Search results for ""john f blair publisher""

De massa call me and tell me, "Woman, I’s pay big money for you, and I’s done dat 'cause I wants you to raise me chillum. I’s put you to live with Rufus for dat purpose. Now, if you doesn’t want whippin’ at de stake, you do what I wants." I thinks ‘bout Massa buyin’ me off de block and savin’ me from bein’ separated from my folks, and ‘bout bein’ whipped at de stake. Dere it am. What am I to do? So asks Rose Williams of Bell County, Texas, whose long-ago forced cohabitation remains as bitter at age 90 as when she was “just a ingnoramus chile” of 16. In all her years after freedom, she never had any desire to marry. Firsthand accounts of female slaves are few. The best-known narratives of slavery are those of Frederick Douglass and other men. Even the photos most people have seen are of male slaves chained and beaten. What we know of the lives of female slaves comes mainly from the fiction of authors like Toni Morrison and movies like Gone With the Wind. Far More Terrible for Women seeks to broaden the discussion by presenting 27 narratives of female ex-slaves. Editor Patrick Minges combed the WPA interviews of the 1930s for those of women, selecting a range of stories that give a taste of the unique challenges, complexities, and cruelties that were the lot of females under the “peculiar institution.” Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Black Indian Slave Narratives.

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Half a century after the publication of The Lonely Doll, Dare Wright remains a subject of fascination. A strikingly attractive woman-child—a model and fashion photographer who always saw the world through the eyes of a girl—she was the author of nineteen children’s books that are still remembered fondly by a legion of fans. Ocracoke in the Fifties, now in print for the first time, is Dare Wright’s only book for adults. First and foremost, it is a tribute to one of Dare’s favorite places. It is also a time capsule of a unique island culture just past the midpoint of the twentieth century. And surprisingly, it is a testament to the timelessness of Ocracoke—which would please Dare immensely. Ocracoke has seen its share of changes, to be sure, but readers will have no trouble recognizing the durable little island off the North Carolina coast. The Ocracoke Lighthouse, the British Cemetery, the pony herd, the white picket fences, the legend of Blackbeard, the weathered fishermen, the barefoot children—seldom have Ocracoke’s landmarks, legends, and people been portrayed so memorably as by Dare Wright’s camera and pen. Dare Wright died in 2001. Ocracoke in the Fifties will bring a twinge of nostalgia to those who loved her children’s books and introduce her to a new generation of readers. Dare Wright (1914–2001) was born in Canada on December 3, 1914. Her parents' marriage dissolved before Dare turned three, and Dare's father left with her older brother, Blaine. The children were not to reunite until they were in their twenties. Dare grew up in Cleveland, Ohio, and showed an early creative aptitude. Encouraged by her mother, the artist Edith Stevenson Wright, Dare learned to sketch, paint, write, and sew. It took the catalyst of photography for Dare to later combine these talents into her Lonely Doll book series. Moving to New York in her twenties, Dare modeled for major magazines and had small parts in theatrical productions. A stunning beauty, Dare seemed a natural for show business, but she was never comfortable performing in a public venue. Competition, whether with other actresses for roles, or with her mother as a painter, was too distressing. Instead, Dare found her niche as a photographer, first in the fashion field, and then as a children's book author. In 1941, Dare and her brother Blaine met for the first time since they had been separated as children. Blaine was handsome, witty, and everything Dare could have wished for in a sibling. Blaine introduced Dare to his RAF friend, Philip Sandeman. The two became engaged, but the wedding never transpired. The 1957 success of Dare's first book, The Lonely Doll, brought her recognition as both an author and photographer. Illustrated with Dare's haunting black-and-white photographs, the seemingly simple text touched both children and their parents. Almost fifty years later, Dare's nineteen published books continue to delight a new generation of readers.

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Williamsburg, Yorktown, and Jamestown comprise Virginia's historic triangle. Some of the most important chapters of America's history unfolded in these settlements. The region has been the scene of violent confrontations between settlers and the original natives, an emotional struggle for independence, a bitter civil war, and, most recently, a transformation into one of the country's finest examples of historic restoration. Some parapsychologists believe that spirits can be awakened by a sudden flurry of activity. With so much activity occurring throughout the area's history, it is little wonder that there are so many documented sightings of ghosts in this triangle. In this book, Jackie Behrend brings together thirty-seven of the region's most intriguing spirits. From Williamsburg come tales about the Wagon of Death, which can still be heard rolling down Nicholson Street as it brings prisoners to the gallows; the colonial celebrations that continue at the Raleigh Tavern; the residential area where all is quiet except for the ghosts still fighting the Revolutionary War; and the ongoing wedding that brings men form both sides of the Civil War together. From Yorktown come stories about the sounds that emanate from the cave where Lord Cornwallis hid during the town's siege during 1781; the mournful tune that is heard on Surrender Field; and the melancholy feeling that overcomes people retracing the path where slaves were once marched. From Jamestown comes the tale of a deserted lover's angry ghost who still haunts the banks of the James River. From Carter's Grove comes the story of a slave who still searches Old Country Road for his lost family. Just as you can step back in time by visiting the restored settlements of the historic triangle, you can now revisit the past through the stories about the ghostly spirits who haunt Williamsburg, Yorktown, and Jamestown. When Hauntings of Williamsburg, Yorktown, and Jamestown was written, Jackie Eileen Behrend was the owner of J.B. Tours, which offered guided tours of the historic Triangle. Her most popular tour, “The Haunted Williamsburg Tour”, was conducted by lantern light and featured many of the stories in this book. Jackie later moved to Ocean City, Maryland, where she led tours of Ocean City and Berlin. She now lives in Pensacola, Florida.

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In the 1930s, the Federal Writers’ Project undertook a massive effort at gathering the oral testimony of former slaves. Those ex-slaves were in their declining years by the time of the Great Depression, but Elizabeth Sparks, Elige Davison, and others like them nonetheless provided a priceless record of life under the yoke: where slaves lived, how they were treated, what they ate, how they worked, how they adjusted to freedom. Here, Belinda Hurmence presents the interviews of 21 former Virginia slaves. This is a companion volume to Hurmence’s popular collections of North Carolina and South Carolina slave narratives, My Folks Don’t Want Me to Talk About Slavery and Before Freedom, When I Just Can Remember. Belinda Hurmence was born in Oklahoma, raised in Texas, and educated at the University of Texas and Columbia University. She has written several novels for young people, including Tough Tiffany (an ALA Notable Book), A Girl Called Boy (winner of the Parents' Choice Award), Tancy (winner of a Golden Kite Award), and The Nightwalker. She now lives in Raleigh, North Carolina.

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Ironclads and Columbiads recounts the exciting battles and events that shook the coast of North Carolina during America's bloodiest war. Throughout the Civil War, North Carolina's coast was of great strategic importance to the Confederacy. Its well-protected coastline offered a perfect refuge for privateers who sallied forth and captured so many Union merchant vessels in the early days of the war that maritime insurance companies in the North went into a panic, forcing the government to mount an expedition against Cape Hatteras. North Carolina's coastal counties and the state's coastal railroad system were vital to the feeding and resupply of Robert E. Lee's army. And even after the tightening blockade and powerful Federal assaults closed off the ports of Charleston, New Orleans, and Mobile, Wilmington continued to provide a haven for blockade runners. That city eventually became the most strategically important location in the entire Confederacy. To subdue Fort Fisher, which stoutly defended Wilmington, the Union was forced to assemble what was then the largest naval and amphibious landing force in American history. William R. (Bill) Trotter is an essayist, book reviewer, and author of The Civil War in North Carolina and A Frozen Hell, among other books, as well as several short stories and novellas, and has twice been nominated for the Bram Stoker Award. He wrote a monthly column called "The Desktop General" for PC Gamer magazine until 2004. He was the first recipient of the North Carolina English Teachers' Association "Lifetime Achievement Award." He lives in Greensboro, NC.

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A longtime coast watcher tells the story of the beautiful and ever-changing coast of North Carolina—rich in culture, history, and landscape—with words and photographs. This gorgeous, richly illustrated book for visitors and residents alike details the charms and controversies of the “banks” of North Carolina. Hatcher highlights the current wonders of the famous coast, as well as an intriguing history that includes the familiar Outer Banks legendary Wright Brothers flight, the Graveyard of the Atlantic, and the picturesque lighthouses, as well as the lesser known Chitlin’ Circuit beach resort, a 1898 coup d’etat, and a controversial sea bird. Told with an ear for the native language and local lore, with a taste for the water and its riches, and above all, with an eye toward the preservation of a vanishing environment and culture, this will be the go-to book for readers who want an overview of the North Carolina coastal region.

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A young girl grows up in a family uprooted by the terror of an Islamic Revolution, where her culture, her gender, and her education are in peril.For the curious and imaginative Moji, there is no better place to grow up than the lush garden of her grandparents in Tehran. However, as she sits with her sister underneath the grapevines, listening to their grandfather recount the enchanting stories of One Thousand and One Nights, revolution is brewing in her homeland. Soon, the last monarch of Iran will leave the country, and her home and her family will never be the same.From Moji’s house on Sun Street, readers experience the 1979 Iranian revolution through the eyes of a young girl and her family members during a time of concussive political and social change. Moji must endure the harrowing first days of the violent revolution, a fraught passage to the US where there is only hostility from her classmates during the Iranian hostage crisis, her father’s detainment by the Islamic Revolutionary Army, and finally, the massive change in the status of women in post-revolution Iran. Along with these seismic shifts, for Moji, there are also the universal perils of love, sexuality, and adolescence. However, since Moji’s school is centered on political indoctrination, even a young girl’s innocent crush can mean catastrophe. Is Moji able to pull through? Will her family come to her rescue? And just like Scheherazade, will the power of stories help her prevail?

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Winner of the 2023 Pacific Northwest Book Award for poetryWinner of the Wren Poetry Prize selected by Ada Limón, Caitlin Scarano’s collection wrestles with family violence, escaping home, unraveling relationships, and the complexity of sexuality. The Necessity of Wildfire begins, “To not harm / each other is not enough. I want to love you / so much that you have no before.” These poems chase a singular, thorny question: how does where and who we came from shape who and how we love? Judge Ada Limón says the resulting collection is “hungry, clear-eyed, tough, and generous.”Scarano’s imagination is galvanized by the South where she grew up and by the Pacific Northwest where she now resides—floods and wildfires, the Salish Sea and the North Cascades, and the humans and animals whose lives intersect and collide there. In this collection, Scarano reckons with a legacy of violence on both sides of their family, the death of their estranged father, the unraveling of long-term relationships, the complexity of their sexuality, and the decision not to have children. With fierce lyricality, these poems—“stories without monsters, / stories without morals”—resist both redemption and blame, yet call in mercy.

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“Kim Powers's haunting and spellbinding novel Rules for Being Dead reads like an intoxicating blend of the best of Shirley Jackson, Alice Sebold and Fannie Flagg." —STARRED Review, Shelf Awareness It's the late 1960s in McKinney, Texas. At the downtown theater and the local drive-in, movies—James Bond, My Fair Lady, Alfie, and Dr. Zhivago—feed the dreams and obsessions of a ten-year-old Clarke who loves Audrey, Elvis, his family, and the handsome boy in the projector booth. Then Clarke loses his beloved mother, and no one will tell him how she died. No one will tell her either. She is floating above the trees and movie screens of McKinney, trapped between life and death, searching for a glimpse of her final moments on this earth. Clarke must find the shattering truth, which haunts this darkly humorous and incredibly moving novel.

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A documentary-style collection of stories, poems, essays, and interviews by Southeastern Native American women.Upon Her Shoulders is a collection of stories, poems, and prose by Southeastern Native American women whose narratives attest to the hard work and activism required to keep their communities well and safe. This collection highlights Native female voices in the Southeast, a region and its peoples rarely covered in other publications.The editors have deep roots in the scholarship and culture of Native women. Featured prominently is the Lumbee community, where two of the editors (members of the Lumbee tribe themselves) teach at the nearby University of North Carolina at Pembroke, a center for scholarship about the Lumbee people.This volume honors the Native American tradition of passing on knowledge through stories and oral histories. With contributions by both professional and everyday writers, the collection spotlights these societies that have raised girls from an early age to be independent and competent leaders, to access traditional Native spirituality despite religious oppression, and to fight for justice for themselves and other Native people across the nation in the face of legal and societal oppression.

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Across the Blue Ridge Mountains stretches a world both charming and complicated. Jeremy Jones and his wife move into a small house above the creek where his family had settled 200 years prior. He takes a job alongside his former teachers in the local elementary school and sets out on a search to understand how this ancient land has shaped its people—how it shaped him. His search sends him burrowing in the past—hunting buried treasure and POW camps, unearthing Civil War graves and family feuds, exploring gated communities and tourist traps, encountering changed accents and immigrant populations, tracing both Walmart sidewalks and carved-out mountains—and pondering the future. He meshes narrative and myth, geology and genealogy, fiddle tunes and local color in his exploration of the briskly changing and oft-stigmatized world of his native southern Appalachians and particularly the mystical Bearwallow Mountain, a peak suddenly in flux.

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“Kim Powers's haunting and spellbinding novel Rules for Being Dead reads like an intoxicating blend of the best of Shirley Jackson, Alice Sebold and Fannie Flagg." —STARRED Review, Shelf Awareness It's the late 1960s in McKinney, Texas. At the downtown theater and the local drive-in, movies—James Bond, My Fair Lady, Alfie, and Dr. Zhivago—feed the dreams and obsessions of a ten-year-old Clarke who loves Audrey, Elvis, his family, and the handsome boy in the projector booth. Then Clarke loses his beloved mother, and no one will tell him how she died. No one will tell her either. She is floating above the trees and movie screens of McKinney, trapped between life and death, searching for a glimpse of her final moments on this earth. Clarke must find the shattering truth, which haunts this darkly humorous and incredibly moving novel.

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The Gullah culture, though borne of isolation and slavery, thrived on the US East Coast sea islands from pre-Civil War times until today, and nowhere more prominently than on Hilton Head Island, SC. On this small barrier island descendants of the first generations of Gullah people continue to preserve Gullah language, customs, arts, and cuisine. The three authors of Gullah Days: Hilton Head Islanders Before the Bridge 1861-1956 are among those descendants, and in this book, they chronicle the amazing history of their secluded community from the Civil War through the 1950s, when real estate development connected Hilton Head Island to the mainland with a bridge. The history of these Gullah islanders, little celebrated until now, is an amazing American story. Hilton Head Island was one of the first areas liberated by Union troops after Fort Sumter. With plantation owners absent, the society of formerly enslaved Gullah people embarked on the activities of freedom: enlisting in fighting for the Union army; creating the first black-governed community in the South, complete with a police force; and, when formal emancipation arrived, running for office, campaigning, and voting. This book illustrates in vivid detail the story of that vibrant post-Civil War era and the tangled perils of Reconstruction that followed, along with all of the progress and setbacks of African Americans in the South over 150 years via the lives of Gullah Hilton Head Islanders. Authors rely on the historical records and amazing first-person accounts they have gathered from their relatives and other community members to tell this riveting story.

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This richly illustrated book tells the story of the successful collaboration of Jacques and Juliana Royster Busbee in the creation of a remarkable folkcraft enterprise called Jugtown. This improbable venture, founded in a most unlikely setting, has left its indelible mark on a remote Southern community. Fully illustrated with numerous black-and-white and color photographs of the place, the people who made pottery there, and the pottery produced by them, the book tells how the Busbees convinced a few of rural Moore County’s old-time utilitarian potters to make new-fangled wares for them to sell in Juliana’s Greenwich Village tea room and shop. Following New Yorkers’ wild acceptance of their primitive-looking and alluring pottery offerings, the Busbees built their own workshop in rural Moore County and called it Jugtown. Today, nearly one hundred potters make and sell their wares within a few miles of Jugtown—all because a hundred years ago, the Busbees and their Jugtown potters found a new way to make old jugs. Stephen C. Compton is an independent scholar and an avid collector of historic, traditional North Carolina pottery. Steve has written numerous articles and books about the state’s pottery. Widely recognized for his North Carolina pottery expertise, the author is frequently called upon as a lecturer and exhibit consultant and curator. He has served as president of the North Carolina Pottery Center, a museum and educational center located in Seagrove, North Carolina, and is a founding organizer, and former president, of the North Carolina Pottery Collectors’ Guild.

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Nearly two million people visit Gettysburg National Military Park annually, but most of those visitors possess only a rudimentary knowledge of the battle and restrict their travel to the well-established tourist routes. Few know the stories behind the monuments that dot the battlefield, but those back stories are often as fascinating as the story of the battle itself. In their award-winning So You Think You Know Gettysburg?, the Gindlespergers had to make difficult decisions when deciding which of the 200 sites out of the 1,300 battlefield monuments to include. At their frequent book signings in Gettysburg, customers were asking them for a second volume so visitors could learn even more about the monuments throughout the park. In So You Think You Know Gettysburg? Volume Two, the Gindlespergers have expounded on the histories of an additional 200+ park attractions. The area maps and 270+ color photographs make this guide a welcome addition for the park visitor or the armchair traveler. JAMES AND SUZANNE GINDLESPERGER are members of the Friends of Gettysburg Foundation, the Save Historic Antietam Foundation, the National Trust for Historic Preservation, and the Civil War Preservation Trust. Suzanne is a cofounder of Pennwriters, a professional organization for published and aspiring authors. James is the author of three previous Civil War books. The couple lives in Johnstown, Pennsylvania.

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Elizabeth Huntsinger, the author of two popular Low Country ghost-story collections, returns with a third volume of 18 stories. In this collection, she moves beyond local haints and tells about eerie events and unsolved mysteries from the area. Included are stories about a treasure buried along the Sampit River during the Civil War; the pirate Drunken Jack; Tom Yawkey and his beloved Cat Island; the mysterious fire that destroyed Kensington Park; the Pawleys Island Pavilion; George Trenholm and the lost money from the Confederate treasury; and the Sea View Inn on Pawleys Island. A tired, hungry slave woman, upset at being denied her supper one night, places a curse on her plantation that lasts a hundred years. At Magnolia Beach, a mermaid trapped in a bathing house gazes fervently at her storm ball and calls forth a hurricane that sets her free—and kills most members of the family that held her captive. In 1953, the lovely Fiddler’s Green washes up high and dry on the southern end of Pawleys Island. The two brothers who buy her for salvage leave the scene for only thirty minutes—just long enough to find a body hanging from the mast when they return. Actors at Georgetown’s Strand Theatre start to question their sanity one night after a performance. But then Granny Ghostbuster herself arrives to confirm the ghostly presences they feel. Popular folklorist, storyteller, and tour guide Elizabeth Huntsinger is at her best in this collection of nineteen tales from that most mysterious and haunted of places, Georgetown County.

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Award-winning husband-and-wife folklorists Randy Russell and Janet Barnett have gone to the dogs. Digging deeply through the rich field of Southern folklore, the authors have discovered that a dog's devotion to its human does not always end at the grave. Dogs can be as peculiar as people. Their relationship with humans is complex. In story after story from Southern homes, there is strong evidence that this relationship can extend beyond death. Do dogs return from the other side to comfort and aid their human companions? You bet your buried bones they do. In Ghost Dogs of the South, you'll meet the following: A stray dog that warns Kentucky coal miners of impending disaster; a literary critic of a dog with the gift of speech; a dog-snatching mermaid on the Mississippi River; a Tennessee dog that returns year after year to go trick-or-treating; a pair of Georgia hounds that stumble upon an enchanted woods; a girl whose pain is eased by the ghost of a butterfly dog. Dog ghosts (dogs that have become ghosts), ghost dogs (humans who return as ghosts in the shape of dogs), dogs that see ghosts, dogs that are afraid of ghosts—all make an appearance in these twenty stories that illuminate the shadow side of man's best friend. For several years, folklorists Randy Russell and Janet Barnett have taught a course about Southern folklore at the North Carolina Center for Advancement of Teaching in Cullowhee, North Carolina. Russell is also the author of several mysteries, including Edgar Award nominee Hot Wire.They live in Asheville, North Carolina. "Alternately eerie, funny, tragic and sentimental . . . These tales will undoubtedly delight dog lovers and will not fail to charm even the most dour skeptics of supernatural phenomena." —Publishers Weekly

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In his introduction to Prayin’ to Be Set Free, Andrew Waters likens the personal accounts of former Mississippi slaves to the music of that state’s legendary blues artists. The pain, the modest eloquence, and even the underlying vitality are much the same. What is now Mississippi wasn’t acquired by the United States until 1798, at which time it had fewer than 10,000 inhabitants, excluding Native Americans. By the Civil War, it had over 430,000 slaves and 350,000 whites. More than half the whites were members of slave-owning families. The majority of slaves worked in the cotton fields. Mississippi was known as a slave-buying frontier state, in contrast to the eastern states, which sold slaves westward. Indeed, many of the former slaves in this book speak of coming to Mississippi as children. At the height of the Depression, the out-of-work wordsmiths who comprised the Federal Writers’ Project began interviewing elderly African-Americans about their experiences under slavery. The former slaves were more than 70 years removed from bondage, but the memories of many of them were strikingly clear. The accounts from former Mississippi slaves are considered among the strongest in the entire collection. The 28 narratives presented here are the best of those. Andrew Waters is a writer and former editor. A native North Carolinian, he graduated from the University of North Carolina at Chapel Hill with Honors in Creative Writing and received a graduate degree from the University of North Carolina at Greensboro. He is the executive director of the Spartanburg Area Conservancy in Spartanburg, SC.

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Bushwhackers recounts hundreds of incidents that brought the Civil War home to the mountains of the Old North State. Some are violent, some humorous; some are heroic, some shameful. From the opening shots of the war to the vicious acts of vengeance that continued for months and even years after the war ended, Bushwhackers relates the tragic and rarely told tale of how the Civil War was fought among the proud mountain people of North Carolina. William R. (Bill) Trotter is an essayist, book reviewer, and author of The Civil War in North Carolina and A Frozen Hell, among other books, as well as several short stories and novellas, and has twice been nominated for the Bram Stoker Award. He wrote a monthly column called "The Desktop General" for PC Gamer magazine until 2004. He was the first recipient of the North Carolina English Teachers' Association "Lifetime Achievement Award." He lives in Greensboro, NC.

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Former slaves themselves—an important but long-neglected source of information about the institution of slavery in the United States. Who could better describe what slavery was like than the people who experienced it? And describe it they did, in thousands of remarkable interviews sponsored by the Federal Writers’ Project during the 1930s. More than 170 interviews were conducted in North Carolina. Belinda Hurmence pored over each of the North Carolina narratives, compiling and editing 21 of the first-person accounts for this collection. Belinda Hurmence was born in Oklahoma, raised in Texas, and educated at the University of Texas and Columbia University. She has written several novels for young people, including Tough Tiffany (an ALA Notable Book), A Girl Called Boy (winner of the Parents' Choice Award), Tancy (winner of a Golden Kite Award), and The Nightwalker. She has also edited We Lived in a Little Cabin in the Yard and Before Freedom, When I Just Can Remember, companion volumes to this book. She now lives in Raleigh, North Carolina.

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According to archivists at the Library of Congress, South Carolina is richer in folklore than any other state. After traveling almost every back road in several South Carolina counties, Nancy Rhyne wholeheartedly supports the claim. With her tape recorder in hand, the author interviewed dozens of Low Country people, finding that almost every person had a story to tell. She sought out everyone from millionaires to the humblest of coastal people. From their narratives she has fashioned a collection of stories steeped in the history and character of the Low Country. Some of the tales in this collection are humorous, some mysterious. Others are positively eerie. There are stories of killer hurricanes, bizarre voodoo practices and inexplicable happenings. Effortlessly, the author takes us from a gorgeous plantation estate of the 1850s to an overgrown and forbidding cemetery in 1979. And she never fails to keep our attention on this somewhat alien but fascinating world—a world peopled with witch doctors, ghosts, cruel overseers, slaves and world-famous personalities. Nancy Rhyne has taken scattered bits of folklore and oral narratives, combined these with her gift of storytelling, and created a wonderfully engaging book that will entertain readers for years to come.Nancy Rhyne has traveled all over the world and has collected coastal folklore on three continents, Greece, and the British Isles. But her first love is the South Carolina coast, and she has written dozens of articles and books about the area, its history, and its legends. While living in Myrtle Beach, South Carolina, she taught a course on South Carolina folklore at Coastal Carolina College in Conway. She now lives in Ft. Myers, Florida.

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Grieving her father’s death, Charlotte McConnell seeks solace at the Outer Banks inn owned by her best friend''s family, but she finds them dealing with their own family drama and soon lands in the center of an unexpected love triangle.Her hotel family welcomes Charlotte with chowder dinners and a cozy room, but her friend Evie has a looming life change of her own, and soon Charlotte seeks other attractions to navigate her grief. Will she, like in some television movie, find her way back through a romance, or are there larger forces at play on Hatteras Island? Heather Frese, winner of the Lee Smith Novel Prize and author of The Baddest Girl on the Planet, sets Charlotte on a beautifully rendered course through human frailty and longing, unrelenting science, and the awesome forces of the Carolina coast.

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A short story collection exploring cultural complexities in China, the Chinese diaspora in America, and the world at large.In a vibrant and illuminating follow-up to her award-winning story collection, Useful Phrases for Immigrants, May-lee Chai’s latest collection Tomorrow in Shanghai explores multicultural complexities through lenses of class, wealth, age, gender, and sexuality—always tracking the nuanced, knotty, and intricate exchanges of interpersonal and institutional power. These stories transport the reader, variously: to rural China, where a city doctor harvests organs to fund a wedding and a future for his family; on a vacation to France, where a white mother and her biracial daughter cannot escape their fraught relationship; inside the unexpected romance of two Chinese-American women living abroad in China; and finally, to a future Chinese colony on Mars, where an aging working-class woman lands a job as a nanny. Chai's stories are essential reading for an increasingly globalized world.

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This book is the first in a series of small, richly illustrated books about North Carolina history through the decades. Originally published as hugely popular serialized articles for Our State magazine, this book chronicles events in North Carolina in the 1940s—a decade which began with the state gearing up for war just as the last formerly enslaved person passed away. The volume is not a textbook overview of the state’s history. Rather, each chapter focuses on a lively and illuminating set of events in the era, such as the music explosion around John Coltrane and Thelonious Monk in the eastern part of the state and Earl Scruggs and traditional string band music in the west, the polio pandemic, shipbuilding in wartime, a harsh era of hurricanes and floods, as well as tobacco as the king of the farming and industrial sectors. The book contains color vintage photographs and illustrations. The author, writer, professor, and musician, Philip Gerard, has published widely, including an iconic novel about the Wilmington coup of 1898, Cape Fear Rising, and is beloved in North Carolina, especially among Our State readers.

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Winner of the Bakwin Award. Final contest judge and award-winning author Carmen Maria Machado (Her Body and Other Parties) described the work as “a wonderful debut; a collection of frank, funny, and heartbreaking stories that delve into the mire of human loneliness.” Poland’s stories usher in a world where mortal fear, the threat of violation, and the body’s looming betrayal drive us to look beyond surface appearances. In these stories, readers will find: a mosquito-borne illness invading a small southern town, forcing its inhabitants to negotiate their lust against the threats of virus-induced paralysis; a pair of newlyweds on their honeymoon at a luxury resort whose automated services quickly turn menacing; a woman whose backyard shed freezes time, forcing her to decide between her need for love and her need for escape. Poland’s stories move among richly imagined landscapes, bringing to life the deep loneliness at the heart of the modern condition and the ephemerality of the bridges we build against the dark.

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In this beautiful book of photographs and short essays, some of Appalachia’s best-known writers profile each other and the place they call home. Edited by Bloodroot novelist Amy Greene and her husband Trent Thomson, this book also features Wendell Berry, Lee Smith, Crystal Wilkinson, Ron Rash, Wiley Cash, Silas House, Jason Kyle Howard, Adriana Trigiani, and others. Part photo book, part essay collection, and all praise for the mountains and valleys of the region, this book collects some of the region’s greatest literary treasures for a generation of readers.

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From 1936 to 1938, the Federal Writers’ Project (FWP), a part of the New Deal’s Works Progress Administration, hired writers, editors, and researchers to interview as many former slaves as they could find and document their lives during slavery. More than 2,000 former slaves in 17 states were interviewed. With Weren’t No Good Times, John F. Blair, Publisher, continues its Real Voices, Real History™ series with selections from 46 of the 125 interviews now archived in the Library of Congress that were earmarked as interviews with Alabama slaves. Also included is an excerpt from Thirty Years a Slave: From Bondage to Freedom, a memoir written by Louis Hughes. This selection reveals a different aspect of the Alabama slavery experience, because Hughes was hired out by his master to work at the Confederate salt works during the Civil War. Alabama was a frontier state and from the beginning, its economy was built on cotton and slavery. That its laws were fashioned to accommodate both becomes obvious when related through the experiences of Alabama’s slaves. A year after it obtained statehood, Alabama had a slave population of 41,879, as compared to 85,451 whites and 571 free blacks. By 1860, the slave population had swelled to 435,080, while there were 536,271 whites and 2,690 free blacks. When emancipation came to the slaves, Alabama’s slave owners lost an estimated $200 million of capital. These narratives will help readers understand slavery by hearing the voices of the people who lived it. Horace Randall Williams describes himself as “among the last of Alabamians - black or white - who have memories of picking cotton by hand not for a few minutes to see how it felt but because I needed the few dollars I would get for a day’s hard labor under a hot sun,” an experience he says helped him recognize the cadences and dialect in the slave narratives. An Alabama native, he has researched and written extensively about civil rights, segregation, and slavery during three decades as a reporter, writer, editor, and publisher of newspapers, magazines, and books. He was the founder and, for many years, the director of the Southern Poverty Law Center’s Klanwatch Project. He is the co-founder and editor-in-chief of NewSouth Books in Montgomery, Alabama. He recently authored 100 Things You Need to Know about Alabama. "For a century and a half, these stories and the truths they disclose have been hidden from view. They are far too important to stay neglected and ignored. Williams has resurrected the last generation of America’s slaves and allowed them to speak in their own voices." - Elizabeth Breau Foreword Review

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Elaine Neil Orr, born in Nigeria to expat parents, brings us an indelible portrait of a young female artist, torn between two men and two cultures, struggling to find her passion and her purpose. It’s 1963 and Isabel Hammond is an expat who has accompanied her agriculture aid worker husband to Nigeria, where she is hoping to find inspiration for her art and for her life. Then she meets charismatic local singer Bobby Tunde, and they share a night of passion that could upend everything. Seeking solace and distraction, she returns to her painting and her home in a rural village where she plants a lemon tree and unearths an ancient statue buried in her garden. She knows that the dancing female figure is not hers to keep, yet she is reluctant to give it up, and soon, she notices other changes that make her wonder what the dancing woman might portend. Against the backdrop of political

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North Carolina is considered one of the US headquarters for ghost lights—that is, for spooky and unexplained luminous phenomena. Nearly half of all reported ghost lights shine, blink, burn, dance, or float somewhere in the state. These ghost lights are well known in their localities. There are scary and fascinating stories associated with them, and they attract many visitors, each hoping to see a ball of fire floating over a cemetery or a jack-o’-lantern illuminating a corner of the Great Dismal Swamp or a long-dead railroad man swinging his lantern in search of his severed head. Author Charles “Fritz” Gritzner has been chasing ghost lights for many years. A geography professor and luminous phenomenon buff, he has visited the sites, researched possible scientific explanations for the lights, and recorded the legends surrounding them. In this charming and fascinating book, he does not seek to debunk these phenomena, but to illuminate them as a part of the folk culture of North Carolina. This book—organized by the regions of the state—contains maps, site descriptions, and related stories for 54 separate ghost light locations. Written for a general audience, it is the perfect guide for a ghost light seeker or for those fascinated by ghost stories and local folklore.

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Every September, on the first night of the new moon, there are those who vow they see a flaming ship sail three times past the coast of Ocracoke. No matter the direction or velocity of the wind, this fiery vessel moves swiftly toward the northeast, they say, always accompanied by an eerie wailing sound. The story of this ship is but one of the colorful legends intrinsic to the charm of North Carolina's historic coastland. From the northern tip of the Outer Banks to the lower end of the sweeping shoreline, there are stories to be found . . . and to be told with gusto, or awe, or sometimes with horror. Charles Harry Whedbee was an elected judge in his native Greenville, North Carolina, for thirty-plus years, but his favorite place was the Outer Banks, Nags Head in particular. Whedbee was the author of five folklore collections. He died in 1990. For decades, the folk tales of Charles Harry Whedbee have been available wherever you care to look on the Outer Banks. Their popularity has transcended Whedbee's loyal readership among North Carolinians and visitors from the Northeast and the Midwest.

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Since its creation in 1934, the Great Smoky Mountains National Park has become the most heavily visited of all our national parks, with yearly visitation sometimes surpassing 10 million people. As the national park system celebrated its centennial in 2016, Ben Anderson decided to explore and closely observe, across the seasons, as much of the nation’s most popular national park as practicable during the year. On the three or four hikes he took each month, he revisited a number of trails familiar to him from previous excursions as a Smokies backcountry volunteer for more than 20 years. To many, the Smokies are among the loveliest and most interesting mountains anywhere, favored by a remarkable biodiversity. Anderson offers observations on natural and human history, mountain culture, geography, geology, flora and fauna. The book also deftly blends the personal with the universal in a compelling mix of entries from the backcountry. Although this book can be used as a helpful trail guide, it also provides a fresh look and an engaging narrative about our most heavily visited national park through the eyes and ears of a lifelong devotee. Ben Anderson was media relations director at Warren Wilson College from 1997 to 2015. Before that he was assistant professor of mass communications at Florida Southern College. He worked on the staffs of The Asheville Times, the Waynesville Mountaineer, Greensboro News & Record, Athens Banner-Herald, Atlanta Journal, and Athens Daily News. He has been a backcountry volunteer for Great Smoky Mountains National Park for more than 20 years. He now does marketing and public relations work for the Grove Arcade Public Market Foundation in Asheville. A native of Atlanta, he lives in Asheville, NC. "For those who want a more strenuous experience, this book will probably spark the desire to lace up the hiking boots and head deep into the backcountry. At the very least, the book should provide a deeper appreciation for the exceptional beauty and biodiversity in this distinctive national treasure." —WNC Woman

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Voices of Cherokee Women is a compelling collection of first-person accounts by Cherokee women. It includes letters, diaries, newspaper articles, oral histories, ancient myths, and accounts by travelers, traders, and missionaries who encountered the Cherokees from the 16th century to the present. Among the stories told by these “voices” are those of Rebecca Neugin being carried as a child on the Trail of Tears; Mary Stapler Ross seeing her beautiful Rose Cottage burned to the ground during the Civil War; Hannah Hicks watching as marauders steal her food and split open her feather beds, scattering the feathers in the wind; and girls at the Cherokee Female Seminary studying the same curriculum as women at Mount Holyoke. Voices of Cherokee Women recounts how Cherokee women went from having equality within the tribe to losing much of their political and economic power in the 19th century to regaining power in the 20th, as Joyce Dugan and Wilma Mankiller became the first female chiefs of the Cherokee Nation. The book’s publication was timed for the commemoration of the 175th anniversary of the Trail of Tears. Carolyn Ross Johnston has a B.A. from Samford University and a Ph.D. in history from the University of California–Berkeley. Her previous publications Cherokee Women in Crisis: Removal, The Civil War, and Allotment, 1838-1907; Sexual Power: Feminism and the Family in America; Jack London: An American Radical; and My Father’s War: Fighting with the Buffalo Soldiers in World War II. A recipient of Woodrow Wilson and Danforth fellowships and a Pulitzer-prize nominee, Johnston teaches at Eckerd College in St. Petersburg, Florida, where she is professor of history and American studies and the Elie Wiesel Professor of Humane Letters. "In her spirited and well-sourced collection, Johnston...unfolds history through the voices of people who remembered terrible events....An academic account that respectfully resurrects long-dead voices from a people who still have a lot to tell us." - Kirkus Reviews"

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The Crooked Road is a 253-mile stretch of highway in southwestern Virginia. This remote area, which is one of the places that gave birth to American music, has been a musical hotbed for generations. The route includes the Ralph Stanley Museum, the Carter Family Fold, the Birthplace of Country Music Alliance Museum, the Blue Ridge Music Center, the Rex Theater, the Floyd Country Store, and the Blue Ridge Institute and Museum. Covering the 10 counties through which the road passes, this guide provides information about the area’s musical attractions as well as opportunities to enjoy local crafts, outdoor recreation, lodging, and dining. Music lovers will also have the chance to take a piece of the Crooked Road home with them, thanks to the pair of CDs containing 53 examples of the old-time, bluegrass, Piedmont blues, Anglo-American ballads, and Appalachian gospel music that made the area famous. Joe Wilson was a music historian, folklorist, and chairman of the National Council for the Traditional Arts. Raised in the Blue Ridge Mountains, he learned ballads from his mother, guitar from his uncle, and “Jack” tales from a neighbor. He also heard his great-aunt, known to early radio audiences as “Carolina Sally,” play banjo on his back porch. He has produced 41 large-scale music festivals in 11 states, and was one of the driving forces behind the creation of the Crooked Road. In 2001 he was awarded a National Heritage Fellowship by the National Endowment for the Arts.

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From the time they established formal ties with Great Britain in 1730, the Cherokees had a rocky relationship with white settlers. They found grounds for dispute over trade practices, territorial control, and the complicated loyalties among the various Indian tribes and European powers. Over the years, the Cherokees struggled to maintain their ancient traditions as the tribe was assimilated into the white man’s culture. Cherokee Voices uses the participants’ own words to tell the story of early Cherokee life. The selections were gathered from journals, treaty records, and correspondence written by Cherokees or by Europeans or Americans who knew them. The excerpts begin with the 1730 visit of Alexander Cuming, who appointed an “emperor” for the Cherokees. Touching on matters as varied as the Cherokees’ oral tradition, their village life, their ball games, their treaties with white settlers, their famous Cherokee Phoenix newspaper, and their education in Christian mission schools, the chapters take readers from when the Cherokees were dependent on European trade to when they became self-sufficient farmers and tradesmen. Unlike most books about the Cherokees, written in the third person by authors who lived years after the events, this one recognizes that no one can speak more eloquently of their lives, trials, and customs than the people themselves. Vicki Rozema is the author of Footsteps of the Cherokees: A Guide to the Eastern Homelands of the Cherokee Nation and Voices from the Trail of Tears. The first edition of Footsteps of the Cherokees received an Award of Merit from the Tennessee Historical Commission in 1996. Also an acclaimed photographer, she is a history professor at the University of Tennessee.

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During the first half of the 19th century, as many as 100,000 Native Americans were relocated west of the Mississippi River from their homelands in the East. The best known of these forced emigrations was the Cherokee Removal of 1838. Christened Nu-No-Du-Na-Tlo-Hi-Lu—literally “the Trail Where They Cried”—by the Cherokees, it is remembered today as the Trail of Tears. In Voices from the Trail of Tears, editor Vicki Rozema re-creates this tragic period in American history by letting eyewitnesses speak for themselves. Using newspaper articles and editorials, journal excerpts, correspondence, and official documents, she presents a comprehensive overview of the Trail of Tears—the events leading to the Indian Removal Act, the Cherokees’ conflicting attitudes toward removal, life in the emigrant camps, the routes westward by land and water, the rampant deaths in camp and along the trail, the experiences of the United States military and of the missionaries and physicians attending the Cherokees, and the difficulties faced by the tribe in the West. “O what a year it has been!” wrote one witness accompanying a detachment westward in December 1838. “O what a sweeping wind has gone over, and carried its thousands into the grave.” This book will lead readers to both rethink American history and celebrate the spirit of those who survived. Vicki Rozema is the author of Cherokee Voices: Early Accounts of Cherokee Life in the East and Voices from the Trail of Tears. Also an acclaimed photographer, she is a history professor at the University of Tennessee. The first edition of Footsteps of the Cherokees received an Award of Merit from the Tennessee Historical Commission in 1996. Her honors include the 2014 McClung Award for an article that appeared in the 2013 Journal of East Tennessee History and the Native American Eagle Award for her writings on the Cherokee. "This work, like Cherokee Voices, is a compilation of letters, newspaper editorials, journal excerpts, church records, and military documents, written by a diverse group of Cherokees and Euroamericans. As the title suggests, Voices from the Trail of Tears is a moving account of the forced removal of thousands of Cherokees in the 1830s; Rozema does a remarkable job of 're-creating this tragic period in American history by letting eyewitnesses speak for themselves.'" - Ginny Carney Studies in American Indian Literature

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Nearly every time he visits the Outer Banks, the author hears a new tale or another version of an old one and gets "that itch" to write it down for everyone to enjoy. That itch produced the seventeen stories in this fourth volume. There are tales of Indians and trappers, ghosts and firebirds, sea horses and sand dollars, romance and heartache. Some of the stories tell of eerie and frightening events. Some chronicle the history of the coast and its early inhabitants. Others tease us with the promise of love and happiness, only to end in tragedy and despair. Still others explain the strange habits and appearances of local flora and fauna in ways far more intriguing than the scientists do.

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The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention. This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.

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A woman growing up in a family of Russian immigrants in the 1910s seeks a thoroughly American life.Yelena is the first American born to her Old Believer Russian Orthodox parents, who are building a life in a Pennsylvania Appalachian town. This town, in the first decades of the 20th century, is filled with Russian transplants and a new church with a dome. Here, boys quit grade school for the coal mines and girls are married off at fourteen. The young pair up, give birth to more babies than they can feed, and make shaky starts in their new world. However, Yelena craves a different path. Will she find her happy American ending or will a dreaded Russian ending be her fate?In this immersive novel, Zuravleff weaves Russian fairy tales and fables into a family saga within the storied American landscape. The challenges facing immigrants—and the fragility of citizenship—are just as unsettling and surprising today as they were 100 years ago. American Ending is a poignant reminder that everything that is happening in America has already happened.

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A wry and witty commentary on college sports and identity in the complicated social landscape of the South. Ed Southern, lifelong fan of the Wake Forest University Demon Deacons, the smallest school in the NCAA's Power 5, set out to tell the story of how he got tangled, in vines of history and happenstance, with the two giants of his favorite sport: the Crimson Tide and the Clemson Tigers. He set out to tell how a North Carolina native crossed the shifty, unmarked border between Tobacco Road and the Deep South. He set out to tell how the legendary Paul “Bear” Bryant, from beyond the grave, introduced him to his wife, a Birmingham native and die-hard Alabama fan. While he was writing that story, though, 2020 came along. Suddenly his questions had a new and urgent focus: Why do sports mean so much that so many will play and watch them in the face of a global pandemic? How have the South’s histories shaped its fervor for college sports? How have college sports shaped how southerners construct their identities, priorities, and allegiances? Why is North Carolina passionate about college basketball when its neighbors to the South live and die by college football? Does this have anything to do with North Carolina’s reputation as the most “progressive” southern state, a state many in the Deep South don't think is “really” southern? If college sports really do mean so much in the South, then why didn’t everyone down south wear masks or recognize that Black Lives Matter, even after the coaches told us to? Fight Songs explores the connections and contradictions between the teams we root for and the places we plant our roots; between the virtues that sports are supposed to teach and the cutthroat business they've become; between the hopes of fans and the demands of the past, present, and future.

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Notable events of the 1950s in North Carolina, the second book in this North Carolina history series.This book is the second in a series of small, richly illustrated books about North Carolina history through the decades. Originally published as hugely popular serialized articles for Our State magazine, this book chronicles events in North Carolina in the 1950s—a decade which began with a postwar boom in transportation, travel, and progress while some North Carolinians also began to speak out for their rightful piece of prosperity and freedom. The volume is not a textbook overview of the state’s history. Rather, each chapter focuses on a lively and illuminating set of events in the era such as the fight for recognition by the Lumbee Tribe, the opening of an art museum with a collection owned by the people of North Carolina, the formation of Research Triangle Park, and the birth of the civil rights era at a small lunch counter.The book contains color vintage photographs and illustrations. The author—writer, professor, and musician, Philip Gerard—has published widely, including an iconic novel about the Wilmington coup of 1898, Cape Fear Rising, and is beloved in North Carolina, especially among Our State readers.

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Coralee Harper struggles for justice for her dead brother and her own sanity in Depression-era rural Arkansas. In 1926 in rural Green County, Arkansas, where cotton and poverty reign, young Coralee Harper hopes for a family and a place in her community, but when her brother Buddy is killed by a powerful sheriff, she can’t recover from his death or the injustice of his loss. When she begins to spot her dead brother around town, she wonders—is she clairvoyant, mistaken, or is she losing her mind? What Coralee can’t fathom is that there are forces at work that threaten her and the very fabric of the town: Leroy Harrison, a newly minted, ambitious lawyer who makes a horrible mistake, landing him a judgeship and a guilty conscience for life; an evangelical preacher and his flock of snake-handling parishioners; the women of the town who, along with Coralee’s own mother, make up their own kind of jury for Coralee’s behavior; Sheriff Wiley Slocum who rules the entire field, harboring dark secrets of his own; and finally, Coralee’s husband Earl, who tries to balance his work at the cotton gin with his fight for family and Coralee’s life. When Coralee ends up in a sanity hearing before Judge Leroy Harrison, the judge must decide both Coralee’s fate and his own. The chain of events following his decision draws him more deeply into the sheriff’s far-reaching sphere of influence, and reveals the destructive nature of power, even—and especially—his own.

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A hiking guide and photography book on North Carolina’s lookout towers. In the 1920s and 1930s, forestry organizations built dozens of lookout structures in Western North Carolina as the backbone of a firefighting system. Many of these lookouts survive in North Carolina today— they represent some of the best destinations for hikers who want to see the incredible vistas of the Blue Ridge Mountains. Part hiking guide and part photography collection, this book contains wonderful stories about the history and folklore of the lookouts and their fire lookout inhabitants, a detailed guide of hikes to each, and details about the views at the top—all provided by a local, long-term land preservationist and lookout fanatic, Peter J. Barr. Barr’s text is augmented by the amazing full-color photographs of well-known nature photographer Kevin Adams (North Carolina Waterfalls).

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At Gettysburg, PA, during three days of July 1863, 160,000 men fought one of the most fierce and storied battles of the US Civil War. Nearly one in three of those men ended up a casualty of that battle, and when the two armies departed a few days later, 21,000 wounded remained. This book is the story of how those soldiers were cared for in a town of 2,500 people. Historian and author of several other guides to Gettysburg, James Gindlesperger provides a context for the medical and organizational constraints of the era and then provides details about the aid stations and field hospitals created in the aftermath of the battle. Filled with historical and contemporary photos, as well as stories about the soldiers and their healers, this book is a detailed guide for visitors to the site as well as others interested in American Civil War history.

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