Search results for ""Wordsworth Editions Ltd""

The Brothers Grimm rediscovered a host of fairy tales, telling of princes and princesses in their castles, witches in their towers and forests, of giants and dwarfs, of fabulous animals and dark deeds. This selection of their folk tales was made and translated by Lucy Crane, and includes firm favourites such as Rapunzel, The Goose Girl, Sleeping Beauty, Hansel and Gretel and Snow White. It is illustrated throughout by Walter Crane's charming line drawings.

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Anna Sewell’s Black Beauty was an immediate success on its publication in 1877, and has gone on to sell an estimated 50 million copies. Black Beauty is a horse with a fine black coat, a white foot and a silver star on his forehead. Seen through his eyes, the story tells of his idyllic upbringing and the hardship and cruelty he suffers subsequently, before finding security and happiness in a new home. Black Beauty is one of the most popular children’s books ever written.

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Set in Scotland in 1751, Kidnapped remains one of the most exciting stories ever written. Young David Balfour, orphaned then betrayed by his Uncle Ebenezer, his so-called guardian, falls in with Alan Breck, the unscrupulous but heroic champion of the Jacobite cause. Shipwreck, murder and dramatic escape through the Highlands are just a few of the ingredients of this highly charged tale of intrigue, action and adventure. Catriona, the lesser-known sequel, immediately continues David's story. Back in Edinburgh, he is caught up in the aftermath of the Appin murder; certain of the accused man's innocence, David's determination to testify on his behalf is impeded by a series of adventures, not least of which is hid passionate but problematic romance with Catriona, granddaughter of Rob Roy MacGregor. Alan Breck features again, becoming involved in the thrilling attempt to reunite the lovers. One of his own favourites, Stevenson said of Catriona that he would ‘never do a better book’.

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The Jungle Book introduces Mowgli, the human foundling adopted by a family of wolves. It tells of the enmity between him and the tiger Shere Khan, who killed Mowgli's parents, and of the friendship between the man-cub and Bagheera, the black panther, and Baloo, the sleepy brown bear, who instructs Mowgli in the Laws of the Jungle. The Second Jungle Book contains some of the most thrilling of the Mowgli stories. It includes Red Dog, in which Mowgli forms an unlikely alliance with the python Kaa, How Fear Came and Letting in the Jungle as well as The Spring Running, which brings Mowgli to manhood and the realisation that he must leave Bagheera, Baloo and his other friends for the world of man.

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Ebenezer Scrooge is a miserly old skinflint. He hates everyone, especially children. But at Christmas three ghosts come to visit him, scare him into mending his ways, and he finds, as he celebrates with Bob Cratchit, Tiny Tim and their family, that geniality brings its own reward. This finest of all Christmas stories is beautifully illustrated with Arthur Rackham’s superb line drawings.

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With an Introduction by Doreen Roberts, Rutherford College, University of Kent at Canterbury 'Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your immediate feelings...' Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the eighteenth century, the book relates a story of seduction issuing in 'the inward suffering which is the worst form of Nemesis'. But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost. The movement of the narration between social realism and reflection on its own processes, the exploration of motives, and the constant authorial presence all bespeak an art that strives to connect the fictional with the actual.

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With an Introduction and Notes by Dr Sally Minogue. The Professor is Charlotte Brontës first novel, in which she audaciously inhabits the voice and consciousness of a man, William Crimsworth. Like Jane Eyre he is parentless; like Lucy Snowe in Villette he leaves the certainties of England to forge a life in Brussels. But as a man, William has freedom of action, and as a writer Brontë is correspondingly liberated, exploring the relationship between power and sexual desire. William's first person narration reveals his attraction to the dominating directress of the girls' school where he teaches, played out in the school's 'secret garden'. Balanced against this is his more temperate relationship with one of his pupils, Frances Henri, in which mastery and submission interplay. The Professor was published only after Charlotte Brontës death; today it gives us a fascinating insight into the first stirrings of her supreme creative imagination.

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Introduction and Notes by Doreen Roberts, Rutherford College, University of Kent at Canterbury. Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town during the time of social unrest prior to the Reform Bill of 1832 is told through the lives of Dorothea Brooke and Dr Tertius Lydgate and includes a host of other paradigm characters who illuminate the condition of English life in the mid-nineteenth century. Henry James described Middlemarch as a ‘treasurehouse of detail’ while Virginia Woolf famously endorsed George Eliot’s masterpiece as ‘one of the few English novels written for grown-up people.

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With a new Introduction by Cedric Watts, M.A., Ph.D., Research Professor of English, University of Sussex. These lively, varied and thought-provoking science-fiction stories (from the era of Jules Verne and H. G. Wells) are linked by their imposing central character, the pugnaciously adventurous and outrageous Professor Challenger. The Lost World (forebear of Jurassic Park) vividly depicts a perilous region in which the explorers confront creatures from the prehistoric era. The Poison Belt presents an eerie doomsday scenario, while The Disintegration Machine satirically comments on scientific cynicism. In When the World Screamed, the planet responds violently to an experimental incursion. The strangest item is The Land of Mist, which seeks to reconcile science with spiritualism. This memorable collection provides imaginative entertainment, entrancing escapism and bold provocation.

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With an Introduction and Notes by Lionel Kelly, University of Reading. In 1915, Lawrence's frank representation of sexuality in The Rainbow caused a furore and the novel was seized by the police and banned almost as soon as it was published. Today it is recognised as one of the classic English novels of the twentieth century. The Rainbow is about three generations of the Brangwen family of Nottinghamshire from the 1840s to the early years of the twentieth century. Within this framework Lawrence's essential concern is with the passional lives of his characters as he explores the pressures that determine their lives, using a religious symbolism in which the 'rainbow' of the title is his unifying motif. His primary focus is on the individual's struggle to growth and fulfilment within marriage and changing social circumstances, a process shown to grow more difficult through the generations. Young Ursula Brangwen, whose story is continued in Women in Love, is finally the central figure in Lawrence's anatomy of the confining structures of English social life and the impact of industrialisation and urbanisation on the human psyche.

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With an Introduction and Notes by Karl Ashley Smith, University of St Andrews. Illustrations by Hablot K. Browne (Phiz). Mr Dombey is a man obsessed with his firm. His son is groomed from birth to take his place within it, despite his visionary eccentricity and declining health. But Dombey also has a daughter, whose unfailing love for her father goes unreturned. 'Girls' said Mr Dombey, 'have nothing to do with Dombey and Son'. When Walter Gay, a young clerk in her father's office, rescues her from a bewildering experience in the streets of London, his unforgettable friends believe he is well on his way to receiving her hand in marriage and inheriting the company. It is to be a very different type of story. Dombey and Son moved grown men to tears (Thackeray despaired of ‘writing against such power as this’), but its rich, comic characters and their joyful explosions of language draw laughter with equally unerring magic.

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An immediate best-seller on publication, Ben Hur remains a dazzling achievement by any standards. A thoroughly exhilarating tale of betrayal, revenge and salvation, it is the only novel that ranks with Uncle Tom's Cabin as a genuine American folk possession. This was the book that finally overcame the inherent suspicion of fiction that still prevailed in much of america in the late nineteenth century. Wallace writes with a freshness and immediacy that brings every action-packed scene to life and illuminates the geography, ethnology and customs of the ancient world.

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With an Introduction, Notes and Bibliography by Dr Bruce Woodcock, Senior Lecturer in English, University of Hull. Shelley's short, prolific life produced some of the most memorable and well-known lyrics of the Romantic period. But he was also the most radical writer in the English literary tradition of his day, a fiery political visionary committed to social change and progress. The generous selection in this volume represents the wide range of his writing, both poetry and prose. Arranged chronologically, the accompanying introductory essays set Shelley's works in their historical, social and political context. They provide a vivid insight into the life and times of this volcanic spirit whose inspiring voice called on the people of England to: ‘Rise like lions after slumber In unvanquishable number; Shake your chains to earth like dew Which in sleep had fallen on you. Ye are many, they are few.’ (The Mask of Anarchy)

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Abridged, with an Introduction by Patrick Renshaw. Democracy in America is a classic of political philosophy. Hailed by John Stuart Mill and Horace Greely as the finest book ever written on the nature of democracy, it continues to be an influential text on both sides of the Atlantic, above all in the emerging democracies of Eastern Europe. De Tocqueville examines the structures, institutions and operation of democracy, and shows how Europe can learn from American success and failures. His central theme is the advancement of the rule of the people, but he also predicts that slavery will bring about the 'most horrible of civil wars', foresees that the USA and Russia will be the Superpowers of the twentieth century, and is 150 years ahead of his time in his views on the position and importance of women.

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Translated by A.A. Brill With an Introduction by Stephen Wilson. Sigmund Freud's audacious masterpiece, The Interpretation of Dreams, has never ceased to stimulate controversy since its publication in 1900. Freud is acknowledged as the founder of psychoanalysis, the key to unlocking the human mind, a task which has become essential to man's survival in the twentieth century, as science and technology have rushed ahead of our ability to cope with their consequences. Freud saw that man is at war with himself and often unable to tolerate too much reality. He propounded the theory that dreams are the contraband representations of the beast within man, smuggled into awareness during sleep. In Freudian interpretation, the analysis of dreams is the key to unlocking the secrets of the unconscious mind.

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Translated by Thomas Common. With an Introduction by Nicholas Davey. This astonishing series of aphorisms, put into the mouth of the Persian sage Zarathustra, or Zoroaster, contains the kernel of Nietzsche’s thought. ‘God is dead’, he tells us. Christianity is decadent, leading mankind into a slave morality concerned not with this life, but with the next. Nietzsche emphasises the Übermensch, or Superman, whose will to power makes him the creator of a new heroic mentality. The intensely felt ideas are expressed in prose-poetry of indefinable beauty. Though misused by the German National Socialist party as a spurious justification of their creed, the book also had a profound influence on early twentieth-century writers such as Shaw, Mann, Gide, Lawrence and Sartre.

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With an Introduction by Derek Matravers. In The Social Contract Rousseau (1712-1778) argues for the preservation of individual freedom in political society. An individual can only be free under the law, he says, by voluntarily embracing that law as his own. Hence, being free in society requires each of us to subjugate our desires to the interests of all, the general will. Some have seen in this the promise of a free and equal relationship between society and the individual, while others have seen it as nothing less than a blueprint for totalitarianism. The Social Contract is not only one of the great defences of civil society, it is also unflinching in its study of the darker side of political systems.

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Gibbon's Decline and Fall of the Roman Empire, published between 1776 and 1788, is the undisputed masterpiece of English historical writing which can only perish with the language itself. Its length alone is a measure of its monumental quality: seventy-one chapters, of which twenty-eight appear in full in this edition. With style, learning and wit, Gibbon takes the reader through the history of Europe from the second century AD to the fall of Constantinople in 1453 - an enthralling account by 'the greatest of the historians of the Enlightenment'. This edition includes Gibbon's footnotes and quotations, here translated for the first time, together with brief explanatory comments, a precis of the chapters not included, 16 maps, a glossary, and a list of emperors.

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With an Introduction and Notes by Deborah Wynne, Chester College. Illustrated by Marcus Stone. Our Mutual Friend, Dickens' last complete novel, gives one of his most comprehensive and penetrating accounts of Victorian society. Its vision of a culture stifled by materialistic values emerges not just through its central narratives, but through its apparently incidental characters and scenes. The chief of its several plots centres on John Harmon who returns to England as his father's heir. He is believed drowned under suspicious circumstances - a situation convenient to his wish for anonymity until he can evaluate Bella Wilfer whom he must marry to secure his inheritance. The story is filled with colourful characters and incidents - the faded aristocrats and parvenus gathered at the Veneering's dinner table, Betty Higden and her terror of the workhouse and the greedy plottings of Silas Wegg.

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With an Introduction and Notes by Dr Nicola Bradbury, University of Reading. This simple and haunting story captures the transcience of life and its surrounding emotions. To the Lighthouse is the most autobiographical of Virginia Woolf's novels. It is based on her own early experiences, and while it touches on childhood and children's perceptions and desires, it is at its most trenchant when exploring adult relationships, marriage and the changing class-structure in the period spanning the Great War.

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With an Introduction and Notes by Peter Preston, University of Nottingham. With Illustrations by Hablot K. Browne (Phiz). Little Dorrit is a classic tale of imprisonment, both literal and metaphorical, while Dickens' working title for the novel, Nobody's Fault, highlights its concern with personal responsibility in private and public life. Dickens' childhood experiences inform the vivid scenes in Marshalsea debtor's prison, while his adult perceptions of governmental failures shape his satirical picture of the Circumlocution Office. The novel's range of characters - the honest, the crooked, the selfish and the self-denying - offers a portrait of society about whose values Dickens had profound doubts. Little Dorrit is indisputably one of Dickens' finest works, written at the height of his powers. George Bernard Shaw called it ‘a masterpiece among masterpices’, a vedict shared by the novel's many admirers.

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With an Introduction and Notes by Dr Patsy Stoneman, University of Hull. Set in the mid-19th century, and written from the author's first-hand experience, North and South follows the story of the heroine's movement from the tranquil but moribund ways of southern England to the vital but turbulent north. Elizabeth Gaskell's skilful narrative uses an unusual love story to show how personal and public lives were woven together in a newly industrial society. This is a tale of hard-won triumphs - of rational thought over prejudice and of humane care over blind deference to the market. Readers in the twenty-first century will find themselves absorbed as this Victorian novel traces the origins of problems and possibilities which are still challenging a hundred and fifty years later: the complex relationships, public and private, between men and women of different classes.

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With an exclusive introduction and notes by David Stuart Davies. Translation by Louis Mercier. Jules Verne’s 20,000 Leagues Under The Sea is not only a classic science fiction novel, it is also a thrilling adventure yarn. Professor Aronnax, his faithful servant Conseil and Canadian harpooner Ned Land are held prisoners aboard the fantastic submarine, the Nautilus, by its enigmatic and charismatic commander, Captain Nemo: ‘That terrible avenger, a perfect archangel of hatred.’ And so begins a hazardous and eventful voyage which leads them from the lost city of Atlantis, to the South Pole, hunting in underwater forests and to an encounter with a ferocious giant squid. Published in 1870, the novel continues to fascinate and engage the reader, presenting as it does an incredible journey into a mysterious world of excitement and danger!

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With an Introduction and Notes by Doreen Roberts, Rutherford College, University of Kent at Canterbury. Jonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.

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Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.

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Frankenstein is the classic gothic horror novel which has thrilled and engrossed readers for two centuries. Written by Mary Shelley, it is a story which she intended would ‘curdle the blood and quicken the beatings of the heart.’ The tale is a superb blend of science fiction, mystery and thriller. Victor Frankenstein driven by the mad dream of creating his own creature, experiments with alchemy and science to build a monster stitched together from dead remains. Once the creature becomes a living breathing articulate entity, it turns on its maker and the novel darkens into tragedy. The reader is very quickly swept along by the force of the elegant prose, the grotesque, surreal imagery, and the multi-layered themes in the novel. Although first published in 1818, Shelley’s masterpiece still maintains a strong grip on the imagination and has been the inspiration for numerous horror movies, television and stage adaptations.

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Robin Hood is the best-loved outlaw of all time. In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest - Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.

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‘Fifteen men on the dead man's chest-Yo-ho-ho and a bottle of rum!’ Treasure Island is a tale of pirates and villains, maps, treasure and shipwreck, and is perhaps the best adventure story ever written. When young Jim Hawkins finds a packet in Captain Flint's sea chest, he could not know that the map inside it would lead him to unimaginable treasure. Shipping as cabin boy on the Hispaniola, he sails with Squire Trelawney, Captain Smollett, Dr Livesey, the sinister Long John Silver and a frightening crew to Treasure Island. There, mutiny, murder and mayhem lead to a thrilling climax.

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George Orwell is a difficult author to summarize. He was a would-be revolutionary who went to Eton, a political writer who abhorred dogma, a socialist who thrived on his image as a loner, and a member of the Imperial Indian Police who chronicled the iniquities of imperialism. Both the books in this volume were published in the 1930s, a “a low, dishonest decade,” as his coeval W.H. Auden described it. Orwell’s subjects in Down and Out in Paris and London and The Road to Wigan Pier are the political and social upheavals of his time. He focusses on the sense of profound injustice, incipient violence, and malign betrayal that were ubiquitous in Europe in the 1930s. Orwell’s honesty, courage, and sense of decency are inextricably bound up with the quasi-colloquial style that imbues his work with its extraordinary power. His descriptions of working in the slums of Paris, living the life of a tramp in England, and digging for coal with miners in the North make for a thoughtful, riveting account of the lives of the working poor and of one man’s search for the truth. Our edition includes the following essays: Marrakech; How the Poor Die; Antisemitism in Britain; Notes on Nationalism

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Selected and Introduced by M.J. Elliott. That is not dead that can eternal lie And with strange aeons even death may die Millenia ago, the Old Ones ruled our planet. Since that time, they have but slumbered. But when a massive sea tremor brings the ancient stone city of R'lyeh to the surface once more, the Old Ones awaken at last. The Whisperer in Darkness brings together the original Cthulhu Mythos stories of the legendary horror writer H.P. Lovecraft. Included in this volume are several early tales, along with the classics 'The Call of Cthulhu', 'The Dunwich Horror' and 'At the Mountains of Madness'. Arm yourself with a copy of Abdul Alhazred's fabled Necronomican and prepare to face terrors beyond the wildest imaginings of all, save H.P. Lovecraft.

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Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.

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With an Introduction and Notes by Phillip Mallett, Senior Lecturer in English, University of St Andrews. Educated beyond her station, Grace Melbury returns to the woodland village of little Hintock and cannot marry her intended, Giles Winterborne. Her alternative choice proves disastrous, and in a moving tale that has vibrant characters, many humorous moments and genuine pathos coupled with tragic irony, Hardy eschews a happy ending. With characteristic derision, he exposes the cruel indifference of the archaic legal system off his day, and shows the tragic consequences of untimely adherence to futile social and religious proprieties

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Introduction and Notes by David Blair, University of Kent. Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her. In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her social and romantic adventures, adding to the uncertainties and embarrassments she must undergo before finding happiness.

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With an Introduction by John S. Whitley, University of Sussex. This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included. These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.

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With an Introduction and Notes by Scott Brewster, University of Central Lancashire. Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress. The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.

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Illustrated by John D. Batten. Stories selected by Jennifer Chandler, The Folklore Society. The captivating Irish stories collected in this new edition include both comic tales such as Paddy O'Kelly and the Weasel, and tales of heroes from ancient literature such as How Cormac Mac Art went to Faery. By turns funny, fantastical and mysterious, the stories are matched in liveliness by the original illustrations of John D. Batten. It would be hard to find a better introduction for children to the special magic of Celtic storytelling. The stories in this book are taken from Joseph Jacob's classic two-volume collection Celtic Fairy Tales (1891-2) and More Celtic Fairy Tales (1894)

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With an Introduction by David Stuart Davies. Joseph Sheridan Le Fanu (1814-1873) was one of the great masters of Victorian of mystery and horror fiction, and can be regarded as the father of the modern ghost story. In a Glass Darkly (1872), one of his most celebrated volumes, purports to be the casebook of Dr Hesselius, a pioneer psychologist. These five tales represent some of Le Fanu's most accomplished work, which rises above the staid conventions of the age. Although drawing on Gothic conventions - the book features both ghosts and vampires - Le Fanu redefined the parameters of supernatural fiction. He had little interest in the crude depiction of other worldly phenomena in order to provide the reader with a pleasurable frisson of fear. Le Fanu concern rather lay in the examination of the results of supernatural experience on the psyche of his protagonist, in this he paved the way for the work of Henry James and M. R. James. This volume is an indispensable cornerstone of modern horror and remains one of the finest collections of unsettling fiction in the language.

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With an Introduction and Notes by David Rampton, Department of English, University of Ottowa. Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky’s short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife’s suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal.

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Richard III is one of the finest of Shakespeare’s historical dramas. Although it has a huge cast, Richard himself, gleefully wicked, charismatically Machiavellian, always dominates the play: a role to gratify such leading actors as David Garrick, Laurence Olivier, Anthony Sher, Ian McKellen and Al Pacino. Since, in real life, political Machiavellianism is never out of date, Richard III remains perennially topical. Numerous revivals on stage and screen have demonstrated the enduring cogency of this drama about the lethally corrupting quest for power. Richard III is the twenty-first play in the Wordsworth Classics’ Shakespeare Series. The Times Literary Supplement says: ‘Many students and ordinary readers will be grateful to Watts and his publishers for making such useful editions available at such low cost.’

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Dracula: Introduction and Notes by Dr David Rogers, Kingston University. 'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism. Dracula's Guest & Other Stories: Edited and Introduced by David Stuart Davies. The above is followed with a rich collection of Stoker's macabre tales including Dracula's Guest (which was omitted from the final version of Dracula); a devilishly dangerous haunted room in The Judge's House; a fatalistic tragedy in The Burial of the Rats; a terror of revenge from beyond the grave in The Secret of Growing Gold, and a surprising twist in the tail in The Gypsy's Prophecy. Other strange and frightening episodes provide a feast of terror for those readers who like to be unnerved as well as entertained.

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Fully revised Second Edition. With a new Introduction and Bibliography by Dick Collins. The exploits of Sweeney Todd, ‘The Demon Barber of Fleet Street’, have been recounted many times in plays, films and musicals, but the origins of the character largely were forgotten for many years. The String of Pearls - the original tale of Sweeney Todd, a classic of British horror - was first published as a weekly serial in 1846-7 by Edward Lloyd, the King of the Penny Dreadfuls. One of the earliest detective stories, it became an important source for Bram Stoker's Dracula, but it was after over 150 years of obscurity that it appeared first in book form in the Wordsworth edition published in 2005. The one great mystery that has surrounded the book is who the author was - or was it possibly the work of more than one man? In his new introduction to this fully revised second edition, Dick Collins, by means of detailed research of contemporary records, has established finally the identity of the creator of this legendary figure. So here is the original story of the terrifying owner of that famous London barber-shop, and the secret recipe for Mrs Lovett's delicious pies…

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Jules Verne (1828-1905) was internationally famous as the author of novels based on ‘extraordinary voyages.’ His visionary use of new travel technologies inspired his readers to look to the industrial future rather than the remote past for their dreams of adventure. The popularity of his novels led directly to modern science fiction. In From the Earth to the Moon and Around the Moon, Jules Verne turned the ancient fantasy of space flight into a believable technological possibility – an engineering dream for the industrial age. Directly inspired by Verne’s story, enthusiasts worked successfully at overcoming the practical difficulties, and within a century, human beings did indeed fly to the Moon. Curiously, however, Verne is unlikely to have thought it possible that a manned projectile could actually be fired out of a giant cannon, rising higher than the Moon, swinging around it, and then landing safely back on Earth. He had used the science of the day to construct a literary conjuring trick, a hoax, one of the most successful in all history. By skilful misdirection he drew the attention of readers away from weaknesses in the project. Read the book and you, too, will be fooled into accepting the realistic possibility in Verne’s time of that dream of flying to the Moon.

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A Room of One’s Own (1929) has become a classic feminist essay and perhaps Virginia Woolf’s best known work; The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society. The essay lays bare the woman artist’s struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf’s prescription is clear: if a woman is to find creative expression equal to a man’s, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry; it remains surprisingly resonant and relevant in the 21st century. The novel explores these issues more personally, through the character of Rachel Vinrace, a young woman whose ‘voyage out’ to South America opens up powerful encounters with her fellow-travellers, men and women. As she begins to understand her place in the world, she finds the happiness of love, but also sees its brute power. Woolf has a sharp eye for the comedy of English manners in a foreign milieu; but the final undertow of the novel is tragic as, in some of her finest writing, she calls up the essential isolation of the human spirit.

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Adam Smith (1723-1790) was one of the brightest stars of the eighteenth-century Scottish Enlightenment. An Inquiry into the Nature and Causes of the Wealth of Nations was his most important book. First published in London in March 1776, it had been eagerly anticipated by Smith’s contemporaries and became an immediate bestseller. That edition sold out quickly and others followed. Today, Smith’s Wealth of Nations rightfully claims a place in the Western intellectual canon. It is the first book of modern political economy, and still provides the foundation for the study of that discipline. But it is much more than that. Along with important discussions of economics and political theory, Smith mixed plain common sense with large measures of history, philosophy, psychology, sociology, and much else. Few texts remind us so clearly that the Enlightenment was very much a lived experience, a concern with improving the human condition in practical ways for real people. A masterpiece by any measure, Wealth of Nations remains a classic of world literature to be usefully enjoyed by readers today.

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Elizabeth Gaskell’s first novel depicts nothing less than the great clashes between capital and labour, which arose from rapid industrialisation and problems of trade in the mid-nineteenth century. But these clashes are dramatized through personal struggles. John Barton has to reconcile his personal conscience with his socialist duty, risking his life and liberty in the process. His daughter Mary is caught between two lovers, from opposing classes – worker and manufacturer. And at the heart of the narrative lies a murder which implicates them all. Mary Barton was published in 1848, at a time of great social ferment in Europe, and it reflects its revolutionary moment through an English lens. Elizabeth Gaskell wrote her first novel about the world in which she lived – Manchester at the height of the industrial revolution. As the wife of a Unitarian minister she was solidly middle-class; but she also had close contact with the working classes around her, sympathised with them, and represented their extreme distresses in her fiction. She is radical in taking on their dialect, imagining the realities of their lives, and placing a working woman at the centre of her fiction. If to our eyes her vision remains limited, it was an honest vision, for which she was much criticised in her own time, by her own class.

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During his life, Geoffrey Chaucer (born c.1340) was courtier, diplomat, revenue collector, administrator, negotiator, overseer of building projects, landowner and knight of the shire. He was servant, retainer, husband, friend and father, but is now mainly known as a poet and ‘the father of English literature’, a postion to which he was raised by other writers in the generation after his death. It was Boccaccio’s Decameron which inspired Chaucer, in the 1390s, to begin work on The Canterbury Tales, which was still unfinished at his death in October 1400. It tells the story of a group of 30 pilgrims who meet at the Tabard Inn in Southwark, on the south bank of the Thames opposite the city of London, and travel together to visit the then famous shrine of St Thomas Becket in Canterbury cathedral. The tavern host, who accompanies them, suggests that they amuse one another along the way by telling stories, with the best storyteller awarded a meal in the tavern (paid for by all the others) on their return. The stories told by the pilgrims range from bawdy comedies through saints’ lives and moral tracts to courtly romances, always delivered with a generous helping of Chaucer’s own sly wit and ironic humour. Although basing his characters on the stereotypes of ‘estates satire’, Chaucer succeeds in his aim of producing an overview of his times and their culture, for posterity, in the manner of Italian, proto-Renaissance, writers.This transcription and edition is taken from British Library MS Harley 7334, produced within ten years of Chaucer’s death. The on-page notes and glosses aim to enable readers with little or no previous experience of medieva

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In The Descent of Man Darwin addresses many of the issues raised by his notorious Origin of Species: finding in the traits and instincts of animals the origins of the mental abilities of humans, of language, of our social structures and our moral capacities, he attempts to show that there is no clear dividing line between animals and humans. Most importantly, he accounts for what Victorians called the ‘races’ of mankind by means of what he calls sexual selection. This book presents a full explanation of Darwin’s ideas about sexual selection, including his belief that many important characteristics of human beings and animals have emerged in response to competition for mates. This was a controversial work. Yet Darwin tried hard to avoid being branded as a radical revolutionary. He is steeped in Victorian sensibilities regarding gender and cultural differences: he sees human civilization as a move from barbarous savagery to modern gentlefolk, and women as more emotional and less intellectual than men, thus providing a biological basis for the social assumptions and prejudices of the day. The Descent of Man played a major role in the emergence of social Darwinism. This complete version of the first edition gives the modern reader an unparalleled opportunity to engage directly with Darwin’s proposals, launched in the midst of continuing controversy over On the Origin of Species. Janet Browne is the author of the prize-winning biography, Charles Darwin: Voyaging and Charles Darwin: The Power of Place.

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Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. Richard II is one of Shakespeare’s finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England’s national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare’s day, it could appear subversive: ‘I am Richard II’, declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch. Richard II is the seventeenth volume in the Wordsworth Classics’ Shakespeare Series, in which each volume has been freshly edited by Cedric Watts.

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