Search results for ""HAMLYN""

D-Day was the pivotal turning point of the Second World War. The assault on the beaches of Normandy was an astounding feat of logistical prowess, technological innovation and heroism. Allied Command secretly planned an invasion of unprecedented scale by sea and air, which saw the tide of the war shift irrevocably. Following the landing, over a million men, alongside vehicles, ammunition and equipment were coming ashore, all to support the bloody campaign to liberate Europe. A story of ingenuity and devastating loss of life, the moving history of D-Day – its impact and its cost – is captured here in vivid detail. Compiled from the Mirrorpix archives, this collection charts the planning, action and aftermath of Operation Overlord, with a foreword by Philip Hamlyn Williams.

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The way we experience the world is largely through the design of the places, products, communications, services and systems we encounter every day. Design determines how difficult or easy it is to achieve certain things – whether taking a bath, cooking a meal, crossing the street or making a call, we all want a world that works for us all the time. However, some people are excluded from the simplest and most basic everyday experiences. Why? This is because the act of designing has given insufficient consideration to their level of physical ability or cognitive difference or cultural background or economic circumstance.Over the past 30 years, however, there has been a shift in designing to become more empathic and inclusive of different human needs. The Helen Hamlyn Centre for Design at the Royal College of Art first pioneered the concept of inclusive design in the early 1990s and it has gone on to build an extensive portfolio of collaborative projects over a long period, developing new methods, coaching designers at all levels in the approach and bringing a more inclusive way of thinking about design to international attention. This book shows the parameters of inclusive design through the lens of the centre’s own projects in the field. It therefore maps a movement and, at the same time, marks a milestone: the 30th anniversary of the Helen Hamlyn Centre for Design in 2021. 30 everyday artefacts and environments are explored. These vary in scale: some are simple, hand-held objects, while others form part of large and complex environments or systems. Some have reached the market, others we can file under ‘ideas for the future’. All reflect an approach which could be described as designing with people as opposed to designing for people.

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Richard Charkin’s experience as a publisher is unique among his generation. Over the past half century he has been (at different times) a scientific and medical publisher, a journal publisher, a digital publisher and a general publisher. He has worked for family-owned, publicly-owned, university-owned companies and start-ups. In this memoir he uses his unrivalled experience to illustrate the profound changes that have affected the identity and practices but not the purpose of publishing. Of course there are stories about well-known personalities he has encountered in his career - Madonna, Jeffrey Archer, Robert Maxwell, Paul Hamlyn, Mohammed Al-Fayed and many more. But his primary purpose is to provide an insider’s account of the social, technological, commercial and geographical developments as seen through the eyes of a gifted all-round publisher who has made a very significant contribution to the profession. This is an insider’s account of the last fifty years of the publishing industry: the essential guide for writers, readers, students of publishing, and book industry professionals including librarians, booksellers, literary agents, printers, copyright lawyers, digital experts.

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LONGLISTED FOR THE BOOKER PRIZE 2023LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTIONA SUNDAY TIMES BESTSELLERA FINANCIAL TIMES, NEW STATESMAN, NEW YORKER AND WASHINGTON POST BOOK OF THE YEARWillie Somerset Maugham is one of the greatest writers of the early twentieth century. But in 1921 he is beleaguered by an unhappy marriage, ill-health and business interests that have gone badly awry. He is also struggling to write.His friend Robert Hamlyn offers an escape in the Straits Settlements of Penang, where Robert''s steely wife Lesley learns to see Willie as he is - a man who has no choice but to mask his true self.As Willie prepares to leave, Lesley confides in him secrets of her own, including how she came to know the charismatic revolutionary Dr Sun Yat Sen. And more scandalous still, her connection to an Englishwoman charged with murder in the Kuala Lumpur courts - a tragedy drawn from fact, a

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It is 1921 and at Cassowary House in the Straits Settlements of Penang, Robert Hamlyn is a well-to-do lawyer and his steely wife Lesley a society hostess. Their lives are invigorated when Willie, an old friend of Robert's, comes to stay.Willie Somerset Maugham is one of the greatest writers of his day. But he is beleaguered by an unhappy marriage, ill-health and business interests that have gone badly awry. He is also struggling to write. The more Lesley's friendship with Willie grows, the more clearly she see him as he is - a man who has no choice but to mask his true self.As Willie prepares to leave and face his demons, Lesley confides secrets of her own, including how she came to know the charismatic Dr Sun Yat Sen, a revolutionary fighting to overthrow the imperial dynasty of China. And more scandalous still, she reveals her connection to the case of an Englishwoman charged with murder in the Kuala Lumpur courts - a tragedy drawn from fact, and worthy of fiction.From Man Booker Prize-shortlisted Tan Twan Eng, The House of Doors is a masterful novel of public morality and private truth a century ago. Based on real events it is a drama of love and betrayal under the shadow of Empire.

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Highly Commended for the W.G. Hoskins Prize in the Devon History Society Book of the Year awards. This book is one of the first to study the regional role of women in public and professional life, breaking new ground in early twentieth-century local and gender history. Covering politics (Eleanor Acland and Clara Daymond), medicine and education (Dr Mabel Ramsay and Jessie Headridge), and a variety of voluntary organizations (Florence Cecil, Georgiana Buller, Jane Clinton and Sylvia Calmady-Hamlyn), it shows how women worked individually and in collaboration to create new opportunities for women and girls in a large, mainly rural, county far from London and the industrial heartlands of England. These biographical studies are based on original research and reveal the huge public contribution made by these eight women, who up to now have been largely hidden from history. Devon Women in Public and Professional Life, 1900–1950 is a contribution to the history of women in Britain between the wars, a period that has received less attention than the Edwardian era and the two World Wars. It also fills a major gap in the history of Devon women, on which almost nothing has been published, and on Devon in the inter-war period, similarly neglected by historians. It will be of interest to academics and students in the fields of gender history and the history of modern Britain, as well as everyone interested in the history of twentieth-century Devon.

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LONGLISTED FOR THE BOOKER PRIZE 2023A SUNDAY TIMES BESTSELLERA FINANCIAL TIMES BOOK OF THE YEARA NEW STATESMAN BOOK OF THE YEARA NEW YORKER BOOK OF THE YEARA WASHINGTON POST BOOK OF THE YEARIt is 1921 and at Cassowary House in the Straits Settlements of Penang, Robert Hamlyn is a well-to-do lawyer and his steely wife Lesley a society hostess. Their lives are invigorated when Willie, an old friend of Robert's, comes to stay.Willie Somerset Maugham is one of the greatest writers of his day. But he is beleaguered by an unhappy marriage, ill-health and business interests that have gone badly awry. He is also struggling to write. The more Lesley's friendship with Willie grows, the more clearly she see him as he is - a man who has no choice but to mask his true self.As Willie prepares to leave and face his demons, Lesley confides secrets of her own, including how she came to know the charismatic Dr Sun Yat Sen, a revolutionary fighting to overthrow the imperial dynasty of China. And more scandalous still, she reveals her connection to the case of an Englishwoman charged with murder in the Kuala Lumpur courts - a tragedy drawn from fact, and worthy of fiction.From Man Booker Prize-shortlisted Tan Twan Eng, The House of Doors is a masterful novel of public morality and private truth a century ago. Based on real events it is a drama of love and betrayal under the shadow of Empire.

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Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage's films. In particular, many of these essays revolve around the controversial issues of representation and perception.This project sets out from the assumption that Brakhage's art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage's art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalised.Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the 'it' within the 'itself' of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophise in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realising Deleuze's image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book addresses not only scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney and Marco Lori.

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A highly-illustrated monograph on the life and work of Arthur Singer, an American wildlife artist specializing in birds. His work in reference books and U.S. stamps is internationally acclaimed. Arthur B. Singer was an American wildlife artist specializing in bird illustration. In a career spanning five decades, he illustrated more than 20 books, including his masterpiece, Birds of the World, as well as classic bird guides: Birds of North America, Birds of Europe, and The Hamlyn Guide to Birds of Britain and Europe. Singer joined the U.S. Army in 1942 and was assigned to Company C of the 603rd Camouflage Engineers.As a member of unit, known as the "Ghost Army," Singer along with other artists, created camouflage and other forms of deception on the battlefields of Europe. Upon his return to the U.S., he worked briefly in an advertising agency and became a full-time illustrator and artist in 1955. During the 1980s, assisted by his son, Alan, Singer's paintings of state birds were seen by millions when the U.S. Postal Service issued the State Birds & Flowerspostage stamps. The stamps became one of the largest selling commemoratives in U.S. Postal history. He received the Hal Borland Award in 1985 from the National Audubon Society. His paintings are represented in several public and private collections in the United States and Europe. Since his death in 1990, retrospectives of Singer's artwork have been presented in several museums and art galleries across the U.S. PAUL SINGER has focused on designs for zoos, museums, and botanic gardens. He has worked as an interpretive sign designer for the National Park Service and his illustrations are included inThe Knopf Nature Guide series for Audubon, The Audubon MasterGuides to Birding, The Knopf Collector Guides to American Antiques and other publications. ALAN SINGER is a graduate of The Cooper Union School of Art and worked with his father, Arthur, on painting revisions to both of Singer's field guides to birds, and helped illustrate the State Bird & Flower Stamps for the U.S. Postal Service. Since 1989, he has been a tenured professor at the Rochester Institute of Technology. A prolific printmaker, painter, andauthor, he has had 27 solo exhibits.

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The authors take a comprehensive multidisciplinary approach to examine key issues of the cross border movement of patients. State-of-the-art analysis is underpinned by extensive country studies. An essential read for policy makers, regulators, practitioners and students who want to understand, influence and shape this key dimension of the globalisation of health.'- Nick Drager, Honorary Professor LSHTM, Professor of Practice McGill University, Canada'Lunt, Horsfall and Hanefield have brought together the world's leading scholars in the field for this Handbook. Collectively, they chart the course for medical tourism research in covering an exhaustive range of topics. This book is rich in both the breadth and depth of information offered in a time where medical tourism is of increasing importance to the global and domestic health policy and service provision landscape. The editors have done a superb job of steering the contributors and piecing together the various sections of the book to produce a coherent and, what is likely to become, definitive work. It will be essential reading for anyone with interests in the subject.'- Robin Gauld, University of Otago, New ZealandThe growth of international travel for purposes of medical treatment has been accompanied by increased academic research and analysis. This Handbook explores the emergence of medical travel and patient mobility and the implications for patients and health systems.Bringing together leading scholars and analysts from across the globe, this unprecedented Handbook examines the regional and national experiences of medical tourism, including coverage of the Americas, Europe, Africa, the Middle East, and Asia. The chapters explore topics on issues of risk, law and ethics; and include treatment-focused discussions which highlight patient decision-making, patient experience and treatment outcomes for cosmetic, transplantation, dental, fertility and bariatric treatment.Students, practitioners and researchers of global health policy, health and globalization, international business, travel medicine and health ethics will find the subjects discussed to be of considerable interest.Contributors: P.P. Barros, D. Bell, A. Bochaton, A.V. Bustamante, M. Calnan, V. Calovski, V. Casey, R. Chanda, A. Chandu, O.N.Y. Cheung, A. Chikanda, I.G. Cohen, J. Connell, V.A. Crooks, J. Crush, L. Culley, H. Endo, M. Exworthy, J.R. Frederick, W. Friesen, L.L. Gan, A.N. Garman, M.W. Hadler, C.M. Hall, C. Hamlyn-Williams, L.N. Handlos, J. Hanefeld, A.J. He, R. Holliday, D. Horsfall, N. Hudson, S.S. Jervelund, K.N. Jin, T.J. Johnson, R. Johnston, S. Karsavuran, S. Kaya, R.A. Kearns, N.M. Kronfol, M. Lakhanpaul, J. Yeonjae Lee, H. Legido-Quigley, N. Lunt, T. Mainil, L. Manikam, B. Maswikwa, M. Mckee, D. Morgan, T. Noree, S. Okamura, M. Ormond, S. Peckham, G. Pennings, L. Puczkó, D. Reisman, D. Sanders, C.D. Shaw, M. Smith, R. Smith, J. Snyder, E.J. Sobo, I. Sziva, M. Toya, M. Walton-Roberts, R. Whitmore, A. Whittaker, A. Y ld z

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When Marcel Duchamp shipped Constantin Brancusi's sculpture Bird in Space to Edward Steichen in 1926, New York customs officials refused to accept that it was a work of art, instead levying the standard import tariff for a manufactured object. A legal battle ensued, with the courts eventually declaring Bird in Space an artwork and therefore exempt from the tariff. Seventy-eight years later, visitors to Simon Starling's exhibition at New York's Casey Kaplan Gallery were confronted with Staling's own Bird in Space (2004): a two-ton slab of steel from Romania (Brancusi's country of origin) leaning against the gallery wall and propped up on three inflatable cushions. The United States had recently introduced a new import tax of twenty per cent on foreign metals, which Starling circumvented by labelling this unaltered chunk of European steel a work of art. Its plinth of cushioned air not only introduced a second, more representational valance to the work but also brought to bear the traditional sculptural parameters of weight, gravity and balance. Starling's art frequently traffics in deception. It also traffics in traffic, meaning the circulation of goods, knowledge and people (usually the artist himself). Many of his works circle back on themselves, taking an idea on a journey that ends at its point of origin. Wilhelm Noack oHG (2006), for example, is an elaborate helical steel structure designed to loop a thirty-five-millimetre film of the workshop in which it was fabricated. The circuitous path that the film takes through the towering metal structure is the perfect visual metaphor for the work's own circular logic, a self-regulating system that adds up to much more than the sum of its parts. Starling is a key figure in one of contemporary art's most significant recent developments: the linking of artistic practice and knowledge production. Although this tendency flourished with Conceptual art in the 1960s and 1970s, in recent years it has taken on a new intensity. Unlike the Conceptual artists, however, many of whom strove for a language-based dematerialized art, for Starling the object is always at the work's heart. Economies, ecologies, coincidences and convergences are all simply means to an end - although 'simply' may be the wrong word to describe the transformation of thousands of miles of travel and hundreds of years of history into a single sculpture, film or photograph. Starling's other predecessors are the Land artists, such as Robert Smithson, with whom he shares a fascination with entropy and other natural forces. But he is truly an artist of the current age, setting out to understand and illustrate the complex processes through which the natural and human-made realms interact. The five platinum/palladium prints that constitute One Ton (2005) show a single view of a South African platinum mine. Together the five prints contain the precise amount of platinum salts that can be derived from one ton of ore, succinctly illustrating the enormous amount of energy required in the extraction of precious metals. Born in England in 1967 and now living in Denmark, Starling has been the subject of solo exhibitions at museums around the world, including the Hiroshima City Museum of Art (2011), Kunstmuseum Basel (2005) and the Museum of Contemporary Art in Sydney (2002), and his work has been featured in major international group shows, such as the Venice Biennale (2009), the Moscow Biennial (2007) and the São Paulo Biennial (2005). Awards include the Turner Prize (2005), the Blinky Palermo Prize (1999) and the Paul Hamlyn Foundation Award for Artists (1999). In the Survey, Dieter Roelstraete presents a comprehensive overview of Starling's work, examining circularity and serendipity and the their relationship to historical research. For the Interview, Francesco Manacorda and the artist discuss the central role of time in his work. Janet Harbord's Focus scrutinizes Wilhelm Noack oHG (2006) as an example of material cinema. Artist's Choice is a extract from Flann O'Brien's 1996 novel The Third Policeman, a fantastical conversation about bicycles swapping atoms with their riders. Artists Writings include five project statements, all of which consist, in varying proportions, of history, science and speculative fiction.

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