Search results for ""author julian""

Obwohl ausländische Direktinvestitionen nach wie vor von großen multinationalen Unternehmen dominiert werden, gewinnt die grenzüberschreitende Investitionstätigkeit kleiner und mittlerer Unternehmen (KMU) zunehmend an Bedeutung. Julian Kimmerle widmet sich der Frage, ob das internationale Investitionsrecht in seiner gegenwärtigen Gestalt einen adäquaten normativen Rahmen für die Internationalisierung von KMU bietet. Die materiellen Regelungen des internationalen Investitionsrechts tragen zwar den strukturellen Problemen angemessen Rechnung, mit denen KMU bei Auslandsinvestitionen typischerweise konfrontiert sind. Allerdings ist KMU nach der lex lata aufgrund ihrer begrenzten Ressourcen nach wie vor vielfach der Zugang zur Investitionsschiedsgerichtsbarkeit versperrt. Der Autor findet unter Einbeziehung der aktuellen Reformbestrebungen praktikable Ansätze zur Überwindung dieses Missstandes.Die Arbeit wurde mit dem Dissertationspreis der Alumni-Vereinigung der Juristischen Fakultät der Universität Augsburg 2023 ausgezeichnet.

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This book is aimed at the reader who is serious about confronting the big issues in life but is turned off by books which deal with them through religion, spirituality or 'psycho-babble'. It is for people who want an honest, intelligent discussion which doesn't hide from the difficulties or make undeliverable promises. It aims to help the reader to understand the overlooked issues behind the obvious questions and shows how philosophy does not so much answer them as help provide us with the resources to answer them for ourselves.

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Thirteen leading actors take us behind the scenes, each recreating in detail a memorable performance in one of Shakespeare's major roles. * Brian Cox on Titus Andronicus in Deborah Warner's visceral RSC production * Judi Dench on being directed by Franco Zeffirelli as a twenty-three-year-old Juliet * Ralph Fiennes on Shakespeare's least sympathetic hero Coriolanus * Rebecca Hall on Rosalind in As You Like It, directed by her father, Sir Peter * Derek Jacobi on his hilariously poker-backed Malvolio for Michael Grandage * Jude Law on his Hamlet, a palpable hit in the West End and on Broadway * Adrian Lester on a modern-dress Henry V at the National, during the invasion of Iraq * Ian McKellen on his Macbeth, opposite Judi Dench in Trevor Nunn's RSC production * Helen Mirren on a role she was born for, and has played three times: Cleopatra * Tim Pigott-Smith on Leontes in Peter Hall's Restoration Winter's Tale at the National * Kevin Spacey on his high-tech, modern-dress Richard II * Patrick Stewart on Prospero in Rupert Goold's arctic Tempest for the RSC * Penelope Wilton on Isabella in Jonathan Miller's 'chamber' Measure for Measure The actors discuss their characters, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing each role, invaluable for other actors and directors, as well as students of Shakespeare – and fascinating for audiences of the plays. Together, the interviews give one of the most comprehensive pictures yet of these characters in performance, and of the choices that these great actors have made in bringing them thrillingly to life. 'These passages of times remembered contribute vividly to the sense of a teemingly creative period when Shakespeare seemed to have been rediscovered.' Trevor Nunn, from his Foreword

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Julian Sayarer grew up riding a bicycle. Working as a bike courier in London, he learned the world record for a circumnavigation by bike had been broken, and that cycling into the sunset had been bought by banks and big business. Determined to do things differently, Julian set out to take back the record for the people. Life Cycles is his story of that record, riding 110 miles every 24 hours for 6 months on only GBP8.84 a day - a route through jungles, snow and 20 different countries. He found himself stranded without money in the deserts of Kazakhstan, held up by insurrections in northwest China, and sleeping under motorway bridges in America's Deep South. Taken by life on the road and a spirit of adventure, he loved every minute of it. A tale of excitement and world politics by bicycle, travelling at 12mph, Julian found that the Tartars of Central Asia aren't so different to the trailer families of Louisiana. This book is a reminder that the world is out there - and it's waiting for us.

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Social theory and research has long faced the limitations of its conventional Eurocentric focus. The essays in this volume offer new thoughts and empirical studies for transcending those limitations. A continuation of PPST's previous volume on "Postcolonial Sociology," this volume, "Decentering Social Theory," questions old categories, advances new postcolonial themes in social science, and debates alternative theoretical paradigms. The "Scholarly Controversies" section contains a critical exchange on "Southern Theory" between Raewyn Connell and Patricia Hill Collins, Mustafa Emirbayer, Raka Ray and Isaac Ariail Reed.

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Postcolonial theory has enjoyed wide influence in the humanities but for social science, and in particular sociology, its implications remain elusive. This special volume brings together leading sociologists to explore the concept of "postcolonial sociology," with brand new postcolonial readings of canonical thinkers like Karl Marx, Max Weber, Emile Durkheim and Robert Park. Chapters consider whether or not postcolonial theory is compatible with sociology; explore the relationship between knowledge and colonial power; and offer critical perspectives on the sociology of race and the implications of postcolonial theory for global sociology. They also unravel the complex entanglements of sociology, area studies, and postcolonial studies; give creative deployments of postcolonial concepts such as hybridity; and critical excavations of sociological thought in India and Mexico. In so doing this volume is among the first to craft newsociologies informed by postcolonial criticism.

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Master the skills you need to set yourself apart and hit the highest grades. This year-round course companion develops the higher-order thinking skills that top-achieving students possess, providing step-by-step guidance, examples and tips for getting an A grade.Written by experienced author and teacher Julian Waterfield, Aiming for an A in A-level RS:- Develops the 'A grade skills' of analysis, evaluation and creation, ensuring that you know how to apply these skills and approach each exam question as an A/A* candidate- Takes you step-by-step through the specific reading, writing, revision and exam skills you need to master for A-level RS- Clearly shows how to move up the grades with sample responses that have been annotated to highlight the key features of top-grade answers- Puts the theory behind achieving an A grade into practice, providing activities and further reading tasks that stretch towards university-level study- Perfects exam technique through practical tips and examples of common pitfalls to avoid- Cultivates effective revision habits for success, with tips and strategies for producing and using revision resources- Supports the major exam boards, outlining the Assessment Objectives for reaching the higher levels under the AQA, Edexcel, OCR and WJEC/Eduqas specifications

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Is the experience of watching a film with others in a cinema crucially different from watching a film alone? Does laughing together amplify our enjoyment, and when watching a film in communal rapt attention, does this intensify the whole experience? Attending a film in a cinema implies being influenced by other people, an 'audience effect' that is particularly noticeable once affective responses like laughter, weeping, embarrassment, guilt, or anger play a role. In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide. Combining recent scholarly interest in viewers' emotions and affects with insights from the blossoming debate about collective emotions in philosophy and social psychology, this study makes viewers more aware of their own experience in the cinema, and simultaneously opens up a new line of research for film studies.

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'Lees' strikingly descriptive writing transports you directly to the streets of Jakarta... this will make you want to book a flight right now' IndependentTaut and suspenseful, The Bone Ritual is the first in a crime series set in contemporary JakartaInspektur Ruud Pujasumarta has seen some gang-perpetrated horror crimes in his time, but the slum murder of a middle-aged woman he is called to is both horrifying and baffling. Mari Agnes Liem has not only been choked to death while tied to her bed, but the murderer has amputated her left hand and left a mah jong tile in her throat. And he has taken the hand with him.The only bright spot on Ruud's horizon is the imminent arrival of Imke Sneijder from Amsterdam, whom he hasn't seen for fifteen years, when they were both twelve-year-old neighbours before her family moved back to Holland.As Ruud and his department investigate Mari's murder, it isn't long before they have more than one corpse on their hands . . . and a serial killer to catch. And Ruud begins to realise that the current murderous spree may be linked to events which occured fifteen years ago, at about the time Imke left Indonesia . . .'Julian Lees' lush use of language conjures up the extravagant and the seedy sides of life in modern Jakarta and transports the reader to its steamy slums and palaces, ratcheting up the tension through myriad false trails, keeping the reader enthralled right up until the denouement' Crime Fiction Fix

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Has the age of the internet killed our high streets? Have our town and city centres become obsolete? How to Save Our Town Centres delves below the surface of empty buildings and ‘shop local’ campaigns to focus on the real issues: how the relationship between people and places is changing; how business is done and who benefits; and how the use and ownership of land affects us all. Written in an engaging and accessible style and illustrated with numerous original interviews, the book sets out a comprehensive and coherent agenda for long-term, citizen-led change. It will be a valuable resource for policymakers and researchers in planning, architecture and the built environment, economic development and community participation.

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'The thing about ghosts is sometimes we create our own. And sometimes they find us, no matter what we do.' The thrilling conclusion to the Ghosts of Shanghai by the award-winning author of the Mysterium trilogy, for fans of Philip Pullman, Susan Hill and Robin Stevens.Ruby is on a mission to rescue the boy she loves: Charlie has been swept away in the powerful waters of the River Yangtze. But the world she loves is now broken by danger and fear, and Ruby is lost and surrounded by ghosts. Can Ruby trust herself, and those around her, to find Charlie and return to Shanghai? Or has she ventured too deep into the realm of spirits?On an amazing journey down the Yangtze, crossing from one world to the other, Ruby must follow the 'red thread of destiny' to find Charlie and home, before she loses herself . . .

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Provides a comprehensive survey of twentieth-century prison writing from around the world Analyses texts from the UK, USA, Australia, Kenya, South Africa, Egypt, Ireland, Germany, and the USSR Texts by male and female writers considered with structural balance Approaches texts chronologically within an historical sequence of social and institutional changes Brings a specifically literary approach to material generally approached sociologically and criminologically Tracking the evolutionary arc of prison writing across the twentieth century in an international and comparative framework, this study proposes an integrated account of the major shifts and movements in this relatively neglected genre of autobiography. Dwelling on works memoirs, novellas, poems by actual detainees, the book offers a close stylistic analysis of 12 important texts to show how prison writing moved away from the confessional and self-scrutinizing modes of an earlier tradition, to espouse openly political sentiments and solidarities. Looking at works by Oscar Wilde, Rosa Luxemburg, Ezra Pound, Primo Levi, Bobby Sands, Angela Davis, Ng?g? wa Thiong'o, and Behrouz Boochani (among others), the book shows how themes such as the annihilation of experience, dehumanization, sensory deprivation, brutality, and numbing routine are woven into distinctive textual artefacts that give evidence of an abiding human resilience in the face of raw state power.

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The first comprehensive study of naval operations involving NorthAmerican squadrons in Nova Scotia waters, Frigates and Foremasts offersa masterful analysis of the motives behind the deployment of Royal Navyvessels between 1745 and 1815, and the navy’s role on the WesternAtlantic. Interweaving historical analysis with vivid descriptions of pivotalevents from the first siege of Louisbourg in 1745 to the end of thewars with the United States and France in 1815, Julian Gwyn illuminatesthe complex story of competing interests among the Admiralty, NavyBoard, sea officers, and government officials on both sides of theAtlantic. In a gripping narrative encompassing sea battles,impressments, and privateering, Gwyn brings to life key events andcentral figures. He examines the role of leadership and the lack of it,not only of seagoing heroes from Peter Warren to Philip Broke, but alsoof land-based officials, such as the various Halifax naval yardcommissioners, whose important contributions are brought to light.Gwyn’s brilliant evocation of people and events, and thescholarship he brings to bear on the subject makes Frigates andForemasts a uniquely authoritative history. Wonderfully readable, itwill attract both the serious naval historian and the general readerinterested in the ‘why’ and ‘what’ of navalhistory on North America's eastern seaboard.

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Modern British and Irish Criticism and Theory offers the student and general reader a comprehensive, critically informed overview of the development of literary and cultural studies from the nineteenth century to the present day. Beginning with Coleridge and Arnold, examining the contribution of cultural commentators and novelists, and considering the institutionalisation of literary criticism in the universities of England, Ireland, Scotland, and Wales, the book addresses in detailed, accessible and rigorous essays the rise and significance of literary and cultural studies. Nearly thirty essays contribute to an understanding of the practice of literary studies presenting the reader with a perceptive series of critical interventions which, themselves, engage in the very locations from which criticism and theory have emerged. A further reading list accompanies each chapter. Key Features * Breadth of coverage from Coleridge through Virginia Woolf to Raymond Williams and Terry Eagleton; and from the 'Cambridge School' to Post-structuralism and Postcolonial theory. * Focus on the history of modern criticism. * Accessibly written. * Theoretical debates are set in full historical, cultural and philosophical contexts.

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Basil Bunting (1900-1985) was an extraordinary if sometimes neglected poet. His late-flowering masterpiece Briggflatts (1965) jettisoned him into the pantheon of twentieth century greats and reminded his audience that the legacies of international modernism had not been entirely buried. Bunting showed that Anglo-American modernism was not incompatible with native traditions and Briggflatts is a powerful evocation of Northumbria, the poet’s cherished place of origin. Such dynamic regionalism struck a powerful note in the 1960s, his poetry proving an inspiration to younger poets. Bunting became a talismanic figure, his charismatic readings helping to galvanise the British Poetry Revival. Briggflatts rescued Bunting from literary neglect and prompted readers to return to his earlier writings which are also examined here.

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Ten amazing curves personally selected by one of today's most important math writersCurves for the Mathematically Curious is a thoughtfully curated collection of ten mathematical curves, selected by Julian Havil for their significance, mathematical interest, and beauty. Each chapter gives an account of the history and definition of one curve, providing a glimpse into the elegant and often surprising mathematics involved in its creation and evolution. In telling the ten stories, Havil introduces many mathematicians and other innovators, some whose fame has withstood the passing of years and others who have slipped into comparative obscurity. You will meet Pierre Bézier, who is known for his ubiquitous and eponymous curves, and Adolphe Quetelet, who trumpeted the ubiquity of the normal curve but whose name now hides behind the modern body mass index. These and other ingenious thinkers engaged with the challenges, incongruities, and insights to be found in these remarkable curves—and now you can share in this adventure.Curves for the Mathematically Curious is a rigorous and enriching mathematical experience for anyone interested in curves, and the book is designed so that readers who choose can follow the details with pencil and paper. Every curve has a story worth telling.

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Throughout the Middle Ages, Christians wrote about Islam and the life of Muhammad. These stories, ranging from the humorous to the vitriolic, both informed and warned audiences about what was regarded as a schismatic form of Christianity. Medieval Latin Lives of Muhammad covers nearly five centuries of Christian writings on the prophet, including accounts from the farthest-flung reaches of medieval Europe, the Iberian Peninsula, and the Byzantine Empire. Over time, authors portrayed Muhammad in many guises, among them: Theophanes’s influential ninth-century chronicle describing the prophet as the heretical leader of a Jewish conspiracy; Embrico of Mainz’s eleventh-century depiction of Muhammad as a former slave who is manipulated by a magician into performing unholy deeds; and Walter of Compiègne’s twelfth-century presentation of the founder of Islam as a likable but tricky serf ambitiously seeking upward social mobility.The prose, verse, and epistolary texts in Medieval Latin Lives of Muhammad help trace the persistence of old clichés as well as the evolution of new attitudes toward Islam and its prophet in Western culture. This volume brings together a highly varied and fascinating set of Latin narratives and polemics never before translated into English.

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This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty.Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto’s frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.

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In the years before Indian Independence in 1947, the Nagas of Northeast India came to exemplify an exotic society. Peoples of the Hills, radically different in culture and beliefs from the better-known Hindu peoples of the plains, they were renowned for their fierce resistance to British rule and for their former practice of head-taking. Although sharing many social and cultural traits, such as feast-giving as a means of acquiring status, the thousands of small Naga villages, perched on isolated hill spurs, seemed often to be very different from each other. They adopted different political systems, ranging from the egalitarian to the autocratic, and spoke more than a dozen mutually unintelligible languages. Appearing to be both one people and many tribes, the Nagas displayed both unity and diversity in their dress and ornament. Their vibrant material culture is generously illustrated in this book in colour photographs that display their textiles, basketry, jewelry, weapons, metalwork and carvings. The artefacts are examined in their full historical and anthropological context. Drawing on a diverse range of historical materials, an examination of how the notion of tribes came to be applied to the Nagas is linked to its subsequent importance in the development of contemporary Naga nationalism. A wealth of documentary field photographs complements this fascinating look at the Naga Peoples of Northeast India.

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At the turn of the twenty-first century, many felt sceptical or confused about painting’s on-going cultural relevance. In this context, Julian Bell’s What is Painting? provided an accessible and inspired account of artistic thinking and practice, and of the complexities then facing artists and their audiences. Eighteen years on, the situation is partly reversed. Painting has proved too resilient a practice to be marginalized any longer. Yet is there any sense of forward momentum for the art? Interrogating the factors that have changed our ideas of painting over the past two centuries, Bell addresses relations between figuration and abstraction and between narrative and non-narrative painting, as well as the waning of conceptual art’s dominance and the proliferation of experiments with the physical limits of painting. He also clarifies general concepts such as ‘expression’ and ‘representation’. Fully revised to provide a fresh look at the situation of painting, this new edition maintains the objective of lucid, historically informative explanation that earned the original edition its status as a text of lasting value. The book provides a general reader’s introduction to theories of painting that is not only reliable, but also stimulating and amusing to read.

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Walmsley is a well-known financial author and a respected authority in international investing, trading and risk management. In this superb introductory text, he discusses the enormous changes which have occurred during the past few years in foreign exchange markets and the impact they will have on the manner in which international business will be conducted over the next decade. Includes comprehensive coverage of daily financial management and control issues.

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