Search results for ""Nightboat Books""

Past compunction, expressly unbeholden, these twenty-four single-subject essays train focus on a startling miscellany of topics —Foot Washing, Dossiers, Br’er Rabbit, Housesitting, Man Roulette, the Locus Amoenus—that begin to unpack the essayist himself and his life’s rotating concerns: sex and sexuality, poetry and poetics, subject positions in American labor (not excluding academia), and his upbringing in working-class, Primitive Baptist, central-piedmont North Carolina.

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In hart island, the poet narrator walks and works in the East Village of Manhattan navigating the day to day needs and desires of a community, an organization, a changing neighborhood, as well as her own. The poem, which begins after she discovers the existence of an appropriated, politically walled-off potter's field/prison, proposes that others are not figurative or metaphorical, but are literal, material - that alterity can be both a limit and radiance. Praise for Stacy Szymaszek: "Each poem is what I am looking for: a resonance with a particular location, an intelligence unafraid of its humanity, a sort of desperate adequacy with the people or objects that Szymaszek encounters."- Etel Adnan

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Here, Nathanaël engages the catastrophal-photographic, translative, architectural-calling to the scene a discrepant combinatory of voices including Ingeborg Bachmann, Ludwig Wittgenstein, and Dmitri Shostakovich, to insist on the relational and seismic state of language and the image.

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In order to traverse a city where identity is tagged by accent, Rosine, Gail Scott's part-Indigenous protagonist, performs an ever-shifting amalgam, ventriloquizing often suspect voices, both contemporaneous and ancestral. Her inability to claim a legacy becomes a trajectory of disjunctions where place, language, and race are lived through in the most detailed ways, fostering schisms that challenge what narrative has come to mean under the rubric of the "novel." Though a mystery, possibly involving murder, The Obituary is less a whodunit than an investigation of who speaks when "one" speaks.

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Finalist for the L.A. Times Book Prize in PoetryAn incisive poetic sequence that tracks the relationship between migration and complex traumas in this unsparing critique of the unjust conditions that brought us the global pandemic. Ante body is a poetics of [un]rest. A project that started as an exploration of how the psychological impacts of migration and complex traumas manifest as autoimmune disease and grew into a critique of the ongoing unjust conditions that brought on the global pandemic. Continuing her use of the invented poetic form, the Arabic, and integrating Fred Moten’s concept of “the ANTE,” Helal creates an elliptical reading experience in which content and form interrogate the inner workings of patriarchy, capitalism, nationalism, and globalism.

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On Autumn Lake collects four decades of prose (1976-2020) by renowned poet and beloved cult figure Douglas Crase, with an emphasis on idiosyncratic essays about quintessentially American poets and the enduring transcendentalist tradition. Douglas Crase’s prose is rich with conviction and desire, inspiring as John Yau wrote, “the kind of attention usually reserved for poetry.” His essays, written as rhythmically as poems, take a personal rather than abstract approach, offering committed and sometimes intimate portraits of John Ashbery, James Schuyler, Lorine Niedecker, and others. With generosity of spirit, Crase shares his devotion to poetry, democracy, and landscape in this handsome volume that greatly enlarges the available body of his work and will be seen as the essential complement to his collected poems.

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This stunning second collection engages the "disciplines" associated with regimes of powers and sadomasochism. The work interrogates the social and linguistic space between regimes of power enacted on the body, and thereby the soul.

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In Your Body Figured, Douglas A. Martin presents the reader with three prose pieces, each focused on an artist: the painter Balthus, the poet Hart Crane, and finally the Irish painter Francis Bacon as seen through his relationship with model and muse, George Dyer

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A masterful debut collection by poet Lytton Smith, winner of the Nightboat Poetry Prize.

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Glean, a reference to the gathering of grain after harvest, explores the appalling trust implicit in any act of faith that prayer may not elicit a response. Spare and evocative, the collection struggles with a language at odds with itself

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Tender Points is a narrative fractured by trauma. Named after the diagnostic criteria for fibromyalgia, the book-length lyric essay explores sexual violence, chronic pain, and patriarchy through lived experience and pop culture. First published in 2015, this new edition includes an afterword by the author.

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Consider the Rooster serves as an ode to a rooster’s crow, a catalyst for awakening, both literally and figuratively. Amidst the Covid-19 Pandemic, the aftermath of George Floyd’s murder by police, and the resulting upsurge in reactionary right-wing militia violence, a neighbor in Kalamazoo, Michigan threatens to call the police after discovering the author’s pet rooster. The rooster sounds the alarm and our author wakes to revolutionary transformation. An ecological consciousness embedded in these verses invites readers to acknowledge their place in a web of relations. Oliver Baez Bendorf’s voice resounds through liminal spaces, at dusk and dawn, across personal meditations and wider cultural awakenings to form a collection overflowing with freedom, rebellion, mischief, and song.

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2022 LAMBDA LITERARY AWARDS FINALIST!Harnessing street protest as a poetic formation, Villainy exhibits the desires that bring queers into public space.Andrea Abi-Karam answers the call to action for poetry itself to become the radical accomplice it was destined to be in their second book, Villainy. In order to live through the grief of the Ghostship Fire & the Muslim Ban, Villainy foments political action in public spaces, and indexes the various emotional states, such as rage, revelry, fear, grief, and desire to which queers must tend during protest. In scenes loaded with glitter, broken glass, and cum, Abi-Karam insists that in order to shatter the rising influence of new fascism we must embrace the collective work of antifascists, street medics, and queer exhibitionists and that the safety that we risk is reckless and necessary. Disruptive and demanding, these punk poems embody direct action and invite the audience into the desire-filled slippage between public sex and demonstration. At heart, Villainy aims to destroy all levels of hierarchy to establish a participatory, temporary autonomous zone in which the targeted other can thrive.

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2023 LAMBDA LITERARY AWARD FINALIST!An epistolary sequence about sex, exchange and social space set along the Northeast Corridor.In A Queen in Bucks County, our protagonist Turner, who both is and is not the writer, makes his pleasurable way through miserable space. Men “buy him things,” lovers drive across state lines, users down volatile cocktails to see what happens, landlords turn tenants out, and Turner writes poetic tracts to friends about it. Part pornography, part novel, all love letter, A Queen in Bucks County is an experiment in turning language upside down to see what falls out.

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On the fringes of the music scene in a Southern college town, a lonely young student driven to fl ee a troubled adolescence pursues and forms a life-altering relationship with an acclaimed artist-musician. Their understanding develops in a pattern of sex and reticence, soon impacting both their paths and greatly shifting expectations. Written “as if telling the truth was a matter of survival” (Andrew O’Hagan), it is a queer bildungsroman.

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Rock-Salt-Stone sprays life-preserving salt through the hard realities of rocks, stones, and rockstones used as anchors, game pieces, or weapons. The manuscript travels through Africa, the Caribbean, and the USA, including cultures and varieties of English from all of those places. The poems center the experience of the outsider, whether she is an immigrant, a woman, or queer.Sometimes direct, sometimes abstract, these poems engage different structures, forms, and experiences while addressing the sharp realities of family, sexuality, and immigration.

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Haunted by on-line confessions, ranging from the trivial to the homicidal, and by a society obsessed with people changing their corporeal forms, Fleshgraphs is a multi-vocal manifesto of the body. Lyrical, experimental, satirical—these prose fragments enact a potent exploration of queerness, girlhood and illness against a backdrop of internet and rape culture.

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Daniel Borzutzky, whose work Eileen Myles calls "violent, perverse, tender," offers a bracing new book that confronts violent action, from state sponsored torture and the bombing of civilians and other "non-essential personnel" to the collapse of the global economy, the barbarism of corporate greed, data fascism, and the deaths of immigrants attempting to cross borders. His book confronts the various horrors of our contemporary landscape through a poetry that literalizes violence, that seeks to find emotional connection and personal meaning in a world that is always exploding.

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Bhanu Kapil's Ban en Banlieue follows a brown (black) girl as she walks home from school in the first moments of a riot. An April night in London, in 1979, is the axis of this startling work of overlapping arcs and varying approaches. By the end of the night, Ban moves into an incarnate and untethered presence, becoming all matter— soot, meat, diesel oil and force—as she loops the city with the energy of global weather. Derived from performances in India, England and throughout the U.S., Ban en Banlieue is written at the limit of somatic and civic aims.

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Searing in its energies and mysterious in its icy depths, Love is Colder than the Lake is a tour-de-force of the experimental French poet Liliane Giraudon’s power and range. Love is Colder than the Lake weaves together stories dreamed and experienced, fragments of autobiographical trauma, and scraps of political and sexual violence to create an alchemical and incantatory texture that is all Giraudon’s own. In its feminist attention and allusive stylistic registers, Love is Colder than The Lake claims a unique position among contemporary French literature. The heroes (or anti-heroes) in this collection include Rainer Werner Fassbinder, Lorine Niedecker, Emma Goldman, Chantal Akerman, the Marquis de Sade, and the unnamed lake itself. Giraudon’s writing, editing, and visual work have been influential in France for decades, and English-speaking readers will thrill to this challenging, important voice.

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A collection of psychedelic poems inspired by Egyptian queen, Nefertiti, exploring the slippage between her image and legacy across time, place, and space.A Beauty Has Come takes the reader on a sonic exploration across desert plains and resonant soundscapes as Nefertiti, “The Beautiful One,” comes into being and Blackness on the page. Written from within the physical limitations of lockdown and informed by her work as a psychoanalytic student, Jasmine Gibson’s poems are a surrealist playlist drawn from the mystic and the viscerally real. Utterly rejecting the lies and logic of capitalism, this book invites the reader to look deeply into the unconscious life of this world, before shaking it off in the spirit of resistance and joy.

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Collected for the first time, four landmark works of queer experimental poetry by reclusive cult poet David Melnick, known for his prowess with invented language and sound poetry.David Melnick's Nice: Collected Poems spans twenty crucial years of gay life and experimentation with poetic form, bringing together four masterworks of American literature: Eclogs (1967-70), ten episodes in the urban afterlife of pastoral; PCOET (1972), written in an unknown tongue, verse for a world that's yet to be; Men in Aida (1983-85), Melnick's masterpiece, a giddy epic of queer community; and A Pin's Fee (1988), a backward glance and elegy, a cry of pain, howl of anger.

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An arch, precise collection of poems that casts world-historical hierarchies in an aspic mold and serves them back to us on a warped platter.Reading Prescribee is not dissimilar to the experience of coming across a recipe in a vintage American cookbook: it transforms the familiar ingredients of contemporary life into an uncanny, discomfiting concoction. Wielding English as a foreign language and medium, Chang redefines the history of Taiwan and captures the alienation of immigrant experience with a startlingly original voice. Flouting tired expectations of race, gender, nationality, and citizen status, Prescribee is as provocative as it is perceptive, as playful as it is sobering.

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WINNER of the 2023 Publishing Triangle Award for Trans and Gender-Variant LiteratureFinalist for the Firecracker Award for Poetry! A debut poetry collection in which non-binary poet and drag performer Wo Chan recounts stories from their queer childhood and adolescence. Togetherness sends out sparks from its electric surface, radiating energy and verve from within its deep and steady emotional core: stories of the poet’s immigrant childhood spent in their family’s Chinese restaurant, culminating in a deportation battle against the State. These narrative threads weave together monologue, soaring lyric descants, and document, taking the positions of apostrophe, biography, and soulful plaint to stage a vibrant and daring performance in which drag is formalism and formalism is drag—at once campy and sincere, queer, tender, and winking.

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A collection of epistolary poems that exorcises and explores the material violence and generational trauma of colonization and systemic racism stored within queer Latinx memory. In DESGRACIADO, Angel Dominguez navigates language and memory to illuminate the ongoing traumas of misremembered and missing histories and their lasting impacts. Dominguez unravels a critical and tender language of lived experience in letters addressed to their ancestral oppressor, Diego de Landa, (a Spanish friar who attempted to destroy the written Maya language in Mani Yucatán, on July 12th 1562), to articulate an old rage, dreaming of a futurity beyond the wreckage and ruin of the colonial imaginary. This collection doesn't seek to heal the incurable wound of colonization so much as attempt to re-articulate a language towards recuperation.

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WINNER of the Association for the Study of Women and Mythology’s Sarasvati Nonfiction Book Award! Path-breaking lesbian poet & scholar Judy Grahn returns to the stories of Inanna the Mesopotamian goddess of erotic love and justice to reimagine the contemporary world.In her trademark lusciously erotic writing, Judy Grahn illuminates eight dramatic stories exploring the Mesopotamian goddess Inanna’s power and relevance for contemporary queer feminist audiences. Psychologically rich, morally and ethically exhilarating, passionate and full of life, these stories reimagine central western myths, including the book of Job and Gilgamesh with women and queer people as central actors. In every sentence, Grahn proves how revisiting origin stories is a vital world-making activity.

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Historically, much landscape art has reinforced binaries such as inside/outside, subject/object, and culture/nature, thus reducing a complex network to an ornament that reinforces a sense of human power over nature, imposes specific cultural values, and/or claims or exercises control. And yet there are also artists who have developed alternatives to conventional depictions of the world around them, using landscape to participate in the earth, active in its view and its viewing. The art addressed in the book presents landscape as engagement rather than as detached observation, encouraging an increased sense of belonging to, and thus responsibility for, the earth.

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As Ronald Johnson wrote, William Benton’s witty and inventive Birds single-handedly resurrected the Concrete Poetry movement. First published in 1972 by the Graphic Arts Workshop of the Portland Museum Art School in Oregon, as a limited edition of 200 copies, this new edition includes an introduction by Benton as well as several new poems.

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Written during an autistic breakdown after his father’s sudden death, Sweeney’s visionary elegy for the living occupies the voice of the newly dead. Through shifting identities, genderless, omnigendered, bereft and haunted, this work affords an intimate mapping of grief—and a vision of what consciousness remains after the body.

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Schizophrene traces the intersections of migration and mental illness as they unfold in post-Partition diasporic communities. Bhanu Kapil brings forward the question of a healing narrative and explores trauma and place through a somatic, poetic and cross-cultural psychiatric enquiry. Who was here? Who will never be here? Who has not yet arrived and never will? Towards an arrival without being, this notebook-book returns a body to a site, the shards re-forming in mid-air: for an instant.

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Taking Walt Whitman's Civil War poems as an inspiration, Rob Halpern's Music for Porn moves across the landscape of battlefields and homoerotic affect in an encompassing engagement of desire and death. Halpern work, constructed of poetry and lyric prose, evinces a world in which the physical and linguistic body are permeated by, and implicated in, the globalized maneuvers of modern warfare and capitalist endeavor.

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Endlessly inclusive, The Desires of Mothers to Please Others in Letters, first published in 1994 and long out of print, evokes the complexity of real persons as it simultaneously reinvents multiple genres: epistle, prose poem, and memoir. Written between 1979 and 1980 while pregnant with her third child, Mayer extends her imaginative letters into meditations for us all on life as it is lived in real time, with its responsibilities and manifold desires. Fierce, lyrical, intimate, and wise, both new and familiar readers, both mothers and non-mothers, will find this book beckoning again and again to offer delicious writing, timely information, consolation, and advice.

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These poems crackle with aplomb and verve as they try to measure the distance between the ear, an organ of touch, and the often chaotic and sometimes orderly vibrations the ears permit the body to receive; in that gap between trust and faith is this collection of poems—a devotional book that prays to the senses for mercy. It’s tricky.

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Vincent Katz's new collection, his first in a decade, presents an aesthetically and emotionally diverse series of poems that attempt to tune in to particular details of the poet's life, from friends and family to larger geopolitical issues.

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As in the title phrase-borrowed from a 17th century poem by Robert Herrick-in which "several" is used to individuate, questions of singularity and the plural, of subjectivity and the collective, pervade this dream-quick poetry. In A Several World there are glimpses of an "us down here"-in the understory, in the open clearing-and, by various projections, there is frequent attainment of an aerial vantage, a post otherwise abdicated. Landscape here is spatial theater, and a choreography recruits all standalone selves: solidarity beginning in an erotics of attunement, catching likenesses. "This clever, busy, anxious, flirtatious poet, with his 'predilections for predicaments,' can connect anything to anything else." -Stephen Burt, The New York Times Book Review

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Monkeys, Minor Planet, Average Star, Gracie Leavitt's first full-length collection, draws on rich lyric history, the love poem as prism, in an effort to create a postmodern pastoral. Leavitt's lines-a baroque tracery, sometimes dark, teasing prose, and pronoun-packed-and unstoppable syntax define her unique poetic vision. This idyll, with its bucolic scenery, its domestic scale, its erotic charge, charges forward into an ecofeminist future.

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This book stands for: a) a close translation of Hegel's Phenomenology of Spirit b) a mainly at arm's length appropriation of some poems by Paul Celan these being two extremes in language of c) a log of disasters d) a register of miracle e) also this is a bunch of love poems of undying love

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The Sonnets, edited by the founding editors of the translation journal Telephone, pairs 154 poet-translators with each of Shakespeare's 154 sonnets-literally rewriting history, or at least the great Bard's poetic oeuvre. This collection of English-to-English "translations" includes work by Rae Armantrout, Mary Jo Bang, Jen Bervin, Paul Celan, Tan Lin, Harryette Mullen, Ron Padgett, Donald Revell, Jerome Rothenberg, Juliana Spahr, and many others. In the tradition of Ezra Pound's Cathay or Jack Spicer's After Lorca, these versions explore the themes of their originals while completely re-authoring them-imagining a new Shakespeare, self-described in his dedication to The Sonnets as:"THE WELL-WISHING. ADVENTURER ... SETTING FORTH."

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Beautiful Aliens: A Steve Abbott Reader is a landmark collection representing the visionary life’s work of beloved Bay Area luminary Steve Abbott. It brings together a broad cross-section of literary and artistic work spanning three decades of poetry, fiction, collage, comics, essays, and autobiography, including underground classics like, Lives of the Poets and Holy Terror, rare pieces of treasured ephemera, and previously unpublished material, representing a survey of Abbott’s multivalent practice, as well as reinforcing his essential role within the contemporary canon of queer arts.

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On the eve of Bern Porter's Centennial, his classic text, Found Poems, comes roaring back into print in a handsome new edition featuring two essays contextualizing his remarkable life and work. As Dick Higgins said, "Porter's Found Poems have the same seminal position as Duchamp's objets trouvées." This book collects Porter's strongest "Founds," his combinations of mass-media images and text that he used to reflect American culture as in a funny-house mirror: twisted but true.

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Named for Leland Hickman's unfinished, long poem, "Tiresias," this volume gathers all of the poetry published during Hickman's lifetime as well as unpublished pieces drawn from his archives at the University of California, San Diego. With this book, Hickman's innovative, emotional, and absolutely unique confessional verse will join the landscape of twentieth century American experimental poetry.

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Nylon''s Most Anticipated Books of 2024 The Paris Review’s Favorite Books of 2023 Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar. In one of many bars, Frankie Gold sings while Sammy Silver plays piano after a day job at the anarchist newspaper. The Butch Piano Players Union meets in the corner next to the jukebox. Laur smokes on the back steps, sweaty thigh to thigh with Vic. Frankie’s childhood sweetheart, Lily, turns up at yet another bar to see a second Sammy play every Friday night. And before all that, there’s always dinner at Marg’s. Fabulated out of oral histories, anthologies, as well as the fiction of the butch-femme bar scene a

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A weird, wild ride across non-narrative vignettes and dryly funny aphorisms exploring the shared intensity of violence and the erotic. As if hauled up squirming from the bowels of the internet, Sex Goblin metabolizes sex writing, popular culture, and autofiction to present the real and the imagined as equally surreal possibilities. In the narrator’s childlike voice, all things become both mundane and strange—a child and their dog fused after a car accident, moments of tenderness amidst frat hazing, witches, and hiking accidents. At turns charming and bizarre, Sex Goblin channels sexual violence through the lens of the absurd to alchemize shame and abuse into something that registers differently than trauma. Sex Goblin is a barely factual but deeply felt field guide to relationships and relatability.

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In Don’t Let Them See Me Like This, Jasmine Gibson explores myriad intersectional identities in relation to The State, disease, love, sex, failure, and triumph. Speaking to those who feel disillusioned by both radical and banal spaces and inspired/informed by moments of political crisis: Hurricane Katrina, The Jena Six, the extrajudicial executions of Black people, and the periods of insurgency that erupted in response, this book acts as a synthesis of political life and poetic form.

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A Year From Today traverses a many-layered urban terrain—social, political, poetic, animal—in a form more raw than a diary, weightier than a series of sketches, more idiosyncratic and implicated than a conceptual program. Among this volume’s many insights is how we spend our days detecting, minute-by-minute and phrase-by-phrase, an overarching aesthetic and moral design. It’s for the kind of grown-up who might say, “don’t/look for/who’s really in charge c’est moi.” And for the kind of sensitive brigand who might add, “maybe the way to go about this/is to stay within earshot & sip the Wild Turk.”

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The Old Philosopher is enigmatic, sexual, biblical, anachronistic, political, and personal all at once. These quiet, implosive poems inhabit a nonlinear temporality in which Vi Khi Nao brings biblical time and political time together in the same poetic space, allowing current affairs to converse with a more ancient and historical reality.

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The collected life-work of an interdisciplinary writer, performer, and central figure in the Black Gay cultural arts and AIDS movements.In this timely collection of poetry, plays, fiction, and performance texts, Assotto Saint draws upon music and incantation, his Haitian heritage and a politics of liberation, to weave together a tapestry of literature that celebrates life in the face of death. Influential to contemporary writers such as Essex Hemphill, Marlon Riggs, and Melvin Dixon, Sacred Spells is Saint's crucial legacy–five hundred incandescent pages of painful, lyric writing that exemplifies the visceral, spiritual dimensions of an artistic practice that’s integral to Black and LGBTQ activist movements worldwide, both historic and present.

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