Search results for ""RSC""

The most enjoyable way to understand a Shakespeare play is through performance. This new edition of Shakespeare's dazzling comedy, developed by and for the RSC, examines the play's performance history and provides insightful interviews from important directors Terry Hands, Liz Shipman and Gregory Doran, as well as outstanding on-page notes.

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JONATHAN BATE Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as the best modern book on Shakespeare. In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both the

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JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as 'the best modern book on Shakespeare'. In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'. ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both

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This book utilizes a systems thinking perspective to propose a holistic framework of analysis and practice for the regional security community (“RSC”) arrangement in Africa. In responding to the challenge of improving effectiveness of response to peace and security threats, African states tend to rely on ad hoc mechanisms. However, this approach has been mired with a myriad of structural limitations. The holistic framework reconfigures the traditional “RSC” into a simplified tool kit of “resources”, making this text book ideal for students and advanced researchers in international relations, and all those concerned with regional security and strategic studies.

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With interviews with actors and directors including Simon Russell Beale, Bill Alexander and Richard Eyre, along with detailed looks at productions at the RSC and elsewhere, this new edition of the play offers innovative ways of looking at and understanding Shakespeare, as well as student-friendly notes and summaries.

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This new edition of Shakespeare's great comedy of love, folly and mistaken identity, developed by and for the RSC, includes new interviews with with three leading directors (Sam Mendes, Declan Donnellan and Neil Bartlett), looks at specific productions in the play's history, and a completely new introduction by acclaimed scholar Jonathan Bate.

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Thirteen leading actors take us behind the scenes, each recreating in detail a memorable performance in one of Shakespeare's major roles. * Brian Cox on Titus Andronicus in Deborah Warner's visceral RSC production * Judi Dench on being directed by Franco Zeffirelli as a twenty-three-year-old Juliet * Ralph Fiennes on Shakespeare's least sympathetic hero Coriolanus * Rebecca Hall on Rosalind in As You Like It, directed by her father, Sir Peter * Derek Jacobi on his hilariously poker-backed Malvolio for Michael Grandage * Jude Law on his Hamlet, a palpable hit in the West End and on Broadway * Adrian Lester on a modern-dress Henry V at the National, during the invasion of Iraq * Ian McKellen on his Macbeth, opposite Judi Dench in Trevor Nunn's RSC production * Helen Mirren on a role she was born for, and has played three times: Cleopatra * Tim Pigott-Smith on Leontes in Peter Hall's Restoration Winter's Tale at the National * Kevin Spacey on his high-tech, modern-dress Richard II * Patrick Stewart on Prospero in Rupert Goold's arctic Tempest for the RSC * Penelope Wilton on Isabella in Jonathan Miller's 'chamber' Measure for Measure The actors discuss their characters, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing each role, invaluable for other actors and directors, as well as students of Shakespeare – and fascinating for audiences of the plays. Together, the interviews give one of the most comprehensive pictures yet of these characters in performance, and of the choices that these great actors have made in bringing them thrillingly to life. 'These passages of times remembered contribute vividly to the sense of a teemingly creative period when Shakespeare seemed to have been rediscovered.' Trevor Nunn, from his Foreword

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Tom Murray is a playwright and dramaturg. He graduated from Durham University in 2021 with a degree in History before doing an MA in Dramaturgy and Writing for Performance at Goldsmiths in 2022. He was named the Peter Shaffer Playwright in Residence at Trinity College, Cambridge in 2023. His play North Star was the winning script for the RSC 37 Plays competition in 2023.

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When this adaptation of C. S. Lewis’s classic children’s story opened at the RSC Stratford in November 1998, it received rave reviews and broke box office records. Four children are evacuated from London during the Blitz. While exploring the Professor’s house, they stumble across the gateway to another world, and the adventure begins. The land of Narnia is under the spell of the wicked White Witch, and the four very quickly find themselves caught up in a deadly struggle between good and evil.

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The Nick Hern Books RSC Classics - a series of rarely performed plays from the 16th and 17th centuries, published alongside their resurrection by the Royal Shakespeare Company in Stratford-upon-Avon and the West End. Eastward Ho! is a collaboratively written City Comedy by Ben Jonson, John Marston and George Chapman, which sees true love and virtue triumphing over social-climbing, deception and trickery. Teeming with energy and larger than life characters, Eastward Ho! sees Touchstone, a London goldsmith, preparing to marry off his two daughters. Touchstone's two apprentices lead the wooing until the rakish fop Sir Petronel Flash arrives on the scene. Eastward Ho! was first performed at the Blackfriars Theatre, London, in 1605. This edition of the play is edited with an introduction by Helen Ostovich and preface by Gregory Doran. The plays in the RSC Classics series reflect the diversity of styles, themes and subjects of the Elizabethan and Jacobean stage, and include a 'new' addition to the Shakespeare canon.

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In the village of Edmonton, Elizabeth Sawyer is shunned by her neighbours. A poor and lonely old woman, she is harassed and accused of being a witch. In her abject misery, she wishes that she really were bewitched and so able to have her revenge. Unluckily for Elizabeth and the villagers of Edmonton, someone with the power to grant that wish is listening. First performed in 1621, The Witch of Edmonton was based by its authors Thomas Dekker, John Ford and William Rowley on a real-life case of a woman accused of witchcraft. The play was revived by the Royal Shakespeare Company as part of its 2014 Roaring Girls season, in the Swan Theatre, Stratford-upon-Avon, directed by RSC Artistic Director Gregory Doran and with Eileen Atkins as Elizabeth Sawyer. This Prompt Book edition of the play features the text edited for the RSC production, and introductions by key members of its creative team, including Doran.

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Terri Power is the Course Director for the MA in Performing Shakespeare at Bath Spa University, Director and Education and Outreach Manager for the Bristol Shakespeare Festival, and serves as a Specialist Performance Advisor for the Global Virtual Theatre Project. She has published and presented several papers on Shakespeare in practice in academic journals and at international conferences. She is also a professional actor on stage and screen and has worked with Shakespeare's Globe Theatre, the RSC, Universal Studios and Disney, among other companies. She has written, produced and directed performance work including Drag King Richard III and Lear 1864: Trail of Tears.

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Educating Rita, about a working-class Liverpool girl's hunger for education, is 'simply a marvellous play, painfully funny and passionately serious; a hilarious social documentary; a fairy-tale with a quizzical, half-happy ending.' Sunday Times Educating Rita premiered at the RSC Warehouse, London, in June 1980. Voted Best Comedy of 1980, it was subsequently made into a highly successful film with Michael Caine and Julie Walters.

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On a glorious summer's afternoon, young Alice happens upon a smartly dressed rabbit looking at his watch and muttering 'I'm too late!' This being an unexpected occurrence, she follows him down a nearby rabbit hole and falls in Wonderland. Lewis Carroll's timeless children's stories Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There are magically brought to life in this new adaptation by Adrian Mitchell, specially commissioned for a Christmas production by the RSC. The amazing Lobster Quadrille, the Queen of Hearts' infamous croquet match and the Mad Hatter's Tea Party are just a few of the remarkable events and characters in this enchanting play.

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No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company. Starting with Richard III filmed in the Shakespeare Memorial Theatre before World War One, the RSC’s accomplishments continue today with highly successful live cinema broadcasts. The Wars of the Roses (BBC, 1965), Peter Brook’s film of King Lear (1971), Channel 4’s epic version of Nicholas Nickleby (1982) and Hamlet with David Tennant (BBC, 2009) are among their most iconic adaptations. Many other RSC productions live on as extracts in documentaries, as archival recordings, in trailers and in other fragmentary forms. Screening the Royal Shakespeare Company explores this remarkable history of collaborations between stage and screen and considers key questions about adaptation that concern all those involved in theatre, film and television. John Wyver is a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon, and is uniquely well-placed to provide a vivid account of the company’s television and film productions. He contributes an award-winning practitioner’s insight into screen adaptation’s numerous challenges and rich potential.

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My name is Karim Amir, and I am an Englishman born and bred. Almost. South London in the late seventies. High unemployment, high inflation, food shortages and strikes. But despite the winter of discontent, 17-year-old Karim's life is about to explode into glorious technicolour as he navigates a path to enlightenment. Or at the very least, Beckenham. Emma Rice adapts the award-winning 1990 novel, which was later turned into an acclaimed TV series, with Hanif Kureishi. On stage it becomes an irresistible, heart-breaking and joyful exploration of family, friends, sex, theatre and, ultimately, belonging. This edition was published to coincide with the world premiere at the RSC in April 2024.

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No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company. Starting with Richard III filmed in the Shakespeare Memorial Theatre before World War One, the RSC’s accomplishments continue today with highly successful live cinema broadcasts. The Wars of the Roses (BBC, 1965), Peter Brook’s film of King Lear (1971), Channel 4’s epic version of Nicholas Nickleby (1982) and Hamlet with David Tennant (BBC, 2009) are among their most iconic adaptations. Many other RSC productions live on as extracts in documentaries, as archival recordings, in trailers and in other fragmentary forms. Now available in paperback, Screening the Royal Shakespeare Company explores this remarkable history of collaborations between stage and screen and considers key questions about adaptation that concern all those involved in theatre, film and television. John Wyver is a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon, and is uniquely well-placed to provide a vivid account of the company’s television and film productions. He contributes an award-winning practitioner’s insight into screen adaptation’s numerous challenges and rich potential.

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Includes the plays Rattle, Mother Adam and Staircase Sir Harold Hobson (Sunday Times) coined the phrase The Lonely Trilogy to include Rattle (Garrick Theatre, 1962-3), Mother Adam (Arts Theatre, 1971) and Staircase (RSC, 1966-67), plays which have been in constant production throughout the years. Of the middle duologue, Hobson wrote: ‘In Mother Adam Dyer has written one of the few real tragedies of our time... It is more disturbing; it has deeper resonances; it is more beautifully written, with an imagination at once exotic and desperately familiar; it has a profounder pity, and a more exquisite falling Close.’ The eminent American journalist Walter Winchell wrote of Dyer’s ‘Profound thoughts and emotions expressed with humour... People in the shadows discovering sunshine in each other.’

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THE TIMES' BEST BOOKS OF THE YEAR This book charts the personal and professional journey of Greg Doran, Artistic Director of the Royal Shakespeare Company from 2012 until 2022 and "one of the great Shakespearians of his generation" (Sunday Times). During his illustrious career, Doran has directed or produced all of the plays within Shakespeare's First Folio -- a milestone reached in the same year that the world celebrates the 400th anniversary of its original publication. Each chapter looks at a different play, considering the choices made and weaving in both autobiographical detail and background on the RSC, as well as giving insights into key collaborations, including those with actors such as Judi Dench, David Tennant, Harriet Walter, Patrick Stewart, Simon Russell Beale, Paterson Joseph and Doran's husband, the late Antony Sher, as well as seminal practitioners such as Cicely Berry, John Barton and Terry Hands. The book also includes 16 striking pages with stills from some of the RSC plays. Through Doran's account of this extraordinary journey, we see how Henry VIII, initially regarded as a poisoned chalice, became his lucky break; how the tragedy of 9/11 unfolded during a matinee of King John and how the language of the play went some way in helping to articulate the unfathomable; how a RSC supporter bequeathed their skull to the company to be used as Yorick in Hamlet; how meeting Nelson Mandela inspired the production of Julius Caesar; how Falstaff was introduced to China for the very first time; and how arachnophobia informed the production of Macbeth. This book uniquely captures the excitement, energy, surprises, joys and agonies of working on these greatest of plays; sheds new light on these plays through Doran’s own research and discoveries made in the rehearsal room; and gives unprecedented access into the craft, life and loves of this exceptional director. My Shakespeare is also available in audiobook format from audiobook retailers.

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You do not feel pain. You do not feel hunger. Now get out there and dance as though you love this island. When a river breaks its banks one night resulting in a massive flood, one medium-sized village (or very very very small town) finds itself completely cut off — unexpectedly an island. As the residents embrace their independence, a new leader rises and a shared identity emerges – but at what cost? Shortlisted for the George Devine Award 2020, Nina Segal’s O, Island! is a funny and furious modern myth about disaster and community, exploring how borders can be changed by people, by nature and by accident. This edition is published to coincide with the world premiere at The Other Place by the RSC, in September, 2022.

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Developed in partnership with The Royal Shakespeare Company, this is the first edition for over a hundred years of the fascinatingly varied body of plays that has become known as ‘The Shakespeare Apocrypha’. As a companion to their award-winning The RSC Shakespeare: Complete Works, renowned scholars Jonathan Bate and Eric Rasmussen, supported by a dynamic team of co-editors, now provide a fascinating insight into ten plays in which Shakespeare may have had a hand. A magisterial essay by Will Sharpe provides a comprehensive account of the Authorship and Attribution of each play. Combining outstanding textual scholarship with elegant writing and design, this unique collection allows us to revisit the question of what is Shakespearean. It is an indispensable book for students, teachers, performers, scholars and lovers of Shakespeare everywhere.

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Left alone in an unfamiliar land, Kate struggles to silence the noises inside her head and begins to question her own sanity. In London, Michael listens carefully to a conversation recorded twenty years ago. Can he hear a third silent person on the tape? In a small Russian town, Irina searches desperately for her missing friend, piecing together fragments from his life. From urban noise to rural emptiness, through rationalism to spirituality, from Russia to the UK, Silence is the latest collaboration between the celebrated theatre company Filter and RSC Associate Director David Farr. Silence premiered at Hampstead Theatre, London, on 12 May 2011, produced by the Royal Shakespeare Company.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's exuberant early comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of The Two Gentlemen of Verona in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with acclaimed directors David Thacker and Edward Hall – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Arguably Brecht's greatest play, A Life of Galileo charts the seventeenth century scientist's extraordinary fight with the church over his assertion that the earth orbits the sun. The figure of Galileo, whose ‘heretical’ discoveries about the solar system brought him to the attention of the Inquisition, is one of Brecht’s more human and complex creations. Temporarily silenced by the Inquisition’s threat of torture, and forced to abjure his theories publicly, Galileo continues to work in private, eventually smuggling his work out of the country. Brecht's beautiful depiction of the explosive struggle between scientific discovery and religious fundamentalism is captured masterfully in this new translation by RSC writer-in-residence, Mark Ravenhill.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s great drama of ambition, desire and guilt. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Macbeth in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with leading directors – Rupert Goold, Gregory Doran and Trevor Nunn – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's anarchic comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of The Comedy of Errors in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with three leading directors – Paul Hunter, Nancy Meckler and Tim Supple – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's bittersweet comedy of courtship and ethnic tension. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of The Merchant of Venice in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors and two actors – Darko Tresjnak, David Thacker, Anthony Sher and Henry Goodman – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Designed with the non-specialist teacher in mind, the emphasis of this book is to provide them with the confidence, flair and enthusiasm to teach chemistry at KS3 or KS4. Provision of 80 experiments to inspire and engage the students, practical help with the experiments and health and safety guidance means the teacher has all the tools they might require when improving the teaching of chemistry. Originally developed as course material for the Royal Society of Chemistry (RSC) Chemistry for Non-Specialist course, organised in collaboration with the national network of Science Learning Centres (SLCs) and supported by an unrestricted educational grant from GlaxoSmithKline (GSK), the resources are tried and tested and known to be effective. The course book is accompanied by a CD-ROM and together they make a valuable addition to the educational resources and aids for non-specialist teachers teaching chemistry.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's epic retelling of the Wars of the Roses. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Henry VI in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors and a designer - Edward Hal and Michael Boyd, and Tom Piper – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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How do performances of Shakespeare change the meanings of the plays? In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest. Werner concentrates particularly on: The influential training methods of Cicely Berry and Patsy Rodenburg The history of the RSC Women's Group Gale Edwards' production of The Taming of the Shrew She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions. By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.

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Compiled to celebrate the centenary of the founding of the Faraday Society in 1903, this collection presents some of the key papers published in Faraday journals over the past one hundred years. The feature articles were all written by leaders in their field, including a number of Nobel Prize winners such as Lord George Porter and John Pople, and cover a breadth of topics demonstrating the wide range of scientific fields which the Faraday Society, and now the RSC Faraday Division, seek to promote. Topics include: Intermolecular Forces; Ultrafast Processes; Astrophysical Chemistry; Polymers; and Electrochemistry. Each article is accompanied by a commentary which puts it in context, describes its influence and shows how the field has developed since its publication. 100 Years of Physical Chemistry: A Collection of Landmark Papers will be welcomed by anyone interested in the historical development of physical chemistry, and will be a valued addition to any library shelf.

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Hamlet: Who’s There is a tightly written highly theatrical adaptation of Shakespeare’s great play. Reimagining the action to take place over the course of one night, the play can be produced to last ninety minutes for a small cast of six actors. Featuring much of the original language and the famous soliloquies of Shakespeare’s original play, this adaptation is ideal for people seeking a version of the tragedy to be played across a shorter timeframe or by a smaller cast. Adapted by RSC actor and teacher Kelly Hunter, Hamlet: Who’s There was toured and produced by Flute Theatre, a company which produces plays by Shakespeare aimed at inclusivity for a range of audiences. This programme text edition of the play was published to coincide with a national and international tour of the play beginning in spring 2016, including dates in London, Romania, Germany and Elsinore, the original location where Hamlet was set.

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A violent tragedy, regarded as one of the great works of Jacobean theatre. Duke Bracciano is besotted by the beautiful Vittoria. When he makes her an indecent proposal she can't refuse, she enlists the help of Flaminio to fool her husband, and begins an illicit affair. But Vittoria and Flaminio soon find themselves snared in a web of corruption, passion and retribution as their single-minded pursuit of personal gain reaches an epic and bloody conclusion. This Prompt Book edition of The White Devil was published alongside the Royal Shakespeare Company's revival of the play in 2014, and features the text edited for the RSC production, and introductions by key members of its creative team.

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A theme that obsessed Shakespeare in over 20 plays from Titus Andronicus to The Tempest was the relationship between a daughter and her father. This study traces chronologically the development of this theme, relating it to the little we know of his own two daughters, and sheds new light on his exploration of the family that so dominated his approach to drama. Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies, a former university lecturer and now an Honorary Associate Artist of the RSC and Olivier Award winner, has written an engaging and deeply researched study of a topic that has intrigued him from playing Capulet in 1967, King Lear in 2002, to Polonius in 2008.

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The four-year RDA Toolkit Restructure and Redesign Project included a major expansion of the standard to align RDA: Resource Description and Access with the IFLA Library Reference Model, which is the conceptual basis of RDA. This expansion included the addition of several new entities and hundreds of new elements. The RDA Glossary features the complete terminology for RDA as it was constituted for the 15 December 2020 release to the RDA Toolkit. It includes: an alphabetical listing of all RDA entities, elements, vocabulary terms and other RDA-related terms a label and definition for all entries and, where needed, a scope note, inverses and cross-references two indexes: an RDA Elements Index, which organizes RDA elements by their domain entities to give users an idea of the structure of RDA, and an RDA Controlled Vocabularies Index, which is organized by element. Developed and maintained by the RDA Steering Committee (RSC) as part of its oversight of the standard, this glossary will be a useful tool for both training and daily reference for students, instructors and cataloguers.

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Shakespeare by McBean collects 300 images, many never before published, taken by the renowned photographer Angus McBean. Incorporating images from every one of Shakespeare’s plays performed at the RSC, with some from the Old Vic, between the years 1945–62, it is a veritable who’s who of the British stage. Richard Burton, Vivien Leigh, Robert Donat, Alec Guiness, Michael Redgrave, Peggy Ashcroft, Laurence Olivier, Edith Evans, Paul Scofield, Diana Rigg, Anthony Quayle, Charles Laughton, John Gielgud, Peter O’Toole and Dorothy Tutin are just some of the names that appear.Angus McBean was an exceptional talent, whether he was transforming the photography of rehearsals, inspiring the Beatles, or entertaining his admireres with his light-hearted espousal of surrealism in portraiture. In a career lasting half a century his influence can be seen in everything from advertising to pop culture.

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The coupling of mass spectrometry or nuclear magnetic resonance to chromatography has broadened the possibilities for determining organic reaction mechanisms. And while many results have been published reporting these, even more can be achieved through modern computational methods. Combining computational and theoretical techniques with advanced chromatographic methods offers a powerful tool for quantitatively determining molecular interactions . This book presents the possibilities for characterising biological applications by combining analytical and computational chemistries. Written by the author of “HPLC: A Practical Guide” (RSC, 1999), the book examines not only the behaviour of biological reactions per se, but also describes the behaviour of biological molecules in chromatography systems. Various software packages are reviewed, and most computations can be performed on a standard PC using accessible software. Consideration is given to a variety of chromatographic techniques and strategies for high-sensitivity detection are presented. The first book of its kind, it will inspire readers to explore the possibilities of combining these techniques in their own work, whether at an industrial or academic level.

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1968. A time of political upheaval the likes of which has not been seen since. Until - perhaps - now. In a new age of radical leftism and global politics, this new version of David Edgar's 1983 award-winning hit play, Maydays, has startling parallels to the political revolution of the Millennial Generation. It's 1968. David is 20. It is the height of the worldwide student revolt. The Vietnam war rages. Enoch Powell delivers his 'Rivers of Blood' speech. Martin Luther King is assassinated. These events will define David's politics and give focus to his writing. It's 50 years on. The 70-year-old is confronted by the 20-year old. Do they share the same beliefs? If not, is it the world that's changed, or him? Trying It On is a new play, written and perfromed by David Edgar. It premieres at the RSC in October 2018.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s most loved comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Measure for Measure in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with a leading director and two actors – Trevor Nunn, Roger Allam and Josette Simon – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare's journey into the Forest of Arden. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of As You Like It in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with important Shakespearean directors (Dominic Cooke and Michael Boyd) and a Shakespearean actor (Naomi Frederick) – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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Queen Victoria's Golden Jubilee, 1887. At East London's Tilbury Docks, Rani Das and Abdul Karim, step ashore after the long voyage from India. One has to battle a society who deems her a second-class citizen; the other forges an astonishing entanglement with the ageing Queen Victoria who finds herself enchanted by stories of an India over which she rules, but has never seen. Through narrative, music and song, The Empress blends the true story of Queen Victoria’s controversial relationship with her Indian servant and ‘Munshi’ (teacher), Abdul Karim, with the experiences of Indian ayahs who came to Britain during the 19th century. With private romance being mapped onto world history, the action cuts between the ship and different royal residences, offering bright contrasts as well as surprising affinities. In doing so, the play uncovers remarkable unknown stories of 19th-century Britain and charts the growth of Indian nationalism and the romantic proclivities of one of Britain's most surprising monarchs. The Empress, which premiered at Stratford-upon-Avon's RSC in 2013, is published here as a Methuen Drama Student Edition with commentary and notes by Professor Jane Garnett, Wadham College, University of Oxford, UK.

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When John Thaw, star of The Sweeney and Inspector Morse, died from cancer in 2002, a nation lost one of its finest actors and Sheila Hancock lost a beloved husband. In this unique double biography she chronicles their lives - personal and professional, together and apart. John Thaw was born in Manchester, the son of a lorry driver. When he arrived at RADA on a scholarship he felt an outsider. In fact his timing was perfect: it was the sixties and television was beginning to make its mark. With his roles in Z-Cars and The Sweeney, fame came quickly. But it was John's role as Morse that made him an icon. In 1974 he married Sheila Hancock, with whom he shared a working-class background and a RADA education. Sheila was already the star of the TV series The Rag Trade and went on to become the first woman artistic director at the RSC. Theirs was a sometimes turbulent, always passionate relationship, and in this remarkable book Sheila describes their love - weathering overwork and the pressures of celebrity, drink and cancer - with honesty and piercing intelligence, and evokes two lives lived to the utmost.

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From the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s magical late play. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Cymbeline in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors – Dominic Cooke and Emma Rice – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.

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This fully re-edited, modernised play text is accompanied by commentary notes and an introduction written by Paul Menzer, guiding you through the fume of fact and legend that have accompanied the play across the centuries. As well as the complete text of the play, this re-edited New Mermaids edition includes: · A detailed plot summary and annotations throughout the text · An annotated bibliography and suggestions for further reading · A comprehensive introduction exploring the historical and literary context, and performance history, including Orson Welles’s 1937 role as Doctor Faustus as well as recent productions at The Globe and the RSC One of the most spectacular and popular plays of the Elizabethan stage, Christopher Marlowe's Doctor Faustus, with its fantastical mix of high-minded theology and low-brow slapstick, has allured generations of readers and playgoers in the ensuing centuries.

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'I spend the night in an officer’s barracks, where no woman has ever set foot.' In the darkest recesses of Ukraine, a war is raging. A journalist takes a research trip to the front line. Teenage girls wait for soldiers on benches. A medic mourns her lover killed in action. Natal'ya Vorozhbit's play Bad Roads is a heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime. It was premiered at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, in November 2017, in a production directed by Vicky Featherstone. It was developed by the Royal Court International Department, and translated by Sasha Dugdale. Natal’ya Vorozhbit is the leading Ukrainian playwright of her generation and has worked with the Royal Court since 2004. Her work includes The Khomenko Family Chronicles, Maidan Diaries (Royal Court) and The Grain Store (RSC).

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