Search results for ""Little Toller Books""

In 2017, Simon Moreton's father fell suddenly ill and died. His death sent the author back to his childhood home in rural Shropshire trying to process his grief by revisiting his family's time as transplants to the countryside. The story centres around Titterstone Clee Hill, and Caynham, the nearby village in which the author lived as a child. There are tales of empty mansions, of being bullied; cooking with his Dad, messing around with his brother, exploring forests; being an adult faced with an ill father; history and folklore of the Clee Hills; of high-society scandals, prejudice and fear; industrial decline and automation; haunted cliff faces; working on a radar station; of being a kid, of hospitals, of growing old, of the seasons passing, of his family, of his father and his kindnesses; of how he became whatever it is he was, and how this big hill was a backdrop to so much of it. In a memoir that that combines prose, illustration, photos, archival texts, and more, Where? weaves a gentle story that slips and slides in time and geography, creating connections across geographies, histories, families, times, and circumstance all to answer the question - 'where are you from?' Where? is more than a graphic novel, it is a treatise on grief, on childhood, nature, and belonging. It is a challenge to think differently about what it means to be 'from' somewhere, and how the political urgency of early twenty-first century living needs us to be more critical of our stories, reclaiming what is valuable to us from the grip of those who would take our histories and use them for division and exploitation.

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Since his rise to fame in 1967 when his work "The Peregrine" was awarded the Duff Cooper Memorial Prize, J A Baker has captured the popular imagination with his vivid descriptions of British landscapes and native wildlife. Compelling, strange and at times both startlingly funny and cruel, Baker's prose is at one with his image as a writer, which has, since the publication of his first work, been characterized as an obsessive recluse.Next to nothing was known about Baker, who died in 1987, until an archive of his materials and those related to him was gifted to the University of Essex in 2013. Only now has it been possible to piece together an accurate view of the life and unpublished work of the man whose writing has been described as "the gold standard for all nature writing" (Mark Cocker), and whose work has influenced naturalists such as Richard Mabey and Simon King, as well as film-makers David Cobham and Werner Herzog.This new book showcases the most compelling parts of the Baker Archive, containing previously unknown elements of his life, many photographs and unpublished poems.It provides an invaluable new insight into both his sensitive and passionate character, and late twentieth century Britian, a country experiencing the throes of agricultural and environmental change.

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Ash is one of the most common trees in the British Isles - there are nearly as many ash trees as there are people. Perhaps this is why we take them for granted. Poets write of oak, yew, elm, willow, rarely ash.No books have been written about ash trees before. Yet Ash is one of the most productive hardwoods in Europe. Its strength and elasticity are qualities our Neolithic ancestors recognised while building their tracks across the marshlands of Somerset. Ash has been used ever since, to build and warm homes, to feed livestock, to cure. Before steel it was used to make ploughs and rakes, wheel rims,boat frames, tent pegs and weapons. The human population is not alone finding sustenance and shelter in Ash: woodpeckers bore nest holes into them, bats breed in veteran trees, insects, lichens, mosses and liverworts thrive on ash bark, as do hares and rabbits in winter. The first noticing of Ash Disease in 2012 brought this underappreciated tree to our attention.In response, Oliver Rackham has written this first history and ecology of the ash tree, exploring its place in human culture, explaining Ash Disease, and arguing that globalisation is now the single greatest threat to the world's trees and forests. We cannot go on treating trees like tins of paint or cars to be traded around the world. Neither can we assume that planting a tree is, by default, a good thing. Industrial planting and irresponsible trade are already devastating the world's tree populations. The Ash Tree is Oliver Rackham's call for a radical shift in our attitude to trees - how we plant them, how we care for them after they are planted. There is no more urgent message for our times.

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Iain Sinclair, the celebrated author and psycho-geographer, walks back along the blue-grey roads and cliff-top paths of his childhood in south Wales, rediscovering the Gower peninsula. Provoked by the strange and enigmatic series of paintings Afal du Brogwyr (Black Apple of Gower) made by the artist Ceri Richards in the 1950s, Sinclair leaves behind the familiar "murky elsewheres" of his life in Hackney, London, carrying an envelope of photographs and old postcards, along with fragments of memory. He soon realises that a series of walks over the same ground - Port Enyon Point to Worm's Head have become significant waymarks in his life. His recollections of a meeting with the poet Vernon Watkins, the art of Richards and the poetry of Dylan Thomas lead him to his final quest, the Paviland Cave where in 1823 human remains 36,000 years old were discovered.

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Of all weathers, snow is the one that has always affected Marcus Sedgwick the most. While many people's idea of the perfect holiday involves sun, sea an sand, he instead makes trips to cold, snowy parts of the world: Russia, Scandinavia or the Arctic Circle. A few years ago he bought a mountain home, an old chalet d'alpage high in the Haute Savoie, and for the first time he began to understand what it is to live in an environment where extreme snowfall is frequent.Like the six sides of a snowflake, the book has six chapters, each exploring the art, literature and science of snow, as well as his own experiences and memories, asking whether it really did snow more during his boyhood in Kent and whether changing climate patterns might mean,that for some areas of the world, snow may become a thing of the past. He also wonders why snow is so powerful for our imagination, so transformative and as fundamental as our response to darkness, to sunlight.

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Clare Leighton was one of the finest engravers of the twentieth century. In the 1930s, when she settled in the countryside with her long-term partner, the political journalist Henry Noel Brailsford, she turned her creativity to the land. Gardening became her passion. Her obsession. This is the story of the garden she carved from meadowland deep in the Chiltern Hills. "Phrases and images fill you with delight...This is the most honest writing I've ever read". (Carol Klein).

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In 1957, after travelling in southern Iraq, Gavin Maxwell returned to the West Highlands of Scotland with an otter cub called Mijbil. Written within thew sound of the sea, in a remote cottage where they set up home together, this enduring story evokes the unspoilt seascape and wildlife of a place Maxwell called Camusfearna. Ring of Bright Water was hailed as a masterpiece when it was first published, sold over two million copies worldwide, and was later adapted into a successful film. Fifty years on it remains one of the most lyrical, moving descriptions of a man's relationship with the natural world. Our new edition is unabridged and includes all the illustrations from the first edition.

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Edward Thomas's death in the Second World War robbed the world of a great poet, a fine writer, and a pioneering environmentalist. Published in 1909, The South Country is the happiest of all his books. Lyrical, passionate, acutely sensitive to life in the countryside and the rhythms of the seasons, it brilliantly merges landscape, folk culture and natural history into a record of what Edward Thomas saw and felt as he wandered the old ways of southern England.

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King of Dust is a stonemason's personal journey through the landscapes of south-west England and the sculpture which first inspired him to pick up tools: the Romanesque. In the early years of the 21st century, mentally exhausted, the archaeologist Alex Woodcock carved a stone for the first time and realised how much more there was to learn about the subject from which he had made his life's work. Determined to understand the work by making and carving, as well as theoretically, he retrained as a stonemason and spent several years working at Exeter Cathedral. Ten years after that first carving a move to Cornwall prompted an urge to re-explore the little known Romanesque (12th century) carvings of the south-west. King of Dust follows a year of these wanderings, being both an archaeology of the images and a meditation on learning the craft. Ultimately it is about the power of medieval art to transform a life.

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A century ago woodlands were at the heart of daily life. Trees and hedgerows, copses and spinneys provided wood-fuel, thatch and bedding, woodland pasture for pigs and cattle, medicine from tree bark and a wild harvest of nuts and fruit for the home. But the role of woodlands has been in decline in the last two centuries, drifting ever further from our modern lives. Yet there is no other landscape in the British Isles that matches the complexity and variety of life in a woodland, above and below ground.And while sheltering wildlife, woods continue to enrich our language, feed our imagination and still have the power to transform us, literally and metaphorically. Woodlands have not only inspired folktales, music, novels, visual art and poetry, they are also finding new uses in healthcare and as outdoor classrooms.Arboreal is a landmark publication of new writing from woodlands across the UK and beyond. In memory of the great historical ecologist Oliver Rackham, the book gathers contributions from a variety of voices - novelists, teachers, poets, botanists, artists, architects and foresters - to explore why woods matter and mean so much.

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Neil Sentance revisits his native Lincolnshire riverlands and fields, farms and market towns, to explore the history of his family and the landscape which shaped them. But this is not a lament for a lost world. Peopled by characters forgotten by history, it celebrates the countryside with a rare combination of lyricism and muddy realism. Water and Sky collects together Neil Sentance's 'Scenes from the Waterside', a sequence of essays which first appeared on the Caught by the River website between 2010 and 2013. Water and Sky is an original and haunting blend of nature writing, memoir and historical fiction.

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Liverpool is a city of ghosts. Through the centuries, millions have lived here or come to find a new life, and found safe harbour. More than any other city in Britain its history resonates in the buildings, landscapes and stories that have seeped into the lives of its inhabitants. n Ghost Town, Jeff Young takes us on a journey through the Liverpool of his childhood - down back alleys and through arcades, into vanished tenements and oyster bars, strip tease pubs and theatres. We watch as he turns from schoolboy truant into an artist obsessed with Kafka, Terence Davies and The Fall. Along the way he conjures ghosts and puts hexes on the developers who've ruined the city of his dreams. Layering memoir, history, photography and more this is a highly original approach to this great city.

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King of Dust is a craftsman's personal journey through the landscapes of ancient sculpture which first inspired him to pick up tools. This journey through the Romanesque celebrates the lives of medieval carvers and contemporary stonemasons, interwoven with Alex's own life as he becomes a stonemason.

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John Wyatt first encountered the Lake District during a boyhood camping trip to Windermere. He was overwhelmed by the freedom of the landscape and the closeness to nature he felt. It was as if he belonged here, amongst the fells, the crags and the endless horizon. This call to the wild stayed with him, becoming so powerful that one day he did what many only dream of: he left a steady job and his town life to become a forestry worker in a Lakeland wood at Cartmel Fell. This is one of the finest books ever written on the Lake District. Like Thoreau, John Wyatt embraced the simplicity of living alone in a woodland hut, immersing himself in a life made rich by birdsong, foraging for food the smell of woodsmoke, and the extraordinary companionship of Buck, a young roe deer discovered in the woods.

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At the end of the 1960s, Kenneth Allsop, a famous television presenter and literary man-about-town, left London and settled amid the sunken lanes, ancient forests and chalk streams of west Dorset. He was at his very happiest here. He thought it the loveliest place on earth, and for three years he devoted a weekly newspaper column to his day-to-day life at the mill, brimming with humor and delight for the wildlife which shared his home. In the Country is not rustic or romantic. It is never unrealistic about agricultural modernisation and social change in the countryside. Yet, steeped with a deep sense of the past, Kenneth Allsop's writing speaks in defense of the natural world and stands firmly against the unchecked exploitation of the land. First published 1972 by Hamish Hamilton.

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The unlikely stars of Landfill are gulls. No, not seagulls. Gulls. Over the past century gulls have been brought ashore by modernity, living in our slipstream, following trawlers, ploughs and now rubbish trucks. They are more our contemporaries than other birds, living their wild lives in towns and cities, grabbing a bite where they can. Our story is theirs too. In Landfill, Tim Dee follows gulls to rubbish dumps, meets gull-watchers, discovers ancient poets, Victorian novelists and learns how gulls continue to tell us how the wild can share our world, if we'd only listen.

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This new book of essays from the author of Wild tracks the turning light of the day and seasons, an almanac of the turning times. Beginning in night and winter, it moves to dawn and spring, then noon and summer and finally evening and autumn. Set partly at the author's home in Wales, the book journeys widely, searching for a dead father in Prague, listening to the Sky-Grandmothers of Mexican myth and staying with the people of West Papua who, when they know they will fall over laughing, lie down first. It asks: what is the real gift of the misunderstood Goddess Nemesis? Why should flowers be prescribed as medicine? What do male zebra finches dream of? Where do the sands of time run fastest, and how is that connected to the age of anxiety? It explores the dawn chorus; the tradition of sacred hospitality; dust from the time before the sun even existed; the twilight time of the trickster and the daily rituals of morning. In all of these it asks: why does light, through the hours of the day and the seasons of the year, affect us? Griffiths concludes this extraordinary collection by deciding that light is in fact how we think.

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During the early 1970s Richard Mabey explored crumbling city docks and overgrown bomb-sites, navigated inner city canals and car parks, and discovered there was scarcely a nook in our urban landscape incapable of supporting life. The Unofficial Countryside is a timely reminder of how nature flourishes against the odds, surviving in the most obscure and surprising places. Originally published in 1973 this landmark book was described by Iain Sinclair as 'a proper reckoning, the Domesday Book of a topography too fascinating to be left alone.' This beautiful new edition forms part of the Richard Mabey library, published to celebrate the author's 80th birthday and has a cover by the artist Michael Kirkman.

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On 'Lady Day', March 1943 a group of Christian pacifists took possession of a vacant farm in Frating, a hamlet on the Essex Tendring Peninsula. There they established a working community, inspired by their association with The Adelphi journal, where D.H.Lawrence, John Middleton Murry, Vera Brittain, Iris Murdoch, George Orwell and others shared ideas for the future with European religious radicals such as Nikolai Berdyaev, Martin Buber and Simone Weil. Frating Hall Farm provided a settlement and livelihood for individuals and families (as well as a temporary sanctuary for refugees and prisoners-of-war), and over time became a successful arable and livestock land-holding of more than 300 acres. Scorned initially by their neighbours for their anti-war views, the Frating community won respect not only through their farming achievements, but having established a touring theatre company and choir, for bringing new life to the villages and churches around them. The lost story of Frating Hall Farm is based on the reminiscences of those who grew up on the farm, together with photographs, letters and organisational records, never before seen or published. The book is a kaleidoscopic history of a farm during its eleven-year occupation, and an enquiry into the passionate religious and political ideals of the back-to-the-land movement in wartime and post-war rural England.

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Originally published in 1948, and edited by the artist John Piper, An English Farmhouse is Geoffrey Grigson's careful survey of the old English farmhouse, and its associated buildings, whether made from sarsen, thatch, timber, tile or brick. Grigson paints a vivid and human picture of rural life in the preceding centuries and creates a delicate weave of social history.

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Richard Skelton spent nearly half a decade living in a small valley high in the Furness hills of Cumbria, in northern England. When not writing or composing music, most of his days were spent beating the valley's bounds, exploring its network of paths, streams and walls. Beyond the Fell Wall is a distillation of his observations and thoughts about this particular patch of land. It is a poetic enquiry into the life of an seemingly inanimate landscape - its otherwise unheard melodies and unseen movements. It considers both vast geological epochs and brief moments of intimacy, and in turn it asks us to consider sentience in all things, whether animal, vegetable or mineral. At the heart of the book is the fell wall itself: vast and serpentine - a vessel for the lives, voices and myths of the landscape.

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The Slender-billed Curlew, Numenius tenuirostris, 'the slim beak of the new moon', is one of the world's rarest birds. It once bred in Siberia and wintered in the Mediterranean basin, passing through the wetlands and estuaries of Italy, Greece, the Balkans and Central Asia. Today the Slender-billed Curlew exists as a rumour, a ghost species surrounded by unconfirmed sightings and speculation. The only certainty is that it now stands on the brink of extinction. Birds are key environmental indicators. Their health or hardship has a message for us about the planet, and our future. What does the fate of the Slender-billed Curlew mean for us, and for the natural world? What happened to it, and why? In Orison for a Curlew Horatio Clare journeys through a fractured Europe in search of the Slender-billed Curlew, following the bird's migratory path on an odyssey that takes us into the lives of the men and women who have fought to save the landscapes to which the bird belongs. This is a story of beauty, triumph, and the struggles of conservation. It is a homage to a bird which may never be seen again.

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First published in 1932 and written in simple, direct prose, Farmer's Glory is a portrait of a farming life in southern England and in western Canada, and is a model of the genre: warm and humorous as well as an astute and unflinching account of the hardships of a farming life. Introduced, in this new, edition by James Rebanks, bestselling author of The Shepherd's Life.

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John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise as his novels, The Tree is a provocative meditation on the connection between the natural world and human creativity, and also a rejection of the idea that nature should be tamed for human purpose. Now, nearly forty years after its first publication, Little Toller is proud to republish this classic book as a special hardback, featuring a new foreword by William Fiennes and especially commissioned wood engravings,in the spirit of The Man Who Planted Trees.This edition will be an important addition to Fowles' published works and appeal to the growing audience for new nature writing as a classic of the genre.

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In 1948, shortly after settling with his family in the village of Blaxhall, Suffolk, George Ewart Evans started recording the conversations he had with neighbours, many of whom were born in the nineteenth century and had worked on farms before the arrival of mechanisation. He soon realised that below the surface of their stories were the remnants of an ancient, rural culture previously ignored by historians. In the detail of village architecture, the of superstitions of tree-planting and rituals house-building, in the esoteric practices of horse cults or the pagan habit of 'telling the bees', The Pattern Under the Plough unearths the rich seam of customs and beliefs that this old culture has brought to our communities. Even in modern societies, governed by science and technology, there are still traces of a civilisation whose beliefs were bound to the soil and whose reliance on the seasons was a matter of life or death.

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Unhappily land-locked in his early adult life, Frank Fraser Darling's fortunes changed when he began visiting Scotland's west coast in the 1930s. Surviving treacherous boat journeys, a broken leg, and hell-bent storms, he made temporary homes with his family on some of the remotest Hebridean islands so he could study the habits of grey seals and seabirds. The family finally settled on an abandoned croft in the Summer Isles, on Tanera Mor, and started farming the barren land. They repaired a ruined herring fishery and its stone quay. They fertilised the ground with seaweed, cut peat for the fires, planted a garden behind sheltered walls. Slowly, they brought life back to the island. Little Toller republishes classic books about nature and rural life.

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H E Bates carried a woodland in his imagination. He fell under its spell as a boy growing up in the Midlands, becoming increasingly enchanted each time he stepped below the wooded canopy. Memory magnified its mystery over the years, enriching his stories as he grew successful as a writer. But why did this place become a part of him? What are the qualities of all woodlands that make them so special? Set in Kent, Bates returns to those trees of his youth to breath life into the changing character of a single woodland year, revealing how precious they are to the English countryside. Our new edition is illustrated throughout with Agnes Miller Parker's wonderful engravings. Little Toller republishes classic books about nature and rural life.

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A century before Charles Darwin, decades before the French Revolution, Gilbert White began his lifelong habit of measuring and observing the world around his Hampshire home. Daily rainfall levels and temperature shifts were recorded with home-made instruments. Bird song and seasonal migrations were noted. The feeding habits of frogs, bats and mice were jotted into his diaries and nature journals, as were the simple delights he felt hearing a cricket in the meadow or a blackbird in the hedgerows. The extraordinary detail of the natural history he described has given us, two hundred years later, a glimpse into ecosystems untouched by industry and an account of how changes in global climate can affect local weather patterns. Gilbert White is now considered England's first ecologist. The Natural History of Selborne is one the most published books in the English language. Yet the most enduring quality of his writing is the spirit of curiosity that bounds across every page, inspiring us to explore the abundance of life at our doorsteps and around our parishes.

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Adrian Bell's travels through East Anglia and lowland Britain reflect a world on the brink of change. Published in 1939, on the eve of the Second World War, his down-to-earth descriptions of the countryside were shaped by his own life working the land. Whether it be hedgerow flowers, a livestock auction, traditional farmyard, village forge, wheelwright's shop, the arrival of the tractor in the harvest field, the work of the ploughman, shepherd or woodman, Men and the Fields captures the character of rural life before modern agriculture altered the landscape and changed forever the way we eat and live.This new edition restores the original colour lithographs and black and white line drawings by John Nash that appeared in the first edition.

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