Search results for ""poetry society""

South Eastern States is a poetry collection centred around travel – ranging from his native Barbados, across the Southern States of the US (especially his home-state of Georgia), and on to Brazil. To share Anthony Kellman's journeyings is to delight in his eye for 'our small deep gestures', the 'polyphony in the common salt' of human interaction.There are telling observations on both the tenacity of the old and the curiosity of the very young. There are savagely witty tales about the pretension and philistinism still rife on the island of his birth, as well as poems of homage to those authors, like George Lamming, who strive to reverse the trend. Most of all, though, there is an overwhelming urge to sing songs of praise.Anthony Kellman was born in Barbados in 1955. At eighteen he moved to London, drawing up close links with the Poetry Society and the likes of Alan Brownjohn, James Berry and Peter Forbes. He is the author of seven collections, including Limestone (2008) and Wings of a Stranger (2001), and two novels, The Houses of Alphonso (2004) and The Coral Rooms (1994), all published by Peepal Tree Press. He is Professor of Creative Writing at Augusta College, Georgia.

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Shortlisted for the 2011 Popescu Prize for Poetry Translated from a European Language into English, run by the Poetry Society.Foreword by Ruth Padel and introduced by Victor Schiferli."With this collection Anglophone readers are introduced to a poet of global scope," writes renowned American poet Marilyn Hacker.Prize-winning poet, essayist, dramatist and actor Ramsey Nasr, born in 1974 in Rotterdam into a Palestinian-Dutch family, was voted Poet Laureate of the Netherlands in 2009. A man of many passions, including classical music, drama, poetry and travel, as city poet of Antwerp in 2005 his appearances were attended like pop concerts."There is an exuberance and energy about these poems – poems for the voice and for performance, which nonetheless sit beautifully on the page and move easily between playfulness and a great humanity. Ramsey Nasr in David Colmer's translation has a strong appeal to new generations of poetry readers."Poetry SocietyThe poems in Heavenly Life were selected by the poet from his collections and from works written as poet laureate. His translator is the award-winning David Colmer, joint-winner of the 2010 IMPAC prize for his translation of The Twin by Gerbrand Bakker, who has dynamically recreated in English the patterns and sounds of Ramsey's inventive, bold and thoughtful poems.The collection includes the poem which voted Nasr into his laureate post – in the Netherlands the laureate is chosen by popular vote. Another is a three-part poem inspired by the life of Dmitri Shostakovich and based on his Sonata for Viola and Piano. The title poem 'Heavenly Life', meanwhile, was written to commemorate the 150th anniversary of Gustav Mahler's birth and is based on his Fourth Symphony, the four sections of the poem echoing the structure, tone and length of its movements. It is named after 'Das himmlische Leben', the song that forms the symphony's finale.Ramsey Nasr was in conversation with Ruth Padel and read from Heavenly Life at the LRB's World Literature Weekend on 18th June, and last November performed at 2 events of the 2010 Poetry International at London's Southbank Centre."David Colmer's translations follow Nasr's almost prosaic lines and shifts in register, rarely missing a beat and catching his humour with low-key contemporary phrasing. These are very readable versions of poems that provide a window on what is going on in Dutch society at the moment." Donald Gardner, reviewing Heavenly Life in Ambit 205"This is a poet who takes the pulse of his age, presses charges against injustice and oppression, without forgetting the heartbeat of his predecessors."Paul Demets in the Belgian daily newspaper De Morgen

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A Gathering of Ways is John Matthias’ first collection of poems since the publication of his warmly received Northern Summer collection in 1985. The book consists of three long poems dealing with the geography, geology, prehistory, and history of two places closely identified with Matthias’ work, the East Anglian region of Britain and the American Midwest, and a third place that provides the book with a new and deeply resonant setting: those parts of southern France and northern Spain through which run the famous pilgrimage routes to Santiago de Compostela. \u201cAn East Anglian Diptych\u201d explores those parts of Cambridgeshire, Suffolk, and Norfolk linked by three rivers and by those ancient paths and tracks known as ley lines which connect locality and locality and time with time. \u201cFacts From an Apocryphal Midwest\u201d explores another group of trails that began as prehistoric paths down which copper from Lake Superior was carried from the early days of the mound-builders. Despite the historical backdrop of these poems, both bring the reader into the present in unexpected ways, preparing him or her for the strange and visionary \u201cA Compostela Diptych,\u201d winner of the Poetry Society of America’s George Bogin Memorial Award.

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Named a “Best Book of 2019” by the New York Public Library Finalist for the 2020 Lambda Literary Award in Lesbian Poetry Society of Midland Authors Honoree in Poetry In March 2011, a tsunami caused by an earthquake collided with nearby power plant Fukushima Daiichi, causing the only nuclear disaster in history to rival Chernobyl in scope. Those who stayed at the plant to stabilize the reactors, willing to sacrifice their lives, became known internationally as the Fukushima 50. In tsunami vs. the fukushima 50, Lee Ann Roripaugh takes a piercing, witty, and ferocious look into the heart of the disaster. Here we meet its survivors and victims, from a pearl-catcher to a mild-mannered father to a drove of mindless pink robots. And here, too, we meet Roripaugh’s unforgettable Tsunami: a force of nature, femme fatale, and “annihilatrix.” Tsunami is part hero and part supervillain—angry, loud, forcefully defending her rights as a living being in contemporary industrialized society. As humanity rebuilds in disaster’s wake, Tsunami continues to wreak her own havoc, battling humans’ self-appointed role as colonizer of Earth and its life-forms. “She’s an unsubtle thief / a giver of gifts,” Roripaugh writes of Tsunami, who spits garbage from the Pacific back into now-pulverized Fukushima. As Tsunami makes visible her suffering, the wrath of nature scorned, humanity has the opportunity to reconsider the trauma they cause Earth and each other. But will they look?

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"One of the wisest books I've read in years, and it would be a shame to think that only poets will read it."--David Kirby, The New York Times Book Review, on Madness, Rack, and Honey "What a civil, undomesticable, and heartening poet is Mary Ruefle ...any Ruefle poem is an occasion of resonant wit and language, subject to an exacting intelligence."--Rodney Jones, Poetry Society of America, William Carlos Williams Award citation Trances of the Blast is a major new collection from recent National Book Critics Circle Award finalist Mary Ruefle. Full of Ruefle's particular wisdom and wit, the poems deliver her imaginative take on the world's rifts--its paradoxes, failures, and loss--and help us better appreciate its redeeming strangeness. If only I'd understood that loneliness was just loneliness, only loneliness and nothing more. But I was blind. Little did I know. If only I'd invented salt. I might have died happy. I wish I loved you, but you can't have everything. Mary Ruefle is the author of many books of prose, poetry, and erasures. She is the recipient of the William Carlos Williams Award, an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. Her book of lectures, Madness, Rack, and Honey, was named a finalist for the 2012 National Book Critics Circle Award. She lives and teaches in Vermont.

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It Never Rains by Roger McGough - an expanded edition of comic verse and free line drawings, from the nation's favourite poetWhile up at MagdalenSpent the time dagdalen.Moved on to CaiusBecame the baius knaius.'Oxford Blues' is one of the many new poems in this expanded and revised edition of The State of Poetry, Roger McGough's book of short humorous verse which was published in 2005 as part of Penguin's 70s series celebrating its 70th anniversary. From a poem commissioned to commemorate Dylan Thomas in just 140 characters, which unfortunately comes to an end mid-word, to a pre-emptive erratum notice, these poems show McGough at his inventive, hilarious best - and there are also new line drawings by the author offered at no extra cost.'The patron saint of poetry' Carol Ann DuffyRoger McGough was a member of the group Scaffold in the 1960s when he contributed poems to the Penguin title The Mersey Sound, which has since sold over a million copies and is now available as a Penguin Classic. He has published many books of poems for children and adults, and both his Collected Poems (2004) and Selected Poems (2006) are also available in Penguin. He presents Poetry Please on Radio 4 and is President of the Poetry Society. He was honoured with the Freedom of the City of Liverpool in 2001 and with a CBE in 2005 for services to literature.

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Traces of Rilke are unearthed in Lo Fu’s long poem sequence, Driftwood, along with his affection for surrealism and the early modernists such as Baudelaire, Rimbaud, Apollinaire and the more contemporary verse of Wallace Stevens. On New Year’s Day 2001, the poem appeared in the literary supplement to the Liberty Times in Taiwan and was serialized for three months straight. Lo Fu has won almost every literary award in Taiwan and has published more than three dozen volumes of poetry, essays, criticism and translations. Despite his prolific output, Lo Fu considers Driftwood to be the book that sums up his experience of exile, his artistic explorations and his metaphysics; Driftwood is a personal epic and the greatest achievement of his old age. Lo Fu is the pen name of Mo Luofu, who was born in Hengyang, Hunan Province, in 1928. He joined the military during the Sino-Japanese War (1937-1945) and moved to Taiwan in 1949. While stationed in southern Taiwan in 1954, he founded the Epoch Poetry Society with Zhang Mo and Ya Xian, serving as the editor of the Epoch Poetry Quarterly for more than a decade. He immigrated to Vancouver in 1996, where he still lives. John Balcom has published more than a dozen books into English from Chinese. He is associate professor and Chinese program head at the Monterey Institute. Balcom previously collaborated with Lo Fu on the translation of his book of poetry Death of a Stone Cell (Taoran Press).

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"One of the great original voices of our times--a pilgrim in search of beautiful innocence."--Jack Kerouac "Robert Lax's poems [prove] yet again that the gift to be simple is the gift to be free, that less is more, and that least may sometimes be most."--John Ashbery Poems (1962--1997) gathers thirty-five years of Robert Lax's work, rarely published and largely composed in solitude on the island of Patmos. Compiled and edited by the poet's former assistant John Beer, this selection reflects--through meditative sequences in striking vertical columns--Lax's rigorous attention to the world around him and his relentless aspiration to new ways of writing. love & death are blood & bone love & death are bread & stone love & death are rose & thorn (love & death are sheep & shorn) Robert Lax (1915--2000) published dozens of volumes of poetry and prose with small presses and worked as an editor for the New Yorker, Jubilee, and PAX. From 1962 to the end of his life, he made his home in the Greek islands. John Beer is the author of The Waste Land and Other Poems (Canarium, 2010), which won the Norma Farber First Book Award from the Poetry Society of America. For two years in the late 1990s, he served as literary assistant to Robert Lax. He currently lives and teaches in Oregon.

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This Companion brings together an international 'Brodie set' of critics to trace the history, impact, reception and major themes of Spark's work, from her early poetry to her last novel. It encompasses the range of Spark's output, pursuing contextual lines of approach including biography, geography, gender, identity, nation and religion, and considering her legacy and continuing influence in the twenty-first century. Spark emerges here as a serious thinker on issues as diverse as the Welfare State, secularisation, decolonisation, and anti-psychiatry, and a writer whose work may be placed alongside Proust, Joyce, Nabokov, and Lessing. The critics collected here are mindful of how, although overwhelmingly known as a novelist, by the time of her first novel, The Comforters, in 1957, Spark already had a significant profile through poetry, biographical criticism, and literary journalism, as chair of the Poetry Society and editor of the Poetry Review, and as author or co-author of a number of scholarly studies of writers including Wordsworth, Mary Shelley, the Brontes, Cardinal Newman, and John Masefield. Within a relatively modest space this Companion touches on the whole range of Spark's work and, in introducing the oeuvre thematically for those looking to explore this elegant and challenging author further, also sets the agenda for future Spark studies. Key Features * A collection of original, specially commissioned chapters by leading experts in the field * Covers the whole spectrum of Spark's work * Addresses the key issues and themes in Spark's work without losing sight of the questions of form and content * Provides original insights into the contexts of Spark's work as viewed through literary theory

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Carolyn Forché’s The Country Between Us bears witness to what she saw in El Salvador in the late 1970s, when she travelled around a country erupting into civil war. Documenting killings and other brutal human rights abuses, while working alongside Archbishop Oscar Romero’s church group, she found in her poetry the only possible way to come to terms with what she was experiencing first-hand. By 1980, when the fighting was becoming too dangerous, Archbishop Romero urged Forché to return home, asking her to ‘talk to the American people, tell them what is happening to us. Convince them to stop the military aid.' A week later he was assassinated (and is only now being made a saint). Back in the US, Forché gave readings and talks about US-backed oppression in Central America, but found publishers and critics uncomfortable with the startlingly different poems of her second collection, poems relating to torture, murder, injustice and trauma. When the book appeared in 1981, at a time when the conflict in El Salvador had finally forced its way into public awareness, it won her immediate recognition. Briefly available in Britain from Jonathan Cape in the 1980s, it was reissued by Bloodaxe to coincide with the publication by Penguin of Carolyn Forché’s long awaited memoir of those times, What You Have Heard Is True: a memoir of witness and resistance (Penguin, 2018) followed by a new collection from Bloodaxe, In the Lateness of the World (2020). The Country Between Us has sold tens of thousands of copies on the US, where it has never been out of print. It won the Poetry Society of America's Alice Fay di Castagnola Award, and was the Lamont Poetry Selection of the Academy of American Poets.

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Flash Cards is a primer of modern Chinese life, constructing a complex philosophical vision from swatches of daily events and observations. As Yu Jian has written about his own work: “It is possible to see eternity—to see everything—in a teacup or a sweet wrapper. Everything in the world is poetry.” An eighteen-year-old college girl walks to class on a spring morning rosy cheeks long legs inside a wool skirt only a small wild part revealed beautiful girl chest held high a cup of tea between her hands a book beneath her elbow crossing the flower garden looking straight ahead she is rushing to catch a philosophy class Yu Jian, born in 1954 in Kunming, China, is a poet, author, and documentary film director. He began writing poetry in the early 1970s, influenced both by classical Chinese poetry and modern Western writers such as Walt Whitman. Yu Jian is a major figure among the "Third Generation Poets” who came after the “Misty Poetry” movement of the early 1980s. Wang Ping’s books include two collections of poetry, The Magic Whip and Of Flesh & Spirit, and the cultural study Aching for Beauty: Footbinding in China. Her novel The Last Communist Virgin was winner of the 2008 Minnesota Book Award in the category of Novel & Short Story and the 2007 Book Award from the Association for Asian American Studies in the category of Poetry/Prose. Ron Padgett’s translations include Blaise Cendrars' Complete Poems, Guillaume Apollinaire's Poet Assassinated, and, with Bill Zavatsky, Valery Larbaud's Poems of A. O. Barnabooth. A chancellor of the Academy of American Poets, Padgett was named officer in the Order of Arts and Letters by the French government. In 2009 he received the Shelley Memorial Award from the Poetry Society of America.

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A magical picture book for Christmas, written in perfect, heartfelt rhyme by Julia Donaldson, bestselling creator of Zog and Superworm. "Magical . . . as well as paying tribute to tradition, the gentle rhythmic verse and stunning pictures illuminate the two other things close to Julia's heart: the power of children and song" Good Housekeeping Deep in a snowy wood stands a little pine tree with a special destiny: when it grows up, it's going to be the famous Christmas tree in Trafalgar Square! This is the perfect picture book to snuggle up with and share at Christmas. Gorgeous, atmospheric illustrations whisk you from frozen forests to the sparkling city square in a beautiful, moving story of festivity and hope. Julia Donaldson's perfect rhyme is a joy to read aloud. This is a classic to treasure for generations Victoria Sandøy's exquisite, atmospheric illustrations are full of gorgeous details to point out and share A paragraph on the final page of the book explains the true story behind the tree The Christmas Pine is based on a true story. It celebrates a special tradition that stretches back over seventy years. Every year, the Mayor of Oslo in Norway presents the British people with a spectacular Christmas tree. The tree is a symbol of peace and friendship, and a thank you for the UK's support during World War II. Each year, the UK Poetry Society asks a poet to write a poem to welcome the tree. Julia Donaldson originally wrote The Christmas Pine to celebrate the 2020 Christmas tree. The poem was performed by London schoolchildren, and displayed in Trafalgar Square. Julia Donaldson is the author of many of the best-loved children's books ever written. She has been awarded a CBE for services to literature, and is the most celebrated children's writer in Britain today. Many of Julia Donaldson's beloved picture books have been made into award-winning animated films which are regularly shown on the BBC at Christmas. Superworm animation will premiere on BBC Christmas 2021

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Poetry Book Society Recommended Translation Summer 2010Arc 'Visible Poets' translation series, no. 29My soul is like these threads of spider silk tensed criss-cross between two apple treesRooted in an ancient folk song tradition, Kristiina Ehin's poetry is both universal and deeply personal; her language is direct and simple, yet she expresses herself so vividly that her joys and sorrows become the reader's own. These poems, beautifully translated by Ilmar Lehtpere and selected from her most recent collection, were written over two years, beginning shortly before the birth of her son."Here is a generous, honest imagination: visceral, shamanistic and wise. Kristiina Ehin is a visionary poet with a discerning and distinctive voice, a voice resonant with genuine passion, close to the primordial world of spirts and myths, but also rooted in history and in contemporary life. There is a refreshing lightness and originality to her poems, which are nonetheless poignant. She is able to express strong emotions without being sentimental. Her work has truly haunted me; it has entered the deepest layer of my being with its rare combination of directness and subtle nuances, ancient traditions and modernity." Sujata Bhatt"Ehin's poems are deeply personal, but not in a way that excludes the reader: quite the opposite, they draw the reader in, so that Ehin's life feels like our own, a fascinating glimpse into a different, simpler life lived close to nature. Reading these poems is like a holiday of the best kind: eye-opening, relaxing and different. Ehin's work is rooted in Estonian folk tradition, and music permeates both the forms and the language. I particularly relished her poems about parenthood, for their beauty and tenderness."StrideKristiina Ehin was born in Rapla, Estonia in 1977. She received an M. A. in Comparative and Estonian Folklore from Tartu University in 2004. She has published five volumes of poetry in her native Estonia and has won a number of prizes there, including Estonia's most prestigious poetry prize for her fourth volume, written during a year spent as a nature reserve warden on an uninhabited island off Estonia's north coast. She has also published a book of short stories and has written a play as well. The Drums of Silence (Oleander Press, 2007), a volume of her selected poems in English translation, was awarded the Poetry Society Corneliu M. Popescu Prize for European Poetry in Translation in 2007. Her other books in English translation are Põletades pimedust – Burning the Darkness – An Dorchadas á Dhó (trilingual Estonian-English-Irish selected poems, Coiscéim, 2009), A Priceless Nest (short stories, Oleander Press, 2009), Päevaseiskaja – South-Estonian Fairy Tales (Huma, 2009) and Noorkuuhommik – New Moon Morning (selected poems, Huma, 2007). She is often invited to take part in international arts and literary festivals and her work, poetry and prose, appears regularly in English translation in leading Irish and British literary journals. Her work has been translated into twelve languages. Kristiina's reading at the Ledbury Poetry Festival (July 2010) was one of the highlights of the Festival.Ilmar Lehtpere had a bilingual upbringing in Estonian and English. He is the translator of Kristiina Ehin's The Drums of Silence (Oleander Press, 2007), which was awarded the Poetry Society Corneliu M. Popescu Prize for European Poetry in Translation. He has also translated her play, A Life Without Feathers, and has already started working on her next collection of poems in English. His own poetry has appeared in Estonian and Irish literary journals.Sujata Bhatt was born in Ahmedabad, India, and grew up in Pune, India and in the United States. To date, she has published seven collections of poetry with Carcanet Press. The recipient of numerous awards, such as the Commonwealth Poetry Prize (Asia), and the Cholmondeley Award, her latest collection, Pure Lizard, was short-listed for the Forward Poetry Prize and received the German Literature Award, Das neue Buch, in 2008. She has translated poetry from Gujarati and German into English. Her work has been widely anthologised, broadcast on radio and television, and has been translated into more than twenty languages. She is a frequent guest at literary festivals throughout the world. Currently, she lives in Germany with her family.

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Written by 100 American poets, Isn't It Romantic offers an engaging look at how contemporary poets respond afresh to the well-trammeled territory of the love poem. Award-winning poets from across the country lend their voices to this important document of contemporary poetry. The book also features a bonus full-length audio CD of love songs by independent recording artists. Anthology Contributors include: Karen Volkman, Joe Wenderoth, Eleni Sikelianos, Juliana Spahr, Brenda Shaughnessy, Matthew Rohrer, Claudia Rankine, D.A. Powell, Hoa Nguyen, Noelle Kocot, Lisa Jarnot, Kevin Young, Brian Henry, Christine Hume, Matthea Harvey, Arielle Greenberg, Thalia Field, Thomas Sayers Ellis, Timothy Donnelly, Olena Kalytiak Davis, Stephen Burt, Joshua Beckman, and more. Contributors to the audio CD include: David Berman, Richard Buckner, Vic Chesnutt, Ida, Doug Martsch, Mark Mulcahy, Megan Reiley, Jenny Toomey and more. Editor Brett Fletcher Lauer is the poetry in motion director at the Poetry Society of America and poetry editor of CROWD Magazine. He is the co-editor of Poetry In Motion from Coast to Coast (W. W. Norton, 2002) and his poems have appeared in BOMB, Boston Review, and elsewhere. He lives in Brooklyn. Editor Aimee Kelley is the editor and publisher of CROWD Magazine. She received her BA in English from UC Berkeley and her MFA from the New School for Social Research. She has worked at non-profit organizations such as the Council of Literary Magazines & Presses and the Academy of American Poets. Her poems have appeared in Denver Quarterly, Spinning Jenny, 811 Books and elsewhere. Charles Simic (Introduction) is the author of many books of poems, including The World Doesn't End, winner of the 1990 Pulitzer Prize. He teaches writing at the University of New Hampshire.

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Bad Judgment is Cathleen Calbert's second collection of poems. Calbert offers feminist fables appropriate to the millennium: tales of when the world lost meaning, of falling in love in an age of indeterminacy. Her sense of comic absurdity is uncanny: in one poem, the speaker attends a costume party as a dead debutante; in another, facile positivism is shredded by satire.In poems that balance realistic and surrealistic narratives, irony and sentiment, Calbert records the journey of a woman reeling from a number of losses-her youth, the death of a close friend, religious faith-toward love and marriage. These poems speak directly of and from the self, and in so doing echo Whitman's conversational grace. Calbert writes an updated feminist song of herself, a song that celebrates the pleasure of being the modern "woman as wild card, as other/than wife, mother, lover, friend," the woman who delights in forging herself with wit and wisdom.The title poem, "Bad Judgment," shows how the little lies we tell ourselves and others can create lives of bad faith, and as much as she would like to be consoled for her losses, reassured about the permanence of her recompenses, Calbert does not seek the easy balm of dogma. Instead of grace or God, per se, she suggests, we have perspective. And Calbert shows that we are blessed, in our quest for simplifying principles, to discover the exceptional.Cathleen Calbert is the author of one previous collection of poetry, Lessons in Space, published by the University Press of Florida in 1997. She was a recipient of The Nation Discovery Prize in 1991, the Gordon Barber Memorial Award of The Poetry Society of America in 1994, and a writing fellowship from The Rhode Island State Council for the Arts in 1995. Her poems have appeared in The Best American Poetry 1995, Feminist Studies, The Hudson Review, The Paris Review, Ploughshares, Poetry Northwest, TriQuarterly, and elsewhere. She lives in Providence, Rhode Island, where she is an Associate Professor at Rhode Island College."Between 'Don't try anything!' and 'She'll try anything!' fall (or rise: depending on her mood) Cathy Calbert's startling new poems, so cool, so speculative, so disabused, so warm. Our colloquial

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A magical picture book for Christmas, now available with an audio CD complete with story, brand-new song and three much-loved Christmas carols. "Magical . . . as well as paying tribute to tradition, the gentle rhythmic verse and stunning pictures illuminate the two other things close to Julia's heart: the power of children and song" Good Housekeeping Deep in a snowy wood stands a little pine tree with a special destiny: when it grows up, it's going to be the famous Christmas tree in Trafalgar Square! This is the perfect picture book to snuggle up with and share at Christmas. Gorgeous, atmospheric illustrations whisk you from frozen forests to the sparkling city square in a beautiful, moving story of festivity and hope. This gorgeous paperback book comes with an audio CD, making it the perfect Christmas gift for young children Julia Donaldson's perfect rhyme is a joy to listen to Introducing Amelie Young, a bright new singing talent and Julia Donaldson's great-niece, singing The Christmas Pine Song, Jingle Bells, Deck The Halls and O, Christmas Tree This is a classic to treasure for generations Victoria Sandøy's exquisite, atmospheric illustrations are full of gorgeous details to point out and share A paragraph on the final page of the book explains the true story behind the tree The Christmas Pine is based on a true story. It celebrates a special tradition that stretches back over seventy years. Every year, the Mayor of Oslo in Norway presents the British people with a spectacular Christmas tree. The tree is a symbol of peace and friendship, and a thank you for the UK's support during World War II. Each year, the UK Poetry Society asks a poet to write a poem to welcome the tree. Julia Donaldson originally wrote The Christmas Pine to celebrate the 2020 Christmas tree. The poem was performed by London schoolchildren, and displayed in Trafalgar Square. Julia Donaldson is the author of many of the best-loved children's books ever written. She has been awarded a CBE for services to literature, and is the most celebrated children's writer in Britain today. Many of Julia Donaldson's beloved picture books have been made into award-winning animated films which are regularly shown on the BBC at Christmas.

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A magical book for Christmas, written in perfect, heartfelt rhyme by Julia Donaldson, bestselling creator of Zog and Superworm - now as a chunky board book! "Magical . . . as well as paying tribute to tradition, the gentle rhythmic verse and stunning pictures illuminate the two other things close to Julia's heart: the power of children and song" Good Housekeeping Deep in a snowy wood stands a little pine tree with a special destiny: when it grows up, it's going to be the famous Christmas tree in Trafalgar Square! This is the perfect picture book to snuggle up with and share at Christmas. Gorgeous, atmospheric illustrations whisk you from frozen forests to the sparkling city square in a beautiful, moving story of festivity and hope. This gorgeously illustrated board book is perfect for little ones to enjoy! Julia Donaldson's perfect rhyme is a joy to read aloud. This is a classic to treasure for generations Victoria Sandøy's exquisite, atmospheric illustrations are full of gorgeous details to point out and share A paragraph on the back of the book explains the true story behind the tree The Christmas Pine is based on a true story. It celebrates a special tradition that stretches back over seventy years. Every year, the Mayor of Oslo in Norway presents the British people with a spectacular Christmas tree. The tree is a symbol of peace and friendship, and a thank you for the UK's support during World War II. Each year, the UK Poetry Society asks a poet to write a poem to welcome the tree. Julia Donaldson originally wrote The Christmas Pine to celebrate the 2020 Christmas tree. The poem was performed by London schoolchildren, and displayed in Trafalgar Square. Julia Donaldson is the author of many of the best-loved children's books ever written. She has been awarded a CBE for services to literature, and is the most celebrated children's writer in Britain today. Many of Julia Donaldson's beloved picture books have been made into award-winning animated films which are regularly shown on the BBC at Christmas. Superworm animation will premiere on BBC Christmas 2021

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Read three sample poems for free - just click the Extracts tab above.Andrew Frolish's debut collection, Retellings, finds its foundation in the stories we tell of love and loss, of the stories passed on to us and those narratives of life we write ourselves. Fathers and forbears loom large in poems that find them working long and unforgiving hours on the factory shop-floor, bringing wild animals in from the cold, and notable both by their presence and absence in Frolish's poignant and measured poetry.Moving between East Anglia's stretching seascapes, childhood's sometimes lonely landscapes and the wider world we venture into as we grow, each poem by Andrew Frolish unearths a story like a treasure find and brings it, clear-eyed and succinct, into a razor-sharp focus."This first collection brims with the hidden pressures of history. Poems range widely, from rural and industrial tradition, through a lovely sequence of stone-skimming, to that mysterious exchange of energy between what is said and unsaid. Boundaries are pushed back, levitation is underwater. And Andrew Frolish knows too, how to let simplicity fall, like a blessing."Pauline Stainer"Andrew Frolish s first book is in thrall to the physical world. There are factories where things and people are transformed; hospitals, crematoria, places in which the human creature is reduced and rendered. And there is the world of nature, rich, treacherous, full of surprises. Mechanical and organic metaphors wrestle with one another like Jacob and the Angel. And the imagination moves through this world aware of its incarnate being, its skin and sinew, in love, in awe, lamenting, celebrating. Time passing is registered in the extended rhythms of Frolish's resourceful and evocative language."Michael SchmidtAndrew Frolish was born in Sheffield in 1975. After studying politics at Lancaster University, he trained to be a teacher in the Lake District. His poems have been published in a variety of magazines, including PN Review, Acumen, Envoi, Tears in the Fence, The Interpreter's House, Pulsar, Iota, Orbis and The Agenda Broadsheet. He has received prizes in several competitions and won the Suffolk Poetry Society Crabbe Memorial competition in 2006.His poems for children have been published by Hopscotch. He now lives with his family in Suffolk, where he is a headteacher.

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