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Concepts of belonging and community have constantly evolving definitions, and have been at the centre of fierce debate in recent years. The first twenty-three years of the new millennium have seen a rise in rhetoric aimed at those without the voice to argue back, and waves of toxic abuse have proliferated – and genocide. How relevant, then, to unite and raise our voices, to celebrate the rich tapestry of humanity, and to explore the labels we use to identify and express ourselves. Kinship is a poetry anthology that seeks to provide a platform for marginalised voices, and to celebrate the great diversity and rich variation in the identities of people from around the world and from a huge cross-section of walks of life.

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'If you want to tell people the truth, make them laugh, otherwise they'll kill you.' One of the most prolific and respected playwrights of the twentieth century, Bernard Shaw's legacy shows no signs of waning, and his beautifully written plays, laced with wry wit and invective alike, have seen countless performances over the years, their finest lines paraded in literary conversation and review. Meticulously selected by Simon Mundy, the Wit and Acid series collects the sharpest lines from Shaw's oeuvre in small neat volumes, allowing the reader to sample some of the very best barbs and one-liners the twentieth century has to offer, and this, the second volume, covers lines from the great writer's works published after 1911. With an introduction by Simon Mundy, a poet, novelist, trenchant music critic and occasional playwright.

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Hope’s leaving her home town up north for the bright lights of London. It’s going to be mind-blowing. Attractive Hinge dates, mature new friends… A job at a dinosaur-themed bar? Hell. Yes. Several months in things are looking slightly less rosy. Her housemate seems to hate her and her manager’s a creep… But we don’t need to talk about that. Do we? Almost Adult is a brilliantly funny play that lays bare the darker side of slick modern workplaces and the underhand employment practices that police them – or fail to – with stunning lightness of touch.

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'"What?" said the reverend gent, "Dance through my hours of leisure? Smoke? Bathe myself with scent? Play croquet? Oh, with pleasure!"' Today W.S. Gilbert is best known for the comic operas he produced in collaboration with Arthur Sullivan, but another of his great - and numerous - literary contributions were his humorous ballads, written and illustrated under the pseudonym 'Bab'. Combining his trademark absurdist wit with keenly observed character studies, the ballads are a satirical tour de force that lambast society figures. This new selection, chosen and introduced by Andrew Crowther, Secretary of the W.S. Gilbert Society, brings together the very best of the ballads and presents the 'Bab' works for a new readership.

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William Morris is perhaps best known today for the beautiful textile designs he created under the banner of Morris & Co, which continue to decorate homes around the globe. As one of the leading lights of British socialism, however, he is less well known, and this series of Morris's Manifestos seeks to highlight his extraordinary contribution to the literary canon on subjects socialist and artistic. Based on a lecture given at the Manchester Royal Institution in 1883, Art, Wealth and Riches is a thought-provoking essay that considers art as having educative and aesthetic value that should be shared with the many, rather than financial value that should be hoarded by the few. Morris asks: 'Is art to be limited to a narrow class who only care for it in a very languid way, or is it to be the solace and pleasure of the whole people?'

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Many musical and theatrical traditions walk the very narrow path between the sublime and the ridiculous, but perhaps none more so than opera, which, while maintaining an elegant reputation, makes a show out of princes making romantic speeches to soft fruit, noses being accidentally cut off and woodpeckers performing wedding ceremonies. Opera Obscura is a beautifully illustrated collection that contributes twenty-five brand new impossibly madcap operas to the canon of magnificent absurdities, along with the intricate blueprints for several incredible opera houses and information on of a whole range of almost unbelievably incredible instruments.

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Silent Movements brings all Simon Mundy’s experience in politics and the music business together. Set in 1980 at the end of the Cold War, it tells the story of a Soviet violinist being helped by a young British cellist to defect. Along the way Mundy accurately depicts the challenges and excitement of concert performance. As Julian Lloyd Webber says, ‘Simon Mundy really knows the point where music, politics and history collide. He also understands the processes of a performer’s life.’

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The Caribbean island of St James in the 1980s should have been paradise. Instead the post-independence rulers turned it into a perverted and corrupt private fiefdom. The US would not act because its Government is anti-communist and American privateers wanted to keep it that way. Britain didn’t care enough to intervene officially. The disgusting practices of the Prime Minister and his family were too much to ignore, though. Philip Goshawk was sent to try to find a solution. In this atmospheric political thriller James Eno catches the dark mood just beneath the surface glamour of islands in the sun.

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Seeking the Spoils is a fast-moving thriller from James Eno that contrasts the raw beauty of Scotland with the machinations of the European Parliament. Young MEP Seona Mackenzie and New York Times journalist Gaynor Schultz finds themselves in a battle to save the landscape from the combined threat of corporate greed and political corruption.

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. On Reading, the seventh in the Orwell’s Essays series, collects together Orwell’s short essays on books – ‘Bookshop Memories’, ‘Good Bad Books’, ‘Nonsense Poetry’, ‘Books vs. Cigarettes’ and ‘Confessions of a Book Reviewer’ – giving a rounded view of the great writer’s opinions on the literature of his day, and the vessels in which it was sold.

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George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Shooting an Elephant, the fifth in the Orwell's Essays series, tells the story of a police officer in Burma who is called upon to shoot an aggressive elephant. Thought to be loosely based on Orwell's own experiences in Burma, the tightly written essay weaves together fact and fiction indistinguishably, and leaves the reader contemplating the heavy topic of colonialism, with the words 'when the white man turns tyrant it is his own freedom that he destroys' echoing from the page.

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Eighteenth-century poetry was dominated by men of education and wealth, and bookcases sagged under the weight of volumes by Swift, Johnson and Pope. When Stephen Duck’s The Thresher’s Labour was published in 1730, however, it was a sensation – highlighting the plight of the working class in verse was hereto simply unthought of. Duck’s poem came to the attention of Mary Collier, a washerwoman working in Hampshire, who was astounded to read Duck’s dismissal of women as work-shy layabouts who indulged in ‘noisy prattle’, and she penned a stinging riposte, The Woman’s Labour, which reframed Duck’s relation of harvest-time toil from a woman’s perspective. This edition of The Woman’s Labour seeks to give a wider view of the conversation, and includes The Thresher’s Labour, ‘The Three Wise Sentences’ (which Collier included in the first publication of her reply), ‘An Epistolary Answer to an Exciseman Who Doubted Her Being the Author’ and the elegy she wrote for Stephen Duck after he died.

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play.

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Fantomina, or, Love in a Maze is a novella by Eliza Haywood which charts an unnamed female protagonist’s pursuit of the charming, shallow Beauplaisir. Dealing with major themes such as identity, class and sexual desire, and first published in 1725, Fantomina subverts the popular ‘persecuted maiden’ narrative, and reaches a climax which would have shocked its contemporary readership. Moving to London, a young woman – let’s call her Fantomina – meets a dashing man at the theatre. After a short, but intense, fling, Beauplaisir grows bored of Fantomina, and leaves her. Outraged that she should be so treated, Fantomina discards her disguise in favour of another, and sets off in hot pursuit of her victim, and a game of cat and mouse begins. This edition features an introduction by Dr Sarah R. Creel, Bethany E. Qualls and Dr Anna K. Sagal of the International Eliza Haywood Society.

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The second in the Morris's Manifestos series, The Decorative Arts is a passionate argument against the homogenisation of production, and a cry for art to make itself seen in design art will make our streets as beautiful as the woods, as elevating as the mountainsides.'

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Jane Austen, one of the nation’s most beloved authors, whose face adorns our currency, surely needs no introduction, but while many are familiar with her groundbreaking novels, and despite lending its name to a film adaptation of Lady Susan in 2016, her burlesque Love and Freindship is an unjustly neglected gem of satirical comedy. Written when she was still in her teens, Love and Freindship is a fascinating, light-hearted epistolary work that shows Austen’s wit developing into the satirical prowess she is remembered for, and casts the novels with which her name is so associated in a new light.

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First published in 1905, O. Henry's masterpiece, The Gift of the Magi, is a moving short story that highlights the plight of the poor at Christmastime. Desperately in love but destitute, Della and Jim try to find ways to drum up the cash for presents for one another, but in the end find they have sacrificed too much along the way. An ode to love and a warning against the consequences of capitalism, The Gift of the Magi has stood the test of time and has sadly never been more relevant. Part of Renard's successful Christmas Card Classics series, 25% of the RRP of each book sold goes to the Three Peas, a small charity supporting refugees.

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Inside the Whale, the eighth in the Orwell’s Essays series, discusses Henry Miller’s controversial Tropic of Cancer, and considers the driving power behind the great books of the 1930s. Comparing Miller with other literary giants, Orwell lambasts the notion that all literature is good, forcing the reader to think for themselves, with his final words ringing in their ears: ‘five thousand novels are published in England every year and four thousand nine hundred of them are tripe.’

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We inherit the lineage we're all born into, with its history and its contradictions, with the very beautiful and the very ugly, neither of which we can have a hand in being able to change.'The family of Nisar Chowdhury moves from Dhaka to Chicago when he is just thirteen, and he grows up feeling estranged from both lands. Thirty years on, he returns to the city of his birth, only to find it changed beyond recognition. Rekindling old relationships and trying to get to grips with his father's decision to sell off their remaining properties in the city, Nisar must navigate the labyrinth of a society that has moved on without him. The Inheritors is a vivid portrait of a city giddy with the march of change.

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First published in 1923, The Prophet is a collection of twenty-six poetic fables that centre around the prophet Al Mustafa, who, boarding a boat in the city of Orphalese, where he has lived for many years, prepares to sail home. On the voyage Al Mustafa is approached by a group of travellers, with whom he discusses deep topics - love, friendship, passion, pain, religion - and The Prophet becomes a manual and spiritual guide. This edition features the original illustrations prepared by the author, as well as an introduction by Dr Daniele Nunziata, which introduces the great work for a new generation.

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'There's only control, control of ourselves and others. And you have to decide what part you play in that control.' Cast your eye over the comfortable north London home of a family of high ideals, radical politics and compassionate feelings. Julia, Paul and their two daughters, Olivia and Sophie, look to a better society, one they can effect through ORGAN:EYES, the campaigning group they fundraise for and march with, supporting various good causes. But is it all too good to be true? When the surface has been scratched and Paul's identity comes under the scrutiny of the press, a journey into the heart of the family begins. Who are these characters really? Are any of them the 'real' them at all? Every Trick in the Book is a genre-deconstructing novel that explodes the police procedural and undercover-cop story with nouveau romanish glee. Hood overturns the stone of our surveillance society to show what really lies beneath.

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‘Take care. The consequences of an act are often much more numerous and important than people have any idea of.’ Today W.S. Gilbert is best known for the comic operas he produced in collaboration with Arthur Sullivan, a creative partnership that diverged over the supernatural. Unlike Sullivan, Gilbert was a great fan of fairy tales, and Foggerty’s Fairy, one of his most unjustly neglected plays, is a brilliant farcical comedy that hinges on the wish-granting of a fairy. Loosely based on his short story ‘The Story of a Twelfth Cake’, Foggerty’s Fairy considers the dangers of playing with the past. Trying to shore up his relationship, a man enlists a fairy’s help to make a few tweaks in his past – he soon realises, however, these small changes have made great waves through time, and his present becomes unbearable.

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The undisputed master of the short story, Saki's name is synonymous with brilliant writing that satirises Edwardian Society, and his plays were no exception. In his only full-length play, 'The Watched Pot', Trevor Bavvel, sole heir to a country estate, is in want of a wife, but must operate under the strict attention of his miserly mother Hortensia. Although wildly neglected today, Saki's plays met with widespread acclaim in his day, and he was even compared favourably with the great Oscar Wilde. This complete edition of Saki's plays - the first complete edition ever published - demonstrates the great writer's prowess as a playwright, and sparkles with the same wit as the short stories that have enchanted generations of readers.

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