Search results for ""Milkweed Editions""

FINALIST FOR THE PULITZER PRIZE IN GENERAL NONFICTIONWINNER OF THE NATIONAL OUTDOOR BOOK AWARDA CHICAGO TRIBUNE TOP TEN BOOK OF 2018A GUARDIAN, NPR’s SCIENCE FRIDAY, PUBLISHERS WEEKLY, AND LIBRARY JOURNAL BEST BOOK OF 2018Hailed as “deeply felt” (New York Times), “a revelation” (Pacific Standard), and “the book on climate change and sea levels that was missing” (Chicago Tribune), Rising is both a highly original work of lyric reportage and a haunting meditation on how to let go of the places we love.With every passing day, and every record-breaking hurricane, it grows clearer that climate change is neither imagined nor distant—and that rising seas are transforming the coastline of the United States in irrevocable ways. In Rising, Elizabeth Rush guides readers through some of the places where this change has been most dramatic, from the Gulf Coast to Miami, and from New York City to the Bay Area. For many of the plants, animals, and humans in these places, the options are stark: retreat or perish in place.Weaving firsthand testimonials from those facing this choice—a Staten Islander who lost her father during Sandy, the remaining holdouts of a Native American community on a drowning Isle de Jean Charles, a neighborhood in Pensacola settled by escaped slaves hundreds of years ago—with profiles of wildlife biologists, activists, and other members of these vulnerable communities, Rising privileges the voices of those too often kept at the margins.In a new afterword for the paperback edition, Rush highlights questions of storytelling, adaptability, and how to powerfully shift conversation around ongoing climate change—including the storms of 2017 and 2018: Hurricanes Harvey, Maria, Irma, Florence, and Michael.

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"In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored.” From these fertile soils of love, land, identity, family, and race emerges The Home Place, a big-hearted, unforgettable memoir by ornithologist and professor of ecology J. Drew Lanham.Dating back to slavery, Edgefield County, South Carolina—a place "easy to pass by on the way somewhere else"—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be "the rare bird, the oddity.”By turns angry, funny, elegiac, and heartbreaking, The Home Place is a remarkable meditation on nature and belonging, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today.

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Midway through the journey of his life, Dan Beachy-Quick found himself without a path, unsure how to live well. Of Silence and Song follows him through the forest of his experience, on a classical search for meaning in the world and in his particular, quiet life.In essays, fragments, marginalia, images, travel writing, and poetry, Beachy-Quick traces relationships and the identities through which he sees the world. As father and husband. As teacher and student. As citizen and scholar. And as poet and reader, wondering at the potential and limits of literature, and guided by his studies in ancient Greek.Of Silence and Song finds its inferno—and its paradise—in moments both historically vast and nakedly intimate. Our world’s disappearing bees, James Eagan Holmes, Columbine, and the persistent, unforgivable crime of slavery—these are the circles of hell Beachy-Quick wanders, but cannot escape. And yet he encounters redemption in the art of Marcel Duchamp, the pressed flowers in Emily Dickinson’s Bible, and long walks with his youngest daughter, Iris. “The litany in hell is weeping, weeping,” he writes, “but there are other litanies.”Curious, earnest, and masterful, Of Silence and Song is an unforgettable exploration of the human soul.

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A KIRKUS BEST BOOK OF 2018In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer.Over the next four years—in which Ritvo’s illness returned and his health declined, even as his productivity bloomed—the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. “We’ll always know one another forever, however long ever is,” Ritvo writes. “And that’s all I want—is to know you forever.”Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife.

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A Vulture 2023 Best Book of the Year“I was in the car the first time music seemed strange: the instruments less distinct, the vocals less crisp.” John Cotter was thirty years old when he first began to notice a ringing in his ears. Soon the ringing became a roar inside his head. Next came partial deafness, then dizziness and vertigo that rendered him unable to walk, work, sleep, or even communicate. At a stage of life when he expected to be emerging fully into adulthood, teaching and writing books, he found himself “crippled and dependent,” and in search of care. When he is first told that his debilitating condition is likely Ménière’s Disease, but that there is “no reliable test, no reliable treatment, and no consensus on its cause,” Cotter quits teaching, stops writing, and commences upon a series of visits to doctors and treatment centers. What begins as an expedition across the country navigating and battling the limits of the American healthcare system, quickly becomes something else entirely: a journey through hopelessness and adaptation to disability. Along the way, hearing aids become inseparable from his sense of self, as does a growing understanding that the possibilities in his life are narrowing rather than expanding. And with this understanding of his own travails comes reflection on age-old questions around fate, coincidence, and making meaning of inexplicable misfortune. A devastating memoir that sheds urgent, bracingly honest light on both the taboos surrounding disability and the limits of medical science, Losing Music is refreshingly vulnerable and singularly illuminating—a story that will make readers see their own lives anew.

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A June 2023 Indie Next Pick, Selected by BooksellersA Minneapolis Star Tribune Recommended Fiction Read for 2023A Millions Most Anticipated Read for 2023A Library Journal Recommended Read for 2023A Motherly Best Book of 2023From the award-winning author of Perma Red comes a devastatingly beautiful novel that challenges prevailing historical narratives of Sacajewea.“In my seventh winter, when my head only reached my Appe’s rib, a White Man came into camp. Bare trees scratched sky. Cold was endless. He moved through trees like strikes of sunlight. My Bia said he came with bad intentions, like a Water Baby’s cry.”Among the most memorialized women in American history, Sacajewea served as interpreter and guide for Lewis and Clark’s Corps of Discovery. In this visionary novel, acclaimed Indigenous author Debra Magpie Earling brings this mythologized figure vividly to life, casting unsparing light on the men who brutalized her and recentering Sacajewea as the arbiter of her own history.Raised among the Lemhi Shoshone, in this telling the young Sacajewea is bright and bold, growing strong from the hard work of “learning all ways to survive”: gathering berries, water, roots, and wood; butchering buffalo, antelope, and deer; catching salmon and snaring rabbits; weaving baskets and listening to the stories of her elders. When her village is raided and her beloved Appe and Bia are killed, Sacajewea is kidnapped and then gambled away to Charbonneau, a French Canadian trapper.Heavy with grief, Sacajewea learns how to survive at the edge of a strange new world teeming with fur trappers and traders. When Lewis and Clark’s expedition party arrives, Sacajewea knows she must cross a vast and brutal terrain with her newborn son, the white man who owns her, and a company of men who wish to conquer and commodify the world she loves.Written in lyrical, dreamlike prose, The Lost Journals of Sacajewea is an astonishing work of art and a powerful tale of perseverance—the Indigenous woman’s story that hasn’t been told.

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It is 2027. August Helm is thirty years old. A biochemist working in a lab at the University of Chicago, he is swept off his feet by the beautiful and entirely self-assured Amanda Clark. Animated by August’s consuming desire, their relationship quickly becomes intimate. But when he stumbles across a liaison between the director of his lab and a much younger student, his position is eliminated and his world upended.August sets out to visit his parents in Words, an unincorporated village in the heart of Wisconsin’s Driftless Area. Here, he reconnects with several characters from his past: Ivan Bookchester, who now advocates for “new ways of living” in an age of decline; Hanh, formerly known as Jewelweed, who tends her orchard and wild ginseng, keenly attuned to new patterns of migration resulting from climate change and habitat destruction; and Lester Mortal, the aging veteran and fierce pacifist who long ago rescued her from Vietnam. Together, the old friends fall back into a familiar closeness.But much as things initially seem unchanged in the Driftless, when August is hired to look after Tom and April Lux’s home in Forest Gate, he finds himself in the midst of an entirely different social set, made up of wealthy homeowners who are mostly resented by the poorer surrounding communities, and distanced in turn by their fear of the locals. August soon falls head over heels for April, and different versions of his self collide: one in which the past is still present in tensions and dreams, another in which he understands his desire as genetically determined and chemically induced, and then a vaguely hoped-for future with April. When Lester is diagnosed with liver cirrhosis, Ivan comes clean on a ghastly past episode, and April makes a shocking revelation, a series of events ensues that will change all involved forever. As approachable as it is profound in exploring the human condition and our shared need for community, this is a story for our times.

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Finalist for the 2022 National Book Critics Circle Award in TranslationTranslated from the Arabic and introduced by Fady Joudah, You Can Be the Last Leaf draws on two decades of work to present the transcendent and timely US debut of Palestinian poet Maya Abu Al-Hayyat. Art. Garlic. Taxis. Sleepy soldiers at checkpoints. The smell of trash on a winter street, before “our wild rosebush, neglected / by the gate, / blooms.” Lovers who don’t return, the possibility that you yourself might not return. Making beds. Cleaning up vomit. Reading recipes. In You Can Be the Last Leaf, these are the ordinary and profound—sometimes tragic, sometimes dreamy, sometimes almost frivolous—moments of life under Israeli occupation. Here, private and public domains are inseparable. Desire, loss, and violence permeate the walls of the home, the borders of the mind. And yet that mind is full of its own fierce and funny voice, its own preoccupations and strangenesses. “It matters to me,” writes Abu Al-Hayyat, “what you’re thinking now / as you coerce your kids to sleep / in the middle of shelling”: whether it’s coming up with “plans / to solve the world’s problems,” plans that “eliminate longing from stories, remove exhaustion from groans,” or dreaming “of a war / that’s got no war in it,” or proclaiming that “I don’t believe in survival.” In You Can Be the Last Leaf, Abu Al-Hayyat has created a richly textured portrait of Palestinian interiority—at once wry and romantic, worried and tenacious, and always singing itself.

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About Issue 33 After a double issue in fall 2020 and a hiatus in the spring, issue 33 is a larger issue than normal, featuring a symposium on Ciaran Carson, five translations folios, and poetry, fiction, and nonfiction by established and emerging American writers. The issue includes: • A Symposium on Irish Poet Ciaran Carson, with appreciations by National Book Critics Circle Award winner Troy Jollimore, Guggenheim fellows Marianne Boruch and Connie Voisine, Forward Prize winner Stephen Sexton, NPR poetry commentator Tess Taylor, two-time NEA fellow Sandra Alcosser, Camargo Foundation Fellow Don Bogen, and Kavanagh Fellow Paul Perry. • Translation Folios featuring poetry by Italian poet Mariangela Gualtieri (translated by Olivia Sears), Mexican poet Verónica González Arredondo (translated by Allison deFreese), and Polish poet Jerzy Jarniewicz (translated by Piotr Florczyk); ghost stories by 18th century Chinese fiction writer Ji Yun (translated by John Yu Branscum and Yi Izzy Yu); and an essay by Japanese postwar writer Endō Shūsaku (translated by Miho Nonaka). • Poetry by Guggenheim Fellows Dan Beachy-Quick and Marianne Boruch; NEA Fellows Sean Hill, Jason Koo, and Rachel Richardson; Jake Adam York Prize winner John McCarthy; Vassar Miller Prize winner Owen McLeod; Oregon Book Award winner Matthew Minicucci; two-time Lambda Literary Award winner Ellen Samuels; Lindquist & Vennum Prize winner Chris Santiago; Richard Wilbur Award winner Adam Tavel; Leia Darwish; Steven Espada Dawson; Emilia Phillips; Stephanie Rogers; Martha Silano; Roy White; and many others. • Fiction by Francine Ringold Award winner Sruthi Narayan, three-time Pushcart Prize winner Alan Michael Parker, Tyler Barton, Ariel Katz, Grey Wolfe LaJoie, Dan Leach, and Julian Zabalbeascoa. • Nonfiction by NEA Fellow Matthew Vollmer, Danielle Cadena Deulen & Shara Lessley, and Dustin Parsons. • The cover features work by Los Angeles-based artist Panteha Abareshi, whose work was written about in the New York Times in March 2021.

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Discovering Pig Magic follows the exploits of Mattie (or Miss M, or just M) and her friends Ariel and Nicki as they attempt to overcome the problems that plague their 13-year-old lives. After finding a book of spells, the three girls perform a ritual that will grant each the object of her desire. This requires that they each bury a special object. Ariel buries a tiny antique spoon; Nicki puts in a thumb-sized leather mother-and-child doll; and Miss M contributes a small ceramic pig with real gold inlays. When the magic starts to take effect, the girls' longed-for wishes carry unintended, and unwelcome, consequences. Breaking the spell before something really bad happens becomes crucial, but doing so may be too much even for these resourceful friends. Julie Crabtree's wonderfully funny novel captures the everyday lives of three quirky, engaging girls, and shows that some wishes may be better left unfulfilled.

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Written especially for families (with children ages 9 and up), this collection of stories, poems, and essays explores what makes the Gulf Coast region distinct, both culturally and environmentally. Four sections cover adventures (scalloping and hurricanes, for example); great places (swamps, bayous, lakes, and beaches); reapers and sowers (from cotton farmers to berry pickers); and wild lives (focusing on alligators, egrets, manatees, and other creatures). Featuring Choctaw legends and songs from the cotton fields, this book evokes the literature, history, geography, ecology, and society of one of America’s treasured regions.

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When twelve-year-old Donovan Sanger is sent to spend the summer with his Uncle Bix—an ex-con—and his Aunt Hattie, who is dying from lung cancer, he does not know what to expect. But at least he’ll get away from his twin sisters, Holly and Heather, “The Two H’s,” who once painted his toes while he slept. Before a week goes by, Donovan is recruited to help Bix retrieve the motor from a sunken boat, given a flattop short as a golf green, and learns that his uncle’s criminal past might be something he has not entirely left behind. A perfect reading adventure—hailed as “moving and believable” (New York Times)—A Small Boat at the Bottom of the Sea is a rich exploration of the courage it takes to attain redemption, and the power of strong relationships to help people look beyond the bad choices others make and see the good inside them.

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Gathering the stories of people whose lives have adapted to the unique features of the North Atlantic coast, the book moves from Wampanoag Indians to eighteenth-century seafarers to contemporary teens. Readers are invited to feel the throb and pulse of the surf as Helen Keller felt it, track an otter through a southern New Hampshire winter, harvest blueberries as the Micmac Indians once did, and join a young boy as he tries to save a lobster from the cooking pot. The lives of fishermen and women, of sailors lost in the fog, of a whale trapped in a pond in Newfoundland—all become richer and more memorable when woven into the fabric of literature. The book is divided, as are all books in the series, into four sections: Adventures, Great Places, Reapers and Sowers, and Wild Lives. The treasure trove of stories, poems, journal entries, and essays about the region is followed by a brief natural history, including a list of areas to visit to experience the wilder side of the North Atlantic Coast region.

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Thirteen-year-old Anna Kallio often thinks about the way life was before her mother died. Now responsible for running the house and caring for her younger brother, Matti, she has no time for school or playing with friends. And she worries about her father, who works in the dangerous iron mines. When Anna and Matti realize how lonely their father is, they plot to find him a new wife, even trying to arrange a match with one of the “mail order” brides arriving from Finland. But the results are different from anything that Anna expected. Set in 1907 in northern Minnesota’s iron-mining range, A Bride for Anna’s Papa is a vivid story of the courage it takes not only to survive but to enjoy life in a rugged frontier community.

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“Engaging and knowledgeably written.” —BULLETIN OF THE CENTER FOR CHILDREN’S BOOKS After Cassie’s dad walks out, Cassie and her mom must make it on their own. While her mom waitresses at the local diner, Cassie takes care of the laundry and cooking after school. She has always wanted a dog, more than anything in the world, but her mother has always refused. Who would take care of a dog? Feed it? And, most importantly, pay for its food, supplies, and trips to the vet? But one day, Cassie’s dream cautiously sniffs its way into her yard—and into her life. Cassie decides this big dog will be her best friend, even if it means secretly getting a job to pay for the huge quantity of food he eats. Quickly Cassie learns that Toklata, as she names her new friend, is a big responsibility—and that he may not be a sled dog at all but an Arctic wolf! The Dog with Golden Eyes is filled with fascinating facts about wolves and their behavior as well as some important lessons about responsibility.

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María Baranda and Paul Hoover present revitalized translations of some of the most beloved poems of the Golden Age of Spanish literature.In 1578, during months of imprisonment for his reformist beliefs, San Juan de la Cruz composed a series of narrative poems inspired by the Biblical Song of Songs—and, the story goes, a popular love song overheard from his cramped cell—that take God as the beloved. Erotically charged, initially scandalous, his mystical poetry engages with the journey of the soul through the darkest trenches of suffering and despair toward an enlightened spiritual connection with God. For hundreds of years, these poems have resonated deeply with those who search for meaning in the dark, and have influenced generations of poets, artists, and philosophers.This bilingual edition of the Complete Poems—including “Dark Night” and both the Sanlúcar and Jaén manuscripts of “Spiritual Canticle”—presents an intimate and exceptionally collaborative new translation from María Baranda and Paul Hoover. Baranda, one of the most distinguished Mexican poets of her generation, lends her deft hand with expansive, meditative poetry. Hoover—the accomplished American poet, editor, and translator—offers his dexterity with form and the possibilities of language. The product is uniquely faithful to image and idea, and loyal to the ecstatic lyricism of this canonical text.A volume that hums with the soul’s longing to find solace, The Complete Poems of San Juan de la Cruz is a collection to be treasured.

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From one of our finest poets comes a collection about time—about memory, remembrance, and how the past makes itself manifest in the world. Called “the poet of things” by Richard Howard, Don Bogen understands the ways objects hold history, even if they’ve grown obsolescent, even when they’ve been forgotten. So objects—rendered in cinematic detail—fill these poems. A desk, a mailbox, a house delivering its own autobiography. Hospitals: the patients who have passed through, the buildings that have crumbled. And, in a longer view, the people who survive in what they left behind: Thom Gunn, Charles Dickens, and the pre-Columbian architects who designed the great earthworks of Ohio two thousand years ago. Songs, ephemeral by nature but infinitely repeatable, run throughout the collection. “What did they tell me, all those years?” Bogen writes. Immediate Song offers us a retrospective glance that is at once contemplative and joyous, carefully shaped but flush with sensuous observation: a paean to what is both universal and fleeting.

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In her second collection, Karen Leona Anderson transforms apparently prosaic documents -- recipes and receipts -- into expressions of human identity. From eighteenth-century cookbooks to the Food Network, the recipe becomes a site for definition and disclosure. Like a theatrical script, the recipe directs action and conjures characters. Grace Kelly at a party. In these poems, the pie is a cultural artifact and Betty Crocker, icon of domesticity, looms large. From the little black dress ($49.99 Nordstroms) to an epidural ($25.00 co-pay), Anderson reveals life in the twenty-first century to be equally hampered and enabled by expenditures. Amidst personal and domestic economies, wildness proliferates -- bats, deer, ocelots, and fungus -- reminding the reader that not all can be assimilated, eaten, or spent. Receipt is like the lovechild of Anne Sexton and Adam Smith, illuminating the ways in which our lives are both constrained by pieces of paper, and able to slip through the crevices of cultural detritus down to the rich current of animal feeling beneath.

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Double Jinx follows the multiple transformations -- both figurative and literal -- that accompany adolescence and adulthood, particularly for young women. Drawing inspiration from sources as varied as Ovid's Metamorphoses, the rewritten fairy tales in Anne Sexton's Transformations, and the wild and shifting dreamscapes of Brigit Pegeen Kelly's work, these poems track speakers attempting to construct identity. A series of poems depict the character of Nancy Drew as she delves into an obsession with a doppelganger. Cinderella wakes up to a pumpkin and a tattered dress after her prince grows tired of her. A young girl obsessed with fairy tales becomes fascinated with a copy of Grey's Anatomy in which she finds a "pink girl pinned to the page as if in vivisection. Could she / be pink inside like that? No decent girl / would go around the world like that, uncooked." The collection culminates in an understanding of the ways we construct our selves, whether it be by way of imitation, performance, and/or transformation. And it looks forward as well, for in coming to understand our identities as essentially malleable, we are liberated. Or as the author writes, "we'll be our own gods now."

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The imagination of a girl, the retelling of family stories, and the unfolding of a rich and often painful history: Parneshia Jones' debut collection explores the intersections of these elements of experience with refreshing candor and metaphorical purpose. A child of the South speaking in the rhythms of Chicago, Jones knits "a human quilt" with herself at the center. She relates everything from the awkward trip to Marshall Fields with her mother to buy her first bra to the late whiskey-infused nights of her father's world. In the South, "lard sizzles a sermon from the stove"; in Chicago, we feast on an "opera of peppers and pimento." Jones intertwines the stories of her own family with those of historical Black figures, including Marvin Gaye and Josephine Baker. Affectionate, dynamic, and uncommonly observant, these poems mine the richness of history to create a map of identity and influence.

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The poems of this fourth collection from Wayne Miller exist in the wake of catastrophe, thrumming with pathos and humor, pain and the beauty of living. Post- coalesces around three primary occurrences: the birth of a child, the death of a father, and the seeming explosion of sociohistorical and political conflict and violence over the past fifteen years. Its world is one populated by rogue gunmen on shooting sprees, where the only inheritance a father has to pass on is his debt, where a car left in an airport parking lot and the coffee cup inside are more immediate presences of the dead. Young rioters leave chaos behind each evening, returning home to watch themselves on the evening news. The unzipping of snow from train tracks evokes the surgery of a family member. Lovers, drinking wine and rowing on a lake, find joy within and without a system that sees them only as consumers. Beginnings and endings, loss and rebirth, body and spirit: in Post-, Miller processes grief, but also cuts through pain, gorgeously and heartbreakingly, to open up a way forward. Winter permeates these poems--and yet spring is always beckoning in the next.

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Martha Collins offers haunting reflections on time and other subjects in Day unto Day, a spare and subtle seventh collection. The book consists of six sequences: during one month each year, for six years, Collins wrote a short poem each day. With perfectly distilled lines, she captures the aching, liminal beauty of one day becoming another -- the slow burn of time passing, the ambiguity of an "old / new leaf" turning over, even as she collages a wide range of material that includes often disturbing news of the world. Writing in the tradition of poetic meditation, Collins shows us the full degree of her mastery -- a mature voice, poems with tremendous scope, and lines exceptionally controlled. Here is the work of a seasoned poet at the height of her career.

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Often the most recognized, even brutal, events in American history are assigned a bifurcated public narrative. We divide historical and cultural life into two camps, often segregated by a politicized, racially divided "Color Line." But how do we privately experience the most troubling features of American civilization? Where is the Color Line in the mind, in the body, between bodies, between human beings? Ed Pavlic's Visiting Hours at the Color Line, a 2012 National Poetry Series winner, attempts to complicate this black-and-white, straight-line feature of our collective imagination, and to map its nonlinear, deeply colored timbres and hues. From the daring prose poem to the powerful free verse, Pavlic's lines are musically infused, bearing tones of soul, R&B, and jazz. Meanwhile, joining the influence of James Baldwin with a postmodern consciousness the likes of Samuel Beckett, Pavlic tracks the experiences of American characters through situations both mundane and momentous, and exposes the many textures of this social, historical world as it seeps into the private dimensions of our lives. The resulting poems are intense-at times even violent-ambitious, and psychological, making Visiting Hours at the Color Line a poetic tour de force, by one of the century's most acclaimed American poets.

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"What is a song but a snare to capture the moment?" Eric Pankey asks in his new collection, Crow-Work. This central question drives Pankey's ekphrastic exploration of the moment where emotion and energy flood a work of art. Through subjects as diverse as Brueghel's Procession to Calvary, Anish Kapoor's Healing of Saint Thomas, Caravaggio's series of severed heads, and James Turrell's experimentation with light and color, the author travels to an impossible past, despite being firmly rooted in the present, to seek out "the songbird in every thorn thicket" of the artist's work. Short bursts of lyrical beauty burn away "like coils of incense ash," bodies in the light of a cave flicker, coalesce and disappear. By capturing the ephemeral beauty of life in these poems, Crow-Work seeks not only to explain great art, but also to embody it.

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“Astonishing . . . A pure-gospel shout to the vaulted heavens.” —D. A. POWELL Written in the aftermath of brain trauma, this astonishing collection takes us through a glittering underworld of illness and recovery, on a confrontational, explosive trip that is at once euphoric and brutal. Through the painful process of rehabilitation and the lingering effects of illness, including a gradual loss of vision, Alex Lemon undergoes a forced metamorphosis that shatters the divide between pain and joy. These poems invoke, proclaim, decry, and serenade the world that results after the violation of identity. From the taste of blood to a glimpse into the opening heavens, the hallucinatory poems of Hallelujah Blackout are an expedition of self made foreign: when the membranes that divide mind and body rupture and the space between them is made, visible, radiant, alien. It is a rapturous reclamation of the body and a mournful ode to what has been lost. Without relying on familiar narratives of despair and pity, this collection serves as a tender hymn to the decay, crimes, and promise of human life.

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Beth Dooley arrived in Minnesota from her native New Jersey with preconceptions about the Midwestern food scene. Having learned to cook in her grandmother's kitchen, shopping at farm stands, and making preserves, she couldn't help but wonder, "Do people here really eat swampy broccoli, iceberg lettuce, and fried chicken for lunch everyday?" These assumptions quickly faded as she began to explore farmers markets and the burgeoning co-op scene in the Twin Cities and eventually discovered a local food movement strong enough to survive the toughest winter. From the husband and wife who run one of the largest organic farms in the region to Native Americans harvesting wild rice, and from award-winning cheesemakers to Hmong immigrant farmers growing the best sweet potatoes in the country, a rich ecosystem of farmers, artisanal producers, and restaurateurs comes richly to life in this fascinating book, demonstrating that even in a place with a short growing season, food grown locally and organically can be healthy, community-based, environmentally conscious, and -- most of all -- delicious.

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The sermons of Joni Tevis' youth filled her with dread, a sense "that an even worse story--one you hadn't read yet--could likewise come true." In this revelatory collection, she reckons with her childhood fears by exploring the uniquely American fascination with apocalypse. From a haunted widow's wildly expanding mansion, to atomic test sites in the Nevada desert, her settings are often places of destruction and loss. And yet Tevis transforms these eerie destinations into sites of creation as well, uncovering powerful points of connection. Whether she's relating her experience of motherhood or describing the timbre of Freddy Mercury's voice in "Somebody to Love," she relies on the same reverence for detail, the same sense of awe. And by anchoring her attention to the raw materials of our world--nails and beams, dirt and stone, bones and blood--she discovers grandeur in the seemingly mundane. Possessed throughout with eclectic intelligence and extraordinary lyricism, these essays illuminate curiosities and momentous events with the same singular light.

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Growing up in British Columbia, Deni Ellis Béchard believes his charismatic father is infallible. Wild, unpredictable, even dangerous, André is worshipped by his son, who believes that his father can do no wrong. But when Deni’s mother leaves his father and decamps with her three children to Virginia, the boy learns of his father’s true identity. André Béchard was once a bank robber—and so Deni’s imagination is set on fire. Boyish rebelliousness gives way to fantasies of a life of crime. Only when he goes off to college, however, does Deni begin to unravel the story of his father’s life, eventually finding the Quebecois family that André left behind long ago. At once an extraordinary family story and a highly unconventional portrait of the artist as a young man, Cures for Hunger is a deeply affecting memoir by one of the most acclaimed young writers in the world today.

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When acclaimed author Deni Bechard first learned of the last living bonobos--matriarchal great apes that are, alongside the chimpanzee, our closest relatives in the animal kingdom--he was completely astonished. How could the world possibly accept the extinction of this majestic species? Bechard discovered one relatively small NGO, the Bonobo Conservation Initiative (BCI), which has done more to save bonobos than many far larger organizations. Based on the author's extensive travels in the Congo and Rwanda, this book explores BCI's success, offering a powerful, truly postcolonial model of conservation. In contrast to other traditional conservation groups Bechard finds, BCI works closely with Congolese communities, addressing the underlying problems of poverty and unemployment, which lead to the hunting of bonobos. By creating jobs and building schools, they gradually change the conditions that lead to the eradication of the bonobos. This struggle is far from easy. Devastated by the worst military conflict since World War II, the Congo and its forests continue to be destroyed by aggressive logging and mining. Bechard's fascinating and moving account-filled with portraits of the extraordinary individuals and communities who make it all happen offers a rich example of how international conservation must be reinvented before it's too late.

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Winner of the 2013 ASLE Book Award Winner of the Reed Award for the Best Book on the Southern Environment 2011 Named a Top Book from the South 2011 by The Atlanta Journal-Constitution A San Francisco Chronicle Gift Book Recommendation for 2011 A Southern Independent Booksellers Bestseller "For those interested in putting the Gulf crisis in perspective, there can be no better guide than this funny, often uncertain, frank, opinionated, always curious, informed and awestruck, accounting of how we've gone wrong and could go right, a full-strength antidote to the Kryptonite of corporate greed and human ignorance." --Atlanta Journal-Constitution Traveling the shores of the Gulf from east to west with oceanographers, subsistence fisherman, seafood distributors, and other long-time Gulf residents, acclaimed author and environmental advocate David Gessner offers a lively, arresting account of the aftermath of the Deepwater Horizon oil spill. With The Tarball Chronicles Gessner tells a story that extends beyond the archetypal oil-soaked pelican, beyond politics, beyond BP, and beyond other oil spill books in the market. Instead, heart on his sleeve and beer in hand, he explores the ecosystem of the Gulf as a complicated whole and focuses on the people whose lives and livelihoods have been jeopardized by the spill. With his

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Teachers, exercises, mentors, critiques, humor, and inspiration: these form the fuel all writers need when they get down to work every day. For decades the Loft Literary Center has provided this fuel to an enormous community of writers. Views from the Loft brings together the collected wisdom of that community -- its authors, students, and editors -- giving anyone the tools and inspiration necessary to thrive in the writing life. A who's who of writers on writing ranging from the National Book Award--winning poet Mark Doty to Newbery medal--winning children's author Kate DiCamillo, and touching on issues as delicate as the representation of family in memoir and as hilarious as a "sad-epiphany poem" mad lib for frustrated poets, this book is an essential collection of crucial tips and challenging questions for everyone who puts pen to page. The essays and interviews in this book include superstar writers like Rick Bass, Michael Cunningham, Grace Paley, Susan Power, Susan Straight, Marilyn Hacker, and many, many more.

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At midlife, Mary Rose O’Reilley writes, we are called to an “archaeology of memory”—turning over a potsherd here, a fragment there—to assemble something whole out of the messiness of experience. Excavating her own life, she traces the middle-class Irish American background that shaped her, with its mix of antic humor, terror, and mysticism, and finds meaning in the seemingly smallest, most transient encounters. But O’Reilley’s purpose is less to recount these moments than it is to find the language for a different kind of story, in which the narrative of daily life opens to admit the holy and its corollary, the comic. Encouraging all of us to contemplate our own deep story, she calls hers a demo-life, in which the facts of personal history ground a narrative of consciousness and perception. Earthy and luminous, unconventional and profoundly illuminating, The Love of Impermanent Things offers a threshold ecology for readers of all ages.

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The spellbinding true story of a young woman's adventure in the Australian outback as she joins a small crew on an abandoned cattle station and drags feral cattle in from the wild. One thousand square miles of coastal scrub--inundated by monsoon floods in summer, baked dry in winter, and filled with the most deadly animals in the world--Stilwater seems an unlikely home for a cattle operation. But in the countless miles beyond the station compound roam tens of thousands of cows, many entirely feral from a long period of neglect. Rafael has been hired, along with a ragged crew of ringers and stockmen, to bring them in for drafting. Over a season they use helicopters, motorcycles, bullcatcher jeeps, horses, ropes, and knives to win Stilwater Station back from the wild. A deeply poetic inquiry into our desire to make order where we find wildness, Stilwater: Finding Mercy in the Outback suffuses us with salt and scrub and blood, blurring the line between domestic and feral in wondrous, unsettling ways. This is a whirlwind of men, women, cattle, horses, machines and landscape in collaborative evolution, all becoming different manifestations of the same entity--the Australian Wild.

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A lifelong resident of southwestern Minnesota and northwestern Iowa, Paul Gruchow celebrated the few scattered patches of prairie land that remain in a region once dominated by grasslands. Gruchow recorded his thoughts, observations, and experiences in each season on the prairie, eventually compiling them into this moving chronicle of a sometimes harsh but always stunning landscape. Be it the bitter winds of winter, the return of the geese in spring, or the first pasque flower, the cycles of growth on the prairie have the power to move and inspire lovers of nature.

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As a farmer with decades spent working in fields, Scott Chaskey has been shaped by daily attention to the earth. A leader in the international Community Supported Agriculture (CSA) movement, he has combined a longstanding commitment to food sovereignty and organic farming with a belief that humble attention to microbial life and diversity of species provides invaluable lessons for building healthy human communities. Along the way, even while planning rotations of fields, ordering seeds, tending to crops and their ecosystems, Chaskey was writing. And in this lively collection of essays, he explores the evolution of his perspective—as a farmer and as a poet. Tracing the first stage in his development back to a homestead in Maine, on the ancestral lands of the Abenaki, he recalls learning to cultivate plants and nourish reciprocal relationships among species, even as he was reading Yeats and beginning to write poems. He describes cycling across Ireland, a surprise meeting with Seamus Heaney, and, later, farming in Cornwall’s ancient landscape of granite, bramble, and windswept trees. He travels to China for an international conference on Community Supported Agriculture, reading ancient wilderness poetry along the way, and then on to the pueblo of Santa Clara in New Mexico, where he joins a group of Indigenous women harvesting amaranth seeds. Closer to home on the Southfork of Long Island, he describes planting redwood saplings and writing verse under the canopy of an American beech.“Enlivened by decades of work in open fields washed by the salt spray of the Atlantic”—words that describe his prose as well as his vision of connectedness—Scott Chaskey has given us a book for our time. A seed of hope and regeneration.

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Fiercely funny and entirely original, this debut collection of stories takes readers from the United States to Israel and back again to examine the mystifying reaches of our own minds and hearts. The characters of The Worlds We Think We Know are animated by forces at once passionate and perplexing. At a city zoo, a mismatched couple unite by releasing rare birds. After being mugged in the streets of New York, a professor must repeat the crime to recover his memory—and his lost love. In Tel Aviv, a sandstorm rages to expose old sorrows and fears as far away as Ohio. And from an unnamed Eastern European country, a woman haunts the husband who left her behind for a new life in America. In Dalia Rosenfeld's prose, the foreign becomes familiar and the mundane magical. The Worlds We Think We Know is a dazzling debut—clear-eyed, empathetic, and heartbreaking.

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"Life could toss your sanity about like a glass ball; books were a cushion. How on Earth did non-readers cope when they had nowhere to turn?" Nell Stillman's road is not easy. When her boorish husband dies soon after they move to the small town of Harvester, Minnesota, Nell is alone, penniless yet responsible for her beloved baby boy, Hillyard. Not an easy fate in small-town America at the beginning of the twentieth century. In the face of nearly insurmountable odds, Nell finds strength in lasting friendships and in the rich inner life awakened by the novels she loves. She falls in love with John Flynn, a charming congressman who becomes a father figure for Hillyard. She teaches at the local school and volunteers at the public library, where she meets Stella Wheeler and her charismatic daughter Sally. She becomes a friend and confidant to many of the girls in town, including Arlene and Lark Erhardt. And no matter how difficult her day, Nell ends each evening with a beloved book. The triumphant return of a great American storyteller, Good Night, Mr. Wodehouse celebrates the strength and resourcefulness of independent women, the importance of community, and the transformative power of reading.

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Let me begin today, illumined by Thy light, to destroy this part of the natural man which lives in me in its entirety, the obstacle that constantly keeps me from Thy Love. Taught this prayer as a boy by his grandfather, James Dressler recites it each time he's tempted by earthly desires. Originally drawn to the priesthood by the mystery, purity, and sensual fabric of the Church, as well as by its promise of a safe harbor from his tempestuous home, James finds himself -- just a few years after his ordination -- attracted again to his first love, Betty Garcia. Torn between these opposing desires, and haunted by his familial heritage, James finds himself at a crossroads. Exploring age-old and yet urgently contemporary issues in the Catholic Church, and infused throughout by a rich sense of the history and vibrant texture of St. Paul, and infused throughout by a rich sense of the history and vibrant texture of St. Paul, this is an utterly honest and subtly lyrical novel.

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