Search results for ""leuven university press""

The editon of Henry of Ghent's Quodlibet VII makes available the critical text of an influential work. Written near the end of 1282, this Quodlibet is perhaps best known because it contains Henry's initial discussion of the papal bull Ad fructus uberes, which had granted certain exaggerated privileges to the mendicants. Henry's text puts forward arguments which limit wide interpretations of the bull and sets forth a position which favors the secular clergy. These arguments set the stage for discussions of the privileges granted by the papal bull. Indeed, Richard of Mediavilla in his Quaestio Privilegii Papae Martini makes a case for the mendicants by addressing the arguments of Quodlibet VII point by point. Henry himself reiterates and elaborates his arguments in subsequent Quodlibetaand in the Tractatus super facto praelatorum et fratrum. His analyses of Ad fructus uberes lead to discussions of poverty in the religious life, which Henry argues is not a perfection but a means to perfection.Quodlibet VII also treats more philosophical matters, e.g. transcendentals, God's essence and knowledge, knowledge of the divine essence, genus, difference, matter, relation, quantity, human knowledge, and the human body. In addition, the text contains a response to some claims in Berthaud of Saint denis' Quodlibet I, q17. This fellow secular master has not been studied or edited, but he emerges here and in the Tractatus as a secular master with whom Henry disagreed.The edited text was established from the manuscript PARIS, Bibl. Nat., lat. 15350 and from manuscripts copied from a first university exemplar in paris. Three manuscripts, copied from a possible second exemplar, are collated for on pecia only. The critical study explains the editiorial method, which is complicated by two facts. First, the text of Quodlibet VII in the manuscript PARIS, Bibl. Nat., lat. 15350 seems to be copied from two different models. There is a noticeable change of ink in the text at the beginning of question 23. The text of this manuscript prior to this change is rather sonsestently superior to the first university exemplar. After this change, the text although occasionally equal or superior to the text of the first university exemplar, will often need to be coorected by the readings of the first exemplar. The second complication is that for three of the peciae, specifically peciae 10, 11, and 13, the manuscripts that depend on this exemplar form definite subgroups, probably because these peciae were either corrected or replaced.

Read more less

First ever edition of the Latin translation of Ptolemy’s masterwork. This is the first edition ever of Moerbeke’s Latin translation of Ptolemy’s celebrated astrological handbook, known under the title Tetrabiblos or Quadripartitum (opus). Ptolemy’s treatise (composed after 141 AD) offers a systematic overview of astrological science and had, together with his Almagest, an enormous influence up until the 17th century. In the Latin Middle Ages the work was mostly known through translations from the Arabic. William of Moerbeke’s translation was made directly from the Greek and it is a major scholarly achievement manifesting not only Moerbeke’s genius as a translator, but also as a scientist. The edition is accompanied by extensive Greek-Latin indices, which give evidence of Moerbeke’s astonishing enrichment of the Latin vocabulary, which he needed both to translate the technical scientific vocabulary and to cope with the many new terms Ptolemy created. The introduction examines Moerbeke’s translation method and situates the Latin translation within the tradition of the Greek text. This edition makes possible a better assessment of the great medieval translator and also contributes to a better understanding of the Greek text of Ptolemy’s masterwork.

Read more less

Although contemporary migration in and from Africa can be understood as a continuation of earlier forms of interregional and international migration, current processes of migration seem to have taken on a new quality. This volume argues that one of the main reasons for this is the fact that local worlds are increasingly measured against a set of possibilities whose referents are global, not local. Due to this globalization of the personal and societal horizons of possibilities in Africa and elsewhere, in many contexts migration gains an almost inevitable attraction while, at the same time, actual migration becomes increasingly restricted. Based on detailed ethnographic accounts, the contributors to this volume focus on the imaginations, expectations, and motivations that propel the pursuit of migration. Decentering the focus of much of migration studies on the receiving societies, the volume foregrounds the subjective aspect of migration and explores the impact which the imagination and practice of migration have on the sociocultural conditions of the various local settings concerned.

Read more less

Winner of the first "Jozef IJsewijn Prize for best first book on a Neo-Latin topic" (triennium 2009-2011)L'ouvrage propose une analyse détaillée d'une cinquantaine de poèmes généthliaques (poèmes de circonstance à l'occasion de la naissance d'un enfant) par les humanistes célèbres et moins célèbres tels que Jacobus Meyers, Petrus Nannius, Hugo Grotius, Ferdinand Verbiest, Constantin Huygens et d'autres, composés en latin dans les anciens Pays-Bas entre la fin du XVe et le milieu du XVIIe siècle. L'analyse se centre sur la reconstitution des contextes sociaux et culturels dans lesquels les poèmes étudiés ont vu le jour, tout en abordant également leurs aspects littéraires (genre, modèles, ton, motifs) et les représentations mentales dont ils se font le reflet (les images de l'enfant, de la femme, de la vie, de la mort et du destin, les convictions en matière de religion, d'astrologie, de médecine...).‘Aux rives de la lumière' provides a detailed analysis of fifty genethliac poems (poems on the occasion of the birth of a child) by famous and less famous humanists such as Jacobus Meyers, Petrus Nannius, Hugo Grotius, Ferdinand Verbiest, Constantin Huygens and others, composed in Latin in the Low Countries between the late fifteenth and the mid-seventeenth century.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

TWO-VOLUME SET! Buy volume 4, I & 4, II together and receive € 20 discount. You only pay €109 instead of € 129! >Ce second tome du quatrième volume rassemble trente-neuf textes de Lyotard qui concernent vingt-six artistes contemporains importants et novateurs : Luciano Berio, Richard Lindner, René Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, François Lapouge, Sam Francis, André Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberg Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brøgger, François Rouan, Pierre Skira et Béatrice Casadesus. Plusieurs de ces textes sont des contributions à des catalogues dont certains sont inaccessibles ou introuvables. Ce volume est illustré par plus de soixante images, pour la plupart en couleur, d'oeuvres d'art commentées par Lyotard dans ces textes. On comprend que Lyotard, au titre d'une esthétique de la présence matérielle, favorise la peinture. L'art de peindre, pour qu'il y ait présence, doit se rendre à ce rien qui vibre entre le vide et le plein, un air, un clinamen, un neutre, une nuance, un timbre.This second book of the fourth volume in the series brings together thirty-nine essays by Lyotard that deal with twenty-seven influential and innovative contemporary artists: Luciano Berio, Richard Lindner, René Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, François Lapouge, Sam Francis, André Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberg Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brøgger, François Rouan, Pierre Skira, and Béatrice Casadesus. Some of these texts were originally written as contributions to catalogues; others were published in now-inaccessible journals. This volume is illustrated with more than sixty images, mainly in colour, of works of art discussed by Lyotard in these writings.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

Although largely overlooked in studies of architectural history, church architecture in a Gothic idiom outlived its 19th century momentum to persist worldwide throughout the 20th century and into the new millennium. Global Gothic presents a first systematic worldwide understanding of Gothic in contemporary architecture, both as a distinct variation and as a competitor to recognized modern styles. The book's chapters critically discuss Gothic's various manifestations over the past century, describing and illustrating approaches from Gothic Revival living traditions in the former British Empire and original Gothic appropriation in Latin America to competitions of European builders in former Asian and African colonies. The focus is also on the special appropriations in North America, China and Japan, as well as contemporary solutions that tend to be transnational in style. With contributions from renowned architecture experts from around the world, Global Gothic provides an overview of this cultural phenomenon and presents a wealth of stunning material, much of it little known. Richly illustrated in full color, it offers an important contribution to colonial and postcolonial global art history and a seldom acknowledged perspective on art history in general. Contributors: Barbara Borngasser (Technische Universitat Dresden), Martin M. Checa-Artasu (Metropolitan Autonomous University, Mexico City), Thomas Coomans (KU Leuven), Pedro Guedes (University of Queensland), Bruno Klein (Technische Universitat Dresden), Bettina Marten (Technische Universitat Dresden), Olimpia Niglio (Hosei University Tokyo), Peter Scriver (University of Adelaide), Amit Srivastava (University of Adelaide)

Read more less

Final volume in the series 'Jean-François Lyotard: Ecrits sur l'art contemporain et les artistes / Writings on Contemporary Art and Artists'!Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian". Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a "modern contemporary surrealism". Both Lyotard and Monory live the "dilemma of Americanisation", the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of difference: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis. Sarah Wilson's epilogue thoroughly outlines both the history of a friendship, and at the same time the intellectual and artistic climate of the nineteen-seventies.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

Based on the cultural insight that ‘historism’ – understood as the projection of the past into the present by artistic means, or the ‘invention of tradition’ – always occurs in close connection with the emergence of nation states, this volume describes for the first time the cultural and denominational character and development of the Maas-Rhine region during the period between the French Revolution and the First World War. Seventeen contributions shed new and revealing light on the cultural identity of this Catholic-dominated core region of Europe, using the defining term ‘historism’ as the historiographical element that unifies the book’s four sections (Social and Church Historical Context, The Organisational Structure of Ecclesiastical Art, Centres of Art, ‘Grenzgänger’: between Theory and Praxis).

Read more less

First English-language book on the history of commercial sex in BelgiumIn 2022, the Belgian parliament made a landmark decision by approving the decriminalisation of sex work. This move positioned the small nation as the first country in Europe and the second globally to abandon the hypocrisy of tolerance. But this was not the first time paid sex in Belgium gained international notoriety. The medieval bathhouses and frows of Flanders' were well-known throughout Europe. In the nineteenth century, Belgium faced international outrage as the alleged epicentre of white slavery. Yet while Belgians were accused of forcing white women into prostitution, they were left alone when it came to the inclusion of any suspect woman in the prostitution registers of colonial Congo. Throughout the First and Second World Wars, both allied and German soldiers sought relief in Belgian brothels. The Business of Pleasure presents the compelling life stories of sex workers

Read more less

Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance--be it mainstream or historically informed performance practices--Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology, and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike.

Read more less

The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South. Contributors: Margie Orford, Meredith Bergmann, K.E. Carver, Sasha de Buyl-Pisco, Mary Paulson-Ellis, Melissa Alvaro Mutolo, Kerri Turner, Heshani Sothiraj Eddleston, Joanie Conwell, Dilys Rose Alison Jones, Sim Bajwa, Hilaire, Tara Pixley, Leonie Mhari, Kate Feld, Millie Earle-Wright, Helen Boden, Elif Sezen, Rebecca Vedavathy, Irene Hossack, SE Craythorne, Roisin Kelly, Nkateko Masinga, Elaine Gallagher, Ildiko Nova, Rachel Roberts, susan c. dessel, Savanna Scott Leslie, Heather Pearson, Eva Moreda Rodriguez, Tanya Krzywinska, Siris Gallinat, Clare Archibald, Maya Mackrandilal, Zuhal Feraidon, Anna Brazier, Shirley Day, Treasa Nealon, Satdeep Grewal, Lucy Walters, Priyanthini Guns, Kate Schneider, Alana Tyson, Jayde Kirchert, Boris Eldagsen, Brenda Rosete, Victoria Duckett, Patricia Allmer, JL Williams, Carly Brown, Sotiria Grek, Sepideh Jodeyri, Brooke Bolander, Maria Stoian, Maria Fusco, Claire Askew and Marianne Boruch. This book emerges from the Dangerous Women Project. For more information, visit dangerouswomenproject.org

Read more less

The waning influence of the Catholic church in the ethical and political debate For centuries the Catholic Church was able to impose her ethical rules in matters related to the intimate, that is, questions concerning life (from its beginning until its end) and the family, in the so-called Catholic countries in Western Europe. When the polity started to introduce legislation that was in opposition to the Catholic ethic, the ecclesiastical authorities and part of the population reacted. The media reported massive manifestations in France against same-sex marriages and in Spain against the de-penalization of abortion. In Italy the Episcopal conference entered the political field in opposition to the relaxation of several restrictive legal rules concerning medically assisted procreation and exhorted the voters to abstain from voting so that the referendum did not obtain the necessary quorum. In Portugal, to the contrary, the Church made a “pact” with the prime minister so that the law on same-sex marriages did not include the possibility of adoption. And in Belgium the Episcopal conference limited its actions to clearly expressing with religious, legal, and anthropological arguments its opposition to such laws, which all other Episcopal conferences did also.In this book, the authors analyse the full spectrum of the issue, including the emergence of such laws; the political discussions; the standpoints defended in the media by professionals, ethicists, and politicians; the votes in the parliaments; the political interventions of the Episcopal conferences; and the attitude of professionals. As a result the reader understands what was at stake and the differences in actions of the various Episcopal conferences. The authors also analyse the pro and con evaluations among the civil population of such actions by the Church. Finally, in a comparative synthesis, they discuss the public positions taken by Pope Francis to evaluate if a change in Church policy might be possible in the near future.Research by GERICR (Groupe européen de recherche interdisciplinaire sur le changement religieux), a European interdisciplinary research group studying religious changes coordinated by Alfonso Pérez-Agote. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Céline Béraud (Université de Caen), Annalisa Frisina (Università degli Studi di Padova), Franco Garelli (Università degli Studi di Torino), Antonio Montañés (Universidad Complutense de Madrid), Enzo Pace (Università degli Studi di Padova), Philippe Portier (École pratique des hautes études, Paris-Sorbonne), Jose Santiago (Universidad Complutense de Madrid), Roberto Francesco Scalon (Università degli Studi di Torino), Liliane Voyé (Université Catholique de Louvain)

Read more less

The philosophy of Ubuntu in dialogue with Western normative ideas.Ubuntu is an African philosophical tradition that embodies the ability of one human being to empathize with another. It is the quintessence of African humanism, communalism, and belonging. As the late Archbishop Desmond Tutu anticipated, Ubuntu resonated with the moral intuition of the majority of black South Africans in the 1990s. As a result, it became the foundational ethical basis for articulating a new post-apartheid era of reconciliation and forgiveness in the face of a history marked by brutal racial violence. Yet Ubuntu, as a philosophy or ethical practice which has arguably come to represent African humanism and communalism, has not been sufficiently assimilated into contemporary philosophical scholarship.This anthology weaves interdisciplinary perspectives into the discourse on African relational ethics in dialogue with Western normative ideals across a wide range of issues, including justice, sustainable development, musical culture, journalism, and peace. It explains the philosophy of Ubuntu to both African and non-African scholars. Comprehensively written, this book will appeal to a broad audience of academic and non-academic readers.Contributors: Aboubacar Dakuyo (University of Ottawa), Brahim El Guabli (Williams College), Leyla Tavernaro-Haidarian (University of Johannesburg), Damascus Kafumbe (Middlebury College), Joseph Kunnuji (University of the Free State), David Lutz (Holy Cross College, Notre Dame), Thaddeus Metz (University of Pretoria), Emmanuel-Lugard Nduka (media practitioner), Levi U.C. Nkwocha (University of Saint Francis, Fort Wayne).This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

Read more less

The Belgian photonovel is the missing link in the amazing history of the photonovel, a comics-inspired form of visual narrative that combines elements from very different genres and media, ranging from literary melodrama, cinema, and of course comics. This monograph discloses the specific Belgian contribution to the genre, in close connection with the singularities of the Belgian women's and general magazines where these photonovels appeared. If the photonovel is generally considered a typically French or Italian genre, this study demonstrates the importance of a different tradition, which appropriated the foreign models in a very original way. Belgian photonovels are distinct, not only because they tell other kinds of stories, but also because they interact with other types of magazines in ways that are very different from the mainstream forms of the genre in Italy and France. Finally, this lavishly illustrated study is also the first in scrutinizing the technical aspects of magazine printing techniques in the development of the photonovel. Free ebook available at OAPEN Library, JSTOR, Project Muse, and Open Research Library

Read more less

Sugar, Spice, and the Not So Nice offers an innovative, wide-ranging and geographically diverse book-length treatment of girlhood in comics. The various contributing authors and artists provide novel insights into established themes within comic studies, children's comics, graphic medicine and comics by and about refugees and marginalised ethnic or cultural groups. The book enriches traditional historical, narratological and aesthetic approaches to studying girlhood in comics with practice-based research, discussion and conversation. This re-examination of girls, gender and identity in comics connects with contemporary discourse on gender identity politics. Through examples from both within Europe and the anglophone world and beyond, and including visual essays and practice-based research alongside critical theory, the volume furthermore engages with new developments in contemporary comics scholarship. It will therefore appeal to students and scholars of childhood studies, comics scholars and creators, and those interested in addressing gender identity through the prism of comics. Free ebook available at OAPEN Library, JSTOR, Project Muse, and Open Research Library Contributors: Mel Gibson (Northumbria University), Martha Newbigging (Seneca College), Maria Porras Sanchez (Complutense University of Madrid), JoAnn Purcell (York University and Seneca College), Benoit Glaude (Ghent University/University of Louvain), Sylvain Lesage (University of Lille), Joan Ormrod (Manchester Metropolitan University), Aswathy Senan (The Research Collective Delhi), Michel De Dobbeleer (Ghent University), Sebastien Conard (KASK Ghent School of Arts and LUCA Brussels), Marthine Bertiot (University of Edinburgh), Julia Round (Bournemouth University)

Read more less

History of Japanese Art after 1945 is a compilation of essays that surveys the development of art in Japan since WWII. The original Japanese work, which has become essential reading for those with an interest in modern and contemporary Japanese art and is a foundational resource for students and researchers, spans a period of 150 years, from the 1850s to the 2010s. Each chapter is dedicated to a specific period and written by a specialist. The English edition first discusses the formation and evolution of Japanese contemporary art from 1945 to the late 1970s, subsequently deals with the rise of the fine art museum from the late 1970s to the 1990s, and concludes with an overview of contemporary Japanese art dating from the 1990s to the 2010s. These three parts are preceded by a new introduction that contextualizes both the original Japanese and the English editions and introduces the reader to the emergence of the concept of art (bijutsu) in modern Japan. This English-language edition provides valuable reading material that offers a deeper insight into contemporary Japanese art. Contributors: Kitazawa Noriaki (editor), Mori Hitoshi (editor), Sato Doushin (editor), Tom Kain (translation editor), Alice Kiwako Ashiwa (translator), Kenneth Masaki Shima (translator), Ariel Acosta (translator) and Sara Sumpter (translator) Translated from the original Japanese edition published with Tokyo Bijutsu, 2014 In cooperation with Art Platform Japan / The Agency for Cultural Affairs, Government of Japan Art Platform Japan is an initiative by the Agency for Cultural Affairs, Government of Japan, to maintain the sustainable development of the contemporary art scene in Japan.

Read more less

The Christian image in the process of modern globalisation Drawing on original research covering different periods and spaces, this book sets out to appreciate the specific place of images in the history of evangelisation in the long modern period. How can we reconceptualise the functions of the visual mediation of the gospel message, both in terms of the production and reception of this message and in terms of its effective mediators, artists, religious, and cultural ambassadors? The contributions in this book offer multiple geographical and historical insights regarding the circulation of the image on the global scale of the Christianised world or the world in the process of being Christianised, from China to Iberia. Combining the contribution of historians and art historians, the authors highlight the points of intercultural encounter and tension around preaching, catechesis, devotional practices and the propagandistic use of images. Through its aesthetic and social study of the image, and by examining the inner and outer borders of Europe and the mission lands, Eloquent Images contributes significantly to the history of evangelisation, one of the major dynamics of the first European globalisation. Contributors: Pierre-Antoine Fabre (EHESS, Paris), Clara Lieutaghi (EHESS Paris), Silvia Notarfonso (Universita di Macerata), Silvia Mostaccio (UCLouvain), Mauro Salis (Universita di Cagliari), Valentina Borniotto (Universita di Genova), Gwladys Le Cuff (Paris-Sorbonne - EHESS Paris), Mauricio Oviedo Salazar (Rijksuniversiteit Groningen), Maria Joao Pereira Coutinho (IHA/FCSH/NOVA Lisbon), Silvia Ferreira (IHA/FCSH/NOVA Lisbon), Paulo De Campos Pinto (Universidade Catolica Portuguesa), Lorenzo Ratto (Universita di Genova), Stephanie Porras (Tulane University), Arianna Magnani (Universita Ca' Foscari di Venezia), Michela Catto (Universita di Torino), Federico Palomo (Universidad Complutense de Madrid), Roberto Ricci (Istituto storico italiano per l'eta moderna e contemporanea, Roma), Francesco Sorce (independent scholar), Maria Vittoria Spissu (Universita di Bologna).

Read more less

How sound and its atmospheres transform architecture Acoustic atmospheres can be fleeting, elusive, or short-lived. Sometimes they are constant, but more often they change from one moment to the next, forming distinct impressions each time we visit certain places. Stable or dynamic, acoustic atmospheres have a powerful effect on our spatial experience, sometimes even more so than architecture itself. This book explores the acoustic atmospheres of diverse architectural environments, in terms of scale, function, location, or historic period--providing an overview of how acoustic atmospheres are created, perceived, experienced, and visualized. Contributors explore how sound and its atmospheres transform architecture and space. Their essays demonstrate that sound is a tangible element in the design and staging of atmospheres and that it should become a central part of the spatial explorations of architects, designers, and urban planners. The Sound of Architecture will be of interest to architectural historians, theorists, students, and practicing architects, who will discover how acoustic atmospheres can be created without complex and specialized engineering. It will also be of value to scholars working in the field of history of emotions, as it offers evocative descriptions of acoustic atmospheres from diverse cultures and time periods. Contributors: Anna Ulrikke Andersen (University of Oxford), Timothy Carey (Independent Scholar), Ricardo L. Castro (McGill University), Joseph L. Clarke (University of Toronto), Carlotta Daro (ENSA Paris-Malaquais), Michael de Beer (Independent Scholar), James Deaville (Carleton University), Ross K. Elfline (Carleton College), Clemens Finkelstein (Princeton University), Federica Goffi (Carleton University), Klaske Havik (TU Delft), Paul Holmquist (Louisiana State University), Pamela Jordan (University of Amsterdam), Elisavet Kiourtsoglou (University of Thessaly), Alberto Perez-Gomez (McGill University), Cecile Regnault (Lyon School of Architecture), Angeliki Sioli (TU Delft), Karen Van Lengen (University of Virginia), Michael Windover (Carleton University).

Read more less

Contrary to general belief, the history of the Florentine patriciate did not end with the establishment of the State of Tuscany under de' Medici in 1532. Proud and self-confident patricians did not become subservient courtiers overnight, but remained significantly influential for a long period. They retained their urban identity and longstanding family traditions, while acquiring noble titles, estates, and villas at the same time. The mark that these patricians continued to leave on the city's cultural and artistic life was not ignored by the Medici grand dukes; on the contrary, they embraced these manifestations by incorporating them into their own visual expressions of power and prestige. A Cultural Symbiosis highlights these artistic expressions through eight specific case studies, focusing on the Valori, Pucci, Ridolfi, Vecchietti, Del Nero, Salviati, Guicciardini, and Niccolini families. Contributors: Carla D'Arista (Columbia University), Klazina D. Botke (University of Groningen / Museum Boijmans Van Beuningen), Julia Dijkstra (Museum MORE), Sanne Roefs (Dutch Ministry of Education, Culture and Science in The Hague), Henk Th. van Veen (University of Groningen), Bouk Wierda (Classical Academy of Art in Groningen), Andrea Zagli (University of Siena)

Read more less

Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder's associative travelogue that takes Allan Sekula's sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marias, and Roland Barthes, Van Gelder develops a style both interdisciplinary and personal. Resolutely opting for an aquatic perspective, Ground Sea offers a powerful meditation on the indifference of an increasingly divided European Union with regard to considerable numbers of persons on the move, who find themselves stranded close to Calais. The contested Strait of Dover becomes a microcosm where our present global challenges of migration, climate change, human rights, and neoliberal surveillance technology converge.

Read more less

Truth happens to an idea. So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of doing and undergoing. But what do these ideas have to do with music, or with research conducted in and through music--that is, with artistic research? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience--insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself. Contributors: William Brooks (Orpheus Institute), Richard Shusterman (Florida Atlantic University), Thibault Galland (Universite Libre de Bruxelles), Ivana Miladinovic Prica (University of Arts in Belgrade), Caitlin Rowley (Bath Spa University), Nicholas Brown (Trinity College Dublin / Orpheus Institute), Winnie Huang (Orpheus Institute / Royal Conservatoire of Antwerp), Fiona Smyth and Victoria Tzotzkova (Independent Scholars), Marco Fusi (Royal Conservatoire of Antwerp), Clare Lesser (New York University Abu Dhabi), Garry Hagberg (Bard College), Ann Warde (Independent Scholar), Deniz Ertan (Independent Scholar), Ambrose Field (University of York)

Read more less

Comprehensive overview of a highly influential contemporary artist’s work Victor Burgin counts among the most versatile figures within art and visual culture since the late 1960s. His artwork both connects with and reacts to minimalism, conceptual art, staged photography, appropriation art, video art and, more recently, computer-based imaging. As a scholar his thinking is informed by phenomenology, semiotics, poststructuralism, feminist theory, and psychoanalysis.This monograph provides a comprehensive and unique overview of Victor Burgin’s body of work over the past five decades. Identifying the concept of ‘psychical realism’ as an overarching umbrella term, Alexander Streitberger traces back the artist’s parallel unfolding of practice and theory, while situating this process within various historical contexts and critical debates. Five chapters link insightful case studies to key issues such as conceptual art and situational aesthetics, the relationship between representation and politics, postmodernist concepts of space, and the digital environment of media images. The book is richly illustrated and includes a sequence from the major work Dear Urania (2016) especially designed by the artist for this book.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

The role of Christian Democracy in the collapse of the Communist BlocDebates on the role of Christian Democracy in Central and Eastern Europe too often remain strongly tied to national historiographies. With the edited collection the contributing authors aim to reconstruct Christian Democracy’s role in the fall of Communism from a bird's-eye perspective by covering the entire region and by taking “third-way” options in the broader political imaginary of late-Cold War Europe into account. The book’s twelve chapters present the most recent insights on this topic and connect scholarship on the Iron Curtain’s collapse with scholarship on political Catholicism. Christian Democracy and the Fall of Communism offers the reader a two-fold perspective. The first approach examines the efforts undertaken by Western European actors who wanted to foster or support Christian Democratic initiatives in Central and Eastern Europe. The second approach is devoted to the (re-)emergence of homegrown Christian Democratic formations in the 1980s and 1990s. One of the volume’s seminal contributions lies in its documentation of the decisive role that Christian Democracy played in supporting the political and anti-political forces that engineered the collapse of Communism from within between 1989 and 1991.Contributors: Andrea Brait (University of Innsbruck), Alexander Brakel (Konrad Adenauer Foundation, Israel), Ladislav Cabada (Metropolitan University Prague), Giovanni Mario Ceci (Università degli Studi Roma Tre / IES-Rome), Kim Christiaens (KU Leuven), Michael Gehler (University of Hildesheim), Thomas Gronier (UMR SIRICE), Piotr H. Kosicki (University of Maryland), Sławomir Łukasiewicz (John Paul II Catholic University of Lublin), Anton Pelinka (Central European University in Budapest), Johannes Schönner (Karl von Vogelsang Institute), Artūras Svarauskas (Lithuanian University of Educational Science), Helmut Wohnout (Austrian Federal Chancellery / Karl von Vogelsang Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

The degree to which the late colonial era affected Europe has been for long underappreciated, and only recently have European countries started to acknowledge not having come to terms with decolonization. In Belgium, the past two decades have witnessed a growing awareness of the controversial episodes in the country's colonial past. This volume examines the long-term effects and legacies of the colonial era on Belgium after 1960, the year the Congo gained its independence, and calls into question memories of the colonial past by focusing on the meaning and place of colonial monuments in public space. The book foregrounds the enduring presence of "empire" in everyday Belgian life in the form of permanent colonial markers in bronze and stone, lieux de memoires of the country's history of overseas expansion. By means of photographs and explanations of major pro-colonial memorials, as well as several obscure ones, the book reveals the surprising degree to which Belgium became infused with a colonialist spirit during the colonial era. Another key component of the analysis is an account of the varied ways that both Dutch- and French-speaking Belgians approached the colonial past after 1960, treating memorials variously as objects of veneration, with indifference, or as symbols to be attacked or torn down. The book provides a thought-provoking reflection on culture, colonialism, and the remainders of empire in Belgium after 1960.

Read more less

Cardinal Desire-Joseph Mercier, Archbishop of Malines, was the incarnation of the Belgian resistance against the German occupation during the First World War. With his famous pastoral letter of Christmas 1914 'Patriotisme et Endurance' he reached a wide audience, and gained international influence and respect. Mercier's distinct patriotic stance clearly determined his views of national politics, especially of the 'Flemish question', and his conflict with the German occupier made him a hero of the Allies. The Germans did not always know how to handle this influential man of the Church. Pope Benedict XV did not always approve of the course of action adopted by the Belgian prelate. Whereas Mercier justified the war effort as a just cause in view of the restoration of Belgium's independence, the Pope feared that "this useless massacre" meant nothing but the "suicide of civilized Europe". Through a critical analysis of the policies of Cardinal Mercier and Pope Benedict XV, this book sheds revealing light on the contrasting positions of Church leaders in the face of the Great War. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

Third volume in the series Dynamics of Religious Reform Piety and Modernity examines the dynamics of religious reform from the point of view of piety and devotional life between 1780 and 1920 in Britain, Ireland, Scandinavia, Germany, and the Low Countries. The ‘long' nineteenth century saw the introduction of devotional organizations as a means of channeling popular religion. This era also witnessed the translation and publication of devotional books, journals, and pamphlets on a massive scale. This edited volume explores the nature of pious reforms in such areas as liturgy, saint cults, pilgrimage, confraternities, hymns, and Bible translation, with an emphasis on the changing patterns in religious expression at the collective and individual level, the growing influence of home missions, and the relations between piety and print culture. The interaction of piety and modernity is an important theme. While individual piety was often connected with the authority of church leaders and confessional teaching, the long nineteenth century gave rise to new forms of individualism, involving grassroots initiatives. This volume offers a rich overview of a range of interrelated national practices concerning piety in the nineteenth century. Contributors Ingunn Folkestad Breisteinn (Ansgar College and Theological Seminary, Kristiansand), Mary Heimann (University of Strathclyde), Janice Holmes (The Open University in Ireland), Anders Jarlert (Lund University), F.A. (Fred) van Lieburg (University Amsterdam), Hugh McLeod (University of Birmingham), Peter Jan Margry (Meertens Institute, Amsterdam), Tine Van Osselaer (University of Leuven), Bernhard Schneider (Trier University), Johs. Enggaard Stidsen (University of Copenhagen).

Read more less

The first monograph entirely devoted to the Epicurean doctrine of minimal parts. The Epicurean doctrine of minimal parts (ta elachista) is a crucial aspect of Epicurus's philosophy and a genuine turning point compared to the ancient atomism of Leucippus and Democritus. This book consists of three chapters: a philological and theoretical analysis of the primary sources (Epicurus and Lucretius) of the doctrine, a reconstruction of its likely historical background (Xenocrates, Aristotle, Diodorus Cronus), and a close examination of the chiefly geometrical development of this theory within the philosophical school of Epicurus. The critical examination of ancient sources (including several Herculaneum Papyri), combined with a careful analysis of the secondary literature, reveals the very significant role played by minimal parts within the Epicurean science of nature. This is the first monograph entirely devoted to the study of this important doctrine in all its historical and theoretical breadth. Questo volume esamina la dottrina epicurea dei minimi (ta elachista) che rappresenta un nodo cruciale della filosofia di Epicuro e un autentico punto di svolta rispetto all'atomismo di Leucippo e Democrito. Il libro è organizzato in tre capitoli dedicati rispettivamente: (1) all'analisi filologica e teorica delle fonti primarie (Epicuro e Lucrezio), (2) alla ricostruzione del contesto storico-filosofico a cui la dottrina dei minimi verosimilmente fa riferimento (Senocrate, Aristotele e Diodoro Crono), e, infine, (3) all'approfondimento dello sviluppo della teoria dei minimi in ambito prevalentemente geometrico all'interno della scuola di Epicuro. L'esame critico delle fonti antiche (che riguardano anche alcuni Papiri Ercolanesi), anche attraverso l'attenta analisi della letteratura secondaria, conferma il ruolo decisivo giocato dai minimi nella scienza della natura epicurea. Si tratta della prima monografia interamente consacrata allo studio di questa significativa dottrina in tutta la sua ampiezza storica e teorica. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

During the battle of the Teutoburg Forest, or clades Variana (9 AD), an alliance of Germanic tribes led by the German "hero" Arminius defeated three Roman legions and their auxiliaries led by Publius Quinctilius Varus. Despite numerous campaigns and raids by the Roman army over the Rhine in the years after the battle, the Romans were to make no more concerted attempts to conquer and hold Germania beyond the river.On the occasion of the two-thousandth anniversary of the clades Variana in 2009, the Academia Latinitati Fovendae (Rome) organized a congress in Regensburg, Germany. This book, based on the proceedings of that event, contains not only various contributions on the Augustan and Tiberian literature related to the German victory (Manilius, Velleius Paterculus), but also some revealing case studies on the reception of Arminius in later times, in history, and in Neo-Latin and in vernacular letters. All texts are written in Latin.

Read more less

Developments in church-state relationships in north-western Europe between 1780 and 1920 had a substantial impact on reformist ideas, projects and movements within the churches. Conversely, the dynamics of ecclesiastical reform prompted the state itself to react in various ways, through direct intervention or by adapting its policies and/or promulgating laws. To which extent did church and state mutually influence each other in matters concerning ecclesiastical reform? How and why did they do so? These are the central questions posed in The Churches, the second volume in the series ‘Dynamics of Religious Reform'. The volume concentrates on the reforms generated by the churches themselves and on their response to the political and legal reforms initiated by the state. It shows how processes of church reform evolved differently in different countries. The position and role of organised religion in the modern state is a matter of continual debate. This volume offers historical insight into the enduring but sometimes uneasy relationship between church and secular authority.

Read more less

The question of the political relevance of philosophy, and of the role which the philosopher should play in the government of his state, was often discussed in Antiquity. Plato’s ideal of the philosopher-king is well-known, but was precisely his failure to realise his political ideal in Syracuse not the best argument against the philosopher’s political engagement? Nevertheless, Plato’s ideal remained attractive for later Greek thinkers. This is illustrated, for instance, by one of Plutarch’s short political works, in which he tries to demonstrate that the philosopher should especially associate with powerful rulers, because he can in this way exert the greatest positive influence on his society and at the same time maximise his personal pleasure. This study provides a thorough analysis of Plutarch’s Maxime cum principibus philosopho esse disserendum. A lengthy general introduction deals with the author and the text and discusses each step in Plutarch’s argumentation in detail. A systematic lemmatic commentary then provides a systematic complement to the previous analysis of the work, dealing with many problems of textual criticism, explaining all kinds of realia, and discussing a great number of passages through parallels from Plutarch’s own oeuvre and from other authors.

Read more less

In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800–1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame

Read more less

Henry of Ghent's Quodlibet XV, his last Quodlibet before his death, was composed sometime after the fall of Acre (May 10, 1291) and Nicolas IV's letter Illuminet super nos (sent on August 1, 1291), both of which are referred to in this Quodlibeta. This Quodlibet would have been prepared for distribution shortly after the public disputation was delivered, either in Advent of 1291 or Lent of 1292. The sixteen questions treat a range of issues, e.g. the immaculate conception, the omnipotence of God, the nature of an "instance", the absolute and ordained powers of the pope and the nature of a just war. The positions of Henry in Quodlibet XV were influential. For example, nearly a century after its composition, Thomas de Rossy refers to this text of Henry in his De conceptione Virginis Immaculatae. The text was reconstructed based upon manuscripts copied from a first Parisian university exemplar, manuscripts whose model was probably a second Parisian university exemplar, and a manuscript which was in the possession of Godfrey of Fontaines, whose model may have been a nearly completed version of what would ultimately be a source of the first Parisian exemplar.

Read more less

In this photo book, Els Vanden Meersch investigates the latent presence of violence and dominance in the everyday reality of the urban fabric. Subtle images contain combinations of banal details, through which emerges a restrained tension that points at the paranoid as it is felt in architecture. Control mechanisms such as surveillance cameras, spy holes and rear-view mirrors are set against one another.They gradually raise the stakes towards displaying an impenetrable control system that is built on the principles of military architecture, sophisticated technology and compelling viewing apparatuses. In this machine of anxiety, both the operator of the system and its target remain invisible. An aimless matrix of meaning appears, in which a mirror reveals as much as a dead-end corridor. In an astutely accurate way, this book offers a representation of what cannot be outspoken or imagined but which inevitably has happened.This book contains an essay by Hilde Van Gelder, and a poem by Alice Evermore.

Read more less

The first multidisciplinary analysis of one of the most impactful and popular contemporary artworks of recent years.In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children’s Games, a series of works by artist Francis Alÿs (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Alÿs and his collaborators Félix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children’s stunning powers of resilience in the face of conflict.This volume provides a multidisciplinary perspective to the many layers of Children’s Games. It includes an interview with Francis Alÿs and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children’s Games at the Venice Biennale of 2022.Contributors: Francis Alÿs (artist), Gerard-Jan Claes (filmmaker, artistic director of Sabzian), Tim Ingold (anthropologist, University of Aberdeen), Zeynep Kubat (art historian, curator and writer), Karen Lang (art historian, Royal Society of Arts), Rafael Ortega (artist), Rodrigo Perez de Arce (architect, Pontificia Universidad Católica de Chile), Juan Martín Pérez García (Network for the Rights of Children in Mexico (REDIM), Giulio Piovesan (journalist and photographer), John Potter (media education, University College London), Virginia Roy (curator at the University Museum of Contemporary Art of the National Autonomous University of Mexico), Stéphane Symons (professor of philosophy, KU Leuven), Hilde Teerlinck (Han Nefkens Foundation /curator of the Belgian Pavilion at the Venice Art Biennale 2022).Ebook available in Open Access.

Read more less

Black Matrilineage, Photography, and Representation questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities. The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration. This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy. This book emerges from the project Women Picturing Revolution. For more information, visit womenpicturingrevolution.com Contributing authors: Tomi Akitunde (founder and editor-in-chief of mater mea), Grace Aneiza Ali (New York University), Emily Brady (University of Nottingham), Lesly Deschler Canossi (Women Picturing Revolution), Nicole J. Caruth (independent curator), Haile Eshe Cole (University of Connecticut), Atalie Gerhard (Saarland University), Kellie Carter Jackson (Wellesley College), Rachel Lobo (York University), Zoraida Lopez-Diago (Women Picturing Revolution), Salamishah Tillet (Rutgers University), Scheherazade Tillet (A Long Walk Home), Brie McLemore (University of California, Berkeley), Renee Mussai (Autograph London), Marly Pierre-Louis (independent curator), Jonathan Michael Square (Parsons School of Design), Susan Thompson (independent curator), Jennifer Turner (Hollins University), Sasha Turner (Johns Hopkins University), Rhaisa Kameela Williams (Princeton University) Contributing artists: Nydia Blas, Samantha Box, Renee Cox, Andrea Chung, Nona Faustine, Adama Delphine Fawundu, vanessa german, Ayana V. Jackson, Lebohang Kganye, Deana Lawson, Qiana Mestich, Marcia Michael, Zanele Muholi, Wangechi Mutu, Keisha Scarville, Mickalene Thomas, Mary Sibande, Carrie Mae Weems, Deborah Willis.

Read more less

There is little dispute that photography is a material practice, and that the photograph itself is ineluctably material. And yet matter, material, and materiality have proven to be remarkably elusive terms of inquiry, frequently producing studies that are disparate in scope, sharing seemingly little common ground. Although the wide methodological range of materialist study can be dizzying, it is this book's contention that that multiplicity is also the field's greatest asset, keeping materialist inquiry enduringly vibrant--provided that varying methods are in close enough proximity to converse. Photography's Materialities orchestrates one such conversation. Juxtaposing the insights of theorists like Lacan, Benjamin, and Latour beside close studies of crime, spirit, and composite photography, among others, this collection aims for a productive synergy, one capacious enough to span transatlantic spaces over the long nineteenth century. Contributors: Kris Belden-Adams (University of Mississippi), Maura Coughlin (Bryant University), David LaRocca (independent scholar), Jacob W. Lewis (University of Rochester), Mary Marchand (Goucher College), Zachary Tavlin (Art Institute of Chicago), Christa Holm Vogelius (University of Copenhagen)

Read more less

Catholic missionaries in the revolutionary movements of the 1970s and 1980s in Guatemala.In Guatemala, the 36-year armed conflict from 1960 to 1996 claimed 200,000 lives, over two per cent of the population, and displaced a million more. In the 1970s and the 1980s the widespread and violent repression of social movements fighting for justice and human rights reached unimaginable proportions, involving assassinations, disappearances, and exile. Even parts of the Church, traditionally considered an ally of the powerful and the wealthy, were not spared this fate.Missionaries and Resistance in Guatemala chronicles the involvement of certain Catholic missionaries in popular and revolutionary movements. Based primarily on their own accounts, it narrates their gradual progression from conservative theological and pastoral practices to radical positions, informed by their solidarity with the poor and a theology of liberation. Their stories are situate

Read more less

A panoramic picture of international politics and the formation of the modern StateThe opposition to the omnipotence of the State – as symbolised by Thomas Hobbes’ Leviathan (1651) – had a significant impact on the political organisation of European society. A liberal strategy intended to provide a protective legal status for individual citizens, whereas a social strategy aimed to strengthen the social fabric to counterbalance the power of the State. Gradually both strategies became interwoven. The Struggle with Leviathan pays special attention to the social strategy, developed by conservative and ecclesiastical circles against the omnipotence of the State, and is structured around the fascinating biography of the Austrian diplomat Gustav von Blome, a grandson of Metternich and an important opponent of Bismarck. He proved to be a transitional figure between aristocratic conservatism and Christian democracy, which had a great influence on European integration after 1945.Besides Blome, several other dramatis personae – statesmen, prelates, political and social activists – are featured. As a result the book reads like a compelling narrative. At the same time, it offers a broadly sketched historical fresco of international politics and the gradual formation of the modern State. The original Dutch edition of this book, Het gevecht met Leviathan, has been highly praised in the Dutch and Flemish press, and was awarded the biennial international Arenberg Prize for European History and Culture.

Read more less

In recent decades, architecture has been seen as a field of practice that contributes greatly to the performativity of public space. In spite of the explosion of virtual communities through social media and the limitations imposed by pandemics, architecture today still holds an active role in (literally) building our societies. Bearing in mind its acute politicisation in past years, Living Politics in the City looks at public space from the perspective of architecture and its effective contribution, not as a prop but as an actual catalyst for embodying politics. The essays gathered here span five continents, activating various disciplinary approaches to architecture and examining it in different contexts: from a Palestinian refugee camp to the most vibrant urban axis in Sao Paolo, from the numerous city squares around the world crowded with rebellious populations, to the proximal politics of housing in Australia. Contributors: Endriana Audisho (University of Technology Sydney), Maja Babic (Charles University ), Alexandra Biehler (Ecole Nationale Superieure d'Architecture de Marseille), Tracey Bowen (University of Toronto Mississauga), Etienne Delprat (Rennes 2 University), Claudia Faraone (IUAV Venice School of Architecture, ETICity), Caterina Frisone (Oxford Brookes University), Catherine Grout (ENSAPL Lille), Pavel Kunysz (University of Liege), Flavia Marcello (Swinburne University of Technology), Eric Le Coguiec (University of Liege), Tova Lubinsky (University of Technology Sydney), Giovanna Muzzi (IUAV Venice School of Architecture, ETICity), Can Onaner (Ecole Nationale Superieure d'Architecture de Bretagne), Shadi Saleh (KU Leuven), Frederic Sotinel (Ecole Nationale Superieure d'Architecture de Bretagne), Karolina Wilczynska (Adam Mickiewicz University), Ian Woodcock (Swinburne University of Technology)

Read more less

This compelling publication traces the broad arc of photography's development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy - the writings of Roland Barthes, Jean Baudrillard, and Jacques Ranciere - to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown.

Read more less

Reckoning with colonial legacies in Western museum collections What are the possibilities and limits of engaging with colonialism in ethnological museums? This book addresses this question from within the Africa department of the Ethnological Museum in Berlin. It captures the Museum at a moment of substantial transformation, as it prepared the move of its exhibition to the Humboldt Forum, a newly built and contested cultural centre on Berlin's Museum Island. The book discusses almost a decade of debate in which German colonialism was negotiated, and further recognised, through conflicts over colonial museum collections. Based on two years of ethnographic fieldwork examining the Museum's various work practices, this book highlights the Museum's embeddedness in colonial logics and shows how these unfold in the Museum's everyday activity. It addresses the diverse areas of expertise in the Ethnological Museum - the preservation, storage, curation, and research of collections - and also draws on archival research and oral history interviews with current and former employees. Working through Colonial Collections unravels the ongoing and laborious processes of reckoning with colonialism in the Ethnological Museum's present - processes from which other ethnological museums, as well as Western museums more generally, can learn. Free ebook available at OAPEN Library, JSTOR, Project Muse, and Open Research Library

Read more less

In his encyclical Aeterni Patris (1879), Pope Leo XIII expressed the conviction that the renewed study of the philosophical legacy of Saint Thomas Aquinas would help Catholics to engage in a dialogue with secular modernity while maintaining respect for Church doctrine and tradition. As a result, the neo-scholastic framework dominated Catholic intellectual production for nearly a century thereafter. This volume assesses the societal impact of the Thomist revival movement, with particular attention to the juridical dimension of this epistemic community. Contributions from different disciplinary backgrounds offer a multifaceted and in-depth analysis of many different networks and protagonists of the neo-scholastic movement, its institutions and periodicals, and its conceptual frameworks. Although special attention is paid to the Leuven Institute of Philosophy and Faculty of Law, the volume also discloses the neo-Thomist revival in other national and transnational contexts. By highlighting diverse aspects of its societal and legal impact, Neo-Thomism in Action argues that neo-scholasticism was neither a sterile intellectual exercise nor a monolithic movement. The book expands our understanding of how Catholic intellectual discourse communities were constructed and how they pervaded law and society during the late 19th century and the first half of the 20th century. Contributors: Philippe Chenaux (Pontifical Lateran University), Jo Deferme (?), Kwinten Dewaele (KU Leuven), Vincent Genin (KU Leuven), Emiel Lamberts (KU Leuven), Faustino Martinez Martinez (Universidad Complutense de Madrid), Erik Sengers (Tilburg School of Catholic Theology), Jakub Stofanik (Masaryk Institute Prague), Cinzia Sulas (Sapienza Rome), Kasper Swerts (ADVN/Antwerp University)

Read more less

Articles 56-59 of Henry of Ghent's Summa is devoted to the trinitarian properties. Henry was the most important Christian theological thinker in the last quarter of the 13th century and his works were influential not only in his lifetime, but also in the following century and into the Renaissance. Henry's Quaestiones ordinariae (Summa), articles 56-59 deal with the trinitarian properties and relations, topics of Henry's lectures at the university in Paris. In these articles, dated around 1286, Henry treats generation, a property unique to the Father, and being generated, a property unique to the Son. The university in Paris distributed articles 56-59 by means of two successive exemplars divided into peciae. Manuscripts copied from each have survived and the text of the critical edition has been established based upon the reconstructed texts of these two exemplars.

Read more less

From its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media. Whether looking at a portrait image on the polished silver surface of the daguerreotype, or a viral image on the reflective glass of the smartphone, the experience of looking at photographs and thinking with photography is inseparable from the idea of ubiquity--that is, the apparent ability to be everywhere at once. While photography's distribution across cultures today is undeniable, the insidious logics and pervasive myths that have governed its spread demand our critical attention, now more than ever. Free ebook available at OAPEN Library, JSTOR and Project Muse Contributors: Kate Palmer Albers (Whittier College), Ariella Aisha Azoulay (Brown University), Maura Coughlin (Bryant University), Niharika Dinkar (Boise State University), Michelle Henning (University of Liverpool), Jacob W. Lewis (University of Rochester), Mohammadreza Mirzaei (University of California, Santa Barbara), Joseph Moore (independent artist), Derek Conrad Murray (University of California, Santa Cruz), Kyle Parry (University of California, Santa Cruz), Annie Rudd (University of Calgary), Mette Sandbye (University of Copenhagen), Catherine Zuromskis (Rochester Institute of Technology)

Read more less

Interdisciplinary approach to the Iberian and Italian perceptions and representations of the Battle of Lepanto and the Muslim “other” The Battle of Lepanto, celebrated as the greatest triumph of Christianity over its Ottoman enemy, was soon transformed into a powerful myth through a vast media campaign. The varied storytelling and the many visual representations that contributed to shape the perception of the battle in Christian Europe are the focus of this book. In broader terms, Lepanto and Beyond also sheds light on the construction of religious alterity in the early modern Mediterranean. It presents cross-disciplinary case studies that explore the figure of the Muslim captive in historical documentation, artistic depictions, and literature. With a focus on the Republic of Genoa, the authors also aim to balance the historical scale and restore the important role of the Genoese in the general scholarly discussion of Lepanto and its images.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less

The fascinating story of four ambitious Belgian religious women in a male worldNineteenth-century female congregation founders could achieve levels of autonomy, power and prestige that were beyond reach for most women of their time. This book recounts the fascinating but ambiguous life stories of four Belgian religious women, hidden for a long time behind a curtain of modesty and mystery. A close reading of their personal writings unveils their conflicted existence: ambitious, socially committed, and audacious on the one hand, suffering, isolated, and dependent on men on the other, they were both victims and promotors of a nineteenth-century ideal of female submission. As religious and social entrepreneurs these women played an influential role in the revival of the Church and the development of education, health care and social provisions in modern Belgium. But, equally well, they were bound to rigid gender patterns and adherents of an ultramontane church ideology that fundamentally distrusted modern society. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Read more less