Search results for ""kapon editions""

Designed to be a useful travel companion, this book’s descriptions and interpretative analyses help show the monuments in a new way, through an understanding of the historical, artistic and political events that contributed to their creation. Through the text and the illustrations we get to know the gods and heroes who were worshipped on the Acropolis, the leaders who envisaged the major projects, the artists who brought them to fruition, as well as the innovative ideas they applied, and the Athenian citizens who admired and enjoyed these achievements. 95 colour illustrations. Russian language edition

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Memories of the journalistic friendship between Maria Karavia and Yannis Tsarouchis. A commemoration of the unforgettable artist, Yannis Tsarouchis, whose keen intelligence and caustic wit left their mark both on modern Greek painting and Athenian society. The fruit of the author's long and productive acquaintance with Tsarouchis, the book centres on his way of thinking and his work. Interviews, brief images and reminiscences are used to build up a personal testament of the painter's life, from his conscription in the war of 1940 to the dictatorship of 1967 and self-exile in Paris; from his legendary disguises, his love of Anatolian folk dance and the Karaghiozis shadow theatre, to his years of work with the painter Photis Kontoglou; from his interest in Byzantine music, his ventures into theatrical direction in Seven against Thebes and Trojan Women to his deep concern about environmental degradation. This testimony to the man and the artist is complemented by a selection of rarely published photographs. Greek language text. 50 b&w photographs.

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout French language edition. Also available in English, German, Spanish, Russian, Chinese and Greek editions.

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The Sistine Chapel enchants the visitor by the splendid harmony it radiates as a concept fully realised, by the unmatched artistic qualities of the individual works, the profound ideas that govern the planning of the paintings and the splendid, robust and lively figures created by Michelangelo and other artists. In this book, jointly produced by the Musei Vaticani and Libreria Editrice Vaticana, the chapel' s paintings are examined in relation to the theological interpretations prevailing in that period. Many of these works have already been presented in isolation by leading experts on the chapel, with detailed descriptions and comments. However, its recent restoration makes possible a new approach to interpreting the pictures, based among other factors on the symbolism of the colours. Greek language text. 186 illus., most colour.

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This book looks at the treatment of Byzantine monuments in the first hundred years of the Greek State. It examines representative restoration interventions on Byzantine monuments in Greece and critically analyses the theoretical principles and the practices adopted.The author records the developmental course of actions taken to salvage the Byzantine heritage, both by the Greek State and by non-governmental agents. It also investigates their ideological and cultural framework, correlating this with European thought. It enhances the impact of the upgrading of Byzantium in Greece on activities for the protection, rescue and restoration of Byzantine ecclesiastical monuments.The study is based on ample archival material, which is published for the first time. This volume is an essential contribution to research into the history of Greek cultural heritage and of European restorations.English language edition

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The C4th Roman Rotunda church in Thessaloniki is the most important monument of the early Christian era. In this comprehensive monograph, Hjalmar Torp presents the findings of his life-long archaeological and iconographic research on the Rotunda. He explores the archaeological data, the various phases of the architecture, and the chronological issues of the monument. The nuanced descriptions of the mosaics, their colours and their techniques are based on a detailed scaffold review and survey. The iconography of the mosaics is then analyzed and interpreted in conjunction with historical and theological sources; the building of the palatine church and its sumptuous decoration is attributed to an initiative by Theodosius the Great. This slip-cased set of two books, abundantly documented and richly illustrated, is a unique testimony on the Rotunda. Volume One: text. Volume Two: Illustrations. 500 illustrations, many in colour. This book is only available in French.

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A completely new account of the archaeological and historical evidence which relates to Delphi - the most important place in the ancient world. Each of the three sites at Delphi - the Sanctuary of Apollo, the Sanctuary of Athena and the Gymnasium - are described in detail, along with its architectural development and the Museum, where the works of art on display can be directly related to the place in which they were found. A separate chapter discussed the Pythian festival, the oracular procedure and an interpretation of the Delphic rituals, to explain the arcane phenomena of the oracle and the enduring influence that the sanctuary had throughout ancient Greek history. Written in an accessible style, the book incorporates the results of the latest research into the sanctuary of Delphi and uses photographs to demonstrate the conservation works carried out in recent years.

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This book, a collection of studies by various different authors, approaches the Ottoman monuments of Greece as the heritage of a historical period that lends itself to multiple readings. The authors approach the subject from a wide range of disciplines, including history of art, archaeology, architecture and urban studies. Through fascinating unpublished archival photographic and epigraphic material, the writers enrich our knowledge of the emblematic Ottoman monuments of Greek cities and foreground unknown aspects of the architecture of rural Greece. In the pages of the book, the stories of places, buildings and people from the Ottoman era come alive. These stories constitute a major contribution to discussion of this special part of modern Greece’s heritage. The critical analyses renew and broaden our awareness of the fields of Ottoman studies and Greek cultural heritage.

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This is the first companion guide ever to be written on the Ashmolean's outstanding Aegean collections, the best and most comprehensive outside Greece. Comprising 12,000 objects, the Ashmolean holds a remarkable collection of Neolithic and Cycladic antiquities, the best Minoan collection outside Crete, and a comprehensive corpus of Mycenaean antiquities. It is thanks to the indefatigable work of Sir Arthur Evans, and other great Aegean pioneers, such as Sir John Linton Myres and David Hogarth, that the Ashmolean, with its rich archival resources, stands out today as one of the most important museums for the study of Aegean archaeology. The companion guide, written by top scholars in the field, takes a chronological as well as thematic approach to the study of the Aegean collections. The texts, written with the wider audience in mind, introduce readers to the history of the collection and its current display strategy, Sir Arthur Evans and his work in Crete, the world of the early Cyclades, Knossos and Minoan Crete, Mycenaean Greece, and the Aegean seals and scripts that were central in Evans's archaeological research on the island. The companion guide is beautifully designed and richly illustrated throughout. Images of the gallery, of individual objects and group shots, maps, plans, and timelines, provide the reader with the feel of the Aegean World gallery, which since its opening in 2009 has been enthusiastically received. The book follows the strategy developed specifically for the Aegean World gallery at the Ashmolean Museum: 'how we know what we know?' about Aegean prehistory, and the role of archaeologists as filters through whom our knowledge of the past is diluted and shaped. The guide also includes about 80 highlighted objects, which are accompanied with new photographs - specifically taken for this publication, a brief description and bibliography. The companion guide is published in collaboration with the Ashmolean Museum, University of Oxford.

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A completely new account of the archaeological and historical evidence relating to Delphi - one of the most important places in the ancient world. Each of the three sites at Delphi - the Sanctuary of Apollo, the Sanctuary of Athena and the Gymnasium - are described in detail, along with its architectural development and the Museum, where the works of art on display can be directly related to the place in which they were found. A separate chapter discusses the Pythian festival, the oracular procedure and an interpretation of the Delphic rituals, to explain the arcane phenomena of the oracle and the enduring influence that the sanctuary had throughout ancient Greek history. Written in an accessible style, the book incorporates the results of the latest research into the sanctuary of Delphi and uses photographs to demonstrate the conservation works carried out in recent years.

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Mycenae, in the north-eastern corner of the plain of Argos in Greece, built atop a natural stronghold, became the preeminent centre of the advanced culture that dominated mainland Greece from the C16th BC to the C12th BC, the Mycenaean civilization. This new book, lavishly illustrated in full colour throughout, offers a full picture of the archaeological site of Mycenae and its local museum, and describes the basic cultural expressions of the Mycenaean world. Concise texts, colour pictures and original photographic compositions highlight the imposing walls and buildings of the acropolis, the tombs of the Mycenaean rulers, and the museum exhibits, all of which represent various aspects of life and death in the Mycenaean world. Items described and illustrated range from wall-paintings, vases and idols to weapons and precious works of art in gold and ivory. In addition, the book offers an overview of Mycenae through the centuries, beyond Prehistory, until modern times and the excavations at the site. The presentation of the exhibits in the book follows the arrangement of the museum at Mycenae. At the same time, the reader will have the opportunity of an overall view of the achievements of the Mycenaean era, not only of those housed in the Mycenae Museum, but also of all those that vividly reflect the wealth and splendour of this culture. Colour illustrations throughout Greek language edition (an English language edition, ISBN 9786185209636, is also available from the same publisher)

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In The Story of Lemnos Dimitris Plantzos has written the long history of the relatively unknown and, until recently, somewhat ignored Aegean island of Lemnos. The story is a fascinating narrative, a true chronicle of the place and its people. The book is illustrated throughout in colour. Readers will find detailed information about the society, economy, political life, art, and the intellectual output of the island over time, from the first nomadic settlements during the late Palaeolithic period (ca. 10,500 BC) up to today. There are extensive references to the prehistoric cities of Poliochni and Myrina, to the important sites of Koukonisi, Hephaestia and Kaveirion during the Archaic and Classical periods (7th-4th centuries BC), Lemnos of the Hellenistic and Roman eras, Lemnos as a Byzantine, Venetian, and Ottoman possession, and of course the life of the island and its inhabitants from the liberation of 1912-13 onwards. Finally, we get to read about Lemnos of today: places of historical importance, archaeological sites and museums, also locations of natural beauty, geological monuments and places of ecological interest, beaches and traditional settlements. The author also covers the intangible and gastronomic heritage of Lemnos, and also the music and dance tradition that is alive to this day.

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The relation between tragedy and opera is as old as opera itself. Opera was born out of experiments by Italian scholars of the Renaissance relating to the nature of ancient tragedy and ways in which it could be performed. And many works in the operatic repertoire derive their subject matter from ancient legends. This relationship is described briefly, though with full documentation, in this little volume. English and Italian bilingual text. 109 colour illustrations.

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Besides the practical and functional needs of the body which must be addressed in buildings and in the wider built environment, human communities have always wished to shelter, not only themselves but also the incomprehensible, the superior and the mysterious. In this way they can, by specifying them, exorcise the danger posed by the invisible forces which define both the world outside and their inner psyche. Whether conceived as magic or as a religious system, the consciousness of a spiritual realm is not just a primitive stage of the intellectual development of humanity which then was replaced by a scientific approach which aims to create order from chaos, but is an ever-present internal need which is not satisfied by rational experience and knowledge. Since therefore, recourse to the metaphysical is a given, the door opens for the transcendental to enter, which itself is the foundation of metaphysics. In consequence the transcendental and the feeling of respect and sacredness which it causes are an integral part of human nature and, so too, architecture finds ways not only to accommodate it, but as far as possible, to invite it in. Modern architecture, while avowedly rejecting its relationship with the past, continues to be an art and with steady pace undertakes to accommodate the experience of the transcendental. The two authors, both architects, find that in the modern day the concepts of the sacred and the transcendental are included in the aesthetic category of 'the Sublime', which is not associated now so much with God, as with the concept of Being. The concepts thus slip into many areas of public as much as of private life. Here they dare to borrow the five principles of Longinus for successful composition and the requirement for a 'megalophrosnes apechema' (the echo of a great soul). They then parallel these principles with the creative inspiration of the architects of the 20th and 21st centuries, in their attempt to organize a vocabulary and syntax for the achievement of the sought-after 'sanctity', and as a path towards an imposing and exalted composition of space and materials. Text in Greek

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In this collective work scholars from different disciplines discuss the staging of ancient drama in Greece and abroad, as well as the architecture, restoration and use of ancient theatres, in which ancient Greek drama now finds its true "space". 80 color and 83 b/w illus. English and Greek bilingual text.

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This innovative look at ancient Greek painting combines the most complete survey to date of the painted monuments of classical antiquity with an in-depth exploration of the ways in which the people of Ancient Greece appreciated this demanding art. Plantzos looks at techniques, styles, themes and masters as well as their admirers, clients, and critics. At the same time, he discusses recent breakthroughs in archaeology, cultural studies, and art history. The book is unique in its reflections of new, multidisciplinary approaches to the material record which it combines with a more traditional, art-historical exploration; it draws on a wide range of ancient authorities – from Plato and Xenophon to Cicero, Pliny, Lucian, and Philostratus. The book covers painting in Bronze-Age Greece (Cyclades, Crete, Santorini, Mycenaean Greece); painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD. Dimitris Plantzos is the author of Greek Art and Archaeology, 1200-30 BC (Kapon Editions, 2016).

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For more than forty years the late architect, professor at the School of Fine Arts of Athens and academician, Paul Mylonas (1915-2005) systematically photographed and drew both neoclassical as well as more humble domestic buildings of Athens. This bilingual edition, edited by Maro Kardamitsi-Adami, Professor Emerita at the National Technical University, and Alexandra Karageorgou, a close collaborator of the late professor Mylonas, highlights the drawings, photographs and texts of the distinguished architect, enhanced through the results of resent research. Together they convey an image of what was then a new capital city, a place humming with a vast range of activities, one which had thrown itself with unusual zeal and notable good taste into the stimulation of authentic architecture. Published jointly by the Academy of Athens and Kapon Editions The text is presented in both Greek and English

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The core of this volume is the collection of Chian pithoi and pithos lids belonging to Angelos Vlastaris. The book also contains important ceramics from other collections, as well as a wealth of archive material. Its scope is not limited to the study of the pottery alone; it also aims to present a tangible picture of the great cultural and social flowering of Chios before the Massacre of 1822. The ceramics presented here were crafted in recent centuries but touch upon a medieval past. Their crude construction, their shape and their decoration are all features of Byzantine pithoi, attesting to an unbroken ceramic tradition. Their technical and morphological features indicate a standardised technological chaîne opératoire and a specific way of learning the craft. What is striking is the plethora of inscriptions, dates, Christian symbols and decorative motifs found on them. These ceramics express the general outward-looking spirit, the cultural and religious freedom of the period. Proceeds from the sale of the book will be donated to a non-profit institution for the study and promotion of modern Greek ceramics. Published jointly by the John S. Fafalios Foundation and Kapon Editions. Substantially illustrated in colour and black & white. The text is presented in both Greek and English.

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The history of Salonica and particularly the life of the Jewish Community are captured in picture postcards of the period 1897-1917. The illustrative material and accompanying texts are divided into eight sections: The People and their Costumes; Street Trades; Industry and Commerce; Homes and Neighbourhoods; Community Buildings and Institutions; Donme (Jews converted to Islam); Events and Prominent Figures; The Cemetery. English and Greek bilingual text. 217 colour illustrations.

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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Mycenae, in the north-eastern corner of the plain of Argos in Greece, built atop a natural stronghold, became the preeminent centre of the advanced culture that dominated mainland Greece from the C16th BC to the C12th BC. That advanced culture was named after this location—the Mycenaean civilization. This new book, lavishly illustrated in full colour throughout, offers a full picture of the archaeological site of Mycenae and its local museum, and describes the basic cultural expressions of the Mycenaean world. Concise texts, colour pictures and original photographic compositions highlight the imposing walls and buildings of the acropolis, the tombs of the Mycenaean rulers, and the museum exhibits, all of which represent various aspects of life and death in the Mycenaean world. Items described and illustrated range from wall-paintings, vases and idols to weapons and precious works of art in gold and ivory. In addition, the book offers an overview of Mycenae through the centuries, beyond Prehistory, until modern times and the excavations at the site. The presentation of the exhibits in the book follows the arrangement of the museum at Mycenae. At the same time, the reader will have the opportunity of an overall view of the achievements of the Mycenaean era, not only of those housed in the Mycenae Museum, but also of all those that vividly reflect the wealth and splendour of this culture. Colour illustrations throughout English language edition

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Photographs frame the narrative of a painful journey from Thessaloniki to Auschwitz: the loss of Renée Revah's family in the concentration camp. She promises her grandfather, the sole family member to avoid this fate, that Tehom' (biblical Hebrew for abyss') will bring him to the scene of the crime, which he had not found the strength to visit.

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Ioannina constitutes a world intertwined with its legends and the elements of nature. A city in which the lake plays a leading role, acting as a scenic artist, but also a narrator. Simultaneously, it is a city which, like the mountains surrounding it, is firmly set on the ground and, at the same time, immersed in the charm of its age-old history. Heroes, religions, myths and memories, all of which are possessions and spoils of this unique Siren, who for thousands of years now has been enticing us into listening to the song of this land.This book attempts to set out on a journey through space and time. With intermediate “stops” at the ages before and after the invention of script, the Byzantine and post-Byzantine times, the city’s conquest by the Ottomans, the reign of Ali Pasha and the Reform period to his demise and the Liberation. With “stops” at the caves of Perama and Kastritsa, Dodona —the Oracle of earth and sky, with the “high-crested” oak tree and the will of Zeus—, the Nissi (Island) —with the significant monastic state and the figures of the ancient Greek philosophers depicted on its wall paintings—, the Castle, the city of the past and the present.Man has always been at the centre of this swirl of events through space and time. It seems that his anxieties, as these were expressed in Dodona’s oracular tablets when he desperately sought prophecies, or when he silently visited a church, a mosque or a synagogue to pray, have barely changed. To him, time is no different than Plato’s perception of it: a moving image of eternity.

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The Basilica B’ in the archaeological site of Philippi dates back to the middle, approximately, of the sixth century AD and is an enigma in the history of architecture of the Justinian period of the Greek area. The present study attempts to clarify key issues of conflicting opinions that burden the relevant literature so far and to improve our knowledge on a number of unclear elements. In this context, the fact that the Basilica B’ was never completed as a building and did not function as a temple is documented, converging with the opinion of the excavator Paul Lemerle, while, at the same time, an attempt is made to determine the architect’s intentions regarding the design of the Basilica. Finally, the timeline of its construction phases is clarified and an attempt is made to determine the identity of the architect who undertook its design and construction.

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The exhibits on display in the Archaeological Museum of Thessaloniki are presented and illustrated in the pages of this Short Guide. The illustrations are accompanied by a brief explanatory text. This handy format short guide is designed to accompany visitors during their tour of the Museum, and afterwards serves as a keepsake, preserving the memory of the items displayed. The Archaeological Museum of Thessaloniki is one of the largest museums in Greece; its permanent exhibitions include unique masterpieces of ancient Greek art dating from prehistoric times to late antiquity. It holds and interprets artefacts from the Archaic, Classical, Hellenistic and Roman periods, mostly from the city of Thessaloniki but also from the region of Macedonia in general. Greek language text. 189 colour illustrations.

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The Archaeological Museum of Thessaloniki, one of the most important in Greece, houses masterpieces of Greek art associated with the history of Ancient Macedonia, from the 2nd millennium BC to the 4th century BC and the reigns of Philip II and Alexander the Great. The Guide to the Museum presents the rich, varied finds from Vergina, Sindos and Derveni and many other important Macedonian sites. Detailed illustrations accompany the descriptions of the objects on display. The introduction to Ancient Macedonia and the informative texts prefacing the descriptions of individual sections are designed to set the objects on display in their historical context, to help visitors to the Museum to enjoy the beauty of ancient art and follow the history of Macedonia.

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The North Pole, the magical kingdom of silence, has always given the impression that it would remain unchanged forever amidst its boundless tracts of ice. But the ice is beginning to melt, the icebergs of Greenland are breaking up and this legendary landscape, threatened by global warming, is gradually being destroyed. As early as the spring of 1987, Francis Latreille began to take photographs of the frozen waste of the Arctic, providing moving testimony to this alien, yet at the same time enchanting, world, and also to his admiration for those who dwell in these inhospitable regions, and their demanding way of life. Through this beautifully illustrated book, first published on the eve of the fourth International Polar Year (2007-2008), he pays tribute to the white paradise and its magical light, and to all those who live in or study the Arctic. 236 colour photograps.

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The Chronicle of Tatoϊ, Volume A 1800-1916 and Volume B 1917-2003, two-volumes, slipcased. Vol A 463pp, Vol B 323pp. 367 illustrations. A history of Tatoï, the summer palace and estate of the former Greek royal family. This book presents a detailed history of a building that was unique by virtue of the nature of its owners. The text embraces many realities simultaneously, thanks to the use of a variety of historical sources, ranging from official state documents to personal diaries and correspondence. Against a continuously renewed natural and architectural background, readers see the history unfolding of four or five generations of men, from labourers and peasants to members of the royal family. The latter are often approached by the author, through their hitherto unknown private documents and personal reminiscences, as private individuals. At the same time, Tatoï is used as a reference point through which readers follow the course of Greek political, social and diplomatic history over the period of about a century (1871-1973). Photographs, drawings and maps supplement the text. Greek language text

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Takis Tloupas was born in Thessaly, grandson of a coppersmith and son of a carpenter, and lived and worked there, in Larisa. He followed the profession of his father, and woodcarving brought him a comfortable living; until a trip to Palaios Pandeleimonas with the Mountaineering Club introduced Takis to photography. The club president was a keen amateur photographer who showed Takis his camera and how it worked. When Takis returned to Larisa he bought his first camera, and took his first photographs—of his sister, Avyi. During a trip to Paris in 1952, Takis made the decision to change his profession and on his return to Greece, he bought a Vespa scooter and began his journeys around Greece. He undertook commissions from the Forestry Inspectorate, the Mechanical Agriculture Department and the Red Cross. In 1960 the Vespa was replaced by a Deux Chevaux, and he continued to travel the whole of Greece, taking over 30,000 photographs of what he saw on his travels, of people and their lives. But it was Larisa that he photographed most as time went by, the city in which he was born and lived. This book is much more than an album of fine photographs. It demonstrates how Takis viewed nature and men through his cameras lens and provides us with the images of a world that the rest of us have not learned to see. 574 black and white photographs.

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The Cypriot Collection of the National Archaeological Museum comprises about 850 artefacts, of which several were donated by various collectors in the late 19th and early 20th century, while others, formerly illegally owned, are the product of recent confiscations. The Collection has a wealth of sculptures, pottery and terracottas, covering virtually the entire spectrum of Cypriot archaeology from the early bronze age (ca 2500 B.C.) to Roman times (4th century A.D.). The chapter on the history of the Collection was contributed by the Director of the National Archaeological Museum, Dr. Nikolaos Kaltsas. colour illustrations throughout

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English language. 6 b&w illustrations, 7 tables. Set of 3 books. ‘Linear B, a New Outlook’, by Nicholas A. Massouridis, is the product of thirty years’ study of the phonetic values of the signs of the Linear B script. Proof that Massouridis's method is correct is demonstrated by the fact that the values have been applied by his son, Pandelis Massouridis, for over ten years. They have also been applied for the first time to the reading of dedications and Linear A tablets from Ayia Triada. Readers will be enchanted by the wonderful world and descriptive wealth of the composite words of the Greek language found in the tablets, as this language evolved towards the Homeric dialect.

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Designed to be a useful travel companion, this book’s descriptions and interpretative analyses help show the monuments in a new way, through an understanding of the historical, artistic and political events that contributed to their creation. Through the text and the illustrations we get to know the gods and heroes who were worshipped on the Acropolis, the leaders who envisaged the major projects, the artists who brought them to fruition, as well as the innovative ideas they applied, and the Athenian citizens who admired and enjoyed these achievements. 95 colour illustrations. French language edition. Also available in English, Greek, Russian, Spanish and German.

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200 colour illustrations, 2 b&w. Fashion and opera are natural arenas for collaboration. The most theatrical of arts has inspired the most visionary fashion designers. Top designers such as Zandra Rhodes, Carl Lagerfeld, Georgio Armani, Marc Bohan, Gianni Versace, Viktor & Rolf, Miuccia Prada, Emanuel Ungaro and Christian Lacroix have made successful sorties as costumiers for operas all over the world. This sumptuous book profiles leading figures in the world of fashion, together with their dazzling costume designs. Interviews illuminate the journey that led each to the opera and the challenges of working in a new medium. The book includes designs for Don Giovanni, Carmen, Aida, Così fan tutte, The Magic Flute and many other operas staged at such opera houses as the Royal Opera House in Covent Garden, La Scala, the Metropolitan Opera, the Arènes de Nîmes and more. Includes over 200 illustrations, including designers' sketches and photographs of the costumes on stage. Greek language text.

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The thirteen-centuries-old church of Hagia Sophia, dedicated to the Holy Wisdom of God, has been the focus of scholarly interest and debate since the nineteenth century, generating a remarkably rich bibliography both Greek and foreign. However, until now there was no publication aimed at the visitors to this monument. This book fills the need for an informative guidebook, examining all aspects of the subject of the history of the church, its decoration, and its reception throughout history.

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For many centuries, chests were the only items of storage furniture to be found in the Greek home. Highly valued as a functional item, their connection with a wide range of everyday events and the most important stations in a person’s life (birth, marriage and death) gave the chest, from a very early date, a profound, symbolic meaning in the imagination of the Greek people. The important functional role of the chest is apparent in its decoration, which generally reflects beliefs and faith. These beliefs differ from place to place, and this can be seen in the different manner of decoration, which may also depend on general historic and social circumstances and events, as well as the artistic tradition of the region. Drawing on rich seams of Greek folklore and the fruits of many years of field research in every corner of Greece, the book offers an in-depth interpretation of the wealth of decoration found on chests. Preface by Angelos Delivorrias, Director of the Benaki Museum; Foreword by Ioanna Papantoniou, President of the Peloponnesian Folklore Foundation. Over 500 colour illustrations.

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Many visitors to the former royal estate at Tatoi know nothing about the identity of the buildings and the history of the estate that was the setting for crucial episodes of the recent national past. This tour in time and space, divided into brief sections each one dealing with a different aspect of Tatoi, provides an easy and pleasant introduction to Tatoi. Part I presents the historical dimension, while Part II guides the visitor around the estate and describes each one of the historical buildings. The work is lavishly illustrated with maps, photographs and architectural plans, as well as the author’s own drawings. 120 b&w illustrations. Text in Greek

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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358 colour illustrations and 38 b&w drawings. Distributed by University of Exeter Press. This volume fills a major gap: there are no modern publications describing the mosaics of the major Byzantine monuments of Thessaloniki aimed at the contemporary reader, both specialist and layman.

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Month after month over the course of 11 years, artist Judith Allen-Efstathiou has been drawing the wildflowers that grow along an ancient stone-paved footpath near her home on the Greek island of Kea. The drawings document the path and its plants, both endangered by the encroachment of a road. The result of her work, Mapping the Walk, is a gorgeous, lavishly illustrated book that takes the reader on a journey along this path. With the artist as guide, we pass the ancient stone Lion of Kea, enter an intimate world of delicate beauty, and experience the extraordinary wealth of the wildflowers of Greece. Illustrated with 53 full-colour botanical drawings, along with details from the artist’s sketchbook, photographs, and artwork inspired by the drawings, Mapping the Walk is both a testament to the artist’s passionate devotion to this landscape and a celebration of the beauty and resilience of nature. The larger hope for the book is that it may be a spur to the preservation not only of this ancient footpath, but of other marked hiking trails on Kea — living, national treasures, precious, priceless, and irreplaceable.

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