Search results for ""author to be confirmed simon"

Best known as the author of 26 novels, Iris Murdoch was also an accomplished essayist and critic who taught philosophy for many years at Oxford University. This work gathers for the first time in one volume her most influential essays and shorter pieces. Included are her major critiques of existentialism written in the 1950s, her two Platonic dialogues on art and religion, incisive evaluations of the writings of T.S. Eliot, Jean-Paul Sartre, Albert Camus, Simone de Bauvoir, and Elias Canetti, as well as key texts on the continuing importance of the sublime, on the concept of love, and of the role great literature can play in curing the ills of philosophy. This volume confirms Iris Murdoch's major contributions to the literature and thought of the 20th century.

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Simón Cardoso has been dead for thirty years when his wife, Emilia Dupuy, finds him in a New Jersey diner. Testimonies confirmed that Simón had been one of the thousands of victims of Argentina's military regime, executed for being a 'subversive'; yet this man is identical to the man she lost three decades ago. While skirting around the mystery, Eloy Martínez masterfully peels away layer upon layer of history - both personal and political. And just as Simón's disappearance comes to represent the thousands of disappearances that were such a common occurrence during the dictatorship, so Emilia's refusal to accept his death mirrors the country's unwillingness to face its reality. The final work of the late Martínez, Purgatory is his most moving, most autobiographical novel.

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'Excellent' Financial Times'Stirring, impressively detailed' Time magazineThe Battle for the Falklands is a thoughtful and informed analysis of an astonishing chapter in modern British history from journalist and military historian Sir Max Hastings and political editor Simon Jenkins.Ten weeks. 28,000 soldiers. 8,000 miles from home.The Falklands War in 1982 was one of the strangest in British history. At the time, many Britons saw it as a tragic absurdity - thousands of men sent overseas for a tiny relic of empire - but the British victory over the Argentinians not only confirmed the quality of British arms but also boosted the political fortunes of Thatcher's Conservative government. However, it left a chequered aftermath and was later overshadowed by the two Gulf wars.Max Hastings’ and Simon Jenkins’ account of the conflict is a modern classic of war reportage and the definitive book on the conflict.

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A reissue of Simon Schama’s landmark study of the Netherlands from 1780–1813, this is a tale of a once-powerful nation’s desparate struggle to survive the treacheries and brutality of European war and politics. Between 1780 and 1813 the Dutch Republic – a country once rich enough to be called the cash till of Europe and powerful enough to make war with England – was stripped of its colonies, invaded by its enemies, driven to the edge of bankruptcy, and, finally, reduced to becoming an appendage of the French empire – an appendage not even the French seemed to value overmuch. Out of these events Simon Schama has constructed a gripping chronicle of revolution and privateering, constitutions and coups, in a tiny nation desperately struggling to stay afloat in a sea of geopolitics. Like his classics ‘The Embarrassment of Riches’ and ‘Citizens’, ‘Patriots and Liberators’ combines a mastery of historical sources with an unabashed delight in narrative. The result confirms Schama as a historian in the finest tradition – one whose study of the past reveals volumes about the present. This is one of our most revered historians’ greatest works, and this new Perennial edition will reintroduce his genius to a new generation of readers.

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'A classic' - Simon Kuper, Financial Times'Brilliant' - James O'Brien, author of How to be RightThe five laws that confirm our worst fears: stupid people can and do rule the world.Since time immemorial, a powerful dark force has hindered the growth of human welfare and happiness. It is more powerful than the Mafia or the military. It has global catastrophic effects and can be found anywhere from the world's most powerful boardrooms to your local pub. This is the immensely powerful force of human stupidity.Seeing the shambolic state of human affairs, and sensing the dark force at work behind it, Carlo M. Cipolla, the late, noted professor of economic history at the University of California, Berkeley, created a vitally important economic model that would allow us to detect, know and neutralise this threat: The Basic Laws of Human Stupidity.If you've ever found yourself despairing at the ubiquity of stupidity among even the most 'intellectual' of people, then this hilarious, timely and slightly alarming little book is for you. Arm yourself in the face of baffling political realities, unreasonable colleagues or the unbridled misery of dinner with the in-laws with the first and only economic model for stupidity.

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The most authoritative and engrossing biography of the notorious dictator ever written, winner of the 2016 PROSE Award for Biography & Autobiography"Enthralling, brilliant, and groundbreaking, this book confirms Khlevniuk as probably the greatest living expert on Stalin. Essential reading."—Simon Sebag Montefiore, author of Stalin: the Court of the Red Tsar Josef Stalin exercised supreme power in the Soviet Union from 1929 until his death in 1953. During that quarter-century, by Oleg Khlevniuk’s estimate, he caused the imprisonment and execution of no fewer than a million Soviet citizens per year. Millions more were victims of famine directly resulting from Stalin's policies. What drove him toward such ruthlessness? This essential biography, by the author most deeply familiar with the vast archives of the Soviet era, offers an unprecedented, fine-grained portrait of Stalin the man and dictator. Without mythologizing Stalin as either benevolent or an evil genius, Khlevniuk resolves numerous controversies about specific events in the dictator’s life while assembling many hundreds of previously unknown letters, memos, reports, and diaries into a comprehensive, compelling narrative of a life that altered the course of world history. In brief, revealing prologues to each chapter, Khlevniuk takes his reader into Stalin’s favorite dacha, where the innermost circle of Soviet leadership gathered as their vozhd lay dying. Chronological chapters then illuminate major themes: Stalin’s childhood, his involvement in the Revolution and the early Bolshevik government under Lenin, his assumption of undivided power and mandate for industrialization and collectivization, the Terror, World War II, and the postwar period. At the book’s conclusion, the author presents a cogent warning against nostalgia for the Stalinist era.

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Coal, gas and oil have been capitalism's main fuels since the industrial revolution. And yet, of all the fossil fuels ever consumed, more than half were burned in the last 50 years. Most alarming of all, fossil fuel consumption has grown fastest in the last three decades, since scientists confirmed that it is the main cause of potentially devastating global warming. In Burning Up, Simon Pirani recounts the history of fossil fuels' relentless rise since the mid twentieth century. Dispelling explanations foregrounding Western consumerism, and arguments that population growth is the main problem, Pirani shows how fossil fuels are consumed through technological, social and economic systems, and that these systems must change. This is a major contribution to understanding the greatest crisis of our time.

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Alone in his isolated, windswept chapel on the edge of Dartmoor, who could blame the young priest, Mark, for seeking affection from the local miller's daughter, Mary? But when Mary's body is found brutally stabbed, Mark is the obvious suspect, and the discovery that she was pregnant seems to confirm his guilt. Called in to investigate, Baldwin Furnshill and Bailiff Simon Puttock soon begin to have their doubts. Could it not have been one of Mary's many admirers who murdered her in a fit of jealousy? Or her father, the miller, who is acting in an increasingly disturbed manner? And what exactly is the local Baron trying to hide? Will they be able to find the murderer before he strikes again?

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Coal, gas and oil have been capitalism's main fuels since the industrial revolution. And yet, of all the fossil fuels ever consumed, more than half were burned in the last 50 years. Most alarming of all, fossil fuel consumption has grown fastest in the last three decades, since scientists confirmed that it is the main cause of potentially devastating global warming. In Burning Up, Simon Pirani recounts the history of fossil fuels' relentless rise since the mid twentieth century. Dispelling explanations foregrounding Western consumerism, and arguments that population growth is the main problem, Pirani shows how fossil fuels are consumed through technological, social and economic systems, and that these systems must change. This is a major contribution to understanding the greatest crisis of our time.

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THE STUNNING SECOND WORLD WAR THRILLER FROM THE CELEBRATED SUNDAY TIMES BESTSELLING AUTHOR SIMON SCARROWThe Richard and Judy Bookclub PickThe Times Top Ten bestseller 'A wonderfully compelling thriller, reeking of authenticity, and a terrific depiction of the human world within the chilling world of the Third Reich' Peter JamesBerlin, December 1939 As Germany goes to war, the Nazis tighten their terrifying grip. Paranoia in the capital is intensified by a rigidly enforced blackout that plunges the city into oppressive darkness every night, as the bleak winter sun sets. When a young woman is murdered, Criminal Inspector Horst Schenke is under pressure to solve the case, swiftly. Distrusted by his superiors for his failure to join the Nazi Party, Schenke walks a perilous line - for disloyalty is a death sentence. The discovery of a second victim confirms Schenke's worst fears. He must uncover the truth before evil strikes again. As the investigation takes him closer to the sinister heart of the regime, Schenke realises there is danger everywhere - and the warring factions of the Reich can be as deadly as a killer stalking the streets . . . Readers love BLACKOUT:'Superb thriller, with a heroic anti-Nazi Kripo detective ... I look forward to more books about him' *****'Highly recommended ... A top-class murder case set in war-time Berlin' *****'Fantastic ... Keeps you guessing and in suspense until the end' *****'Great story about the excessive Nazi regime ... Really loved this book' *****

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'Epic... Apart from being the Emmy award-winning creator of the superb television series Fargo, the American author Noah Hawley is a talented deviser of high-class literary thrillers... It's a fabulous worst-of-all-fears scenario... Hawley attacks his narrative from a broad, TV drama-ish viewpoint, assembling a large, intercutting cast of characters' - The Sunday Times'Noah Hawley taps into our existential anxiety- and transforms it into a hefty page-turner that's equal parts horrific, catastrophic and, at times, strangely entertaining' - New York Times'Terrifyingly good... Hawley is such an experienced storyteller...this book is nothing if not art imitating life' - Irish Sunday Independent From the visionary bestselling author of Before the Fall and The Good Father, an epic literary thriller set where America is right now . . . and the world will be tomorrow.America spins into chaos as the last remnants of political consensus break apart. Against a background of environmental disaster and opioid addiction, debate descends into violence and militias roam the streets - while teenagers across the world seem driven to self-destruction, communicating by memes only they can understand.Yet the markets still tick up and the super-rich, like Ty Oliver, fly above the flames in private jets.After the death of his daughter, Ty dispatches his son Simon to an Anxiety Abatement Center. There he encounters another boy called the Prophet. And the Prophet wants him to join a quest.Before long, Simon is on the road with a crew of new comrades on a rescue mission as urgent as it is enigmatic. Suddenly heroes of their own story, they are crossing the country in search of a young woman held in a billionaire's retreat - and, just possibly, the only hope of escape from the apocalypse bequeathed to them by their parents' generation.Noah Hawley's epic literary thriller, full of unforgettably vivid characters, finds unquenchable lights in the darkest corners. Uncannily topical and yet as timeless as a Grimm's fairy tale, this is a novel of excoriating power, raw emotion and narrative verve, confirming Hawley as one of the most essential writers of our time.'Hawley makes this sing by combining the social commentary of a Margaret Atwood novel with the horrors of a Stephen King book' - Publishers Weekly* * *PRAISE FOR NOAH HAWLEY:'He has an intuitive understanding of human behaviour and an instinctive grasp of plot that make him a master storyteller'Guardian'An addictive thriller whose thematic richness is reminiscent of Franzen'The Sunday Times'Hawley's sublime prose glows on every page'Daily Mail'A thriller of masterful precision'Independent'High-class entertainment' Mail on Sunday'One of the year's best suspense novels'New York Times

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*A Guardian Book of the Day* The defeat of socialist firebrand Jeremy Corbyn as Labour Leader in 2019 confirmed Tony Benn’s famous retort 'the Labour party has never been a socialist party, although there have always been socialists in it.' For over a hundred years, the British Labour Party has been a bastion for working class organisation and struggle. However, has it ever truly been on the side of the workers? Where do its interests really lie? And can we rely on it to provide a barrier against right-wing forces? Simon Hannah’s smart and succinct history of the Labour left guides us through the twists and turns of the party, from the Bevanite movement and the celebrated government of Clement Attlee, through the emergence of a New Left in the 1970s and the Blairism of the 1990s, to Corbyn’s defeat and his replacement by Keir Starmer. This new edition is updated throughout, with a new final chapter and conclusion bringing the story up to date.

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*A Guardian Book of the Day* The defeat of socialist firebrand Jeremy Corbyn as Labour Leader in 2019 confirmed Tony Benn’s famous retort 'the Labour party has never been a socialist party, although there have always been socialists in it.' For over a hundred years, the British Labour Party has been a bastion for working class organisation and struggle. However, has it ever truly been on the side of the workers? Where do its interests really lie? And can we rely on it to provide a barrier against right-wing forces? Simon Hannah’s smart and succinct history of the Labour left guides us through the twists and turns of the party, from the Bevanite movement and the celebrated government of Clement Attlee, through the emergence of a New Left in the 1970s and the Blairism of the 1990s, to Corbyn’s defeat and his replacement by Keir Starmer. This new edition is updated throughout, with a new final chapter and conclusion bringing the story up to date.

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Motherhood and creativity can coexist. You have creative dreams swirling in your heart, but pursuing them while changing diapers and managing the carpool schedule feels impossible. You have no time. No space. You can mother, or you can create. You certainly can't do both (right?!). But what if you could pursue your God-given creative gifts alongside motherhood, for the enrichment of both experiences? What if you stopped viewing creativity as a selfish act, and started to see it as essential to your own flourishing as a mother? This book is a much-needed permission slip to do just that--through the pictures you take, the stories you write, the meals you make, the music you play, the gardens you grow. In this unforgettable book filled with rich storytelling and stunning photographs, writer and mother Ashlee Gadd helps you set aside the guilt and discover the sacred connection between creating and mothering. One-part commissioning, one-part pep talk, Create Anyway will propel you forward with a renewed sense of energy, purpose, and enthusiasm for stewarding the creative dreams God has planted in your heart--right alongside the diapers and carpool. Here's to creating in the margins of motherhood. Here's to creating anyway. Praise for Create Anyway "If you've ever felt like your creative energy and your motherhood were at odds, Create Anyway will be a balm to your soul."--Ruth Chou Simons, mom to six boys, Wall Street Journal bestselling author, and founder of gracelaced.com "Create Anyway is an anthem, an invitation, a spark that will light a fire in your heart."--Gretchen Saffles, founder of Well-Watered Women and bestselling author of The Well-Watered Woman "If you're looking for a manual to help you reclaim the sacred slowness of motherhood and creativity, pick this one up today."--Hannah Brencher, author of Fighting Forward and Come Matter Here "The stories and wisdom in Create Anyway will inspire you to prioritize and delight in making art, not in spite of motherhood, but because of it."--Laura Wifler, author, podcaster, and cofounder of Risen Motherhood "I cried tears of release throughout this book. It's dreamy and gorgeous and raw, and I feel as if I can finally exhale after two long, hard years."--Leslie Means, creator of Her View From Home "Part pep talk, part permission slip, this beautiful book honors both the mothering journey and our God-given desires to create."--Kayla Craig, author of To Light Their Way and creator of Liturgies for Parents "Create Anyway is a compassionate call to be enchanted by the ordinary and see the beauty right where you belong."--Rachel Marie Kang, founder of The Fallow House and author of Let There Be Art "If you've ever questioned your value or worth in the long season of mothering little ones, I highly recommend this book! It feels like letting go and coming home at the same time."--Anjuli Paschall, author of Stay and Awake "Ashlee drops breadcrumbs of hope, confirming that we are not alone in the messy margins and perhaps instead of waiting for 'perfect' we have permission to lean in and make something beautiful right there."--Jena Holliday, artist, author, and founder of Spoonful of Faith

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'Epic... Apart from being the Emmy award-winning creator of the superb television series Fargo, the American author Noah Hawley is a talented deviser of high-class literary thrillers... It's a fabulous worst-of-all-fears scenario... Hawley attacks his narrative from a broad, TV drama-ish viewpoint, assembling a large, intercutting cast of characters' - The Sunday Times'Noah Hawley taps into our existential anxiety- and transforms it into a hefty page-turner that's equal parts horrific, catastrophic and, at times, strangely entertaining' - New York Times'Terrifyingly good... Hawley is such an experienced storyteller...this book is nothing if not art imitating life' - Irish Sunday Independent From the visionary bestselling author of Before the Fall and The Good Father, an epic literary thriller set where America is right now . . . and the world will be tomorrow.America spins into chaos as the last remnants of political consensus break apart. Against a background of environmental disaster and opioid addiction, debate descends into violence and militias roam the streets - while teenagers across the world seem driven to self-destruction, communicating by memes only they can understand.Yet the markets still tick up and the super-rich, like Ty Oliver, fly above the flames in private jets.After the death of his daughter, Ty dispatches his son Simon to an Anxiety Abatement Center. There he encounters another boy called the Prophet. And the Prophet wants him to join a quest.Before long, Simon is on the road with a crew of new comrades on a rescue mission as urgent as it is enigmatic. Suddenly heroes of their own story, they are crossing the country in search of a young woman held in a billionaire's retreat - and, just possibly, the only hope of escape from the apocalypse bequeathed to them by their parents' generation.Noah Hawley's epic literary thriller, full of unforgettably vivid characters, finds unquenchable lights in the darkest corners. Uncannily topical and yet as timeless as a Grimm's fairy tale, this is a novel of excoriating power, raw emotion and narrative verve, confirming Hawley as one of the most essential writers of our time.'Hawley makes this sing by combining the social commentary of a Margaret Atwood novel with the horrors of a Stephen King book' - Publishers Weekly* * *PRAISE FOR NOAH HAWLEY:'He has an intuitive understanding of human behaviour and an instinctive grasp of plot that make him a master storyteller'Guardian'An addictive thriller whose thematic richness is reminiscent of Franzen'The Sunday Times'Hawley's sublime prose glows on every page'Daily Mail'A thriller of masterful precision'Independent'High-class entertainment' Mail on Sunday'One of the year's best suspense novels'New York Times

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Luke records twice how Jesus called on people to "take up" or "carry" their crosses. He also reports how Simon of Cyrene carried Jesus' cross "behind Jesus." No metaphorical uses of the well-known phenomenon of cross-bearing were confirmed in any language prior to the Gospels. The idiom was also unknown in Semitic languages. What did a call to become a voluntary cross-bearer sound like before the cross became kitsch? In Luke's Gospel, cross-bearing is connected with self-denial and "hating" one's family. Not only the disciples, but "all" are called on to take up their crosses. Since cross-bearing is a daily duty, it can hardly refer to martyrdom, and cannot be linked to imitation. Sverre Bøe argues that the cross signifies death through radical self-denial, but not as ascetic exercises. His book includes a survey of the history of scholarship on the five Synoptic texts of cross-bearing.

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'Epic... Apart from being the Emmy award-winning creator of the superb television series Fargo, the American author Noah Hawley is a talented deviser of high-class literary thrillers... It's a fabulous worst-of-all-fears scenario... Hawley attacks his narrative from a broad, TV drama-ish viewpoint, assembling a large, intercutting cast of characters' - The Sunday Times'Noah Hawley taps into our existential anxiety- and transforms it into a hefty page-turner that's equal parts horrific, catastrophic and, at times, strangely entertaining' - New York Times'Terrifyingly good... Hawley is such an experienced storyteller...this book is nothing if not art imitating life' - Irish Sunday Independent From the visionary bestselling author of Before the Fall and The Good Father, an epic literary thriller set where America is right now . . . and the world will be tomorrow.America spins into chaos as the last remnants of political consensus break apart. Against a background of environmental disaster and opioid addiction, debate descends into violence and militias roam the streets - while teenagers across the world seem driven to self-destruction, communicating by memes only they can understand.Yet the markets still tick up and the super-rich, like Ty Oliver, fly above the flames in private jets.After the death of his daughter, Ty dispatches his son Simon to an Anxiety Abatement Center. There he encounters another boy called the Prophet. And the Prophet wants him to join a quest.Before long, Simon is on the road with a crew of new comrades on a rescue mission as urgent as it is enigmatic. Suddenly heroes of their own story, they are crossing the country in search of a young woman held in a billionaire's retreat - and, just possibly, the only hope of escape from the apocalypse bequeathed to them by their parents' generation.Noah Hawley's epic literary thriller, full of unforgettably vivid characters, finds unquenchable lights in the darkest corners. Uncannily topical and yet as timeless as a Grimm's fairy tale, this is a novel of excoriating power, raw emotion and narrative verve, confirming Hawley as one of the most essential writers of our time.'Hawley makes this sing by combining the social commentary of a Margaret Atwood novel with the horrors of a Stephen King book' - Publishers Weekly* * *PRAISE FOR NOAH HAWLEY:'He has an intuitive understanding of human behaviour and an instinctive grasp of plot that make him a master storyteller'Guardian'An addictive thriller whose thematic richness is reminiscent of Franzen'The Sunday Times'Hawley's sublime prose glows on every page'Daily Mail'A thriller of masterful precision'Independent'High-class entertainment' Mail on Sunday'One of the year's best suspense novels'New York Times

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'Move over Morse. Simon Mason Oxford crime novel breathes fresh life into the police procedural' Val McDermid'There is no one else like him' Mark Sanderson The Times/Sunday Times Crime ClubA DI RYAN WILKINS MYSTERYA SHOCKING DISAPPEARANCEA four-year-old girl goes missing in plain sight outside her nursery in Oxford, a middle-class, affluent area,her mother only a stones-throw away.A TRIGGERING RESPONSERyan Wilkins, one of the youngest ever Detective Inspectors in the Thames Valley force, dishonourably discharged three months ago, watches his former partner DI Ray Wilkins deliver a press conference, confirming a lead.A DARK WEBRay begins to delve deeper, unearthing an underground network of criminal forces in the local area. But while Ray's investigation stalls Ryan brings his unique talents to unofficial and quite illegal inquiries which will bring him into a confrontation with the very officials who have thrown him out of the force.Praise for the DI Ryan Wilkins Mysteries'Mason has reformulated Inspector Morse for the 2020s' The Times'Start now and avoid the rush' Guardian

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Simone de Beauvoir, one of the most famous existential philosophers of the 20th century, is a confirmed atheist. Despite this, she also engages and reassigns faith, that faith that is usually associated with 'religion, ' and iterates it in the service of her existential ethics. Beauvoir's ethic is founded in the axiom that 'I concern others, and they concern me. There we have an irreducible truth.' From this assumption, she articulates the principles for living an ethical life which honours above all the freedom of the other in a world fraught with contingency and ambiguity. In so doing, she enjoins us to undertake our efforts in generosity and risk, in faith toward each other, because only by doing so can we achieve the transcendence given in the existential condition. In this movement, Beauvoir confirms and performs a different reading of religion: religion as the scene of the self and other, of the appeal and response, of the holy and the faithful, which constitutes the history of European civilization. Following a certain thread in the discourse on religion given in Jacques Derrida and Michel de Certeau, this study proposes a theoretical apparatus for 'religion' which offers a different appreciation of Beauvoir's ethics. This study has two agendas: to interrogate popular notions of religion by reading it, out of Derrida and Certeau, as a signifier for a situated historical scene; and to show the existential philosophy of Beauvoir as a performance of that scene. In particular, it will show how the structure of relationships she presents in her ethics clearly reproduces the rhythms of the scene of religion. One of the implications of this reproduction is that existential philosophy can only emerge in the context of religion, and is necessarily an iteration of religion. The other implication is that we might reassess how we code the category 'religion' in our public and private discourse, with all the disruption that such a different coding might entail.

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'Move over Morse. Simon Mason Oxford crime novel breathes fresh life into the police procedural' Val McDermid'There is no one else like him' Mark Sanderson The Times/Sunday Times Crime ClubA DI RYAN WILKINS MYSTERYA SHOCKING DISAPPEARANCEA four-year-old girl goes missing in plain sight outside her nursery in Oxford, a middle-class, affluent area,her mother only a stones-throw away.A TRIGGERING RESPONSERyan Wilkins, one of the youngest ever Detective Inspectors in the Thames Valley force, dishonourably discharged three months ago, watches his former partner DI Ray Wilkins deliver a press conference, confirming a lead.A DARK WEBRay begins to delve deeper, unearthing an underground network of criminal forces in the local area. But while Ray's investigation stalls Ryan brings his unique talents to unofficial and quite illegal inquiries which will bring him into a confrontation with the very officials who have thrown him out of the force.Praise for the DI Ryan Wilkins Mysteries'Mason has reformulated Inspector Morse for the 2020s' The Times'Start now and avoid the rush' Guardian

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Once solely the province of ivory-tower professors and university classrooms, contemporary philosophy was finally emancipated from its academic closet in 2010, when The Stone was launched in The New York Times. First appearing as an online series, the column quickly attracted millions of readers through its accessible examination of universal topics like the nature of science, consciousness and morality, while also probing more contemporary issues such as the morality of drones, gun control and the gender divide. Collected in this handsomely designed volume, The Stone Reader presents 133 meaningful and influential essays from the series, placing nearly the entirety of modern philosophical discourse at a reader’s grasp. The book, divided into four broad sections—Philosophy, Science, Religion and Morals and Society—opens with a series of questions about the scope, history and identity of philosophy: What are the practical uses of philosophy? Does the discipline, begun in the West in ancient Greece with Socrates, favour men and exclude women? Does the history and study of philosophy betray a racial bias against non-white thinkers or geographical bias toward the West? With an introduction by Peter Catapano that details the column’s founding and distinct editorial process at The New York Times, and prefatory notes to each section by Simon Critchley, The Stone Reader promises to become not only an intellectual landmark but also a confirmation that philosophy is, indeed, for everyone.

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Peter Purves reads this gripping classic novelisation of a TV adventure featuring the First Doctor and his companions Steven and Dodo. Landing on a distant planet, the Doctor confidently announces to his companions that the TARDIS has brought them to an age of great advancement, peace and prosperity. The Doctor's calculations seem to be confirmed when the travellers are greeted by Jano and the Elders, who take them on a tour of their city - a haven of beauty, harmony and friendship, set in a wilderness inhabited by tribes of savages. But the security of the city is founded on one deadly and appalling secret. Soon the Doctor and his friends discover that is not only outside the city walls that savages dwell... Peter Purves, who played Steven in the BBC TV series, reads Ian Stuart Black's complete and unabridged novelisation, first published by Target Books in 1986. (P) 2020 BBC Studios Distribution Ltd © 2020 BBC Studios Distribution Ltd Text © Ian Stuart Black 1986 Cover illustration by David McAllister Reading produced by Neil Gardner Recorded at Ladbroke Audio Ltd Sound design by Simon Power for Meon Productions - www.meonsound.com Executive producer: Michael Stevens

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'The most popular English poet since Larkin.' Sunday TimesAfter more than a decade and following his celebrated adventures in drama, translation, travel writing and prose poetry, Simon Armitage's eleventh collection of poems heralds a return to his trademark contemporary lyricism. The pieces in this multi-textured and moving volume are set against a backdrop of economic recession and social division, where mass media, the mass market and globalisation have made alienation a commonplace experience and where the solitary imagination drifts and conjures. The Unaccompanied documents a world on the brink, a world of unreliable seasons and unstable coordinates, where Odysseus stalks the aisles of cut-price supermarkets in search of direction, where the star of Bethlehem rises over industrial Yorkshire, and where alarm bells for ailing communities go unheeded or unheard. Looking for certainty the mind gravitates to recollections of upbringing and family, only to encounter more unrecoverable worlds, shaped as ever through Armitage's gifts for clarity and detail as well as his characteristic dead-pan wit. Insightful, relevant and empathetic, these poems confirm The Unaccompanied as a bold new statement of intent by one of our most respected and recognised living poets. 'A writer who has had a game-changing influence on his contemporaries.' Guardian'Armitage is that rare beast: a poet whose work is ambitious, accomplished and complex as well as popular.' Sunday Telegraph'The best poet of his generation.' Craig Raine, Observer

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From a former Israeli spy, comes the most realistic and authentic thriller of the year. The Times Number One BestsellerWinner of the CWA International Dagger.A Times, Telegraph and FT pick for Summer Reads 2019, and an FT Thriller of the Year"The year's best espionage thriller" Daily Telegraph Best Books of 2019"Gripping, smart and shot through with dry wit. A terrific read" Simon BeckettWhen an Israeli tech exec disappears from Charles de Gaulle airport with a woman in red, logic dictates youthful indiscretion. But Israel is on a state of high alert nonetheless. Colonel Zeev Abadi, the new head of Unit 8200's Special Section, just happens to have arrived on the same flight.For Commissaire Léger of the Paris Police, all coincidences are suspect. When a second young Israeli from the flight is kidnapped, this time at gunpoint from his hotel room, his suspicions are confirmed - and a diplomatic crisis looms. As the race to identify the victims and the reasons behind their abductions intensifies, a covert Chinese commando team watches from the rooftops, while hour by hour the morgue receives fresh bodies from around Paris.This could be one long night in the City of Lights.Translated from the Hebrew by Daniela Zamir

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The first biography of a pioneering scientist who made significant contributions to our understanding of dark matter and championed the advancement of women in science. One of the great lingering mysteries of the universe is dark matter. Scientists are not sure what it is, but most believe it's out there, and in abundance. The astronomer who finally convinced many of them was Vera Rubin. When Rubin died in 2016, she was regarded as one of the most influential astronomers of her era. Her research on the rotation of spiral galaxies was groundbreaking, and her observations contributed significantly to the confirmation of dark matter, a most notable achievement. In Vera Rubin: A Life, prolific science writers Jacqueline Mitton and Simon Mitton provide a detailed, accessible overview of Rubin's work, showing how she leveraged immense curiosity, profound intelligence, and novel technologies to help transform our understanding of the cosmos. But Rubin's impact was not limited to her contributions to scientific knowledge. She also helped to transform scientific practice by promoting the careers of women researchers. Not content to be an inspiration, Rubin was a mentor and a champion. She advocated for hiring women faculty, inviting women speakers to major conferences, and honoring women with awards that were historically the exclusive province of men. Rubin's papers and correspondence yield vivid insights into her life and work, as she faced down gender discrimination and met the demands of family and research throughout a long and influential career. Deftly written, with both scientific experts and general readers in mind, Vera Rubin is a portrait of a woman with insatiable curiosity about the universe who never stopped asking questions and encouraging other women to do the same.

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Studies representations of women and death by women to see whether and how they differ from patriarchal versions. In Western culture, women are often linked with death, perhaps because they are traditionally constructed as an unknowable "other." The first two Women and Death volumes investigate ideas about death and the feminine as represented in German culture since 1500, focusing, respectively, on the representation of women as victims and killers and the idea of the woman warrior, and confirming that women who kill or die violent or untimely deaths exercisefascination even as they pose a threat. The traditions of representation traced in the first two volumes, however, are largely patriarchal. What happens when it is women who produce the representations? Do they debunk or reject the dominant discourses of sexual fascination around women and death? Do they replace them with more sober or "realistic" representations, with new forms, modes, and language? Or do women writers and artists, inescapably bound up in patriarchal tradition, reproduce its paradigms? This third volume in the series investigates these questions in ten essays written by an international group of expert scholars. It will be of interest to scholars and students of German literature and culture, gender studies, and film studies. Contributors: Judith Aikin, Barbara Becker-Cantarino, Jill Bepler, Stephanie Bird, Abigail Dunn, Stephanie Hilger, Elisabeth Krimmer, Aine McMurtry, Simon Richter, Helen Watanabe-O'Kelly. Clare Bielby is Lecturer in German at the University of Hull. Anna Richards is Lecturer in German at Birkbeck College, University of London.

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A treasure trove of advice, support and encouragement that no performer should be without. Honest, witty and direct, The Golden Rules of Acting is every actor's best friend – in handy paperback form. ‘When auditioning, rehearsing or in a performance, take a risk – the worst that can happen is that you get embarrassed. You won’t die.’ Easy to dip into, fully illustrated throughout, and designed to be both instructive and empowering, The Golden Rules of Acting won't tell you how to act – but it will tell you how to be an actor. ‘Always remember, the people auditioning you want you to be brilliant. They want you to solve their casting problem.' If you're a working actor, drama-school student, someone who wants to become an actor, or simply someone who has a dream and wants to make it a reality, this book is for you. ‘NEVER harmonise when singing ‘Happy Birthday’ – this has nothing to do with work, it’s just all actors do it & it’s bloody annoying.’ Andy Nyman learnt the golden rules of acting the hard way, through twenty-five years of working in theatre, film and television. On stage, he co-wrote, co-directed and starred in the West End hit Ghost Stories, and won an Olivier Award for Best Entertainment for co-writing and directing Something Wicked This Way Comes with his regular collaborator Derren Brown. His many film appearances include Severance and Frank Oz's Death at a Funeral. 'I absolutely devoured this book. Yes, it's witty but it's also sincere, informative, practical and humble in its truths' Toni Collette 'This little book is a must-read for every aspiring actor and actress, including all established performers – and I have recommended it to many since reading it. It confirms and reaffirms why we are in this profession. Not only does it impart hard-earned knowledge, it does so with a sense of fun, a little mischief, and always with dignity, which (let's face it) can take a daily beating. It's probably the most important book on acting and actors I've ever read; period! Keep it by your bedside at all times!' Liam Neeson OBE 'Christians have the Bible, now actors have this book. At last, everyone is happy' Simon Pegg 'Andy's distilled guidebook is smart, hilarious, and just might get you work!' Neil Patrick Harris 'Like having a friend in your pocket! Supremely practical, wise, reassuring, inspiring and funny – chockful of good humour and good sense' Keeley Hawes 'Honest, uplifting, expert advice from a genius of the craft' Riz Ahmed 'Like its author, this little book is packed full of wit, wisdom and good things' Matthew Macfadyen 'When I was starting out, wanting to read about how to unlock the mysteries of working in the theatre, I could only turn to Stanislavski. But now, you lucky young people (and indeed people of all ages), there is Nyman. One-tenth the length, a hundred times funnier and crammed with practical wisdom… read it and in every sense, you'll have a head start' Trevor Nunn 'A wonderful insight into the secrets of success that will help anyone achieve their dreams' Richard Wiseman (author, 59 Seconds: Think a little, change a lot)

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'Ruminative and enigmatic . . . powerful' Simon Armitage'Tenderly inquisitive . . . a powerful poetry of witness . . . full of discovery' Alycia Pirmohamed'Majella Kelly offers so much: ecstatic lyricism . . . emotional excavation and virtuosic skill' Kathryn Maris The astonishing poetry debut exploring hidden histories, mythical landscapes and self-discovery in the face of limits on women's bodily autonomyIn 2017, the presence of a mass grave was confirmed in a disused sewage system in Tuam, County Galway. In it were the bodies of infants - wards of the Bon Secours Mother and Baby Home, where from 1925 to 1961 the children of unmarried women were sent to live their lives in the care of nuns. Their deaths were the result of a conservative culture which, under the influence of the Church, took a prurient interest in women's private lives and bodies.In The Speculations of Country People, her hauntingly lyrical debut collection, Majella Kelly reckons with that legacy. She traces the journeys of women in our own day, from controlling relationships to sexual reawakening and new happiness. The speculations of the title are in part those of gossip, the chatter of small communities everywhere; but they are also those of a local, very Irish mythos, in which pagan and Christian - and truth and legend - blend and blur.Here, then, are hares and selkies, a seductive 'master otter' of 'fabulous elegance' who might carry a woman away in the night; here is the last man on Omey Island; here a retired stuntman, dragging his bed of rusty nails along the beach. And here - quiet, against the beauty and loneliness of the Connemara landscape - are the little bones that wash up on shores or stick from the earth to speak of what has been.

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Born half a century ago, predating the internet and named WAVE in its infantry, the Spatial Grasp Model has been tested on numerous applications: graph and network theory, collective robotics, crisis management, security and defense, social systems, and space-based systems. The Spatial Grasp Model confirms the potential applicability of the developed paradigm, language, and technology for solving much broader classes of problems, especially those related to large and unknown worlds. Presenting the main ideas of the Spatial Grasp paradigm and details of its key Spatial Grasp Language (SGL) – including its philosophy, methodology, syntax, semantics, and interpretation in distributed systems – Sapaty explores extended technological applications of the approach. Allowing us to evaluate large, distributed phenomena by their physical or virtual coverage, The Spatial Grasp Model suggests uses beyond the theoretical, including the examination of hurricanes and forest fires. Investigating group behaviour of ocean animals, discovery of unknown terrain features, and path-findings in large transport networks truly demonstrates the real-world application of SGL. Applicable for high-level formulation of key problems and their solutions in the place of natural languages, The Spatial Grasp Model is crucial reading for researchers across multiple fields faced with developing global.

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What if the human species were to get in touch with another intelligent species, thus far unknown? This question is the impetus for a vast, exciting catalogue of science fiction and fantasy stories. They serve as hypothetical answers in narrative form but can also be regarded as cognitive exercises by which we investigate the nature and destiny of humanity. In other words, any creature and any story produced in response to this question requires an assessment of our notion of the human and a redefinition of our position and role in the world. This volume aims at mapping and analysing the very rich catalogue of non-human figures which inhabit our contemporary imagery, with particular regard to science fiction literature and film. It is suggested that monsters, clones, zombies, aliens, artificial beings, cyborgs and mutants can function as ideological tools intended to confirm the role of humankind (and Western civilization) as the only possible standard of intelligent and ethical life. But they can also become cognitive instruments devised to question or criticize our vision of and behaviour toward the world, other species and ourselves. This privileged critical perspective – and the point of arrival of the book – is the category of the posthuman, which is regarded as the symbol of a possibly revolutionary vision of humanity, a wish and an invitation to embrace a new, more humble way of being and living.

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