Search results for ""author willa cather""

`For the first time, perhaps, since that land emerged from the waters of geologic ages, a human face was set toward it with love and yearning. It seemed beautiful to her, rich and strong and glorious.' Willa Cather's second novel, O Pioneers! (1913) tells the story of Alexandra Bergson and her determination to save her immigrant family's Nebraska farm. Clear-headed and fiercely independent, Alexandra's passionate faith in the prairie makes her a wealthy landowner. By placing a strong, self-reliant woman at the centre of her tale, Cather gives the quintessentially American novel of the soil a radical cast. Yet, although influenced by the democratic utopianism of Walt Whitman and the serene regionalism of Sarah Orne Jewett, O Pioneers! is more than merely an elegy for the lost glories of America's pioneer past. In its rage for order and efficiency, the novel testifies to the cultural politics of the Progressive Era, the period of massive social and economic transformations that helped to modernize the United States in the years between the Civil War and World War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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In 1851 Bishop Latour and his friend Father Valliant are despatched to New Mexico to reawaken its slumbering Catholicism. Moving along the endless prairies, Latour spreads his faith the only way he knows - gently, although he must contend with the unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Over nearly forty years, they leave converts and enemies, crosses and occasionally ecstasy in their wake. But it takes a death for them to make their mark on the landscape forever ...

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'As I looked about me I felt that the grass was the country, as the water is the sea. The red of the grass made all the great prairie the colour of wine-stains...And there was so much motion in it; the whole country seemed, somehow, to be running.' My Antonia (1918) depicts the pioneering period of European settlement on the tall-grass prairie of the American midwest, with its beautiful yet terrifying landscape, rich ethnic mix of immigrants and native-born Americans, and communities who share life's joys and sorrows. Jim Burden recounts his memories of Antonia Shimerda, whose family settle in Nebraska from Bohemia. Together they share childhoods spent in a new world. Jim leaves the prairie for college and a career in the east, while Antonia devotes herself to her large family and productive farm. Her story is that of the land itself, a moving portrait of endurance and strength. Described on publication as 'one of the best [novels] that any American has ever done', My Antonia paradoxically took Cather out of the rank of provincial novelists as the same time that it celebrated the provinces, and mythologized a period of American history that had to be lost before its value could be understood. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Set in the Nebraska landscape in a community evocative of Cather’s own (Red Cloud), My Ántonia tells the story of Ántonia Shimerda, a Bohemian immigrant, and Jim Burden, who like Cather was uprooted from Virginia to the Nebraska prairie. Ántonia and Jim, like many of the other characters in this 1918 novel, are based on Cather’s childhood friends. This Norton Critical Edition is based on the first published edition of the novel. It is accompanied by explanatory footnotes, key illustrations, an introduction that gives readers a historical overview of both author and novel, and a note on the text. “Contexts and Backgrounds” is a rich collection of materials organized around the novel’s central themes: “Autobiographical and Biographical Writings,” “Letters,” and “Americanization and Immigration.” Willa Cather, Edith Lewis, Latrobe Carroll, Rose C. Feld, Guy Reynolds, Woodrow Wilson, Peter Roberts, Horace M. Kallen, Sarka B. Hrbkova, and Rose Rosicky, among others, are included. “Criticism” spans a century of scholarship on Willa Cather and My Ántonia, from contemporary reviews by Henry Walcott Boynton, H. L. Mencken, and Elia W. Peattie, among others, to recent critical assessments by Terence Martin, Blanche Gelfant, Jean Schwind, Richard H. Millington, Susan Rosowski, Mike Fischer, Janis Stout, Marilee Lindemann, and Linda Joyce Brown. A Chronology of Cather’s life and work and a Selected Bibliography are also included.

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Although the land on which the Nebraska farm boy Claude Wheeler lives is settled, he himself has inherited the pioneer spirit of adventure, the frontiersman's purpose, and the settler's sense of idealism. In One of Ours, Willa Cather explores the dissonance between Claude’s attitudes and his physical reality and studies how this conflict affects him. Drawing on her own family’s experience of the war through her cousin G. P. Cather, who fought in World War I, Cather observes how an otherwise misdirected young man could find purpose and meaning in war and how his death would affect his family’s memories of him. Winner of the Pulitzer Prize in 1922, One of Ours paints Claude as a young man who seeks an escape from a conventional and unfulfilling life through the realization of “something splendid” in his military experience in Europe. This Willa Cather Scholarly Edition puts One of Ours in a new and revealing context. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information on the novel.

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An infamous clause in Willa Cather's will, forbidding publication of her letters and other papers, has long caused consternation among Cather scholars. For Cather, a complex and private person who seldom made revelatory public pronouncements, personal letters provide-or would provide-an especially valuable key to understanding. But because of the terms of her will, that key is not readily available. Cather's letters will not come into public domain until the year 2017. Until then, even quotation, let alone publication in full, is prohibited. Janis P. Stout has gathered over eighteen hundred of Cather's letters--all the letters currently known to be available--and provides a brief summary of each, as well as a biographical directory identifying correspondents and a multisection index of the widely scattered letters organized by location, by correspondent, and by names and titles mentioned. This book will be an essential resource for Cather scholars.

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Shadows on the Rock, written after Willa Cather discovered Quebec City during an unplanned stay in 1928, is the second of her "Catholic" historical novels and reflects her fascination with finding a little piece of France in eastern Canada. Set in the late seventeenth century, the novel centers on the activities of the widowed apothecary Euclide Auclair and his young daughter, Cecile. To Auclair's house and shop come trappers, missionaries, craftsmen, the indigent—those seeking cures, a taste of France, or liberation from the corruptions caused there by the excesses of the French court. Set against these fictional characters, historical personages such as Bishop Laval, Count Frontenac, and others contend in the political life of the vast colony. This edition, which is approved by the Modern Language Association, will be of special importance to Cather scholars. Not only is Cather's mining of historical sources explored in extensive explanatory notes, but a recently discovered reworked draft of the novel has been incorporated into the textual analysis. There is also a generous illustration section with maps of the setting.

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This Norton Critical Edition brings to life—through Cather's words, and through the words and images of others—the uniquely American frontier experience. In inscribing a copy of O Pioneers! for a childhood friend, Cather wrote, "In this one I hit the home pasture…" "Contexts and Backgrounds" includes a rich selection of autobiographical and biographical remembrances (including three interviews with Cather), literary contexts (by Cather and her contemporaries, Henry James and Sarah Orne Jewett), and writings on the American West (including selected letters that paint a picture of one family's life on the Nebraska prairie). "Criticism" provides seven contemporary reviews and eight modern critical interpretations by David Stouck, John J. Murphy, C. Susan Wiesenthal, Marilee Lindemann, Melissa Ryan, Guy Reynolds, and Sharon O'Brien.

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At the turn of the twentieth century. When their father dies young, exhausted by the failure of his attempts at agriculture, it is left to the visionary Alexandra to guide the family to prosperity and safeguard the fortune of her brothers. Strong-willed and fiercely independent, she succeeds against all odds, but only at the cost of her own fulfilment as a woman. Central to the novel's action is the Nebraskan landscape it describes, by turns unyielding and fruitful, bitter and ecstatic.O Pioneers! joins Cather's My Antonia in Everyman's Library.

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The second novel in Willa Cather’s Great Plains trilogy, is a lyrical coming-of-age story charting the struggles of an artists life. 'Lingers long in the memory' Joyce Carol Oates Thea Kronberg, gifted with a beautiful voice, defies her humble beginnings in Colorado and finds success far from her small hometown. But her achievements come with painful drawbacks. As the distance between Thea and her roots increases, she must fight to find her inner strength and reach her full potential. WITH AN INTRODUCTION BY PENELOPE LIVELY

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INTRODUCED BY A.S. BYATT'She is undoubtedly one of the greatest American writers' OBSERVER 'A triumph' HERMIONE LEE 'Willa Cather makes a world which is burningly alive, sometimes lovely, often tragic' HELEN DUMORE On the eve of his move to a new, more desirable residence, Professor Godfrey St Peter finds himself in the shabby study of his former home. Surrounded by the comforting, familiar sights of his past, he surveys his life and the people he has loved: his wife Lillian, his daughters and above all, Tom Outland, his most outstanding student and once, his son-in-law to be. Enigmatic and courageous - and a tragic victim of the Great War - Tom has remained a source of inspiration to the professor. But he has also left behind him a troubling legacy which has brought betrayal and fracture to the women he loves most . . .

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WITH AN INTRODUCTION BY A. S. BYATT'She is undoubtedly one of the twentieth century's greatest American writers' OBSERVER' . . . a clear-eyed salute to the resilience of the human spirit and the innate hardiness of the immigrants' XAN BROOKS, GUARDIAN 'Willa Cather was a wordsmith of enormous talent' ROBERT SLAYTON, LOS ANGELES REVIEW OF BOOKS'During that burning day when we were crossing Iowa, our talk kept returning to a central figure, a Bohemian girl whom we had both known long ago. More than any other person we remembered, this girl seemed to mean to us the country, the conditions, the whole adventure of our childhood . . . His mind was full of her that day. He made me see her again, feel her presence, revived all my old affection for her'My Antonia is the unforgettable story of an immigrant woman's life on the Nebraska plains, seen through the eyes of her childhood friend, Jim Burden. The beautiful, free-spirited, wild-eyed girl captured Jim's imagination long ago and haunts him still, embodying for him the elemental spirit of the American frontier.In this powerful and astonishing novel, Willa Cather created one of the most winning yet thoroughly convincing heroines in American fiction.

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Before Willa Cather turned primarily to the fiction that made her reputation, she produced striking poems that were collected in April Twilights. It was her literary debut, preceding the publication of O Pioneers! by nine years. In her introduction distinguished Cather scholar Bernice Slote notes that this edition of April Twilights restores what had been “an almost lost, certainly blurred, portion of the creative life of a great novelist.” Among the thirty-seven selections are the much-anthologized “Grandmither, Think Not I Forget” and the highly evocative “Prairie Dawn.” This printing includes a new introduction by Robert Thacker that provides new insights into Cather and her poetry.

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Willa Cather's My Antonia is considered one of the most significant American novels of the twentieth century. Set during the great migration west to settle the plains of the North American continent, the narrative follows Antonia Shimerda, a pioneer who comes to Nebraska as a child and grows with the country, inspiring a childhood friend, Jim Burden, to write her life story. The novel is important both for its literary aesthetic and as a portrayal of important aspects of American social ideals and history, particularly the centrality of migration to American culture.The Broadview edition includes a rich selection of primary source materials: the revised introduction for the 1926 edition; Cather's Mesa Verde Wonderland is Easy to Reach Nebraska: The End of the First Cycle, Peter and her comments on the novel; contemporary reviews and photographs.

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Engineer Bartley Alexander appears to have a happy life in Boston with a successful career and a beautiful wife. He has been commissioned to design the Moorlock Bridge in Canada, the most important project of his career. With the onset of middle age, however, he grows increasingly restless and discontented, so much so that while in London he recklessly reignites a love affair with the sweetheart of his youth, the Irish actress Hilda Borgoyne. Although the tryst allows Alexander to recapture an element that has been missing from his pedestrian life, the relationship torments his sense of morality and eventually proves disastrous. Alexander’s Bridge explores the demands of Gilded Age society on the individual, as well as the capacity of the individual to violate his own standards of integrity. This Willa Cather Scholarly Edition provides an illuminating new framework for Cather’s debut novel. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information now available, complete with illustrations and maps.

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This controversial biography of the founder of the Christian Science church was serialized in McClure's Magazine in 1907-8 and published as a book the next year. It disappeared almost overnight and has been difficult to find ever since. Although a Canadian mewspaperwoman named Georgine Milmine collected the material and was credited as the author, The Life Of Mary Baker G. Eddy was actually written by Willa Cather, an editor at McClure's at that time. In his introduction to this Bison Book edition, David Stouck reveals new evidence of Cather's authorship of The Life of Mary Baker G. Eddy. He discusses her fidelity to facts and her concern with psychology and philosophy that would take creative form later on. Indeed, this biography contains "some of the finest portrait sketches and reflections on human nature that Willa Cather would ever write."

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First published in 1923, A Lost Lady is one of Willa Cather’s classic novels about life on the Great Plains. It harks back to Nebraska’s early history and contrasts those days with an unsentimental portrait of the materialistic world that supplanted the frontier. In her subtle portrait of Marian Forrester, whose life unfolds in the midst of this disquieting transition, Cather created one of her most memorable and finely drawn characters. This Willa Cather Scholarly Edition of A Lost Lady is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association. The historical essay describes the origin, writing, and reception of the novel as well as motion pictures that were later based on it; and a selection of archival photographs illuminates the connection between the novel and the people and places from Cather’s formative years in Nebraska. Explanatory notes identify locations, literary references, persons, events, and specialized terminology. The textual essays describe the production and subsequent revisions of the text.

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Engineer Bartley Alexander appears to have a happy life in Boston with a successful career and a beautiful wife. He has been commissioned to design the Moorlock Bridge in Canada, the most important project of his career. With the onset of middle age, however, he grows increasingly restless and discontented, so much so that while in London he recklessly reignites a love affair with the sweetheart of his youth, the Irish actress Hilda Borgoyne. Although the tryst allows Alexander to recapture an element that has been missing from his pedestrian life, the relationship torments his sense of morality and eventually proves disastrous. Alexander’s Bridge explores the demands of Gilded Age society on the individual, as well as the capacity of the individual to violate his own standards of integrity. This Willa Cather Scholarly Edition provides an illuminating new framework for Cather’s debut novel. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information now available, complete with illustrations and maps.

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Willa Cather’s 1935 novel drew on her lifelong interest in music, which plays a transformative role in the lives of her characters. Cather’s last novel set in the Great Plains tells the story of young Lucy Gayheart, who escapes life in small-town Haverford, Nebraska, in 1902 to pursue a career in music. In Chicago she falls in love with an older singer, Clement Sebastian, who finds renewed inspiration in her. However, tragic chance destroys their ensuing love affair. The novel has evoked divergent responses among critics and readers ever since its publication. This Willa Cather Scholarly Edition includes a historical essay providing fresh insight into the novel, the role of music, and Cather’s writing process. It also features photographs, maps, and explanatory notes with a full range of biographical, historical, and cultural information. The textual editing of the novel, approved by the Committee on Scholarly Editions of the Modern Language Association, draws on corrected typescripts and proofs and presents a clean, authoritative text of the first edition.

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Willa Cather said that O Pioneers! was her first authentic novel, “the first time I walked off on my own feet—everything before was half real and half an imitation of writers whom I admired.” Cather’s novel of life on the Nebraska frontier established her reputation as a writer of great note and marked a significant turning point in her artistic development. No longer would she let literary convention guide the form of her writing; the materials themselves would dictate the structure. The paperback edition contains all the text and scholarly apparatus found in the original Willa Cather Scholarly Edition. Edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association, this volume presents the full range of biographical, historical, and textual information on the novel.

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As well as adding another story to the original forty-four, the revised edition updates and expands the chronology and the bibliographies in the light of recent research. It corrects factual and formal errors in the introduction and notes, and emends misprints in the text.

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'This is a brilliant book about the birth of modernism, one that taught me something on every page ... You will feel – and be! – much smarter after you read it' Edmund White ‘The world broke in two in 1922 or thereabouts,’ the American author Willa Cather once wrote. Yet for Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence, 1922 began with a frighteningly blank page. Eliot was in Switzerland recovering from a nervous breakdown. Forster was grappling with unrequited love. Woolf and Lawrence, meanwhile, were both in bed with the flu. Confronting illness, personal problems and the spectral ghost of World War I, all four felt literally at a loss for words. As dismal as things seemed, 1922 turned out to be a year of outstanding creative renaissance for them all. By the end of the year Woolf had started Mrs Dalloway, Forster had returned to work on A Passage to India, Lawrence had written his heavily autobiographical novel Kangaroo, and Eliot had finished – and published to great acclaim – ‘The Waste Land’. Full of surprising insights and original research, Bill Goldstein’s The World Broke in Two chronicles the intertwined lives and works of these four writers in a crucial year of change.

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