Search results for ""emily st. john mandel""

‘With his third novel, Wood’s talent has burgeoned spectacularly. The book is a tremendous achievement, an unputdownable domestic thriller that is also subtle and moving … travelling well beyond his earlier fiction, Wood has produced a tour de force that marks his creative arrival’ David Grylls, SUNDAY TIMES ‘A novel written from the gut, and with a correspondingly visceral power. A superbly unsettling account of trauma and cautious recovery’ SARAH WATERS 'Elegant and disturbing … this is a novel of expertly woven tension and frightening glimpses into the mind of the deranged other’ John Burnside, GUARDIANThe acclaimed author of The Ecliptic, Benjamin Wood writes a novel of exceptional force and beauty about the bond between fathers and sons, about the invention and reconciliation of self – weaving a haunting story of violence and love. For twenty years, Daniel Hardesty has borne the emotional scars of a childhood trauma which he is powerless to undo, which leaves him no peace. One August morning in 1995, the young Daniel and his estranged father Francis – a character of ‘two weathers’, of irresistible charm and roiling self-pity – set out on a road trip to the North that seems to represent a chance to salvage their relationship. But with every passing mile, the layers of Fran’s mendacity and desperation are exposed, pushing him to acts of violence that will define the rest of his son’s life.Praise for The Ecliptic, shortlisted for the Sunday Times/PFD Young Writer of the Year Award: 'A resounding achievement . . . Rich, beautiful and written by an author of great depth and resource' Edward Docx, Guardian 'Full of suspense and beautifully written, superbly imagined and constructed . . . A terrifically gripping and playful book' Sunday Times 'Exhilarating, earthy, cerebral, frank and unflinching . . . A masterfully paced and suspenseful read' Independent 'A rich, intricate and layered work' Observer 'Haunts the imagination long after the final page' Independent on Sunday 'A gorgeous and harrowing work' Emily St. John Mandel, author of Station Eleven

Read more less

LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2019 A New York Times 2019 Notable Book2019 BOOK OF THE YEAR: Oprah Magazine, Time, Vulture, and Entertainment Weekly 'The Need is a profound meditation on the nature of reality, a fearless examination of parenthood, and also somehow a thriller. This is an extraordinary and dazzlingly original work from one of our most gifted and interesting writers' Emily St. John MandelShe crouched in front of the mirror in the dark, clinging to them. The baby in her right arm, the child in her left. There were footsteps in the other room...Molly is exhausted, anxious, losing her grip on reality. Her husband is away and she is running between her children and her job, where things are unravelling. She’s a paleobotanist, working at a fossil quarry, and has recently unearthed artefacts that defy understanding; the coke bottle with the lettering that leans the wrong way, an alternate version of the Bible. Where do these things come from?At home, as dusk falls, she gets jumpy. Are those footsteps out in the hall? What was that noise? She holds her two small children close to her, and tries to pull herself together. But her worlds of work and home are about to collide. She discovers that the stranger in her sitting room knows everything about her life and, as their identity becomes chillingly clear, this intruder makes a demand of Molly that upends everything, forcing her to reckon with her most unspeakable fears. The Need is a gripping, unsettling and stunningly original story that probes deep truths about motherhood, and explores grief, loss and how we treat others. It's a compulsive, reality-warping novel that makes us rethink our world, and question how far we would go to protect the ones we love.'The atmosphere is as close and taut as a thriller, but this is, in fact, both a highly original examination of grief and an extraordinarily vivid evocation of motherhood -- the moments of terror and hilarity, the visceral burden of it, and the fleeting, but almost transcendent, joy' Daily Mail'A chilling novel from a blazing talent' Observer

Read more less

When a one-night stand leads to a long-desired pregnancy, Susan will do anything to ensure her husband won’t find out … including the unthinkable. But when something horrendous is unleashed around the globe, her secret isn’t the only thing that is no longer safe…‘The first half is a high-concept thriller; the second edges into science fiction as a generation of genetically optimised children respond to the social pressures they are under … an astute, well-researched and convincing novel of ideas’ The Times'If you could create a "perfect" baby through genetic engineering, would you? A disturbing and interesting thriller, perfect for book club discussions' Nina Pottell, Prima‘A fantastic exploration of the ethics and allure of genetic engineering woven into a captivating, thought-provoking thriller. Provocative, pacy and scarily all-too-possible’ Philippa East––––––––––––An unthinkable decisionA deadly mistakeIn an all-too-possible near future, when genetic engineering has become the norm for humans, not just crops, parents are prepared to take incalculable risks to ensure that their babies are perfect … altering genes that may cause illness, and more…Susan has been trying for a baby for years, and when an impulsive one-night stand makes her dream come true, she’ll do anything to keep her daughter and ensure her husband doesn’t find out … including the unthinkable. She believes her secret is safe. For now.But as governments embark on a perilous genetic arms race and children around the globe start experiencing a host of distressing symptoms – even taking their own lives – something truly horrendous is unleashed. Because those children have only one thing in common, and people are starting to ask questions…Bestselling author of The Waiting Rooms, Eve Smith returns with an authentic, startlingly thought-provoking, disturbing blockbuster of a thriller that provides a chilling glimpse of a future that’s just one modification away…_____________‘An effective thriller that will keep you hooked to the very end … more than that, it’s a nuanced, believable examination of how human genetic engineering might play out...’ SFX Magazine ‘A brilliantly chilling work of speculative fiction – a disturbing but all-too-possible vision of the near future, where each of us gets to play God. Superb!’ Guy Morpuss‘Sharp, intelligent, frightening and original’ NB Magazine‘An eerily prophetic near-future viewed through a compassionately anchoring lens ... As tempting and tantalising a read as the vision of the future it presents’ SciFi Now‘This is what speculative fiction should be – plausible, pacy, and with a story that packs real emotional punch’ Louise Mumford‘When a writer’s work is compared to Michael Crichton’s, there’s reason to sit up and pay attention … a cautionary tale that’s full of thrills’ LoveReading ‘With jaw-dropping twists, high stakes and so much heart, this is a book that everyone will be talking about’ Awais Khan‘Fast-paced, emotional, disturbing. Lovers of cleverly plotted speculative fiction should jump on this’ Catherine McCarthy‘Eve Smith has done it again! A brilliant read’ J.M. Hewitt‘One of the most exciting writers around … master of the high-concept thriller’ Chris McDonald‘Eve Smith has crafted a world that feels not only lived-in, but utterly plausible’ Russel McLean‘Captivating’ Professor Joanna Verran‘Eve Smith is becoming the Jodi Picoult of speculative medical thrillers’ The Reading ClosetPraise for The Waiting Rooms*****‘Combines the excitement of a medical thriller à la Michael Crichton with sensitive characterisation and social insight in a timely debut novel all the more remarkable for being conceived and written before the current pandemic’ Guardian‘STUNNING and terrifying … The Waiting Rooms wrenches your heart in every way possible’ Miranda Dickinson‘Chillingly close to reality, this gripping thriller brims with authenticity … a captivating, accomplished and timely debut from an author to watch’ Adam Hamdy‘Engrossing and eye-opening, with heart-stopping plot twists … a stunning medical thriller set in a terrifying possible future’ Foreword Reviews For fans of Emily St John Mandel, Robin Cook, Tess Gerritsen and Louise Dought

Read more less

For fans of Children of Men, Years and Years & Station Eleven, a postcard from a future Britain that’s closer than we think.An Evening Standard 'Best New Book' ‘A beautiful book: thought-provoking, eerily prescient and very witty.’ Brit Bennett, author of The Vanishing Half 'Water courses through its pages, as rising sea levels heighten inequalities, buoy populist politicians and wash away every certainty of civilisation. But there’s also the novel’s prose – its liquid grace and glinting sparkle – and the sheer irresistibility of a narrative that sweeps along with a force that feels tidal in its pull.' The Observer ''You said that you would come back. You looked me in the eye and said that. Well, if you had, this is what you would have seen: soft wood, black cracks, fridges in the road. The broken spines of old rides at Dreamland.' In the coastal resort of Margate, hotels lie empty and sun-faded ‘For Sale’ signs line the streets. The sea is higher – it’s higher everywhere – and those who can are moving inland. A young girl called Chance, however, is just arriving. Chance’s family is one of many offered a cash grant to move out of London - and so she, her mother Jas and brother JD relocate to the seaside, just as the country edges towards vertiginous change. In their new home, they find space and wide skies, a world away from the cramped bedsits they’ve lived in up until now. But challenges swiftly mount. JD’s business partner, Kole, has a violent, charismatic energy that whirlpools around him and threatens to draw in the whole family. And when Chance comes across Franky, a girl her age she has never seen before – well-spoken and wearing sunscreen – something catches in the air between them. Their fates are bound: a connection that is immediate, unshakeable, and, in a time when social divides have never cut sharper, dangerous. Set in a future unsettlingly close to home, against a backdrop of soaring inequality and creeping political extremism, Rankin-Gee demonstrates, with cinematic pace and deep humanity, the enduring power of love and hope in a world spinning out of control. 'She vividly captures the balance between ferocity and vulnerability as the two girls explore their burgeoning desire; one minute they’re greedy for each other, the next they’re proceeding more gingerly. Theirs is a great first love, blazing bright and furious amid the poverty and the pain, the perfect counterweight that’s needed to make the novel sing. Dreamland brings us face-to-face with much of what we’re on the threshold of losing; nevertheless, it manages to convince us that its characters have everything still to live for.' Guardian 'A great coming-of-age story, and a warning.' Evening Standard ‘This brutal read has moments of hope and love but also serves as a hideous warning to fight for what’s right’ Daily Mail ‘Brilliantly bleak… this compelling novel is horribly plausible, chilling and feels like a warning that’s come too late.’ Daily Mirror 'Chance’s life is filled with poverty, crime, drugs and fear – until she meets Franky, a girl unlike anyone else she knows. Their relationship brings light and love...' Daily Express 'Rankin-Gee’s novel is a triumph, being as much a love letter to the heady ups and crashing lows of youthful entanglements as it is a paean to the former grandeur of its stark coastal setting. Read this now.' GQ 'A writer of a new time… A writer we will all want to read again and again.' Monique Roffey, author of the Costa Book of The Year The Mermaid of Black Conch “Dazzling and shattering" Nell Dunn, author of Up The Junction and Talking to Women 'The writing clings like sand. Unexpected turns of phrase have burrowed deep into the recesses of my brain. She has created a vivid, textural portrait, teeming with life and granular, sensory detail as well as wisdom. It does what the most haunting of apocalyptic novels do, which is to shine a light on what is already happening around us and ask that we wake up.' Olivia Sudjic, author of Asylum Road ‘Entrancing… A dark and devastating funhouse ride through curtailed innocence and apocalyptic experience. And- most uniquely- a love letter to the waning magic and melancholy of British seaside towns. It is its own twist on the lucid dystopias of Diane Cook, Kirsten Roupenian and Emily St John Mandel. The book is also deeply cinematic- I was reminded, throughout, of Terry Gilliam's waterlogged neo-noir fantasy Tideland, as well as the dreamy realism of the films of Andrea Arnold and Lynne Ramsay.' Sharlene Teo, author of Ponti 'Rankin-Gee is a visionary empath. Every page of this book both broke my heart and made me laugh out loud. What a feat!' Jac Jemc, author of The Grip of It and False Bingo

Read more less