Search results for ""author colin matthews""

Score to Claude Debussy's Canope (Prelude 4), orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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La Cathédrale Engloutie (Prelude 24) by Claude Debussy, orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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Bruyères (Prelude 14) was commissioned by the Hallé Concerts Society in 2006 and first performed by the Hallé Orchestra and conducted by Mark Elder at the Bridgewater Hall, Manchester on 6 May 2007. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world. Orchestral parts available for hire from Faber Music Limited.

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Score to Claude Debussy's Le vent dans la plaine (Prelude 13), orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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Score to Claude Debussy's Feux d'artifice (Prelude 3), orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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Score to Claude Debussy's Ce Qu'a Vu Le Vent D'Ouest (Prelude 1), orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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Score to Claude Debussy's Les Sons Et Les Parfums Tournent Dans L'air Du Soir (Prelude 15), orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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Score to Claude Debussy's La puerta del vino (Prelude 12), orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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Score to Claude Debussy's Brouillards (Prelude 10), orchestrated by Colin Matthews. During his time as the Hallé Orchestra’s Composer in Association between 2001 and 2010, Colin Matthews spent five years making orchestral versions of all 24 of Debussy’s Preludes. He has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skilfully created orchestral works of great variety, beauty and drama. Indeed, following their critical reception these works are being taken up and performed by orchestras across the world.

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Winner of Deluxe Edition of the Year at the Presto Music Awards 2023 This facsimile full score edition of Gustav Holst’s The Planets Opus 32 edited by Imogen Holst and Colin Matthews, is presented as a clothbound, full-colour, hardback edition with dustjacket. With a limited number available, this is a true collector’s edition. The manuscript of the full score of The Planets reproduced in this edition represents the work as it was first performed in 1918, three years before the first published edition. Not all of the manuscript is in Holst’s handwriting, since pressure of work and the painful neuritis in his arm meant that he had to rely on amanuenses to help him complete the score. There is a detailed description of the various handwritings, and two appendices help to illustrate how Holst worked with his assistants: these are Holst’s autograph arrangements of Mars for two pianos and of Neptune for organ duet. The textual collation lists all the differences between the manuscript and the printed score.

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