Search results for ""pimpernel press ltd""

First published as Beth Chatto's Woodland Garden by Cassell in 2002, this Pimpernel Classic edition includes a new afterword by David Ward, Garden and Nursery Director at Beth Chatto's Garden and a new introduction by Beth Chatto. ‘Most gardens have dark areas – a north-facing border, an area shaded by a hedge, fence or house wall, a bed in the shade cast by shrubs or trees with greedy roots – and for many gardeners these are a challenge, and often a trial. Fortunately there are plants adapted by Nature to a vast range of conditions and, by choosing suitable plants, we can transform almost any problem site into something beautiful.’ In this book legendary plantswoman Beth Chatto shows how the problem of shade in a garden can be turned to advantage. She tells how she transformed a dark, derelict site into a woodland garden that is tranquil and serene yet full of life and interest in every season. She describes, too, a wealth of plants that will thrive in shady beds and borders and on walls.

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"I'm so glad that a new edition is coming! A wonderful, inspirational and essential book for Christie-lovers." Lucy Worsley, author of Agatha Christie: A Very Elusive Woman (Hodder & Stoughton, 2022) ‘My dear home, my nest, my house’: these words from a 1958 song by Jules Bruyère, with which Agatha Christie opened her autobiography, sum up the importance of home to her. She also wrote: ‘What I liked playing with as a child I have liked playing with later in life. Houses for instance.’ She also lovingly included descriptions of houses (especially ‘her’ houses) in her books. Hilary Macaskill examines the houses that meant most to Agatha Christie, including her childhood home, Ashfield, in Torquay; Winterbrook in Oxfordshire, and, above all, Greenway, soaring above the River Dart and Agatha’s favourite home from 1938 to the end of her life in 1976 (though requisitioned in the Second World War by the Admiralty, and from 1943 to 1945 home also to the United States Coast Guard). The author also explores more temporary abodes, not only a succession of flats and houses in London (mainly in Kensington and Chelsea) but also the homes she set up at the digs in the Middle East that she travelled to with her archaeologist husband, Max Mallowan, and the hotels – notably the Moorland Hotel on Dartmoor, to which she adjourned in the grip of writer’s block to complete her first detective novel, The Mysterious Affair at Styles, and the Burgh Island Hotel, a major inspiration for And Then There Were None and Evil Under the Sun.

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Most gardens do not have smooth, flat lawns and borders of rich, easily dug soil. We have to put up with damp, sunless corridors between houses, awkward slopes or plots shaded by trees or neighbouring buildings. Equally difficult to plant are seaside gardens exposed to gale-force winds and salt spray; waterlogged plots, where the drainage is poor; and dry ground exposed to the glare of the sun day after day, without the slightest shade. In short, few gardens benefit from perfect conditions. What you need for these sites are tough plants that will not only shrug off all the worst conditions in your garden but will actually thrive in them. Tough Plants for Tough Places includes a directory of nearly 100 plants that are practically invincible in the specific hostile conditions they have evolved to cope with.

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Virginia Woolf, figurehead of the Bloomsbury Group and an innovative writer whose experimental style and lyrical prose ensured her position as one of the most influential of modern novelists, was also firmly anchored in the reality of the houses she lived in and those she visited regularly. Detailed and evocative accounts appear in her letters and diaries, as well as in her fiction, where they appear as backdrops or provide direct inspiration. Hilary Macaskill examines the houses that meant the most to Woolf, including: 22 Hyde Park Gate, London – where Virginia Woolf was born in 1882 Talland House, St Ives, Cornwall – the summer home of Virginia’s family until 1895 46 Gordon Square, Bloomsbury, London – the birthplace of the Bloomsbury Group – Virginia lived here from 1904 to 1912 Hogarth House, Richmond, London – where the newly married Woolfs set up home and founded the Hogarth Press Asheham House, East Sussex – the summer home of the Woolfs, 1912-1919 52 Tavistock Square, London – a return to Bloomsbury, the heart of London Monk’s House, Rodmell, East Sussex – where Virginia lived from 1919 until her death in 1941

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In Setting the Scene leading garden designer George Carter describes his own work over the past thirty years and puts it in the context of the teachings of the great eighteenth-century landscaper Humphry Repton. The result is a series of pithy lesson that will be invaluable to any garden designer, or garden owner. Rich in both inspiring ideas and practical advice, Setting the Scene shows how successful gardens are designed and made. Following the pattern set by Repton in his revered Red Books, Carter takes us through the process in meticulous detail, leading us from the initial site plan to the glory of the finished garden, and illustrating each chapter with photographs and plans of gardens from his own portfolio, ranging from small urban gardens to large country estates, the world over.

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In the pieces brought together in Writing Home, Polly Devlin OBE, most bewitching of writers, covers subjects that range over her whole life and thought. She writes about places: about her childhood deep in the countryside of Northern Ireland (where, in the late 1950s, the first electricity poles looked ‘literally out of place’); her sudden transition, at the age of twenty-one, to Swinging Sixties London, where she worked for Vogue and became very much part of the scene (although – ‘it’s like being a provincial at Versailles’), on to New York, back to London, then to the English countryside, and to Paris, Venice, the world over – and always back to Ireland, London and New York. She writes about the people she has known, among them Bob Dylan, John Lennon, Yoko Ono, Mick Jagger, Peggy Guggenheim, Diana Vreeland (‘as fantastical as a unicorn’), Jean Shrimpton (‘she looks as though she sleeps in cathedral pews and sucks artichoke hearts for sustenance’), Princess Margaret (who came to dinner and did the washing up, ‘which I gabbled she didn’t need to – she looked at me frostily and the royal hands went back into the Fairy Liquid’). And she writes about the issues that have preoccupied her: about emigration, feminism (‘I grew up in a society where men were fundamental and women were secondary’), reading, writing, collecting, shopping, houses, dogs, rooks, hares, dreams, friendship and the kindness of strangers; about daughters and mothers; and about wishes . . .

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Leading landscape architect Kim Wilkie is revered for his unusual vision and his acute grasp of how people have moulded their environment over the centuries. This updated version of his classic book, Led by the Land, has been expanded to include fresh thoughts on farming and settlement and new projects, both huge and intimate, from the designs for new cities in Oman and England to the Swansea Maggie's Centre, and from plans for London's Natural History Museum grounds to the sculptural setting of a furniture factory in Leamington Spa. Wilkie has taken his genius to many parts of the world - including the United States, Chile, Russia, Transylvania, Italy, the Middle East, the very edge of the Arctic Circle, as well as the British Isles - but to each undertaking he brings the same approach of reverence for the land and the creatures that inhabit it. He does not impose his inspiration on it but interacts with it. He allows the land to lead him. Led by the Land ruminates on our species' place in the environment, the way past masters have fashioned it and the hopes for our future fruitful connections and offers not only a rich account of an unusual talent, but also an optimistic vision for our future.

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Winner of the Inspirational Book of the Year, Garden Media Guild Awards Ambra Edwards and Charlie Hopkinson explore, in words and pictures, the lives, visions and achievements of fourteen very different head gardeners. "Ambra Edwards's fascinating interviews show what diversity there is in British gardens. It's a book about people and how they tick - people who happen to be gardeners." - The Times "An informative and eye-opening delight." - Philippa Stockley, Country Life “The author, well-known for her sparky writing style and broad hinterland of interests, has interviewed 14 head gardeners in search of some answers, teaming up with the highly empathetic and skilled photographer Charlie Hopkinson to produce this visually appealing and revealing book about some remarkable people in horticulture… Nor is it hard to argue with her view that gardeners are undervalued by society, in status and reward. Let’s hope this brilliant book goes some way to redressing that.” - Ursula Buchan, The Garden

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In Freestyle Embroidery on Wool you will learn how to kickstart your creativity and become confident at making your own colourful and expressive designs using appliqué and embroidery on felted wool fabric. Using her own detailed and imaginative embroidery as examples Karin Derland teaches you how to go about creating your own designs using appliqué and embroidery on wool felt. Karin shares plenty of instruction and helpful tips on making colour choices, how to apply ribbons, mirrors and other accessories, making and using cardboard templates for appliqué shapes and how to combine different types of threads and stitches for best effect. Sketches, diagrams and detailed photographs of different types of embroidered pillows, cushions, cases and other items will give you a head start on creating and applying your own designs. The book also offers plenty of inspirational images through Karin's colourful embroidery that draws on both the Swedish and Indian traditions. These can be used as an inspirational library of ideas when creating your own work. How simple or complex a piece becomes is up to you and your own level of experience and personal choice. Although the emphasis is on developing your own expressive embroidery, some step-by-step projects are included to help build confidence before launching out on your own. This is wool appliqué embroidery at its best - free, beautiful and generous. A note on materials: The author recommends using kläde and vadmal, which are both types of Swedish 100% wool fabric of varying weight. They are made from woven fabric that has an even surface and processed so there is no visible weave. A good equivalent in the UK is a felted wool fabric such as Melton wool. Hobby felt containing polyester is not suitable.

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In late seventeenth century London two women, one white, one black, stake everything to prevent a manipulative mogul destroying them. Zenobia, born in poverty, grasps that her only hope of controlling her own life is to capitalise on her looks; Lily, brought to London on a sugar and slave ship as a ‘toy’, educated alongside her mistress but used by her master, lives as a kept woman. As their story weaves and folds through a murky and merciless London, both find themselves pitted against a ruthless man the world knows as John Crace. London's rich but festering possibilities as a rapidly-changing multinational city are breathtakingly painted, and pungent milieux ranging from plague pits to prisons to pastry kitchens – and Pickled Herring Stairs - are vividly brought to life.

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Artist and award-winning writer Philippa Stockley has designed, made and painted since childhood. Years as an impoverished painter made being frugal, ecological, and always recycling second nature. After buying a derelict small house, decorating it on a tight budget was top of the list. Stockley paints, sews, saws, cooks and mends. In Paint & Make she shares how she paints murals, floor coverings, panels and faux-effects, and makes soft furnishings, useful and decorative small shelves, organic polish, and home-made treats. With more than 300 original photos and drawings by the author, this beautiful and practical book shows you how to do the same. Where possible choose natural materials and reject needless plastics, aggressive chemicals, and waste. Making things yourself saves money, gives a unique result, and is satisfying and enriching. Careful use of precious natural resources is something to be proud of. Stockley shares projects from her own home to inspire you to create something unique and special in yours — without breaking the bank.

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Voted ‘The Nation’s Favourite Garden’ in 2019 by garden visitors in conjunction with English Garden magazine and the National Gardens Scheme, featured in the 2022 Channel 5 series on ‘Great British Gardens’, and described by Country Life as a ‘Symphony of colour where flamingos mix with flowers’, the garden at Coton Manor, in Northamptonshire, is a dream and a joy – and the passion of owner and hands-on gardener Susie Pasley-Tyler. In this book, Susie Pasley-Tyler charts how her love of gardening was born at Coton and imparts what she has learned over the past thirty years of developing its many and varied sites, the discoveries that have come to her, the mistakes she has made (and how they were repaired), and above all the sheer delight to be gained from gardening. Andrew Lawson, pre-eminent garden photographer and colour guru, says, ‘Susie Pasley-Tyler’s passion for her garden is infectious. Perhaps there should be a health warning that this book will make you want to follow her example, and think again about your own garden.’ Experienced and novice gardeners alike will be encouraged and enlightened by Susie Pasley-Tyler’s account of being at the helm of one of the finest gardens in England.

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Beginning in the 1960s, John Brookes MBE (1933–2018) revolutionized garden design, with a new design philosophy and methodology that was rooted in the notion that gardens are about the people who live in them. Recognizing the demands of the contemporary lifestyle, he broke with previous labour-intensive garden design traditions and the emphasis on showcasing plants. Instead he promoted using gardens as extensions of the home. He introduced this notion in his 1969 book, A Room Outside, which also contained practical advice on materials, methodology, and planting. His approach was unprecedented and included the then-novel idea that people of all income levels could have designed, fashionable gardens tailored to their needs, low-maintenance, and beautiful. John taught and lectured around the world and, thanks to his energetic writing, teaching and media appearances, he became regarded as the ‘king’ and ‘godfather’ of garden and landscape design. How to Design a Garden is an informative and ultimately practical collection of his thoughts and advice selected from countless writings and lectures given to students, professionals and the public around the world. In addition to his teaching on how to design a garden, the book has two key themes – environmental sustainability and a focus on the local vernacular. They show how far ahead he was of his time and to what a great extent his teaching remains relevant to garden-makers today.

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Whether you are a beginner or more experienced, any stitching project, no matter how simple, can be enhanced by a well-chosen colour palette, however, many people are nervous or even scared of colour. Textile designer Karen Barbé regularly teaches embroidery workshops and knows first-hand the fears and frustrations of beginners - as well as accomplished crafters - when starting a new project. Karen makes choosing and creating colour palettes a fun and enjoyable part of the design process. Colour Confident Stitching is divided into three parts: Understanding Colour; Feeling Colour and Stitching with Colour. The first two sections guide the reader through colour theory as well as choosing and using colour more instinctively. Stitching with Colour includes five stiching projects that will encourage the reader to explore colour and build confidence through exercise and experiment. All colours are referenced to DMC floss colours. Inspirational photographs are accompanied by stitching illustrations and step-by-step photographs for the colour choosing process as well as stitching projects.

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The Sunday Times Gardening Book of the Year 2019 In Scent Magic, a book which is at once romantic and extremely practical, plantswoman, designer and garden-maker extraordinaire Isabel Bannerman immerses the reader in the luscious smells of the fragrant garden through a warmly written account of her year’s gardening; and combines this with an encyclopaedic reference work of the best aromatic plants to grow throughout the seasons. Whether evoking the freshly baked sponge smell emanating from wisteria, describing ‘Stanwell Perpetual’ as "the kind of rose that would taste of apricot and raspberries swirled together", or championing the magic of the Himalayan cowslip, "scented profoundly and deliciously like the dark vault of a Damascus spice merchant’" the glorious poetry of her descriptions is here joined with personal memories and a lifetime’s experience of gardening and plant cultivation.

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Julia Kay’s Portrait Party is an international collaborative project in which artists all over the world make portraits of each other and share them online. After years of exchanging portraits, tips and techniques within the group, in Portrait Revolution these artists are now sharing their art, their words, and their inspiration with everyone who is interested in or would like to get started with portraiture. Here you can find information on using different media, how to handle difficult portrait issues, and more. Portrait Revolution showcases 450 portraits by 200 artists, in a wide variety of media from oil painting to iPad art, watercolour to ballpoint, linocut to mosaic. There are a range of styles from realistic to abstract and interpretations by multiple artists of the same subject.

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A facsimile edition of the ‘little anthology’ of favourite poems compiled and illustrated by Rex Whistler in 1923. This is a personal collection, hand-written and embellished, by a young artist who had recently discovered poetry. Rex Whistler was just eighteen and in his first year at the Slade when he began to compile it, using an ordinary ruled exercise book to keep his handwriting straight. The poems are well known and well loved, the watercolours are enchanting. Every page shows Rex Whistler’s new-found delight in verse of a romantic kind: Keats, Marvell, de la Mare, Emily Dickinson, Shelley, Tennyson, Gray, Edith Sitwell and others. But, though serious about the poems, he could not, being Rex Whistler, deny himself flippancy on a title page, or in a pencilled comment added to Keats’ woebegone knight-at-arms. Whistler made this earliest of all his illustrated books for his own pleasure. It was first published, in an abbreviated edition, in 1981, almost sixty years after Whistler compiled it, and has long been out of print. This splendid new edition, an exact facsimile of the original, is alive with the youthful pleasure that first inspired the brightly coloured fantasies of 1923. A separate booklet includes Laurence Whistler's afterword to the 1981 edition, a new introduction by Hugh and Mirabel Cecil, and a note from the publishers describing the process of producing the facsimile.

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You step out of the back door into the garden. There may be a few birds flitting around, perhaps butterflies or bumblebees on the wing, but often the garden can seem very still. However, if you look beyond the superficial inactivity there is an ecological web of wildlife to explore, to understand and then to encourage more biodiversity. The Science of Garden Biodiversity: The Living Garden shows how data and science can help to dispel myths, such as that wildlife gardens are great for wildlife (and other gardens aren’t), that a garden fit for wildlife must be ‘wild’ and that you must grow native plants. It also provides an understanding of how diverse life can be in gardens and how gardens work. And along the way there are scientific ‘signposts’ to better wildlife gardening. Julian Doberski explains the role of 'small things' - microorganisms and invertebrates - that are fundamental to the ecological functioning of gardens. Learning more about the ecology of a garden helps us understand what makes a garden a refuge for wildlife and how following the science may lead to a more thoughtful and constructive approach to gardening, garden design and garden planting.

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Griselda Kerr has drawn on over 20 years of gardening knowledge and experience to create the book that she wishes she had had access to when, as a complete beginner, she started to revive the “dismal looking” plants in her garden - an indispensable, practical guide to how and when to look after more than 700 garden plants. No coffee table book this, it is designed for constant quick reference, to be used, perhaps as a stand-in for a knowledgeable friend, for advice on specific plants. Look up each plant in a specially formatted index spread across the year and a page reference will take you to a short, clearly written entry on what to do in a particular month - whether to clip, deadhead or divide, cut right down, feed, mulch or leave well alone. Each of these gardening techniques is also explained in a comprehensive glossary The Apprehensive Gardener is an attractive, durable, easy-to-use guide to plant care which will be referred to over and over again and will stand the test of time.

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Dogs have been at the heart of Country Life magazine ever since it was first published in 1897. The very first issue on January 8 featured the Princess of Wales with her borzoi, Alex. The second issue, a week later, went behind the scenes of the Prince of Wales’s kennels. Since then every type, from working dogs to pampered pets and champion pedigrees to mixed breeds have been included. There is no doubt that dogs, whatever shape or size, are at the heart of British country life. Posh Dogs features a selection of canines that have graced the pages of Country Life magazine from those early years to the present day. They have been chosen to select different facets of country life and whether ‘upstairs’ and ‘downstairs’ they are all equal in their owner’s eyes. Posh Dogs celebrates dogs in their element amidst the timeless beauty of the British countryside. The dogs of Downton Abbey garnered as many fans as the cast. The dogs featured in Posh Dogs are the real life incarnations of the Earl of Grantham's beloved labrador and all the other dogs of Downton. This is a must-have gift book for all dog lovers.

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Sara Ward has transformed her Victorian terraced house in London into an urban smallholding, 'Hen Corner'. Sara passionately believes that it’s possible to combine the benefits of urban living with some of the qualities associated with the country living dream: spending time with nature, producing and making our own food, sustainability and community, and in Living the Good Life in the City she shares some of the ways she and her family have brought city and country together, and shows that you, too, can make a difference to how you live and the food you eat. Divided into sections covering Make, Grow, Preserve, Keep, and Celebrate, Living the Good Life in the City is packed full of recipes, stories, tips and tricks including baking bread, making your own jam, pasta, sausages and cheese, keeping bees and livestock, preserving, foraging, harvesting and celebrating with food. Make explores our power and responsibilities as consumers and encourages us to start making food from scratch. In Grow – whether in a window box or allotment – Sara shares her experience of how to grow your own ingredients for the family table whilst Preserve is how to process your harvest to enjoy it all year round. In Keep Sara explores options for keeping chickens, bees and larger livestock, sharing the joys and responsibilities that come with that. Celebrate is about marking the highlights of the year with delicious recipes for family and friends. Finally, Inform brings together Sara’s best resources to inspire the reader to bring ideas into fruition.

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User-friendly and highly accessible, this is a practical, fully illustrated and inspiring guide to indoor gardening by self-taught plant enthusiast Jade Murray. Here you will find invaluable tips and advice for choosing, caring for and propagating houseplants. Having limited space is no barrier to indoor gardening. Many of these plants are perfect for small homes and space-saving ideas abound – eg vertical arrangements – whether hanging in a basket, bunched on a shelf, on a window sill or grouped on a ladder. Chapters include: the easiest houseplants to grow for complete beginners (including Chinese Money Plants and Dragon Trees) the best ‘diva’ plants for creating drama and conversation pieces (including String of Dolphins and Elephant Ear) air-purifying plants (from ferns and lilies to the Fiddle Leaf Fig) humidity-loving plants (including the Lipstick Plant and Asparagus Ferns) heat-resistant indoor plants (cacti and succulents) plants to help with pests (including Venus Fly Trap and Trumpet Pitcher) Throughout the book you will find: advice on where to best position plants in the home ideas for how to display them to best advantage, including vertical arrangements tips on soil mix, watering, feeding and trouble-shooting step-by-step photographs for plant propagation an at-a-glance summary of Jade’s ‘golden rules’ for success Jade firmly believes that plants can be restorative and therapeutic – a positive asset in any home or office. Her advice and enthusiasm shine on every page of this book – as do her glorious photographs.

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First published in 1942 (and retailing at 1s 6d) in response to the growing use of factory-made foods and essences, Wild Berries, Fruits, Nuts & Flowers demonstrated how tasty dishes could be made using the wild fruits and flowers of the countryside. Today there is a growing interest in foraging. People have become more connected with nature and are heading into the countryside and collecting edible plants, mushrooms and fruits. This is combined with an increasing desire to eat local seasonal produce in the interests of sustainability. This timely reissue of a classic of its kind is the perfect gift for the modern forager. It features 101 recipes for using wild berries, fruits, nuts, flowers, mushrooms and seaweed. Nothing is known about the original author, but this edition has a foreword by Barbara Segall, who suggested republishing this book.

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