Search results for ""University of Massachusetts Press""

Weapons have been a source of political and legal debate for centuries. Aristotle considered the possession of arms a fundamental source of political power and wrote that tyrants ""mistrust the people and deprive them of their arms."" Today ownership of weapons - whether handguns or military-grade assault weapons - poses more acute legal problems than ever before. In this volume, the editors' introduction traces the history of gun control in the United States, arguing that until the 1980s courts upheld reasonable gun control measures. The contributors confront urgent questions, among them the usefulness of history as a guide in ongoing struggles over gun regulation, the changing meaning of the Second Amendment, the perspective of law enforcement on guns and gun control law, and individual and relational perspectives on gun rights.The contributors include the editors and Carl T. Bogus, Jennifer Carlson, Saul Cornell, Darrell A.H. Miller, Laura Beth Nielsen, and Katherine Shaw.

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The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression.Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.

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In October 1785, American statesman John Jay acknowledged that the more his countrymen ""are treated ill abroad, the more we shall unite and consolidate at home."" Behind this simple statement lies a complicated history. From the British impressment of patriots during the Revolution to the capture of American sailors by Algerian corsairs and Barbary pirates at the dawn of the nineteenth century, stories of Americans imprisoned abroad helped jumpstart democratic debate as citizens acted on their newly unified identity to demand that their government strengthen efforts to free their fellow Americans. Deliberations about the country's vulnerabilities in the Atlantic world reveal America's commitment to protecting the legacy of the Revolution as well as growing political divisions.Drawing on newspaper accounts, prisoner narratives, and government records, David J. Dzurec III explores how stories of American captivity in North America, Europe, and Africa played a critical role in the development of American political culture, adding a new layer to our understanding of foreign relations and domestic politics in the early American republic.

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Early modern English writers often complained that ""charity had grown cold,"" lamenting the dissolution of society's communal bonds. But far from diminishing in scope or influence, charity generated heated debates, animated by social, political, and religious changes that prompted urgent questions about the virtue's powers and functions. Charity was as much a problem as it was a solution, a sure sign of trouble even when invoked on behalf of peace and community.Love's Quarrels charts charity's complex history from the 1520s to the 1640s and details the ways in which it can be best understood in biblical translations of the early sixteenth century, in Elizabethan polemic and satire, and in the political and religious controversies arriving at the outset of civil war. As key works from Edmund Spenser, Ben Jonson, and John Milton reveal, ""reading charity"" was fraught with difficulty as early modern England reconsidered its deepest held convictions in the face of mounting social disruption and spiritual pressure.

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In this richly illustrated book, Robert Macieski examines Lewis W. Hine's art and advocacy on behalf of child laborers as part of the National Child Labor Committee (NCLC) between 1909 and 1917. A ""social photographer"" -- as he called himself -- Hine created images that documented children at work throughout New England, making the case for their exploitation in the North as he had for rural working children in the South. Hine staged his images, highlighting particular types of labor in specific places: the ""newsies"" in Connecticut cities; sardine canners in Eastport, Maine; cranberry pickers in Cape Cod bogs; industrial homeworkers in Boston and Providence; and cotton textile workers throughout the region. His association with the NCLC connected him to a network of local and national reformers, social workers, and child welfare professionals, a broad coalition he supported in their fight to end this unethical labor practice. Macieski also chronicles Hine's efforts to mount major exhibitions that would help move public opinion against child labor.In Picturing Class, Macieski explores the historical context of Hine's photographs and the social worlds of his subjects. He offers a detailed analysis of many of the images, unearthing the stories behind the creation of these photographs and the lives of their subjects. In telling the story of these photographs, their creation, and their reception, Macieski demonstrates how Hine worked to advance an unvarnished picture of a rapidly changing region and the young workers at the center of this important shift.

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