Search results for ""New Island Books""

SHORTLISTED for The Kerry Group Irish Novel of the Year Award 2021 ‘An ambitious and vital novel with an epic sweep: a complex, timely story about liberty, equality, identity. [...] This book is an act of salvage, performed with great skill: cleanly written, sharp-eyed, undeceived.’ — Hilary Mantel In a London graveyard in 1857, Harriet Small is approached by a stranger, an unwanted intruder who insists that she hear him out . . . in the will of a woman she only barely remembers, Harriet has been left an unusual collection of papers: her father’s True Narrative of his life after escaping slavery and his journey into the heart of revolutionary Ireland. Nearly sixty years earlier, in the aftermath of Lord Edward FitzGerald’s death and disgrace in the 1798 Rebellion, his sister, Lady Lucy, had commissioned Harriet’s father, Tony Small, to write about his life as Edward’s manservant in the form a ‘slave narrative’. But Lucy’s real motivation was to restore Edward’s reputation and her family’s fortune. What emerges from ‘Faithful’ Tony’s pages – at first unsure but later confident in his words – is a complex, co-dependent and sometimes turbulent friendship between the two men. Edward is everything Tony is not: beloved by a large family and carelessly sure of his privileged place in the world. With Edward, Tony hopes to begin a new life – to belong – only to find himself a stranger in a strange land who often comprehends better than his employer the racism, privilege and power that drive the inequalities of their time. As historical events gallop towards their devastating conclusion, Tony learns that the sacrifices to be free are never-ending. And as difficult and heartbreaking as it is to read her father’s story, Harriet comes to realise there is more than one way to be free. From war in South Carolina to genteel drawing rooms in Kildare, from the discomfort and boredom of Antigua to the snow-covered nothingness of Canada, the slave-owning territories along the Mississippi to a printing house in Hamburg and the colonial politics of London to the intrigue and simmering resentments of Dublin, Words to Shape My Name is about hope, failure and resilience, an adventurous novel of great intelligence and awareness that will resonate today.

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Amidst the moments of seismic change in LGBTQ history in Ireland lie the stories of ordinary people, who did extraordinary things to change queer Ireland and Irish culture.

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Eason Favourite Book of the Year 2022 ‘she is no small town, and this is no small story . . .’ BASED ON THE POPULAR DUBLIN HISTORY PODCAST A companion to the hugely successful podcast of the same name by Donal Fallon, THREE CASTLES BURNING is an enjoyable wander through some of Dublin's less obvious but more interesting streets and roads such as Henrietta Street, Watling Street, Fownes Street and Kildare Road. On the Dublin streets we walk every day, there are hidden reminders of the lesser-known heroes and events that have contributed to the evolving story of our capital. The city’s motto, ‘the obedience of the citizens produces a happy city’, may feel outdated and loaded today but the three burning castles of its ancient coat of arms have come to represent the indomitable spirit, creativity and vision that define this big town. Inspired by the No. 1 podcast, Three Castles Burning: A History of Dublin in Twelve Streets champions the activists, workers, architects, poets, migrants, artists and merchants who have made and remade the city we know and love by going beneath the many layers of twelve key streets where they lived and worked. Because, in the city Joyce called the ‘Hibernian Metropolis’, the disobedience of its citizens is the cornerstone of its past, present and future. This combination of social, cultural, industrial and commercial, and political history, through the prism of the places where revolutions great and small were sparked, offers the reader a fresh and unexpected take on Ireland's capital city.

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Lady Augusta Gregory’s collection and translation of Irish folk legends brings, as Yeats observed, ‘Ireland’s gift of imagination to the world’. Following on from the bestselling Irish Myths and Legends: Gods and Fighting Men, this second volume, originally titled Cuchulain of Muirthemne, tells of the brave exploits of Ireland’s answer to Achilles, the fearless Cuchulain and the Red Branch of Ulster, as well as the overpowering love of his wife Emer. Forming part of the bedrock of Gaelic legend, and translated faithfully from the idiom of Irish oral storytellers, this new volume is essential reading for anyone with an interest in Gaelic culture.

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'A heartfelt celebration of all kinds of queer love' ― Alice Linehan, Gay Community News A ground-breaking Irish lesbian love story, set across the decades from the 1980s AIDS crisis to the 2015 marriage referendum. Ro McCarthy, single in her fifties and working a quiet job, is sustained by her love of books and her deep friendships. Although she still doesn’t approve of marriage – not even for the straights – she is canvassing for yes in the 2015 marriage equality referendum. But, as the ghosts of her activist past join her on the campaign trail and her eagerness to confront a familiar discrimination turns to obsession and fury, Ro must finally face the long-buried trauma and loss of her youth. Thirty years earlier, Ro is a young Cork woman living her best life in Boston, undocumented and working multiple jobs, making life-long friends, and falling in love with Jenny. Soon, however, the young gay men who have become Ro’s new family – from Ireland and elsewhere – begin to die. Shocked and grieving, she finds purpose in AIDS activism and a community that is loving and living against all odds. In the wake of this macabre heyday which Ro just about survives, her charged entanglement with Jenny will bear witness to the resistance and survival of an invisible generation of warriors. Slant is a headbutt to the heart, told from within a protective community, that will reveal and celebrate all the kinds of love needed to sustain a life.

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The New Frontier is a landmark publication of writing from the Irish Border, composed of non-fiction, fiction and poetry – it is a chorus of voices from some of the island’s greatest writers, that conveys in its multiplicity the true meaning of our border. At a time when the division of our shared island has once again become an international concern, the Border now a threshold between Europe and the United Kingdom, The New Frontier seeks to explore the meaning of this partition in the 21st century for those people that inhabit that divide. This collection of writing ultimately poses the question: What does it mean to be Irish, Northern Irish, or British in the modern age, and what does it mean to live on a threshold between a kingdom and a republic? The New Frontier will undoubtedly become a key cultural and literary touchstone. This anthology considers the border, and our historical divisions, through literature, by inviting writers from border areas to respond imaginatively and instinctively. By writing the land, writing the body, writing the lived experiences of this complex and misunderstood part of Ireland, The New Frontier looks to reclaim the border region from decades of misinterpretation and misunderstanding. Featuring writing from: Conor O’Callaghan, Darran Anderson, Garrett Carr, Luke Cassidy, Nidhi Zak, Kerri ní Dochartaigh, Michael Hughes, Séamas O’Reilly, Pat McCabe, Lias Saoudi, Maureen Boyle, Emily Cooper, Dean Fee, Jill Crawford, Annemarie ní Chuirrean, Peter Hollywood, John Kelly, Michelle Gallen, Marcel Krueger, Eoghan Walls, Orla McAlinden, Bronagh McAtasney, Mícheál McCann, Jess McKinney and Maria McManus

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The Garden is dying. Once an Edenic orchid farm, it has been decimated by the worst hurricane in Florida’s living memory. Its glasshouses are shattered, the surrounding mangroves encroach, and its men are dangerously idle. When Romeo – an expert breeder of the endangered ghost orchid – arrives from Honduras, boss Blanchard and his Irish lieutenant, Swallow, believe their fortunes are on the rise. Romeo may not be all he seems though, and Swallow can sense the newcomer shaking the Garden’s creaking hierarchy. The ghost orchid they seek is infamously rare, a delicate and wildly valuable species, hidden deep in the treacherous cypress swamps of the Fakahatchee Strand. To capture the ghost, Blanchard and Swallow must strike a deal with Logan, a dangerously unpredictable member of the local Seminole tribe, whose wounded pride, and simmering web of violence threaten to uproot any hope of success. As Blanchard’s obsession distracts him from what is truly precious, Swallow’s long-buried traumas will test his ability to stop lust, betrayal and death from engulfing the Garden. Paul Perry’s first solo novel tells of smothering power, loyalty and agency thwarted by the tragic patterns of memory and behaviour. The Garden is a modern fable, and a warning against trespassing upon nature in the name of profit.

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A widow spends weeks haunting a cemetery, desperate to track down an unknown woman who keeps leaving flowers on her husband’s grave; A daughter searches a foreign city for her father, trying to understand why he disappeared forty-five years ago; A former gay lover of Roger Casement stands among the crowds at his state funeral in 1965, paying silent homage to the closeted world they were forced to inhabit at the dawning of the Irish State. A writer at a book launch comes face to face with the person secretly responsible for his success. In his first collection of short stories, Dermot Bolger peers under the veneer of our lives, exploring the secrets that bind families together, or tear them apart, creating worlds where people find that nothing is truly certain. There are always truths just beyond reach that would make sense of their lives, if they only know how to unlock them.

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The Best of Benedict Kiely is a treasure trove of his best and most acclaimed stories, published to mark the centenary of the birth of this great twentieth-century Irish writer. Many of these stories were originally published in The New Yorker before appearing in four collections over a 24-year period during the writer’s lifetime. They are quintessential Kiely; superbly crafted, mingling song, anecdote, myth, history and a powerful sense of place into an allusive storyline. They show Kiely’s supreme gift in recording the feeling of lived life, pulsing with joys, disappointments and the accidental and deliberate digressions along the way. Colum McCann has observed in Kiely’s work that ‘… there is really no such thing as an end, because the stories keep unfolding and influencing’ and these classic Kiely stories, published together for the first time, will linger with the reader, young or old, long after the final sentence.

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These stories, rich with the passion and drama which characterises all of Walter Macken’s writing, were conceived by the author as a thematic collection, providing a stunning evocation of the life and people of Galway in the 1940s. They document a time and place, yet they also have a timeless appeal in their portrayal of the people of the city whom Macken knew and loved so well. Full of insight and humour, they do not romanticise the past; rather they celebrate the qualities of ordinary people in their struggles with poverty, with political conservatism and with the sea, ever-present elements in the life of the city of the tribes. Walter Macken has long been one of Ireland’s most popular writers. A novelist who defined in fiction the world of the ‘plain people’ of the west of Ireland, he was a master of the short story. First published posthumously in 1997, these magnificent stories are now brought back to life in the Modern Irish Classics series.

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Adam Palmer, determined to defy God in revenge for his detention in an asylum, embarks on a personal quest to destroy his soul, inflicting small sustained acts of cruelty and violence on those around him. His long-suffering wife, Kathleen, struggles to maintain her self-respect in the face of her husband’s gaslighting. Among the most elusive of Norah Hoult’s works, Farewell Happy Fields was published in 1948 and, like many of her books, was promptly banned in Ireland. A dark comedy full of acerbic wit, it brings searing insight into a lost post-war generation of lower-middle-class women and men as they deal with shame, financial insecurity and emotional poverty. Back in print for the first time in decades, New Island is delighted to bring this startling modern Irish classic to a new generation of readers.

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Garda Inspector Michael McLoughlin is trying to enjoy his retirement – doing a bit of PI work on the side, meeting up with former colleagues, fixing up a grand old house in a genteel Dublin suburb near the sea. Then he discovers the body of his neighbour, a retired judge – brutally murdered, shot through the back of the neck, his face mutilated beyond recognition. McLoughlin finds himself drawn into the murky past of the murdered judge, which leads him back to his own father’s killing, decades earlier, by the IRA. In seeking the truth behind both crimes, a web of deceit, blackmail and fragile reputations comes to light, as McLoughlin’s investigation reveals the explosive circumstances linking both crimes – and dark secrets are discovered which would destroy the judge’s legendary family name.

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Part of the Open Door series of short books for emerging readers. Detective Tom Doyle is one of the best detectives in the city. So when a big-time Dublin drug boss is shot down in the street, Doyle is on the case. It all seems open and shut until he meets the dead man’s beautiful wife, Rose. As Doyle dives deeper into the lives of Ireland’s top criminals and their families in search of the truth, what he uncovers will be more shocking than he ever could have imagined.

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An intimate human study and subtle portrait of a country in flux from New Island author Dermot Bolger. While a floundering Irish government clings to its illusion of power as an international troika waits in the wings, Martin, a mid-ranking civil servant, finds himself alone in a Beijing hotel: a superfluous accessory in a delegation accompanying a Minister to China. A cat-and-mouse encounter with a Chinese masseuse draws Martin into a world beyond his experience, forcing him to confront the gap between the chameleon face of someone at work and the reality when everything is stripped bare, with nowhere left to hide from the anxieties, longings and contradictions in his head. The Fall of Ireland is a subtle meditation on the thin line between illusion and actuality: a study of a homesick man in the gilded cage of a luxury hotel, trying to unravel which elements of his life are real and which are subconscious deceptions.

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WINNER OF SPECIAL BOOK AWARD OF CHINA 2021 In 1318, the Irish Franciscan friar and explorer James of Ireland accompanied Friar Odoric of Pordenone to the Far East, thus becoming the first Irish person in China. Since then, encounters between the Irish and the people of China have proliferated: just as Ireland gained from the plant hunters of the late Qing dynasty, so China learned eagerly from the tactics of Irish cultural nationalism early in the twentieth century. Such fruitful exchanges were made possible by parallels in their historical development, as each grew – in only a few generations – from traditional agricultural societies into modern, globalized republics. Whether it is China’s ecstatic welcome of Riverdance, Kerrygold butter and the prose of James Joyce, or Ireland’s reinvention of itself through its culture and newly multicultural society, these essays demonstrate, often in surprising ways, just how each nation has helped transform the other. With a welcome message from the President of Ireland, Michael D. Higgins, this collection of essays also celebrates four decades of Sino-Irish diplomatic relations.

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Every night during a year spent in lockdown, Dermot Bolger set out on long walks through deserted streets, armed only with a pen and paper. Bolger follows in the footsteps of the great Portuguese poet, Fernando Pessoa, using walks through his native city to allow his imagination free rein to revisit pivotal moments in his own life and speculatively meditate on the lives of others in a series of remarkable poems. The book starts with his parents honeymooning in a wartime Wicklow orchard and ends, eight decades later, as the poet dances with his partner in a Wicklow field. In between we encounter Nuala O’Faolain on a bicycle on Brooklyn Bridge; Grace Gifford Plunkett, defiant in her lonely final years; Herbert Simms, Dublin’s brilliant, tragically overworked housing architect; and Patricia Lynch, writing The Turf-Cutter’s Donkey in one room while her husband wrote communist tracts in the next. Interlaced with such real lives are imagined ones – a hardened criminal detailing prison life in haikus, a doppelganger exploring alternative pasts for the author. Taken together, these poems chart a dazzling constellation of experiences.

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A baby's body. The butcher who found it. His wife who won't talk to him. Her lady with a secret. The detective on their heels.

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WAY OUT WESTis a gentle coming-of-age story that will enthral with its texture and world-building, the many delicately and affectionately observed characters and its subtle reflections on trauma, loss and a hope that somehow renews.

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Stories from the lives of some of Ireland’s greatest sports stars. From the highs of lifting trophies and overcoming the impossible, to the lows of battling injury and facing defeat, these are inspiring stories written in plain English for emerging readers. Drawn from bestselling autobiographies and other first-hand accounts, the book features stories from: AP McCoy, Barry McGuigan, Bonnar Ó Loingsigh, Cora Staunton, Gavin Bazunu, Henry Shefflin, Katie Taylor, Keith Earls, Niall Quinn, Paul O’Connell, Philly McMahon, Ronnie Delany, Rosemary Smith, Sonia O’Sullivan and Valerie Mulcahy. An Open Door initiative, published in association with the National Adult Literacy Agency.

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New fiction by: Suad Aldarra Caleb Azumah Nelson Jan Carson Elaine Feeney Oona Frawley Sinéad Gleeson Anna Jean Hughes Caleb Klaces Naomi Krüger Henrietta McKervey Paul McVeigh Mary Morrissy Nuala O'Connor Chris Wright To live with dementia is to develop extraordinary and various new ways of being – linguistically, cognitively and practically. The storyteller operates similarly, using words and ideas creatively to reveal a slightly different perspective of the world. In this anthology of fourteen new short stories, commissioned by Jan Carson and Jane Lugea, some of the best contemporary writers from Ireland and the UK powerfully and poignantly explore the depths and breadth of the real dementia experience, traversing age, ethnicity, class and gender, sex and consent. Each writer’s story is drawn from their own personal experience of dementia and told with outrageous and dark humour, empathy and startling insight. Here are heroes and villains, tricksters and saints, mothers, fathers, lovers, friends, characters whose past has overshadowed their present and characters who are making a huge impact on the world they currently find themselves in. They might have dementia, but dementia is only a small part of who they are. They will challenge, frustrate, inspire and humble you. Above all, these brilliant pieces of short fiction disrupt the perceived notions of what dementia is and, in their diversity, honesty and authenticity begin to normalise an illness that affects so many and break down the stigma endured by those living with it every day. Find out more about the AHRC-funded research project based at Queen's University Belfast, from which this anthology has emerged: www.blogs.qub.ac.uk/dementiafiction/

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In the Ubari Sand Sea in 2011, during the First Libyan Civil War, a mysterious pilot falls from the sky – a sky devil – and is forever changed by the little boy who rescues him. One year later, in the town of Roseville, Louisiana, in the aftermath of economic crisis and corporate environmental damage, 10-year-old Lenny Lockhart is losing the people and things dearest to him. His only friends now are his plucky, elderly neighbour, Miss Julie, and the town’s lonely librarian, Lucy Albert. Homeless and neglected, Lenny heads deep into the dark and unpredictable bayou, determined to conquer the sinkhole that is threatening to swallow his town. As time seems to be simultaneously slowing down and running out, is it really Lenny who needs saving, or the broken adults in his life? As these two timelines converge, Lenny tells a deeply affecting story of family and love, the ways we can be kind, and the power of one boy’s imagination to heal and survive.

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When football players leave Ireland behind in the hopes of carving out a future in the professional game, they often end up plying their trade in the UK –competing for a chance in the Premier League, the Scottish Premiership, or the numerous leagues below them. For decades, this has been the most attractive and obvious career path for Irish players. But what of those players who ventured further afield in search of glory, adventure, or simply their next touch of the ball? Since the dawn of the men’s professional game well over a century ago, and up to the more recent expansion of women’s football, Irish players – and coaches too – have made their mark on clubs and nations around the world. For the first time, Emerald Exiles brings together the stories of these pioneering players, who pursue football wherever they can, venturing beyond tradition and navigating the personal and professional highs and lows that journey brings with it. Charting the careers of players and managers such as Liam Brady, Robbie Keane, Anne O’Brien, Stephanie Roche, Frank Stapleton and a host of others – and featuring exclusive first-hand interviews with numerous players, Emerald Exiles is a unique analysis of Ireland’s mark on world football and the individual stories behind it.

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New updated edition of the seminal work by Catherine Dunne, which charted the multifarious lives of the London Irish, in all their variety and colour, now with a brand new foreword by Diarmaid Ferriter. Before the 'Ryanair Generation', leaving home was for good. Half a million Irish men and women left these shores in the nineteen-fifties, forced by decades of economic stagnation to make their lives elsewhere. For many of these emigrants, mostly young and unskilled, Britain was their only hope of survival. Abandoned by the Irish state, this forgotten generation went in search of employment and security, the dignity of a future that was denied them at home. For many of these youthful emigrants, exile held the promise of adventure and excitement, freedom from the oppressions of De Valera's Ireland. Yet no two emigrant experiences were the same. In a series of compelling interviews, 'honest, angry, and funny', these vibrant voices reflect the diversity of lives lived away from the homeland, an unconsidered people's struggle to plant new lives in an alien soil.

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We Seldom Talk About the Past is John MacKenna’s first selected collection of short stories, from a career spanning over three decades. The stories selected come from four collections of short fiction, and represent a culmination of MacKenna’s work in a form of writing he has made uniquely his own. Often compared to John McGahern, and Raymond Carver, and deeply influenced by masters of the form like Chekov, MacKenna’s stories focus on the quotidian truths of our lives, of the momentousness of small moments, of sexual desire and its intimate entanglement with the domestic, of deeply felt absences and social mores, and always at the heart of his work, the sense of place, often the rural, and the acute receptiveness of our lives to the places we inhabit.

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In 2013, Úna-Minh Kavanagh, a young journalist and content creator, was racially abused and spat upon in Dublin’s city centre. Having dealt with racism throughout her young life, this proud Kerrywoman had finally had enough. In the days that followed, she took to Twitter to call out the ‘land of a thousand welcomes’ for its naivety and cowardice in dealing with racism. The incident was widely shared in the media and her story went viral. But Úna-Minh’s story actually begins in Hanoi, Vietnam, in 1991, when she was adopted at just three days old by a single woman from Kerry. Raised in a loving, Irish-speaking home by her mother and grandfather, Úna-Minh was instilled with an enduring sense of her multi-faceted Irish identity. In her first book, she writes honestly and humorously about tackling racism, language elitism and online trolls and the joy of turning her love of the internet, video games and accessible Irish-language content into a healthy work/life balance. Sprinkled throughout with Úna-Minh’s own #FrásaAnLae, Anseo is the heartwarming story of a diverse and contemporary Irish life.

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Richard O’Rawe was a senior IRA prisoner in the H-Blocks of Long Kesh Prison. One of the ‘Blanketmen’, he took part in the dirty protests that led to the hunger strikes of the early 1980s. In Blanketmen, O’Rawe gives his personal account of those turbulent times that saw British and Irish governments entering unprecedented negotiations with the IRA Army Council and the prisoners themselves. Passionate, disturbing and controversial, this remains a landmark book in the cruel history of Northern Ireland. After ten years, and the release of historical state and personal papers, Richard O’Rawe’s assertions in Blanketmen have been vindicated. He has been married to Bernadette for forty years, has three grown-up children, and still lives in west Belfast.

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Part of the Open Door series of short books for emerging readers. Sixteen-year-old Miriam gets her first summer job at an all-in holiday resort in North County Dublin. When she arrives she meets Marie-Claire, and finds a friendship that will change her life forever. Narrated by a grown-up Miriam, Heart of Gold explores the nature of growing up, friendship and betrayal.

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Bannister is back! The author of the bestsellingProverbs in IrishandWhat's That as Gaeilge?returns with another indispensable guide to the Irish language. This comprehensive compendium includes a thematic index and lists of synonyms and antonyms.

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An anthology of 70 tiny plays from Fishamble theatre company, providing an invaluable resource of four-minute plays for actors, directors, students, and teachers.

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Baile Átha Cliath, sa bhliain 1972. Déagóirí is ea Ruaidí agus Pancho, a rugadh is a tógadh i gceantar an Phoirt Thuaidh. Tá Ruaidí ag barr an ranga, agus tá sé sármhaith ag an mata. Bua eile ar fad atá ag Pancho – suimeanna airgid a aimsiú, seachas suimeanna a dhéanamh. Tá tuismitheoirí Ruaidí i mbun an Chomhair Chreidmheasa áitiúil. Bíonn athair Pancho i mbun drabhláis i dtithe tábhairne na cathrach gach lá pá. Tá difear lá agus oíche idir saol na mbuachaillí, ach is dlúthchairde iad mar sin féin. Lá, agus é ag seachadadh nuachtán mar is gnách, siúlann Ruaidí isteach san áit a ndearnadh robáil. Is amhlaidh a bhris gadaithe isteach i dteach ‘chailleacha an Phoirt Thoir’, beirt deirfiúracha aosta. Ach d’fhág na gadaithe airgead ina ndiaidh. Tá rogha mhór le déanamh ag Ruaidí agus Pancho... The city is Dublin, the year is 1972. Redser and Pancho are two teenagers from the North Wall. Redser is top of the class, especially good at maths. Pancho's knack is for finding money, not adding or subtracting it. Redser's parents run the local credit union. Pancho's dad runs riot in the city pubs on pay day. The boys' worlds could not be further apart. Yet the pair are the best of friends. One day, on his regular paper round, Redser stumbles upon the aftermath of a crime. Two elderly sisters, 'the East Wall witches', have been burgled. But the robbers haven't taken all the money. Redser and Pancho are about to face their biggest dilemma ever...

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Shortlisted for the An Post Irish Book Awards Irish-Published Book of the Year A TREASURE TROVE OF LETTERS TO AND FROM OUR NINE PRESIDENTS FROM 1938 TO THE PRESENT DAY With over 400 letters, memos, cards, telegrams, drawings, notes and photographs, The Presidents’ Letters reveals a personal and unexpected story of Ireland since the inauguration of our first president, Douglas Hyde. Most of these have never been published before and a handful have never been seen by the public. They are letters of congratulations, of resignation, of sympathy. A handwritten note from a president to a queen, a message sent to the moon, a fond farewell from a poet. There are letters of joy and loss, begging letters and threatening ones, sent from palaces, parliaments and prisons, from war zones, refugee camps and homeless shelters. Meticulously researched and hand-picked for this unique book, these correspondences bring to life our presidents, Áras an Uachtaráin and all those who have passed through its doors. The Presidents’ Letters is a beautiful homage to the art of the letter, exploring how each of our presidents defined their eras and how they strengthened the relationship between Ireland and all who identify as Irish. The book is divided into thematic sections, rather than separate chapters on the individual presidencies and featuring contributions in the form of one-page chapter introductions to contextualise the correspondence. Contributors include: David McCullagh | Rory Montgomery | Martina Devlin | Catriona Crowe | Samantha Barry | Joseph O’Connor | Harry McGee | Lise Hand | Justine McCarthy | Paul Rouse | Terri Kearney

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Forestry in Ireland has never been so contentious. Over the last century the area of Irish woodland has increased tenfold, mostly through the planting of imported conifer species; government policy is to plant more trees to supply industry and to tackle climate change, both urgent priorities. But there has been a backlash from farmers, local communities, environmentalists and EU regulators. The rate of planting has plummeted. And up to one-third of new plantations in Ireland are failed forests that should never have been planted in the first place. How did we end up in this peculiar situation? Island of Woods traces the history of Irish forests over the last 10,000 years. It explains why Ireland lost so much of its forest cover, before a burst of tree-planting over the last few decades. It examines the state of Irish forestry today and sketches a way forward for our woods that balances commercial, environmental and social goals – a vision of a different type of forestry that could transform the Irish landscape and re-establish a genuine tree culture in the country. This engaging examination of Irish woodlands relates historical events to present-day concerns and controversies, drawing out crucial themes that continue to shape the Irish landscape.

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From Ireland, England, France, Austria, Greece, Turkey and Italy to America and the West Indies, overflowing with historic events, from the French Revolution to the Great Irish Famine, with a cast of the famous and infamous, Howe Peter Browne, 2nd Marquess of Sligo, lived life to the absolute limits. Privileged yet compassionate, charismatic yet flawed, Regency Buck, Irish landlord, West Indian plantation owner, Knight of St Patrick, Privy Counsellor, intrepid traveller, intimate of kings, emperors and despots, favoured guest in the fashionable salons of London and Paris, patron of artists and pugilists, founder of the Irish Turf Club, friend and fellow traveller of Lord Byron, treasure-seeker, spy, sailor and jailbird, as well as the father of fifteen children, the astonishing range and diversity of Sligo’s life is breathtaking. From a youth of hedonistic self-indulgence in Regency England to a reforming, responsible, well-intentioned legislator and landlord, Sligo became enshrined in the history of Jamaica as ‘Emancipator of the Slaves’ and in Ireland as ‘The Poor Man’s Friend’ during the most difficult of times. Eight years in the writing and sourced from over 15,000 primary contemporary manuscripts located by the author in private and public archives around the world, From Rake to Radical sheds new light on significant historical events and on the people who shaped them in Ireland, England, Europe and the West Indies during a period of momentous political turbulence and change.

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‘Ach cérbh í Peig Sayers?’ Níorbh í in aon chor an tseanbhean ologónach í ar chuir na glúnta de dhaltaí scoile aithne uirthi. Is léir ó chuntais uathu siúd arbh eol dóibh í gur bhean ghrámhar thuisceanach í a raibh acmhainn grinn inti; bean a fuair blas ar ghal tobac agus ar bhraoinín fuisce, agus a bhí oilte ar chraiceann a chur ar scéal. Saolaíodh Peig i nDún Chaoin i gCo. Chiarraí i 1873. Thug sí bua na scéalaíochta léi óna hathair agus tugadh a sárchuimhne agus an lé a bhí aici le comhluadar faoi deara go luath. Phós sí iascaire ón mBlascaod agus chaith sí saol cruógach i dteaghlach líonmhar ag déanamh cúraim don seisear leanbh léi a mhair. Tugann Labharfad le Cách le chéile den chéad uair na taifeadtaí a thóg an BBC agus RTÉ uaithi i 1946, 1947 agus 1953, mar aon le haistriúcháin Bhéarla orthu. Léiríonn siad fairsinge repertoire Pheig idir scéalta cráifeacha, paidreacha, scéalta rómánsacha, scéalta faoin osádúr agus cuntais ar an saol a caitheadh tráth ar an oileán ach go bhfuil a chuimhne ag dul i léig anois. ‘Who was that Peig Sayers?’ She was anything but the maudlin and old-fashioned Peig remembered by generations of school children. From the descriptions of those who met her, the real Peig emerges as a warm, wise and humorous woman, with an addiction to tobacco, a fondness for a sup of whiskey and a mastery of the art of ‘spin’. Born in Dún Chaoin in County Kerry in 1873, Peig learned the art of storytelling at her father’s knee, and quickly became known for her sociable nature and excellent memory. Marrying a fisherman from the Great Blasket, she enjoyed a full life with a large extended family and the care of her six living children. I Will Speak to You All collects, for the first time, in both Irish and English, the recordings made by the BBC and RTÉ of Peig Sayers in 1946, 1947 and 1953. They illustrate Peig’s repertoire, ranging from religious stories and prayers to humorous, romantic, even supernatural tales, as well as descriptions of an island life that is passing from living memory.

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POEMS AND ILLUSTRATIONS INSPIRED BY LOCKDOWN Before the COVID-19 global pandemic, Dubliner Jan was working as a freelance fashion stylist and creative director. Now, she is an experienced homeschool teacher, playground chaperone, cook, cleaner, fed-up walker and kitchen disco DJ. At the height of the restrictions, Jan’s own internal dialogue finally tumbled onto the page. The result is this book of poems: raw, honest and funny observations on family and relationships, on feeling a bit crap and being perfectly imperfect. Jan’s lyrical writings offer a fresh perspective on modern life, written with humour, heart and honesty. What Day Is It? Who gives a f*ck expresses all the rage, loss,fun and love that have stunned and occupied us since March 2020.

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After her father’s death in exile, Antigone returns to Thebes determined to set the record straight and restore her father’s reputation. Tracing the histories of Oedipus and his parents Laius and Jocasta, as well as the peripheral characters of the plays who had a central role in him fulfilling his destiny, Antigone’s ‘biography’ causes us to re-evaluate the extent to which any of us can be entirely blamed for the actions by which we will be defined. Ending with Antigone making a conscious choice to reclaim her brother’s corpse from the battlefield, an act of defiance which will guarantee her own death, the book ultimately meditates on the illusion of free will, and the warning that context is everything, I, ANTIGONE will be a major contribution to the reclaimed classics.

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Sequel to the bestselling Butcher Boy, Francie Brady is back! Francie Brady, the broken Butcher Boy, leads a busy life in Fizzbag Mansions, where he was incarcerated five decades ago after the mistake with Mrs Nugent. Still obsessed with the comic books of his childhood, he has found a new vocation – as a publisher of his very own magazine, The Big Yaroo, and Francie throws himself into its production, working to a deadline in more ways than one. Along the way, he remembers Da, Uncle Alo, Joe Purcell and his beloved Ma, and wrestles a desire to escape his past with the world’s need for him to exorcise his childhood demons. As Francie is drawn even further into the dark world of his own mind, the line between reality and delusion ceases to mean anything. Uproariously funny, terrifying and profound, this is the swansong of one Irish literature’s most enduring characters.

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The history of the Middle Ages [in Ireland] is so neglected that the only figure of renown is Strongbow, the man who led the Norman Invasion of Ireland in the twelfth century … There is little written about the lives of majority of men, who held no title or land, and even less about women … Indeed, so neglected are these people in history that many of the stories and people recounted … haven’t been heard of in centuries. In a society born of conquest, beset with famines and plagues, and where the staples of life were everything from spies and corruption to witch trials and warfare, life in medieval Ireland was seldom dull. In Life in Medieval Ireland, Finbar Dwyer offers a unique portrait of life as it was lived in medieval Ireland. Against the backdrop of what was often a violent and chaotic period of history, Dwyer explores the personal stories of those whose recollections have been preserved, finding in them continual relevance and human interest.

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