Search results for ""mcfarland""

When "talking" pictures first appeared in cinema theaters in the late 1920s, representations of newspaper journalists quickly became a Hollywood mainstay, resulting in a variety of responses from working reporters, editors, and photographers. The newspaper film was a popular genre in the 1950s, and famous films such as All the President's Men (1976) and Spotlight (2015) have brought the power of the press to life since then. Journalists have also been portrayed in films that aren't specifically about newspapers, appearing in noir films like Woman on the Run (1950), westerns such as Fort Worth (1951), comedies like The Ghost and Mr. Chicken (1966), musicals like Wake Up and Live (1937) and historical epics like Lawrence of Arabia (1962). A film historian and former newspaper writer, the author investigates how accurately films have portrayed journalists across the decades. The book also details what journalists thought of the depictions at the time, contributing to brief histories and analyses for each film. Featured journalist archetypes include airy reporters, screaming editors, photographers, sportswriters and war journalists. Classics, misfires, westerns, obscure treasures and films the press both adored and detested are all included in this comprehensive filmography.

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Gregory Cagle was a 10 year-old car fanatic when his family moved from New Jersey to Germany in 1956. For the next five years he photographed unusual, rare and sometimes bizarre automobiles throughout Europe. This book features 105 specimens of auto exotica, captured with Cagle's Iloca Rapid-B 35mm camera—not showpieces in museums but daily drivers in their natural habitats. In the background can be glimpsed, here and there, the mood of postwar Europe. The story behind each photo is told, with dates and locations, information and history about the cars and some of their owners, along with Cagle's personal anecdotes.

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Americans began chewing gum long before 1850, scraping resin from spruce trees, removing any bits of bark or insects and chewing the finished product. Commercially-made gum was of limited availability and came in three types--tree resin, pretroleum-based paraffin and chicle-based--the latter, a natural latex, ultimately eclipsing its rivals by 1920. Once considered a women-only bad habit, chewing gum grew in popularity and was indulged in by all segments of society. The gum industry tried vigorously to export the habit, but it proved uniquely American and would not stick abroad.This book examines the chewing gum industry in America from 1850 to 1920, the rise and spread of gum chewing and the reactions--almost uniformly negative--to the habit from editorial writers, reformers, religious figures, employers and the courts. The age-old problem of what to do with chewed gum--some saved it in lockets around their neck; some shared it with friends--is also covered.

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Ken Follett: The Triumph of a Popular Writer is an investigation of the craft of writing, the negotiation of serious and popular literary concerns, and the artistic development of an author who wrote his first international bestseller, Eye of the Needle, when he was twenty-five years old. Follett has since been one of the most consistent international best-selling authors, with approximately 130 million copies of his books sold worldwide. Through the blending of different genres, his influence on the thriller form has been manifold and includes the pioneering use of strong female characters in espionage stories and the development of a new kind of novel - the historical thriller, as exemplified by a recent work such as Winter of the World (2012). While tracing his artistic development from his earliest attempts at short stories and screenplays through his mature thrillers and entertainment fiction, Ken Follett: The Triumph of a Popular Writer makes significant use of unpublished primary source materials, including Follett's business and personal correspondence, notes, unpublished early drafts, journal entries and outlines and concludes that Follett's dramatic shift to writing historical fiction may have resulted in his most enduring legacy.

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In this extensively revised and enlarged edition of a work first published in 1994, many of the entries have been expanded or entirely rewritten, and the entries have increased in number from 2,000 to more than 2,500. Each placename's entry identifies the country and, in most cases, geographical location within the country. An account of the name's origin and meaning follows, along with appropriate historical, topographical, and biological references. Cross references provide former names, alternate spellings, and alternate forms of current names. A new introduction comprises a geographical summary, a chronological survey of the exploration and colonization of Africa, and an overview of African languages.

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Kafka's Architectures is just as much about Kafka as it is about Architecture, on the one hand, adopting Kafka as a lens to examine modern conceptions in architecture, while on the other, using architecture to pry open new interpretations in Kafka scholarship. The book is composed of eight chapters, each taking up an architectural condition to explore meanings central to both literature and architecture, during and after Kafka's time. We learn, for instance, that while the stairs continues to function as vertical circulation, in Kafka's hands it becomes an instrument of science, testing the merit of natural selection. Doors similarly open and close less to allow access but to find the right alchemy of air between one psychological interior and the next. Notions of plumbing and hygiene, while already part and parcel of modern living, now begin to acquire a new meaning that wasn't there before. An architect like Mies van der Rohe suddenly begins to make more sense, especially his tabula rasa approach to design, signifying less a harsh disdain for site and more a response to a reality in which the ceremony of the stairs had died and was replaced by the pervasive flatness of the modern floor.

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Connecting the classical world and the Renaissance, the Middle Ages stand alone as a remarkable period for religion, politics, science and art. This biographical dictionary provides insight into the men and women great and small who distinguished this era of both beauty and barbarism, and who provided its advances and its peculiar and sometimes violent sidetracks. Entries are alphabetical; the scope is from the fifth century to the fifteenth. Each entry, giving an array of names and alternate names for the person, includes both personal and historical details. References are included with each entry, and a detailed bibliography accompanies the whole. Appendices cover the colleges and universities that educated many of the people, and the period's noteworthy events, major monasteries, abbeys and convents and their founders and dates, individuals listed by occupation or contribution, and popes, emperors and monarchs. Fully indexed.

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The Video Games Guide is the world's most comprehensive reference book on computer and video games. Presented in an A to Z format, The Video Games Guide spans fifty years of game design--from the very earliest (1962's 'Spacewar') through the present day releases on the PlayStation3, Xbox360, Wii and PC. Each game entry lists the year of release, the hardware it was released on, the name of the developer/publisher, a one to five star rating, and an informative review of the game itself. These reviews are written by gaming expert Matt Fox and include fascinating nuggets of trivia, historical relevancies, cross-referencing with other titles, information on each game's sequels and of course the author's own views and insights into the game. In addition to the main entries and reviews, another section provides a visual timeline of gaming through the decades, and there are also several detailed appendices which further help to place the nearly 3,000 listed games into proper context. Appendices include: a chronological listing of all gaming software and hardware (with written retrospectives on the most significant games consoles and computers), biographies of all named game designers, results of annual video game awards, sourcing video games, and a glossary of gaming terms. A comprehensive index completes the book.

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After World War II, the United States military increasingly found itself involved in operations that have been described variously as limited wars, small wars, low intensity conflicts, operations other than war, support and stability operations, and the like. The name common for such operations throughout much of the 1990s was ""operations other than war"" (OOTW). During this period there was an explosion of doctrinal material on the subject, including an official field manual, FM 100-5, which appeared in 1993 and listed six principles of OOTW: objective, unity of effort, legitimacy, perseverance, restraint and security. The author of the present work examines four successful OOTWs (the Greek Civil War, Lebanon, the Dominican Republic, and Nicaragua/Honduras) and four failed ones (Vietnam, Beirut, Somalia, and Haiti) and concludes that there is a positive correlation between adherence to the principles and the operation's outcome. Furthermore, the author suggests that some of the principles serve as ""necessary conditions"" for others.

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English painter William Etty (1787-1849) believed women were ""God's most glorious work."" His determination to present that glorious work in its finest light led to criticism in his day for his choice of nudes as subjects. Today, this nineteenth century painter deserves recognition for his place in the history of English art, a poor boy who struggled against all odds to live his dream as a painter, and who eventually achieved the title of academician at the Royal Academy of Arts. The life of William Etty is thoroughly explored and generously illustrated in this biography. The historical and cultural backdrop for Etty's life and works is studied throughout the book. Chapters detail his family background and childhood, his home in York, his life in London and at the Royal Academy, and his struggles to make a living. His studies in Italy and France and his career as a painter are explored in detail. His work with the York School of Design in the final decade of his life, his place in the fine arts market and his emulators are described. An appendix examines Etty's relationship with his niece Betsy, his caretaker, housekeeper and assistant.

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The first in-depth study of its subject, this book seeks to historically account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American ""intellectual melodramas"" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counselling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship, and the proliferation of Web-based film literature.

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Beginning in 1870, the hunger for scientific discovery in Great Britain drove prominent scientists, philosophers, and others to promote the legitimacy of telepathy. At the same time, mind-reading as a form of entertainment gained increasing popularity as persuasive performers like John Randall Brown, W. I. Bishop, and Stuart C. Cumberland convinced reporters that they truly could read the thoughts of others. The widely publicized, sometimes bizarre, interactions between scientists and these charlatans ushered in the Thought Reader Craze, a period that lasted through 1910 and saw entertainers make and lose fortunes and scientists make and lost reputations. This volume explores this unusual cultural phenomenon, showing how it endured through the years due to public scientific pronouncements, astonishing performances by the thought readers, and the rapidly changing industrial society.

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The narrative surrounding the Titanic's voyage, collision, and sinking in April 1912 seems tailor-made for film. With clear categories of gender, class, nationality, and religion, the dominating Titanic myth offers a wealth of motifs ripe for the silver screen--heroism, melodrama, love, despair, pleasure, pain, failure, triumph, memory and eternal guilt. This volume provides a detailed overview of Titanic films from 1912 to the present and analyses the six major Titanic films, including the 1943 national socialist production, the 1953 Hollywood film, the 1958 British docudrama A Night to Remember, the 1979 TV production S.O.S. Titanic, the 1996 mini-series Titanic, and James Cameron's 1997 blockbuster. By showing how each film follows and builds on a pattern of fixed scenes, motifs and details called the ""Titanic code,"" this work yields telling insights into why this specific disaster has maintained such great relevance into the 21st century.

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The fundamental point of this book is that, in the past, the world's political, economic, military, and social development took place during a time of relatively stable sea level. That time, however, is now over: The world must begin to cope with inevitable increases in sea level. These increases are certain to have important domestic and international consequences--almost all of them negative. This book is a wide-ranging introductory survey of sea level rise. It addresses global warming, the hydrologic cycle, why we should care about the rise of the oceans, storm surges and other extreme events, the changing seas and their shorelines, cities and countries of the Atlantic, Pacific and Indian ocean basins, the West Antarctic Ice Sheet and the Greenland Ice Sheet, case studies on how the Netherlands and the U.S. plan to cope with sea level rise, the likely impacts of this rise, getting to know the experts on sea level rise, and very long term prospects for the world's shorelines.

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Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an

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Recounting the 106-year stage and screen history of J.M. Barrie's Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on ""The Boy Who Wouldn't Grow Up."" Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has ever performed in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.

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Occurring alongside the Women's Rights, Gay Rights, Civil Rights, and other identity movements of the 1960s, the Vietnam War was part of an era that rescripted gender and other social identity roles for many, if not most, Americans. This book examines the ways in which the war and its accompanying movements greatly altered traditional American conceptions of masculinity, looking particularly at discourses ranging from fictional narratives to memoirs, films, and military recruiting advertisements. Analysis of two canonical fiction texts - John Del Vecchio's ""The 13th Valley"" and Bobbie Ann Mason's ""In Country"" - illustrates the interrelatedness of race, sexuality, disability and masculinity, an approach appearing in no other book-length study. Finally, the book illustrates how, decades later, the masculine anxieties of the Vietnam era are still evident in discourses ranging from the current wars in Iraq and Afghanistan to recent presidential campaigns.

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The 1973 oil crisis forced the American automotive industry into a period of dramatic change, marked by stiff foreign competition, tougher product regulations and suddenly altered consumer demand. With gas prices soaring and the economy in a veritable tailspin, muscle cars and the massive ""need-for-speed"" engines of the late '60s were out, and fuel efficient compacts were in. By 1980, American manufacturers were churning out some of the most feature laden, yet smallest and most fuel efficient cars they had ever built. This exhaustive reference work details every model from each of the major American manufacturers from model years 1973 through 1980, including various ""captive imports"" (e.g. Dodge's Colt, built by Mitsubishi.) Within each model year, it reports on each manufacturer's significant news and details every model offered: its specifications, powertrain offerings, prices, standard features, major options, and production figures, among other facts. The work is heavily illustrated with approximately 1,300 photographs.

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Many monsters in Victorian British novels were intimately connected with the protagonist, and representative of both a character's personal failings and the failings of the society in which they lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This dichotomy is here analyzed through examinations of the classic novels Frankenstein, Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and analysis of the 20th century film adaptations of the works.

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More than just a biography or discography, this work is a thoroughly detailed guide to the recorded works of the legendary British rock and roll group The Who. From their early hits of the 1960s (""I Can't Explain"" and ""My Generation"") through the ambitious concept works (""Tommy"", ""Lifehouse"", ""Quadrophenia"") to their later successes, this work encompasses the entire range of The Who's music. The chronological narrative stretches from their beginnings in West London in the early 1960s to their international superstar status through the 1970s and 1980s. Each phase of the band's recording career is given detailed coverage, along with historical background notes and a critical analysis of every known Who recording.Many previously uncovered facts are incorporated into the text, and the author has been able to glean exclusive information from The Who's archives. Unrealized Who projects such as the ""Lifehouse"" film, as well as many unreleased performances, are discussed and analyzed for the first time in print. Finally, the work contains a definitive discography of currently available CDs and an exhaustive appendix of every known Who song with relevant recording information.

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From 1900 through 2000, the Catholic Church has had nine popes. Their terms of office have ranged from over 25 years (Leo XII) to slightly over one month (John Paul I). As the 21st century began, John Paul II was in his 22nd year as head of the church. During the century over 600 cardinals have helped to lead the church. This biographical reference work covers all nine popes and all 641 cardinals. The first section presents the popes in chronological order and provides full biographical information as date and place of birth and death, educational training and background for the priesthood, positions held within the church, and roles in church leadership and various conclaves. In the second section the cardinals are listed alphabetically and much the same biographical information is provided for them. (An appendix gives all the cardinals appointed by John Paul II in 2001.)

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Florence Lawrence's film career began just as the cinema was being born. She recognized the wonder and appeal of the fledgling industry, and her early work with the Vitagraph company gained her a legion of fans and a reputation as a willing and hard working actress. In 1908, she appeared in ""Romeo and Juliet"" - America's very first screen Juliet. By 1909, she was working steadily for the Biograph studio - she was dubbed ""the Biograph girl"" - and was being praised for her ""personal attractions"" and ""very fine dramatic ability."" But just as Lawrence was the first movie star in the industry, she was also one of the first to be undone by it. Hindered by setbacks, grueling work schedules, self-imposed retirements, three marriages, repeatedly unsuccessful comeback attempts, Lawrence finally committed suicide in 1938. This impressively researched piece of film history represents the first full-length biography of Florence Lawrence, also called ""The Girl of a Thousand Faces."" Among the photographs are some never before published. A complete filmography of Lawrence's entire career is provided. A summary chapter includes comments from various critics and historians, addressing how Lawrence is important to film history.

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From aerial survey to zoology, Part I of this two-part encyclopedia covers all aspects of underwater archaeology, treasure hunting and salvaging. For example, entries are included for different types of artifacts, notable treasure hunters, the various salvaging equipment, and techniques in mapping and excavating. Part II covers the shipwrecks themselves, dividing them into 13 geographical categories. Beginning with the northernmost category (Canada) and ending with the southernmost (South America), every known shipwreck - both identified and unidentified - receives an entry in alphabetical order under its appropriate geographical category. Entries are by name, such as Andrea Gail, Titanic, and Queen Ann's Revenge. Unidentified is used when a shipwreck's name remains unknown. Entries give the nationality (e.g., Spanish, British, American), type (schooner, frigate, brig are three), function (examples: slave transportation, piracy, fishing), location and history of the shipwreck.

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Medieval Europe was a hotbed of revolt against religious dogma. Particularly offensive to the established church were the views of the Cathars, whose dualist beliefs Rome condemned as heretical. Through a variety of literary works, this book explores the dualist religious movement which developed as a culture of the masses and took place in Europe between the 12th and 17th centuries. It examines the strong parallels between the Bogomils and Cathars and the religious practices of the British Lollards, extrapolating Lollardy's spread from eastern to western Europe. Providing numerous text comparisons, the work focuses on a number of authors including John Wycliffe, William Tynsdale, William Langland and John Milton, whose works exhibit the dualist philosophy.

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Richard Halliburton was the quintessential world traveler of the early 20th century. In 1930, his celebrity equaled that of Charles Lindbergh and Amelia Earhart. Halliburton called himself a ""horizon chaser,"" forwarding the idea that one should see the world before committing to a routine. Not only did he live up to his ideal, but he was eager to write about his adventures. A prolific partnership with gifted editor and ghost writer Paul Mooney produced excellent work and became a close personal relationship. Sadly, Halliburton and Mooney disappeared at sea on March 24, 1939, along with the entire crew of Halliburton's Chinese junk Sea Dragon, as they attempted to cross the Pacific. This biography records the life and adventures of Halliburton and Mooney, focusing - as no other Halliburton biography has - on the productive literary collaboration between the two. Drawing on the recollections of people who knew them both, the work discusses their backgrounds, the early years of their acquaintance, and their possible romantic relationship. Finally, their fateful journey to Hong Kong and the ill-advised voyage of the Sea Dragon is described in detail. A good deal of first-hand evidence is provided by William Alexander, Paul Mooney's best friend and designer of Halliburton's Laguna Beach house. Appendices contain seven poems by Mooney and a series of letters, including one of praise written by Richard Halliburton to William Alexander. Never-before-published photographs are also included.

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Republic Pictures Corporation, began as a motion picture laboratory in 1915. By 1935, Republic had become a studio and released its first movie, ""Westward Ho!"", starring a young John Wayne, who would stay with Republic for the next seventeen years. Republic would go on to produce highly successful Westerns starring singing cowboys Gene Autry and Roy Rogers, as well as serial adventure series. The studio cranked out so many exciting (not to mention money-making) serials that it became known as ""The Thrill Factory."" Occasionally, Republic would produce and distribute ""A"" features, such as ""Macbeth"" and ""The Quiet Man"", but it was the ""B"" Westerns and adventure serials that they knew best how to produce and market. Until its demise in 1959, Republic fed hungry moviegoers with a steady diet of ""B"" Westerns, serials, dramas, series pictures and musicals. ""The Republic Pictures Checklist"" provides a full listing of Republic releases, with plot synopses, release dates, alternate titles, chapter titles and awards. All of Republic's output, including documentaries and training films, is included.

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Celebrated as liberators and martyrs by those who support their cause, denounced as terrorists by their opponents, suicide bombers have become all too common in violent conflicts worldwide. The female suicide bomber is a relative newcomer to the landscapes of war, but more and more women are being recruited for self-sacrifice. This work discusses the history of suicide bombing and profiles the female suicide bomber. It raises the question of why women are increasingly used as bombers and explores the Western societal biases that tend to cast women in nonviolent roles. Battlegrounds discussed include Lebanon, Turkey, Sri Lanka, Chechnya, and Israel and Palestine. Because bombers do not operate as individuals but at the direction of organizations, this book also examines the organizations, their scope and training methods. It concludes with a discussion of strategies for the future and advocates continued human rights watch and continued global intervention.

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Hippocrates, one of history's earliest known physicians, once asserted, ""Walking is man's best medicine."" Over the last three centuries, people have endorsed walking for a variety of reasons--health among them. Before the 1700s, people walked as an essential part of their lifestyle. With the coming of the transportation revolution--and the advent of such conveyances as horse-drawn coaches, railways and automobiles--walking became something that was done increasingly out of choice rather than necessity. England's fashionable society engaged in afternoon promenades as a stylish fad. While America's vast distances and sparse settlements made this activity impractical, Americans nevertheless took to walking in other ways, including engaging in long distance walking competitions complete with spectators and prize money. Thus, for most of the twentieth century, the activity of walking was much more than a means of transportation.Beginning with the history of walking as a social activity, the book discusses the various issues which have affected walkers, including increased automobile traffic, the attention of the marketing industry and pedestrian regulations. The work examines the contemplative, psychological and observational qualities of walking as well as famous personalities--including Leonardo da Vinci, William Shakespeare, John Keats and John James Audubon--who endorsed these intellectual qualifications. During the 1970s fitness boom, walking was reinvented yet again, becoming an activity of numbers and equations as participants fought to maximize health benefits. The book concludes with a legal analysis of pedestrianism as it relates to sharing space with the automobile.

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This study examines five modernists in different disciplines - biology, painting, drama, fiction, and anthropology - whose work on islands made them famous. Charles Darwin challenged every presumption of popular science with his theory of evolution by natural selection, derived from his study of the Galapagos Islands. Paul Gauguin found on Tahiti inspiration enough to break through the inhibiting traditions of the Parisian art world. John Millington Synge's experience on the Aran Islands off the coast of Ireland gave birth to a new style of drama that defied classic divisions between tragedy and comedy. D.H. Lawrence's life-long search for a Utopian community culminated in his famous short story ""The Man Who Loved Islands,"" a story that poignantly portrays the tension between idealism and realism, solitude and human intimacy. Finally, Margaret Mead began her career in anthropology by studying the remote South Sea Islands and through her work acquired the sobriquet ""Mother of the World."" The text explores the extent to which islands inspired these radical thinkers to perform innovative work. Each used islands differently, but similar phenomena affected their choice of place and the outcome of their projects. Their examples illuminate the relationship of modernism to alienation and insularity.

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Old Dorm, which served as the first classroom and dormitory of the Gettysburg Lutheran Theological Seminary, is a familiar tourist site - Union Cavalry General John Buford directed the opening stages of the battle of Gettysburg from the building's distinctive cupola and some of the bloodiest fighting of the three-day conflict took place on Seminary Ridge. However, few visitors realize the building's important role as the second largest hospital at Gettysburg, both during and after the battle. During the peak occupancy, 600-700 wounded soldiers from both armies were cared for at this site. This work presents the history of the Gettysburg Seminary during the Civil War and the important cast of characters that have passed through its halls by utilizing the firsthand accounts of soldiers, civilians, surgeons, and relief agency personnel. Also included is the prewar and postwar history of the Seminary, as well as information about President Samuel S. Schmucker and the Abolition Movement.

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Tracing events from the discovery of the New World through the fall of the Aztec empire in 1521, this book discusses the battles between the Spanish explorers and the Aztecs - battles that culminated in the ruin of a civilization. The first half of the work alternates between Aztec and Spanish history, discussing events and motivations on each side as the two cultures expanded toward one another on their way to inevitable conflict. Placing special emphasis on Aztec mythology and religious beliefs, the author explains how the Spanish exploited the Aztecs' own cultural practices to insure the success of their invasion. The gold-and-glory engines driving the Spanish Crown and the actions of contemporary Spanish explorers such as Juan Ponce de Leon and Francisco Cordoba are examined. The concluding chapters give a thorough account of the struggle between Hernan Cortes and the Aztec ruler Montezuma, including the role of other indigenous tribes in the eventual downfall of the empire. The final chapter details the siege of the Aztec capital, Tenochtitlan, and summarizes the ultimate destruction of the Aztec civilization.

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On the TV screen as elsewhere, there is often more than what meets the eye. For decades, television has offered not just entertainment, but observations - subtle and otherwise - on society. This book examines the cultural commentary contained in ""Buffy, the Vampire Slayer"", a show that ran for seven seasons (1997-2003) and 144 episodes. On the surface, Buffy is the marriage of a high school drama to gothic horror. This somewhat unusual vehicle is used to present, via the character of Buffy, fairly typical views of late 20th century culture-teenage problems; issues regarding a broken home; and the search for meaning and validation. In addition, subtler themes, such as cultural views of knowledge, ethnicity and history, are woven into the show's critique of popular culture. Organized into two sections, this volume offers an in-depth examination of the show: first, through the lens of Buffy's confrontation with culture, and second, from the complex perspectives of the individual characters. Issues such as values, ethical choices and the implications of one's actions are discussed - without ever losing sight of the limitations of a medium that will always be dominated by financial concerns. The final chapter summarizes what Buffy has to say about today's society. An appendix lists Buffy episodes in chronological order.

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Hiram Iddings Bearss was a legendary U.S. Marine whose 20-year career showed outstanding service to the US in a variety of historically significant locations and periods. This biography recounts his life and career, providing details of crucial historical events.

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In a career spanning six decades, director of photography Alan Hume has worked on over 100 films and television shows and progressed through the ranks from a young clapper boy to one of the best lighting cameramen in the business. From early films with David Lean, through the popular Carry On series, Amicus horror, four James Bonds, Star Wars: Return of the Jedi, A Fish Called Wanda, Shirley Valentine, Stepping Out, and others, Alan Hume has worked alongside some of the most acclaimed directors and producers and biggest film stars. The memoir, from his evacuation as a child in World War II to his retirement, includes a collection of rare photographs, both in front of and behind the camera. He explains technical details and insights of the industry while divulging anecdotes about celebrities and filmmaking. It concludes with a summary of the technological changes throughout his career and to the present, and a full filmography. With great good humor, Hume offers an incomparable tour behind the camera.

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This is a critical study of Generation X film directors and how they have been influenced by generational identity. While Generation X as a whole sometimes seems to lack direction, its filmmakers have devoted their careers to making powerful statements about contemporary society and their generation's role in it. Each of the book's sections deals with an aspect of Gen-X filmmaking: the influence of popular culture, postmodern narrative devices, ""slackerdom"" and lack of direction, disenfranchisement and nihilism, the ever-evolving role of technology, gender issues and sexuality, the question of race, international peers, the influence of older filmmakers, and visions for the future.

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This balanced study of a man whose character and achievements have been much debated is based on a review of virtually every published and unpublished English source in British and US libraries and archives, including the important archive of Lawrence's letters and papers in the Bodleian Library. Part I discusses Lawrence's life in a conventional chronological sequence. Part II is devoted to enduring themes: his living and spending habits; his relations with family members and friends; and the elements of genius and madness, honesty and evasiveness, vanity and humility, and masochism, in his nature.

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This work is a technical and comprehensive study of anabolic therapy, covering a wide range of diseases and conditions. Beginning with a description of anabolic agents and their historical medicinal use, the author provides a rationale for anabolics in treating sarcopenia, CST-induced and postrnenopausal osteoporosis, hormone replacement therapy in women, osteoporosis and andropause in men, the autoimmune diseases ALS, Chronic Fatigue Syndrome, MS, rheumatoid arthritis, Sjogren's Syndrome, systematic lupus erythematosus, and systematic sclerosis; stroke treatment and rehabilitation. Type II diabetes in men, and AIDS.

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Poverty row horror films were usually inexpensively (some would say cheaply) produced with writing that ranged from bad to atrocious. Yet these movies with their all-star horror casts (Carradine, Lugosi, Karloff, et al.) and their ape men, mad monsters, devil bats and white zombies still have a loyal audience 50 years after their release.Essays contain full filmographic data on the 31 horror chillers made by the three studios from 1940 through 1946 and are arranged by year of release. Each entry includes the date of release, length, production credits, cast credits, interview quotes, and a plot synopsis with critical commentary. Filmographies for prominent horror actors and actresses, from John Abbott to George Zucco, are provided in the appendices.

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Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.

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After centuries of repression of the female voice in literature, the Meiji (1868-1912) and Taisho (1912-1926) periods in Japanese history saw important changes in both the way women wrote and the way they were read. However, even the most accepted female writers of these two eras were judged by criteria different from those applied to men, and only the most conservative were praised by the (male) critics. This study of the women who wrote in the modern era examines both famous and now-obscure writers within the context of their moments in time and their influence on later generations of Japanese women writers. Arranged chronologically, the book covers the pioneering women of the early Meiji period, the ethos of reactionary conservatism, the romantic movement in poetry, women writers of the naturalist school, Taisho liberalism, and the new era of literary women. An introduction outlines the various schools of Japanese female writers during the late nineteenth and early twentieth centuries, as well as the social and cultural trends that helped produce them. The text is appropriate for both well-read scholars of Japanese literature and newcomers to the works of the "fair ladies of the back chamber," as these creative and driven writers were once called.

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Once an eagerly awaited spectacle, the traveling circus--that miracle of red wagons, trumpeting elephants and spangled trapeze artists that slipped into town at dawn and disappeared by midnight--has all but vanished from the American landscape. This work explores circus history from 1793 to the present and addresses the forces of modern culture (such as the popularity of Cirque du Soleil, and pressure from the animal rights movement) that are pushing big top shows toward what the author calls "circus ballet." Numerous photographs and in-depth interviews conducted with show owners, performers and directors enrich the narrative. Overall, the book reveals a sobering contrast between circuses of yesterday and today, even as it honors the outstanding performers who created, and have sustained, the enduring appeal of the circus.

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Ulysses S. Grant was appointed general-in-chief of the U.S. Army after the Civil War and served two terms as president. His former subordinates, Philip Henry Sheridan and William Tecumseh Sherman, also served as generals-in-chief­--Sherman indulging his passion for young women until his death. Two other former generals ran for president, one against his old commander, Grant. Joshua Lawrence Chamberlain, the hero of Gettysburg, became president of Bowdoin College and served as governor of Maine. George Armstrong Custer found the immortality that had eluded him during the War, at Little Big Horn. Chronicling the sunset years of 20 Union generals, this book details their attempts to resume productive lives in the aftermath of America's defining cataclysm.

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Why do millions of people attend the victory parades of winning sports teams, travel across the world to attend a carnival, march and chant for social justice, cheer homecoming soldiers, or watch enraptured as a princess or celebrity rides in a stately coach to their wedding? The author answers these questions and more in this unique examination of the great parades and processions of history.Part chronology, part social history, this book outlines why parades are more than the simplistic, ephemeral entertainment we sometimes assume them to be, as people are often deeply affected by regalia, costumes and uniforms, dances and floats. The book traces the fascinating origins and development of carnival parades, religious processions, protest marches, victory parades, circus parades, parade floats, ship sail-pasts and aerial fly-pasts.

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In 1945, remnants of the Polish Home Army re-formed to counter brutal Soviet repressions. In July of that year, more than 7,000 HA freedom fighters were arrested in the northeastern Augustow region and held in barns, pigsties and warehouses where they were beaten and tortured. Two thousand of them were never seen again—their whereabouts remain a mystery. Seventy-five years later, their relatives still search for answers and the location of their mass burial. This book examines the fateful events of the Augustow Roundup (a.k.a. "little Katyn") through eyewitness testimonies.

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Among early 20th century baseball players, John Preston "Pete" Hill (1882-1951) was considered the equal of Babe Ruth, Ty Cobb and Tris Speaker—only skin color kept him out of the majors. A capable manager, Hill captained the Negro League's Chicago-based American Giants, led two expansion teams and retired from the sport as manager of the Baltimore Black Sox. Drawing on contemporary newspaper accounts, this first ever biography of Hill recounts the career of a neglected Hall of Famer in the context of the turbulent issues that surrounded him—segregation, women's suffrage, Prohibition and the Spanish flu.

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For over 200 years, the American Western novel has chronicled much of the American experience, with exemplaries found in the works of James Fenimore Cooper, Bret Harte, Andy Adams, Jack Schaefer and Larry McMurtry. Alongside the roguish figure of the cowboy, the Western depicts the experiences of women and minorities as they face the hardships and deprivations of the frontier.This text is directed at the general, informed reader who is interested in Western literature, history and culture. Exploring novels by Western authors who have achieved a high level of acclaim, it is a survey and homage to the frontier's lasting works, detailing both the writers' lives and their fictional creations. The author traces the development of the Western novel through biography, anecdote, summary, analysis and informed criticism, revealing the struggles and triumphs of the genre's authors, the changing standards of the frontier story and the lasting effects of the region's magisterial landscape.

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Almost 200 years after public schools moved toward free education for all children, educators are still exploring the best approaches for promoting equitable student growth. In early 2020, COVID-19 operational changes and the challenge to confront America’s most profound racial problems exposed many equity issues in schools. As a result, educators were called to reimagine the field of education as the curtain closed on the first quarter of the 21st century.The essays in this book challenge classroom instructors to consider new approaches to education theory, classroom praxis and teaching content. The chapters herein draw on mixed-methods and narrative form essays to provide practical tools and techniques for building equitable schools. Viewing schools as extensions of society-at-large, this book delivers innovative curricular approaches to STEM education, the Humanities and applied theater. The authors offer methods for empowering student voices, managing moments of crisis, increasing representation in computer science and implementing restorative justice disciplinary practices in learning institutions. Essays provide all educators with proven instructional models for curricular equity with the goal of moving America closer to a multi-racial democracy.

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Founded in 1894, the Mosaic Tile Company was the dream of two ceramic pioneers who intended to manufacture innovative ceramic mosaic murals while also dominating the utilitarian market. One of the largest such companies in the United States at the time, MTC's most significant contribution to the burgeoning Ohio pottery industry was the development of innovative and varied proprietary tile production and installation methods. Compared to its emphasis on mosaic murals, MTC's utilitarian and giftware goods were produced in limited quantities and were not well received at the time, making them rarer today.This book chronicles the history of ceramic creativity in Zanesville, Ohio, from its earliest days as a bustling town before the Great Depression through its recovery in the 1960s. It examines the Mosaic Tile Company's whole history, the bygone details of this long-lost business, its products and its employees, and incorporates images and postcards illustrating its products in each chapter.

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