Search results for ""author daniel defoe"

Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World, first published in 1720 and considered a sequel to The Farther Adventures of Robinson Crusoe, is a collection of essays written in the voice of the Crusoe character. Expressing Defoe’s thoughts about many moral questions of the day, the narrator takes up isolation, poverty, religious liberty, and epistemology. Defoe also used this volume to revive his interest in poetry, not the satiric poetry of the early eighteenth century, but the more inspirational verse that appeared in some of his later works. Serious Reflections also includes an imaginative flight in which Crusoe wanders among the planets, a return to the moon voyage impulse of Defoe’s 1705 work The Consolidator. Illuminating the ideas and philosophy of this most influential of English novelists, it is invaluable for any student of the period.

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Daniel Defoe's great masterpiece, in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectible Penguin editions are bound in high-quality colourful, tactile cloth with foil stamped into the design'I walk'd about on the shore, lifting up my hands, and my whole being, as I may say, wrapt up in the contemplation of my deliverance ... reflecting upon all my comrades that were drown'd, and that there should not be one soul sav'd but my self ... 'Who has not dreamed of life on an exotic isle, far away from civilization? Here is the novel which has inspired countless imitations by lesser writers, none of which equal the power and originality of Defoe's famous book. Robinson Crusoe, set ashore on an island after a terrible storm at sea, is forced to make do with only a knife, some tobacco, and a pipe. He learns how to build a canoe, make bread, and endure endless solitude. That is, until, twenty-four years later, when he confronts another human being. First published in 1719, Robinson Crusoe has been praised by such writers as James Joyce, Virginia Woolf, and Samuel Johnson as one of the greatest novels in the English language.'Robinson Crusoe has a universal appeal, a story that goes right to the core of existence' Simon Armitage

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In the seventeenth century antiquarianism was a well-respected profession and antiquarian works were in demand, particularly amongst the gentry, who were especially interested in establishing lineage and the descent of land tenure. Although intended primarily as a source of information about who owned what and where, they often contained fascinating descriptions of the English landscape. Charles Lancaster has examined the town and county surveys of this period and selected the most interesting examples to illustrate the variety and richness of these depictions. Organised by region, he has provided detailed introductions to each excerpt. Including such writers as John Stow, William Dugdale, Elias Ashmole, Daniel Defoe, Gilbert White and Celia Fiennes, this is a book that will appeal to anyone with an interest in both national and local history and to lovers of English scenery.

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Finalist for the Lambda Literary Award, 2019Finalist for the Publishing Triangle Award, 2019 A New Yorker Book of the Year, 2018 A Huffington Post Book of the Year, 2018 A Buzzfeed Book of the Year, 2018 'Quite simply extraordinary... Imagine if Maggie Nelson, Daphne du Maurier and Daniel Defoe collaborated.' Sarah Perry, author of The Essex SerpentJack Sheppard - a transgender carpenter's apprentice - has fled his master's house to become a notorious prison break artist, and Bess Khan has escaped the draining of the fenlands to become a revolutionary mastermind. Together, they find themselves at the center of a web of corruption leading back to the dreaded Thief-Catcher General ... ...Or so we are told in a mysterious manuscript unearthed by one Professor R. Voth. Voth traces the origins and authenticity of the manuscript as Jack and Bess trace the connections between the bowels of Newgate Prison and the dissection chambers of the Royal College, in a bawdy collision of a novel about gender, love, and liberation.SHORTLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE

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'How is the mind agitated and bewildered, at being thus, as it were, placed on the borders of a new world!' - William Bartram 'Thus you see, dear sister, the manners of mankind do not differ so widely as our voyage writers would have us believe.' - Mary Wortley Montagu With widely varied motives - scientific curiosity, commerce, colonization, diplomacy, exploration, and tourism - British travellers fanned out to every corner of the world in the period the Critical Review labelled the 'Age of Peregrination'. The Empire, already established in the Caribbean and North America, was expanding in India and Africa and founding new outposts in the Pacific in the wake of Captain Cook's voyages. In letters, journals, and books, travellers wrote at first-hand of exotic lands and beautiful scenery, and encounters with strange peoples and dangerous wildlife. They conducted philosophical and political debates in print about slavery and the French Revolution, and their writing often affords unexpected insights into the writers themselves. This anthology brings together the best writing from authors such as Daniel Defoe, Celia Fiennes, Mary Wollstonecraft, Olaudah Equiano, Mungo Park, and many others, to provide a comprehensive selection from this emerging literary genre. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A new atlas of imaginary islands conjured up by an international gathering of illustrators, including work by Coralie Bickford-Smith, Bill Bragg, Marion Deuchars, Chris Riddell, Maisie Paradise Shearring, Hervé Tullet, Aušra Kiudulaite and more.Islomania is a recognized affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari – literally the ‘island books’. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of literature and an instant bestseller. Defoe’s tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling. To celebrate the tercentenary of Robinson Crusoe’s publication, a truly international range of leading illustrators imagine they too have been washed up on their own remote island. In a specially created map they visualize what it looks like, what it’s called and what can be found on its mythical shores. In a panoply of astonishingly creative and often surprising responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers and dreamers alike.

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Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention. Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual. In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy.

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Derby is an exceptional and underrated city. It was an important centre of the Midlands Enlightenment, boasting Dr Erasmus Darwin and John Whitehurst FRS among its eighteenth-century residents. It produced an artist of international repute in Joseph Wright ARA and has been a centre for the production of fine porcelain and fine clocks for almost three centuries. It was a county town for five centuries and was in its Georgian heyday much admired by writers such as Daniel Defoe. Despite the best endeavours of a peculiarly unappreciative and iconoclastic bunch of city fathers over the years, many of its fine Georgian and Regency features have managed to survive. In 90 pairs of photographs ranging from 1765 to the present, Maxwell Craven has attempted to show why it is still a city of which its citizens can be proud and how it has changed, in places out of all recognition.

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A fascinating analysis of anonymous publication centuries before the digital ageEverywhere and Nowhere considers the ubiquity of anonymity and mediation in the publication and circulation of eighteenth-century British literature—before the Romantic creation of the “author”—and what this means for literary criticism. Anonymous authorship was typical of the time, yet literary scholars and historians have been generally unable to account for it as anything more than a footnote or curiosity. Mark Vareschi shows the entangled relationship between mediation and anonymity, revealing the nonhuman agency of the printed text. Drawing richly on quantitative analysis and robust archival work, Vareschi brings together philosophy, literary theory, and media theory in a trenchant analysis, uncovering a history of textual engagement and interpretation that does not hinge on the known authorial subject.In discussing anonymous poetry, drama, and the novel along with anonymously published writers such as Daniel Defoe, Frances Burney, and Walter Scott, he unveils a theory of mediation that renews broader questions about agency and intention. Vareschi argues that textual intentionality is a property of nonhuman, material media rather than human subjects alone, allowing the anonymous literature of the eighteenth century to speak to contemporary questions of meaning in the philosophy of language. Vareschi closes by exploring dubious claims about the death of anonymity and the reexplosion of anonymity with the coming of the digital. Ultimately, Everywhere and Nowhere reveals the long history of print anonymity so central to the risks and benefits of the digital culture.

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Political, literary, and cultural historians of the early modern Anglophone world have long characterized the crucial century between 1642 and 1742 as the period when absolutist theories of sovereignty yielded their dominance to shared models of governance and a burgeoning doctrine of unalienable, individual rights. Yet even the most cursory glance at the cultural record, reveals that individualism was largely a footnote to a conflict over the production of political and cultural authority that erupted around the middle of the seventeenth century between sovereignty and collectivity. Collective Understanding, Radicalism, and Literary History reaches back to the English civil wars (1642-46, 1648) when a distinctive and anti-authoritarian hermeneutic emerged from the dissident community known as the Levellers. Active between 1645 and 1653, the Levellers argued that a more just political order required that knowledge, previously structured by the epistemology of singularity upon which sovereignty had built its authority, be reorganized around the interpretive principles and practices of affiliation and collectivity. Collective Understanding contends that late Stuart and eighteenth-century literature played a central role in marginalizing the non-elite methods of interpretation and knowledge production that had emerged in the 1640s. While pamphlets and other readily available texts ridiculed members of the commonalty, it was the longer narrative arcs of drama and fiction that were uniquely able to foreground the collaborative methods civil war dissidents and the Levellers in particular had used to advance their opposition to sovereignty's epistemological paradigm. Writers such as William Davenant, Aphra Behn, Edward Sexby, Algernon Sidney, and Daniel Defoe repeatedly exposed these dissident methods as a profound and potentially catastrophic challenge to the political privileges of the ancien régime as well as its ancestral monopoly on the production of new knowledge.

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Glasgow: The Autobiography tells the story of the fabled, former Second City of the British Empire from its origins as a bucolic village on the rivers Kelvin and Clyde, through the tumult of the Industrial Revolution to the third millennium. Including extracts from an astonishing array of contributors from Daniel Defoe, Dorothy Wordsworth and Dr Johnson to Evelyn Waugh and Dirk Bogarde, it also features the writing of bred-in-thebone Glaswegians such as Alasdair Gray, Liz Lochhead, James Kelman and 2020 Booker prize-winner Douglas Stuart. The result is a varied and vivid portrait of one of the world’s great cities in all its grime and glory – a place which is at once infuriating, inspiring, raucous, humourful and never, ever dull.

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J. M. Coetzee is, without question, one of the world's greatest novelists. This volume gathers together for the first time in book form twenty-nine pieces on books, writing, photography and the 1995 Rugby World Cup in South Africa. Stranger Shores opens with 'What is a Classic?' in which Coetzee explores the answer to his own question - 'What does it mean in living terms to say that the classic is what survives?' - by way of TS Eliot, JS Bach and Zbigniew Herbert. His subjects range from eighteenth and nineteenth century writers Daniel Defoe, Samuel Richardson and Ivan Turgenev, to the great German modernists Rilke, Kafka, and Musil, to the giants of late twentieth century literature, among them Harry Mulisch, Joseph Brodsky, Jorge Luis Borges, Salman Rushdie, Amos Oz, Naguib Mahfouz, Nadine Gordimer and Doris Lessing.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. In her second volume of essays, Virginia Woolf delves deeper into the delights of reading. Here, she explores the novels of Thomas Hardy and Daniel Defoe, and recounts the fascinating lives of Christina Rossetti and Mary Wollstonecraft. In ‘ How Should One Read a Book?’ she offers sage advice for the common reader, and sheds light on the lessons and pleasures literature can provide. Published in 1932, The Common Reader: Second Series is a wise and illuminating companion collection to her 1925 First Series. Woolf’s enduring appeal and ideas continue to resonate with readers in the twenty-first century.

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'I made him know his Name should be Friday, which was the Day I sav'd his Life...I likewise taught him to say Master' Robinson Crusoe's seafaring adventures are abruptly ended when he is shipwrecked, the solitary survivor on a deserted island. He gradually creates a life for himself, building a house, cultivating the land, and making a companion from the native whose life he saves. Daniel Defoe's enthralling story-telling and imaginatively detailed descriptions have ensured that his fiction masquerading as fact remains one of the most famous stories in English literature. On one level a simple adventure story, the novel also raises profound questions about moral and spiritual values, society, and man's abiding acquisitiveness. This new edition includes a scintillating Introduction and notes that illuminate the historical context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Michael Shinagel has collated the reprint with all six authorized editions published by Taylor in 1719 to achieve a text that is faithful to Defoe's original edition. Annotations assist the reader with obscure words and idioms, biblical references, and nautical terms. "Contexts" helps the reader understand the novel’s historical and religious significance. Included are four contemporary accounts of marooned men, Defoe’s autobiographical passages on the novel’s allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel’s religious aspects. "Eighteenth-and Nineteenth-Century Opinions" is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill. "Twentieth-Century Criticism" is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn. A Chronology of Defoe’s life and work and an updated Selected Bibliography are also included.

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Shipwrecked off the coast of Trinidad, Robinson Crusoe – a young man with a thirst for adventure – finds himself washed up on a remote tropical island with nothing but a few tools and animals for company. Cast away for thirty years, he must battle cannibals, mutineers and the elements in a tale so convincing that many readers at the time believed it to be non-fiction. A true page-turner, Robinson Crusoe is one of the most enduring novels in the English language and its unique blend of extraordinary realism and brilliant drama continues to delight readers the world over.This Macmillan Collector’s Library edition of Daniel Defoe's Robinson Crusoe features illustrations by the celebrated Victorian caricaturist George Cruikshank, and an afterword by writer and journalist Ned Halley.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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Intrepid presenter Nicholas Crane investigates eight epic journeys, following in the footsteps of our greatest indigenous explorers.Nick presents eight of the most interesting traveller-chroniclers to have explored and reported on the state of the nation. From Gerald of Wales who embarked on a seven week journey around the wild perimeter of Wales in March 1188, to HV Morton, the journalist and travel writer who crossed the length and breadth of England by car in the 1920s. Others include Celia Fiennes who started her many journeys around Britain on horseback in the late 1600s at the age of 20, Tudor antiquarian John Leland, Daniel Defoe, William Cobbett, Thomas Pennant, and William Gilpin, who travelled through the north of England by boat in 1770.

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Born to a petty thief in London’s notorious Newgate prison and determined to make her way in a rapacious and materialistic society, Moll Flanders recounts the “fortunes and misfortunes” of her turbulent life in this 1722 novel. Though Moll Flanders was shaped by the conventions of criminal biography, Defoe also drew on other literary traditions and his own rich background to create a remarkably original—and still controversial—work. In addition to a critical introduction and substantial footnotes, this Broadview edition provides a wide range of writings by Defoe as well as contemporary responses to Moll Flanders. Other appendices include a selection of eighteenth-century writings on crime, prisons, and the Virginia colony.

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Newly available in paperback, Historical literatures recovers a rich, vibrant and complex tradition of Restoration and early eighteenth century English historical writing. Highlighting the wide variety of historical works being printed and read in England between the years 1660 and 1740, it demonstrates that many of the genres that we now view primarily as literary – verse satire and panegyric, memoir, scandal and chronicle – were also being used to represent historical phenomena. In surveying some of this period’s 'historical literatures', it argues that many satirists, secret historians and memoirists made their choice of historical subject matter a topic of explicit commentary, presenting themselves as historians or inscribing their works in an English historical tradition. By responding to other varieties of history in this self-conscious way, writers like Andrew Marvell, John Dryden, Delarivier Manley, Daniel Defoe and John Evelyn were able to pioneer influential new techniques for representing their nation’s past.

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Stoke Newington has long been one of London's most intriguing and radical areas. Famous residents included Daniel Defoe, Mary Wollstonecraft and Edgar Allan Poe, and it was home to a variety of religious dissenting groups, such as Puritans, Congregationalists, Baptists, Presbyterians and Quakers. In more recent years, it was associated with the Kray Twins, the Angry Brigade and the Provisional IRA, as well as with a range of creative individuals including Harold Pinter, Paul Foot and Marc Bolan.Today, the neighbourhood is inhabited by a richly eclectic blend of nationalities and cultures. It is a home for inner-city dwellers of all types, from writers and artists to musicians, journalists and actors. Its appeal has led to its contemporary gentrification, making it a rather different place to the somewhat down-at-heel neighbourhood of the 1960s and 1970s.This book reveals, through anecdote, historical fact and cultural insight, how this often perverse, argumentative yet tolerant ‘village’ has become today's fashionable and desirable Stoke Newington.

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Engendering Legitimacy is a study of the intersecting of law, land, property, and gender in the prose fiction of Mary Davys, Daniel Defoe, Eliza Haywood, and Jonathan Swift. The law of property in early modern England established relations for men and women that artificially constructed, altered, and ended their connections with the material world, and the land they lived upon. The cultural role of land and law in a changing economy embracing new forms of property became a founding preoccupation around which grew the imaginative prose fiction that would develop into the English novel. Susan Glover contends that questions of political and legal legitimacy raised by the Glorious Revolution of 1688-89 were transposed to the domestic and literary spheres of the early 1700s. Well researched and compellingly argued, Engendering Legitimacy examines the ways by which experimentation in prose fiction begins to re-vision the period's enmeshing of law, land, property, and political power, as the four writers imagine new grounds for authorial and political legitimacy.

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"The Projecting Age" was a term the English novelist Daniel Defoe used to describe the end of the seventeenth century. This term could just as easily be used, however, to describe the period known as the "Long Eighteenth Century" (1660-1789). The Age of Projects uses the notion of a project as a key to understanding the massive social, cultural, political, literary, and scientific transitions that occurred in Europe during this time. The contributors to this collection examine fraudulent, grandiose, altruistic, and idealistic projects that reveal the period's radical breaks from the past and its preoccupation with the future. Examining topics as diverse as Jonathan Swift's satire on the possibility of a computer, to Gottfried Leibniz's effort to build one, and Edmund Burke's prediction that the project of democratic governance would be taken over by greedy adventurers, this volume provides significant insight into the period's ambitions for an improved future. A well-balanced collection by leading scholars from diverse disciplines, The Age of Projects is a significant contribution to intellectual history, literary history, and the history of science.

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In the imaginations of young and old alike, the word pirate resonates with spine-tingling fear and swashbuckling adventure. Over centuries, our cultural landscape has been populated by a host of famous real and fictional figures immortalized in literature and art: Edward Teach, also known as Blackbeard, with his fearsome reputation for cruelty; Henry Bloody' Morgan, whose treasure is still sought today; and of course Long John Silver, the archetypal anti-hero of Robert Louis Stevenson's Treasure Island (1885).Pirate Tales gathers a treasure trove of excerpts from literary works inspired by the historical pirates of the 16th and 17th centuries. The edition begins with Daniel Defoe's Robinson Crusoe (1719), a book containing all the trappings of pirate lore shipwrecks, mutineers, undiscovered islands, and talking parrots and one which influenced hundreds of works of adventure fiction, not least Jules Verne's The Mysterious Island (1871). The third nerve-jangling novel is

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Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World, first published in 1720 and considered a sequel to The Farther Adventures of Robinson Crusoe, is a collection of essays written in the voice of the Crusoe character. Expressing Defoe’s thoughts about many moral questions of the day, the narrator takes up isolation, poverty, religious liberty, and epistemology. Defoe also used this volume to revive his interest in poetry, not the satiric poetry of the early eighteenth century, but the more inspirational verse that appeared in some of his later works. Serious Reflections also includes an imaginative flight in which Crusoe wanders among the planets, a return to the moon voyage impulse of Defoe’s 1705 work The Consolidator. Illuminating the ideas and philosophy of this most influential of English novelists, it is invaluable for any student of the period.

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A sparkling anthology celebrating sport in all its variety; from elite rugby and football to rural games on the village green, from an exclusive golf club to the sheer pleasure of a bicycle ride.Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by sports historian, Professor Martin Polley.A treat for sports fans, dip into this wide-ranging, entertaining collection of classic writing drawn from journalism, diaries, drama, fiction and more. On Your Marks spans from Elizabethan Shakespeare to twentieth-century George Orwell and features Daniel Defoe on horse racing, Jane Austen on baseball, Lewis Carroll on croquet and many more.

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Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting – a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel".

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Windsor Castle. 1714. Queen Anne is nearing the end of a life filled with tragedy and grief: plagued by illness and cursed by her father to lose all 17 of her children, she now lies dying with no living heir.The question of succession is thick in the air. Will it be James Stuart, the half-brother she has always refused to acknowledge? Or George of Hanover, the cousin who once turned her down for marriage?Neither is ideal: she hates them both.Over the course of one night at the Queen’s Elizabethan ball, courtiers, politicians and ladies’ maids alike seize the opportunity to steer the succession to their own advantage, changing the course of history forever. Meanwhile, unbeknownst to them, imperial spy Daniel Defoe creeps through the castle gathering intelligence on their every move for the Earl of Oxford.Before the night is over, Queen Anne will finally have to face the past—for nothing can be resolved until she comes to terms with her children’s deaths and repairs the terrible wrong she committed many years before…

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Historical literatures recovers a rich, vibrant and complex tradition of Restoration and early eighteenth century English historical writing. Highlighting the wide variety of historical works being printed and read in England between the years 1660 and 1740, it demonstrates that many of the genres that we now view primarily as literary – verse satire and panegyric, memoir, scandal and chronicle – were also being used to represent historical phenomena. In surveying some of this period’s 'historical literatures', it argues that many satirists, secret historians and memoirists made their choice of historical subject matter a topic of explicit commentary, presenting themselves as historians or inscribing their works in an English historical tradition. By responding to other varieties of history in this self-conscious way, writers like Andrew Marvell, John Dryden, Delarivier Manley, Daniel Defoe and John Evelyn were able to pioneer influential new techniques for representing their nation’s past.

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It is said, and not without some justification, that a picture is worth a thousand words. As it happens Southwold, very nearly England's most easterly town, is endlessly written about. Its charm, grace and pure magic have captivated writers and journalists ever since Daniel Defoe visited in 1713. But this book tells the story of Southwold over the last 100 years in pictures. The photographers seized opportunities presented by the late Victorian and early Edwardian era - whcih also proved to be the golden age of the postcard - to capture Southwold on their glass plate negatives, and also on film. It is all here: the beach, the common, the sea, the town, the people, the wars and the special Southwold occasions. And of course there are some lovely pictures of the eccentric little railway that helped turn a town that lived mainly by fishing into a genteel holiday resort. This book will delight all those who love Southwold and understand its funny ways.

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Copyright and intellectual property issues are intricately woven into any written work, but the precise nature of this relationship has plagued authors, printers, and booksellers for centuries. What does it mean to own the products of our intellectual labors in our own time? And what was the meaning three centuries ago, when copyright laws were first put into place? Jody Greene argues that while "owning" one's book is critical to the development of modern notions of authorship, studies of authorial property rights have in fact lost sight of the most critical valence of owning in early modern England: that is, owning up to or taking responsibility for one's work. Greene puts forth what she calls a "paranoid theory of copyright," under which literary property rights are a means of state regulation to assign responsibility for printed works, to identify one person who will step forward and claim the work in exchange for the right to reap the benefits of the literary marketplace. Blending research from legal, historical, and literary archives and drawing on the troubled authorial careers of figures such as Roger L'Estrange, Elizabeth Cellier, Daniel Defoe, John Gay, and Alexander Pope, The Trouble with Ownership looks to the literary culture of early modern England to reveal the intimate relationship between proprietary authorship and authorial liability.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things, but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Wall argues that the shift involved not just literary representation, but an evolution in cultural perception. In "The Prose of Things", Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, "The Prose of Things" is the first full account of the historic shift in the art of describing.

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'The idea was simple - take the most impassioned speeches about the fight for what is right and bring them to life for a new generation' COLIN FIRTHThe People Speak tells the story of Britain through the voices of the visionaries, dissenters, rebels and everyday folk who took on the Establishment and stood up for what they believed in. Here are their stories, letters, speeches and songs, from John Ball to Daniel Defoe; from Thomas Paine to Oscar Wilde; from the peasants' revolts to the suffragists to the anti-war demonstrators of today. Spanning almost 1,000 years and over 150 individual voices, these are some of the most powerful words in our history.Compiled by Academy Award-winning actor Colin Firth, influential writer Anthony Arnove and acclaimed historian David Horspool, The People Speak reminds us that history is not something gathering dust on a library shelf - and that democracy has never been a spectator sport.

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The Counterhuman Imaginary proposes that alongside the historical, social, and institutional structures of human reality that seem to be the sole subject of the literary text, an other-than-human world is everywhere in evidence. Laura Brown finds that within eighteenth-century British literature, the human cultural imaginary can be seen, equally, as a counterhuman imaginary—an alternative realm whose scope and terms exceed human understanding or order. Through close readings of works by Daniel Defoe, Jonathan Swift, and Alexander Pope, along with lapdog lyrics, circulation narratives that give agency to inanimate objects like coins and carriages, and poetry about the Lisbon earthquake of 1755, Brown traces the ways presence and power of the nonhuman—weather, natural disasters, animals, even the concept of love—not only influence human creativity, subjectivity, and history but are inseparable from them. Traversing literary theory, animal studies, new materialism, ecocriticism, and affect theory, The Counterhuman Imaginary offers an original repudiation of the centrality of the human to advance an integrative new methodology for reading chaos, fluidity, force, and impossibility in literary culture.

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Virginia Woolf once commented that the central image in Robinson Crusoe is an object - a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, The Prose of Things is the first full account of the historic shift in the art of describing.

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The Columbia Journalism Review's Second Read series features distinguished journalists revisiting key works of reportage. Launched in 2004 by John Palattella, who was then editor of the magazine's book section, the series also allows authors address such ongoing concerns as the conflict between narrative flair and accurate reporting, the legacy of New Journalism, the need for reporters to question their political assumptions, the limitations of participatory journalism, and the temptation to substitute "truthiness" for hard, challenging fact. Representing a wide range of views, Second Read embodies the diversity and dynamism of contemporary nonfiction while offering fresh perspectives on works by Norman Mailer, Tom Wolfe, Rachel Carson, and Gabriel Garcia Marquez, among others. It also highlights pivotal moments and movements in journalism as well as the innovations of award-winning writers. Essays include Rick Perlstein on Paul Cowan's The Tribes of America; Nicholson Baker on Daniel Defoe's A Journal of the Plague Year; Dale Maharidge on James Agee's Let Us Now Praise Famous Men; Marla Cone on Rachel Carson's Silent Spring; Ben Yagoda on Walter Bernstein's Keep Your Head Down; Ted Conover on Stanley Booth's The True Adventures of the Rolling Stones; Jack Shafer on Tom Wolfe's The Electric Kool-Aid Acid Test; Connie Schultz on Michael Herr's Dispatches; Michael Shapiro on Cornelius Ryan's The Longest Day; Douglas McCollam on John McPhee's Annals of the Former World; Tom Piazza on Norman Mailer's Armies of the Night; Thomas Mallon on William Manchester's The Death of a President; Miles Corwin on Gabriel Garcia Marquez's The Story of a Shipwrecked Sailor; David Ulin on Joan Didion's Slouching Toward Bethlehem; and Claire Dederer on Betty MacDonald's Anybody Can Do Anything.

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A fascinating analysis of anonymous publication centuries before the digital ageEverywhere and Nowhere considers the ubiquity of anonymity and mediation in the publication and circulation of eighteenth-century British literature—before the Romantic creation of the “author”—and what this means for literary criticism. Anonymous authorship was typical of the time, yet literary scholars and historians have been generally unable to account for it as anything more than a footnote or curiosity. Mark Vareschi shows the entangled relationship between mediation and anonymity, revealing the nonhuman agency of the printed text. Drawing richly on quantitative analysis and robust archival work, Vareschi brings together philosophy, literary theory, and media theory in a trenchant analysis, uncovering a history of textual engagement and interpretation that does not hinge on the known authorial subject.In discussing anonymous poetry, drama, and the novel along with anonymously published writers such as Daniel Defoe, Frances Burney, and Walter Scott, he unveils a theory of mediation that renews broader questions about agency and intention. Vareschi argues that textual intentionality is a property of nonhuman, material media rather than human subjects alone, allowing the anonymous literature of the eighteenth century to speak to contemporary questions of meaning in the philosophy of language. Vareschi closes by exploring dubious claims about the death of anonymity and the reexplosion of anonymity with the coming of the digital. Ultimately, Everywhere and Nowhere reveals the long history of print anonymity so central to the risks and benefits of the digital culture.

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In the imaginations of young and old alike, the word pirate resonates with spine-tingling fear and swashbuckling adventure. Over centuries, our cultural landscape has been populated by a host of famous real and fictional figures immortalized in literature and art: Edward Teach, also known as Blackbeard, with his fearsome reputation for cruelty; Henry Bloody' Morgan, whose treasure is still sought today; and of course Long John Silver, the archetypal anti-hero of Robert Louis Stevenson's Treasure Island (1885).Pirate Tales gathers a treasure trove of excerpts from literary works inspired by the historical pirates of the 16th and 17th centuries. The edition begins with Daniel Defoe's Robinson Crusoe (1719), a book containing all the trappings of pirate lore shipwrecks, mutineers, undiscovered islands, and talking parrots and one which influenced hundreds of works of adventure fiction, not least Jules Verne's The Mysterious Island (1871). The third nerve-jangling novel is

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Robinson Crusoe is one of the most famous literary characters in history, and his story has spawned hundreds of retellings. Inspired by the life of Alexander Selkirk, a sailor who lived for several years on a Pacific island, the novel tells the story of Crusoe's survival after shipwreck on an island, interaction with the mainland's native inhabitants, and eventual rescue. Read variously as economic fable, religious allegory, or imperialist fantasy, Crusoe has never lost its appeal as one of the most compelling adventure stories of all time.In addition to an introduction and helpful notes, this Broadview Edition includes a wide range of appendices that situate Defoe's 1719 novel amidst castaway narratives, economic treatises, reports of cannibalism, explorations of solitude, and Defoe's own writings on slavery and the African trade. A final appendix presents images of Crusoe's rescue of Friday from a dozen of the most significant illustrated editions of the novel published between 1719 and 1920.

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"I knew a Man, who having nothing but a summary Notion of Religion himself, and being wicked and profligate to the last Degree in his Life, made a thorough Reformation in himself, by labouring to convert a Jew."—Daniel Defoe, The Farther Adventures of Robinson Crusoe (1719)When the hero of Defoe’s novel listens skeptically to this anecdote related by a French Roman Catholic priest, he little suspects that in less than a century the conversion of the Jews would become nothing short of a national project—not in France but in England. In this book, Michael Ragussis explores the phenomenon of Jewish conversion—the subject of popular enthusiasm, public scandal, national debate, and dubbed "the English madness" by its critics—in Protestant England from the 1790s through the 1870s.Moving beyond the familiar catalog of anti-Semitic stereotypes, Ragussis analyzes the rhetoric of conversion as it was reinvented by the English in sermons, stories for the young, histories of the Jews, memoirs by Jewish converts, and popular novels. Alongside these texts and the countertexts produced by English Jews, he situates such writers as Edgeworth, Scott, Disraeli, Arnold, Trollope, and Eliot within the debate over conversion and related issues of race, gender, and nation-formation. His work reveals how a powerful group of emergent cultural projects—including a revisionist tradition of the novel, the new science of ethnology, and the rewriting of European history—redefined English national identity in response to the ideology of conversion, the history of the Jews, and "the Jewish question." Figures of Conversion offers an entirely new way of regarding Jewish identity in nineteenth-century British culture and will be of importance not only to literary scholars but also to scholars of Judaic and religious studies, history, and cultural studies.

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Defoe's most celebrated story of Crusoe's shipwreck, his resourcefulness and ingenuity in his soliatry life on a desert island and his rescue of Man Friday has been abridged and retold many times since its publication (in two volumes) in 1719. It even appeared recently in graphic-novel form. In 1968 Kathleen Lines determined to make the original text more accessible to young readers by breaking Defoe's original, continuous narrative into chapters, slightly cutting Crusoe's long meditations, and compressing the relevant bits of THE FARTHER ADVENTURES into a neat Epilogue, so that readers learn what happened to Friday. The evocative engravings are reproduced from a mid-nineteenth-century edition published by Cassell, Petter & Gilpin.

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Following on from The Beast and the Sovereign, Volume I, this book extends Jacques Derrida's exploration of the connections between animality and sovereignty. In this second year of the seminar, originally presented in 2002 2003 as the last course he would give before his death, Derrida focuses on two markedly different texts: Heidegger's 1929 1930 course The Fundamental Concepts of Metaphysics, and Daniel Defoe's Robinson Crusoe. As he moves back and forth between the two works, Derrida pursuesthe relations between solitude, insularity, world, violence, boredom and death as they supposedly affect humans and animals in different ways. Hitherto unnoticed or underappreciated aspects of Robinson Crusoe are brought out in strikingly original readings of questions such as Crusoe's belief in ghosts, his learning to pray, his parrot Poll, and his reinvention of the wheel. Crusoe's terror of being buried alive or swallowed alive by beasts or cannibals gives rise to a rich and provocative reflection on death, burial, and cremation, in part provoked by a meditation on the death of Derrida's friend Maurice Blanchot. Throughout, these readings are juxtaposed with interpretations of Heidegger's concepts of world and finitude to produce a distinctively Derridean account that will continue to surprise his readers.

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A lyrical collection of the finest poems by a leading Mexican poet, superbly translated for English readers “A literary event. . . . [Baranda’s] work provides a bestiary as fierce as those found in the Odyssey, Beowulf, or The Waste Land.”—Merrill Kaitz, Arts Fuse “A valuable collection . . . a metaphysical and philosophical luminosity of language that immerses the reader in cycles of life, death, and a quest for understanding what it means to be able to perceive.”—Susan Smith Nash, World Literature Today The poetry of María Baranda is a haunting homage to the natural world, transcendent in scope, attentive to the particular, and acutely attuned to the mystery of being. Absorbed by nature’s otherness, Baranda seeks to inhabit the voices of the wind, of wings, night, day, and perhaps most keenly, water. These lyrical verses turn repeatedly to the longings and griefs of embodiment: “What is that God / To be praised with all our sadness / If not love / Or at least the wonder / Of being a body full of blood,” Baranda asks. Drawing on epics such as the Aeneid and Beowulf, the mystical verses of Sor Juana Inés de la Cruz, and writers who engage the landscape of shore and sea, from Daniel Defoe to Dylan Thomas, this sweeping collection brings together the finest poems of one of today’s most powerful and innovative Mexican writers.

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The Black Death epidemic spawned Boccaccio's Decameron; the bubonic plague brought us A Journal of the Plague Year. Many other great literary works have centered around storytelling at the time of a pandemic. Of people quarantined in their homes in 1722, Daniel Defoe wrote: "It was generally in such houses that we heard the most dismal shrieks and outcries of the poor people, terrified and even frighted to death by the sight of the condition of their dearest relations, and by the terror of being imprisoned as they were."In March of 2020, a new virus in the shape of a crown forced Montrealers and people worldwide to be locked in their homes in fear of contagion. Social distancing, self-isolation, and quarantine became the new buzzwords dominating everyday vocabulary.In April, once this new reality set in, the Quebec Writers' Federation asked its members, "What’s the story of your day?” It initiated a project, Chronicling the Days, inviting writers to detail a typical day in their life. The aim was to provide writers with a forum to put their creative thoughts to paper to try to make sense of the surreal situation and find some connection with other writers. “Every story valid,” the guidelines stated. One hundred writers responded to the challenge.True to its slogan of “No Borders, No Limits,” Guernica Editions is collaborating with the Quebec Writers’ Federation to publish these essays in an anthology in the spring of 2021. These 100 essays are interspersed by six longer ones, also on the topic of the pandemic, but written for the QWF Writes series. Most submissions are by professional authors, members of the QWF; for some, however, this anthology represents their first time in print.Chronicling the Days—Dispatches from a Pandemic provides an intimate panorama of the early days and experiences of the coronavirus. Constituting a rich mosaic of different styles, forms, and voices, this anthology provides a moving account of the everyday life of Quebec writers in isolation, digging deeply into their souls and reaching out to others.

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Nunca se llega a una isla desierta por primera vez. [...] El pionero fue Robinson Crusoe, quien pisó la arena para siempre una mañana de octubre de 1659. Desde entonces, esperanzados, no hacemos más que repetir su gesto.Alberto ManguelRobinson Crusoe es una apasionante novela de aventuras cuyo protagonista llega a una isla desierta, tras un naufragio del que es el único superviviente. Allí permanecerá durante veinticinco años y tendrá que enfrentarse a la vida salvaje y a una terrible soledad. Robinson descubrirá que en la isla viven caníbales y rescatará a Viernes, un nativo que se convertirá en su fiel compañero.Con gran agudeza, Daniel Defoe plantea además diversas cuestiones de carácter social, político y filosófico en este gran clásico de la literatura universal.

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There have been more prisons in London than in any other European city. Of these, Newgate was the largest, most notorious and worst. Built during the twelfth century, it became a legendary place - the inspiration of more poems, plays and novels than any other building in London. It was a place of cruelty and wretchedness, at various times holding Dick Turpin, Titus Oates, Daniel Defoe, Jack Sheppard and Casanova. Because prisons were privately run, any time spent in prison had to be paid for by the prisoner. Housing varied from a private cell with a cleaning woman and a visiting prostitute, to simply lying on the floor with no cover. Those who died inside - and only a quarter of prisoners survived until their execution day - had to stay in Newgate as a rotting corpse until relatives found the money for the body to be released. Stephen Halliday tells the story of Newgate's origins, the criminals it held, the punishments meted out and its rebuilding and reform. This is a compelling slice of London's social and criminal history.

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More than thirty years after the groundbreaking publication of "Angels and Outcasts: An Anthology of Deaf Characters in Literature", Edna Edith Sayers re-envisions the anthology for the twenty-first century. In "Outcasts and Angels: The New Anthology of Deaf Characters in Literature", Sayers shows us the work of eminent and underrepresented deaf and hearing writers to encourage readers to come to terms with ingrained perceptions and biases towards the deaf. Sayers introduces three lesser known deaf writers: Charlotte Elizabeth (1790-1846), Howard Tracy Hofsteater (1909-64), and Douglas Bullard (1937-2005), but also includes luminaries such as Daniel Defoe, Flannery O'Connor, and Julian Barnes. Finally, Sayers features a global cast, including South African writer Nadine Gordimer, Danish writer Karen von Blixen-Finecke (writing as Isak Dinesen), and Lithuanian writer Juozas Grusas. "Outcasts and Angels" is sure to take its place with "Angels and Outcasts" as an insightful and important contribution to the field.

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A selection of the most exciting current work in eighteenth-century studies.Focusing on the fraught ways in which communities are defined, volume 51 of Studies in Eighteenth-Century Culture showcases groundbreaking research in all of the disciplines that constitute eighteenth-century studies. An article by Aaron Santesso and David Rosen intervenes in the current debates over "critique" by excavating a theory of ethical reading embedded in liberalism. In a similar mode, Jesslyn Whittell reads Christopher Smart's Jubilate Agno as a "stuplime" forerunner to contemporary experimental poetry.Considering communities that emerge around artworks, Aaron Gabriel Montalvo examines Joseph Highmore's Pamela paintings for the ways in which they inculcated new forms of moral spectatorship, while Stacey Jocoy shows how Robert Burns's ballad collections manipulated both tunes and lyrics in order to fashion a new vision of Scottish culture.Renee Bryzik finds that asymmetrical friendships in eighteenth-century novels helped unravel ideological prejudices shaped by settler colonialism. Nathan D. Brown presents a history of sweetness that goes beyond Caribbean plantations by reassessing the hopes placed upon maple sugar. Meanwhile, Dario Galvão argues that Buffon distinguished humans from animals by virtue of the former's capacity for domination, and Noel Chevalier focuses on the ways in which pirates served as monstrous stand-ins for commercial corruption.This volume of SECC also includes contributions from Li Qi Peh, Maximillian E. Novak, and Judith Stuchiner that explore Daniel Defoe's thinking about individualism, community, and religious instruction. The volume concludes with a cluster of short essays responding to the methodological challenges posed by Daniel O'Quinn's Engaging the Ottoman Empire.Contributors: Nathan D. Brown, Renee Bryzik, Katherine Calvin, Noel Chevalier, Zirwat Chowdhury, Ashley L. Cohen, Angelina Del Balzo, Lynn Festa, Douglas Fordham, Dario Galvão, Stacey Jocoy, Aaron Gabriel Montalvo, Maximillian E. Novak, Daniel O'Quinn, Li Qi Peh, David Rosen, Aaron Santesso, Judith Stuchiner, Charlotte Sussman, Jesslyn Whittell

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Reveals myth and “otherness” as keys to restoring self, nature, and society• Shows how myths contain medicine to restore wholeness amidst trauma, exile, sudden life change, disability, illness, death, or grief• Synthesizes lessons from shamanic practice, quantum physics, alchemy, soul poetry, wildness, social justice, and the author’s lived experience• Discloses the blessings of outsiderhood and the gifts and insights gained and contributed to culture by those who are marginalized and outcastThere is an “other” that lives within each of us, an exiled part that carries wisdom needed for ourselves and the culture at large. Having survived disabling polio as an infant, Daniel Deardorff knows the oppressions of exclusion and outsiderhood. He guides readers on an initiatory journey through ancient myth, literature, and personal revelation to discover our own true identity. These 10,000-year-old stories contain sacred medicine with insights that release imagination and restore wholeness amid trauma, exile, climate chaos, disability, illness, death, and grief. Illustrating how archetypal figures of the Other--the Trickster, Daimon, Not-I, etc.--hold paradox, Deardorff teaches us to reframe disparities of self/other, civilization/ wilderness, form/deformity and transform the experience of being outcast. Synthesizing lessons from shamanic practice, quantum physics, alchemy, social justice, and his own lived experience, Deardorff affirms the disruptive and transgressive forces that break through dogma, conventionality, and prejudice. He discloses blessings of outsiderhood and gifts to culture by those who are marginalized. Through mythmaking (mythopoesis), the experience of Otherness--cultural, racial, religious, sexual, physiognomic--becomes one of empowerment, a catalyst for human liberation.

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