Search results for ""McSweeney's""

Michael Deagler's fiction has appeared or is forthcoming in Harper's, McSweeney's Quarterly Concern, Electric Literature's Recommended Reading, and elsewhere. He has received fellowships from the Fine Arts Work Center in Provincetown, MA, and the Kimmel Harding Nelson Center for the Arts in Nebraska City.

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With Gob's Grief, The Children's Hospital, and The Great Night Chris Adrian announced himself as a writer of rare talent and originality. The stories in A Better Angel, various of which have appeared in the New Yorker, Tin House and McSweeney's, demonstrate more of his endless inventiveness and wit, and confirm his growing reputation as a most exciting and unusual literary voice, and a writer of heartbreaking, magical and darkly comic tales.

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Ferris Jabr is a contributing writer for The New York Times magazine and Scientific American. He has also written for The New Yorker, The Atlantic, Harper's, Foreign Policy, National Geographic, Wired, Outside, McSweeney's, and the Los Angeles Review of Books, among other publications. He lives in Portland, Oregon with his husband, Ryan, their dog, Jack, and more plants than they can count. Becoming Earth is his first book.

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Born in Beijing, C Pam Zhang is mostly an artifact of the United States. She is the author of How Much of These Hills Is Gold, longlisted for for the Booker Prize, a finalist for the PEN/Hemingway Award, and one of Barack Obama's favourite books of the year. Zhang's writing appears in Best American Short Stories, The Cut, McSweeney's Quarterly, the New Yorker and the New York Times. She is a National Book Foundation 5 Under 35 Honoree.

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In Toxicon & Arachne, McSweeney allows the lyric to course through her like a toxin, producing a quiver of lyrics like poisoned arrows. Toxicon was written in anticipation of the birth of McSweeney’s daughter, Arachne. But when Arachne was born sick, lived brie?fly, and then died, McSweeney unexpectedly endured a second inundation of lyricism, which would become the poems in Arachne, this time spun with grief. Toxicon & Arachne is the culmination of eight years of engagement with lyric under a regime of global and personal catastrophes.

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A modern, feminist take on the classic joke book to amuse and empower women.If a tree falls in a forest and only a woman is around to hear it, does it make a sound?We’ll never know. The male forest ranger said it was a “she said, tree said” situation.Four comedy writers flip the script on outdated, sexist joke formats while delivering sharp commentary about the everyday sexism women and people of marginalized genders face. Building off their viral McSweeney’s piece, the book arms readers with humorous ammunition to deliver pointed blows to workplace underminer Gregs and Neanderthal Uncle Larrys, or to share with their aggrieved girlfriends. A cutting satire of the old-fashioned sexist joke book, Jokes to Offend Men is a refreshing reclamation of a tired form.

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Complete with full-colour, heyday-of-home-play-inspired art for each song and a lavishly produced hardcover carrying case (and, when necessary, ukulele notation), Song Reader is an experiment in what an album can be in the 21st century. Beautifully illustrated by Marcel Dzama, Leanne Shapton, Josh Cochran, Jessica Hische and others, Song Reader has been designed by Beck with the help of McSweeney's for release in December 2012.The 20 songs here, including two instrumentals, are as exciting as you'd expect from their author but if you want to hear 'Do We? We Do', or 'Don't Act Like Your Heart Isn't Hard', bringing them to life depends on you, the reader.Edition Notes: 9.5" × 12.5", 108 pages (comprising 20 individual full-colour song booklets - 18 featuring original lyrics, and 2 instrumentals - with covers from more than a dozen different artists)

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How does new writing emerge and find readers today? Why does one writer's work become famous while another's remains invisible? Making Literature Now tells the stories of the creators, editors, readers, and critics who make their living by making literature itself come alive. The book shows how various conditions—including gender, education, business dynamics, social networks, money, and the forces of literary tradition—affect the things we can choose, or refuse, to read. Amy Hungerford focuses her discussion on literary bestsellers as well as little-known traditional and digital literature from smaller presses, such as McSweeney's. She deftly matches the particular human stories of the makers with the impersonal structures through which literary reputation is made. Ranging from fine-grained ethnography to polemical argument, this book transforms our sense of how and why new literature appears—and disappears—in contemporary American culture.

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The Best American Magazine Writing 2019 presents articles honored by this year’s National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic).Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts’s “Getting Out” (New York Times Magazine); “This Place Is Crazy,” by John J. Lennon (Esquire); and Robert Wright’s “Getting Out of Prison Meant Leaving Dear Friends Behind” (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer’s “American Hustler” explores Paul Manafort’s career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Félix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder “The Art of Dying Well” (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub’s piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney’s editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney’s winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.

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How does new writing emerge and find readers today? Why does one writer's work become famous while another's remains invisible? Making Literature Now tells the stories of the creators, editors, readers, and critics who make their living by making literature itself come alive. The book shows how various conditions—including gender, education, business dynamics, social networks, money, and the forces of literary tradition—affect the things we can choose, or refuse, to read. Amy Hungerford focuses her discussion on literary bestsellers as well as little-known traditional and digital literature from smaller presses, such as McSweeney's. She deftly matches the particular human stories of the makers with the impersonal structures through which literary reputation is made. Ranging from fine-grained ethnography to polemical argument, this book transforms our sense of how and why new literature appears—and disappears—in contemporary American culture.

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Gabrielle Bell’s acclaimed collection explores a spectrum of human experience that ranges from the quotidian to the fantastical while always maintaining reliability. The characters of these stories, represented with a spare line, are deeply compelling, even in the finest minutiae of their struggles and triumphs. Culled from numerous anthologies, Cecil & Jordan in New York collects the best of Bell’s short stories and solidifies her place among today’s top cartoonists. This new softcover edition includes additional hard-to-find material not previously included in the original edition. Gabrielle Bell’s work has been selected several times for Best American Comics and the Yale Anthology of Graphic Fiction, and has been featured in McSweeney’s, The Believer, Bookworm, and Vice magazines. Her story, “Cecil and Jordan In New York,” was turned into a film by Michel Gondry. The Voyeurs was named one of the best Graphic Novels of the year by Publishers Weekly. Bell’s most recent book, Everything is Flammable, was on multiple best of 2017 lists, including Kirkus Reviews, Entertainment Weekly, and Publishers Weekly’s Critics Poll. Gabrielle Bell currently lives in Brooklyn, NY.

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'The power of McSweeney's work cannot be separated from its association with forms of oracle and soothsaying, and so it is uncanny that it should arrive in the middle of a global pandemic... Frightening and brilliant' Dan Chiasson, New YorkerHow does the body gestate grief? How does toxicity birth catastrophe?In the months leading up to her daughter Arachne's birth, US poet Joyelle McSweeney set out to write a quiver of poems like a quiver of poison arrows: formally and sonically virtuosic, laced with the poet's obsessive concerns with contamination, decay and the sublime, featuring a crown of 'toxic sonnets' for the tuberculosis bacterium that killed Keats. But when Arachne was born with an unexpected birth defect, lived briefly and died, the poet was visited by a second welter of poems, odes of love, grief, perplexity and rage. These two books, Toxicon & Arachne, form a double collection of poems weighing love, grief, art and survival in increasingly toxic days.Toxicon & Arachne is the culmination of eight years of engagement with lyric under a regime of global and personal catastrophes.

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A glimpse inside the mind and artistic process of a fascinating contemporary cartoonist Born to working-class parents in a small town in Italy, and reared in Chicago, Ivan Brunetti (b. 1967) was drawn to cartoons and comic strips from an early age. Finding inspiration in Spider-Man and Peanuts, he began crafting his own stories and gradually developed a unique style that he applied to imaginative, sometimes shocking subjects. The dark humor of his graphic novels earned him a cult following, yet his illustrations have had broad appeal. Now recognized as an award-winning cartoonist and illustrator, Brunetti has published his work in the New Yorker, the New York Times Magazine, and McSweeney’s, among others.This eye-popping illustrated autobiography by Brunetti traces his artistic trajectory and output, from youthful doodles to his latest cover illustrations and comic strips. Aesthetics: A Memoir unearths a trove of previously unpublished materials, including working drawings, sketches for cartoons, book covers, personal photographs, and items from the artist’s collection of toys and handmade objects. In an introductory essay and captions, Brunetti explains—in a voice that is as quirky, smart, and clear as his drawings—his creative process and aesthetic sensibility. This overarching retrospective conveys Brunetti’s philosophy of life and cartooning through his keen words and unforgettable images.

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"Bell's pen becomes a kind of laser, first illuminating the surface distractions of the world, then scorching them away to reveal a deeper reality that is almost too painful and too beautiful to bear."-- Alison Bechdel, Fun Home, Are You My Mother In Gabrielle Bell's much anticipated graphic memoir, she returns from New York to her childhood town in rural Northern California after her mother's home is destroyed by a fire. Acknowledging her issues with anxiety, financial hardships, memories of a semi-feral childhood, and a tenuous relationship with her mother, Bell helps her mother put together a new home on top of the ashes. A powerful, sometimes uncomfortable, examination of a mother-daughter relationship and one's connection to place and sense of self. Spanning a single year, Everything is Flammable unfolds with humor and brutal honesty. Bell's sharp, digressive style is inimitable. Gabrielle Bell's work has been selected for Best American Comics and the Yale Anthology of Graphic Fiction, and has been featured in McSweeney's, the Believer, Bookforum, and Vice among numerous other publications. Her story, "Cecil and Jordan In New York," was adapted into film by Michel Gondry. Bell's previous graphic novel, The Voyeurs, was named one of the best books of the year by Publishers Weekly, Kirkus Reviews, and the Atlantic. She currently lives in Brooklyn, NY.

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The Best American Magazine Writing 2010 proves that print journalism is as vital as ever, offering information, amusement, connection, and perspective to those who love to lose themselves in a good read. This year's selections, chosen from National Magazine Awards finalists and winners, include David Grann's article from the New Yorker on the execution of a possibly innocent man; Sheri Fink's report from the New York Times Magazine on the alleged euthanization of patients during Hurricane Katrina; and Fareed Zakaria's compelling take from Newsweek on Iran's weakening regime. The Best American Magazine Writing 2010 also includes absorbing profiles, arresting interviews, personal essays, and entrancing fiction. Esquire's Mike Sager recounts a promising quarterback's shocking descent into drugs; Vanity Fair's Bryan Burrough shares the confessions of the year's other major Ponzi schemer, and, from McSweeney's Quarterly, Wells Tower weaves a transporting tale of elemental desire. GQ's Tom Carson offers his critique of America's current vampire craze; Mitch Albom rediscovers Detroit's indomitable spirit in Sports Illustrated; and Garrison Keillor sings an ode to the homegrown joys of state fairs in National Geographic. Additional contributors include Atul Gawande, Megan McArdle, and many others commenting on a range of issues, from health care and the national debt to war movies and the controversy over circumcision. Altogether the writing collected here proves the rich pleasures waiting in the best magazines.

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A dispatch from a foreign land, when crafted by an attentive and skilled writer, can be magical, transmitting pleasure, drama, and seductive strangeness. In "The Moon, Come to Earth", Philip Graham offers an expanded edition of a popular series of dispatches originally published on McSweeney's, an exuberant yet introspective account of a year's sojourn in Lisbon with his wife and daughter. Casting his attentive gaze on scenes as broad as a citywide arts festival and as small as a single paving stone in a cobbled walk, Graham renders Lisbon from a perspective that varies between wide-eyed and knowing; though he's unquestionably not a tourist, at the same time he knows he will never be a local. So his lyrical accounts reveal his struggles with (and love of) the Portuguese language, an awkward meeting with Nobel laureate Jose Saramago, being trapped in a budding soccer riot, and his daughter's challenging transition to adolescence while attending a Portuguese school - but he also waxes loving about Portugal's saudade-drenched music, its inventive cuisine, and its vibrant literary culture. And through his humorous, self-deprecating, and wistful explorations, we come to know Graham himself, and his wife and daughter, so when an unexpected crisis hits his family, we can't help but ache alongside them. A thoughtful, finely wrought celebration of the moment-to-moment excitement of diving deep into another culture and confronting one's secret selves, "The Moon, Come to Earth" is literary travel writing of a rare intimacy and immediacy.

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New from Dave Eggers, National Book Award finalist A Hologram for the King.In a rising Saudi Arabian city, far from weary, recession-scarred America, a struggling businessman pursues a last-ditch attempt to stave off foreclosure, pay his daughter's college tuition, and finally do something great. In A Hologram for the King, Dave Eggers takes us around the world to show how one man fights to hold himself and his splintering family together in the face of the global economy's gale-force winds. This taut, richly layered, and elegiac novel is a powerful evocation of our contemporary moment - and a moving story of how we got here.Praise for A Hologram for the King: 'Absorbing . . . modest and equally satisfying: the writing of a comic but deeply affecting tale about one man's travails that also provides a bright, digital snapshot of our times' Michiko Kakutani, New York Times'A fascinating novel' New Yorker'A spare but moving elegy for the American century' Publishers Weekly'Eggers understands the pressures of American downward-mobility, and in the protagonist of his novel, Alan Clay, has created an Everyman, a post-modern Willy Loman . . . The novel operates on a grand and global scale, but it also is intimate' Chicago Tribune'Completely engrossing' Fortune'Eggers can do fiction as well as he likes' Los Angeles TimesDave Eggers is the author of six previous books: A Heartbreaking Work of Staggering Genius, How We Are Hungry, You Shall Know Our Velocity, What is the What, The Wild Things and Zeitoun. Zeitoun was the winner of the American Book Award and the Dayton Literary Peace Prize and What is the What was a finalist for the 2006 National Book Critics Circle Award and won France's Prix Médicis. Eggers is the founder and editor of McSweeney's, an independent publishing house based in San Francisco. A native of Chicago, he lives in Northern California with his wife and two children.

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New York Times, Spin, and Vanity Fair contributor Marc Spitz explores the first great cultural movement since Hip Hop: an old-fashioned and yet highly modern aesthetic that's embraced internationally by teens, twenty and thirty-somethings and even some Baby Boomers; creating hybrid generation known as Twee. Via exclusive interviews and years of research, Spitz traces Generation Twee's roots from the Post War 50s to its dominance in popular culture today. Vampire Weekend, Garden State, Miranda July, Belle and Sebastian, Wes Anderson, Mumblecore, McSweeney's, Morrissey, beards, artisanal pickles, food trucks, crocheted owls on Etsy, ukuleles, kittens and Zooey Deschanel-all are examples of a cultural aesthetic of calculated precocity known as Twee. In Twee, journalist and cultural observer Marc Spitz surveys the rising Twee movement in music, art, film, fashion, food and politics and examines the cross-pollinated generation that embodies it-from aging hipsters to nerd girls, indie snobs to idealistic industrialists. Spitz outlines the history of twee-the first strong, diverse, and wildly influential youth movement since Punk in the '70s and Hip Hop in the '80s-showing how awkward glamour and fierce independence has become part of the zeitgeist. Focusing on its origins and hallmarks, he charts the rise of this trend from its forefathers like Disney, Salinger, Plath, Seuss, Sendak, Blume and Jonathan Richman to its underground roots in the post-punk United Kingdom, through the late'80s and early '90s of K Records, Whit Stillman, Nirvana, Wes Anderson, Pitchfork, This American Life, and Belle and Sebastian, to the current (and sometimes polarizing) appeal of Girls, Arcade Fire, Rookie magazine, and hellogiggles.com. Revealing a movement defined by passionate fandom, bespoke tastes, a rebellious lack of irony or swagger, the championing of the underdog, and the vanquishing of bullies, Spitz uncovers the secrets of modern youth culture: how Twee became pervasive, why it has so many haters and where, in a post-Portlandia world, can it go from here?

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Comedian and star of The Office and Unbreakable Kimmy Schmidt Ellie Kemper delivers a hilarious and uplifting collection of essays about one pale woman's journey from Midwestern naïf to Hollywood semi-celebrity to outrageously reasonable New Yorker.There comes a time in every sitcom actress's life when she is faced with the prospect of writing a book. When Ellie Kemper's number was up, she was ready. Contagiously cheerful, predictably wholesome, and mostly inspiring except for one essay about her husband's feet, My Squirrel Days is a funny, free-wheeling tour of Ellie's life-from growing up in suburban St. Louis with a vivid imagination and a crush on David Letterman to moving to Los Angeles and accidentally falling on Doris Kearns Goodwin.But those are not the only famous names dropped in this synopsis. Ellie will also share stories of inadvertently insulting Ricky Gervais at the Emmy Awards, telling Tina Fey that she has "great hair-really strong and thick," and offering a maxi pad to Steve Carell. She will take you back to her childhood as a nature lover determined to commune with squirrels, to her college career as a benchwarming field hockey player with no assigned position, and to her young professional days writing radio commercials for McDonald's but never getting paid. Ellie will guide you along her journey through adulthood, from unorganized bride to impatient wife to anxious mother who-as recently observed by a sassy hairstylist-"dresses like a mom." Well, sassy hairstylist, Ellie Kemper is a mom. And she has been dressing like it since she was four.Ellie has written for GQ, Esquire, The New York Times, McSweeney's and The Onion. Her voice is the perfect antidote to the chaos of modern life. In short, she will tell you nothing you need to know about making it in show business, and everything you need to know about discreetly changing a diaper at a Cibo Express.

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