Search results for ""author caroline"

This extraordinary book skillfully blends diverse historical evidence to tell the harrowing story of Caroline Kearney and her struggles against the paternalistic inheritance laws of the nineteenth century colonial world.

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Caroline Drama takes as its focus the public theatre playwriting of Philip Massinger, John Ford, James Shirley and Richard Brome between 1625 and 1642. It brings into clear focus for those unfamiliar with these playwrights a neglected period of writing. Setting their plays within a social and political context, Julie Sanders reveals their concern with issues of community and hierarchy in the decades leading up to the English Civil Wars. By exploring a range of plays of each writer, she explores both their continuities and their differences, as well as examining their particular choices of subject matter, language, and theatrical strategy. The value of Caroline Drama as a whole becomes clear as a result of this study.

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"I have always been inspired by what was happening on the street – and anyway, I couldn't afford the high fashion price tags." —Caroline Baker "Featuring an array of – now – infamous covers and high fashion editorials crafted by Baker, readers are encouraged to bask in the success of her trail-blazing tale and indulge in the history of streetwear’s rise to the helm of the fashion industry." —Wonderland "A fantastic delve into the story of fashion styling straight from the lips (and visual archive) of the lady who invented it all, Caroline Baker" —Navaz Batliwalla, disneyrollergirl "What makes this book a must-read? Author Iain R. Webb is a friend of Baker’s, so this is the inside story of a woman whose work is a masterclass in the art of style and subversion." —Yahoo Caroline Baker is the antidote to high fashion. As the legendary fashion editor of Nova magazine in the 1960s and '70s, her style was quite literally cutting-edge (she famously chopped up clothes to achieve her desired looks). She is credited with challenging the status quo of the industry and society at large, and introducing street fashion to the mass market. Stylist-of-choice for the most dynamic female designers on the scene – Katharine Hamnett and Vivienne Westwood – Caroline has continued her trajectory as a fashion provocateur. Her work has appeared on the pages of Vogue, Tatler and Cosmopolitan as well as The Face and i-D – and unsurprisingly, a new generation of style-setters is now looking to Baker’s back catalogue for inspiration. This book offers an in-depth overview of Baker’s work, expertly curated and considered by Iain R. Webb. It is divided into sections that highlight specific recurring themes and tropes – such as Punk Rock, DIY, Utility and Sportswear. These ideas have defined Baker’s evolving sartorial vocabulary over six decades, and set a template for street fashion that endures to this day. Accompanied with personal commentary from Baker herself and specially written contributions by Vivienne Westwood and Katharine Hamnett, this is the definitive guide to Caroline Baker and her influence on fashion.

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Set in the frontier of Michigan int he 1830s, A New Home is the first realistic portrayal of western village life in the United States. Based on Caroline Kirkland's own experiences - and written from a woman's perspective - it narrates with a keen eye and wit the absorbing story of the establishment of the village of Montacute, Michigan.A New Home is a vivid contribution to a new kind of narrative developed during the antebellum period, ethnographic fiction. Kirkland highlights the importance and the drama of local practices and everyday life in Montacute. She traces the way two groups of settlers slowly adjust to each other - the old hands and the newcomers from the East;. Dramatizing differences of class and culture, she also shows how the groups finally form a genuine community and a new, diverse culture. Kirkland also gives ethnographic fiction an original twist: she satirizes the provincialism and the rigidity of both groups of settlers. After writing A New Home, Kirkland became a professional literary woman, working as an editor as well as a writer. In her introduction, Sandra Zagarell explores the implications of Kirkland's writing and professional career for our understanding of women, writing, and the world of literature in antebellum America.

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This extraordinary book skillfully blends diverse historical evidence to tell the harrowing story of Caroline Kearney and her struggles against the paternalistic inheritance laws of the nineteenth century colonial world.

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Caroline Herschel was a prolific writer and recorder of her private and academic life, through diaries, autobiographies for family members, notebooks and observation notes. Yet for reasons unknown she destroyed all of her notebooks and diaries from 1788 to 1797. As a result, we have almost no record of the decade in which she made her most influential mark on science when she discovered eight comets and became the first woman to have a paper read at the Royal Society. Here, for the first time, historian Dr Emily Winterburn looks deep into Caroline’s life and wonders why, in the year following the marriage of her brother and constant companion, Caroline wanted no record of her life to remain. Was she consumed with grief and jealousy? By piecing together – from letters, reminiscences and museum objects – a detailed account of that time, we get to see a new side to history’s ‘most admirable lady astronomer’ and one of the greatest pioneering female scientists of all time.

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Having escaped domestic servitude in Germany by teaching herself to sing, and established a career in England, Caroline Herschel learned astronomy while helping her brother William, then Astronomer Royal.Soon making scientific discoveries in her own right, she swept to international scientific and popular fame. She was awarded a salary by George III in 1787 - the first woman in Britain to make her living from science.But, as a woman in a male-dominated world, Herschel's great success was achieved despite constant frustration of her ambitions. Drawing on original sources - including Herschel's diaries and her fiery letters - Claire Brock tells the story of a woman determined to win independence and satisfy her astronomical ambition.

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As the wife of King George II, Caroline of Ansbach became queen of England in 1727. Known for her intelligence and strong character, Queen Caroline wielded considerable political power until her death in 1737. She was enthusiastic and energetic in her cultural patronage, engaging in projects that touched on the arts, architecture, gardens, literature, science, and natural philosophy. This meticulously researched volume will survey Caroline’s significant contributions to the arts and culture and the ways in which she used her patronage to strengthen the royal family’s connections between the recently installed House of Hanover and English society. She established an extensive library at St. James’s Palace, and her renowned salons attracted many of the great thinkers of the day; Voltaire wrote of her, “I must say that despite all her titles and crowns, this princess was born to encourage the arts and the well-being of mankind.” Published for the Paul Mellon Centre for Studies in British Art

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This account of the author's experience at the hands of an "imperfect state of law" in early 19th-century England makes a passionate plea for equal justice for women. Largely as a result of this book the passage of the Married Women's Property Act and reform of the English Marriage and Divorce Laws occurred some years later.

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Edition of theological debates and discussions, giving an intriguing and unusual insight into the English catholic community in the seventeenth century. How did English Catholics come to terms with living in an alien state? Could they, for example, practise equivocation to avoid arrest, possible imprisonment and execution? Could they use force against their captors? What contact could they maintain with Protestants in order to survive and carry on a normal life? In such a context it is not surprising that a training in casuistry, the science of resolving difficult cases of conscience, was an important aspect of the education of English Catholic missionary priests. A number of the manuals used in that training have survived, largely in manuscript versions only. This volume, a companion to Dr Holmes' selection from Elizabethan materials (Elizabethan Casuistry, 1981), contains discussions and debates dating from the reign of Charles I. Their author was Thomas Southwell, a professor at the English Jesuit College in Liège, a respected scholar and teacher. He focuses on the problems facing Catholic priests and laymen under persecution in England, discussing, for example, attitudes to the Oath of Allegiance, the Roman Index of Prohibited Books and the Church's laws on fasting.In addition, there are cases here about witchcraft, astrology, duelling, usury, monopolies and bills of exchange. An important section contains over sixty cases dealing with betrothal and marriage, both from the point of view ofEnglish Catholics and in more general terms. The documents are accompanied by a full critical introduction, setting them in context, and elucidatory notes. Peter Holmes holds a doctorate in History from the University of Cambridge, where his research focused on the political thought of the Elizabethan Catholics

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Caroline of Ansbach (1683–1737), Augusta of Saxe-Gotha (1719–1772), and Charlotte of Mecklenberg-Strelitz (1744–1818) were three German princesses who became Queens Consort—or, in the case of Augusta, Queen in Waiting, Regent, and Princess Dowager—of Great Britain, and were linked by their early years at European princely courts, their curiosity, aspirations, and an investment in Enlightenment thought. This sumptuously illustrated book considers the ways these powerful, intelligent women left enduring marks on British culture through a wide range of activities: the promotion of the court as a dynamic forum of the Hanoverian regime; the enrichment of the royal collection of art; the advancement of science and industry; and the creation of gardens and menageries. Objects included range from spectacular state portraits to pedagogical toys to plant and animal specimens, and reveal how the new and novel intermingled with the traditional.Published in association with the Yale Center for British Art and Historic Royal PalacesExhibition Schedule:Yale Center for British Art (02/02/17–04/30/17)Kensington Palace (06/22/17–11/12/17)

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A fascinating insight into 18th century aristocratic life through the lives of the four Lennox sisters, the great grandchildren of Charles II, whose extraordinary lives spanned the period 1740-1832. Passionate, witty and moving, the voices of the Lennox sisters reach us with immediacy and power, drawing the reader into their remarkable lives, and making this one of the most enthralling historical narratives to appear for many years.

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New York Times bestselling author and medical intuitive Caroline Myss has found that when people don’t understand their purpose in life the result can be depression, anxiety, fatigue, and eventually physical illness—in short, a spiritual malaise of epidemic proportions. Myss’s experience of working with people led her to develop an insightful and ingenious process for deciphering your own Sacred Contract—or higher purpose—using a new theory of archetypes that builds on the works of Jung, Plato, and many other contemporary thinkers. Myss examines the lives of the spiritual masters and prophets—Abraham, Jesus, Buddha, and Muhammad—whose archetypal journeys illustrate the four stages of a Sacred Contract and provide clues for discovering your own. Myss explains how you can identify your particular spiritual energies, or archetypes—the gatekeepers of your higher purpose—and use them to help you find out what you are here on eart

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Staging the Old Faith is the first book length study to examine Caroline theatre as a space where the concerns of the English Roman Catholic community are staged.Rebecca Bailey juxtaposes a detailed analysis of Queen Henrietta Maria’s ground-breaking performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision, in particular through the politically charged texts of James Shirley and William Davenant.This engagement on the stage with the anxieties and hopes of the English Catholic community (properly contextualised within the wider and increasingly fragmented religious landscape in the years leading to civil war) opens up Caroline commercial theatre as a site which energetically discussed the explosive religio-political topics of the cultural moment.

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Staging the Old Faith is the first book length study to examine Caroline theatre as a space where the concerns of the English Roman Catholic community are staged.Rebecca Bailey juxtaposes a detailed analysis of Queen Henrietta Maria’s ground-breaking performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision, in particular through the politically charged texts of James Shirley and William Davenant.This engagement on the stage with the anxieties and hopes of the English Catholic community (properly contextualised within the wider and increasingly fragmented religious landscape in the years leading to civil war) opens up Caroline commercial theatre as a site which energetically discussed the explosive religio-political topics of the cultural moment.

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A unique burden was inherited by the children of President John Fitzgerald Kennedy and his celebrated siblings, Senators Robert and Ted Kennedy. Raised in a world of enormous privilege against the backdrop of American history, this third generation of Kennedys often veered between towering accomplishment and devastating defeat. In his revelatory new book, acclaimed Kennedy historian J. Randy Taraborrelli draws back the curtain on the next generation of America’s most famous family. John Kennedy, Jr.’s life in the public eye is explored, following the Kennedy scion as he faced the challenges posed by marrying his great love, Carolyn Bessette. Riveting new details are shared about the couple’s tragic demise - and why Ethel Kennedy advised Carolyn not to take the trip that would ultimately end her life. John’s sister, Caroline Kennedy, had her own complicated relationships, including a marriage to Ed Schlossberg that surprised her mother, Jacqueline Kennedy Onassis, and an unexpected bond with her mother-in-law, Mae Schlossberg. Additional stories, many shared here for the first time, illuminate the rest of the Kennedy dynasty: Kara Kennedy, Ted’s daughter, and her valiant battle against lung cancer; how Ted’s wife, Vicki, introduced a new era of feminism to the Kennedy family; the lifelong struggles with addiction faced by Bobby Kennedy Jr. and Patrick Kennedy; the unexpected way pop star Taylor Swift helped Conor Kennedy heal after the death of his mother, Bobby’s wife Mary; and Congressman Joe Kennedy III’s rise to prominence. At the center of it all is the family’s indomitable matriarch, Ethel Kennedy - a formidable presence with her maddening eccentricities and inspiring courage. Based on hundreds of exclusive first-hand interviews and cultivated over twenty years of research - including numerous oral histories from the JFK Library and the Edward M. Kennedy Institute - The Kennedy Heirs is an epic drama of ambition, scandal, pride and power.

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Amid the twists and turns of her survival to this day, the story of the light cruiser HMS Caroline spans a century and more. This book focuses on her early career, the role she played as just one of many components making up the Grand Fleet in time of war. We look at her routine participation in contraband control and, most dramatically, her appearance at the Battle of Jutland, when providence smiled upon her and guaranteed a safe emergence from that intense cauldron of explosion and fire. How does the life of a warship usually finish if it is not sunk in action? It can be the sad destiny of great warships to find themselves one day `surplus to requirements'. They might have performed gloriously in battle in defence of the realm. They might have made headlines by saving life where natural disaster strikes. Yet still the breaker's yard beckons. Most men-of-war become out of date, too costly to run, as their usefulness wanes. However, some ships find a last minute reprieve by being sold to foreign countries. And yet a very special few survive in home waters for future generations. Among these is HMS Caroline.

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An eclectic selection of twentieth-century artwork from the collection of legendary curator and museum director Walter Hopps, some with personal reminiscences by the artists themselves Over a fifty-year career that included stints at the famed Ferus Gallery in Los Angeles and as director of the Pasadena Art Museum (now Norton Simon Museum), the Corcoran Gallery, and as founding director of the Menil Collection, the legendary curator Walter Hopps (1932–2005) established himself as a voracious and eclectic collector of twentieth-century art. Hopps together with his wife Caroline Huber—also a curator, as well as an artist—assembled an adventurous and diverse collection of art, a large portion of which has been donated or promised to the Menil Collection. Featuring sculpture and photography as well as drawings and paintings, and including work by Christo, Linda Connor, Beauford Delaney, Anne Doran, Marcel Duchamp, Walker Evans, Robert Rauschenberg, Ed Ruscha, and Niki de Saint Phalle, to name a few, this book reveals the personal choices of two fine curatorial minds. Many of the more than fifty works illustrated have a story—often marvelous, sometimes humorous, and in several cases in the artist’s own words—of how they came to be in the collection. The publication also highlights artists not often featured in print, such as John Altoon, James Bettison, Mark Flood, and Sonia Gechtoff. Candid photos also highlight some of interactions between Hopps, Huber, and the artists from 1957 to 2001. Distributed for the Menil Collection

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Caroline's Bikini is the tale of a classic love affair; a swirling cocktail of obsession and imagination.The moment that Evan Gordonstone - a successful middle-aged financier - meets Caroline Beresford - a glamorous housewife, hostess and landlady - he falls into unrequited love, a story as old as Western literature itself. Evan recounts the tale of his infatuation to his friend Emily, and thus begins a hypnotic series of conversations set against the backdrop of West London bars, fuelled in intensity by endless G&Ts. From the depths of midwinter to July's hot swelter, Evan's retelling of his passion for Caroline will take him to the brink of his own destruction.

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'Before biography was fashionable, Antonia Fraser made the past popular' Guardian'As a pure storyteller, Antonia Fraser has few equals' Sunday TimesCAROLINE NORTON, a nineteenth-century heroine who wanted justice for women.Poet, pamphleteer and artist's muse, Caroline Norton dazzled 19-century society with her vivacity and intelligence. In 1836 Caroline underwent a dramatic trial when her jealous husband sued the Prime Minister, Lord Melbourne, for adultery. Provisions which are now taken for granted - such as the right of a mother to have access to her children - owe much to Caroline, who was determined to secure justice for women at all levels of society. Award-winning historian Antonia Fraser brilliantly portrays a woman who refused to be curbed by the personal and political constraints of her time.

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Caroline Louise Ransom Williams (1872-1952) is remembered as the first American university-trained female Egyptologist, but she is not widely-known in the history of science. Her mentor was James Henry Breasted, well-known as the first American Egyptologist and founder of the Oriental Institute at the University of Chicago. As long as they worked together and as much as they depended on each other professionally, Ransom Williams is little more than a footnote in the published history of archaeology. She was a successful scholar, instructor, author, and museum curator. She also had personal struggles with her mother and her husband that affected the choices she could make about her career. This book presents the correspondence between Ransom Williams and Breasted because the letters are crucial in piecing together and allowing an in-depth analysis of her life and career. The written conversation, comprised of 240 letters between the two, shows that Ransom Williams had a full life and productive career as the first American female Egyptologist. Through these letters, we see part of a life that is unique while at the same time analogous to other professional women in the period. This edition is the first book-length discussion of Ransom Williams’ life and career.

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This is the story of Queen Caroline’s favourite ghostwriter, the infamous Captain Thomas Ashe, who was also an adventurer and sometime blackmailer. His unpublished novel, The Claustral Palace: or Memoirs of The Family, carried out Caroline’s threat to ‘blow the roof off the Nunnery’, revealing the secret lives and loves of the daughters of King George III in their unmarried confinement at Frogmore, the UK marital home of Harry and Meghan (for a short time). A blackmailing synopsis was circulated to members of the royal family. It was then stolen by government agents and preserved by the Treasury Solicitor. James Travers describes for the first time the significance of this novel, its author, and his relationship with Caroline, the estranged wife of George IV, and with the government of Spencer Perceval, whose untimely death the author predicted. Did Perceval himself blackmail his way to power? The novel itself is a never-before-seen gothic bodice-ripper about the royal princesses and their clandestine lovers at Frogmore, based on Caroline’s own confidences gained from Princess Elizabeth. Later encouraged by shadowy figures allied to the Irish statesman Daniel O’Connell, Captain Ashe blackmailed and threatened the life of the Duke of Cumberland and preoccupied the cabinet meetings of the Duke of Wellington.

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Did you ever wonder why so much fantastic music started coming out of Britain in the 60s? Pirates did it. That's right, Pirates. The story of how they did it seems unbelievable, but it really happened, and it completely altered the course of rock and roll. Talent alone was not enough to break through the rigid broadcasting system that filtered anything it deemed 'unsafe'. Only bands approved by the BBC, which controlled radio across Britain, could get air time. That is, until 'pirate radio' was born. This book tells of Radio Caroline, and how a band of pirates changed the world of music forever. Written by Tom Lodge, main DJ of Radio Caroline, with Foreword by Steven Van Zandt, this is the true inside story of the British Invasion.

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When Caroline Trent is kidnapped by Blake Ravenscroft, she doesn't even try to elude this dangerously handsome agent of the crown. After all, she's been running from unwanted marriage proposals. Yes, Blake believes she's a notorious spy named Carlotta De Leon, but for six weeks until her twenty-first birthday, when she'll gain control of her fortune, hiding out in the titillating company of a mysterious captor is awfully convenient - and maybe just a little romantic, too.Blake Ravenscroft's mission is to bring 'Carlotta' to justice, not to fall in love. His heart has been hardened by years of intrigue, but this little temptress proves oddly disarming and thoroughly kissable. And suddenly the unthinkable becomes possible - and this mismatched couple might be destined for love.

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Dr. Caroline trained her paramedics to be well-rounded, compassionate, quick-thinking problem solvers. This Student Workbook to accompany Nancy Caroline's Emergency Care in the Streets, Ninth Edition will help students become great paramedics! Critical thinking skills are further developed through: Realistic and engaging scenarios ECG interpretation exercises In-depth questions challenging students to determine treatment plans Practice filling in patient care reports Comprehension of the course material is aided through: Anatomy labeling exercises Medical vocabulary matching exercises Short answer essay questions Table fill-in activities Appendices provide additional learning: Case studies and discussion answers provide detailed context and analysis of how to perform assessment and treatment Skill review gives a handy way to study skill steps, including those tested in state and national registry skills exams

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FROM THE #1 EBOOK BESTSELLING AUTHOR OF CALL ME MUMMY 'Gripped my throat and didn't let go until the final, searing sentence' - CAROLINE ENGLAND A nightmare jolts Debs awake. She leaves the kids tucked up in their beds and goes downstairs. There's a man in her kitchen, holding a knife. But it's not an intruder. This is her husband Marc, the father of her children. Once, their differences were what drew them together. Him, the ex-army officer from a good family. Her, the fitness instructor who grew up over a pub. But now they grate to the point of drawing blood. Marc screams in his sleep. And Debs hardly knows the person she's become, or why she lets him hurt her. Neither of them is completely innocent. Neither is totally guilty. Marc is taller, stronger, and more vicious, haunted by a war he can't forget. But he has no idea what Debs is capable of when her children's lives are at stake... This gripping read about a relationship built on passion, poisoned by secrets and violence will keep you turning the pages all night. Perfect for readers of Blood Orange and Big Little Lies. 'A slow-burn thriller, both horrifying and touching' - CATHERINE COOPER

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*** FROM THE #1 EBOOK BESTSELLING AUTHOR OF CALL ME MUMMY *** 'Gripped my throat and didn't let go until the final sentence' - CAROLINE ENGLAND 'A slow-burn thriller, both horrifying and touching. Compelling' - CATHERINE COOPER 'A heart-stopping rollercoaster of a read' - J.M. HEWITT WHEN YOUR MARRIAGE IS THIS BROKEN, YOU MAY NOT MAKE IT OUT ALIVE. A nightmare jolts Debs awake. She leaves the kids tucked up in their beds and goes downstairs. There's a man in her kitchen, holding a knife. But it's not an intruder. This is her husband Marc, the father of her children. A man she no longer recognises. Once their differences were what drew them together, what turned them on. Him, the ex-army officer from a good family. Her, the fitness instructor who grew up over a pub. But now these differences grate to the point of drawing blood. Marc screams in his sleep. And Debs hardly knows the person she's become, or why she lets him hurt her. Neither of them is completely innocent. Neither is totally guilty. Marc is taller, stronger, and more vicious, haunted by a war he can't forget. But he has no idea what Debs is capable of when her children's lives are at stake... A completely addictive story of a relationship built on passion, poisoned by secrets and violence. Perfect for readers of Blood Orange and Big Little Lies.

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