Search results for ""Henricus""

Originally published in 1529, this work argues that women are more than equal to men in all things that really matter, including the public spheres from which they have long been excluded. Rather than directly refuting prevailing wisdom, Agrippa uses women's superiority as a rhetorical device and overturns the misogynistic interpretations of the female body in Greek medicine, the Bible, Roman and canon law, theology, moral philosophy and politics. He raised the question of why women were excluded and provided answers based not on sex but on social conditioning, education and the prejudices of their more powerful oppressors. His declamation, disseminated through the printing press, illustrated the power of that new medium, soon to be used to generate a larger reformation of religion.

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Return once more to haunted Richmond, where no building is safe from supernatural happenings. Visit Stories Comics, which holds more than just comics within its walls. Step back in time at Henricus Historical Park where you'll be welcomed by dead colonists, Civil War soldiers, and other haunts. Discover that not only is the Richmond Vampire out for your blood, but the Werewolf of Henrico waits for you beneath the full moon. It seems that the War Between the States is still being fought between ghostly Confederate and Union soldiers at Cold Harbor, Sailor's Creek, Parker's Battery, and Petersburg Battlefield. All this… plus a sea serpent, a lost city, ghostly cats, Bigfoot, a UFO, and haunted churches, parks, and colleges. So be sure to plan your visit now to a very paranormal Richmond. The dead don't stay dead in this town!

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Essays illuminating a complex and sophisticated musical manuscript. The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function. . WOLFGANG FUHRMANN is Professor of Musicology at Leipzig University; CRISTINA URCHUEGUÍA is Professor of Musicology at the University of Bern. Contributors: Bonnie J. Blackburn, Wolfgang Fuhrmann, Leofranc Holford-Strevens, Tess Knighton, Kenneth Kreitner, Honey Meconi, Emilio Ros-Fábregas, Cristina Urchueguía, Rob C. Wegman

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