Search results for ""marquand""

A talented visual storyteller, Barbara Earl Thomas has drawn from history, literature, folklore, mythology, and biblical stories over her forty-year career to reflect the social fabric of our times. Thomas’s figural and narrative imagery has a deeply philosophical and emotional force, and light and dark have been especially potent concepts in her work. This book of new works meditates on the visual experience of the body within a physical and metaphorical world of light and shadow. Based on real people, the portraits "elevate to the magnificent" her family, friends, and neighbors, as well as cultural icons of the African American literary landscape. Thomas's illumination of the human figure through her light-filled artworks and portraiture encourages the viewer to reflect on how we communicate ourselves to the world and how we perceive those among us. Exhibition dates: Chrysler Museum of Art: February 24–August 20, 2023; Wichita Art Museum: October 7, 2023–January 14, 2024; Arthur Ross Gallery, the University of Pennsylvania: February 17–May 21, 2024

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A four-volume celebration of one of America's most influential gallerists, with rarely seen letters, ephemera and photographs Julien Levy (1906–81) is best remembered today as the art dealer who brought Surrealism to the United States. His eponymous New York City Gallery (1931–49) was generally regarded as the best place to view cutting-edge work by such artists as Salvador Dalí, Max Ernst, Alberto Giacometti, Arshile Gorky, Frida Kahlo and Man Ray. This four-volume set, presented in a slipcase, gives readers an uncensored insider’s view of Levy, the artists he exhibited, and the influence he wielded during the 1930s and '40s. Volume one presents a biography of Levy, including a comprehensive exhibition chronology and an abundance of new information about the evolution of Levy’s career during his 18 years as an art dealer. Volumes two, three and four include chapters that discuss each of the approximately 230 solo and group exhibitions mounted by Levy, along with interesting observations about the featured artists. The authors have incorporated important new details about the workings of the gallery, allowing them to clarify or correct statements made in Levy’s 1977 Memoir of an Art Gallery and other publications. They have also uncovered some surprising revelations concerning Levy and his interactions with the artists he represented.

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How the influential American art historian used his print collection to theorize body language and the concept of the copy Beginning in the early 1960s, with only the meager budget of a part-time art history professor, Leo Steinberg (1920–2011) amassed a collection of more than 3,500 prints spanning the medium’s 500-year history in the West. Steinberg’s prints formed a visual library that shaped his scholarship in fundamental ways. His collection, incorporating the work of artists both famous and obscure, illuminates his claim that before photography, prints functioned as the "circulating lifeblood of ideas," disseminating figures and styles across boundaries. Through close observation of his prints, Steinberg developed some of his most innovative arguments about the instructive richness of the copy and the expressive potential of body language. This lavishly illustrated volume examines the development of Steinberg’s remarkable collection and its role in his scholarship. It also serves as an introduction to the history of Western printmaking that these works broadly encompass.

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On America's first modern dance company and its many collaborators, with reproductions of costumes, sets, ephemera and more Ruth St Denis (1879–1968) and Ted Shawn (1891–1972) pioneered modern dance in the US with their company Denishawn, founded in 1914. Incorporating elements from ancient, non-Western and Native American sources, Denishawn became the first important American dance company. A generation of dancers and choreographers, including Martha Graham, trained and performed with the company, and many artists, including Auguste Rodin, John Singer Sargent, Katherine Dreier, Marcel Duchamp and Joseph Cornell, collaborated with them. This catalog reproduces artwork, sets, ephemera and especially costumes, many of which have not been seen since the 1930s. Some of the materials and costumes, as well as the choreography, borrow from East and South Asian and Native American cultures, and the publication interrogates the legacy of cultural appropriation in dance. The materials also demonstrate St. Denis and Shawn’s stylistic and personal connections to American and European modernists, broadening an understanding of American dance in early modernism.

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How female artists have depicted women's lives, from the 17th century to the 1960s Selected from the rich holdings of the Loeb Art Center at Vassar College in Poughkeepsie, New York, Women Picturing Women explores the common themes and complex visions that emerge when women depict other women. Portraits and domestic scenes are often the vehicles through which these artists grappled with narratives found in religion, mythology or social critique, focusing on motifs of both intimacy and isolation in varying degrees. With works that range from the 17th century to the close of the 1960s, Women Picturing Women provides a varied set of examples that speak to the unique and frequently underemphasized artistic lens through which women viewed their female peers, with further scholarship on each artist and her work. Artists include: Angelica Kauffman, Berthe Morisot, Jesse Tarbox Beals, Lilly Martin Spencer, Alice Neel, Diane Arbus and Sylvia Sleigh.

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Recent multimedia projects by Simon Starling on hidden histories and unlikely connections Published for British artist Simon Starling’s (born 1967) exhibition at the Rennie Collection in Vancouver, this volume presents a selection of the artist’s multimedia, research-based art from the last decade, contextualized by new essays.

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Brash, brilliant and funny, the Chicago Imagists—from the Hairy Who and Nonplussed Some to False Image and Marriage Chicago Style—receive a full appraisal in this electrifying volume This amply illustrated catalog surveys the work of the group of artists known as the Chicago Imagists, who exhibited together in the late 1960s, and whose influence continues to spread 50 years later. Drawing from a collection of rarely seen works, the book presents work from the 17 artists who comprise the original Imagist exhibition groups—the Hairy Who, Nonplussed Some, False Image and Marriage Chicago Style—as well as a number of independent Chicago artists. These artists and their historic work, which is brash, brilliant and often humorous, have seen increased attention over the last decade. Scholars, collectors and younger artists have been magnetized by the paintings of Jim Nutt, Christina Ramberg, Roger Brown, Gladys Nilsson and Karl Wirsum, but there are few large-scale, high-quality books documenting their work. In addition to a reprint of an important and little-known piece by Dennis Adrian, the book features original essays that provide a big-picture view of the vibrant Chicago art ecosystem and explore the relationship between Imagism and abstraction and between historical Imagist art and its offspring. Also included are an interview with the collectors, biographical “snapshots” of seven key artists and a timeline plotting major works in the collection against important historical events in the art world. With this comprehensive range of material, Private Eye: The Imagist Impulse in Chicago Art adds substantively to the topic’s scholarship.

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This book invites readers to step inside the mesmerizing world of San Francisco-based Iranian fashion designer Lily Samii. From her upbringing in Iran to the runways of Paris, Lily Samii: Fifty Years of Fashion; takes readers on a fascinating journey through Lily Samii's incredible life. We learn about her magnificent life in Iran and her secret obsession with fabrics, nature and movement as a young child; we travel with her across the globe and peek into the glamorous world of Hollywood and costume design where she was trained by Edith Head and James Galanos; and we join Samii as she opens her iconic Bay Area boutique, LYZ, that was the talk of the town for 30 years, recognized by national fashion magazines including Harper's Bazaar;, Vogue; and Women's Wear Daily;. From LYZ, Lily launched her career as a couture designer with gowns and outfits for celebrities and influential women in politics, society, philanthropy and the arts.

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A new edition of an exquisitely crafted homage to the Massachusetts coast In this new edition of Between Land and Sea: The Great Marsh (first published by Braziller in 2007), the award-winning, Ipswich, MA–based landscape photographer Dorothy Kerper Monnelly conveys the surprising, ever-changing drama of the vast tidal wetlands known as the Great Marsh. For over 40 years, Monnelly has come to know this region intimately, one of the last unspoiled wilderness areas in the urban Northeast. Her timeless, visionary photographs are joined in this edition by an essay from acclaimed author Terry Tempest Williams reflecting on our relationship to liminal spaces like the marsh. Although salt marshes are among the most productive ecosystems on earth, these wetlands are threatened throughout the world by human activity and have disappeared from much of the American seacoast. The Great Marsh, despite threats from development, pollution, and now rising seas, is a pristine remnant of this ancient coastal environment.

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Born in Sinaloa, Mexico, Julia Pastrana (1834–1860) was a gifted singer, musician and dancer who could converse in English, Spanish and French. She also suffered from one of the most extreme cases of hypertrichosis terminalis on record and severe gingival hyperplasia: her face and body were covered with thick hair and her jaw was disproportionately large. Pastrana toured North America and Europe billed as “The Ugliest Woman in the World.” After her death, her body was exhibited throughout Europe and the US. Until her recent repatriation to Sinaloa, her body was kept at the University of Oslo, Norway. Pastrana’s story raises issues around beauty, ownership, science and racism, human rights, colonialism, sexism and indigenous rights. Artist Laura Anderson Barbata has brought together scholars and experts from various fields to explore these and other topics as they relate to Pastrana’s extraordinary story.

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Omaskêko Cree artist Duane Linklater explores and reinvents contemporary indigenous values and practices Omaskêko Cree artist Duane Linklater (born 1976) works across a range of mediums, addressing the contradictions of contemporary Indigenous life within and beyond settler systems of knowledge, representation and value. Published for his first major survey exhibition at Frye Art Museum, this catalog offers a timely assessment of the last decade of Linklater’s distinctive art, including site-responsive architectural interventions; digital translations of tribal objects held in institutional collections; sculpture and video works focusing on enduring ancestral practices; and a series of large-scale structures made with tipi poles. The publication includes conversations between Linklater and his elder family members that function as an alternative form of scholarship in parallel with his work, and is interspersed with photographs taken by the artist and his daughter.

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Has Europe's extraordinary postwar recovery limped to an end? It would seem so. The United Kingdom, Belgium, France, Italy, and former Soviet Bloc countries have experienced ethnic or religious disturbances, sometimes violent. Greece, Ireland, and Spain are menaced by financial crises. And the euro is in trouble. In The End of the West, David Marquand, a former member of the British Parliament, argues that Europe's problems stem from outdated perceptions of global power, and calls for a drastic change in European governance to halt the continent's slide into irrelevance. Taking a searching look at the continent's governing institutions, history, and current challenges, Marquand offers a disturbing diagnosis of Europe's ills to point the way toward a better future. Exploring the baffling contrast between postwar success and current failures, Marquand examines the rebirth of ethnic communities from Catalonia to Flanders, the rise of xenophobic populism, the democratic deficit that stymies EU governance, and the thorny questions of where Europe's borders end and what it means to be European. Marquand contends that as China, India, and other nations rise, Europe must abandon ancient notions of an enlightened West and a backward East. He calls for Europe's leaders and citizens to confront the painful issues of ethnicity, integration, and economic cohesion, and to build a democratic and federal structure. A wake-up call to those who cling to ideas of a triumphalist Europe, The End of the West shows that the continent must draw on all its reserves of intellectual and political creativity to thrive in an increasingly turbulent world, where the very language of "East" and "West" has been emptied of meaning. In a new preface, Marquand analyzes the current Eurozone crisis--arguing that it was inevitable due to the absurdity of combining monetary union with fiscal disunion--and raises some of the questions Europe will have to face in its recovery.

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'To construct a civilization around the nostrum that the public realm is morally, economically and socially inferior to the private realm is to submit to an alien barbarism in which what we hold in common is permanently placed as second best. David Marquand has constructed a masterly and highly readable plea for the idea of the public once again to be celebrated in British life. His re-entry into the national conversation could not be better timed or more important. Let's hope our fellow citizens take arms in the battle he invites us to join.' --Will Hutton, Columnist, Observer Newspaper 'A profound analysis of the decline of the public realm and the growth of unaccountable government in Britain. The summation of a life's work by one of Britain's leading political thinkers.' --John Gray, The London School of Economics The public domain of citizenship, equity and service is crucial for individual fulfilment and social well-being. But it has been under attack for thirty years – first from the market fundamentalists of the New Right, and then from their New Labour imitators. The results are everywhere – resource-starved public services; the marketization of the public sector; the soul-destroying targets and audits that go with it; the denigration of professionalism and the professional ethic; and the erosion of public trust. More damaging still are the hollowing out of citizenship, the manipulative populism that now pervades British government and a slide towards a new version of the 'Old Corruption' that our Victorian ancestors thought they had banished. David Marquand traces the growth of the public domain from Gladstone to Attlee, analyses the forces that began to undermine it in its post-war heyday and exposes the campaign that the Thatcher and Blair governments have waged against it. He ends with a call for a counter-attack, based on a re-statement of the civic ideal in a twenty-first century idiom. This book will appeal to all those who take an interest in current political events as well as those studying politics and social policy.

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We are told that this is a new world, with which old theories cannot cope. But the dynamic driving the current global transformation is not as new as our pundits and politicians pretend. The global market-place of our day may have little in common with the tamed welfare capitalism of the post-war period but it is uncannily reminiscent of the untamed capitalism of 100 years ago. Keynes and Beveridge may be dead, but Marx, Malthus and Ricardo have had a new lease of life. In these timely essays, David Marquand challenges the fashionable amnesia of the 1990s and addresses the crucial questions raised by the capitalist renaissance which has followed the collapse of Communism and the end of the cold war. In this bewildering new world, which is at the same time an all-too-familiar old world, how can the values of social solidarity and democratic citizenship be realized? Granted that socialism is no longer with us, does it have anything to say from beyond the grave? How is socialism's great antagonist, liberalism, faring in this new world, and what are the prospects of an accommodation between the two? Where does the new medievalism of contemporary Europe fit in? How do the special peculiarities of the British state, the identity it embodies and the political economy over which it presides relate to those wider issues? What room for maneuver do they give the British left? These questions make up the agenda for The New Reckoning.

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We are told that this is a new world, with which old theories cannot cope. But the dynamic driving the current global transformation is not as new as our pundits and politicians pretend. The global market-place of our day may have little in common with the tamed welfare capitalism of the post-war period but it is uncannily reminiscent of the untamed capitalism of 100 years ago. Keynes and Beveridge may be dead, but Marx, Malthus and Ricardo have had a new lease of life. In these timely essays, David Marquand challenges the fashionable amnesia of the 1990s and addresses the crucial questions raised by the capitalist renaissance which has followed the collapse of Communism and the end of the cold war. In this bewildering new world, which is at the same time an all-too-familiar old world, how can the values of social solidarity and democratic citizenship be realized? Granted that socialism is no longer with us, does it have anything to say from beyond the grave? How is socialism's great antagonist, liberalism, faring in this new world, and what are the prospects of an accommodation between the two? Where does the new medievalism of contemporary Europe fit in? How do the special peculiarities of the British state, the identity it embodies and the political economy over which it presides relate to those wider issues? What room for maneuver do they give the British left? These questions make up the agenda for The New Reckoning.

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The Bologna Process, initiated in 1999, now includes 47 member countries of the Council of Europe. In 2010, it was renamed ‘the European Higher Education Area’, it was expanded. It now attracts the interest of many countries around the world. Without sanctions, it has transformed the structure of higher education in its member states, to allow comparability of their higher education outcomes and encourage increased mobility between them. Increasingly, it has encouraged the use of learner-centred methods of teaching. It now attempts to further other democratic social objectives as well. Despite growing authoritarianism and populism in some of its member states, it may yet survive because of their strong motivation to pursue economic development through increased technological and innovative capacity. This book sets this extraordinary phenomenon in its historical and political context. After describing the underpinnings and the development of the central Bologna Process itself, four contrasting country case studies - Germany, Russia, England, Wales - illustrate some of the varying responses adopted when faced with a similar framework. The book will appeal to those interested in the social and political contexts in which higher education is set, as well as practitioners and researchers.

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A new political history of modern Britain - entertaining, instructive and thought-provoking.The history of democratic politics in Britain since the coming of universal male suffrage in 1918 is a dramatic one, crowded with events and colourful figures. As well as the great events of war and economic crises, and the quieter drama of constitutional change, this era has been studded with democratic protests of every sort.The story opens more than 350 years ago. The Levellers of the 17th century, 18th-century radicals, the Chartists and the Reform Acts are all part of the unsteady and fiercely contested progress towards a democratic constitution. Dreams, visions and ideals are important too - of George Orwell, and Enoch Powell, Milton, Thomas Paine and Edmund Burke, Churchill and Lord Salisbury, Aneurin Bevan and Tony Benn - for they have also shaped our outlook.

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100 years ago, secular liberals thought religion would gradually recede from the public sphere and become an exclusively private concern. Today, organised religion is still a powerful political force in most parts of the world. In many its political significance has grown. But is it an ally or an enemy of pluralist democracy? That crucial question provides the theme for this path-breaking collection.

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In this important new book a remarkable group of authors - academics, journalists and politicians - offer a radical reappraisal of the future of Left political theory and policy in the context of recent changes in society. Compiled by the Institute for Public Policy Research, the volume includes contributons by Anthony Giddens, Perry Anderson, Gordon Brown, Anne Phillips, Michel Rocart, David Marquand and Will Hutton among others and sets out many new ideas and concepts.

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Este libro está dedicado a la obra del escultor Mariano Benlliure (Valencia, 1862-Madrid, 1947) en Estados Unidos, conservada principalmente en la ciudad de Nueva York, en la colección de la Hispanic Society of America. Sus primeros clientes neoyorquinos fueron el magnate, coleccionista y mecenas Henry G. Marquand, segundo presidente del Metropolitan Museum, que firmó con Benlliure un primer encargo en 1883, y Samuel Ward, otro destacado amante del arte e influyente personaje de la sociedad norteamericana que por las mismas fechas le pidió que esculpiera su busto. Sin embargo, su principal benefactor durante el primer tercio del siglo XX fue Archer M. Huntington, fundador de la Hispanic Society of America, que le encargó una importante serie de retratos de los personajes más destacados del panorama cultural español del momento, además de comprarle otras obras para la institución. Con todo, el proyecto de mayor envergadura escultórica sería el monumento al congresista William A. Jones p

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From Norman Davies, the acclaimed author of Europe: A History, comes the magical history of Europe's lost realms, selected as a Book of the Year by the Sunday Times, Daily Telegraph, New Statesman, Independent, Guardian and Financial Times.Europe's history is littered with kingdoms, duchies, empires and republics which have now disappeared but which were once fixtures on the map of their age. What happened to the once-great Mediterranean 'Empire of Aragon'? Where did the half-forgotten kingdoms of Burgundy go? Which current nations will one day become a distant memory too? This original and enthralling book peers through the cracks of history to discover the stories of lost realms across the centuries.'Dazzling, provocative and brilliant' Dominic Sandbrook, Sunday Times, Books of the Year 'A luminous account ... there are few better ways of understanding the multilayered splendours and horrors of Europe's past than through the pages of this wise, humane and unfailingly engaging book' John Adamson, Sunday Telegraph'Vanished Kingdoms is great history and also great art. It is written with verve, passion and profound empathy' David Marquand, New Statesman, Books of the Year'A magnificent achievement. Brocaded with scholarship, the book is unlikely ever to be equalled' Ian Thomson, Independent

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Princeton and the Gothic Revival investigates America's changing attitudes toward medieval art around the turn of the twentieth century through the lens of Princeton University and its role as a major patron of Gothic Revival art and architecture. Johanna Seasonwein charts a shift from eclecticism to a more unified, "authentic" approach to medieval art, and examines how the language of medieval forms was used to articulate a new model of American higher education in campus design and the classroom. The catalog for an exhibition at the Princeton University Art Museum, Princeton and the Gothic Revival breaks new ground by addressing why universities, and Princeton in particular, were so effective at bringing together what had been disparate interests in the Middle Ages. Revivalists and Medievalists were often at odds, yet at Princeton they used the language of the Middle Ages to create a new identity for the American university, one that was steeped in the traditions of Oxford and Cambridge but also embraced the model of the German research university. Princeton and the Gothic Revival provides an overview of Princeton's Romanesque and Gothic Revival architecture and examines the changing approach to the idea of the "Gothic" by looking at three Princeton buildings and their stained glass windows: the Marquand Chapel, Procter Hall at the Graduate College, and the University Chapel.

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A dynamic look at the vast creative production of contemporary women artists from around the globe A celebration of the work of women artists of color, this book explores the ways in which struggles for freedom and equality are deeply intertwined with shared feminist practices, art techniques and movements, and the notion of diaspora through the extraordinary collection of social activist and patron Eileen Harris Norton. Featuring work by Sonia Boyce, Maya Lin, Julie Mehretu, Shirin Neshat, Adrian Piper, Faith Ringgold, Kara Walker, Carrie Mae Weems, and many others, All These Liberations draws out the intimate connections among artist, collector, and the social worlds that surround them. For nearly five decades, Harris Norton has championed both artists and curators of color, helping to reshape museum practice and the surrounding art market. Essays in this volume by art historians and curators address vital political, social, and personal issues, as well as topics such as spirituality, domestic life, memory and historical trauma, the body, intimacy, power dynamics, and violence toward women. The book also features an interview with Harris Norton by Thelma Golden, director and chief curator at the Studio Museum in Harlem; a foreword by artist Lorna Simpson; and a roundtable conversation among leaders in the art world discussing Harris Norton’s impact on their careers and on the careers of contemporary women artists globally. Distributed for Marquand Books

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