Search results for ""heni publishing""

It was in Paris in 1927, at an exhibition dedicated to Picasso, that Francis Bacon grasped his vocation as a painter. In 1946, he moved to Monaco on the French Riviera where he lived for four years, his time in the Principality marking a turning point in his art; with his popes series, he became a painter of the human figure. In Paris he befriended artists and intellectuals, such as Giacometti and Leiris, whilst the city would become the setting for the crystalisation of his reputation in 1971 with the retrospective at the Grand Palais. In 1975, Bacon would take a studio in the Marais district. This bilingual publication co-published by Albin Michel and The Francis Bacon MB Art Foundation tells of Bacon s deep ties with France and Monaco, and has been overseen by Martin Harrison, author of Francis Bacon: Catalogue Raisonne and curator of the coinciding exhibition Francis Bacon, Monaco et la culture franc aise which runs at Grimaldi Forum, Monaco from 2 July 2016 until 4 September 2

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A Great Light is a striking catalogue published to accompany the exhibition of the same name, both testaments to British artist Brian Clarke’s widely regarded status as the most important artist working in stained glass today. Across his five-decades-long career, Clarke has consistently pushed the boundaries of stained glass as a medium in terms of technology and its visual potential. Focusing on large-scale works, A Great Light crystallises Clarke’s vision for stained glass as fundamentally architectural, his works the result of a dedicated respect for the buildings they inhabit and the surrounding contexts of his practice. The book offers a view of the impactful interaction between space and artwork, as over 130 beautifully reproduced images fill its pages and extend into the gatefolds. Published in association with Newport Street Gallery, A Great Light features 68 stained-glass artworks as well as installation shots of the final exhibition, prefaced by an interview between Clarke and world-renowned Swiss curator, art historian and critic Hans Ulrich Obrist, Artistic Director of Serpentine Galleries in London.

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The Richter Interviews collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books. Obrist deftly guides the reader through a dazzling array of topics and offers an invaluable historical perspective on Richter s place within the art world of the 20th and 21st centuries. Illustrations of discussed artworks by Richter feature thro

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Colour with Brian Clarke: Collages 2 is the fourth in a series of activity books published by HENI, based on the artworks of world-renowned contemporary artist, Sir Brian Clarke. Designed in close collaboration, and with an inspiring introduction by the artist himself, these are activity books with a difference for children to enjoy transforming each page into their very own masterpiece! Giving children a peek into the exciting world of art, guided by a leading British artist, the activity books present colouring pages alongside reproductions of 15 original artworks, providing inspiration and guidance for children whilst letting their imaginations run wild to discover their own creativity! In this volume, the beautiful outlines are taken from collage artworks first displayed at Clarke's major exhibition A Great Light (8 Jun 20237 Jan 2024) at Newport Street Gallery, London. Suitable for those aged three years and over, and allowing for a wide range of colouring applications to be used

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Keith Cunningham was one of the most compelling and mysterious artists of the twentieth century. Born in Sydney, 1929, he left school at 15 to start work as a graphic designer. In 1949, he moved to London where he studied at the Central School of Design (now Central Saint Martins) before pursuing painting at the Royal College of Art in 1952. A very private man, Cunningham stopped exhibiting his paintings in 1967; his paintings from the 1950s and 60s were sealed inside his flat in Battersea for half a century until his death in 2014. Keith Cunningham: Paintings is a landmark publication that presents his paintings and drawings for the first time. The book features full colour reproductions of 108 paintings and 33 sketch drawings, with visible influences from Spanish masters, such as Goya, and Cunningham's contemporary Francis Bacon. The artworks are accompanied by a chronology, an illustrated essay from art historian James Cahill, as well as personal texts from Cunningham’s wife and fashion illustrator, Bobby Hillson, and abstract painter Frank Bowling, who modelled for Cunningham before attending art school himself. Published in a large-format hardback book, this is a unique title showcasing the work of a private yet remarkable artist.

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Initially created to coincide with the HENI exhibitionWhere the Land Meets the Sea (2023), this elegant and uniquely designed, large-format hardback catalogue features the large-scale oil works that form Damien Hirst's three series: Coast Paintings', Sea Paintings' and Seascapes'.Influenced by Abstract Expressionism, specifically Robert Motherwell's Beside the Sea' paintings from the 1960s, as well as drawing on a personal, lifelong pastime of walking along beaches during UK winters, having holidayed as a child in coastal destinations like Scarborough, Filey, Whitby and Skegness, Hirst's works reveal an unerring captivation with the sea and its connections with awe, inevitability and nothingness. The exhibition catalogue features full-colour reproductions of the complete works, complemented by thoughtful texts from British writer and curator David Campany, and British art critic James Cahill.

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How can we interpret the work of contemporary artists? Focal Points is a new book series of essays, articles and reviews by acclaimed curator and critic Robert Storr. Expertly edited by art historian and curator Francesca Pietropaolo, and richly illustrated, it lends Storr's illuminating insights into an artist's practice and way of thinking across recent decades. Brilliantly scholarly, accessible and engaging, Focal Points offers fresh interpretations of the varied territory of modern and contemporary art. This volume considers the work of American abstract painter Ad Reinhardt (19131967). Active in New York for over three decades, Reinhardt was part of the group of artists who became known as Abstract Expressionists, and he made work that would prove influential to the younger generation of Minimal and Conceptual artists. He believed in a philosophy of what he called art-as-art' and used his writing and satirical cartoons to advocate for abstract art. As he famously wrote in 1962: Ar

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'The Currency' is a collection of 10,000 NFTs which correspond with 10,000 original artworks by Damien Hirst. Art collectors were given the choice to either keep the NFT or exchange it for the physical artwork. At the close of the exchange period in July 2022, 5,149 collectors decided to keep the physical artworks, and 4,851 the NFT. The physical artworks linked to the retained NFTs and reproductions of the destroyed NFTs were displayed in Perspex screens suspended in the gallery space. The physical artworks were then publicly burned in furnaces at the exhibition. Published in association with Newport Street Gallery with an exclusive release on the occasion of the Hirst’s exhibition to conclude the series, The Currency book features 332 of the 10,000 artworks as well as installation shots of the final exhibition, prefaced by an interview between Hirst and British actor, writer and broadcaster Stephen Fry.

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Suad Al-Attar is an extensively illustrated monograph featuring original photography of more than 100 expressive and surrealistic paintings and drawings by one of Iraq’s most renowned artists. Written by the artist’s granddaughter – writer and art historian Nesma Shubber – the book offers unique access to the career of a truly sensational artist and painter. In beautifully written prose, Shubber tells the story of her grandmother’s life and work. Beginning with the artist’s early formative years in Baghdad and her arrival in London in 1976, we discover the origins of Al-Attar’s international career up to the present day in a personal account of an extraordinary woman and artist. For the first time, this book brings together treasured drawings and paintings carefully selected from the artist’s archive to form the most comprehensive published collection of work by Suad Al-Attar as well as a rare document of her remarkable life.

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An epistolary collection of paintings by French painter and philosopher Eugenie Paultre, Matter of Life is a diaristic account of the artist's six-month residency at Damien Hirst's workshop where she discovered and documented new possibilities in her painting, as well as a more profound connection to the work of her host.

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Twenty-one artists, from all walks of life, gathered at the New York Academy of Art on Sunday, February 21, 2016, for a special life drawing class with a guest model: American rock legend Iggy Pop.

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In this book, curator Ingrid Beazley draws parallels between classic and contemporary styles, showcasing how works from the Dulwich Picture Gallery s permanent collection by painters such as Rembrandt, Gainsborough, Rubens, Van Dyck and Murillo have influenced works by street artists working in the local area such as Stik, Conor Harrington, Thierry Noir, Phlegm and RUN. Featuring pieces by 21 internationally renowned street artists, the book is illustrated with specially commissioned colour photography throughout.

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Following her 2010 publication dedicated to roses, Cologne-based artist Sabine Moritz here turns her attention to lilies, which she first began depicting in the mid 1990s. Working on paper to produce fifty-nine charcoal, pastel and oil pastel drawings, similiarly she often approaches works as studies or exercises in observation and representation. During the development of this publication, which was originally conceived as a collection of Moritz s drawings of lilies, the artist had the idea to introduce another ongoing body of work drawings of objects alongside the lilies. These objects are primarily statues, statuettes and figurines hand-made works of art from different periods in history, such as a classical torso, an African figurine, and a Buddhist head. Moritz s drawings of objects reflect a range of ideas and registers, moods and sentiments. Including the objects alongside the lilies opens up questions of time, life, death, belief, truth, human psychology and the very process o

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Sticker Art with Brian Clarke: Poppies is the third in a series of activity books published by HENI, based on the beautiful artworks of world-renowned contemporary artist, Sir Brian Clarke. Designed in close collaboration, and with an inspiring introduction by the artist himself, these are activity books with a difference for children to enjoy by transforming each page into their very own masterpiece!With outlines displayed alongside reproductions of 15 original artworks, this colourful sticker book is a great introduction to the delights of art, inviting children aged three years and over to fill the pages with colour and recreate famous artworks for them to treasure forever. With over 70 reusable stickers, this book provides endless hours of mess-free fun on the go!

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There is a layer of the public architecture that has become so familiar that we barely notice it. Street furniture has the capacity to define a city, to locate it and to anchor us within it. Benches, bollards, streetlights, signs, barriers, post boxes, phone booths – they are the physical manifestation of public infrastructure, a network of goods between architecture and the body. In this book, Edwin Heathcote, architecture and design critic of the Financial Times, looks at the cultural impact of street furniture using photography as a measure of how these things have become indispensable components of the cityscape. Based mainly in and on London – but including New York, Paris and Budapest – Heathcote uses history, personal reflection and the lenses of photographers to examine the status of these urban artefacts in both the contemporary imagination and the city streets themselves. It looks at the changing landscape of the cityscape and the way in which street furniture has been adapted to address new technologies, the culture of surveillance and shifts in taste, orthodoxy and material culture. On the Street looks at the language of street furniture reflected through the glaze of photography and contemporary culture. It is a book about the elements of the streetscape which can exert an increasing impact on our interaction with the cities we inhabit.

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From essays on gender in the work of Louise Bourgeois to a review of Art Spiegelman's comix memoir Maus, Writings on Art is expertly curated from his prolific output and illustrated with 175 images to accompany the texts. Written with Storr's signature intellect and wit, the book is the definitive collection of his multi-faceted writing and features the best of Storr's criticism, reviews, essays, and other writings from the 1980s to the mid 2000s. A must read for curators, students, artists, exhibition-goers and all those interested in the art and culture of today.

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The most comprehensive collection of artworks by world-renowned artist Brian Clarke to date. Designed in close collaboration with the artist himself, featuring stunning photography that captures Clarke's revolutionary approach to the medium of stained glass, with an introduction by Norman Foster and an essay by Paul Greenhalgh.

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Nomos Alpha features 20 pen drawings (each 27.5 x 22.5 cm) from the book R, published by Swiss Re in 2006. Conceived on the occasion of the Korean Cultural Centre UK's 2016 Artist of the Year exhibition Koo Jeong A: Riptide (7 October–19 November 2016), Nomos Alpha features the 20 exhibited works by the artist. Curated by Je Yun Moon, Riptide included artistic responses to Koo Jeong A's drawings by Kyung Roh Bannwart, Melissa Dubbin & Aaron S. Davidson, Yva Jung, Hanqing Ma & Mona Yoo, Martin Roth and Matthias Sohr. Signed and numbered on a bespoke embossed back cover, the book is published in a limited edition run of 500. Beautifully produced on extra thick paper with a semi-translucent jacket, this little book is a work of art in itself. Koo Jeong A's wonderful, often humorous drawings recall childlike simplicity yet express an underlying complexity.

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