Search results for ""author albert camus""

El gran clásico acerca del pensamiento rebelde en la Edad Moderna, firmado por uno de los faros morales del siglo xxEn su clásico estudio del pensamiento rebelde, Albert Camus traza un recorrido que va desde la Ilustración hasta las revoluciones del siglo XX, pasando por movimientos como el anarquismo o el nihilismo. Polémico desde su publicación, el libro explora también el vínculo entre rebeldía política y estética, con análisis de figuras como el marqués de Sade, Marx, Nietzsche y los surrealistas. En fin de cuentas, Camus no solo repasa casi dos siglos de insumisión, sino que ofrece valiosas hipótesis sobre la desmesura de su tiempo y, en buena medida, del nuestro.Sobre la obra:He leído El hombre rebelde, que me gusta mucho; ese es el único motivo de esta nota.Hannah Arendt, carta al autorEste ensayo conserva su actualidad, se lee siempre con un ojo nuevo. La mesura que elogia es lo contrario de la resignación. [...] El hombre rebelde im

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Sin duda mucho peso tuvo esta novela en la decisión de conceder a su autor el premio Nobel de Literatura en 1957: cumbre de la narrativa de este siglo, amarga y penetrante alegoría de un mundo al que sólo una catástrofe logra rehumanizar. Novela apasionante, de gran densidad y de profunda comprensión del ser humano, se ha convertido en uno de los clásicos más indiscutibles de la literartura francesa de todos los tiempos y en uno de los más leídos.Albert Camus (1913-1960), fue un autor comprometido con los acontecimientos históricos que conmovieron Europa antes y después de la segunda guerra mundial. Periodista combativo, disidente de todas las ortodoxias de su tiempo, polemista incansable, escribió libros tan fundamentales en nuestra cultura como "La peste", "El extranjero", y otras.

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Los textos que dieron a conocer al premio Nobel Albert Camus y le hicieron emerger como un líder moral e intelectual.En esta noche sin igual concluyen cuatro años de una guerra monstruosa y de una lucha indecible en la que Francia bregaba con su vergüenza y su rabia. Quienes nunca perdieron la esperanza ni en sí mismos ni en su país hallan bajo este cielo su recompensa. Esta noche vale sobradamente un mundo, es la noche de la verdad.En 1944 Albert Camus ya había publicado El extranjero y El mito de Sísifo, pero fueron sus artículos en Combat los que lo dieron a conocer y le hicieron emerger como un líder moral e intelectual. Entre el otoño de 1943 y junio de 1947, fue redactor jefe y editorialista de este periódico de la Resistencia. Sus textos nos ofrecen el lúcido testimonio de un periodista consciente de sus responsabilidades tanto durante la ocupación como tras ella, cuando hubo que repensar la vida cotidiana y al mismo tiempo dibujar el futuro de

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Once overshadowed by Sartre, Camus has proved the more durable of the two most celebrated French writer-philosophers of the last century. This collection of his work makes the reasons for his survival self-evident. In prose of bleak but piercing clarity, Camus cuts to the heart of each story he tells. After The Outsider (also published in Everyman) The Plague is his most powerful novel, at once an account of heroic attempts to contain an epidemic in Algeria and a parable of the human condition. In The Fall a once-successful Parisian lawyer tells his own tale of decline and self-discovery, Exile and the Kingdom collect together a number of short stories which explore the existentialist predicament from various viewpoints. This volume also contains two important essays - The Myth of Sisyphus and Reflections on the Guillotine - which reflect on the themes developed in the fiction.

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Albert Camus' laconic masterpiece about a Frenchman who murders an Arab in colonial Algeria is famous in its time for diagnosing a state of alienation and spiritual exhaustion which summed up the mood of the mid-twentieth century. Today, more than fifty years after its first appearance, we can see that this early success was no passing fashion: The Outsider continues to speak to us of ultimate things with the force of a parable and the excitement of a thriller and remains one of the most widely read and influential classics of the century.

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The Outsider is an enduring classic of existential writing by Albert Camus'Mother died today. Or maybe yesterday, I don't know'Meursault is different. He will not lie. He will not pretend. He is true to himself.So when his mother dies and he is unmoved, he refuses to do the proper thing and grieve. Returning to Algiers after the funeral, he carries on life as usual until he becomes involved in a violent murder.In court, it is clear that Meursault's guilt or innocence will not be determined by what he did or did not do. He is on trial for being different - an outsider.'The story of a beach murder, one of the century's classic novels. Blood and sand' J.G. Ballard'A compelling, dreamlike fable' GuardianAlbert Camus was born in Algeria in 1913. He studied philosophy in Algiers and then worked in Paris as a journalist. He was one of the intellectual leaders of the Resistance movement and, after the War, established his international reputation as a writer. His books include The Plague, The Just and The Fall, and he won the Nobel Prize for Literature in 1957. Camus was killed in a road accident in 1960.

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Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

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'My mother died today. Or maybe yesterday, I don't know.'In The Outsider (1942), his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.Albert Camus' portrayal of a man confronting the absurd, and revolting against the injustice of society, depicts the paradox of man's joy in life when faced with the 'tender indifference' of the world. Sandra Smith's translation, based on close listening to a recording of Camus reading his work aloud on French radio in 1954, sensitively renders the subtleties and dream-like atmosphere of L'Étranger.Albert Camus (1913-1960), French novelist, essayist and playwright, is one of the most influential thinkers of the 20th century. His most famous works include The Myth of Sisyphus (1942), The Plague (1947), The Just (1949), The Rebel (1951) and The Fall (1956). He was awarded the Nobel Prize for Literature in 1957, and his last novel, The First Man, unfinished at the time of his death, appeared in print for the first time in 1994, and was published in English soon after by Hamish Hamilton.Sandra Smith was born and raised in New York City and is a Fellow of Robinson College, University of Cambridge, where she teaches French Literature and Language. She has won the French American Foundation Florence Gould Foundation Translation Prize, as well as the PEN Book-of-the-Month Club Translation Prize.

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Albert Camus' existentialist masterpiece, now in a wonderful new Clothbound Classics editionIn The Outsider, his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.

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In brand new translations by Ryan Bloom, four theatrical masterpieces from the Nobel Prize-winning author of The Outsider and The Plague are brought together for the first time in English, alongside deleted scenes and alternate lines of dialogueCaligula/The Misunderstanding /State of Emergency/The JustAlthough renowned for his novels, Albert Camus described the theatre as 'one of the only places in the world I'm happy', and staged the four plays gathered in this collection in Paris between 1944-49. Caligula, his first full-length dramatic work, portrays the monstrous emperor who destroys men, gods and ultimately himself. Here too are The Misunderstanding, a murderous tangle of longing; State of Emergency, where 'The Plague' appears as a central character; and The Just, which explores the limits of political conviction. This new translation brings together Camus's final versions of the plays, along with deleted scenes and alternate lines of dialogue.

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Is it possible to die a happy death?This is the central question of Camus's astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus's memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.

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'It was the discovery of the essays celebrating his childhood and youth that altered my perception of Camus, from a thinker to a writer whose intellectual lucidity was a product of the wealth - the sensual immediacy and clarity - that had been heaped on his senses' Geoff Dyer Albert Camus was born in a 'world of poverty and sunshine' in Algeria, which would infuse all of his work. This new collection brings together three volumes of Camus' most intimate autobiographical writings for the first time. The Wrong Side and the Right Side, his first book, describes his family and his early years in a working-class neighbourhood. Nuptials rejoices in the sensuality of sun, landscape and sea, while Summer ranges over the cities of Algiers and Oran, nature and identity. Lyrical and emotional, these pieces enrich our understanding of Camus and his love of life.

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Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-SmithCelebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.Jean-Baptiste Clamence - refined, handsome, forty, a former successful lawyer - is in turmoil. Over several drunken nights he regales a chance acquaintance with his story. He talks of parties and his debauchery, of Parisian nights and the Aegean sea, and, ultimately, of his self-loathing. One of Albert Camus' most famous works, The Fall is a brilliant, complex portrayal of lost innocence and the true face of man.

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A philosophical novel described by fellow existentialist Sartre as 'perhaps the most beautiful and the least understood' of his novels, Albert Camus' The Fall is translated by Robin Buss in Penguin Modern Classics.Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. But beyond depicting one man's disillusionment, Camus's novel exposes the universal human condition and its absurdities - for our innocence that, once lost, can never be recaptured ...Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.If you enjoyed The Fall, you might like Jean-Paul Sartre's Nausea, also available in Penguin Modern Classics.'An irresistibly brilliant examination of modern conscience'The New York Times'Camus is the accused, his own prosecutor and advocate. The Fall might have been called "The Last Judgement" 'Olivier Todd

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'An irresistibly brilliant examination of modern conscience' The New York Times Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. But beyond depicting one man's disillusionment, Camus's novel exposes the universal human condition and its absurdities - for our innocence that, once lost, can never be recaptured ...'Camus is the accused, his own prosecutor and advocate. The Fall might have been called "The Last Judgement" 'Olivier Todd

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'One of those books that marks a reader's life indelibly' William Boyd'A compelling, dreamlike fable' GuardianIn The Outsider, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.

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The unfinished manuscript of The First Man was discovered in the wreckage of car accident in which Camus died in 1960. Although it was not published for over thirty years, it was an instant bestseller when it finally appeared in 1994. The 'first man' is Jacques Cormery, whose poverty-stricken childhood in Algiers is made bearable by his love for his silent and illiterate mother, and by the teacher who transforms his view of the world. The most autobiographical of Camus's novels, it gives profound insights into his life and the powerful themes underlying his work.Albert Camus was born in Algeria in 1913. The works that established his international reputation include THE PLAGUE, THE FALL, THE REBEL and THE OUTSIDER. Camus died in a road accident in 1960 and is remembered as one of the greatest philsophical novelists of the twentieth century.

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A new collection of Albert Camus' most brilliant speeches and lectures'Freedom is dangerous, as hard to live as it is exalting...'This definitive new collection of Albert Camus' public speeches and lectures gives a compelling insight into one of the twentieth century's most enduring writers. From a pre-war speech on the politics of the Mediterranean - delivered when he was just twenty-two - to his impassioned Nobel Prize acceptance lectures and several pieces appearing in English for the first time, Speaking Out shows Camus' clarity and subtlety of thought, his 'stubborn humanism' and his unerring commitment to freedom and justice.Translated by Quintin Hoare

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In this profound and moving philosophical statement, Camus poses the fundamental question: If human existence has no meaning, is life worth living?'What I touch, what resists me - that is what I understand'As Camus argues, if there is no God to give meaning to our lives, humans must take on that purpose themselves. This is our 'absurd' task, like Sisyphus condemned forever to roll a rock up a hill. Written during the bleakest days of the Second World War, The Myth of Sisyphus argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty, gained through an awareness of pure existence. This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The Outsider and The Plague. The writings in this volume are all, in their own way, hymns to the physical world and the elemental pleasures of living. Translated by Justin O'BrienWith an afterword by James Wood

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A philosophical exploration of the idea of 'rebellion' by one of the leading existentialist thinkers, Albert Camus' The Rebel looks at artistic and political rebels throughout history, from Epicurus to the Marquis de Sade. This Penguin Modern Classics edition is translated by Anthony Bower with an introduction by Oliver Todd.The Rebel is Camus' 'attempt to understand the time I live in' and a brilliant essay on the nature of human revolt. Published in 1951, it makes a daring critique of communism - how it had gone wrong behind the Iron Curtain and the resulting totalitarian regimes. It questions two events held sacred by the left wing - the French Revolution of 1789 and the Russian Revolution of 1917 - that had resulted, he believed, in terrorism as a political instrument. In this towering intellectual document, Camus argues that hope for the future lies in revolt, which unlike revolution is a spontaneous response to injustice and a chance to achieve change without giving up collective and intellectual freedom.Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.If you enjoyed The Rebel, you might like Camus' The Fall, also available in Penguin Modern Classics.'One of the great humanist manifestos'The Times'A conscience with style'V.S. Pritchett, author of A Cab at the Door

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Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood. Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame. Now, for the first time in English, Camus at 'Combat' presents all of Camus' World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display. More than fifty years after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

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Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity “the true and only turning point in history.” For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religious, science, and philosophy. Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism. Primarily known through its inclusion in a French omnibus edition, it has remained one of Camus’s least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine’s “second revelation” of the Christian faith. Ronald Srigley’s translation of this seminal document helps illuminate these aspects of Camus’ work. His freestanding English edition exposes readers to an important part of Camus’ thought that is often overlooked by those concerned primarily with the book’s literary value and supersedes the extant McBride translation by retaining a greater degree of literalness. Srigley has fully annotated the book to include nearly all of Camus’ original citations and has tracked down many poorly identified sources. His introduction and new preface places the text in the context of Camus’ better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books. He included a new preface to highlight Camus’ relationship with Christianity, especially to St. Augustine. As the only stand-alone English version of this important work – and a long-overdue critical edition – Srigley’s fluent translation is an essential bench-mark in our understanding of Camus and his place in modern thought.

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Albert Camus’s lively journals from his eventful visits to the United States and South America in the 1940s, available again in a new translation. In March 1946, the young Albert Camus crossed from Le Havre to New York. Though he was virtually unknown to American audiences at the time, all that was about to change—The Stranger, his first book translated into English, would soon make him a literary star. By 1949, when he set out on a tour of South America, Camus was an international celebrity. Camus’s journals offer an intimate glimpse into his daily life during these eventful years and showcase his thinking at its most personal—a form of observational writing that the French call choses vues (things seen). Camus’s journals from these travels record his impressions, frustrations, joys, and longings. Here are his unguarded first impressions of his surroundings and his encounters with publishers, critics, and members of the New York intelligentsia. Long unavailable in English, the journals have now been expertly retranslated by Ryan Bloom, with a new introduction by Alice Kaplan. Bloom’s translation captures the informal, sketch-like quality of Camus’s observations—by turns ironic, bitter, cutting, and melancholy—and the quick notes he must have taken after exhausting days of travel and lecturing. Bloom and Kaplan’s notes and annotations allow readers to walk beside the existentialist thinker as he experiences changes in his own life and the world around him, all in his inimitable style.

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'To create today means to create dangerously'This new collection contains some of Camus' most brilliant political writing as he reflects on moral responsibility and the role of the artist in the world. Letters to a German Friend, written and published underground during the Nazi occupation of France, was born out of Camus' experience in the Resistance and explores what it truly means to love your country. Reflections on the Guillotine, his impassioned polemic against the death penalty, became a touchstone for the movement to abolish capital punishment, while in his Nobel speeches Camus argues that the artist must engage with dangerous times. Together these powerful pieces express Camus' mistrust of rigid ideologies, and his commitment to human solidarity. 'Probably no European writer of his time left so deep a mark on the imagination' Conor Cruise O'Brien

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The Plague is Albert Camus's world-renowned fable of fear and courageThe townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr Rieux, resist the terror.An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.'A matchless fable of fear, courage and cowardice' Independent'Magnificent'The TimesAlbert Camus was born in Algeria in 1913. He studied philosophy in Algiers and then worked in Paris as a journalist. He was one of the intellectual leaders of the Resistance movement and, after the War, established his international reputation as a writer. His books include The Plague, The Just and The Fall, and he won the Nobel Prize for Literature in 1957. Camus was killed in a road accident in 1960.

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