Search results for ""author christine"

Le volume se compose de quatre parties: approches théoriques et méthodologiques; pluralité linguistique et pratiques langagières; enjeux glottopolitiques de l’éducation bi-/plurilingue; approches didactiques du bi-/plurilinguisme.

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Essays on the connections between politics and society in the middle ages, showing their interdependence. Christine Carpenter's influential work on late-medieval English society aspires to encompass a wide spectrum of human experience. Her vision of "total" history embeds the study of politics in a multi-dimensional social frameworkwhich ranges from mentalities and ideology to economy and geography. This collection of essays celebrates Professor Carpenter's achievement by drawing attention to the social underpinning of political culture; the articles reflectthe range of her interests, chronologically from the thirteenth century to the sixteenth, and thematically from ideology and culture, through government and its officials, the nobility, gentry and yeomanry, the law and the church, to local society. The connection between centre and locality pervades the volume, as does the interplay of the ideological and cultural with the practical and material. The essays highlight both how ideas were moulded in political debate and action, and how their roots sprang from social pressures and interests. It also emphasises the wider cultural aspects of topics too-easily conceived as local and material. BENJAMIN THOMPSON is Fellow and Tutor in History at Somerville College, Oxford; JOHN WATTS is Professor of Later Medieval History at the University of Oxford and Fellow and Tutor of Corpus Christi College, Oxford. Contributors: Jackson Armstrong, Caroline Burt, Tony Moore, Richard Partington, Ted Powell, Andrea Ruddick, Andrew Spencer, Benjamin Thompson, John Watts, Theron Westervelt, Jenny Wormald.

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Christine Ödlund’s (*1963) first monograph is composed as a coherent whole, with each part interacting and resonating with the next. Paying particular attention to the proper way of interacting with the multiple forms of intelligence surrounding us, Ödlund finds an inexhaustible source of inspiration in the concept of Deep Listening which states that listening implies becoming aware of oneself as part of a universal whole. The works are the result of the artist transposing sound into form and image, notably through the use of plant pigments. By contemplating the botanical motifs and the soft colours of these works on paper, we might be able to approach the plant kingdom not only with fresh eyes but possibly also with fresh ears.

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‘Our childhood came to an end when our parents parted and from then on Jennifer was placed in the impossible position of having to be a parent to me, her sister. I shall always be grateful for her protection . . .’Millions have fallen in love with Jennifer Worth and her experiences in the East End as chronicled in Call the Midwife, but little is known about her life outside this period. Now, in this moving and evocative memoir, Jennifer’s sister Christine takes us from their early idyllic years to the cruelty and neglect they suffered after their parents divorced, from Jennifer being forced to leave home at fourteen to their training as nurses.After leaving nursing Jennifer took up a career in music, her first love, and Christine became a sculptor, but through marriages and children, joy and heartbreak, their lives remained intertwined. Absorbing and emotional, The Midwife’s Sister by Christine Lee is testimony to an enduring bond between two extraordinary women.

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El enigma de la Creación rodea París. Pero la protagonista de esta novela no se llama Eva, sino Christine. Nacida en Venecia en una familia acomodada, vivió su infancia bajo la protección de Carlos V, rey de Francia. Junto al Louvre, aprendió a leer a escondidas porque, en el siglo XIV, la alta cultura se reservaba a los hombres.Todo iba bien hasta que un día la rueda de la fortuna cambió de signo: conoció la mendicidad y, gracias a los poemas y a las crónicas que compuso, salvó a su familia de morir de hambre.Christine de Pizan fue la primera escritora profesional de la Historia y la pionera en la defensa de la dignidad de la mujer. Llegó a albergar la idea de fundar la "Ciudad de las Damas", una urbe adonde pasarían a residir las sabias, las amazonas, las heroínas, las santas, las trabajadoras..., del pasado y del futuro; en definitiva, todas las mujeres que desearan conquistar su libertad.Con rigor histórico y dinamismo literario, la escritora María Lara, Primer premio Naci

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A love story, told with poetic restraint and emotive coming-of-age themes.Now in her senior year of university, Christine is caught between possibilities that open for her and her terror of failing. She has never met her father. Can she escape the depressing shadow of her mother?When a new song she and Zach write for their little band becomes a big hit of sorts, she feels conflicted by the shallow celebrity it brings. Does she want this future?Reluctantly she is drawn into a crusade to stop the development of a historic farm next door to her home. Is this her calling? Does she know what she’s doing?She can’t forget Thomas, although he’s upper class and she was born on the bottom rung. Does he see her as anything more than an interesting friend? Then Gordon re-enters her life and wants to marry her. Again.Where does Christine belong? Will she ever get her turn? Does she even want it? Mama tells her to always aim lower to avoid disappointment. Others think she can excel. Is she bound to fail?A gripping search for roots, meaning, and love.

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One of the most popular mirrors for princes, Christine de Pizan's Epistre Othea (Letter of Othea) circulated widely in England. Speaking through Othea, the goddess of wisdom and prudence, in the guise of instructing Hector of Troy, Christine advises rulers, defends women against misogyny, and articulates complex philosophical and theological ideals. This volume brings together for the first time the two late medieval English translations, Stephen Scrope's precise translation The Epistle of Othea and the anonymous Litel Bibell of Knyghthod, once criticized as a flawed translation. With substantial introductions and comprehensive explanatory notes that attend to literary and manuscript traditions, this volume contributes to the reassessment of how each English translator grappled with adapting a French woman's text to English social, political, and literary contexts. These new editions encourage a fresh look at how Christine's ideas fit into and influenced the English literary tradition.

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One of the most popular mirrors for princes, Christine de Pizan's Epistre Othea (Letter of Othea) circulated widely in England. Speaking through Othea, the goddess of wisdom and prudence, in the guise of instructing Hector of Troy, Christine advises rulers, defends women against misogyny, and articulates complex philosophical and theological ideals. This volume brings together for the first time the two late medieval English translations, Stephen Scrope's precise translation The Epistle of Othea and the anonymous Litel Bibell of Knyghthod, once criticized as a flawed translation. With substantial introductions and comprehensive explanatory notes that attend to literary and manuscript traditions, this volume contributes to the reassessment of how each English translator grappled with adapting a French woman's text to English social, political, and literary contexts. These new editions encourage a fresh look at how Christine's ideas fit into and influenced the English literary tradition.

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The current focus on the theme of authorship in Medieval and Early Modern studies reopens questions of poetic agency and intent. Bringing into conversation several kinds of scholarship on medieval authorship, the essays in Author, Reader, Book examine interrelated questions raised by the relationship between an author and a reader, the relationships between authors and their antecedents, and the ways in which authorship interacts with the physical presentation of texts in books. The broad chronological range within this volume reveals the persistence of literary concerns that remain consistent through different periods, languages, and cultural contexts. Theoretical reflections, case studies from a wide variety of languages, examinations of devotional literature from figures such as Bishop Reginald Pecock, and analyses of works that are more secular in focus, including some by Chaucer and Christine de Pizan, come together in this volume to transcend linguistic and disciplinary boundaries.

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'Engrossing' The Times'Beautifully atmospheric. . . a panoramic, classic quality' Financial TimesThe seductive, vibrant new novel from international bestselling author Leïla Slimani.Morocco, 1968. As she stands at the window, Mathilde reflects on the opportunities before her, and all she has achieved. Looking out at her elegant - not to say expensive - garden, the roses, brought in from Marrakech, have bloomed and their sweet, fresh scent pervades the air. Anything feels possible, and she is determined to celebrate it. Don't they have the right to enjoy life, after dedicating their best years to the war and then to this farm?Mathilde is blissfully unaware of what a new chapter of Moroccan history means for her family, the country and its future. Her babies are now grown up, and they are all about to learn that life can take wild and unexpected turns.Acclaim for The Country of Others:'A panoramic, ambitious tale.' The Times'Exceptional.' SALMAN RUSHDIE 'Captivating.' Elle' I loved it and didn't want it to end.' CLAIRE MESSUD'As wild and lush as a wildflower meadow.' Observer'A powerful and compelling family saga.' CHRISTINE MANGAN

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In this work, Jansen explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room, for example, but many women writers are much more ambitious, fantasizing about cities, even entire countries, created for and inhabited exclusively by women.

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Want inspiration for your free-motion quilting? Now you have the perfect tool! This spiral-bound book is full of designs - JUST designs - all will lie flat on your work surface or your quilt to keep your hands on the quilt and that needle moving! The third in a new series, this visual guide is filled with more than 125 continuous-line designs for your borders, setting triangles, and cornerstones - all from your favourite designers - to get you stitching.

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From the author of the critically acclaimed Tangerine. "When you learn the truth at the end, you'll want to go back and rethink everything you read before" - New York Times"A delightfully seductive dance of yearning and suspicion, where the old is always on notice that it must at some point make way for the new" - i newspaper In Venice, Frances Croy is working to leave the previous year behind: another novel published to little success, a scathing review she can't quite manage to forget, and, most of all, the real reason behind her self-imposed exile from London: the incident at the Savoy. Sequestered within an aging palazzo, Frankie finds comfort in the emptiness of Venice in winter, in the absence of others. And then Gilly appears. A young woman claiming a connection from back home, one that Frankie can't quite seem to recall, Gilly seems determined for the two women to become fast friends. But there's something about her that continues to give Frankie pause, that makes her wonder just how much of what Gilly tells her is actually the truth. Those around Frankie are quick to dismiss her concerns, citing what took place that night at the Savoy. So too do they dismiss Frankie's claims that someone is occupying the other half of the palazzo, which has supposedly stood empty since after the war. But Frankie has seen the lights across the way, has heard the footsteps too-and what's more, knows she isn't mad. Set in the days before and after the 1966 flood - the worst ever experienced by the city of Venice - the trajectory of the disaster that forever altered the city mirrors Frankie's own inner turmoil as she struggles to make sense of what is and is not the truth . . . "In her taut and mesmerizing follow up to Tangerine, the preternaturally gifted Christine Mangan plunges us into another exotic and bewitchingly rendered locale . . .Voluptuously atmospheric and surefooted at every turn, Palace of the Drowned more than delivers on the promise of Mangan's debut, and firmly establishes her as a writer of consequence" - Paula McLain, author of The Paris Wife

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'Engrossing.' Mail on Sunday'A powerful and compelling family saga.' CHRISTINE MANGAN'Beautifully atmospheric.' Financial TimesFROM THE INTERNATIONAL BESTSELLING AUTHOR OF LULLABYMorocco, 1968. The air is electric. Anything feels possible, and Mathilde is determined to celebrate it. Doesn't she have the right to enjoy life, after dedicating her best years to the war and then to this farm?Looking out at her elegant garden, Mathilde reflects on all she has achieved. Now in a newly independent country intoxicated by its own sense of freedom, she yearns for a radiant future.But her babies are now grown up, and Mathilde is about to learn that life can take wild and unexpected turns.Acclaim for The Country of Others:'A panoramic, ambitious tale.' The Times'Exceptional.' SALMAN RUSHDIE'Captivating.' Elle' I loved it and didn't want it to end.' CLAIRE MESSUD'As wild and lush as a wildflower meadow.' Observer

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With gorgeous prose, European glamour, and an expansive wanderlust, Christine Mangan's The Continental Affair is a fast-paced, Agatha Christie-esque caper packed full of romance and suspense.'Reads as if Jean Rhys and Patricia Highsmith collaborated on a script for Alfred Hitchcock; it is an elegant, delirious fever dream of a book.' The Irish TimesMeet Henri and Louise. Two strangers, travelling alone, on the train from Belgrade to Istanbul.Except this isn't the first time they have met.It's the 1960s, and Louise is running.From her past in England, from the owners of the money she has stolen―and from Henri, the person who has been sent to collect it.Across the Continent―from Granada to Paris, from Belgrade to Istanbul―Henri follows. He's desperate to leave behind his own troubles and the memories of his past life as a gendarme in Algeria.But Henri soon realises that Louise is no ordinary traveller.As the train hurtles toward its final destination, Henri and Louise must decide what the future will hold―and whether it involves one another.Stylish and atmospheric, The Continental Affair takes you on an unforgettable journey through the twisty, glamorous world of 1960s Europe.

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'The queen of paranormal romance' USA Today It starts in her dreams. Hideous flashes from a nightmare only she can stop. Images of a murderer stalking the ones she cares about most.... Stella Harrison thought she got away from the traumas of her past. Running the Sunrise Lake resort high in the Sierra Nevada mountains has brought her peace, even though she doesn't truly share her quiet life with anyone. Not even Sam, the hired handyman that notices everything and always seems to know exactly what she needs. Stella doesn't know anything about Sam's past, but somehow over the last two years his slow, steady presence has slipped past her defences. Still, she knows she can't tell him about her recent premonitions. So far there's been no murder. No body. No way to prove what's about to happen without destroying the life she's built for herself. But a killer is out there. And Stella knows that this time she'll do whatever it takes to stop him.Praise for Christine Feehan: 'After Bram Stoker, Anne Rice and Joss Whedon, Christine Feehan is the person most credited with popularizing the neck gripper' Time'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels' Publishers Weekly'The erotic, gripping series that's defined an entire genre! Must reading that always satisfies!' J.R. Ward

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'The queen of paranormal romance' USA Today It starts in her dreams. Hideous flashes from a nightmare only she can stop. Images of a murderer stalking the ones she cares about most.... Stella Harrison thought she got away from the traumas of her past. Running the Sunrise Lake resort high in the Sierra Nevada mountains has brought her peace, even though she doesn't truly share her quiet life with anyone. Not even Sam, the hired handyman that notices everything and always seems to know exactly what she needs. Stella doesn't know anything about Sam's past, but somehow over the last two years his slow, steady presence has slipped past her defences. Still, she knows she can't tell him about her recent premonitions. So far there's been no murder. No body. No way to prove what's about to happen without destroying the life she's built for herself. But a killer is out there. And Stella knows that this time she'll do whatever it takes to stop him.Praise for Christine Feehan: 'After Bram Stoker, Anne Rice and Joss Whedon, Christine Feehan is the person most credited with popularizing the neck gripper' Time'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels' Publishers Weekly'The erotic, gripping series that's defined an entire genre! Must reading that always satisfies!' J.R. Ward

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'Heart-warming and unputdownable' Carmel HarringtonEmily loves the festive season. This year she's hosting a special Christmas lunch at her restaurant to celebrate with family and friends. But as the big day draws near, her plans begin to unravel ...Emily and her partner Bill are happily raising his grandson Pip when Bill's troubled daughter Christine turns up out of the blue. She wants to pick up the pieces of her life, and to reclaim her son. Can Emily give up the boy she's come to love as her own? And how can she ask Bill to choose between the two women he loves?Emily's best friend Heather is also dealing with unexpected arrivals: the mother she left behind as a teenager, who now needs her help, and a man she thought she'd never see again. But Heather wonders if these reunions will heal past wounds, or only disrupt the happiness she has now.As Emily and Heather's lives become more and more complicated, will they find their way back to happiness and the people they love in time for Christmas Day?What readers are saying about A Winter to Remember:'Beautiful ... it totally enchanted me''Heart-warming ... a cosy story to keep you smiling''A lovely wintery, festive read' 'Cosy and heart-warming' 'Gorgeous ... a must read, particularly for autumn and winter days' 'A perfect Christmas read''There is something magical about festive books and this one is no exception'

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Estranged brothers are reunited over plans to develop the tower block where they grew up, but the desolate estate becomes a stage for reliving the events of one life-changing summer, forty years earlier … the exquisitely written, moving new novel from West Camel.‘Unfolds like a spell’ Carol Lovekin, author of Ghostbird‘A deceptively complex and layered story; beautiful, traumatic and ultimately uplifting’ Louise Beech, author of This Is How We Are Human'A mesmerising portrait of toxic family relationships: one that perfectly captures a turbulent era in a changing Britain. I was gripped' Caroline Wyatt_____________________________Twins Aaron and Clive have been estranged for forty years. Aaron still lives in the empty, crumbling tower block on the riverside in Deptford where they grew up. Clive is a successful property developer, determined to turn the tower into luxury flats.But Aaron is blocking the plan and their petty squabble becomes something much greater when two ghosts from the past – twins Annette and Christine – appear in the tower. At once, the desolate estate becomes a stage on which the events of one scorching summer are relived – a summer that shattered their lives, and changed everything forever…Grim, evocative and exquisitely rendered, Fall is a story of friendship and family – of perception, fear and prejudice, the events that punctuate our journeys into adulthood, and the indelible scars they leave – a triumph of a novel that will affect you long after the final page has been turned.Illustrations by David F. Ross–––––––––––––––––––––––––––––**Shortlisted for the POLARI Prize**‘Fall’s characters will haunt me, its story will stay with me and I will return again and again’ Katie Allen‘Beautifully written, perfectly executed, a drama that captures your heart and mind’ Anne Coates'Architecture and morality: the only subjects worth writing about, and West Camel does so exquisitely through the eyes of people profoundly affected by both' David F. Ross‘A book about families, racism and the differences that bind us or push us apart …all bound up in West Camel's elegant prose’ Michael J. Malone‘Suspense and twists keep you turning the pages, while the unfolding of complex characters and relationships draws you in’ Valeria Vescina‘Both charming and conflicting … the author’s enticing storytelling has totally, utterly hooked me’ Sarah Sansom‘A page-turner and a literary delight, a book you devour’ Liz Loves Books‘Immersive, beautiful, and haunting … I adored it’ Live & Deadly‘A novel of mystic style and sensibility. West Camel tackles timeless themes of truth, power, family and justice … an extraordinary read’ Richard Fernandez‘A book to be embraced, a book to be kept in your heart … West Camel writes beautifully’ The Reading ClosetPraise for West Camel’s debut novel Attend‘From its opening gambit to its final line, Attend demands and rewards attention’ Foreword Reviews’With its blend of dark, gritty themes and gorgeous imagery, this is a book to make you believe there’s still magic in the world’ Heat ‘I’ve fallen in love with this absolutely glorious, spell-binding tale’ LoveReading‘It’s a genuinely pleasurable experience to encounter something couched in such alert and transparent language as West Camel’s Attend … In three hundred finely judged pages, West Camel leaves the reader eager for more from his pen’ Barry Forshaw, CrimeTime For fans of Sarah Moss, Bernadine Evaristo, Colm Toibin and Selina Godde

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In Venice, Frances Croy is working to leave the previous year behind: another novel published to little success, a scathing review she can't quite manage to forget, and, most of all, the real reason behind her self-imposed exile from London: the incident at the Savoy.Sequestered within an aging palazzo, Frankie finds comfort in the emptiness of Venice in winter, in the absence of others. And then Gilly appears.A young woman claiming a connection from back home, one that Frankie can't quite seem to recall, Gilly seems determined for the two women to become fast friends. But there's something about her that continues to give Frankie pause, that makes her wonder just how much of what Gilly tells her is actually the truth.Those around Frankie are quick to dismiss her concerns, citing what took place that night at the Savoy. So too do they dismiss Frankie's claims that someone is occupying the other half of the palazzo, which has supposedly stood empty since after the war. But Frankie has seen the lights across the way, has heard the footsteps too-and what's more, knows she isn't mad.Set in the days before and after the 1966 flood - the worst ever experienced by the city of Venice - the trajectory of the disaster that forever altered the city mirrors Frankie's own inner turmoil as she struggles to make sense of what is and is not the truth, ultimately culminating in a tragedy that leaves her questioning her own role and responsibility - as well as her sanity.

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As the availability and use of media platforms continue to expand, the cultural visibility of religion is on the rise, leading to questions about religious authority: Where does it come from? How is it established? What might be changing it? The contributors to The Media and Religious Authority examine the ways in which new centers of power and influence are emerging as religions seek to “brand” themselves in the media age. Putting their in-depth, incisive studies of particular instances of media production and reception in Asia, Africa, Latin America, and North America into conversation with one another, the volume explores how evolving mediations of religion in various places affect the prospects, aspirations, and durability of religious authority across the globe.An insightful combination of theoretical groundwork and individual case studies, The Media and Religious Authority invites us to rethink the relationships among the media, religion, and culture.The contributors are Karina Kosicki Bellotti, Alexandra Boutros, Pauline Hope Cheong, Peter Horsfield, Christine Hoff Kraemer, Joonseong Lee, Alf Linderman, Bahíyyah Maroon, Montré Aza Missouri, and Emily Zeamer, with an afterword by Lynn Schofield Clark.

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"Patrons, Authors and Workshops" invokes a cross-disciplinary approach to the study of late medieval books and book production in Paris, from the troubled years of the early fifteenth century onwards. It shows the extent to which such activity was able to flourish even against the backdrop of the endemic struggle between Burgundians and Armagnacs, or the subsequent English invasion which led to Agincourt and the regency of Bedford.Extensive coverage is given to the key role played by the libraire, to the author as scribe or copyist (Christine de Pisan, Jean Lebegue), and also to the development of commercial production under figures such as Jean Trepperel. A section on bibliophiles and their various commissions leads into a group of essays that focus on particular texts and authors, whilst a further section concentrates on what we can discover about the role of the scribe. The volume concludes with four essays offering insights into the work of particular artists and illuminators.The authors include scholars from the UK, France, Greece, Germany, Italy, Belgium, the Netherlands and the USA.Godfried Croenen is Lecturer in French at the University of Liverpool.Peter Ainsworth is Professor of French at the University of Sheffield.

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Twenty four stories of subterfuge, told through their characters’ gloves The Glovers’ Repository, by New York–based artist Paul Etienne Lincoln (born 1959), tells the stories of 24 characters who either practiced deception or were the unwitting victims of subterfuge. From Mary Toft who claimed to have given birth to a rabbit, to King Zog who survived 55 assassination attempts, the characters are all legends in their own right. Their lives are related by Lincoln with characteristic wit and are documented with photographs. This book was inspired by a large-scale installation by Lincoln, a vitrine containing 24 gloves, one for each character. Each glove rotated via a mechanism based on the workings of Big Ben. The book is bound so that, when it is opened flat, two small books of the characters’ stories are revealed, one left- and the other right-handed. The book then folds out further to reveal documentation of the installation.

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