Search results for ""maney publishing""

This book presents essays that exemplify key themes including the interdependence of conservation, research and access; the need for a 21st-century inventory of the medieval sculpture; the breadth and value of the wide range of the research tools; and conservation issue.

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This book offers a detailed examination of the literary influences behind the experimental music of five twentieth-century Italian composers: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni and Armando Gentilucci.

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This book attempts to reveal how the fantastic operates and how it produces its effects, and analyses the devices and techniques used by the fantastic in order to produce hesitation in the mind of the reader. It proceeds through an analysis of one French and one Russian work.

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This book examines the intellectual climate as Rilke experienced it at the turn of the century. It draws on existing scholarship and the Rilke's own pronouncements in order to explore the major influences on the young Rilke's conception of processes of becoming.

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This book provides the first book-length comparative analysis of the concept of dilettantism. It shows how French nineteenth-century uses of the concept dissolved the Weimar Classicist distinction between dilettantism and art.

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Defective Inspectors: Crime-fiction Pastiche in Late Twentieth-century French Literature

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Hulton Abbey was a minor Cistercian monastery in north Staffordshire (England), founded in 1219 and finally dissolved in 1538. This is the final report on the archaeological excavations undertaken there between 1987 and 1994. In particular, the chapter house was uncovered and re-assessed and the eastern part of the church and north aisle were completely excavated, together with the eastern half of the nave. The excavations are described by area and chronological phase with detailed specialist reports including architectural stonework and decorated floor tiles. An extensive programme of sampling and analysis of pollen remains from burials was also completed. The remains of 91 individuals, mainly men but also women and children, are reported on in detail, with sections on abnormalities and pathology as well as medieval burial goods such as a wax chalice and wooden wands. Comparisons with other published monastic sites in the region help to place Hulton into a wider context. An important element of the project was education and community involvement and today the site lies in a small urban park in Stoke-on-Trent.

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This work presents a detailed study of the political role of a criminal organization, the Neapolitan Camorra, in its historical context, that of Naples over the last fifty years. In Campania, until 1991, the population tacitly accepted the relationship between the Camorra and the local political elite (based on the exchange of votes for state contracts and protection), and because of the lack of reliable sources it could not seriously be studied by political scientists. In 1991, however, a law was passed which gave generous remission of sentences to criminals who wanted to cooperate with the police. Following this, many members of the Camorra revealed important aspects of the criminal, economic and political activities of their organization. This new information has permitted a re-examination of the Camorra and has provided material for the story to be told.

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This work examines the ways in which the culture and society of the Middle Ages impacted on the works of the Sienese poet, Cecco Angiolieri (c.1260-1312). It analyzes how Angiolieri's poetry conformed to medieval notions and practices of comicality. The study explores the means by which Cecco satirized important cultural movements of the late 13th and early 14th centuries, such as love literature and the ascendant Franciscan order. In addition, it looks at his relations with other writers of the day, including three insulting sonnets addressed to Dante Alighieri. The text shows that Angiolieri was not an isolated, "bizarre" figure, as some early 20th century scholars have described him, but rather an author in step with his times.

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This book is an outcome of the summer conference on the theme Newcastle and Northumberland. It examines the heritage of north-eastern England ranging from the sculpture of the Roman occupation through the monuments and architecture of the Anglo-Saxon and Norman periods.

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This book tests the hypothesis that plural agreement with collective nouns is becoming frequent in French. It addresses questions concerning the methodological challenges of studying variation and change in morphosyntax, and the application of sociolinguistic generalisations to the French of France.

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In 1973 the Department of Environment and the Deserted Medieval Village Research Group arranged a rescue excavation to examine the earthworks of the medieval village of Cladecote before they were levelled and ploughed.

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This book is an outcome of the British archaeological association conference on Medieval Art, architecture and archaeology in King's Lynn and the Fens in 2005. It focuses particularly on the themes of landscapes and parish churches, with a contrast between the great aristocratic and monastic sites.

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Excavations at Dryslwyn between 1980 and 1995 uncovered a masonry castle, founded in the late 1220s by Rhys Gryg for his son Maredudd ap Rhys, the first Lord of Dryslwyn. The first castle was a simple round tower and polygonal walled enclosure, within which were constructed a kitchen, prison and wood-framed, clay-floored great chamber beside a great hall. In the mid 13th century a second ward was added and the great chamber rebuilt in stone. This castle was greatly expanded in the period 1283-87 by Rhys ap Maredudd, the second and final Lord of Dryslwyn, who built an Outer Ward and gatehouse. He also rebuilt much of the Inner Ward, adding an extra storey to the great hall and great chamber, apartments and a chapel. At the end of the 13th century a large three-ward castle stretched along the eastern and southern edge of the hill while the rest of the hilltop was occupied by a settlement defended by a wall and substantial ditch with access through a gatehouse. This castle and its associated settlement were besieged and captured in 1287 by an English royal army of over 11,000 men following damage inflicted by a trebuchet and mining of the walls. Throughout the 14th century the English Crown garrisoned and repaired the castle, supervised by an appointed constable, before it was surrendered to Owain Glyn Dwr in 1403. During the early to mid 15th century the castle was deliberately walled up to deny its use to a potential enemy and it was subsequently looted and demolished. By the late 13th century, the castle had a white rendered and lime-washed appearance, creating a very dramatic and highly visible symbol of lordship. Internally, the lord's and guest apartments had decorative wall paintings and glazed windows. Evidence from charred beams still in situ, the sizes, shapes and distribution of nails, sheet lead, slates and postholes recovered during excavation has enabled some of the wooden as well as masonry buildings to be reconstructed. Waterlogged deposits had preserAt just 132 hectares (325 acres) the parish of Caldecote is one of the smallest parishes in Hertfordshire. Today the settlement comprises the manor house, until recently surrounded by a range of traditional farm buildings, together with six labourer's cottages and the church. To the north lies the site of the old rectory and the earthworks of a medieval settlement. In 1973 the Department of Environment and the Deserted Medieval Village Research Group arranged a rescue excavation to examine the earthworks of the medieval village before they were levelled and ploughed. Five crofts, the old rectory site and much of the moated enclosure were investigated in one of the largest excavations ever conducted on a later medieval rural site in Britain. Though the excavations did recover a Bronze Age beaker burial and small quantities of Roman and Iron Age pottery, the medieval settlement at Caldecote was probably founded in the 10th century, and by the time of the Domesday Survey there was a church, a priest and nine villeins. A moated site was added in the 13th century. A century later, Caldecote was granted to the abbots of the Benedictine monastery in St Albans, at a time when there were seventeen householders. Early in the second half of the 14th century, the estate and demesne were subdivided into six farms, each complete with a hall-house and two or more barns. Following the dissolution of the monastery in 1539, the manor was again held by an absentee lord and the farms continued to prosper. However, the late 16th and early 17th centuries, for which there are several surviving wills and inventories, saw their gradual abandonment.After the desertion of Caldecote Marish in 1698, Caldecote was farmed as a single unit until 1970, when the estate was attached to that adjoining the manor of Newnham. Of particular importance from Caldecote is the archaeological evidence for medieval peasant structures, the development of the later medieval domestic plan and the structural tra

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This volume was first delivered at a conference organised by the Association for Industrial Archaeology in Nottingham in June 2004, and formerly constituted a special issue of Industrial Archaeology Review. The papers have the explicit intention of formulating a research framework for industrial archaeology in the 21st century and demonstrating how far industrial archaeology is now a fully recognised element of mainstream archaeology.

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This book explores the medieval art, architecture, and archaeology of the city of Mainz and of the middle Rhine valley. It considers the architecture and archaeology of the early medieval and Romanesque period, including the Carolingian monastery of Lorsch and the cathedrals of Mainz and Worms.

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This collection of papers, first delivered at the BAA's annual conference in 2002, celebrates medieval Rochester, including both cathedral and castle, an outstanding pair of surviving monuments to the power of contemporary church and state. The contributions demonstrate the great interest of these understudied buildings, their furnishings, and historical and archaeological contexts: from the rich documentary evidence for the Anglo-Saxon town to the substantial surviving fabric of the 11th, 12th and 13th centuries. Shrines, monuments, woodwork and seals are all fully covered, as well as the medieval monks themselves. There is also a piece on Archbishop Courtenay's foundation of the nearby collegiate church at Maidstone, Kent.

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This book focuses on the dress of one royal individual, Henry and his physique, portraiture, personal wardrobe, jewellery, regalia and ceremonial robes. It is the only other substantial record of the king's clothes in English archives on wardrobe and inventory.

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This book explores the space Jean Paulhan sought to carve out, between art for art's sake and art for political ends, thereby establishing more clearly his place in the twentieth century. It deals with the challenge of Paulhan's work to represent contemporary, deconstructionist suspicions of truth.

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In the second half of the twentieth century, the Italian historical novel provided an unrivalled number of best sellers and publishing 'phenomena'. The success of the genre is closely related to a more general interest in revisiting the past in the light of a changed understanding of the nature, or philosophy, of history. This study aims to explore the particularly marked increase in the production and popularity of the historical novel in the period between the mid-1960s and the early 1990s, with reference to current debates on the nature of history. It presents a theoretical framework which establishes the centrality of philosophy of history to the development of the genre. The employment of this framework opens out the discussion of literary change to the consideration of historiographical developments and wider critical debate. The theoretical insights gained inform the close textual analysis provided in the chapters dealing with novels written by five of Italy's foremost contemporary writers: Leonardo Sciascia, Vincenzo Consolo, Sebastiano Vassalli, Umberto Eco, and Luigi Malerba.

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This work takes gender as its point of entry into the comedies of Carlo Goldoni (1707-93). The dramatization of femininity and masculinity is explored in conjunction with that of other social categories (class, the family, and age). The plays reinforce the patriarchal association of femininity with the body, with spectacle, and with theatricality, while the dramatic backdrop of Venice and carnival provides a context for the staging of issues relating to identity, disguise and fashion. In the plays, pretence and theatricality vie with bourgeois Enlightenment values of morality, honesty and respectability to produce dramatic tension with distinct gender implications.

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This title focuses on an Italian architect and engraver of the 18th century - Piranesi. In this book it is argued that Piranesi grants a metaphorical meaning to the Carcesi - a set of etchings - in order to impriso those he saw as obstructing the arts and threatening his own freedom. In light of the growing academic interest in Italy and the re-organization of many university courses in Italian, this series aims to bring together di fferent scholarly perspectives on Italy and its culture.

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This book explores the international trade of Bristol and its documentary and archaeological evidence, and offers a radical new interpretation for its early development. It is based on the conference held, from 20 to 24 July 1996, at Badcock Hall, University of Bristol.

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This book presents the latest research on the cities monuments from the arrival of Willibrord and Boniface and the establishment of the Bishopric. It focuses on 12th century sculptural iconography, manuscript production, fonts, secular architecture and the Gothic cathedral.

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This book focuses on the dress of one royal individual, Henry and his physique, portraiture, personal wardrobe, jewellery, regalia and ceremonial robes. It is the only other substantial record of the king's clothes in English archives on wardrobe and inventory.

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"Assembling Çatalhöyük, like archaeological remains, can be read in a number of ways. At one level the volume reports on the exciting new discoveries and advances that are being made in the understanding of the 9000 year-old Neolithic site of Çatalhöyük. The site has long been central to debates about early village societies and the formation of mega-sites in the Middle East. The current long-term project has made many advances in our understanding of the site that impact our wider understanding of the Neolithic and its spread into Europe from the Middle East. These advances concern use of the environment, climate change, subsistence practices, social and economic organization, the role of religion, ritual and symbolism. At another level, the volume reports on methodological advances that have been made by team members, including the development of reflexive methods, paperless recording on site, the integrated use of 3D visualization, and interactive archives. The long-term nature of the project allows these various innovations to be evaluated and critiqued. In particular, the volume includes analyses of the social networks that underpin the assembling of data, and documents the complex ways in which arguments are built within quickly transforming alliances and allegiances within the team. In particular, the volume explores how close inter-disciplinarity, and the assembling of different forms of data from different sub-disciplines, allow the weaving together of information into robust, distributed arguments."

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This study shows that the potential for subversion personified by the German writer W. G. Sebald's solitary males is essential for understanding his work, while also demonstrating the contribution that Sebald made to the German tradition of queer writing.

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The book is based on the papers presented at the Mendel Friedman Yiddish conference held at St Hilda's College, University of Oxford, in August 2012, revisits the rich and diverse legacy of the Yiddish writer Pinkhas Kahanovitsh, known by his penname Der Mister.

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