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A forty-year retrospective on the comic-art career of Arthur Adams. The Art of Arthur Adams is the most comprehensive retrospective ever compiled on this celebrated comic artist. His detailed style is showcased by highlighting his singular voice, which has garnered the praise of his peers and fans worldwide. Arthur has helped to introduce some the greatest pop-culture characters in comics to a wider audience through his imaginative renditions.A hand-picked selection of his art spans forty years and highlights a variety of comic-book covers and interior pages from each phase of his career. The pieces showcased here are from major and independent publishers as well as creator-owned projects. Examples cover a chronological display dating from his first samples, while trying to break into the business, to Arthur’s latest cover drawings. Each image is accompanied by personal anecdotes that enhance the visuals. In addition, this

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The twelve chapters collected in the volume criticise, analyse, and discuss the issue of peace in Arab literature, philosophical and theological thought, and both institutional and grassroots practices of intercultural and interreligious mediation.

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Shelby Lee Adams first encountered the communities of the Appalachian mountains as a child, while accompanying his doctor uncle on his rounds. In the mid-1970s he started to photograph in the region, using a 4 x 5 camera, gaining and building a special trust among its often impoverished people, who have tended to not always welcome would-be documentarians. Adams not only records their lives and hardships with great empathy, but also depicts the grace and humanity of his subjects, photographing with an ease evident in the results. Salt and Truth is Adams' fourth monograph, and presents 80 new photographs taken mostly over the past eight years. The photographs in this collection are of children and animals, of working people and of a way of life rarely glimpsed by photographers. Shelby Lee Adams (born 1950) is an American photographer renowned for his environmental portraiture, primarily in the Appalachian mountains of eastern Kentucky. Adams' work has been featured in three monographs: Appalachian Portraits (1993), Appalachian Legacy (1998) and Appalachian Lives (2003). In 2010 he was awarded a Guggenheim Fellowship. Adams' work is represented in many major permanent collections, including the Art Institute of Chicago; the International Center of Photography in New York; Musee De L'Elysee Lausanne in Switzerland; The Museum of Modern Art, New York; The National Gallery of Canada, Ottawa; Stedelijk Museum, Amsterdam; Time Life Collection, New York; Victoria and Albert Museum, London; and the Whitney Museum of American Art, New York. Adams was also the subject of a 2002 documentary film by Jennifer Baichwal, The True Meaning of Pictures: Shelby Lee Adams' Appalachia.

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Enjoy Ansel Adams' iconic photographs all year long with this hard-working, wire-bound desk planner featuring smudge-proof writing paper and generous room for organizing weekly schedules. The superior reproduction quality has been supervised by the artist's estate; each page is designed to be framed at year's end.

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The boat on which Edna Ferber based her famous novel brought excitement and entertainment to isolated small towns up and down the East Coast in early twentieth-century America. The builder of the boat, James E. Adams, was a farmer from Michigan who taught himself to be a circus aerialist, started and prospered with his own carnival company, and, when retirement proved boring, decided to build a showboat. The book traces the history of the James Adams from its inception until its demise twenty-seven years later, a tale that includes fires, sinkings, a shooting, arrests, and several deaths.

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'Every generalisation that we settled forty years ago, is abandoned' As a journalist, historian and novelist born into a family that included two past presidents of the United States, Henry Adams was constantly focused on the American experiment. An immediate bestseller awarded the Pulitzer Prize in 1919, his The Education of Henry Adams (1918) recounts his own and the country's education from 1838, the year of his birth, to 1905, incorporating the Civil War, capitalist expansion and the growth of the United States as a world power. Exploring America as both a success and a failure, contradiction was the very impetus that compelled Adams to write the Education, in which he was also able to voice his deep scepticism about mankind's power to control the direction of history. Written with immense wit and irony, reassembling the past while glimpsing the future, Adams's vision expresses what Henry James declared the `complex fate' to be an American, and remains one of the most compelling works of American autobiography today. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Ansel Adams: 400 Photographs presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, Ansel Adams: 400 Photographs will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students.The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams' life, document the evolution of his technique, and give voice to his artistic vision.Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. Ansel Adams: 400 Photographs is a must-have for anyone who appreciates photography and the allure of the natural world.

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John and Abigail Adams’ reflections on an emerging nation as they move into the new President’s House in Washington, D.C., are a highlight of the nearly 280 letters written over seventeen months printed in volume 14 of Adams Family Correspondence. The volume opens with the Adamses’ public and private expressions on the death of George Washington and concludes with John’s defeat in the contentious presidential election of 1800. Electoral College maneuvering, charges of sedition, and state-by-state strategizing are debated by the Adamses and their correspondents as the election advances toward deadlock and finally victory for Thomas Jefferson in the House of Representatives. John’s retirement from public life had some sweet mixed with the bitter. The U.S. mission to France resulted in the Convention of 1800 that ended the Quasi-War and the so-called midnight appointments at the close of his presidency ushered in the transformative U.S. Supreme Court era of John Marshall, a coda anticipated in Abigail’s request to John in the final days of his administration—“I want to see the list of judges.”The domestic life of the Adamses was equally dynamic. Abigail and John endured the crushing loss of their son Charles, whose struggle with alcohol ended in repudiation and death in New York. Son Thomas Boylston and daughter Nabby spent the period in relative stability, while John Quincy chronicled a tour of Silesia in letters home from Europe. At the volume’s close, the correspondence between John and Abigail comes to an end. As they retired to Quincy, their rich observations on the formation of the American republic would continue in letters to others if not to each other.

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The world in a front yard: Robert Adams records the seasonal shifts and transformations of the near and the intimate For much of his long career, Robert Adams (born 1937) has photographed the regions where he has lived, recording the transformation of the Western landscape into suburbs in Colorado, or documenting the destruction left in the wake of the timber industry in the Pacific Northwest. In recent years his focus has often turned to more intimate landscapes, as he has depicted the area around his home near the Oregon coast, where he has lived for more than 20 years. Standing Still celebrates a small front yard—its verdancy, and the changing light and seasons throughout the year. The black-and-white photographs record a lawn and its border of shrubs and small trees; a stone bird bath, deer and Adams' wife, Kerstin. They show a landscape immersed in fog and dusted with snow, or bathed in warm sunlight. In this quiet place, “each day can be the first day,” writes Adams.

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“There is much to praise in this extensively researched book, which is certainly one of the finest biographies of a sadly underrated man. . . . [Kaplan is] a master historian and biographer. . . . If he could read this biography, Adams would be satisfied that he had been fairly dealt with at last.” —Carol Berkin, Washington PostIn this fresh and illuminating biography, Fred Kaplan, the acclaimed author of Lincoln, brings into focus the dramatic life of John Quincy Adams—the little-known and much-misunderstood sixth president of the United States and the first son of John and Abigail Adams—and reveals how Adams' inspiring, progressive vision guided his life and helped shape the course of America.Kaplan draws on a trove of unpublished archival material to trace Adams' evolution from his childhood during the Revolutionary War to his brilliant years as Secretary of State to his time in the White House and beyond. He examines Adams' myriad sides: the public and private man, the statesman and writer, the wise thinker and passionate advocate, the leading abolitionist and fervent federalist. In these ways, Adams was a predecessor of Lincoln and, later, FDR and Obama. This sweeping biography makes clear how Adams' forward-thinking values, his definition of leadership, and his vision for the nation's future is as much about twenty-first-century America as it is about Adams' own time.Meticulously researched and masterfully written, John Quincy Adams paints a rich portrait of this brilliant leader and his vision for a young nation.

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Adams began to photograph in colour in the mid-1930s. He did significant personal or 'creative' photography in colour and his distinctive visualisation of a scene and technical mastery is immediately evident in these photographs. Overall, he made nearly 3,500 colour images, but only a small fraction have ever been published. Adams thought seriously about publishing his colour images but the task was not accomplished during his lifetime. The Ansel Adams Publishing Rights Trust - with advice and counsel from John Szarkowski, former Director of Photography at New York's Museum of Modern Art; David Travis, Curator of Photographs at the Art Institute of Chicago and James Enyeart, former Director of the International Museum of Photography at George Eastman House--asked the distinguished master photographer Harry Callahan to select the best of Adams' colour work for publication in this book.

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From one of the 20th century's greatest voices comes the complete chronological anthology of his short stories featuring Nick Adams, Ernest Hemingway's memorable character, as he grows from child to adolescent to soldier, veteran, writer, and parent—a sequence closely paralleling the events of Hemingway's life.The complete collection of Ernest Hemingway's Nick Adams two dozen stories are gathered here in one volume, grouped together according to the major time periods in the protagonist's life. Based on Hemingway's own experiences as a boy and as a member of the Red Cross ambulance corps in World War I. The collection follows Nick's life as a child to parent, along with soldier, veteran, and writer and feature some of Hemingway's earliest work such as "Indian Camp" and some of his best-known short stories, including "Big Two-Hearted River." Perfect for longtime Hemingway fans and as an introduction to one of America's most famous writers.

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Enjoy Ansel Adams' iconic photographs all year long in this durable wire-bound wall calendar with generous space for recording monthly schedules. The superior reproduction quality has been supervised by the artist’s estate; each page is designed to be framed at year’s end.   The photographs of Ansel Adams are among America's finest cultural treasures, and are the foundation of his tremendous legacy of environmental activism. A pioneer of photographic technique and one the 20th century’s most influential artists in any medium, Adams and his creative vision remain as relevant and convincing as ever. Ansel Adams' 'Authorized Edition' calendars have been a beloved annual tradition for almost 40 years. The 2025 wall calendar includes: Fourteen spectacular black and white landscape photographs, carefully selected and sequenced to reflect the changing seasons Large format 12.8' x 15.6' wall calenda

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Like many another statesman, John Adams entered the political arena by way of the legal profession. Here, gathered together in three volumes, is an inclusive presentation of the important legal cases in which he was involved. Student notes and Commonplace Book, which show the influences on the young law student in 1758 and 1759 are followed by Adams' Pleadings Book, a collection of forms providing a cross-section of the law in eighteenth-century Massachusetts and showing his work as teacher as well as student.The sixty-four cases documented are divided into sixteen legal categories such as Torts, Property, Domestic Relations, Town Government, Conservation, Religion, Slavery, and Admiralty. They are preceded by editorial headnotes which discuss the background, significance, and importance of each category and case. Careful and thorough footnotes explain textual and legal problems; a register of John Adams' contemporaries furnishes sketches of his colleagues on the bench and bar; and an exhaustive chronology records his growing practice. But the bulk of the material consists of Adams' own notes and minutes, supplemented by court records, letters, depositions of witnesses, and the minutes of other lawyers, as well as extracts from Adams' correspondence and diary to make the record of each case as full as possible. Many of the cases concern events, personalities, and legal struggles directly related to the American Revolution.The entire third volume of this imposing collection is devoted to the so-called "Boston Massacre." Confronted by a fascinating mass of conflicting evidence, charges and countercharges, and confused and confusing witnesses, many Americans will be surprised to discover that they must revise their notions about what actually happened on that March evening in 1770, why it did, and what ensued.These three books comprise the first segment of Series III of The Adams Papers. The William Nelson Cromwell Foundation has made possible the editing of these volumes by means of a generous grant to the Harvard Law School.

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The almost 300 letters in volume 13 of Adams Family Correspondence were written during seventeen tumultuous months of John Adams’s presidency. Consumed with executive duties, he depended on surrogates for much of his correspondence with family members. From Quincy, an ailing Abigail Adams wrote frequent letters to Philadelphia and received lively responses from son Thomas Boylston and the president’s secretary, nephew William Smith Shaw. These letters attest to John’s popularity in the wake of the XYZ Affair. However, they also chronicle passage of the Alien and Sedition Acts and the Kentucky and Virginia Resolutions, which laid the groundwork for future debates on the relative roles of state and federal governments. Following the break in diplomacy with France, John sensed a change in the footing of the French, acted unilaterally in ordering a second mission to seek a negotiated settlement of the Quasi-War, and faced widespread skepticism about his foreign policy as his envoys departed for Europe.John and Abigail lamented yet another absence from each other. After completing service in Berlin as secretary to diplomat John Quincy, Thomas Boylston established himself as a Philadelphia lawyer, offering thoughtful commentary on political life in the capital. From his post in Prussia, John Quincy struggled with his brother Charles’s mismanagement of his financial affairs, but his letters also provide detailed updates on developments in Europe, including Napoleon’s invasion of Egypt. The candid letters of John and Abigail Adams and their children offer a rich perspective on life in America during its infancy.

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Volume 12 of Adams Family Correspondence, with 276 documents spanning from March 1797 through April 1798, opens with the inauguration of John Adams as president and closes just after details of the XYZ affair are made public in America. Through private networks of correspondence, the Adamses reveal both their individual concerns for the well-being of the nation and the depth of their public and political engagement with the republic. Abigail’s letters to friend and foe demonstrate the important role she played as an unofficial member of the administration. John Quincy and Thomas Boylston’s letters from The Hague, Paris, London, and finally Berlin offer keen observations about the political turmoil in France and its consequences, the shifting European landscape as a result of the war, and court life in Berlin following the coronation of Frederick William III.In the midst of crisis, the family’s domestic life and personal connections challenged and sustained them. The marriage of John Quincy and Louisa Catherine Johnson in London in July 1797 gave the family cause for celebration, while John’s appointment of John Quincy as U.S. minister to Prussia created a minor rift as the scrupulous younger Adams struggled with concerns about nepotism. Visits between the elder Adamses and their children Nabby and Charles in New York provided welcome distractions, even as John and Abigail worried about Nabby’s domestic situation. With the characteristic candor and perception expected from the Adamses, this volume again features forthright commentary from one family at the center of it all.

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By early 1787, as this latest volume of the award-winning series Adams Family Correspondence opens, John and Abigail Adams were eagerly planning their return home to Massachusetts from Great Britain, frustrated by John's lack of progress in his diplomatic mission and anxious for a reunion with family and friends. Arriving in Massachusetts in mid-1788, they anticipated a quiet retirement from government service as they returned to running their farm. But they barely had time to settle in before they were pulled back into the public sphere by John's election as the first vice president under the new Constitution. Moving to New York City in 1789 with their daughter Nabby, and her family, John and Abigail found themselves once again center stage in American political life.The Adamses serve as prescient and thoughtful observers of the world around them, from the manners and mores of English court life to the political intrigues of the new federal government in New York. Beyond that wider world, however, these letters observe the more intimate domestic concerns of a New England family. With more of the forthright candor that marks the Adamses' correspondence, this volume offers a unique perspective on a crucial period in American history.

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This volume continues the incredible family saga of the Adamses of Massachusetts as told through their myriad letters to one another, to their extended family, and to such other notable correspondents as Thomas Jefferson and Mercy Otis Warren. The book opens in January 1786, when John and Abigail resided at Grosvenor Square in London, partaking of the English social scene, while John made slow progress on negotiations for an Anglo-American commercial treaty. Daughter Abigail ("Nabby"), also in London, had begun a courtship with William Stephens Smith that would culminate in their marriage in June 1786. Back in Massachusetts, John Quincy had rejoined his brothers Charles and Thomas, entered Harvard College, and begun to make preparations to study law. Writing back and forth across the Atlantic, the Adamses interspersed observations about their own family life--births and deaths, illnesses and marriages, new homes and new jobs, education and finances--with commentary on the most important social and political events of their day, from the scandals in the British royal family to the deteriorating political situation in Massachusetts that eventually culminated in Shays' Rebellion. As in the previous volumes in this series of the Adams Papers, the correspondence presented here offers a unique perspective on the eighteenth century from a preeminent American family.

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Samuel Adams: America's Revolutionary Politician offers a fresh full-life biography of the man Thomas Jefferson once described as the helmsman of the American Revolution. In his study, historian John K. Alexander uses narrative history to argue that Samuel Adams was both America's first professional politician and its first modern politician. Adams, Alexander argues, was an unwavering politician who strove to protect the people's basic rights and who emphasized the importance of virtue, liberty, a sense of duty, and education in fashioning a republican society. John K. Alexander's fresh reading of Adams's record, and a uniquely close look into his personal life, uncovers a masterful politician and a man consistent in his beliefs.

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Robert Adams was born in 1937 in Orange, New Jersey. After earning a PhD in English literature and teaching the subject for several years at Colorado College, he became a photographer in the mid-1960s. Adams has published more than 40 books of photographs, with the changing landscape of the American West as his primary subject. His books with Steidl include Gone? (2009), The Place We Live (2013), From the Missouri West (2018), Los Angeles Spring (2023), Eden (2023) and Summer Nights, Walking (2023). Adams lives and works with his wife in northwest Oregon. Quotations from Basho, Wendell Berry, Paul Cézanne, Emily Dickinson, Robert Frost, Fran Lebowitz, Henri Matisse, Flannery O'Connor, Octavio Paz, Kathleen Raine, William Stafford, Alfred Stieglitz, Simone Weil and others,

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Volume 18 is the final volume of the Papers of John Adams wholly devoted to Adams’ diplomatic career. It chronicles fourteen months of his tenure as minister to Great Britain and his joint commission, with Thomas Jefferson, to negotiate treaties with Europe and North Africa. With respect to Britain, Adams found it impossible to do “any Thing Satisfactory, with this Nation,” and the volume ends with his decision to resign his posts. His diplomatic efforts, Adams thought, were too much akin to “making brick without straw.”John Adams’ ministerial efforts in London were disappointing, but other aspects of his life were not. He and Jefferson failed to finalize treaties with Portugal and Great Britain, but they did, through agent Thomas Barclay, conclude a treaty with Morocco. Barclay’s letters are the earliest and most evocative American accounts of that region. Adams witnessed the marriage of his daughter, Abigail 2d, to William Stephens Smith, promoted the ordination of American Episcopal bishops, and toured the English countryside, first with Thomas Jefferson and then with his family. Most significant perhaps was the publication of the first volume of Adams’ Defence of the Constitutions of Government of the United States of America. This work is often attributed to concern over Shays’ Rebellion, of which Adams knew little when he began drafting. In fact, it was Adams’ summer 1786 visit to the Netherlands that provoked his work. There, Dutch Patriot friends, involved in their own revolution, expressed interest in seeing “upon paper” his remarks “respecting Government.”

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This book contains a collection of letters between John and Abigail Adams. The letters not only reveal the depth of their relationship but also detail the sacrifices, the deprivations, and the emotions of war and separation in a personal, unguarded way. The balance of the masculine and feminine perspectives makes this book particularly interesting and unique.

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Provides a fully updated Seventh Edition of the classic gold-standard reference on equine lameness This new edition of the go-to resource for equine lameness features updates throughout and more in-depth information on objective lameness assessment, sports medicine, rehabilitation, treatment options, and advanced imaging. With contributions from the world’s leading authorities on the subject, the book covers functional anatomy, examination, imaging, lameness of the distal limb, proximal limb, and axial skeleton, principles of musculoskeletal disease, therapies, occupation-related conditions, lameness in young horses, and farriery. More than 1,700 images support the text, making it an exhaustive reference for all aspects of lameness in horses. Now in its seventh edition, Adams and Stashak’s Lameness in Horses continues to be the definitive resource on equine lameness for veterinary specialists, practitioners, interns, residents, and students alike. The book is supplemented with a companion website offering a plethora of “how-to” videos demonstrating a variety of different physical examination techniques, including palpation, hoof testing, flexion tests, and perineural and intrasynovial injection techniques. Offers a fully revised new edition of the classic text on equine lameness Includes more extensive information on objective lameness assessment, sports medicine, rehabilitation, treatment options and advanced imaging Features over 1,700 images to illustrate the concepts described Written by internationally renowned experts in the field Includes access to a companion website with "how-to" videos Adams and Stashak’s Lameness in Horses is a must-have reference for any practicing large animal and equine veterinarian, equine veterinary specialist, or veterinary student dealing with lameness in the horse.

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This portfolio-style monograph by New York–based painter Marina Adams draws from Bernini’s sculpture “The Ecstasy of Saint Teresa” and Picasso’s study of the Weeping Woman for “Guernica.” The juxtaposing of these images--one of ecstasy, the other of agony--inspired Adams' diptych spreads of vibrating forms and vivid color.

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