Search results for ""Ridinghouse""
Ridinghouse Glenn Ligon: A People on the Cover
In this artist book, celebrated American Conceptual artist Glenn Ligon traces the representation of Black people on book covers in the United States, highlighting the deliberate use of typography, photography and graphics. Best known for appropriating imagery and text from popular culture, Ligon has selected over 50 book covers – by both lesser-known and seminal authors, such as James Baldwin, Norman Mailer and Toni Morrison – to explore a rich and complex set of histories and representations. To introduce the book, an essay by Ligon identifies one of the foundation stones of his life and work: the act of reading. Spanning the twentieth century and grouped thematically, the covers reveal correspondences between the past and the present, as well as links between the social and visual constructs of race, beauty and the body. Published to coincide with the exhibition Glenn Ligon: Encounters and Collisions, both co-curated and featuring works by the artist, held at Nottingham Contemporary (4 April–14 June 2015) and Tate Liverpool (30 June–18 October 2015).
£14.36
Ridinghouse Bridget Riley: Venice and Beyond
£14.36
Ridinghouse Helen Chadwick: Wreaths to Pleasure
£14.95
Ridinghouse Loose Monk: Poems by Fabian Peake
£14.95
Ridinghouse Bridget Riley: The Stripe Paintings 1961 - 2012
£25.20
£25.20
Ridinghouse Bridget Riley: Circles Colour Structure: Studies 1970/71
Bringing together over 20 gouache studies by the celebrated British Op artist Bridget Riley, this exhibition catalogue reveals something of Riley’s process. Originally published to accompany an exhibition at Karsten Schubert, London, the studies explore the results of Riley setting circles of colours – such as turquoise, cerise and ochre – at different distances. The images are accompanied by an interview with the artist by Robert Kudielka from 1972, just following the creation of these works. In the discussion, Riley touches upon the role of her studies and the effects of her colour choices on light and movement in the picture plane.
£16.20
Ridinghouse Amor Mundi: The Collection of Marguerite Steed Hoffman
Amor Mundi: The Collection of Marguerite Steed Hoffman delves deep into this remarkable singular collection. Over two volumes, Amor Mundi presents an edited selection of over 400 works of modern and contemporary art from the Collection of Marguerite Steed Hoffman, from the pieces brought together by Marguerite Steed and her late husband Robert Hoffman (1947–2006) to more recent outstanding acquisitions. Over 30 authors – artists and art historians – explore this fascinating collection, addressing specific artworks as well as the motivations behind the collection’s creation and ongoing evolution. Created over the course of a two-year period, great care has been taken to reflect the collection's key artists, canonical works, and the issues and debates that have helped shape its direction for more than a quarter of a century. By highlighting the art and artists as well as the ideological principles underlying the collection, it is hoped that Amor Mundi will shed some light on how to interpret this extraordinary collection of modern and contemporary art as well as communicating something about the personality of the woman who assembled it. Texts by Martin Jay, Renée Green, Susan L. Aberth, Sarah Celeste Bancroft, Renate Bertlmann, Anna Katherine Brodbeck, Susan Davidson, Gavin Delahunty, TR Ericsson, Tamar Garb, Robert Gober, Rachel Haidu, Merlin James, Wyatt Kahn, Ragnar Kjartansson, Anna Lovatt, Leora Maltz-Leca, Nic Nicosia, Charles Ray, Mark Rosenthal, Dana Schutz, Barry Schwabsky, Richard Shiff, Raphaela Simon, Michelle Stuart, Kirsten Swenson, Mary Weatherford, Terry Winters. Interviews by Martin Jay and Marguerite Steed Hoffman, Gavin Delahunty and Isabelle Graw
£108.00
Ridinghouse Georg Baselitz: Collected Writings and Interviews
Georg Baselitz’s collected writings brings together more than 30 texts by, and interviews with, the artist – spanning the period 1961 to the present – including conversations with Michael Auping, Henry Geldzahler and Donald Kuspit. Known for his rebellious approach to Abstract Expressionism, Baselitz here discusses the impression his paintings convey, the act of painting, his biography and much more. The texts shift between these personal pieces – some of which have never before been published in English – to interviews conducted by a variety of respected critics and art historians. These conversations present a different voice as Baselitz responds to careful and critical questions about his work.
£27.00
£17.95
Ridinghouse Bridget Riley: A Very Very Person: The Early Years
'"As Paul Moorhouse shows in this thorough and sensitive first biography, which concentrates on [Riley's] early years up to the age of thirty-four, it was only after many false starts, bracing shocks and firm decisions that Riley found her way as an abstract painter in the early 1960s with her eye-dazzling lines, squares, curves ... in ultra-hard-edged black-and-white". –Times Literary Supplement "In “Bridget Riley: A Very Very Person – The Early Years,” Paul Moorhouse ... homes in on the period between the artist’s childhood and her earliest success, and makes a surprising but compelling case for the influence of landscape on Ms Riley’s distinctive style." –Wall Street Journal "An entertaining and informative text that adds greatly to our understanding of a very prominent and still highly intriguing British artist." –Hyperallergic In January 1965 the international art world converged on New York to pay homage to a brilliant new star. The glittering opening of The Responsive Eye, a major exhibition of abstract painting at the Museum of Modern Art, signalled the latest phenomenon, op art – and its centre of attention was a young painter named Bridget Riley, whose dazzling painting Current appeared on the cover of the catalogue. Riley’s first solo show in New York sold out, and, following a feature in Vogue magazine, the Riley 'look' became a fashion craze. Overnight, she had become a sensation, yet only three years earlier, she was a virtual unknown. How did success arrive so suddenly? Authored by the acclaimed curator and writer Paul Moorhouse, A Very Very Person is the first biography of Bridget Riley and addresses that tantalising question. Focusing on her early years, it tells the story of a remarkable woman whose art and life were entwined in surprising ways. This intimate narrative explores Riley’s wartime childhood spent in the idyllic Cornish countryside, her subsequent struggles to find her way as an artist, and the personal challenges she faced before finally arriving as one of the world’s most celebrated artists in Swinging Sixties London.
£18.00
Ridinghouse Dom Sylvester Houédard
The aim of this book is to reinstate the Benedictine monk and artist Dom Sylvester Houédard as an important figure within the countercultural and transnational art movement of the 1960s and early 1970s, especially as regards kinetic and concrete poetry. Widely recognised by his contemporaries as one of the leading theorists and outstanding practitioners of concrete poetry, Guernsey-born Dom Sylvester Houédard (1924–1992) is an unsung intellect of the twentieth century. Houédard is deeply relevant to our digital age. We may no longer use an Olivetti Lettera 22 typewriter, as he did, but we all increasingly type rather than hand-write our lives. He would have been delighted by the permutational possibilities offered by the 280 characters in a tweet, or the visual shorthand of emojis and hashtags. For this monk, everything connected and was interconnected. The opportunity for the individual to compose ‘machinepoems’ or text works that ‘move thru the air’ in a ‘global kinkon’ is now greater than ever.
£31.50
Ridinghouse Simon Moretti: Abacus
Simon Moretti is known for his enigmatic exhibition works, presenting displays that engage with questions of agency, temporality, automatism, desire and masculinity. Incorporating appropriated images and archives as well as curatorial and publishing projects, often made in collaboration with other artists, his work addresses the role of ‘curating as practice’. Presented as a non-chronological visual essay, this publication surveys 10 years of collage works by Moretti. It includes text contributions from writer Craig Burnett, curator and art historian Yuval Etgar, novelists Deborah Levy and Chloe Aridjis, and a conversation with Andrew Durbin, editor-in-chief of frieze magazine.
£22.50
Ridinghouse Reconstructing Cezanne: Sequence and Process in Paul Cezanne’s Works on Paper
Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne’s works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist’s online catalogue raisonné. At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery’s renowned La Montagne Sainte-Victoire, from 1885–87, and a Paysage Provençal in private ownership. Reconstructing Cezanne reunites these two works for the first time. This publication follows the decision of the Société Paul Cezanne and the family of the artist to spell the artist’s name without an acute accent.
£19.80
Ridinghouse Duro Olowu: Making & Unmaking
From Bauhaus jewellery and West African textiles to contemporary portraiture and sculpture, this unique volume explores the rituals of making that underpin an artist’s work. Accompanying an exhibition curated by the groundbreaking Nigerian-born British fashion designer Duro Olowu at Camden Art Centre, London, this book offers the opportunity to re-evaluate art and textiles from the nineteenth-century to the present. Olowu selects material by more than 60 artists from around the world, including rarely seen works by Anni Albers, Wangechi Mutu, Alice Neel, Chris Ofili and Irving Penn, and newer paintings by Lynette Yiadom-Boakye. By setting up unexpected dialogues between historic and contemporary artists working in a myriad of media – textile, painting, sculpture, photography and collage – Olowu reveals a shared preoccupation with themes of gender, race, beauty, sexuality and the body. The volume includes an in-depth conversation between Olowu and artist Glenn Ligon, along with texts by Jennifer Higgie and Shanay Jhaveri, that together highlight the intricate layers of history and place that influence the making of art.
£18.00
Ridinghouse Nicholas Pope: Drawings
£23.76
Ridinghouse Bridget Riley: Learning from Seurat
In 1959, Bridget Riley’s copy of Georges Seurat’s Bridge at Courbevoie (1886–87) offered the artist a new understanding of colour and tone, which led her to produce her first major works of pure abstraction during the early 1960s. In 2015–16, an exhibition at the Courtauld Gallery, London, presented seven of Riley’s paintings and this key Pointillist work by Seurat from the museum's collection. Brought together for the first time, the exhibition demonstrated the two artists’ shared preoccupation with perception by looking at pivotal points throughout Riley’s career. Alongside full-colour illustrations, this publication features two essays written by Riley that offer the artist’s insights on Seurat’s importance to her own practice. An interview with the artist by Éric de Chassey, complemented by an introductory text by Karen Serres and Barnaby Wright, make this an important resource for art historians and general readers alike.
£15.00
Ridinghouse Room 225-6: A Novel
Recounting an art dealer’s recuperation from major surgery in the famous Claridge’s Hotel in London, this idiosyncratic (and semi-autobiographical) novel interweaves reality with fantasy. Room 225–6 follows the author-character ‘The Protagonist’ – accompanied by his beloved terrier ‘The Bitch’ – around London’s Mayfair as he hosts endless art world gatherings and tea parties for twenty, and visits a multitude of local galleries and shops. Incorporating multi-layered voices and devices, the distinctive narrative introduces the reader to a memorable host of characters – from the ‘The Political Prisoner’ to ‘The Little Mondrian’ – in a tale filled with humour of observation and incident. Bringing to life this frightening yet extraordinary period in one man’s life, it is at once honest, satirical, idiotic and bold. Room 225-6 is sold to benefit the Oracle Cancer Trust (oraclecancertrust.org), the UK’s leading national charity dedicated to funding head and neck cancer research.
£14.36
£18.00
Ridinghouse Lawrence Gowing: Selected Writings on Art
As one of the leading critical voices on art of the postwar years, polymath Lawrence Gowing (1918–1991) combined a passion for close visual involvement with formidable literary skills. Edited by art historian Sarah Whitfield, four decades of Gowing’s writing are brought together for the first time in this volume, covering subjects from the Old Masters to Francis Bacon and Howard Hodgkin. Having first gained success as a painter, Gowing's 1952 monograph on Vermeer brought him early recognition as a writer with the ability to combine aesthetic experience with a meticulous historical perspective. Gowing’s foremost commitment was to the pioneering painters of the late nineteenth and early twentieth centuries, notably Paul Cézanne and Henri Matisse. The exhibitions he curated at the Tate and Museum of Modern Art famously helped to mould and reshape public perceptions. Characterised by a desire to instruct and encourage, his writing reflects a highly successful career as a curator and teacher.
£18.00
Ridinghouse Writings on Art and Anti-Art
Art historian and curator Dawn Ades is a leading voice on Dada, Surrealism, abstraction and art from Latin America. This volume collects her important essays for the first time, addressing themes fundamental to the history of modern art and the avant-garde. Arranged thematically, this collection of essays represents the breadth of Ades’s critical and curatorial interests, ranging from avant-garde poster design, to photomontage, to the representation of the female in Mexico, but with an overarching foundation in abstraction, identity and the influence of new mediums. As well as working as a professor and curator – which earned her an OBE for her services to art history – Ades has written on a wide range of artists since 1980. Spanning the likes of Francis Bacon, Richard Deacon, Salvador Dalí and Hannah Höch, this body of essays is ingrained with Ades’s consistently clear and intellectually stimulating observations. To introduce the book, Ades is interviewed by Doro Globus, who explores the writer’s relationship to curating, teaching and art history.
£18.00
Ridinghouse Bridget Riley: Paintings and Gouaches 1979–80 & 2011
First published to accompany a 2011 exhibition, this catalogue features three new paintings that bring Bridget Riley's exploration of the circle from the wall to the canvas, and from black and white to colour. By placing Riley’s new paintings in relation to her early gouaches, this publication highlights new directions taken by the famous British artist. Through the layering of circles of yellow and orange in her exploration of interplaying colours, Riley asks the viewer's eye to continuously adjust as the shapes grow, compress and dance across the canvas. Full-colour illustrations are accompanied by a conversation between Riley and Robert Kudielka from 1978, in which the artist discusses her move away from the blacks, greys and whites of her 1960s works and towards the use of the curve ‘as a rhythmic vehicle for colour’.
£15.00
Ridinghouse Arshile Gorky: Goats on the Roof: A Life in Letters and Documents
This publication – edited and introduced by his biographer Matthew Spender – provides an intimate portrait of the Arshile Gorky. The paintings of Armenian-American painter Arshile Gorky (c.1904–1948) proved nothing less than transformative to twentieth-century art in the US and beyond. Shaped by his experience of fleeing the Armenian Genocide, Gorky filtered influences of Impressionism and Post-impressionism, producing vigorous compositions that were sometimes abstract, other times figurative or a mixture of the two. In this volume, Gorky's gradual reception by the art world is seen obliquely through interviews and personal accounts, many of which are previously unpublished. Accompanying the letters and key illustrations, an introduction by Gorky biographer Matthew Spender focuses on the artist's postwar influence and continued relevance.
£27.00
Ridinghouse Michael Landy: Everything Must Go
£31.50
Ridinghouse Sutapa Biswas: Lumen
Lumen, a survey of the four-decade career of British-Indian artist Sutapa Biswas, accompanies two solo exhibitions of the artist’s work held in 2021–22. Biswas emigrated from India to the UK with her family in the 1960s. Taking the long histories of colonialism together with personal memories, Biswas’s art meditates on questions of migration, identity and belonging. Her practice has consistently interrogated Western tradition and discourse, pushing past absences, exclusions and limited representations to make evident the entwined histories of culture and politics. This publication details Biswas’s career from its origins in the Black Arts Movement in the 1980s to her important photographic installations of the 1990s and her subsequent major moving-image works, including her newly commissioned film Lumen. The first substantial publication on the artist in over 17 years, it features two new conversations with the artist and two commissioned essays. It also includes a republication of Griselda Pollock’s important text on Biswas’s work, along with a postface reflecting on their relationship in the decades since the essay’s original publication. Published on the occasion of the exhibition: Sutapa Biswas: Lumen BALTIC Centre for Contemporary Art, Gateshead (26 June 2021–22 March 2022) and Kettle’s Yard, University of Cambridge (16 October 2021–30 January 2022).
£18.00
Ridinghouse Sarah Graham
Sarah Graham sees the plant and insect world in close-up, through the prism of a naturalist and a traveller. She has been drawing all her life, beginning with childhood studies of flora and fauna made in the wilder regions of Scotland and France. After completing a Fine Art degree at the University of Edinburgh she opted for adventure, answering an advertisement at the Royal Geographical Society and setting out on a gruelling horseback trek along the old Silk Road from Kashgar in China to the Caspian Sea. Graham has been drawing and painting full-time for almost two decades, making majestic images that are informed by her knowledge of the unfamiliar and faraway. Her studies of the natural world have the complexity and detail of a Leonardo drawing: rhizomes, bulbs and vividly chromatic large-petalled tropical flowers, visited by the insect and butterfly specimens that she borrows from the Entomology Department of the Natural History Museum, London. She is inspired by the graphic plant imagery of twentieth-century German photographer Karl Blossfeldt and particularly by the spiky biomorphism of Graham Sutherland’s works, which feed her sculptural interpretations in charcoal and graphite. Sutherland is her lodestar, first encountered at Saltwood Castle, home to her godmother Jane Clark and the late Sir Kenneth Clark’s superb collection of British modernist painting. Graham’s work is shown internationally and is in the permanent collection of the Royal Botanical Gardens at Kew.
£35.00
Ridinghouse John Stezaker: Lost World
£18.00
Ridinghouse Linder
Linder’s photomontages violate, liberate and celebrate the human body to question the mechanics of gender and its ties to consumer culture and media. Linder is best known for her pioneering photomontages that replace the sexualised imagery of soft-focus pornographic centrefolds with commodities of domestic middle-class life. Surprising, humorous, and at times shocking, these precise compositions bring to light the powerful fantasies and repressions that underlie our social expectations of identity. Spanning almost four decades, this monograph interweaves numerous photomontage series from throughout Linder’s career, demonstrating the artist’s manipulation of disparate source material – from brightly saturated male pornographic imagery to softly lit portraits of ballerinas. Accompanying over 250 illustrations is a conversation between the artist and renowned art historian Dawn Adès that reconciles her provocative work with the longer history of photomontage.
£31.46
Ridinghouse Pirates and Farmers: Essays on Taste
“As an art critic, [Hickey] doesn’t do what most people want from art criticism. He doesn’t provide his readers with a neat intellectual framework through which to view everything they see, like a Clement Greenberg or a Michael Fried, and he doesn’t really do beautiful description either ... Instead, Hickey gives you intricately structured argument and gorgeous prose ... Reading him you want to forget that the art market is a game of Hungry Hungry Hippos between Ukrainian oligarchs and Qatari princesses ... You want to be the thing you advocate; you want to ride the wave, mount the dais, and speak the truth.” – Los Angeles Review of Books Arguably one of the most astute critics working today, Dave Hickey's multi-decade career as a leading cultural commentator is characterised by his blend of high and mass culture and his fervent critique of the celebrity-driven culture of the 21st-century art world. Following his 2012 announcement of self-imposed exile from art criticism, this new body of essays once again questions and challenges the cultural status quo. With his trademark humour, Hickey has declared that: ‘I miss being an elitist and not having to talk to idiots’ in a field that, he believes, is defined by the commoditisation of art and the self-referential tendencies of criticism itself. This new body of shorter essays by the author of Air Guitar: Essays on Art & Democracy and The Invisible Dragon: Four Essays on Beauty looks at more contemporary phenomena: super-collectors, the trope of the biennale and the loss of looking.
£14.36