Search results for ""Syracuse University Press""

In this volume, Brownson sheds new light on Palestinian Muslim women's agency in shari‘a courts from the British Mandate period to the present. Her extensive archival research on wife-initiated maintenance claims, divorce, and child custody cases deepens our understanding of women's position in the courts, demonstrating that Muslim women were and are active participants in their legal affairs. Using court registers and interviews, Brownson uncovers a variety of ways women have manipulated the system to their benefit despite its patriarchal bias. She also finds that few reforms were implemented during the Mandate period. The British were uninterested in improving colonized women's legal status and sought to avoid further antagonizing Palestinians. At the same time, Palestinians wished to uphold the one indigenous institution they still controlled while both British rule and Zionism threatened their nationalist aspirations. Although Palestinian women have had few alternatives to using this male privileged system to redress grievances with their husbands and in-laws, they continue to resist its injustices every day. Brownson finds that women's understanding of family law fundamentals has enabled some to deftly navigate the system; however, a unified, reformed law reflecting society's current needs is required so women can have full access to their rights.

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Amihay offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography—both as a textual element and through the inclusion of actual images— Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function. Contemporary Hebrew authors have turned to photography as a tool to disrupt narratives and give voice to marginalized sectors in Israel, including women, immigrants, Mizrahi Israelis, LGBTQ+ individuals, second-generation Holocaust survivors, and traumatized army veterans.Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature.

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Working Out Desire examines spor meraki as an object of desire shared by a broad and diverse group of Istanbulite women. Sehlikoglu follows the lat­est anthropological scholarship that defines desire beyond the moment it is felt, experienced, or even yearned for, and as something that is formed through a series of social and historical makings. She traces Istanbulite women's ever-increasing interest in exercise not merely to an interest in sport, but also to an interest in establishing a new self - one that attempts to escape from conventional feminine duties - and an investment in forming a more agentive, desiring, self. Working Out Desire develops a multilayered analysis of how women use spor meraki to take themselves out of the domestic zone physically, emotionally, and also imaginatively.Sehlikoglu pushes back against the conventional boundaries of scholarly interest in Muslim women as pious subjects. Instead, it places women's desiring subjectivity at its center and traces women's agentive aspirations in the way they bend the norms which are embedded in the multiple patriarchal ideologies (i.e. nationalism, religion, aesthetics) which operate on their selves. Working out Desire presents the ways in which women's changing habits, leisure, and self-formation in the Muslim world and the Middle East are connected to their agentive capacities to shift and transform their conditions and socio-cultural capabilities.

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During his more than fifty-year writing career, American Jewish philosopher Horace Kallen (1882–1974) incorporated a deep focus on science into his pragmatic philosophy of life. He exemplified the hope among Jews that science would pave the way to full and equal integration. In this intellectual biography, Kaufman explores Kallen's life and illumines how American scientific culture inspired not only Kallen's thought but that of an entire generation.Kaufman reveals the ways in which Kallen shaped the direction of discussions on race, ethnicity, modernism, and secularism that influenced the entire American Jewish community. An ardent secularist, Kallen was also a serious religious thinker whose Jewish identity, as unique and idiosyncratic as it was, exemplifies the modern responsiveness to the moral ideal of ""authenticity."" Kaufman shows how one man's quest for authenticity contributed to a gradual shift in Jewish self perception in America and how, in turn, his struggle led to America's embrace of Kallen's well-known term ""cultural pluralism.

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History books often weave tales of rising and falling empires, royal dynasties, and wars among powerful nations. Here, Maksudyan succeeds in making those who are farthest removed from power the lead actors in this history. Focusing on orphans and destitute youth of the late Ottoman Empire, the author gives voice to those children who have long been neglected. Their experiences and perspectives shed new light on many significant developments of the late Ottoman period, providing an alternative narrative that recognizes children as historical agents.Maksudyan takes the reader from the intimate world of infant foundlings to the larger international context of missionary orphanages, all while focusing on Ottoman modernization, urbanization, citizenship, and the maintenance of order and security. Drawing upon archival records, she explores the ways in which the treatment of orphans intersected with welfare, labor, and state building in the Empire. Throughout the book, she does not lose sight of her lead actors, and the influence of the children is always present if we simply listen and notice carefully as Maksudyan so convincingly argues.

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When Winslow Homer sailed to England in March of 1881, he was already well established as a leading member of his generation of American artists. Critics often referred to him as the "most American of American artists", combining praise with the implication that his work was provincial compared to that of his more European-trained American contemporaries. However, upon his return, after a year and a half spent in the seaside village of Cullercoats, Homer's work garnered rave reviews and gained a new appreciation among art dealers. In this book, Tatham's detailed account of Homer's time in Cullercoats offers a perceptive reappraisal of both the village's influence on his work and the paintings themselves.In his Cullercoats paintings, Homer took as his main subject the lives and labors of the village's women andtheir strong sense of community. In many ways, these paintings stand among Homer's most original and perceptive depictions of women, but they also display his masterly uses of watercolor. The Cullercoats paintings show Homer in a new light, and Tatham's revelatory account provides the long-overdue attention they deserve.

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Dealing with the relationship between psychiatry and the law, this book looks at the federal and state procedures which render impotent the constitutional right to a speedy and public trial. Trial transcripts are used to support the author's arguments.

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He demonstrates that Ashkenazic Jewish culture was profoundly shaped and conditioned by life in an overwhelmingly Christian society. Drawing on diverse Christian documents, he portrays Christian beliefs about medieval Jews and Judaism with a degree of detail seldom found in Jewish historics. Emphasizing social, political, and economic history, but also duscussing religious topics, Glick describes the evolution of a complex, inherently unequal relationship. Because the Ashkenazic Jews of medieval Europe were ancestral to almost the entire Jewish population of eastern Europe, their historical experience played a major role in the heritage of most Jewish Americans.

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Mona Passage is the story of two neighbors in San Juan, Puerto Rico: Galán Betances, a Cuban emigrant, and Pat McAllister, a young Coast Guard officer. During long evenings spent together talking on their Calle Luna rooftop, a deep friendship develops based on shared traumas and a common desire to heal.When Galán learns that his sister, Gabriela, is going to be committed to a mental health facility in Cuba, he plans her escape to Puerto Rico. Pat, whose Coast Guard cutter patrols the Mona Passage for drug traffickers and migrants, warns Galán that such a journey will be treacherous—perhaps fatal. Aware of the dangers but determined for Gabriela to live a full life, Galán hands over all the money he has to a Dominican smuggler based out of a San Juan nightclub, and Gabriela begins her terrifying journey.Knowing that his cutter may be all that separates Galán and Gabriela—and haunted by the human suffering he has witnessed at sea—Pat must decide. Will he remain true to his oath, as his older brother had done in Iraq? Or will he risk his own future—and perhaps his freedom—for his closest friend?On a moonless night, two armed vessels converge in the Mona Passage, and three lives change forever.

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Traditional Anishinaabe (Ojibwe or Chippewa) knowledge, like the knowledge systems of indigenous peoples around the world, has long been collected and presented by researchers who were not a part of the culture they observed. The result is a colonized version of the knowledge, one that is distorted and trivialized by an ill-suited Eurocentric paradigm of scientific investigation and classification. In Our Knowledge Is Not Primitive, Wendy Makoons Geniusz contrasts the way in which Anishinaabe botanical knowledge is presented in the academic record with how it is preserved in Anishinaabe culture. In doing so she seeks to open a dialogue between the two communities to discuss methods for decolonizing existing texts and to develop innovative approaches for conducting more culturally meaningful research in the future.As an Anishinaabe who grew up in a household practicing traditional medicine and who went on to become a scholar of American Indian studies and the Ojibwe language, Geniusz possesses the authority of someone with a foot firmly planted in each world. Her unique ability to navigate both indigenous and scientific perspectives makes this book an invaluable contribution to the field of Native American studies and enriches our understanding of the Anishinaabe and other native communities.

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Both a summative description of the field and an exploration of new directions, this multidisciplinary reader addresses issues central to the fields of Arab American, US Muslim, and Southwest Asian and North African (SWANA)-American studies. Taking a broad conception of the Americas, this collection simultaneously registers and critically reflects upon major themes in the field, including diaspora, migration, empire, race and racialization, securitization, and global South solidarity. The collection will be essential reading for scholars in Arab/SWANA American studies, Asian American studies, and race, ethnicity, and indigenous studies, now and well into the future.Contributors include:Evelyn Alsultany, Carol W. N. Fadda, Akram Khater, Nadine Naber, Therí Pickens, Steven Salaita, Ella Shohat and Sarah Gualtieri.

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The League of the Iroquois, the most famous native government in North America, dominated intertribal diplomacy in the Northeast and influenced the course of American colonial history for nearly two centuries. The age and early development of the League, however, have long been in dispute. In this highly original book, two anthropological archaeologists with differing approaches and distinct regional interests synthesize their research to explore the underpinnings of the confederacy. Wonderley and Sempowski endeavor to address such issues as when tribes coalesced, when intertribal alliances presaging the League were forged, when the five-nation confederation came to fruition, and what light oral tradition may shine on these developments.This groundbreaking work develops a new conversation in the field of Indigenous studies, one that deepens our understanding of the Iroquois League's origins.

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In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.

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""What! Still Alive?!"" offers a powerful and deeply affecting examination of the complex memories of Jewish survivors returning to their homes in Poland after the Holocaust. These survivors left unparalleled testimonies of their first impressions with the Jewish historical commissions from 1944 to 1950.As many survivors found they were no longer welcome by their Polish neighbors, they chose to settle in the new state of Israel. Again, these surviving Jews left testimonies describing their postwar returns. In ""What! Still Alive?!,"" Rice investigates the transformation of survivors’ memories from the first account after their initial return to Poland and later accounts, recorded at Yad Vashem in Jerusalem between 1955 and 1970. Through close readings of these firsthand narratives, Rice traces the ways in which the passage of time and a changing geopolitical context influenced the survivors’ memories.

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This edition includes new material on the Arabic novel up to 1993. It is a survey of the Arabic novel and its development from its beginnings in the 19th century until today. It traces the origin, early cultivation and the mature period after World War II of the Arabic novel.

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Three devastating epidemics swept Egypt in the 1940’s killing more people than all the wars Egypt has fought in the twentieth century. Egypt’s Other Wars vividly reconstructs the nation’s struggle against malaria, relapsing fever, and cholera and explores the unique combination of forces that put public health at the top of the national political agenda.Egypt in the 1940’s as in the throes of a nationalist upheaval. Nationalists of all political ideologies attributed the sever epidemics that the country was experiencing to Egypt’s status as an underdeveloped and colonized nation. The epidemics were therefore viewed for the first time as not only a public health crisis but also a political problem that called for a political solution.

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As a young man in interwar Warsaw, Ber Kutscher threw himself into the city's vibrant Jewish arts and culture scene from the Association of Jewish Writers and Journalists. Kutsher's memoir translated into English for the first time paints a tangible portrait of a moment in Polish history too quickly buried by the horrors of World War II.

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Simin Behbahani’s collection contains some of the most formative work of twentieth-century Persian literature. Written over almost a half-century, much of her poetry reflects the traumatic experiences that have shaped Iranian history: revolution and war. Behbahani balances artful inquiry and shocking realism in both her language and imagery to probe the depths of political, cultural, and moral oppression. In the traditional verse of the ghazal, she improvises with meter to echo and provide new interpretations.

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Some of the most iconic, hard-boiled Irish detectives in fiction insist that they are not detectives at all. Hailing from a region with a cultural history of mistrust in the criminal justice system, Irish crime writers resist many of the stereotypical devices of the genre. These writers have adroitly carved out their own individual narratives to weave firsthand perspectives of history, politics, violence, and changes in the economic and social climate together with characters who have richly detailed experiences.Recognizing this achievement among Irish crime writers, Babbar shines a light on how Irish noir has established a new approach to a longstanding genre. Beginning with Ken Bruen’s Jack Taylor, who rejects the detective title in favor of "finder"—a reference to Saint Anthony of Padua in the context of a traditionally secular form—Babbar examines the ways Irish authors, including John Connolly, Tana French, Alex Barclay, Adrian McKinty, Brian McGilloway, Claire McGowan, Gerard Brennan, Stuart Neville, Steve Cavanagh, and Eoin McNamee, subvert convention to reclaim their stories from a number of powerful influences: Revivalism, genre snobbery, cultural literary standards, and colonialism. These writers assert their heritage while also assuming a vital role in creating a broader vision of justice.

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Set in the Syrian neighborhood of al-Qaweyq, Sour Grapes is a collection of fifty-nine wry, satirical short stories loosely connected by a cast of rotating characters living at society’s margins. Tamer captures their everyday lives, weaving the attendant cruelties and ironies of living under an oppressive regime with the residents’ irreverence and small acts of defiance. Inspired by the heroines of Arab mythology, the women of al-Qaweyq navigate the patriarchal community with brash confidence and dark humor while the younger generation of children inherit a bitter cynicism from their fathers. Evoking under-ripened and immature fruit, the collection’s title serves as a bittersweet metaphor for a world that possesses the seeds of change but is unprepared for the harvest.Considered a master of the short story, Zakaria Tamer is one of the Arab world’s most prominent and widely read writers. Columbu and Capallera’s fluid translation gives English readers access to Tamer’s original and provocative voice

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Hadiya Hussein’s poignant 2017 novel plunges readers into a haunting and powerful story of resilience. Set at the end of Saddam Hussein’s brutal reign, the novel follows Narjis, a young Iraqi woman, on her quest to discover what has become of the man she loves. Yusef, suspected by the regime of being a dissident, has disappeared—presumably either imprisoned or executed.On her journey, Narjis receives shelter from a Kurdish family who welcome her into their home and meets Umm Hani, an older woman who is searching for her long-lost son. Together they form a bond, and Narjis comes to understand the depth of loss and grief of those around her. At the same time, she is introduced to the warm hospitality of the Kurds, settling into their everyday lives, and embracing their customs. Barbara Romaine’s translation skillfully renders this complex, layered story, giving readers a stark yet beautiful portrait of contemporary Iraq.

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Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena's twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them.ldentifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions—intellectual, emotional, visceral—that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.

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Red Shoes for Rachel, Sandler’s award-winning collection of three novellas, features tightly wound tales that seamlessly incorporate diverse genres, including magic realism, satire, and autobiography, and profound psychological profiles to create touching portrayals of the human experience. Zumoff’s translation of Sandler’s original Yiddish collection makes the J. I. Segal Award–winning volume available to English readers for the first time.In the collection’s eponymous novella, Rachel, a daughter of Holocaust survivors raised in Brighton Beach, encounters a Moldovan Jewish immigrant divorcee as she is tending to her disabled, elderly mother along the Coney Island boardwalk. As the two begin a relationship, the story reveals their past and the commonalities between two children of Holocaust survivors raised in very different societies. In the novella Karolina Bugaz, an exhausted Moldovan Jewish immigrant architect leaves his wife and newly religious son behind to go on a cruise to a mysterious island, which may just be a direct voyage through space and time into his past. In the volume’s most acclaimed story, Halfway Down the Road Back to You, an elderly Moldovan Holocaust survivor in Israel separated from her children by emigration must confront her past as her failing mind begins to blur the boundaries between her daily life and the horrors of war sixty years before. The novella was adapted by the author into an acclaimed play, which has been staged in the United States, Belgium, and France.

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During the past thirty years, the editors of the Hudson Review have observed a trend among some of the best literary essayists and reviewers to situate their criticism in a deeply personal manner as opposed to the theoretical, technocratic work being produced in many literary and academic publications. Over time, the Hudson Review became a home for this kind of accessible, memoirist writing. Literary Awakenings collects eighteen essays published over the last three decades that celebrate the writer’s relationship with literature, one that is deeply shaped by experience and remembrance.br>The essays gathered here recall disparate awakenings to the influence of literature and discoveries of the many ways in which it enriches nearly every aspect of our lives. Antonio Muñoz Molina describes his education as a writer and a citizen as a form of protest against Franco’s totalitarian regime in Spain. Drawing upon Huckleberry Finn, Wendell Berry meditates on the impulse to escape that literature often invokes, and Judith Pascoe’s tribute to Clarissa confesses to the appeal of reading select literature that initiates one into an exclusive coterie of people. What unites these diverse contributions is the joy of appreciation, the pleasures of engaging with literature

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In 1899, William Osborne Dapping was a Harvard-bound nineteen-year-old when he began writing down exploits from his rough childhood in the immigrant slums of New York City. Now published for the first time, The Muckers: A Narrative of the Crapshooters Club recovers a long-lost fictionalized account of Dapping’s life in a gang of rowdy boys. Simultaneously a polished work of social reform literature and a rejoinder to the era’s alarming exposés of the “dangerous classes,” The Muckers stands as an important reform era primary document.The thinly disguised autobiographical narrative is told in the slangy, profane voice of the gang’s leader, Spike, who describes life through the eyes of the young boys who thronged the city’s streets, hawking newspapers, playing baseball, shooting craps, pilfering beer, and tormenting any and all adult authorities. These muckers are dirty and insubordinate, and prefer to steal rather than to work, but they also possess a high-spirited zest for life and mischief, a wily intelligence, and a sturdy code of honor that help them exploit the good intentions of social reformers and survive in a darkly violent and hypocritical world.Historian Woody Register’s introduction explores the book’s documentary value as a social history of 1890s tenement life; as a literary work that challenged the conventions of writing about children and the poor; and as a window through which to observe the remarkable story of the author’s transformation from slum mucker to Harvard man. Destined to become a classic of Progressive Era literature, The Muckers reads with the lively cadence of a novel, told in the voice of an unforgettable narrator of wit, grit, and heart.

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Fifty years after the war Dagmar Ostermann, a former prisoner at Auschwitz-Birkenau, and Hans Wilhelm Muinch, former Nazi and SS physician, talk face to face.In this rare interview Muinch—the only SS member acquitted during the 1947 Cracow war crimes trial refers to himself as a "victim," claiming that because he had to follow orders he was "no less a victim than his prisoners."The Meeting grew out of a documentary film in which Muinch was first interviewed by Viennese filmmaker Bernhard Frankfurter. As head of the Waffen SS Hygiene Institute Mi.inch had controlled hundreds of lives. Intrigued by Muinch's responses, Frankfurter arranged for Ostermann, whose mother was German and her father Jewish, to conduct a book-length interview, for which he provided a concluding essay.The dramatic structure of the discussion follows the events of the Nazi occupation chronologically. As Ostermann initiates questions regarding reasons for Muinch's involvement (Was it a conscious endeavor? Did he participate willingly?), the book adds important new information to the testimonial literature of the Holocaust.

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Maureen Waters began writing about the Bronx in the spirit of dinnseachas, Irish place lore, as a means of recuperating from the accidental death of her son, whose story frames her own. Finding her way through the disorienting 1960s, after a girlhood tutored by nuns and inspired by the Holy Ghost, she set out on a kind of spiritual journey to recover what was valuable and life-sustaining in the Irish Catholic experience left behind. Writing her memoir meant coming to terms with the powerful matriarchal voices that inspired both affection and immobilizing guilt. Ultimately, Crossing Highbridge is a tribute to her father, for whom storytelling was an art of healing.

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Verplanck Colvin worked for 28 years as the Superintendent of the Topographical Survey of the Adirondack Mountains. This collection of essays reveals his many perspectives on the Adirondacks, one of the last great frontiers of the past.

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A collection of poems written in Jewish ghettos, way stations, death camps and forests under the nightmarish circumstances of the Holocaust.

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From both Jewish and non-Jewish viewpoints, this study presents the developing interrelationship between Jews and their Gentile environment from 1770 to 1870. It covers the upheaval of the French Revolution, the loosening of bonds between church and state, and the ideas of the Enlightenment.

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In the last few decades, the media, academics, and the general public have put considerable focus on Muslim culture and politics around the world. Specifically, the rising population of young Muslims has generated concerns about religious radicalism, Islamism, and conflicts in multicultural societies. However, few studies have been devoted to how a new generation of Muslims is reshaping society in positive ways. In Political Muslims, Abbas and Hamid provide a new perspective on Muslim youth, presenting them as agents of creative social change and as active participants in cultural and community organizations where resistance leads to negotiated change.In a series of case studies that cross the globe, contributors capture the experiences of being young and Muslim in ten countries?the United States, Canada, Britain, the Netherlands, Switzerland, Turkey, Afghanistan, Pakistan, Kashmir, and Indonesia. They examine urban youth from various socioeconomic backgrounds, addressing issues that range from hybrid identities and student activism to the strategic use of music and social media. With diverse disciplinary and methodological approaches, Political Muslims gives readers a nuanced and authentic understanding of the everyday social, economic, and political realities of young people.

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In his short life (1865-1921), Micha Josef Berdichevsky was a versatile and influential man of letters: an innovative Hebrew prose stylist; a collector of Jewish folklore; a scholar of ancient Jewish and Christian history. He was at once a peer of the Brothers Grimm, Sholem Aleichem, Friedrich Nietzsche, and a diverse circle of Jewish writers in the Russian Empire and German-speaking countries. As a Yiddish writer, however, he remains largely unknown to gen­eral readers. Originally published in the 1920s, his stories were dismissed by prominent critics and viewed as out of step with the literary taste of his own time. Yet these vivid portraits of a small Jewish town (shtetl) in the southern Russian Empire can speak powerfully to audiences today.With enchanting humor, social satire, and verbal dexterity, From a Distant Relation captures the world of the shtetl in a sharp realist prose style. Themes of repressed desire, poverty, relations with non-Jews, and historic upheavals echo in a cast of memorable characters. Many of the stories and monologues feature strong female protagonists, while others shed light on the misogynistic culture of the shtetl. At the border between fiction and reportage, with a gritty underbelly and a deceptive naïveté, Berdichevsky's stories explore dynamics of wealth, power, and gender in an intimate setting that resonates profoundly with contemporary Jewish life.

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Women have consistently been left out of the official writing of Lebanese history, and nowhere is this more obvious than in writing on the Lebanese Civil War. As more and more histories of the war begin to circulate, few include any in-depth discussion of the multiple roles women played in wartime Lebanon. Fewer still address the essential issues of women’s work and their creative production, such as literature, performance art, and filmmaking. Developed out of a larger oral history project collecting and archiving the ways in which women narrated their experiences of the Lebanese Civil War, this book focuses on a wide range of subjects, all framed as women telling their "war stories." Each of the six chapters centers on women who worked or created art during the war, revealing, in their own words, the challenges, struggles, and resistance they faced during this tumultuous period of Lebanese history.

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Interrogating Secularism is a call to rethink binary categories of ""religion"" and ""secularism"" in contemporary Arab American fiction and art. While most studies that explore the traffic between literature and issues of secularism emphasize how canonical texts naturalize and reinforce secular values, Interrogating Secularism approaches this nexus through novels written by and about ethnic and religious minorities. Haque juxtaposes accounts of secular experience in the writing of Arab Anglophone authors such as Mohja Kahf, Rabih Alameddine, Khaled Mattawa, Laila Lalami, and Rawi Hage, with Arab and Muslim artists such as Ninar Esber, Mounir Fatmi, Hasan Elahi, and Emily Jacir. Looking at multiple genres and modes of aesthetic production, including AIDS narratives, visual art, and digital media, Haque explores how their conventions are used to subvert the ideals tied to secularism and the various anxieties and investments that support secularism as a premise. These authors and artists critique Western iterations of secular thought in spaces such as art exhibits, airports, borders, and literary discourses to capture how the secularism thesis reproduces the exclusivity it intends to remedy.

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One of the most popular shows to come out of Shondaland, Shonda Rhimes's production company, is ABC's political drama Scandal (2012–18)—a series whose tremendous success and marketing savvy led LA Times critic Mary McNamara to hail it as ""the show that Twitter built"" and Time magazine to name its protagonist as one of the most influential fictional characters of 2013. The series portrays a fictional Washington, DC, and features a diverse group of characters, racially and otherwise, who gather around the show's antiheroine, Olivia Pope, a powerful crisis manager who happens to have an extramarital affair with the president of the United States. For seven seasons, audiences learned a great deal about Olivia and those interwoven in her complex world of politics and drama, including her team of ""gladiators in suits,"" with whom she manages the crises of Washington's political elite. This volume, named for both Olivia's team and the show's fans, analyzes the communication, politics, stereotypes, and genre techniques featured in the television series while raising key questions about the intersections of race, gender, sexuality, and viewing audiences. The essays range from critical looks at various members of Scandal's ensemble, to in-depth analyses of the show's central themes, to audience reception studies via interviews and social media analysis. Additionally, the volume contributes to research on femininity, masculinity, and representations of black womanhood on television. Ultimately, this collection offers original and timely perspectives on what was one of America's most ""scandalous"" prime-time network television series.

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Award-winning British novelist Margaret Drabble is renowned for her fiction, stories that gave voice to the new woman of the 1960s and continue to illuminate the conflicting roles of women in the twenty-first century. Drabble’s long affiliation with the theatrical world also inspired her to experiment with the dramatic form. She wrote two plays?one for television, Laura (1964), and one for the stage, Bird of Paradise (1969). Fernández’s penetrating new critical edition makes both plays available for the first time, giving Drabble fans a new vantage point from which to understand her work. In Laura and Bird of Paradise, Drabble mines the familiar territory of social class, domestic life, and questions of destiny, which have been the hallmark of her writing. As in her novels, both plays reveal a deep curiosity about the world and a piercing commentary on the social issues of her time. The volume’s introduction and accompanying critical essays give valuable insight into the plays’ historical and social context, and explore the artistic solutions that an accomplished author of fiction found when writing for the stage. Offering a fascinating complement to Drabble’s prodigious oeuvre, this volume also provides a glimpse into a specific period in English letters, one that shaped an influential generation of writers.

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In The Odyssey of an Apple Thief, Moishe Rozenbaumas (1922–2016) recounts his fascinating life, from his Lithuanian boyhood, to the fraught experiences that take him across Europe and Central Asia and back again, to his daring escape from Soviet Russia to build a new life in Paris. Along the way, we get a rarely seen portrait of the lives of working-class Jewish youth in Telz/Telsiai, a religious town renowned for its yeshiva. We hear of the games children played, the theft of apples from a Catholic orchard, and Rozenbaumas's early apprenticeship as a tailor once his father leaves the country.The war breaks out and the teenaged Rozenbaumas flees Lithuania alone, unable to convince his mother and sibling to go with him. We learn of his life as a starved refugee in an Uzbek kolkhoz, his escape into the Red Army, and his unlikely work in the reconnaissance unit of the Soviet Army. After the war, Rozenbaumas is drafted into the Marxist-Leninist university and as a cadre of the Communist Party, ultimately escaping in 1956 with his family to Paris, where he and his wife give an openly Jewish education to their children.In the vast literature of memory written by Jewish witnesses before, during, and after WWII, Rozenbaumas's account stands out for the singularity of his experience and for his deft narration of events of mythological dimension from a personal perspective. The Odyssey of an Apple Thief offers not only invaluable testimony of this historical moment but also an illuminating and original portrait of Lithuanian Jews in the twentieth century.

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This collection of articles written by feminist scholars focuses on intimate Arab familial relationships. The authors identify key family relationships - mother-son, brother-sister, co-wives, father-daughter - to explore women's contribution to shaping and defining themselves in relation to others.

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This work begins with a boy named Geraldo growing up Sicilian in Rochester, New York, and ends with the author breakfasting with Eleanor Roosevelt in the White House. It is a portrait of what it was like to come of age in the 1930s and 1940s.

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