Search results for ""Pimpernel Press Ltd""

A revised and updated edition of Andrew Lawson’s classic work Andrew Lawson has an artist’s eye, a scientist’s training and long experience as both a gardener and a photographer of gardens. In this book he calls on all his skills and practical knowledge to illuminate the complex subject of using colour in the garden and to demonstrate the extraordinary power of colour to change the sense of space, to suggest coolness or warmth and to evoke different moods. The Gardener’s Book of Colour shows how to put colours together in garden beds, borders and containers, explaining how to construct harmonizing and contrasting schemes and exuberant displays of mixed colour. All the major schemes are supported by keyline drawings giving full planting details. In addition, illustrated plant directories, arranged by colour and flowering season, provide cultivation details for over 850 plants, enabling you to assemble the right plants for your chosen scheme and to carry that scheme through the year. Authoritative and accessible, The Gardener’s Book of Colour will stimulate your imagination and put exciting new ideas within your grasp. Whether you want an instant splash of brilliant seasonal colour or a sumptuous border with subtle year-round appeal, this book will show you how to achieve it.

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'Making a garden together, in which to live and work, through thick and thin, fair and foul, is what we like to do best. Everything else is a sideshow. Since spring 2019 Julian and I have been making a garden at Ashington Manor Farm, a garden that we think of as our last principal private escapade, but you never know . . .' Isabel and Julian Bannerman have made scores of lauded gardens for a host of famous clients, and three special, much-loved gardens of their own surrounding the houses which they have restored and lived in since they married, starting at The Ivy, Chippenham, in 1982; then Hanham Court, Bristol, in 1993; and Trematon Castle, Cornwall, in 2012. Now as they embark on a new adventure, creating a garden at their Elizabethan farmhouse in Somerset, Isabel reflects on the garden they are making and the others they have made as a couple, about the 'thousand tiny decisions about which we fight like hooting chimpanzees' and, especially, the fundamentals of what Julian, Mr B, thinks about the key things that go into making a garden for living in – a jumble of eating, drinking and sitting places, fruit cages, vegetable and cutting gardens, pelargoniums in giant pots, rose arches, tools and sheds, fences, formality and topiary, pools and meadows, and not least the importance of one's peripheral vision of how the garden joins on to the landscape.

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Cedric Morris (1889–1982) and Arthur Lett-Haines (known as Lett) (1894–1978) were an extraordinary couple who were at the centre of the Modern British art scene and were hugely influential across the spheres of gardening and cookery as well as art. After studying in Paris in the 1920s, they moved to London, where they gave fabulous parties attended by the cream of creative London. Morris became a sought-after painter of flowers, birds and landscapes, while Lett was hailed as Britain’s first Surrealist. Together they founded the East Anglian School of Painting and Drawing at Benton End in Suffolk, attended by Lucian Freud and Maggi Hambling, where the atmosphere was described as “robust and coarse, exquisite and sensitive all at once, also faintly dangerous”. Lett ran the school and was a superb cook who swapped recipes with Elizabeth David. Cedric Morris became an award-winning plantsman and poppy and iris breeder. He was an acknowledged influence on many gardeners, including Beth Chatto. This biography, revised and updated in this paperback edition, is a fascinating portrait of a unique couple who were hugely influential across the spheres of gardening and cookery as well as art.

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Hailed as ‘the man who made the modern garden’, John Brookes transformed twentieth-century garden design, not only in his native Britain but throughout the world. In his first – groundbreaking – book, Room Outside, in 1969, he wrote ‘A garden is essentially a place for use by people . . . not a static picture created by plants . . . plants provide the props, the colour and texture, but the garden is the stage and its design should be determined by the uses it is intended to fulfil.’ For nearly fifty years he has designed gardens, and taught garden design – in the United States, Canada and South America, in Russian and Japan, in Iran and all over Europe – and he continues to emphasize ‘the importance of reconciling nature and the character of a landscape with the needs and visions of the people living in it’. Now, in A Landscape Legacy, John Brookes tells the story of his life and work and reflects on how his thinking about design has developed. ‘John Brookes’s work has helped gardeners worldwide move beyond the tradition of pure horticulture towards a recognition of space, mass, volume and texture as crucial elements in design; towards functional considerations – how people live in gardens, even small ones created with modest means; and an emphasis on setting and spirit of place, making gardens more than mere fashionable and interchangeable decors. By treating garden design as an art form, yet recognizing its raw materials as living, evolving and infinitely diverse, he bridges the opposition of art and nature, conceptual and environmental design.’ - Louisa Jones, garden writer, Provence

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The productive garden at Lord Rothschild’s private house, Eythrope in Buckinghamshire, is legendary in the garden world for the excellence of the gardening and as a haven for traditional techniques that might otherwise be lost. Under the leadership of the renowned head gardener, Sue Dickinson, now retired, and the current head gardener, Suzie Hanson, this garden works on a scale that is now rare, producing, year-round, all the fruit, vegetables and flowers for a country house where entertaining still happens on a grand scale and where everything is done to the highest standards. Paradise and Plenty opens a window on a garden that has, until now, been kept intensely private, and on a world beyond most gardeners’ dreams. But in this book everything shown is useful as well as beautiful. Gregory Long points out in his introduction that as more and more people turn to growing their own, books are needed that show the techniques of dedicated cultivation, as well as the results. Many of the techniques used at Eythrope are old and tried, but have fallen out of use almost everywhere else. Others have been adopted more recently, as careful trials have proved their worth. If you want techniques for preparing soil, growing herbs, pruning apple trees, training roses, planting bulbs in pots or propagating many different plants, or which are the best tried and tested tomatoes, snowdrops or chrysanthemums to plant, you’ll find out here. In the words of the author herself, ‘This book has to be how as well as wow.’

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Xa Tollemache started her gardening life when she moved into Helmingham Hall in Suffolk in 1975, as a young wife and mother. She spent the next twenty years learning and consequently developing and improving the gardens. It was Helmingham, she always insists, that taught her how to garden - to such effect that in 1996 she was in a position to start her garden design practice. Xa Tollemache describes this book, her first, as 'a story book, the tale of the love story between me and the garden at Helmingham'. It is also a record of her career as a garden designer, exemplified by eleven other gardens, large and small, on which she has worked her design magic: her first Chelsea Flower Show garden ("I was described as 'just an amateur', which was true - but I did get a Gold Medal!"); and gardens in Dunbeath, Caithness; Castle Hill, Devon; Cholmondley, Cheshire; Bighton, Hampshire; Wilton, Wiltshire; Aldeburgh, Suffolk; Bell House, Suffolk; Stone House, Suffolk; RHS Hyde Hall, Essex - and the garden at her new home, Framsden Hall in Suffolk.

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New York is a town of more quartiers and arondissements than Paris, more souks and bazaars than Cairo, a place of havens from overwhelming energy and of studios where that energy is generated. Above all else, it is where everyone wants to make a mark. And for a lot of residents the biggest mark of all is the place they live in – no matter where that is in the infinite diversity of the astonishing tumbling ziggurat that is New York. This book looks at a cross-section of these thrilling spaces for living created by New Yorkers. Ranging from the great mansions of the Upper East Side to the Tribeca loft that provides a live-work space for the high-flying architects of MPA, from the glamour of Kenneth Lane’s Murray Hill apartment to Susan Sheehan’s Arts and Crafts haven in Union Square, from Hamish Bowles’s 'tiny Atlantis' in Greenwich Village to James Fenton’s fantasy palace in Harlem, from the ivory tower that is the Modulightor Building in Midtown Manhattan to Miranda Brooks's 'garden in the city' in Brooklyn, this is a visual and literary feast of the marvellous houses and apartments of New York.

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Our planet, the Earth, is under threat, with potentially catastrophic consequences for ourselves and the other lifeforms it sustains. Yet Nature itself can still rescue us - with plants playing a pivotal role, in the countryside - and everywhere. In gardens and parks, plants are the mainstay of our relationship with the natural world, and we celebrate them for the pleasures they bring. However, that can be part of the problem: too often we value plants for their aesthetic qualities rather than the vital role they play in the ecology of the Earth. In Gardening in a Changing World Darryl Moore explores how gardens can be better for human beings and for all the other lifeforms that inhabit them. Recent developments in horticulture and plant science show us that we need to rethink our attitude to plants beyond purely aesthetic concerns, and to adopt more holistic approaches to how we design, inhabit and enjoy our gardens. He looks at the history of garden design, to show how we got to where we are today, and recommends ways of changing to new principles of sustainable ecological horticulture. This challenging and important new book will be essential reading for professionals and students of horticulture and garden and landscape design, as well as for anyone interested in making gardens part of the solution to the future of life on Earth.

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An amusing and thought-provoking compendium of columns, articles, essays and reviews from this acute, knowledgeable and irreverent commentator. In a career that has ranged from Country Life to Wallpaper* − spanning the full range between the two, and latterly including the Daily Telegraph and the New York Times − Tim Richardson has gone, both intellectually and geographically, where few other garden writers dare to tread. There are no articles here about the best ways to grow sweet peas or potatoes: Tim is more likely to venture into the realms of art, philosophy or politics. This collection contains articles which have influenced the way we think about gardens − as well as one or two which proved too hot to handle and resulted in his being fired as a columnist.

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“As an antidote to throwaway culture, non-sustainable products and fast fashion I take a look at over 50 vintage shops and antique markets across the capital.” Michelle Mason, stylist and founder of Mason & Painter Vintage in London’s Columbia Road takes inspiration from some of the most inspiring vintage boutiques and flea markets that London has to offer. Reclaimed and repurposed objects have the ability to inspire a whole room, an outfit or just evoke a special feeling: fragments of a previous life. Vintage Shops London features more than 50 vintage shops with a detailed description, what it is best known for, behind-the-scenes details and illustrated with sumptuous special photography, which tells the story of each store, its shopkeepers, their style and speciality. Michelle also adds an insight into her own inspirational style with ideas for quick updates for the smallest spaces in your home and shows how you can recreate your own vintage vignette.

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What do the celebrated actors, the bestselling novelist, the Nepalese Sherpa and the famous model have in common? Like millions of us, they love their gardens – and with good reason, too. Gardening is an art form through which we can all express ourselves. In the words of that grande dame of gardeners Penelope Hobhouse, ‘Gardening makes people happy.’ And, as gardening editor of The Sunday Times, Caroline Donald has been allowed beyond the gate of many a private paradise to share this passion. Included in The Generous Gardener are the stories, in words and pictures, of more than forty private gardens, including those belonging to Jim Carter and Imelda Staunton, Jilly Cooper, William Christie, Harrison Birtwistle, Kelly Brook, Natasha Spender, Catherine FitzGerald and Dominic West, Julian and Isabel Bannerman, Penelope Hobhouse, Bob Flowerdew, Roy Lancaster, Luciano Giubbilei, and Dan Pearson.

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Alasdair Forbes has been developing his innovative and beautiful garden, Plaz Metaxu, in Devon, for the past thirty years. The thirty-two acre garden has been internationally acclaimed both as an unusually ambitious contemporary example of the making of place and for its poetic and psychological insights. Trained as an art historian, Alasdair always wanted his garden to be open to the worlds of myth, literature and the other arts, while remaining keenly aware of the strengths, vulnerabilities and delights a garden has to offer in its own right. He has been the only full-time gardener at Plaz Metaxu from its beginning until the present day, though invaluable part-time assistance has been provided by Cyril Harris (who is not a professional gardener either). The whole garden, with its lawns and fritillary meadows and hedges, its bowers, groves and woods, its lake and its courtyards, its ‘carousel beds’, and its landscaped walks to far horizons, is entirely the creation of these two men. This beautiful, richly illustrated book is Alasdair’s own account of how and why the garden was made. He writes of its many inspirations, from Psyche herself to poets, painters and the mysterious paredros . . . not forgetting the valley landscape, with its noble precedent at Studley Royal, and its wise mentors from the Far East. In everything he has done, Alasdair has been the pupil of the spaces that surround him; his rare gift has been to become their ventriloquist, in finding out how they themselves want to ‘speak’.

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In Pots for All Seasons, gardening guru Tom Harris offers a visual feast of container plantings, combined with solid, practical advice born out of his years of experience. The author suggests a wide range of seasonal plantings - as well as a variety of themes including seaside, tiny plants, climbers and trees and shrubs – and guides the reader on choosing what to plant (and the most suitable container to put it in), planting up and maintenance, and combining pots for best visual effect so that the display is always lively and appealing. Chapters include: Collecting pots: using the pot as the inspiration, Harris shows how to use different types and styles, explaining their advantages and disadvantages and how to choose between them. What to grow: making the right choices between plants that play a permanent role and temporary ‘visitors’. Planting for success: how to plant up your pots and maintain them so they are always in top condition. Making pictures: how to arrange and compose pots to show them off at their best. A seasonal gallery brimming with ideas for glorious seasonal container plantings Packed with practical advice and ‘how-to’ illustrations, Pots for All Seasons also includes page after page of photographs of glorious container plantings to inspire readers to be bold in their choice of plants, containers and arrangements. Pots for All Seasons is the essential handbook for all container gardeners.

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"A brilliantly readable account of double flowers, exploring everything from their many varieties to their biological development, their long history in our gardens and the powerful emotional responses they elicit. This supremely researched book will leave you appreciating double flowers as never before." - Stephen Blackmore, Queen’s Botanist and former Regius Keeper of the Royal Botanic Garden Edinburgh With charms extending from the romantic allure of double roses and the attention-grabbing flamboyance of double tulips to the exquisite perfection of tiny double primroses, double flowers are among the most loved of our garden plants. Double Flowers is the first popular handbook to explore them in depth. Double flowers are simply flowers with a greater than normal number of petals or petal-like structures. They occur spontaneously in the wild and can also be selected and bred. This superbly illustrated guide - begun by bestselling garden writer Nicola Ferguson before her death in 2007, and completed by Charles Quest-Ritson - celebrates some of the many thousands of beautiful double flowers produced throughout history. The book examines how doubles have arisen; how they are constructed; how and where they will flourish; their particular appeal and how best to place them in the garden; and the advantages and disadvantages of such flowers - for gardeners, for flower-arrangers and for wildlife.

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Enjoying art is all about responding to what you are seeing. Parents often lack confidence about how to look at art with children, however, there is no magic secret and there are no right or wrong answers. Old Masters Rock: How to Look at Art with Children demystifies western art and demonstrates that it is accessible to all of us – adults and children alike. Old Masters Rock is a book for parents and children to look at together. It introduces the type of questions that help us discover things about a work of art and how we feel about it. Whether you are an adult or a child curiosity should be your starting point as it reveals what interests you in a painting. Features such as ‘Art Detectives’ encourage children to solve clues and 'Fun Facts' help them remember the pictures. Throughout, the emphasis is on looking at the paintings and drawing one’s own conclusions about what one is seeing. Grouped into thirteen themes such as Animals, the Natural World, Action Heroes, Myth & Magic, Fabulous Faces and others, 50 paintings from the fourteenth century through to the early twentieth century are featured. Different styles, from the early Renaissance, through Baroque, Mannerist, Realist and Impressionist, are included. Well-known artists such as Leonardo da Vinci, Holbein, Rubens, Velasquez, Constable, Degas, Manet, Van Gogh and Munch are featured, as well as less familiar artists who will quickly become favourites.

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There was a time when garden designer Cleve West questioned the importance of his role as a garden designer. Two things changed his mind: designing a garden for a hospital and adopting a vegan lifestyle. Cleve's transition to veganism was a profound and varied learning experience. He learned more about nutrition than when he studied it as part of a sports science degree. He learned a great deal about propaganda in the food industry and how, contrary to what he'd been led to believe, the cows and chickens in the dairy industry are far from 'happy'. He learned that animal agriculture is a leading cause of climate change and a whole range of environmental catastrophes. He found that many illnesses have their origins in the consumption of animal products. He learned that a plant-based diet can alleviate some of these illnesses and sometimes even reverse them. He learned that a drive towards a plant-based diet could offset many of the environmental aspects of animal agriculture and make a positive transition to a more sustainable future. Everything started falling into place. It was all about plants. Suddenly, his role as a garden designer didn't seem so trivial after all. The Garden of Vegan charts Cleve's journey from its tentative beginnings to an understanding of the restorative power of gardens and a realization that some of the most destructive aspects of the Anthropocene can be mitigated or even fixed by plants.

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On previous journeys through Britain, David McKie headed for places he had heard of and was eager to see. But how true, how representative a picture of the country could that provide? What, he wondered, might happen if he let chance dictate his itinerary? McKie decides to travel only where he was taken by buses with the number 94, stopping off along the way to visit often unexpected places. Chance also takes the form of unexpected encounters at the bus stop or stumbling across some fascinating slice of local history in a country churchyard. Eschewing such simplistic generalisations as the ‘north-south divide’, he nonetheless finds themes emerging: Why do some communities thrive and grow while others seem set on a course of inevitable decline – sometimes even communities living cheek by jowl? What kind of urban landscape have we inherited from the post-war planners, whose best intentions too often took little account of how people actually want to live? And how much are our opportunities and expectations shaped by the communities we are born into? These buses will take David McKie across the idyllic Isle of Mull (where the driver pauses to let him drink in the view), to the furthest reaches of Cornwall (‘in England, but certainly not of England’), through the post-industrial landscape of Middlesbrough, and to a whole host of places, some privileged, some bereft, some in between. On this journey readers will discover unfamiliar places for the first time and see familiar places through fresh eyes.

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Beautifully illustrated, personal story of an artist's garden in Ireland

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"Catherine Horwood's book is a triumph, beautifully crafted by an author who has thoroughly researched and understood her subject. From start to finish, this publication gives us a real understanding of Beth's life. There is so much here to keep the reader gripped." - Gardens Illustrated Beth Chatto: A life with plants tells the story of the most influential British plantswoman of the past hundred years. Beth Chatto was the inspiration behind the ‘right plant, right place’ ethos that lies at the heart of modern gardening. She also wrote some of the best-loved gardening books of the twentieth century, among them The Dry Garden, The Damp Garden, and Beth Chatto’s Gravel Garden. Some years before her death in May 2018, aged ninety-four, Beth authorized Catherine Horwood to write her biography, with exclusive access to her archive. Beth Chatto: A life with plants also includes extracts from Beth’s notebooks and diaries, never previously published, bringing Beth’s own distinctive and much-loved voice into the book. Most of the photographs, from Beth’s personal archives, have also never been seen in print before. For Beth’s legions of fans, Beth Chatto: A life with plants is the personal story behind her beliefs and the struggles and determination that brought her success.

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The Science of Compost: Life Death and Decay in the Garden takes you on a journey into the underworld of composting. Doberski explains the science of what goes on but also promotes interest in the living organisms who provide the ‘hard graft’ of transforming waste organic matter. It can be hard to envisage the hundreds, thousands or millions of different organisms involved but The Science of Compost reveals the secrets of this hidden world. Gardeners are familiar with the magic of compost and it is easy to see what goes in – organic waste – and what comes out – wonderful, friable and fertile compost – but what magic causes that to happen? Doberski explains what kind of ‘mysterious’ and complex chemical, physical and biological processes contribute to make composting effective. He covers the structural nature of decaying and dead plant material, the micro-organisms and invertebrates contributing to decomposition, and the combination of chemical, physical and biological factors which determine rates of decay. Although not a practical manual of composting, by explaining the science of what goes on in composting Doberski provides pointers to gardeners for getting composting right.

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Increasingly, outdoor spaces are becoming our haven – somewhere to breathe again, heighten our senses and escape the onslaught of noise, clutter and technology. This book offers ideas and inspiration for making the most of any outdoor space we might have – whether it is a garden, a patio, balcony, or even just a window box – and for bringing touches of nature indoors for mindful enjoyment. Bestselling author Jane Cumberbatch's 'Pure Style' philosophy is all about making the most of what’s around you and finding beauty in the simple and everyday as an achievable alternative to the stressful demands of consumer society. In this book, which was put together over the course of 2020, she draws on the inspiration of her own home and garden to supply ideas for life-affirming colour, scent and texture, and to show how even the most unpromising outdoor space can be a source of sensuous renewal. Viewing the garden as an extension of the home, and with ideas for all seasons, this beautiful and inspiring book is illustrated with glorious photographs and enchanting paintings by the author herself. A book for dipping into or enjoying as one long read, or both.

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First published as Beth Chatto's Woodland Garden by Cassell in 2002, this Pimpernel Classic edition includes a new afterword by David Ward, Garden and Nursery Director at Beth Chatto's Garden and a new introduction by Beth Chatto. ‘Most gardens have dark areas – a north-facing border, an area shaded by a hedge, fence or house wall, a bed in the shade cast by shrubs or trees with greedy roots – and for many gardeners these are a challenge, and often a trial. Fortunately there are plants adapted by Nature to a vast range of conditions and, by choosing suitable plants, we can transform almost any problem site into something beautiful.’ In this book legendary plantswoman Beth Chatto shows how the problem of shade in a garden can be turned to advantage. She tells how she transformed a dark, derelict site into a woodland garden that is tranquil and serene yet full of life and interest in every season. She describes, too, a wealth of plants that will thrive in shady beds and borders and on walls.

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"I'm so glad that a new edition is coming! A wonderful, inspirational and essential book for Christie-lovers." Lucy Worsley, author of Agatha Christie: A Very Elusive Woman (Hodder & Stoughton, 2022) ‘My dear home, my nest, my house’: these words from a 1958 song by Jules Bruyère, with which Agatha Christie opened her autobiography, sum up the importance of home to her. She also wrote: ‘What I liked playing with as a child I have liked playing with later in life. Houses for instance.’ She also lovingly included descriptions of houses (especially ‘her’ houses) in her books. Hilary Macaskill examines the houses that meant most to Agatha Christie, including her childhood home, Ashfield, in Torquay; Winterbrook in Oxfordshire, and, above all, Greenway, soaring above the River Dart and Agatha’s favourite home from 1938 to the end of her life in 1976 (though requisitioned in the Second World War by the Admiralty, and from 1943 to 1945 home also to the United States Coast Guard). The author also explores more temporary abodes, not only a succession of flats and houses in London (mainly in Kensington and Chelsea) but also the homes she set up at the digs in the Middle East that she travelled to with her archaeologist husband, Max Mallowan, and the hotels – notably the Moorland Hotel on Dartmoor, to which she adjourned in the grip of writer’s block to complete her first detective novel, The Mysterious Affair at Styles, and the Burgh Island Hotel, a major inspiration for And Then There Were None and Evil Under the Sun.

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Most gardens do not have smooth, flat lawns and borders of rich, easily dug soil. We have to put up with damp, sunless corridors between houses, awkward slopes or plots shaded by trees or neighbouring buildings. Equally difficult to plant are seaside gardens exposed to gale-force winds and salt spray; waterlogged plots, where the drainage is poor; and dry ground exposed to the glare of the sun day after day, without the slightest shade. In short, few gardens benefit from perfect conditions. What you need for these sites are tough plants that will not only shrug off all the worst conditions in your garden but will actually thrive in them. Tough Plants for Tough Places includes a directory of nearly 100 plants that are practically invincible in the specific hostile conditions they have evolved to cope with.

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